Please Enjoy the Following Sample • This sample is an excerpt from a Samuel French title. • This sample is for perusal only and may not be used for performance purposes. • You may not download, print, or distribute this excerpt. • We highly recommend purchasing a copy of the title before considering for performance. For more information about licensing or purchasing a play or musical, please visit our websites www.samuelfrench.com www.samuelfrench-london.co.uk The Midnight Ride of Paul Revere Book and Lyrics by Ben H. Winters Music and Lyrics by Stephen Sislen A Samuel French Acting Edition samuelfrench.com Book Copyright © 2010 by Ben H. Winters Lyrics Copyright © 2010 Stephen Sislen and Ben H. Winters ALL RIGHTS RESERVED Cover Image by Bill Farnsworth CAUTION: Professionals and amateurs are hereby warned that THE MIDNIGHT RIDE OF PAUL REVERE is subject to a Licensing Fee. It is fully protected under the copyright laws of the United States of America, the British Commonwealth, including Canada, and all other countries of the Copyright Union. All rights, including professional, amateur, motion picture, recitation, lecturing, public reading, radio broadcasting, television and the rights of translation into foreign languages are strictly reserved. In its present form the play is dedicated to the reading public only. The amateur live stage performance rights to THE MIDNIGHT RIDE OF PAUL REVERE are controlled exclusively by Samuel French, Inc., and licensing arrangements and performance licenses must be secured well in advance of presentation. PLEASE NOTE that amateur Licensing Fees are set upon application in accordance with your producing circumstances. When applying for a licensing quotation and a performance license please give us the number of performances intended, dates of production, your seating capacity and admission fee. 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IMPORTANT BILLING AND CREDIT REQUIREMENTS All producers of THE MIDNIGHT RIDE OF PAUL REVERE must give credit to the Author of the Play in all programs distributed in connection with performances of the Play, and in all instances in which the title of the Play appears for the purposes of advertising, publicizing or otherwise exploiting the Play and/or a production. The name of the Author must appear on a separate line on which no other name appears, immediately following the title and must appear in size of type not less than fifty percent of the size of the title type. In addition the following credit must be given in all programs and publicity information distributed in association with this piece: Book and Lyrics by Ben H. Winters Music and Lyrics by Stephen Sislen THE MIDNIGHT RIDE OF PAUL REVERE was originally produced by TheatreworksUSA, with a six person cast, in the spring of 2006, directed by Jeremy Dobrish, with the cast as follows: Paul�����������������������������������������������������������������������������������������Eric Petersen Rachel, etc. ���������������������������������������������������������������������� Trista Moldovan Hancock, etc.�����������������������������������������������������������������������������Ryan Dietz King George, etc.���������������������������������������������������������������� Abe Goldfarb Adams, etc.