THE MUSIC OF JOHN WILLIAMS
WITH MUSIC FROM “HARRY POTTER” AND “STAR WARS”
TUESDAY
HPU DEPARTMENT OF ARTS AND HUMANITIES
APRIL 29, 2014
BAND
7:00 P.M.
ROOSEVELT HIGH
SCHOOL AUDITORIUM
1120 NEHOA ST
HONOLULU, HI 96822
FREE ADMISSION/CALABASH OFFERING
HPU SYMPHONIC
Dr. Joseph Ruszkowski, Conductor
CWO Michael Smith, USMC MARFORPAC Band
Guest Narrator
HAWAIʻI PACIFIC UNIVERSITY * DEPARTMENT OF ARTS AND HUMANITIES * SYMPHONIC BAND SPRING 2014
Spring Concert 2014
Program
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Star Wars, The Marches
John Williams, Arr. Brubaker
!
First Suite in E flat
Gustav Host
!
Across the Halfpipe
Samuel Hazo
!!
A short interlude featuring the USMC “Green Men”
!
El Caribe
Lalo Davila
HPU Percussion Ensemble
!
A short, 10 minute intermission
!
The Sound of Music
Rodgers and Hammerstein, arr. Bennett
!!
Lincoln Portrait
Aaron Copland, arr. Beeler
CWO Michael Smith, USMC, Narrator
!!
Harryʻs Wondrous World
John Williams
!
!
!
!
!
Spring Concert 2014
HAWAIʻI PACIFIC UNIVERSITY * DEPARTMENT OF ARTS AND HUMANITIES * SYMPHONIC BAND SPRING 2014
The Music of John Williams
Hawai`i Pacific University
Symphonic Band
!
The Hawaiʻi Pacific University
Band is comprised of over 45
instrumentalists from Hawaii and
abroad. Providing the musical spirit
at HPU sporting events in the form
of the Pep Band, the Symphonic
Band performs in the concert hall
setting. The Band plays a wide
variety of styles as demonstrated in
tonight’s program.
The Band also features the
members of the rhythm section who
perform as the Hawaiian Ensemble,
entertaining at HPU events
throughout the year and tonight as
the opening act of this evening’s
concert.
The HPU Band toured the West
Coast in 2012, and will take a grand
cruise of Alaska in the Spring of
2015. Please visit www.hpu.edu for
more information.
!
Joseph Ruszkowski, PhD
Conductor Dr. Joseph M. Ruszkowski is currently
Assistant Professor of Music and Director of
Bands at Hawaiʻi Pacific University. He is
the former Assistant Professor of Music
Technology at the University of Hawaiʻi, and
has been an instructor in various capacities
in music education and music technology at
UH from 2003 to 2012. Dr. Ruszkowski taught at Honolulu
Waldorf Schools from 2004-2012, and
taught at Kamehameha Schools Performing
Arts Academy from 2007-2010. He has an
extensive body of scholarly writing in the
fields of music technology and music
education, as well as several journal
publications in the field of music and
medicine. He is also an active music
producer, engineer and clinician, and his
works have received numerous awards,
including the 2009 Hawaiʻi Music Awards
Classical Album of the Year as producer
and engineer.
Before moving to Hawaiʻi in 2001, Dr.
Ruszkowski was the Director of Bands at
Ocean City High School in New Jersey
where he taught a variety of 9-12 classes
including marching band, concert band,
jazz band, jazz improvisation, music theory,
music appreciation, piano, and recording.
Prior to this, he was the Director of Music at
Manchester Township High School in
Lakehurst, New Jersey, where he was
director of bands, choir director and director
of musicals. He is a 1990 graduate of
Temple University in Philadelphia with a
Bachelor of Music Education degree, a 1993
graduate of the University of Wyoming with
a Master of Music degree, and a 2006
graduate of the University of Hawaiʻi with a
Ph.D. in Music.
