ES QU IR E BY WILLI A M LYO N PHELPS V O LU M E I :2 s C H IC A G O 1 92 1 . q a C O NT E NT S Pfl R T 1 PAG E IC H A RD LO VELACE By Phe l ps . Wi ll ia m Lyon ix D ed ica tion V erses 3 to the a d d ressed I . A u thor POE MS ADDR ESS E D 5 OR R EL ATI N G TO LUC A STA \ / Son g To Lu casta Goin g b eyond . V V . T oLu ca sta g A Pa ra d ox /So n /Son . T . o g ' . G oin g to th e the Sea s Warres 2 7 2 9 30 A maran th a , that sh e wou l d her Haire Sonnet D i sh evel l 32 34 O d e To Lu ca sta . Love C on qu er d Th e Rose : 19 Son . ’ . . 35 g 37 A Loose Sarab and 39 O rp heu s 42 to Wood s O rpheu s to B ea sts D ial ogu e Lu casta A l exis Sonnet Lu casta Weepin g Song To Lu cas ta from Prison fln Ep od e . , . , . [ V J 43 44 47 48 - 49 C O N T EN T S Lu casta ’ with a Look ing glasse l n takin g the Waters at Tu nb rid ge s Lu casta , Fanne , - 1t To Lu ca sta Od e Ly ri ck Lucasta pa y in g her O b seq u ies 56 58 . Memory of my 53 to the C hast D earest C osin Mrs B owes . B a rne [ s] 60 U pon the C u rtaine o f Lu cas ta s Pictu re it was thu s Wro u ght / Lu casta s Worl d ! od e Th e A postacy of O n e an d b u t O n e Lad y A m yntor from b eyon d the Sea to A l exis fl ’ , ’ \ . . , 62 63 65 . 67 C a l l in g Lu casta from h er Reti rement A maran th a , II a Pastorall 73 POE MS ADDRESS E D TO . ELLIND A To Ell in d a , that l atel y I have not written El l in d a s G l ove B ein g Trea ted To El l in d a To El l in d a vpon his l ate Recover y A Para ’ . , 91 92 . d ox 94 III To C hl oe , . MISC ELLA NEO US cou rtin g G rati ana D aun c in g A m yntor 89 ’ s G rove PO EMS h er fo r h is Friend an d S in g in g 96 98 1 00 vi 1 C ON T E N T S J n i r u t i e T h S c e x / Princesse Lo ysa D rawing A Forsa ken La d y to 107 h er Fa l se S ervant Th e G rasseh o p p er To . Mr 10 5 1 10 M y No b l e Friend , C ha rl es C otton d the e er l [ ] A n El eg ie on th e D ea th o f Mrs C a ssand ra C otton Th e V intage to the D u n geon 4 Song O n the D ea th o f Mrs El iz ab eth Fi l mer A n El egiaca ll Epita ph To M y Worth y Friend Mr Peter Li l l y Th e Lad y A [ nne ] L [ ovel ace ] My A s y l u m in a G reat Extremity A La d y wi th a Fal con on her Fist To th e H onou ra bl e m y C o u sin A [ nne ] L [ovel ace ] A Pro l o gu e to the S cho la rs Th e Ep i l ogu e the Love o f G reat O nes ea fro m Prison S onnet To G eneral l G oring after the Paci fi ca ti on a t B erwick e S irThomas Wortl ey s Sonnet Th e A nswer A G u i l tl esse La d y Im prisoned ; a fter Pen . 1 13 . . . 1 16 1 19 . . . 12 0 12 2 . \ 12 4 . , . 12 9 13 1 133 135 138 , ’ an ced 140 142 143 14 4 T0 Hi s D ea re B rother C ol onel F[ rancis ] L [ovel ace ] 14 6 vii [ ] C O N TEN T S To a Lad y that d esired me I wou l d b eare Son g rt with her in a x/ Va l ia n t Love \ / La B ella B ona Rob a To My Lad y ” “ 8m S onnet I C a nnot Tel l a p . , . my 14 8 152 H 154 . 155 . 3 l a Bou rbon 157 . Th e Faire B egger 15 8 A D i al o gu e b etwixt C o rd anus an d A moret C OMME NDATO RY A ND OTH E R VE RS ES P RE F IXE D TO V ARIOUS PUB LICATIONS B E T W EE N 1 6 3 8 AND 1 64 7 A n El eg ie Princesse Katherine B orne C hristened B u ried in one D ay ( 1 6 3 8 ) C l i to ph on an d L u ci pp e transl ated To the La d ies ( 1 6 3 8 ) To M y Tru el y V al iant Learned Friend ; who in his B ooke resol v d the A rt G l ad iatory into the Ma th ema tic ks ( 1 6 3 8 ) To Fl etcher Revi v d ( 1 6 4 7 ) IV . 1 60 , , . , 163 . 167 , ’ ’ viii 1 69 17 1 RIC HA RD LO V ELAC E N E can think of great writers u niversally read who ha ve no personality ; a convenient illustration is Daniel D efoe And one can think of poets whose C omp l ete Works are known only to a select few but whose personal influence is a n d a l ways will be a living force These a re the Personal i ties o f literature A su preme example is S ir Philip — the ideal S idney soldier scholar poet courtier gentleman He is a historical but al so a legendary figure ; and it is not too much to sa y tha t he made large con tributi ons to the British tradition of man l in ess and that in our twen tieth century world his spirit walks abroad As Marvell w as a l esser Milton L ovelace w as a lesser S idney Th e Spacious times of Queen E lizabeth had their incarnation in S idney ; he was the clima x of triumphant chivalry Seventy years later against the su nset o f royalty stands the roma ntic figure o f R ichard L ovel ace the Cavalier a s uncompromising as the dying Cyrano de Ber , , . , , . . , , , , . , , . . . , , , era c g , . He w as not only a red blo oded b u t a blue blooded man coming from an a ncient E nglish fam ily of Kent His father S ir Will iam was killed in 1: ix 1 - . , , , IN T R O D UC TI O N battle ; his brothers fought for King Charles R ichard was born at Woolwich in 1 6 1 8 He receiv ed the con tion of an E nglish gentleman goi ng v en ti on al educa t o Charterh o use and O xfo rd He entered the U ni versity in June 1 6 3 4 His extraordinary personal beauty which his portraits do not entirely con — ceal made a profound impression on h is contem o ra ries W o o d calls him the most amiable and p o f innate beautiful pe rson that ever ey e beheld m odesty virtue and courtly deportment which made him then but especially after when he retired t o the great city much admired and ad o red by th e ” female sex O xford w as a hotbed of royal fervour ; and when the King and Queen came there during L ovelace s undergraduate days we may easily con ceiv e the flame of his patriotic dev otion As a stu dent he had the pl easure of seeing On e of his original plays perform ed and he w as universally resp ect ed for his po etical and literary talents He entered the army became a Captain and saw active service Then he return ed to the ancestra l es tates in Kent and in 1 6 4 2 was chosen to present to Parliament a pe tition in support o f the King This r equired courage for a similar request had be en publicly burned He w a s naturally examin ed by X J . . , . . , . , , , , , . ’ , . , , . , , . , . , . IN TR OD U C TI ON members of the H o use frankly confessed that he was familiar with the fate of the preceding paper and w as immediately imprisoned 3 0 April 1 6 4 2 I t was during this confinement that he wrote the immortal lines Stone Walls do not a Prison ” Make and thus L ovelace belongs to that illust ri ous company who in all countries and tim , , . , , , w ould lose much if we subtracted the p oetry and prose written by jail birds He w as rel eased on bail and became increasingly active in the King s cause I n the intervals of fight ing he lived showily in L ondon and seems to have known most of the literary men of his time After the fall of O xford in 1 6 4 6 he left England fought for the King o f France against S pain beca me a Colo nel and w as wound ed at Dunkirk I n 1 6 4 8 he was in E ngla nd again and once more in prison where he prepar ed a volume of poems for publication ; this is the famous Lu ca sta which appear ed in 1 64 9 He was set free in December but his entire estate had bee n spent in the se rvice of the King Wo od says : “ he grew very melancholy ( which brought him at length into a consumption) b ecame very p oo r in body and purse was the obj ect of charity went in x i [ ] - . , ’ . , , - . , , , . , , , . , , . , , , IN TR OD U C T I ON ragged cl oath s ( whereas when he was in h is glory he wore cloth of gold and silver) and mostly lodged in obscure and dirty places more befitting the worst ” of beggars and poorest of servants He died in poverty and neglect in a wretch ed room in London and w as buried in S t Bride s Church 1 6 5 8 This was the church where the great novelist R ich ardson worshipped in the ne xt century ; and by a curi ous 1rony the fact that the fa mous cavali er had been buri ed there suggested to him th e name for his dashing and romantic libertine the lover of Clarissa by merit raised to a bad eminence Thus — the author of Luca sta k nown for h is m odesty — and virtue became a th ousand times more famous in the eighteenth century as the paragon of vice I n “ ” common parlance a L ovelace did not mean a noble knight ; it meant the same as Don Juan F or t un a tel y for the reputation of our poet the odio us significa nce attach ed to this name finally disappeared in E ngland and