������������������������������������������������������������������� Jonathan Todd Ross Thomas, etc.����������������������������������������������������������������������������������Ian Lowe The Characters Paul Revere (Baritone/Tenor) Woman 1 (Mezzo) -- Rachel Revere, Randall, Farmer, Others Man 2 (Tenor) -- John Hancock, Thomas, Jebediah, Robert Newman, Court Attendant, Others Man 3 (Baritone/Tenor) -- Samuel Adams, Major Mitchell, Josiah News- papersmith, Lord North, Others Man 4 (Baritone) -- Joseph Warren, King George Iii, Punchbowl Sam, Others Please note that while the show can be performed with as few as five actors, it can happily accommodate larger casts. The doubled parts can easily be undoubled, and a large ensemble would be welcome in the big group numbers. The Setting Boston, Massachusetts; London, England – 1767 to 1776 Scene One Boston: on the Street; Paul’s Shop (A beautiful spring day in the mid-1760s. The colony of Massachusetts Bay; the town of Boston; Clark Street. All the TOWNSPEOPLE of Boston appear [well, four of them, but representing the whole] and sing out heartily.) TOWNSPEOPLE. IN THE COLONY OF MASSACHUSETTS BAY WITH LONDON AN OCEAN AWAY ON THE EDGE OF THE EMPIRE WE WORK AND WE PRAY FOR THE COLONY OF MASSACHUSETTS BAY IN THE COLONY OF MASSACHUSETTS BAY WE’RE FREE AS ANY MEN ALIVE TODAY LIFE IS HARD, BUT WE’RE HAPPY, AND THAT’S WHY WE STAY IN THE COLONY OF MASSACHUSETTS BAY (The TOWNSPEOPLE holler “hello” at one other, mill about doing their various activities, and then exit in all directions, revealing…) (…a small shop, and inside that shop a very enthusiastic man in an artisan’s apron. It’s PAUL REVERE putting the finishing touches on his new establishment.) PAUL. I WORKED AS AN APPRENTICE AT A LOCAL SILVER STORE NOW I’VE GOT MY OWN SHOP: NO APPRENTICE ANYMORE! MY INVENTORY’S POLISHED: COPPER KETTLE, GOLDEN RING 7 8 T H E M I D N I G H T R I D E O F PA U L R E V E R E PAUL. (cont.) MY FIRE STOKED AND ROARING, AND MY HAMMER WAITS TO SWING! THE CUSTOMERS WILL ENTER, SEE THE SILVER ON THE SHELF AND I’LL BEGIN TO FORGE A FINER FUTURE FOR MYSELF IT MAY DEMAND A LIFETIME BUT I PROMISE YOU, ONE DAY I’LL BE THE FINEST SILVERSMITH IN MASSACHUSETTS BAY! (PAUL throws open his door and heads down the street. Again the colonists swarm about.) TOWNSPEOPLE. IN THE COLONY OF MASSACHUSETTS BAY WITH LONDON AN OCEAN AWAY ON THE EDGE OF THE EMPIRE WE WORK AND WE PRAY LIFE IS HARD BUT WE’RE HAPPY AND THAT’S WHY WE STAY WORKING HARD THROUGH THE HOURS OF THE DAY IN THE COLONY OF MASSACHUSETTS BAY (As the crowd disperses, PAUL approaches a man in a printer’s apron.) PAUL. Excuse me – pardon me – excuse me, sir? JOSAIH NEWSPAPERSMITH. Yes? PAUL. I would like to place an item in tomorrow’s Boston Gazette. JOSAIH NEWSPAPERSMITH. What manner of item is it? PAUL. The announcement of the formation of a new business! JOSAIH NEWSPAPERSMITH. Very good. Proceed, sir! PAUL. FOR TRINKETS MADE OF METAL, BE THEY COPPER, BRASS OR GOLD T H E M I D N I G H T R I D E O F PA U L R E V E R E (PAUL pauses for a moment, thinks…and then…) FOR REPAIR OF SILVER ITEMS WHETHER NEW OR VERY OLD THE CRAFT WILL BE EXACTING AND COMPLETED OVERNIGHT JOSIAH & PAUL. AT THE SILVER SHOP OF PAUL REVERE, HE ALWAYS GETS IT RIGHT! JOSAIH