Spring Concert 2014
HAWAIʻI PACIFIC UNIVERSITY * DEPARTMENT OF ARTS AND HUMANITIES * SYMPHONIC BAND SPRING 2014
Program Notes
The Music of
!
John Williams
One of the most popular and
successful American orchestral composers
of the modern age, John Williams is the
winner of five Academy Awards, 17
Grammys, three Golden Globes, two
Emmys and five BAFTA Awards from the
British Academy of Film and Television
Arts. Best known for his film scores and
ceremonial music, Williams is also a noted
composer of concert works and a
renowned conductor.
Williams’ scores for such films as
Jaws, E.T.: The Extra-Terrestrial,
Schindler's List, as well as the Indiana
Jones series, have won him multiple
awards and produced best-selling
recordings, and his scores for the original
Star Wars trilogy transformed the
landscape of Hollywood film music and
became icons of American culture.
Williams has composed the music and
served as music director for nearly eighty
films, including Saving Private Ryan,
Amistad, Seven Years in Tibet, The Lost
World, Rosewood, Sleepers, Nixon,
Sabrina, Schindler's List, Jurassic Park,
Home Alone, Far and Away, JFK, Hook,
Presumed Innocent, Always, Born on the
Fourth of July, the Indiana Jones trilogy,
The Accidental Tourist, Empire of the Sun,
The Witches of Eastwick, the Star Wars
trilogy, E.T.: The Extra-Terrestrial, The
Empire Strikes Back, Superman, Close
Encounters of the Third Kind, Jaws and
Goodbye Mr. Chips.
Williams has been awarded several
gold and platinum records, and his score
for Schindler's List earned him both an
Oscar and a Grammy. In 2000, at the
ShoWest Convention USA, he was
honored as Maestro of the Year by the
National Association of Theater Owners.
John Williams was born in New York
and moved to Los Angeles with his family
in 1948. There he attended UCLA and
studied composition privately with Mario
Castelnuovo-Tedesco. After service in the
Air Force, Mr. Williams returned to New
York to attend the Juilliard School, where
he studied piano with Madame Rosina
Lhevinne. While in New York, he also
worked as a jazz pianist, both in clubs and
on recordings. He then returned to Los
Angeles, where he began his career in the
film industry, working with such composers
as Bernard Herrmann, Alfred Newman, and
Franz Waxman. He went on to write music
for many television programs in the 1960s,
winning two Emmy Awards for his work.
In January 1980, Williams was named
nineteenth Conductor of the Boston Pops
Orchestra since its founding in 1885. He
assumed the title of Boston Pops Laureate
Conductor, following his retirement in
December 1993, and currently holds the
title of Artist-in-Residence at Tanglewood.
Williams has written many concert
pieces, including a symphony, a sinfonietta
for wind ensemble, a cello concerto
premiered by Yo-Yo Ma and the Boston
Symphony Orchestra at Tanglewood in
1994, concertos for the flute and violin
recorded by the London Symphony
Orchestra, concertos for the clarinet and
tuba, and a trumpet concerto, which was
premiered by the Cleveland Orchestra and
their principal trumpet Michael Sachs in
September 1996. His bassoon concerto,
The Five Sacred Trees, which was
premiered by the New York Philharmonic
and principal bassoon player Judith
LeClair in 1995, was recorded for Sony
Classical by Williams with LeClair and the
London Symphony. In addition, Mr.
Williams has composed the well-known
NBC News theme "The Mission," "Liberty
Fanfare" composed for the re-dedication
of the Statue of Liberty, "We're Lookin'
Good!," composed for the Special
Olympics in celebration of the 1987
International Summer Games, and themes
for the 1984, 1988, and 1996 Summer
Olympic games. His most recent concert
work Seven for Luck – for soprano and
orchestra – is a seven-piece song cycle
based on the texts of former U.S. Poet
Laureate Rita Dove. Seven for Luck was
given its world premiere by the Boston
Symphony under Mr. Williams with
soprano Cynthia Haymon.
