COMMON SENSE ANTIQUES By: Fred Taylor HARLEQUIN FURNITURE No Clowning Around In the late 18th century English furniture designers, having progressed from survival style furniture to more elegant designs, became intrigued with “harlequin” furniture. In the Middle Ages a harlequin was depicted as the court buffoon, dressed in garish colored outfits with a diamond pattern and a pointed hat and shoes. While presumed to be slow and stupid the harlequin could show a surprising side and be exceptionally quick and agile with acrobatic moves. In furniture design it came to denote a piece that was something other than what it first appeared to be. Thomas Sheraton, who achieved fame as the designer of much of the American Federal period, is credited with a number of harlequin or combination pieces. The most famous was what appeared to be a flat writing table with two small end leaves. But when the leaves were extended a complete and complex set of pigeon holes rose from below the surface to present storage space for the user. A Sheraton library table concealed a ladder to reach the top shelves. Another designer equally obsessed with harlequin pieces was a contemporary of Sheraton’s named Thomas Shearer. But long before the English designers came up with their harlequin curiosities, American colonists of the 17th century were using real life harlequin pieces in daily life. They didn’t call them that of course but they had the same characteristics as the refined English pieces. And the ability to “multi-function” was based on daily need rather than parlor niceties. Another piece of harlequin furniture made famous in the Colonies was the fold over games table. Built to look like a console table or a pier table, the two piece top cleverly folded over to expose a square game surface that could be rotated so that the entire top was supported on the base or it was supported by a swing leg that swung out from the frame. Some versions even had a fifth leg for this purpose. The top also opened up to reveal storage space for cards, chips and game pieces. Another variation took the exercise a step further. The fold over top extended on sliding supports concealed in the base to provide room for as many as five or six leaves producing a dining room table concealed within a console table. Clever, huh. But the real explosion in combination furniture occurred in America during the late 19th century and lasted to the middle of the 20th century and beds were the primary contributor. Cabinet beds exploded in popularity in the 1880s with such models as the “Champion Automatic Folding Bedstead” made by Hale & Kilburn of Philadelphia and a series of beds with geographical names like “Columbia A”, “Manhattan No. 5” and “New York” by M. Samuels & Co of New York. Some of the cabinets, like the 96in tall Champion, concealed full size beds that simply folded down. Others like the “New York No.2” had hinged bed frames folded inside which greatly reduced the size of the cabinet and the cost of the bed. These beds are not to be confused with the Murphy bed. One version of the Murphy, patented in 1918, pivoted on the door jamb of a closet and then lowered into sleeping position. The 1902 Sears catalog featured what it called the “mantel bed.” It looked like a mantelpiece that had a curtain lulled over the fireplace. Pulling back the curtain revealed a single bed lying on its side that could folded out from the wall. It offered this little harlequin treasure for $7.95. One of the most ingenious of the harlequin beds came from the United Table-Bed Company of Chicago in the 1920s. Looking like a normal dining table from the front, the top opened up and swung back to become a headboard. The apron, leaves and legs then extended to form the bed frame. Another version looked like a small server or sideboard. The top opened up like that of a spinet desk to reveal a folded bedstead inside. Another manufacturer reversed the Ta-Bed philosophy and used a harlequin cabinet to conceal a dining table. Saginaw Furniture Shops operated out of Sparta, MI making “novelty” furniture in the Depression era of the 1930s. After 1946 they made cabinets with built in extension tables using T.E. McFall’s patented devices under the Extensol name and was sometimes called Ta-bed Left- This looks like an average quality sideboard from the Depression era. Below - Surprisingly this sideboard is really a cabinet bed ready for a good night’s sleep. the “Expand O Matic” line. The table started with a cabinet frame like a china cabinet. One drawer pulled out to reveal a set of runners that collapsed into the cabinet. The drawer also pulled out what appeared to be part of the frame of the cabinet that functioned as legs for one end of the table. When the drawer was fully extended on the slides, leaves were put in place and a dining table grew out of a china cabinet. Most of these tables were made in the 1950s and 1960s. Look around your house or shop and see how many pieces of harlequin furniture you can find. Send your comments, questions and pictures to me at PO Box 215, Crystal River, FL 34423 or email them to me at H Y P E R L I N K mailto:[email protected] [email protected]. Visit Fred’s website at HYPERLINK http://www.furnituredetective.com www.furnituredetective.com. His book “HOW TO BE A FURNITURE DETECTIVE” is now available for $18.95 plus $3.00 shipping. Send check or money order for $21.95 to Fred Taylor, PO Box 215, Crystal River, FL 34423. Fred and Gail Taylor’s dvd, “IDENTIFICATION OF OLDER & ANTIQUE FURNITURE”, ($17.00 + $3.00 S&H) and a bound compilation of the first 60 columns of “COMMON SENSE ANTIQUES by Fred Taylor”, ($25.00 + $3.00 S&H) are also available at the same address. For more information call (800) 387-6377 (9AM-4PM Eastern, M-F only), fax 352-563-2916, or e-mail H Y P E R L I N K mailto:[email protected] [email protected]. All items are also available directly from the website. HYPERLINK http:// w w w. f u r n i t u r e d e t e c t i v e . c o m www.furnituredetective.com.
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