the glory and romance return ed The title Luca sta means Lu x Ca s ta the L ight of Virtue L ovelace w as a conservative E nglishman and his love poems adhered to the old standard in which the s uffering Knight endured all things for the lady of his heart his ideal being Co n stancy But al i x i [ ] , . , , ’ . . , , , . , . , . , . , , , . , , . IN TR OD U C TI O N ready some of his c ontemporaries were beginning to f cyn ical disillusion expressing con tempt both for women and for virtue which reached an apex in the poems of R ochester a n d Sedley S o far as we can discover S uckling and L ovelace were go od fri ends ; but as I once heard Professor Briggs remark there is all the d ifference in the world b e tween , , . , , , I cou ld not Loved I l ove th ee, Dea r, n ot so much , Honou r more and I Th e d evi l ta ke h er ! These two schools of love po etry flourished side by side in the seventeenth century even a s their ina n ticul a te adherents may be fo und t ogether in all countries and in all ages Th e two lines quoted abo ve from L ovelace were cited in a thousand newspa per l eading articles dur — ing the years 1 9 1 4 1 8 Perh a ps to the normal mind Honour is a grea ter virt u e than L ove ; but for the possibility of a different V ie w the intelligent and discriminating student may be referr ed to that par a d o xica l poe m W h i ch ? by R obert Browning Although R ichard Lovela ce is kn own to the x iii [ ] - , . . . , . IN T R OD UC TI ON ” “ general reader by only four lines a pair from each of two p oems h is Worhs are by no means nu interesting Those who expect to find pag es on a par with the two pe rfect lyrics will be not only d isa p p ointed but p erplexed ; whilst those who love origi na l it in thought and e x pr e ssion will find much to y admire Lo velace was not only a Cavalier poet he “ p oet a true son of D onne w as a meta physical inspired by the great Master From this point of V iew he belongs to th e group represent ed by Her be rt Crashaw Vaughan S uckling Clevela nd C ow ley — divergent as these men are in other respects Herrick and Milton both wrote poems in the meta physical manner for D onne w as one of the most p owerful influences in E nglish lite rature and in the twentieth century his effect may be se en on all sides L o velace r esembles Donne more in ingenuity than in passion ; but occasionall y he pr oduced a master piece in the true manner like Th e Gra ssh opper Dr Johnson who wrote un sympathetically concerning this S chool in his famous L ife of Cowley said with his accustom ed penetration Yet great labour di rec ted by gr eat abilities is never wholly lost if they frequently threw away their w it upo n false con ceits they l i kew ise so metimes struc k out unexp ect ed v x i [ ] , , . , , . , , . , , , , , , . , , . M . , . , , , , , , , IN T R OD U C TI ON truth ; if their conceits were fa r fetch ed they were often worth the carriage To write on their plan it ” was at least necessary to read and think “ I t w as a happy inspiration that led th e on l ie ” begetters of these two volumes to issue fo r the de l ec tation o f book lovers the works of L ovela ce ; and it is a piou s tribute to a brave honest and noble cha racter who will re prese nt for all time the qu ali ties of loyalty and sincerity ; and who loved Beauty - , . . - , , , . WM Ya le IJE z zv ers zty , 1 9 flu t 1 2 0 u s 9 , g ' ‘ . L Y ON PH ELPS L U C AS TA Ep odes , Odes , Son nets, Song s , 89 C ° To Wh i ch flra ma ntha , i s Add ed a Pastora ll Lovela ce, Esq Ri cha rd . . 3 ‘ L OND ON Pri n ted by Th o H a rp er, a n d a re to be sol d b 7 7 1 0 Ev v ster, a t th e Gu n y . . i n Iv ze L a n e ' 1 649 T H E D ED I C fl T I O N An d f vou ch sa e ’ mi d st th os e ri ch joy es RIC HARD LO VELAC E VE R S ES fl D D R E S S ED fl U T H OR TO MY B E S T B R O T H E R ” LU C A STA HIS PO EMS CA LLE D TO ON OW “ ’ ’ y have o bl ieg d the age thy wel known worth Is to our joy a u spicious ly brought forth G o od morrow to thy son thy first borne flame Which as thou ga v st it birth stamps it a name That Fate a n d a discerning age shall set The chiefest jewell in her coronet , . , ’ , , . ’ Why then needs all this paines those season d pens That sta n d in g lifeguard to a booke ( kinde friends) That with o ffic ious care thus g u ard thy gate As if thy Child were ill igitimate ? Forgive their freed o me since unto their praise T hey write to give not to dispute thy bayes , , ‘ , , _ , . , As when some glorious queen whose pregn ant wombe Brings forth a kin gd ome with her first borne S onne Marke bu t the subj ects joy fii l l hearts and eyes : S ome offer gold and others sacrifice ; Th is sl ay es a lambe that not so rich as hee Brings but a dove this but a bend ed knee ; And though their gi ftes be various yet their sence S pea ks only this one thought L o ng live the prince 7 [ ] , - , , , , , , , , . VE R S E S fl D D R E S S ED S o my best brother if unto your name I offer up a th in blew burning flame Pa rdon my love since none ca n make th ee shine a esse they kindle first their torch at thine Then as inspir d they b oldly write nay that Which their amaz ed lights but tw in kl d at And their illustr ate thoughts doe voice this right Lucasta held their torch ; thou gav st it light FRAN CIS LO VELAC E Col , , - , , , . ’ , , , ’ , , ’ . , AD . E U ND E M N puer Id ali us tremu l is circu mv ol at alis Quem prope sed en tem castior u ret amor Lampada sic v id eas c ircu mv ol itare Pyrausta Cui contingenti est fla mma futura rogus E rgo proc ul fugias L ect o r cui nulla pl aceb u n t Carmina n i fu erin t tu rpia spu rca nigra Sacri ficus R omae l ustra l em v en d ita t undam : C asti or est illa C astal is unda mihi : L impida et ebMKp Wfi null a putredine spissa S cilicet ex puro d efluit illa j ugo Ex pura v en iu n t tam di a po emata mente Cui sc elus est Veneris vel tetigisse fores TH O MAS HAMERS LEY Eq ues du ra tus , . , . , , , . , , ‘ , t , , . . , [ 8 ] . T O T H E fl U TH OR O N T H E PO E M S OW humble is thy muse ( Dea re) that can d aign S uch servants as my pe n to en terta in e ! When all the sonnes of wit glory to be Clad in thy mus es galla nt livery I shall disgrace my master prove a staine And no addition t6 his h on ou r d traine ; Though all that read me will presume to swear I neer read thee : yet if it may appear I love the writer and admire the writ I my ow n e want be tray not wrong thy wit Did thy w orke want a prayse my barren brain Could not afford it : my attempt were vaine It needs no foyle : All that ere writ be fore Are foyles to thy faire Poems and no more Then to be l od g d in the same sheets with thine May prove disgrace t o yours but grace to mine NO RRIS JEPHSO N Col . , , - ’ ‘ , , , . , . , , . ’ , , . , [ 9 ] . VER S ES fl D D R E S S E D TO MY MUC H LOVE D FRIE ND R I CHA R D LO V E L AC E , Esq . C a rmen Eroti cu m EA RE L ovelace , I am now abo u t to prove I cannot write a verse but can write love O n such a subj ect as thy booke I coo d Write books much greater but n o t half so good But as the humble tenant that does bring A chieke or egges for s offering IS tane into the buttry and does fo x Equa l l with him that gave a stall ed o xe : S o ( since the heart o f ev ry cheerfull giver Makes pounds no more accepted than a stiver) Though som thy pray se in rich stiles sing I may I n stiver stile write love as well as they I write so well that I no criticks feare ; For who le read mine when as thy b o o ke s so neer ? thy selfe then you shall secure mine es s e a From those and I le engage my selfe for thine Th ey l do t themselves ; th e this allay you l take I love thy book and yet not for thy sake JO HN JEPH SO N Col . , ’ . , , ’ , , ’ , , - . ’ ’ , , . , ’ ’ ’ , . , , [ 10 ] . VE R S E S fl D D R E S S E D And that more pol ish t Tyt erus ren ow n e His Saca rissa when in groves and b o w res T hey could repose their limbs on b eds o f flo w rs : When wit had pray se and merit had reward And every noble spirit did accord T o love the Muses and their priests to raise And interpale their b ro w es with flourishing bayes ; But in a time distracted so to sing When peace is hurried hence on rages wing When the fresh bayes are fro m the Temple torne And every art and science made a scorn e ; Then to