John Williams has led the Boston
Pops Esplanade Orchestra on United
States Tours in 1985, 1989 and 1992 and
on a tour of Japan in 1987. He led the
Boston Pops Orchestra on tours of Japan
in 1990 and 1993. In addition to leading
the Boston Symphony Orchestra at
Symphony Hall and at Tanglewood,
Williams has appeared as guest conductor
with a number of major orchestras,
including the London Symphony, the
Cleveland Orchestra, the Philadelphia
Orchestra, the Chicago Symphony, the
Pittsburgh Symphony, the Dallas
Symphony, the San Francisco Symphony
and the Los Angeles Philharmonic.
Williams holds honorary degrees from
fourteen American universities, including
Berklee College of Music in Boston,
Boston College, Northeastern University,
Tufts University, Boston University, the
New England Conservatory of Music and
the University of Massachusetts at Boston.
On June 23, 2000, he became the first
inductee into the Hollywood Bowl Hall of
Fame -Note from JohnWilliams.com
Spring Concert 2014
HAWAIʻI PACIFIC UNIVERSITY * DEPARTMENT OF ARTS AND HUMANITIES * SYMPHONIC BAND SPRING 2014
Program Notes
!
Star Wars, The Marches
John Williams created so many
stunning marches to accompany the Star
Wars motion pictures that they had to be
combined in one powerful piece. The
arrangement features: "Star Wars (Main
Theme)," "Parade of the Ewoks," "The
Imperial March," "Augie’s Great Municipal
Band" and "The Throne Room.”
- Note from JWPepper
!
!
First Suite in E Flat
!
2009 mared the 100th anniversary of
the First Suite in Eb by Gustav Holst, now
considered one of the masterworks and
cornerstones of the band literature.
Although completed in 1909, the suite
didn't receive its official premiere until 11
years later on June 23rd, 1920, by an
ensemble of 165 musicians at the Royal
Military School of Music at Kneller Hall.
However, the work was originally
conceived to be performed by ensembles
significantly smaller than the one at Kneller
Hall. During this time period there was no
standardized instrumentation among the
hundreds of British military bands of the
day, and as a result no significant literature
had been previously written for the band
medium; most British bands up to then
performed arrangements of popular
orchestral pieces. In order to ensure the
suite would be accessible to as many
bands as possible, Holst ingeniously
scored the work so that it could be played
by a minimum of 19 musicians, with 16
additional parts that could be added or
removed without compromising the
integrity of the work.
There are three movements in the
suite: Chaconne, Intermezzo, and March.
Holst writes, “As each movement is
founded on the same phrase, it is
requested that the suite be played right
through without a break.” Indeed, the first
three notes of the Chaconne are Eb, F and
C, and the first three notes of the melody
when it first appears in the Intermezzo are
Eb, F, and C. In the third movement,
March, Holst inverts the motive: The first
note heard in the brilliant opening brass
medley is an Eb, but instead of rising, it
descends to a D, and then a G; the exact
opposite of the first two movements.
The Chaconne begins with a ground
bass reminiscent of those written by Henry
Purcell or William Byrd. It is performed by
tuba, euphonium and string bass and is
repeated throughout the ensemble sixteen
full times as varying instrumental textures
and variations of the theme are layered
within it. Following a delicately scored
chamber setting of the theme, the music
steadily builds to a brilliant Eb Major chord
that concludes the movement.
The Intermezzo is light and brisk and
features soloistic passages for the cornet,
oboe and clarinet. Holst prominently
displays the agility and sensitivity of the
wind band through transparent textures
and passages where the melody and
accompaniment are woven into a variety of
instrumental settings.
The March begins suddenly. It
consists of two themes, the first of which,
performed by brass choir and percussion,
is a march light in character. The second
theme is dominated by the woodwinds and
is composed of a long, lyrical line
reminiscent of the original Chaconne
melody. The movement concludes with
both themes intertwining as the band
crescendos to a climax.