NEWSPAPERSMITH. It shall appear in tomor- row’s paper! (PAUL goes back in his shop, as…) Apprentice! (Enter ROBERT NEWMAN, a local doofus.) ROBERT NEWMAN. Um, yessir? JOSAIH NEWSPAPERSMITH. HERE’S A COMMISSION FOR TOMORROW’S EDITION! TAKE IT TO THE PRINTER DOWN AT HARBOR AND THIRD IT SAYS HERE THAT PAUL REVERE IS BOSTON’S MAN FOR SILVER, AND HE’S PAYING YOU AND ME TO SPREAD THE WORD FROM THE BUSTLING BOSTON COMMON TO THE SMALLEST NEIGHBORHOOD I WILL ONLY READ THIS ONCE SO LISTEN GOOD: ROBERT NEWMAN. What? JOSAIH NEWSPAPERSMITH. FOR TRINKETS MADE OF METAL, BE THEY COPPER, BRASS OR GOLD, FOR REPAIR OF SILVER ITEMS WHETHER NEW OR VERY OLD JOSAIH & NEWMAN. THE CRAFT WILL BE EXACTING AND COMPLETED OVERNIGHT 9 10 T H E M I D N I G H T R I D E O F PA U L R E V E R E JOSAIH, NEWMAN, & PUNCHBOWL SAM. AT THE SILVER SHOP OF PAUL REVERE HE ALWAYS GETS IT RIGHT! (NEWMAN runs off. PUNCHBOWL SAM a local lover of punch, enters PAUL’s shop with his sadly broken punch bowl. PAUL leaps up to help him.) PUNCHBOWL SAM. MY PUNCHBOWL’S DONE IN THERE’S HOLES IN THE TIN MY PUNCH WON’T STAY INSIDE IT IT’S UTTERLY ABSURD! PAUL. HERE’S WHAT YOU DO! (PAUL fixes it in a jiff.) THERE, GOOD AS NEW! PUNCHBOWL SAM. MY GOSH, REVERE, YOU’VE DONE IT, HOW CAN I THANK YOU? PAUL. SPREAD THE WORD! PUNCHBOWL SAM. I’LL TELL ALL MY FRIENDS AND NEIGHBORS OF THE STERLING WORK YOU DO I’LL TELL EVERYONE I KNOW, AND STRANGERS TOO! (He exits the shop.) Hey, everybody! (From the other side of the stage, a FARMER enters the shop.) FARMER. MY PITCHFORK IS BUSTED! LOOK HOW IT’S RUSTED! I’VE NO IDEA HOW THIS OCCURRED! (PAUL takes the pitchfork.) PAUL. LET’S HAVE A LOOK T H E M I D N I G H T R I D E O F PA U L R E V E R E (He works on it for a split second.) THAT’S ALL IT TOOK FARMER. MY GOSH, REVERE, YOU’VE FIXED IT, HOW CAN I THANK YOU? PAUL. DON’T THANK ME… SPREAD THE WORD! FARMER. I’LL TELL ALL MY FELLOW FARMERS AND MY FELLOW FARMER’S FRIENDS HERE’S THE PLACE TO TAKE YOUR METAL WHEN IT BENDS! (The FARMER exits and finds a crowd of Bostonians.) Hey, everybody! FARMER & TOWNSPEOPLE. FOR TRINKETS MADE OF METAL BE THEY COPPER, BRASS OR GOLD FOR REPAIR OF SILVER ITEMS WHETHER NEW OR VERY OLD THERE LIVES A MAN IN BOSTON WHO IS DILIGENT AND WISE AT THE SILVER SHOP OF PAUL REVERE YOU WON’T BELIEVE YOUR EYES! (A dance: people “spread the word” to one another, whispering, hollering, cavorting, streaming in and out of PAUL’s shop. He tends to their needs in short order.) FARMER. Hooray! NEWMAN. Hooray! JOSAIH NEWSPAPERSMITH. Hooray! FARMER. Hooray! NEWMAN. Hooray! FARMER. Hooray! JOSAIH NEWSPAPERSMITH. Hooray! 11 12 T H E M I D N I G H T R I D E O F PA U L R E V E R E FARMER, NEWMAN, & JOSIAH. Hooray, hooray, hooray! (A fancy-looking gentleman named DOCTOR JOSEPH WARREN enters and regards the dancing people archly for a moment. Then:) WARREN. Ahem! My name is Doctor Joseph Warren. I am a doctor, as you may have guessed from my name. A wealthy patient of mine has paid for his annual leeching in silver coins. I would like to have those coins melted down and made into a big spoon as a gift for my wife, who loves spoons. Where could I find a silversmith to take such an order? (Everybody sings!) ALL. FOR TRINKETS MADE OF METAL, BE THEY COPPER, BRASS OR GOLD FOR REPAIR OF SILVER ITEMS