raise up by mu3 1cke of thy a rt O u r drooping spirits and our grieved hearts ; T hen to delight our souls and to inspire O u r brea st with pleasure from thy charming lyre ; Then to divert our so rrow es by thy stra in es Making us quite forget our seven y eers paines I n the pas t wars u n l esse that O rphe us be A Sharer in thy glory : for when he Descended downe for his E uridice He stroke h is lute with like admired a rt And made the damn ed to forget their smart JO HN PINCHBACKE Col ’ , , , , , , , , , , , , , , , . , [ 12 ] . T O TH E fl U T H O R EEA ETIKO N ‘I’ ebSe - i d t Ob 50 m m i/ o Ka , 3ob i wi a l /r o cv b vos 03 3 6 / ( i p effl Xp OAéo a L s w ' . d 0 v69 a or 0 w d y d a dil v ! y y p ‘ O v M1736 2; a i b w oi3€v 630 50 1 ( pa yew ’ ea n , - . ( ' 09 i s s a ha s , 38 m libi/a s a , E V dc mfi b I/rov p oii cra , , ' e r eov . o i/o V ILLIERS HARIN G T O N , L C . T O H IS MUCH H ON OUR E D FR IE ND MR . R I CHA R D L O V E L AC E O N HIS POEMS that do th paint the beauties of y our verse Must use y o ur pensil be po lite soft terse ; F o rgive that man whose best of art is love I f he no equal l master to you prove My heart is all my eloquence and that S pe aks sharp a ffection when my words fall flat ; I reade y o u like my mistresse and d iscry I n every line the qu ickn esse of her eye : Her smooth n esse in each syllable her grace To marshall ev ry word in the right place I t is the excellence and soule of wit E , , , . , , , , ’ . , [ 13 ] , . VE R S E S fl D D R E S S ED ’ When ev ry thing is free as well as fit : For metaphors p a ckt up and crowded close S wath y minds sw eetn es and display the throws And like those chickens h atch t in furnaces Prod u ce or one limbe more o r one limbe lesse T hen nature bids S urvey such when they write No clause but s justl d with an epithite S o pow erfully you draw when you perswade Passions in you in u s are vertues made ; S uch is the magic k of th at la w q shell T hat where it doth but talke it doth compe l ] : For no Apelles till this time e re drew A Venus to the waste so well as you e , , , , , , . ’ ’ . , , ’ ’ . H E world Shall now no longer mourne nor v ex For th obliquity of a cross gra in d sex; Nor beauty swell above her bankes ( and made For ornament) the universe invade S o fiercely that tis qu estion d in o u r b ookes Whether kils most the Amaz on s sword or l o okes Lu ca sta in loves game discreetly makes Women and men joy n tly to Share the stakes And lets us know when women sc o rn e it is ’ ’ - , ’ ’ , , ’ . , , , [ 14 ] T O T H E fl U T H OR Mens hot love makes the antipa risth esis ; And a lay lover here su ch com fort finds A s Holy Writ gives to a ffected minds The wilder nymphs l ov s power coul d not comand , Are by thy al mighty numbe rs brought to h and And flying Daphnes caught amaz ed vow They never heard Apollo court till now Tis not by force of a rmes this feat is done For tha t wo u ld puzzle even the Knight 0 th S u n ; But tis by po w r of a rt and such a way A s O rpheus us d when he made fiends obay J NEEDLER Hosp Gray ensi s . ’ , , , , . ’ , ’ ’ ’ ’ , ’ . , . . , TO H IS N OB LE FR IEND MR . R I C HA R D L O V E L AC E UPO N HIS POEMS VR times are much degenerate from those Wh ich your sweet Muse which your fa ir for tune chose ; And as complexions alter with the climes O u r wits have d ra w n e th infection of our times That candid age no other way co u ld tell To be ingenious but by Speaking well , , , ’ . , . C 15 l VE R S E S (HD D R ES S ED Who best could pray se had then the greatest prayse ; Twas more esteem d to give then wear the bayes Modest ambition stu d i d only then To honour not her selfe but worthy men T hese vertues now are b an ish t out of towne O u r C iv il l Wars have l o St the civ ic ke c ro w n e He highest bu ilds who Wl th most art destroys And against others fame his o w n e employs I see the envious caterpillar sit O n the faire b l ossome of each growing wit The ayre s already tainted with the swarms O f insects which against you rise in arms Word peckers paper rats book scorpions O f wit corrupted the u n fash i o n d sons Th e barb ed censurers begin to l oo ke L ike the grim Consistory on thy booke ; And o n each line cast a reforming eye S everer then the yong presbytery T ill when in vaine they h a ve thee all perus d You shall for being fau ltl esse be accu s d S ome reading your Luca sta will alledge You w ron g d in her the Houses priviledge S ome that you under s equestrati on are Because y ou write when going to the Warre ; And one the book prohibits because Kent , ’ . ’ . , , . , , . . ’ . , - , - - , , ’ . . ’ , , ’ . ’ , , 15 l first Petition by the A u th o u r sent hen the bea uteo u s la dies came to know Bu t w T hat their dea re L ovela ce w a s en d an ger d so : L ovelace that th a w d the most cong ealed brest He who l o v d best and them defended best Whose hand So rudely grasps the steely brand Whose hand so gently melts the ladies hand They all in m u tiny tho u gh yet undrest S ally d and would in his defence contest And one the loveliest that w as yet e re seen T hinking that I too of the ro u t had bee n Mine eyes mva d ed with a female Spight ( Sh e knew what pa i n t woul d be to lose that Sight) 0 no mista ke not I repl y d : for I I n your de fence or in his cause would d y But he secu re of glory and of time Above their envy or mine aid doth clime Him val ia nst men a n d fairest nymphs a pprove His booke in them finds j udgement with you love A N D R MAR VELL T heir . , ’ ’ , , ’ , , , , , , ’ . , ’ , , , ’ . ’ , , , . , , , . , , [ 17 ] , . VE R S E S fl D D R E S S E D TO C O L O N E L R I CHA R D LO V E L A C E O N THE PUB LIS H I N G or HIS I N GE N IOUS POE MS F the desire of glory speak a mind More nobly O perative and more refin d What vast soule moves thee or What hero s spirit ( Kept in ts traduction pure) dost thou inheri t That not contented with one Single fam e Dost to a double glory spread thy name And on thy happy temples safely set ? B oth th D el phick wreath and civic coronet Was t not enough for us to know how far Tho u couldst in season suffer act and dare But we must also w itnesse with what height And what Ion ick sw eetn esse thou canst write And melt those eager passions that are S tubborn enough t enrage the god of war I nto a noble love which may expire I n an illustrious pyramid of fire ; Which having gained his due station may Fi x there an d everla sting flames display This is the braver path : time so one ca n smother Th e dear bought spoils and tro ph eis of the other How many fiery heroes have there b een ’ , ’ , ’ , , , , ’ ’ , , , , ’ , , , . , - . , [ 18 ] VE R S E S fl D D R E S S ED i ll e with ns far more fine ( ) p S o have our modern poets late done well T ill thine a ppea r d ( which scarce have pa ral el ) T hey like to Z eu xes grapes beguile the sense But thine do ravish th e intelligence L ike the rare b a nquet of Apelles drawn And covered over with most curious lawn Thus if thy c arel es draughts are cal d the best What would thy lines have beene had st thou pro fest That faculty ( in fii s d ) of poetry ? Which adds such honour unt o thy chivalry D ou btl es thy verse had all as fa r transcended A s Sy d n ey es Prose who Poets once defended For when I read thy much renown ed pen My fancy there finds out another Ben I n thy brave language judgement wit and art O f every p iece of thine in every p a rt : Where thy se ra ph i qu e S yd n ey an fire is raised high I n valour vertue love and loyalty V irgil was sty l d the loftiest of all O vid the smoothest and most n a tu ra l l ; M artiall concise and witty quaint and pure Iu v en all grave and learn ed though obscure But all these rare ones which I heere reh erse D o live again e in Thee and in thy Verse : 2 0 [ ] In Z eu xeses , , ’ , , , , . ’ , ’ , ’ , . , , , , , , , , , . , ’ , . , , . , , T H E H U T H OR T0 Altho u gh not in the language o f their time Yet in a spe ech as c0 pious and su blime The rare Apelles in th y picture wee Perceive and in thy soule Apo llo Wel may ea ch G race and M use then crown thy praise With Mars his banner and Minerva s bayes FRA LEN T O N , . , ’ . . TO H I S H ON OUR E D AND IN GE N IOUS FRIE ND C O L O N EL R I CHA R D L O V EL AC E O N HIS “ LUC A STA ” HA