Gustav Holst, of Scandinavian
ancestry on his father's side, was born in
the English spa town of Cheltenham in
1874 and studied music at the Royal
College in London. A formidable
trombonist, he spent time performing with
the Scottish Symphony and various
seaside bands. He later became director of
music at St. Paul's Girls' School, retaining
this connection until the end of his life.
Holst wrote a number of works for the
theatre, their subjects reflecting his varied
interests, from Hindu mythology to
Shakespeare and the medieval world of
the Wandering Scholar. He also composed
a considerable amount of choral music,
accompanied and unaccompanied,
including arrangements of folk songs, and
a smaller number of solo songs. His most
famous instrumental work is The Planets,
but he is also fondly remembered for his
St. Paul’s Suite for string orchestra, the
two suites for military band, and
Hammersmith, based on the district of
London bearing the works name.
- Note by Esmail Khalili
!
Across the Halfpipe
(from Three Minnesota
Portraits)
All three movements of Three Minnesota
Portraits were commissioned by and for
the Edina High School Band of Edina,
Minnesota – Mr. William Webb, Conductor.
Each movement offers a snapshot of
Minnesota in winter, and in particular,
memories and images that Minnesotans
have of that time of year. As the poet Miller
Williams often says, “true art involves
writing about people at their most
vulnerable times.” This was my goal in
composing Minnesota
Portraits. Three Minnesota Portraits was
originally a two-movement piece
entitled Two Winter Songs. Shortly after
completing the second movement, "Rest",
I received a note from the commissioner of
Spring Concert 2014
HAWAIʻI PACIFIC UNIVERSITY * DEPARTMENT OF ARTS AND HUMANITIES * SYMPHONIC BAND SPRING 2014
of the piece Bill Webb. He expressed
how much he would like to add a
contrasting third movement. He went on to
say that many of his students snowboard
and they asked if there could be a
movement about snowboarding. This
sounded like it would be a blast to write,
so I based the third movement on the
aerial tricks snowboarders do each time
they cross the halfpipe. Their
performances build as they gain
momentum the further down the pipe they
go, so I tried to structure the overall build
and excitement in Across the Halfpipe the
same way.
- Note by Samuel Hazo
!
!
Intermission-10 Min.
!
!
El Caribe
Percussion Feature
Lalo Davila is currently Director of
Percussion Studies at Middle Tennessee
State University. Lalo received his Bachelor
of Music degree from Corpus Christi State
University and a Master of Music degree
from the University of North Texas. Lalo
has performed with the Corpus Christi
Symphony Orchestra, the Nashville
Symphony, Six Pence None The Richer,
Clay Walker, Vickie Carr, Sherry Lewis, The
Panhandlers Steel Band and Max Carl and
the Big Dance. Currently, Lalo performs
with several Latin groups including
"Orkesta Eme Pe". Known as an
outstanding clinician and adjudicator, Lalo
has conducted clinics throughout the
United States, Mexico, Cuba and Japan.
Lalo is the author of Contemporary
Rudimental Studies and Solos.
- note by Lalo Davila
!
The Sound of Music
ROBERT RUSSELL BENNETT
In a career spanning more than five
decades, Robert Russell Bennett
(1894-1981) arranged more than 300
Broadway musical scores; in musical
comedy's golden era of the '20's he
orchestrated up to twenty-two shows a
season. Among his credits were SHOW
BOAT, ROBERTA, SUNNY, ROSE-MARIE,
NO, NO, NANETTE, GIRL CRAZY, OF
THEE I SING, FACE THE MUSIC, CARMEN
JONES, FINIAN'S RAINBOW, KISS ME,
KATE, MY FAIR LADY and CAMELOT. He
orchestrated seven of Rodgers &
Hammerstein's musicals, including
OKLAHOMA!, SOUTH PACIFIC, THE KING
AND I, and THE SOUND OF MUSIC; his
arrangements for the 1955 film version of
OKLAHOMA! earned him an Academy
Award. He also orchestrated and arranged
Rodgers' thirteen-hour television
documentary score for VICTORY AT SEA.