WHETHER NEW OR VERY OLD! THE CRAFT WILL BE EXQUISITE, FINISHED JUST HOW YOU DESIRE AT THE SILVER SHOP OF PAUL REVERE HE’S THE MAN THAT YOU REQUIRE PAUL I’M THE MAN THAT YOU REQUIRE ALL. THE CRAFT WILL BE EXACTING, EVERY ITEM GLEAMING BRIGHT AT THE SILVER SHOP OF PAUL REVERE HE ALWAYS GETS IT RIGHT PAUL. I ALWAYS GET IT RIGHT! (End song.) (As the dancers clear away, DR. WARREN enters PAUL’s shop.) So you’re a real doctor, are you, sir? T H E M I D N I G H T R I D E O F PA U L R E V E R E WARREN. Indeed. I am up to date on all the latest med- ical procedures, including leeching, bleeding, and extraction. I have myself pioneered a new technique, in which headaches are treated by putting the patient in a barrel and rolling him down a hill. PAUL. My goodness. WARREN. Here is the silver I would like made into a spoon. It is said you are an artisan of considerable skill, Mr. Revere. I hope I shall not be disappointed. (WARREN exits.) PAUL. I hope so, too. (PAUL picks up his tools and sings to himself as he begins to work:) PAUL. I WAS A MERE APPRENTICE AT MY MASTER’S BECK AND CALL BUT NOW I’VE GOT MY OWN SHOP, LORD AND MASTER OF IT ALL IT MAY DEMAND A LIFETIME BUT I’M CERTAIN THAT ONE DAY I SHALL BE THE FINEST SILVERSMITH IN MASSACHUSETTS BAY! (PAUL gets to work.) (Meanwhile…) Scene Two London, the Palace of King George (…a COURT ATTENDANT strides forward, accompanied by a fanfare.) COURT ATTENDANT. Ladies and gentlemen, please wel- come…live from the Court of St. James, London England; the fellow who puts the “great” in Great 13 14 T H E M I D N I G H T R I D E O F PA U L R E V E R E COURT ATTENDANT. (cont.) Britain…your king and mine…King George the Third! (The pouty, slightly insane KING GEORGE III enters, accompanied by his put-upon first minister, LORD NORTH.) KING GEORGE III. You know what the best thing is about my life? LORD NORTH. No, your highness. What is it? KING GEORGE III. Being the King of England. I really love it. LORD NORTH. Very good, your highness. KING GEORGE III. I’m serious. It’s the best. LORD NORTH. Very good, your highness. KING GEORGE III. To business! I understand that the late unpleasantness in the colonies is at last concluded. LORD NORTH. Indeed, your highness. Our forces, aligned with the Iroquois and other Indian tribes, have proved victorious over the hated French. The Seven Year’s War is at an end. KING GEORGE III. That seemed like it took a really long time. LORD NORTH. Seven years, your highness. KING GEORGE III. Really? Seemed longer. Anyhoo, we must now turn our attention to refilling the royal coffers, so woefully depleted by this epic conflict. LORD NORTH. Yes, your highness. My ministers and I have already devised a plan: We shall tax the colonies! KING GEORGE III. Shhhh! Quiet! I’ve got it. We shall tax the colonies! LORD NORTH. (sigh) Yes, your highness. KING GEORGE III. Now. What’s for snack? (They exit, with further fanfare. On the way out, LORD NORTH throws a proclamation…) T H E M I D N I G H T R I D E O F PA U L R E V E R E Scene Three Boston: on the Street; Paul’s Shop (…and it is caught by THOMAS, a regimental British soldier. He speaks, unlike the show’s other Bostonians, with an English accent.) THOMAS. Ahem. Attention people of Boston. By decree of Parliament and his