ST as Creation meant us and m ore bright T hen the first day in s uneclipsed light Is thy Luca sta ; a n d thou offerest heere L ines to her name as u n d e fil d and cleere ; S uch as the first indeed more ha ppy dayes ( When vertu e wit and learning wore the bayes Now vice assumes) wou ld to her memory give : A V esta ll flame that should for ever live Pl ac t in a C hristal temple rea r d to be The E mbleme of her thoughts integrity ; And on the porch thy name insculpt my friend Whose lov e like to the flame can know no end , ’ , ’ , , , ’ ’ , , , , [ 2 1 ] , . VE R S E S fl D D HE S S E D The marble st ep that to the alter brings T h e hallow ed priests with their clean o fferings S hal l hold their names that humbly craved to be V otaries to th Sh rine and grateful friends to thee S o shal we live ( although our oflrin gs prove Meane to the world) for ever by thy love , ’ , . . TH O To CO LO N EL MY RAwu Ns . D E AR B ROTH E R R I CHA R D L O V E LA C E L E doe my nothing too and try To dabble to thy memory Not that I offer to thy name E ncomiu ms o f thy lasting fame T hose by the land ed have been writ : Mine s but a y o nger brother wit ; A w i t th at s h u d l ed up in scarres Borne like my rough selfe in the warres ; And as a S quire in the fight S erves only to attend the Knight S o tis my glory in this field Where others act to beare thy shield D UD LEY LO VELAC E Cap t , . . ’ - ’ , ’ , , . , [ 2 9 ] . T O T H E fl U TH O R D E D O M I N O R I CHA R D O L O V EL A C IO ARMIGE RO ET C HILIARC H A VI RO I NC OM PARA B ILI , CCE tibi h erOi claris n ata l ibus orto ; Cuj u s h on o ra tos C antia vidit avos Cuj u s ad h u c mem orat r ediviva Batavia patrem I nter et H ercu l eos enumerare solet Q u i tua G rol l aferox l ac era tu s vulnere multo Fulmineis vidit m ie nia Pacta gl ob is Et cu m saeva t uas fu d isset I beria t u rmas A fll a tu pyrii pu l v eri s ictus obit Haec S l nt magna : tamen maj or majo ribu s hic est Nititu ret pennis alti us ire novis S ermon em patriu m ca l l en tem et murmura C el tee i No n u it linguas ed id ic isse d u as pg Quicquid R oma vetu s vel quicquid G raecia jactat M u sarum n u trix a lma Calena dedit G n av iter Hesperios c o m pressit Marte cachin n os D ev ict asqu e dedit C an ta b er ipse manus Non ev ita v it validos D u n kerka la certo s Non in tercl u d en s alta L acu na vi a s Et sc ri ben d a geren s vivaci m a rmore digna Scrib ere C aesareo more vel ipse potest C u i gl ad i um Bellona dedit c al amu mqu e Minerva , . , . , , . , . , . , . , , . , . , , , . , [ 2 3 ] , Et geminae L aur us circuit umbra comam Cuj u s Si fa ciem spectes v ultusqu e decorem V i x puer Id al iu s gra tio r ore fuit . , . AD E U ND E M E R R I CO succede meo : d edit ille priora Carmina ca rmin ibus non meliora tuis . , IIEPI TO Y AYTO Y A O UMKLOS ’ WO W WM O LQIS Ka i t1) 15o The dp erfis ' Os ‘ ’ ’ veos e u 7 Ha rm (D oii p ’ p ov ' . m a p kéi p ey dk ow w d y ti KAv rov a Ka i ( p evbs d oo s w b s p yx X p ow n c v ‘ E a riv e ueio ’ Ka i T O vcir Tobi / 0 px): e a n ’ ’ 95M ’ ' ' ' . 67 6a “; m vvréi s U xa o rov E b a r p c Mov a dwv, ' ’ d l dw m v €977“ ' ’ ’ e i ra cvos u yp o WO KLVOW eo a fiva ’ ’ DV X a p crctrm Xaip w , Mek w o fbv , i Mel t ew m ueM ' Ka . ’ ' . . Scrip si t Jo HARMARUS . Oroni ensi s, C [ 24 ] . W M . P OEM S OF RI C Hfl R D L O VEL fl C E T H E P OE M S OF Though seas and land betwixt us both O ur faith and troth L ike separat ed soules All time and space con tro u l es : Above the highest sphere wee meet U n seen e u n kn o w n e and greet as angels greet , , , , , IV S o then we doe anticipate O u r after fate And are alive i th skies I f thu s our lips and eyes Can speake like spirits u n con fin d I n H eav n J their earthy b odies left behind - , ’ ’ , ’ ’ [ 2 8 ] . . SO NG S ET BY MR To L a co sta . . L A N I ER E JO H N Wa rres G oi n g to th e I ELL me not ( sweet ) I am u n kin d e That fi o m the n un n erie O f thy chaste breast and quiet minde T o warre an d armes I flie , , . II a new M istresse now I chase Th e first foe in the field ; And with a stronger fa ith imb race A sword a horse a shield T rue : ’ , . , III Yet this inconstancy is such As you too shall adore ; I could not love thee dear so much L o v d I not Honour more , , , ’ . , , T H E P O EM S A OF PA R AD O X I I S true the beauteous S tarre To which I first did bow Burnt quicker brighter far Than that which leads me now ; Which sh ines with more delight For gazing on that light S o long D eere lost my sight , , . , II T hrough foul we follow faire For had the world on e face And ea rth been bright as ayre We had kn ow n e neither place I ndians smell not their n east ; A S w isse or Finne tastes best The spices of the E ast , , , . . III SO from the glorio u s S unne Who to h is height hath got With what delight we runne To some black cave or grot ! , [ 30 ] , ’ And h ea v n ly Sydney you T wice read h ad rather view S ome odde romance so new , , . IV Th e god that consta nt keepes Unto his deities I s poore in j oyes and sl ee pes Impriso n d i n the skies T his knew the wisest who F rom Juno stole below T o love a bear or cow , , , ’ . , , . T H E P OEM S OF SO NG S ET BY M R To Ama ra nth a H EN RY . LAWE S Th a t s h e w ou l d D is hev el l h er H a ire 1 M A RA NT H A sweet and faire Ah brade no more that Shining haire ! A s my curious hand or eye Hovering r o und thee let it fly e , , . , II ’ L et it fly e as u n con fin d As it s ca lme ravisher the winde Who hath left his darling th T o wanton o re that spic ie n east ’ , , ’ E ast , , ’ . III E v ry tresse m u st be confest : But neatly tangl ed at the best ; L ike a clue of golden thread Most excellently ravelled ’ , . IV D oe not then winde up that light I n ribands and o er cloud in night 2 3 [ ] ’ , - , R I C H fl R D L O VE L fl C E ’ the sun in s early ray ; But shake your head and scatter day L ike , . V S ee tis broke ! within this grove Th e bower and the walkes of love Weary lye we downe and rest And fanne each other s panting breast ’ , , , , ’ . VI Heere ’ w ee ll strippe and coole our fire I n creame below in milk baths higher : And when all wells are d ra w n e dry I ll drink a teare out of thine eye - , , ’ . VII Wh ich our very j oys shall leave That sorro w es thu s we can deceive ; O r our very so rrow es w eepe T hat oyes so ripe so little kee pe , , . [ 33 ] , T H E P O EM S OF S O NN ET S ET BY MR . H UD S ON I EPO S E your finger of that ring And cro w n e mine w ith t awhile ; Now I restor t Pray dos it bring Back with it more of so ile ? O r shines it not as innocent ? A S honest as before twas lent , ’ ’ . , , ’ , II S o then in rich me with that treasure T will but increase your store And please me ( faire on e) with that pleasure Must please y ou still the more Not to save others is a curse Th e blackest when y are ne re the worse ’ , . ’ ’ . , [ 34 ] Haste hast e to decke the haire O f th only sweetly faire , , ’ . V See ! rosie is her bower Her flo ore is all this flower ; Her b ed a rosie nest By a bed of roses prest , . VI But early as she dresses Why fly you her bright tresses Ah ! I have found I feare Beca use her ch eekes are neere , , . , R I C H fl R D L O VE L fl C E L O V E C O NQ U ER D ’ S ET BY MR . H EN R Y L A WE S I H E childish god of love did sw eare Thus : By my aw full bow and quiver Yon weeping kissing smiling pair I le scatter all their v o w es i th ayr And their knit imbraces shiver ’ , , , ’ ’ ’ , . II Up th en to th head with h is best art Full of spite and envy bl ow n e At her constant marble heart He d raw es his swiftest surest dart Which bound ed back and hit his o wn e ’ , , , , III Now the prince of fires burnes ; F l ames in the luster o f her eyes ; T riumphant she re fii ses scorn es ; He submits adores and mournes And i s his v otresse sacrifice , , , , . [ 37 ] . , IV Foolish boy ! resolve me now What tis to sigh and not be heard ? He weeping kn eel d and made a vow : T he world shall love as yon fast two ; S o on his sin g d wings up he steer d ’ ’ , ’ ’ [ 38 ’ ] . R I C H fl R D L O VE L fl C E A L O O S E S A R ABAND S ET BY M R H E N R Y L AWE S . I H me ! the little tyrant th eefe ! A S once my hea rt was playing He sn a tcht it up and flew aw ay L a ughing a t all my praying , , . II Proud of his purchase he surveys And curiously so unds it A nd tho u gh he sees it ful l of wo u nds Cruel on e still he wounds it , , , . , III And now this heart is all his sport Which as a ball he b o un d eth From hand to breast from bre ast to lip And all its rest c on fo un d eth , , . IV Then as a top he sets it up And pitifii lly whips it ; [ 39 ] , , T H E P OE M S OF S om etimes he cl oath es it gay and fine T hen straight aga in e he strips , V He cover d it with false rel iefe Which gloriously show d it ; And for a morning cushionet O n s mother he besto w d it ’ , ’ - ’ ’ . VI E ach day with her small braz en A thousand times Sh e rac d it ; But then at n l ght bright with her gemm es O nce n eere her breast she pla c d it , ’ , ’ . V II warme it gan to th rob and bl eed ; S he knew that smart and grieved ; At length this poore condemned heart With these rich d rugges repreeved T here , . VIII S he washt the wound with a fresh teare Which my Lu ca sta dropp ed And in the Sleave silke of her haire Twas hard bound up and wrapp ed , - ’ . 