A classically trained composer, Bennett's
prolific output of original compositions
includes symphonies, sonatas, a ballet, a
concerto and an opera. He is the
posthumous recipient of a 2008 Special
Tony Award in recognition of his historic
contribution to American musical theatre.
- note by RNH.com
Lincoln Portrait
Soon after the entrance of the United
States into World War II, André Kostalanetz
approached three American composers
with the concept of creating musical
portraits of eminent Americans, to express
the “magnificent spirit of our country.”23
The resulting commissions were Virgil
Thomson’s The Mayor LaGuardia Waltzes,
Jerome Kern’s Portrait for Orchestra of
Mark Twain, and Aaron Copland’s Lincoln
Portrait.
Although Copland originally chose
Walt Whitman to complete this gallery of
American personalities, when Kostelanetz
suggested a statesman, he immediately
opted for Abraham Lincoln. Copland
reflected, “I seem to remember having read
a biography of Abraham Lincoln by an
English lord. I was very taken by it—that an
English lord would want to write about
Lincoln and think him a great man.”24
From Lord Charnwood’s 1917 biography,
Copland selected a number of quotes,
including the closing lines of the
Gettysburg Address. These excerpts
clearly voiced America’s concerns in the
current world crisis, “expressing the urgent
need for responsible action, de- fining the
democratic principles at stake, and
offering thanks and remembrance to the
fallen dead and hopes for a ‘new birth of
freedom.’”
“The composition is roughly divided
into three main sections,” Copland notes.
“In the opening section I wanted to
suggest something of the mysterious
sense of fatality that surrounds Lincoln’s
personality. Also near the end of that
section, something of his gentleness and
simplicity of spirit. The quick middle
section briefly sketches in the background
of the times he lived in. This merges into
the concluding section where my sole
purpose was to draw a simple but
impressive frame about the words of
Lincoln himself.”26
To establish the period, Copland
borrowed two songs of Lincoln’s time:
Stephen Foster’s Camptown Races and
the early American ballad, Springfield
Mountain. The remainder of the thematic
material is original, but exhibits Copland’s
determination to continue developing a
distinctively American music.
!
!
Spring Concert 2014
HAWAIʻI PACIFIC UNIVERSITY * DEPARTMENT OF ARTS AND HUMANITIES * SYMPHONIC BAND SPRING 2014
Lincoln Portrait was premiered by the
Cincinnati Symphony Orchestra under
Kostelanetz on May 14, 1942. Walter
Beeler’s band transcription was published
in 1951 and has become as popular as the
original orchestral version.
- notes from US Army Field Band
!
Harry’s Wondrous
World
!
John Williams (b. 1932), arranged by
Jerry Brubaker. “Harry’s Wondrous World”
is originally heard in the film Harry Potter
and the Sorcerer’s Stone. For this project,
Williams broke from his usual practices
and actually took the time to read
Rowling’s book for inspiration (and he
reportedly enjoyed it, too).
John Williams scored the first three
films of the Harry Potter franchise. Some of
the scores were later used in the last five
films. Like the main themes from Jaws,
Star Wars, Superman, and Indiana Jones,
fans have come to identify the Harry Potter
films with Williams' original compositions.
Williams was nominated for an
Academy Award for Best Original Score for
both Sorcerer’s Stone and Prisoner of
Azkaban and received Golden Globe
nominations for Best Score Soundtrack.
“Harry’s Wondrous World” was used during
the closing credits of the first two films—
true Potter Heads in our audience will
immediately recognize this theme and will
feel as though they are right beside Harry
as he takes his first steps into Hogwarts,
beginning his long quest to defeat YouKnow-Who.
note by the Elgin Symphony
!
Chief Warrant Officer
Michael J. Smith
Chief Warrant Officer 3, Michael J.