royal highness King George the Third, a three-pence tax is hereby imposed on the importation of sugar! (PAUL opens his door.) PAUL. Thomas? Is that you? THOMAS. Paul Revere, old friend! (The two men shake hands warmly.) So you’ve finally done it. Left the Massachusetts Militia to open a silver shop. PAUL. Well? What do you think? THOMAS. I’m mighty proud of you, Paul. PAUL. And how is army life these days? THOMAS. The usual. We British regulars are always squabbling with you militia types; there’s never enough food; many of the men lack shoes. PAUL. How’s old Finchy? THOMAS. He was eaten by a bear. PAUL. That’s too bad. (THOMAS pulls out a signet ring.) THOMAS. Listen, Paul. This is my silver signet ring. I would like it engraved with the insignia of the Sixth Regiment of His Majesty’s Army. PAUL. Consider it done! (THOMAS exits.) Another order! (PAUL tries again to get to work, but…) 15 16 T H E M I D N I G H T R I D E O F PA U L R E V E R E Scene Four Continuing (…outside his window he hears a dreadful racket. RANDALL, a local artisan, is fulminating on the street outside his window.) RANDALL. This is the most ridiculous thing I ever heard of! Why, it’s despicable! It’s disgustin’ ! (PAUL exits his shop and finds RANDALL a local artisan. He wears an artisan’s apron and speaks in a thick Boston accent.) PAUL. Why, Randall! What on Earth are you so angry about? RANDALL. Aw, you wouldn’t believe it if I told ya! PAUL. Try me, friend. RANDALL. It’s simple. Jebediah Pierce is tryna ruin my business! (JEBEDIAH, dressed like Randall and in the same sputtering fury, storms on.) JEBEDIAH. Ha! Randall here is tryna ruin my business! Not to mention every other respectable merchant on Clark Street! RANDALL. You wouldn’t know a respectable merchant if he was doing the backstroke in your clam chowdah! JEBEDIAH. Sez who? RANDALL. Sez me! PAUL. Randall! Jebediah, please! Perhaps I can be of some assistance? (During the follow, DR. WARREN comes up the street. He stops to listen.) JEBEDIAH. You know my butcher shop here at the end of Clark street? T H E M I D N I G H T R I D E O F PA U L R E V E R E PAUL. Yes? RANDALL. And you know how my tea shop is right next door… JEBEDIAH. Just my luck. RANDALL. Quiet, you. PAUL. So what is the dispute? JEBEDIAH. Randall here complains when the wind from the river carries the gentle fragrance of my butcher shop into his little tea store. RANDALL. Gentle fragrance?! My whole shop smells like ham hocks! Who wants to drink tea that smells like ham hocks? JEBEDIAH. Who DOESN’T? ! RANDALL. Why I oughta… PAUL. Wait! Wait! If you simply switch storefronts, the butcher shop will be DOWNWIND from the tea shop! (The two men slap their respective foreheads.) RANDALL & JEBEDIAH. Of course! JEBEDIAH. You’re a genius, Paul Revere! RANDALL. Let’s never fight again. JEBEDIAH. Come here, you. (The artisans hug, then leave.) WARREN. Ahem. PAUL. Why Dr. Warren! WARREN. Pardon the interruption. I fear I left my spectacles in your shop, and I am performing a delicate medical operation this afternoon: A procedure to cure a man’s blindness by dunking him in a tub of applesauce. PAUL. My goodness. WARREN. Those local artisans esteem you most highly. PAUL. I don’t know about that. 17 18 T H E M I D N I G H T R I D