40 l , , R I C H fl R D L O VE L fl C E IX Sh e pro ab d it with her c o n sta n ci e And found no rancor nigh it ; O nly the anger of her eye Had wrought some proud flesh by ’ , X ’ Then prest she narde in ev ry veine Which from her kisses trilled ; And with the balme heald all its paine That from her hand distill ed , . XI But yet this heart av oyds me still Will not by me be own ed ; But s fl ed to its phy siti an s breast ; There proudly sits inthron ed , ' ’ ’ . , T H E P OE M S O R PH E US T O OF WO O D S S ON G S ET BY MR . C U RT E S EA R K ! O h h eark ! you guilty trees I n whose gloomy galleries Was th e cru el l st murder done That e re yet ecl ipst the sunne Be then hen ceforth in your tw igges Blas ted e re you sprout to sprigges ; Feel e no season of the y eere But what shaves off all your haire Nor ca rve any from your w omb es O ught but co ffins and their tombes ’ , ’ . ’ , , , . [ 42 ] , T H E P OE M S OF D I A L O GU E L u ca sta , fl l ex i s S ET BY MR JOH N G A M . BLE I Lu ca s ta EL L me Al exi s what this pa rting is That so like dying is but is not it ? , , , , It is ’ a swounding fo r a while from blisse T ill kind h ow d oe y ou call s u s from the fit , ’ . Ch orus I f then the Spirits only stray let min e Fly to thy bosome and my soule to thine : T hus in o u r native seate we gladly give O ur right for one where we can better live , , , . II Lu But ah this l in g rmg mu rd rin g farew el ! D eath quickly wounds and wounding cures the ill I t is the glory of a valiant lover S till to be dying still for to recover ’ . , , , . Al ex . , , [ . 44 ] H I C Hfl R D L O VE L fl C E S oldiers suspect ed of their courage goe That en sign es and their breasts un torn e Show : L ove n ee re h is standard when h is hoste he sets Creates alone fresh bleeding bannerets Ch o . , ’ , , - Al ex . . III Bu t part we when thy figure I reta in e ? till in my heart still strongly in mine eye S Sh ad o w es no longer th a n the sun rem a i n e But w h eh is beams that made em fly they fly Vaine d reames of love ! that only so mu ch blisse Allow us as to know our w retch ed n esse ; And deale a larger measure in o u r paine By showing j oy then hiding it aga in e , , Lu , . ’ , , , . Ch o . , . , IV Al ex Lu No whils t light ra igns Lu ca s ta still rules here And all the night shines w h oly in this sphere I know no morne but my Al exi s ray T o my dark thoughts the breaking of th e day ‘ . , , , . , . . C h oru s Al ex . S o in each other if the pitying sun Thus keep us fixt nere may h is course be run ! , [ 45 ] Lu . And oh ! if night us undivid ed make ; never wake ! Th e cl ose Cruel a d i eus may well adj ou rne awhile The sessions of a l ooke a kisse or smile And leave b ehin d e an angry grieving blush ; But time nor fate can part us joyn ed thus , , , . [ 46 ] L O VE L A C E R I C HAR D S O NN ET S ET BY M R W I LLI A M LAWE S . I H EN I by thy faire shape did sw eare And mingled with each v o w e a teare I l ov d I l ov d thee best I swore as I pro fest For all the while you lasted warme and pure My oathes too did endure But once t u ru d fa ith lesse to thy sel fe and old They then with thee incessantly grew cold , , ’ ’ , , . , . ’ . II I swore my selfe thy sacrifice By th ebon bowes that guard thine eyes Which now are al ter d white And by the glorious light O f both those stars which of their spheres bereft O nly the gellie s left Then chang ed thus no m ore I m bound to you Th en swearing to a saint that proves untrue ’ , ’ , , , ’ . ’ , , . T HE P O E M S OF L U C A ST A W E E PI N G SON G S ET BY MR . JOH N LA NEER E I U C A ST A wept and still the bright In a mo u r d god of day With his soft handkercher of light Kist the wet pearles away , ’ , , . II But when her teares hi s heat or eca m e I n cl o u d es he q u en sh t his beames And griev d wept out his eye of flame S o drown ed her sad strea mes ’ , , ’ , , . III At this sh e smiled when straight the C leer d by her kinde desires ; And by her eyes reflexio n Fast kin d l d there h is fires , ’ ’ . [ 48 ] sun L O VE L fl C E R I C HAR D T O L U C A STA . F RO M PR I S O N AN EPO D E I O NG in thy shackels liberty ask not from these walls but thee ; L eft for awhile anothers bride T o fancy all the world beside , , , . II ’ Yet e re I doe begin to love S ee how I a ll my objects prove ; Then my free so u le to that confine Twere possible I might call mine , , ' , ’ . III First I would be in love with Pea ce And her rich swel ling brea sts increase ; But how alas ! how may that be Despising earth she will love me ? , , , , IV Faine would I be in love with Wa r As my deare j ust avenging star ; , [ 49 ] TH E P OE M S ’ OF ’ But War is l o v d so ev rywh ere E v n he d isd a in es a l odging h ere , ’ . V and thy wounds I would b emo an e F a ire thorough shot Rel ig i on Bu t he lives only that kills thee And who so bindes thy h a nds is free T hee - , , . , VI I would love a Pa rl i a men t A S a maine prop from H ea v n sent ; But ah ! who s he that would be w edd ed To th fairest body that s behead ed ? ’ ’ , ’ ’ VII Next would I court my Li berty And then my birth right Prop erty ; But can that be when it i s kn ow n e ? o e T here s n o thing you can call your w n , - , , , ’ VIII A Reforma ti on I would hav e As for our gri efes a Sov ra zg n e salve ; That is a cleansing of each w h eel e O f state that yet some rust doth feel e , ’ , , [ 50 ] . XIII And now an uni v ersall mist O f error is spread o r e each breast With such a as is ed d g Not found In th inwards of th abysse ’ , ’ ’ ’ XIV O h flom thy glo ri ous starry waine Dispense on me one sacred beame To light me where I soone may see How to serve you and y o u trust me ! , , , [ 52 ] . R I C H AR D L O VE L A C E LU C A S T A S ’ WI TH A FANN E LOO KIN G GL A SSE I N - IT I A ST R I C H ! thou feath erd fo ol e and easie prey That l a rger sailes to thy broad vessell n eed st ; S nakes through thy guttur neck hisse all the day Then on thy iron messe at supper feed st , , - , . II O what a glorious transm i grati on From this to so divine an edifice Hast thou straight made ! heere from a w in ged stone Tran sfo rm d into a bird of parad ice ! ’ ’ III Now doe thy plumes for hiew and luster vie With th arch of h eav n that triumphs or e p ast wet And in a rich en amel d pinion lye With saph yres ameth ists and O pal ls set ’ ’ ’ , ’ , . IV S om et ime they wing her side th é stri ve to drown The day s eyes piercing beames whose am rous heat ’ ’ , [ 53 ] T HE P OE M S OF ’ S ollicites still till with this shield o f downe From her brave face his glowing fires are beat , . V But whilst a plumy cu rtain e sh e doth draw A chrystal l mirror Sparkles in thy breast I n which her fresh aspect when as she sa w And then her foe retired to the west , , , . VI D eare engine that oth sun got st me the day S pite of his h ot assaults mad st him retreat ! No wind ( said she) dare with thee henceforth play But mine own breath to cool the tyrants heat ’ ’ , , ’ ’ . V II My lively shade thou ever shalt retain e I n thy inclosed feather framed glasse And but unto our selves to all rema in e I nvisible thou feature of this face ! - , VIII S o said her sad swaine over heard and cri ed : Yee G ods ! for faith u n stain d this a reward ! F eathers and glasse t o u tw eigh my vert ue try ed ! Ah ! Show their empty strength ! the g ods accord - , ’ [ 54 ] . IX Now fal l n the brittle fa vourite lyes and burst A mas d Lu ca s ta w eepes repents and flies T o her Al exi s v ow es her selfe acu rst If hence she dresse her selfe but in h is ’ ’ , , , [ 55 ] TH E P OE M S L U C A STA , OF TA K I N G TH E WA T E R S AT T UN B R I DGE I EE happy flo ods ! that now must passe The sacred con d u icts of her wombe S mooth and transparent as your face When you are d ea fe and windes are dumbe , , , II Be proud ! and if your waters be Fou l d with a c ou n terfey ted teare O r some false Sigh hath stain ed yee Haste and be purifi ed there ’ , , . , III And when her rosie gates y h a ve trae d Continue yet some O rient wet Till turn d into a gemme y are plac d L ike diamonds with rubies set ’ ’ , , ’ ’ ’ ’ , , . IV Yee drops that dew th Arabian bowers Tel l me did you e re smell or V iew ’ , ’ , [ 55 ] , . any leafe of all your flo w ers S o e Sweet a sent so rich a hiew ? On , V But as through th O rgans of her breath You trickle w a ntonly bew a re : Ambitious S eas in their just death A S well as L overs must have share ’ , . , VI And see ! you boyle as well as I ; You that to coole her did aspire Now troubled and neglected lye Nor can your sel ves quench your , , , o w ne fire VII Yet stil l be happy in the thought T hat in so small a time as this Through all the Heavens you were bro u ght O f Ve rtue Honour L ove and Blisse , , , , . . TH E P O E M S 0 F T O LU C A STA OD E LYRIC K I ? H Luca sta why so bright S pread with early streak ed light ! I f still vail ed from our sight ? What is t but etern a ll night , , ’ II ? Ah Luca s ta why so ch ste With that vigour ri pe n es grac t Not to be by Man imb ra c t Makes that R oyall coyn e imbace t A n d this golden O rchard waste ! a , ’ , , ’ ’ , III Ah Luca sta why so great That thy crammed coffers sw eat ? Yet not owner of a seat May shelter you fi om Natures heat And your earthly j oyes compleat , , . [ 58 ] TH E P O E M S OF L U C A S T A PAY I N G HER O BS EQUI ES TO THE CHA ST ME MOR Y O F MY D E AR EST C OS I N MRS B O W ES B A RN E [S ] . I EE! what an undisturbed t eare Sh e w ee pes for her la st sl ee pe ; But viewing her straight w a k d a S tar S he w eepes that she did w eepe ’ , , . II G riefe ne re before did ty ran iz e O n th h ono u r of tha t brow And at the wheeles of her brave eyes Was captive led til now ’ ’ , . III Thus for a saints apostacy The u n i magin d woes And sorro w es of the Hierarchy None but an angel knowes , ’ . IV Thus for lost soules recovery The clapping of all wings , [ 60 ] , victory an S o none but None he s knows to b ut Luca s ta can O f glory celebrate . her bemon e crow n e . VI Then dart on me ( C h a s t Lig h t) one ray By which I may d isc ry Th y joy cleare thro u gh this cloudy day T o dresse my sorrow by . [ 61 ] , T H E P OE M S O F U PO N T H E C U RT A INE O F L U C A ST A S ’ PI C T U R E I T WAS TH US W R OUG HT H stay that covetous hand ; first turn all eye All depth and minde ; then mystically spy e Her soul s faire picture her faire soul s in all S o tru el y copied from th o rigin al l That you will sw ea re her b ody by this law — Is but its shadow as this its ; now draw , ’ ’ , , ’ , . , , [ 62 ] , R I C H AR D L O VE L A C E L U C A ST A S ’ W O RL D EPO DE I O L D as the breath of winds that blow T o silver shot desce nding snow Lu casta sigh t ; when she did close The world in frosty cha ines ! And then a frow n e to rubies frose The blood bo y l d in our veines : Yet cool ed not the heat her sphere O f beauties first had kindled there , ’ ’ . II Then mov d and with a su dd ain e flame I mpatient to melt all aga in e S traight from her eyes Sh e lightning h u rl d And eart h in ashes m ou m es ; Th e su n his blaze denies the world And in her luster burnes : Yet warm ed not the hearts her nice D isd a in e had first con gea l d to Ice ' ’ , , ’ , , ’ . [ 63 ] , T H E P O EM S OF III And now her teares nor griev d desire Can quench this raging pleasing fire ; Fate but one way al l ow es ; behold Her smiles divinity ! T hey fan n d this heat and th a w d that cold S o fram d up a n ew sky T hus earth from flames and ice re preev d E re since hath in her su n shine liv d ’ , ’ ’ ’ , ’ ’ , , ’ ’ - [ 64 ] . , L O V EL A C E R IC HAR D TH E A PO ST A CY O F O NE, AND B U T O NE L AD Y I H A T fra n tic k I adore And am con firm d the earth turns round ; No w satisfied O re and o re A S rowling w a ves so flo w es the ground And as her neighbour reels the shore : Finde such a woman says She loves ; S he s that fixt h eav n which never moves e rro u r , ’ ’ ’ , , , ’ ’ . , II I n marble steele or porphyrie Who carves or stampes his armes or face Lo o kes it by rust or st o rme must dye : This womans love no time can raze Hard n ed like ice in the sun s eye O r yo u r reflection in a glasse Which keepes possession though you passe , , , , , ’ , , , III We not behold a watches hand T o stir nor plants or flowers to grow ; Must we infer that this d ot h stand , , [ 65 ] . T H E P OEM S OF And therefore that those do not blow ? This sh e acts calmer like Hea v n s brand The st edfast lightning slow loves dart S he kils but ere we feel e th e smart , ’ , , , , , . IV O h She is constant as the winde T hat revels in an ev n ings aire ! Certaine as w ay es unto the blinde More reall then her flatt ries are ; G entle as chaines that honour binde More faith fii ll then an Hebrew Jew But as the divel not halfe so true , , ’ , ’ , . [ 56 ] , T H E P OE M S OF And call the helping winds to vent your Al ex Amyntor ! Chloris ! where O r in what sphere S ay may th at glorious fair be sought ? . , Amy n ’ . ’ S he s now the center of these armes e re blest Whence sh e may never move T ill T ime and L ove Haste to their everlasting rest , , . Ah subtile swaine ! doth not my flame rise high ? As you rs and burne as hot Am not I shot ? With the selfe same artillery , Amy n And can I breath with out her air ? Wh y then From thy tempestu ous earth Whe re blo od and dearth Raign e stead o f kings agen . , , , ’ , Wa fte thy selfe over and lest storms from far , Arise bring In our sight Th e seas delight Luca sta th at bright n orth ern e star , , , [ 68 ] . R I C H AR D L O VEL A C E But as w e cut the rugg ed d eepe I feare The green god stops h is fell , And smooths the maine to ravish her Amy n . . ’ no the prince of w a ters fires are done ; He as his empire s old And rivers cold ; His queen now runs abed to th su n ; Oh , ’ , , ’ ’ all h is treasure h e shal l ope that day Tritons Shall sound : his fleet e I n silver meet e And to her their rich oflii ngs pay Bu t , . Al ex . Amyntor not amaz d how sent By water earth or aire : O r if with her By fire : ev n there I move in mine o w n e element We ’ fly e , , , , ’ . [ 69 ] T H E P OE M S OF L U C A ST A F RO M H E R R E T I R EM E NT CA L L I N G OD E 1 RO M the dire monument of thy bla ck roome Wh er now that vestal flame thou dost intombe As in the inmost cell of all earths wombe , . II ’ S acred Lu ca sta like the pow rfull ray O f heavenly truth passe this Cimmerian way Whil st all the standards of your be ames display , , , . I Arise and cl imbe our whitest highest hill ; There your sa d thoughts with j oy and wonder fill And see seas calme as earth earth as your will I I , . , IV Behold ! h ow lightning like a taper flyes And guilds your chari t but asham ed dyes S eeing it selfe out gl ori ed by y o ur eyes , ’ , - . [ 70 ] , , , R IC HAR D L O VE L A C E V Th rea tn in g and b oy strous tempests gently bow A nd to your steps part in soft paths when now There no where hangs a cloud but on your brow , , , VI No sh o wrs bu t twixt your lids nor gelid snow But what your whiter ch aster brest doth ow Whilst winds in chains colder for sorrow blow ’ , , , , . VII S hrill trumpets doe only sound to ea te Artillery hath loaden ev ry dish with meate And drums at ev ry health alarmes beate , ’ , ’ . VIII All things Luca sta bu t Lucasta call T rees borrow tongues waters in accents fall Th e aire doth sing and fire is mu sicall , , , , , . , IX Awake flo m the dead va ult in which you dwell Al l s loyall here except your thoughts rebell