Smith, originally from Terre Haute, Indiana,
enlisted in the Marine Corps in 1987. Upon
completing Recruit Training at Marine
Corps Recruit Depot San Diego, he was
meritoriously promoted to Private First
Class and transferred to the Armed Forces
School of Music at the Naval Amphibious
Base in Little Creek, Virginia for the sixmonth basic musician’s course as
drummer with the Drum and Bugle Corps.
After completing the Basic Musician’s
Course at the Armed Forces School of
Music and receiving his next promotion,
Lance Corporal Smith reported to the U.S.
Marine Drum and Bugle Corps in Albany,
Georgia. At the conclusion of 1989, by a
decision of the Commandant of the Marine
Corps, the Albany Drum and Bugle Corps
was replaced with a band. Lance Corporal
Smith was promoted to Corporal when the
Albany Marine Band stood-up in January
of 1990. Later that same year during
Operation Desert Shield when ground
combat was determined eminent, Corporal
Smith was sent to Camp Lejeune, North
Carolina. There he trained with Combat
Replacement Regiment Six and deployed
to Saudi Arabia in support of Operation
Desert Shield with perimeter security
platoons for Naval Fleet Hospital 15 in Al
Jubail, and 1st Medical Battalion in Al
Khanjar. At the conclusion of Desert Storm,
Corporal Smith returned and resumed his
duties as a percussionist with the Albany
Marine Band.
After Corporal Smith was promoted to
Sergeant, he was transferred to Okinawa
Japan in 1994 for duty with the III Marine
Expeditionary Force Band, where he
served as the Percussion Section Leader
and Platoon Sergeant. Highlights of that
tour included several the 50th
Anniversaries of several WW II battles in
the Pacific to include the Battle of Iwo
Jima, where Sergeant Smith reenlisted
once again, but this time at the top of
Mount Surabachi at the location where the
famous flag raising took place. After
Japan, and completion of the six-month
intermediate course at the Armed Forces
School of Music, Sergeant Smith
transferred to the Marine Corps Recruit
Depot Band in Parris Island, South
Carolina. There Sergeant Smith was
promoted to Staff Sergeant and served as
the Percussion Section Commander and
Public Affairs Chief. Staff Sergeant Smith
once again returned to the Armed Forces
School of Music for six-months to attend
the Advanced Course, then transferred to
the Marine Corps Band in Quantico,
Virginia, as the Operations Chief and
Enlisted Band Leader. In 2000, Staff
Sergeant Smith was selected for Warrant
Officer and reported to the 2nd Marine
Division Band in June 2001 for his first
assignment as a Marine Corps Band
Officer.
In June of 2011, Chief Warrant Officer
Smith reported to his current duty
assignment as Officer in Charge and
Principle Conductor of the Marine Forces
Pacific Band.
!
!
Tonight’s Calabash
We are proud to present this
evening’s concert free of
charge. We would appreciate
any donations to tonight’s
calabash. Money from this
collection goes help pay
performance support and to the
general fund of the Hawaii
Pacific University Sea Band.
Spring Concert 2014
HAWAIʻI PACIFIC UNIVERSITY * DEPARTMENT OF ARTS AND HUMANITIES * SYMPHONIC BAND SPRING 2013
HAWAIʻI PACIFIC UNIVERSITY SYMPHONIC BAND
Flute
Cretian Au-Keliikoa *
Monica Parrish Sara Teixeira Samantha Avina
Kara Ann Ichiyama
Sgt. Britton Haynes #
!
Clarinet
Leslie-Ann Baldugo
Bryson Goda
Krystal Sato ^
Courtney Smith Dakota Stetler
Cpl Justin Berchtold #
!
Bass Clarinet
Michelle Britt
Cpl Steve Novak #
!
Oboe
Tyler Nakasone ^
LCPL Brandon Holtmeyer #
!
Bassoon
Sean Cozo^
Cpl Michael Lebhart #
!