E O F PA U L R E V E R E WARREN. Do not be modest. You are a wise man, and one to whom men pay heed. It is a rare and potentially valuable confluence of traits. PAUL. Valuable? What do you mean? (Enter quite suddenly the radical patriots SAMUEL ADAMS, scrappy and tough in his trademark tricorner hat, and his constant companion, the small and foppish JOHN HANCOCK.) ADAMS. Please – let us explain. HANCOCK. Hello! ADAMS. Good day! HANCOCK. Well met! ADAMS. How do? Paul Revere! HANCOCK. Silversmith! ADAMS. Artisan! HANCOCK. And all-around admirable fellow! (bowing deeply) I am John Hancock. ADAMS. And I Samuel Adams! A pleasure! HANCOCK. A privilege! ADAMS. But – you were saying? PAUL. Why, gentlemen. I have not said a word. HANCOCK. Good man! ADAMS. Quiet! HANCOCK. Contemplative! PAUL. It is truly an honor to have such gentlemen as yourselves in my humble shop. Do you require something to be mended? ADAMS. In a sense. HANCOCK. In a way. ADAMS. In a manner of speaking, good sir, all of Massachusetts Colony is in need of repair. PAUL. What do you mean? T H E M I D N I G H T R I D E O F PA U L R E V E R E HANCOCK. You have heard, Mister Revere, of the new round of taxes being levied by Parliament and the King? PAUL. Oh, I’m afraid I have. If only there were some way we could get Parliament to reconsider. ADAMS. Funny you should mention it. HANCOCK. Not funny like “ha ha” funny. Like “coincidental” ADAMS. I think that was clear. WARREN. Mr. Revere, these gentlemen and I would like you to meet with us tonight at the Green Dragon Tavern. PAUL. Really? Why? HANCOCK. Glad you asked. (They burst into song. Obviously.) WARREN. THERE’S A CERTAIN BAND OF FELLOWS, BOLD AND RIGHTEOUS THROUGH AND THROUGH THEY’RE BRAVE AS THEY ARE CLEVER, FULL OF PLUCK AND DERRING-DO! ADAMS. THERE’S A SMALL CONGLOMERATION OF THE FINEST SORTS OF MEN WHO’VE PAID THEIR SHARE OF TAXES, AND THEY SHALL NOT PAY AGAIN! WARREN. FOR WHEN A MAN IS HELPLESS THEN HE TENDS TO GO AND GET A COUPLE OF HIS FRIENDS HANCOCK. THERE’S A SWELL ASSOCIATION WITH A VERY RIGHTEOUS GOAL: TO RALLY ROUND OLD BOSTON FOR TO SAVE HER VERY SOUL! 19 20 T H E M I D N I G H T R I D E O F PA U L R E V E R E ADAMS. THEY SHALL FIGHT AGAINST TAXATION WARREN. WHAT A VIRTUOUS PURSUIT! ADAMS. THEY’RE BRASH AND THEY’RE DETERMINED HANCOCK. AND THEY’RE ALSO VERY CUTE WARREN. WHEN TAXES THREATEN MASSACHUSETTS BAY HANCOCK, ADAMS, & WARREN. JUST LOOK AT WHO ARRIVES TO SAVE THE DAY! PAUL. Who? WARREN. WE’RE CALLED THE SONS OF LIBERTY THE MIGHTY SONS OF LIBERTY OUR MISSION IS TO GUARANTEE THE RIGHTS OF THIS GREAT COLONY! ADAMS. WE’RE CALLED THE SONS OF LIBERTY OPPRESSION IS OUR ENEMY HANCOCK. OUR ONLY MOTIVATION’S, THE COLONY’S SALVATION: HANCOCK, ADAMS, & WARREN. THE SONS OF LIBERTY ADAMS. AND WHEN EVERY MAN IN BOSTON HAS ENLISTED IN THE CAUSE THEN PARLIAMENT WILL HEAR US AND IT’S SURE TO GIVE THEM PAUSE! HANCOCK. WHEN EACH FARMER AND EACH MERCHANT SAYS “NO TAXING, THANK YOU SIR!” THOSE HYPOCRITES WILL HAVE TO PUT THINGS BACK THE WAY THEY WERE Hungry for More? This is a Sample of the Script Buy the full script and explore other titles www.samuelfrench.com www.samuelfrench-london.co.uk Titles are subject to availability depending on your territory.
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