Which so let loose often their gen ra ll quell ’ , ’ , . , [ 71 ] , . T H E P OE M S OF S ee ! she obeys ! By all obeyed thus No storms heats co lds no soules contentious Nor c ivill war is found ; I meane to us , , , , , . , XI ’ and angels though in h ea v n they show And see the woes and discords her e below What they not feel e must not be said to know Lo vers , , . , [ 72 ] , R I C H AR D L O VE L A C E A M A RA NT H A A PA STO RA LL the j olly bird o f light Who sou nds h is third retreat to night ; F a ire A mara n th a from her bed Asham ed starts and rises red A s the ca rnation mantl ed morne Who now the blushing robe doth spurne And puts on angry gray whilst Sh e Th e envy of a deity A ra y es her limbes too rich inde ed T o be iD sh rin d in such a we ed ; Yet lovely twas and strait but fit ; Not mad e for her but She to it : By natu re it sate close and free As the just bark unto the tree : Unlike L ove s martyrs o f the towne A ll day im priso n d in a gown Wh o ra ckt in silke stead of a dresse Are cl oath ed in a frame or presse And with that liberty and room Th e dead expatiate in a tombe No cabinets with curious washes P with , - , , , , , , ’ ’ , a ' , , ’ , ’ , ’ , , , , . , [ 73 ] T H E P OE M S OF Bladders and perfii med plashes ; No v en ome—temper d water s here Mercury is banished this sphere : Her pay l e s all this in which w et glasse S he both doth cleanse and view her face Far hence a ll I be rian smells H ot amulets Pomander Spe lls Fragrant gales cool ay r the fresh And natu ra ll odour of her flesh Proclaim her sweet from th w o mbe as morne Th o se col ou r d things were made not borne Which fixt within their narrow straits D o l o oke like their own cou n terfey ts S o like the Provance rose Sh e walk t F l ow erd with blush with verdu re stal kt ; Th o fficious wind her loose hayre curles The dewe her happy linnen purles But w ets a tresse which instantly S ol with a crisping beame doth d ry I nto the garden is She come L ove and delight s Elisiu m ; I f ever earth show d all her store View her d isc o l ou rd budding flo o re Here her gl a d eye sh e largely feed es And stands mongst them as they mong w eeds ; 4 7 [ ] ’ ’ , ’ , . , , , , ’ , , , ’ . ’ , , , , . , , ’ , , , . , ’ ’ , ° , ’ ’ , T H E P OE M S L ike OF a pavilion her heads C on temn es the w a nting commonalty T h at but to two ends usefull be And to her lips thus aptly pla c t With smell and hue presents her tast S o all their due obe dience pay E ach thronging to be in her way : Fal re A mara n th a with her eye Thanks those that live which else would dye : T h e rest in silken fetters bound By crowning her are crown and crown d And now the sun doth higher O u r Flora to the meadow hies : The poore distressed heifers low And a s sh approacheth gently bow Begging her charitable leasure T o strip them of their m il kie treasure O u t of the yeomanry oth heard With grave aspect and feet prepar d A rev ren d lady cow d ra w es n eare Bids A mara n th a welcome here ; And from her privy purse lets fall A pearle or two which seeme [ s] to call This ad o rn d adored fayry T o the banquet of her d ay ry [ 76 ] , , , ’ , . , , , , ’ . , ’ . ’ , ’ , , ’ - , , ’ . L O VE L A C E R I C H AR D S oft A maranth a weeps to see Mongst men such in hu man itie T hat those who do receive in hay And pay in silver twice a day Sho u ld by their cruell b arb ro u s theft Be both o f tha t and life be reft But tis decreed when ere this dies T hat She Shall fa ll a sacrifice Unto the g od s since those that trace Her stemme show tis a god like race Descending in an even line From heifers and from steeres divine Making the h on ou r d extract ful l I n IO and E uropa s bull She w as the largest go odliest beast T hat ever mead or altar blest ; R ound [ w ] as her udder and more white Then is the M il kie Way in night ; Her ful l broad eye did Sparkle fire ; Her breath w as sweet as kind desire And in her bea u teous crescent shone Bright a s the argent horned moone But see ! this whiteness is obscure Cynthia Spotted she impure ; Her body w rithel d and her eyes ’ , , , , ’ . ’ , , , , ’ - , , , ’ ’ . , , , , - . , , , [ 77 ] T H E P OE M S OF Departing lights at O bsequies : Her lowing hot to the fresh gal e Her breath pe rfumes the field w ithall ; T o those t w o suns that ever shine T o tho se pl u mp parts sh e doth inshrine T o th hovering snow of either hand That love and cruelty command A fter the breakfast on her teat S he takes her leave oth mo urn fu ll neat Who by her to ucht now priz eth her life Worthy alone the hollow ed knife I nto the n eigh bring wo od she s gone Whose roofe defies the tell tale S unne And l ocks out ev ry prying beame Close by the lips of a cleare streame S he sits and en terta in es her eye With the m oist chrystall and the frye With bu rn ish t silver mal d whose o a res Amaz ed still make to the Sh o ares ; What ne ed she other bait or charm ? What hook or angle but her arm The happy captive gladly ta n S ues ever to be Slave in vaine Who instantly ( con firm d in s fea res) Hasts to his element of teares 8 7 [ ] , , , ’ , . , ’ , , . ’ , - , ’ ° , ’ - , , , ’ , , , ’ ’ ~ . , R I C H AR D L O VE L A C E From hence her various windings roave To a well o rd erd stately grove ; This is the pa llace of th e wood And cou rt oth R oyall O ake where sto od The whole nobility : the Pine S trait Ash tall Firre and wanton V ine ; Th e proper Cedar and the rest Here sh e her deepe r senses blest ; Admires great Nature in this pile Fl o or d with greene velvet Camomile G arn ish t with gems of u nset fiu it S u ppl y d still with a self recruit ; Her bosom wrought with pretty eyes O f never planted S trawberries Where th wing ed musick of the ayre D o richly feast and for their fare E ach evening in a silent shade Bestow a grate q serenade Thus ev n ty erd with delight S at ed in soul an d appetite ; Full of the purple Pl u mme and Peare Th e golden Apple with the faire G rape that mirth fain would have taught her And nu ts which squ irrells cracking brought her ; S he softly layes her weary limbs [ 79 ] - ’ , , , , . , , ’ - , , ’ - ’ , , , . ’ , , , , , , TH E P O E M S OF Whilst gen tle slumbe r now beginn T o draw the c urta in es o f her eye ; When straight aw aken d with a crie And bitter groan again reposes Again a deep sigh interpo ses And now She heares a trembling v oy ce : Ah ! can there ought on earth rejoy ce ! Why weares sh e this gay livery Not black as her dark entrail s be ? Can trees be green and to the ay r Thus prostitute their flowing hayr ? Why do they sprout not w itherd d y ? M ust each thing live save wretch ed I Can dayes triumph in blew and r ed When both their light and life is fl ed ? Fly Joy on wings of Po pinjay es T o courts of fools w here as your playes Dye laught at and forgot ; whilst all T hat s go od mourns a t this fu n era ll Weep all ye G races and you sweet Quire that at the hill in spir d meet : L ove put thy tapers o u t that we And th world may seem as blind as thee ; And be since she is lost ( ah wound ! ) Not H ea v n it self by any found 0 8 ] [ , , ‘ . , ’ , , , , , ’ . , , ’ , , , ’ , ’ . L O VE L A C E 1 R I C HA R D N o w a s a prisoner new cast Who sl eepes in chaines that night his la st Next mom is w a k t with a repreeve A n d from his trance not dream bid live Wonders ( h is sence not ha ving scope ) Who speaks his fri end or his false hope S o A mara n th a hea rd but feare Dares not yet trust her tempting care ; And as aga in e her arms oth ground S pread pillows for her head a sound More d ismal l makes a swift divorce And starts her thus : R age ra pine force Ye blew fla m d dau ghters oth abysse Bring a l l your snakes here l et them hisse ; Let not a leaf its fresh n esse k ee p ; Blast all their roots an d as you cree pe And leave behind your deadly slime Poyson the budding branch in S prime : Wast the proud bowers o f this grove That fiends may d w ell in it and move As in their pro per hell whilst she Above la ments this trag edy : Yet pities not our fate ; oh faire Vow breaker now b etroth d to th ay r ! Why by those lawes did we not die , , , ’ , , , . , , ’ , , , ’ , ’ - , , , , , ’ , , , ’ - ’ ’ , , [ 81 ] TH E P OE M S OF live but one Lucasta ! why As he Lucasta n am d a groan S trangles the