Alto Sax
Jake Tabangcura
Cpl. Dominique Lewis #
Tenor Sax
Cam Mitchell
!
Baritone Sax
Susan Stever
!
French Horn
Kendra Berry
Sean Cullen
Jesse Ono
Cpl Allan Cole #
!
Trumpet
Shawn Crowley
Sean Fitch
Daniel Perez Kira Rogness
Shawn Taylor
Cpl Christopher Calamari #
!
Trombone
Karen Joy Acasio
Rena Iwami
Thomas Duarte-Smith
Keane Zakimi
Cpl Steven Mowen #
!
Double Bass/Electric Bass
LCpl Matthew Liebhart #
!
Euphonium
Asatta Russell
Cpl Haly Lord #
!
Tuba
Christian Racachot
Austin Tubbs *
Marissa Yamamoto
!
Drums / Percussion
Melody Artero
Tyler Asuncion
Aaron Bernath
Mikey Cardoza
David Gregory
Ning Hsu
Rina Iwami Bailey McCarthy
Dylan Tamaribuchi *
!
Harp
Julia Rogler
!
Hawaiian Ensemble
Aja Gample *
Nick Kashem
!
Piano
Cpl Antonio Planzo #
# Special Guests from the MARFORPAC Band, MCBH
^ Fall 2013 Graduate
* Spring 2014 Graduate
Spring Concert 2014
HAWAIʻI PACIFIC UNIVERSITY * DEPARTMENT OF ARTS AND HUMANITIES * SYMPHONIC BAND SPRING 2013
Special Thanks this evening to the people that help make this night musical:
Dr. Teresa McCreary - Orchestra Director, Director of Performing Arts, HPU
Dr. Esther Yoo - Choir Director, HPU
Mr. Gregg Abe - Band Director, Roosevelt High School
Mr. Jeff Oshiro - Band Director, Central Middle School
Central Middle School, Cindy Yun-Kim, Principal
The Hawaii Department of Education
Marine Corps Forces Pacific (MARFORPAC) Band, Kaneohe, HI - CWO Michael Smith,
Director
Rev. Dale S. Burke - HPU Pep Band Supporter Supreme
!
!
!
Program design and layout by Dr. Joseph Ruszkowski
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HAWAI‘I PACIFIC UNIVERSITY!
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the liberal arts. More than 50 undergraduate and14 graduate degrees are offered.!
Combined student enrollment for all Hawai‘i Pacific campuses exceeds 8,500 full- and part-time students. The diverse
student body is composed of students from every U.S. state as well as more than 100 countries from around the world.!
Some 1,500 men and women make up the faculty and administrative staff of Hawaiʻi Pacific University – individuals who
share the University’s mission as an institution of higher learning and its credo of per- sonal and individualized attention
and service to both students and the community.!
Students, families, and other individuals interested in touring the downtown and/or windward campus should call the
Office of Admissions at (808) 544-0238 or toll free at 1-866-CALL-HPU (1-866-225-5478) to schedule an appointment.!
Please visit Hawai‘i Pacific University on the Web at: www.hpu.edu. The site provides overviews on the academic
programs, admissions, planned visits to various cities by HPU’s Admissions staff, course descriptions, the academic
calendar, and various student services. Students may also apply online or download an admissions application.!
10
THE MUSIC OF JOHN WILLIAMS
WITH MUSIC FROM “HARRY POTTER” AND “STAR WARS”
TUESDAY
HPU DEPARTMENT OF ARTS AND HUMANITIES
APRIL 29, 2014
BAND
7:00 P.M.
ROOSEVELT HIGH
SCHOOL AUDITORIUM
HPU SYMPHONIC
Dr. Joseph Ruszkowski, Conductor
CWO Michael Smith, USMC MARFORPAC Band
Guest Narrator
1120 NEHOA ST
HONOLULU, HI 96822
FREE ADMISSION/CALABASH OFFERING
11