fainting p assing tone ; But as she heard Lucasta smiles Posses her ro und ; She s slipt mean whiles B ehind the blind of a thick bush When each word temp ring with a blush S he gently thus bespake ; S ad swaine I f mates in w oe do ease our pain Here s one hi l l of that antick grief Which stifl ed would for ever live But told expires ; pray then revea l e ( To show our wound is half to beale) What morta l l nymph or deity ? Bewail you thus Wh o ere y o u be T h e shepheard sigh t my woes I crave Smoth erd in me me in my grave ; Yet be in Show or truth a saint O r fiend breath a n th em es heare my plaint For her and thy breath s symphony Which now makes full the harmony Abo ve and to wh ose voice the spheres L isten and cal l her musick theirs ; This w as I blest on earth with so As Druids amoro us did gro w 8 2 ] [ AS , ’ , . , , ’ , ’ , , , , ’ , , , , , , ’ , , , , , ’ , , , , , , T H E P O EM S OF Thou sacred spirit of my deare Where e re thou h o verst o re us hea r ! I mbark thee in the lawt ell tree And a new Phebus follows thee Who stead of all hi s burning rayes Will strive to catc h thee with his layes ; O r if within the O rient Vine Thou art both deity and wine ; But if thou takest the mi rtl e grove That Paphos is thou Queene of Lo ve And I thy Swain who ( else) must die By no bea sts but thy cruelty : But you are rougher than the winde Are Souls on earth then h ea v n more kind ? I mprison ed in mortality L u casta wo u ld have answered me Lu casta A m ara n th a said ? I s sh e that virgin sta r a maid E xcept her prouder livery I n be auty po ore and cheap as I ; Whose glory like a meteor shone O r a é ry apparition A d mi r d a while but slighted known Fierce as the chafed lyon hies He row ses him and to her flies 8 4 [ ] , ’ ’ , , , ’ , , , , , , , , , , , . ’ . , , - , , , , ’ , . , , , , L O VE L A C E R I C H AR D Thinking to answer with h is speare No w as in warre Intestine where I th mist of a black battell each L ayes at his next then makes a breach Through th en tray l es of another whom He sees nor knows whence he did come G uid ed alone by rage and th d ru mme But stripping and impatient wild He finds too soon his onely child S o ou r expiring d esp rate lover Far d when amaz d he did discover L u ca sta in this nymph ; h is Sinne Darts the accu rsed j avelin G ainst his own breast which sh e puts by With a soft lip and gentle eye Then closes with him on the ground And now her smiles have heal d his wound Alexis too again is found ; But not untill those heavy crimes Sh e hath kis d O ff a thousand times Who not contented with this pain D oth threaten to offend again And now they gaz e and sigh and weep Whilst e ach cheek doth the other s steep Whilst tongues as exorc is d are ca l m 8 5 [ ] , , ’ , , ’ , , ’ , , . ’ ’ ’ , , ’ , , ’ ’ , , . , , , ’ , ’ , , . T H E P OEM S OF ’ O nely the rhet rick of the palm Prevailing pleads untill at last They [ re ] ch ain d in one another fast Lu casta to him doth relate Her various chance and diffring fate : How ch ac d by Hy d ra phil and tract The n u m ro us foe to Phil an act Who whilst they for the same th ings fight es and Druids rite A s B ards d ec rO F or safeguard of their proper j oyes And sh eph eards freed ome each d estroy es The glory of this S ici lie ; S ince seeking thus the remedie They fancy ( building on false ground ) The means m u st them and it confound Y et are resolv ed to stand or fall And win a little o r lose all From this sad storm of fire and blo od S he fl ed to this yet living wo od ; Where Sh e mongst savage beasts doth find Her self more safe then humane kind Then she relates how C aelia The lady here strippes her array And girdles her in h ome spu nn e bayes Then makes her conversant in layes 8 5 [ ] , ’ . ’ , ’ , , , , , , , , . ’ . , , - THE P OE M S OF B oth vowing in her pea ceq cave To m a ke their b rid all b ed and grave But the true j oy this c o n ce iv d E ach from the other first berea v d And then found after such alarmes F ast pin ion d in each other s armes Ye panting virgins that do meet Your loves within their winding Sheet Breathing and constant still ev n there ; O r souls their b odies in yon Sphere O r angels men re tu rn d from hell And separat ed min d es can tell - . ’ , ’ , , , ’ ’ - , , , ’ ’ , ’ , . [ 88 ] T O ELL IND A THAT L ATEL Y I HA VE N OT W R I TT E N I F in me anger or d isd a in e I n you or both m ade me refra in e From th noble interco u rse of verse That only vertuous thoughts rehea rse ; T hen chaste El lin d a might you feare The sacred v ow es that I did sw ea re , , , ’ , , , . II if alone some pious tho u ght Me to an inward sa d n esse brought Thinking to breath yo u r soule too welle My tongue w as charm ed with th at spell ; And left it ( Since there was no roome T o v oy c e your worth eno u gh ) strooke dumbe Bu t , _ III S o then this silence doth reveal No thought of n egligence but z eal : For as in adoration This is love s true devotion ; , , , ’ [ 89 ] . T H E P OE M S T R E A T ED B E IN G TO OF ELLIND A OR cherries plenty and for corans E nough for fifty were there more on s ; Fo r elles of beere flutes of canary That well did wash downe pasties Mary ; For peason chickens saw ces high Pig and the w idd o w venson pye ; With certaine promise ( to y ori r brother) O f the V i rg i nity of another Where it is thought I too may pw pe in With knuckles far as any d eepe in ; For glasses heads h ands be llies full O f wine and l oy n e right w o rshipfull ; Whether all of or more behind a Th a n kes fr eest freshest faire Ell in d a Th an kes for my V isit not disdaining O r at the least th an kes for your feigning ; For if your mercy doore were lockt well I should be j ustly soundly kn oc kt well ; Cause that in d ogrell I did m u tter Not one rhime to you from d am R otter , ’ , , , - , , , - - , , , , , - , , . , , , - , - - [ 92 ] . R I C HA R D L O VE L A C E Next beg I to present my duty To pregnant sister in prime beauty Whom well I d eeme ( e re few months elder) Wil l take out Hans from pretty Kelder And to the sweetly fayre M a bella A match that vies with Arabella ; I n each respect but the misfortune Fortune Fate I thee ini po rtu n e , ’ , , , . , Nor must I passe the lovely Alice Whose health I d qua He in golden chalice ; But Since that Fate hath made me neuter I only ca n in beaker pewter : But who d forg et or yet left u n sung Th e d o u gh ty acts of G eorge the yong son ? Who yesterday to save h is sister Had sl ain e the snake had he not mist her : But I Shall leave h im till a nag on H e gets to prosecute the dragon ; And then with helpe of sun a n d ta per Fill with h is d eeds twelve reames of pape r That Amadis S ir G u y and T opaz With his fleet neigher shall keep no pace But now to close a ll I must switch hard Your servant ever ; [ ] L OV EL AC E R I C HA R D 9 3 [ ] , ’ ’ - , ‘ - , , ’ , , , , , - . - , TH E P OEM S OF T O EL L IND A V PO N HIS A L AT E R E C OVE R Y PAR A D O X I OW I grieve that I am well ! All my health G o then Destiny and tell Very death is in this qu ickn es , , , . II S uch a fate rules over me That I glory when I languish And d o blesse the remedy That doth feed n ot quench my anguish , , , , II I Twas a gentle warmth that cea s d I n the viz ard of a fea v or; But I feare n ow I am eas d All the flames since I must leave ’ ’ ’ , IV Joyes though w ith erd circled me When unto her voice inured , , [ 94 ] , . T H E P OE M S TO OF CH L O E C OURT IN G H E R F O R H IS FR IE ND I B LO E, be hold ! a in e bowe : g Aga i n possest again e I woe ; From my heat hath taken fire D amas noble youth and fries G az ing with one of mine eyes Damas halfe of me expires : Chloe behold ! O u r fate s the same O r make me cinders too or quench h is fla me a I , , , , , , ’ . , , . II ’ I d not be King u n l esse there sate L esse lords that Shar d with me in state Who by their cheaper coronets know What glories from my diadem flow : I ts u se and rate values the gem : Pearles in their shells have no esteem ; And I being sun within thy Sphere T is my ch iefe beauty thinner lights shine there , ’ , , , , , ’ . The U s ’ heaps unto his store By seeing others praise it more ; Who not for gaine Or want doth covet But cause another loves doth love it : Thus glu ttons cloy d a fie sh invite T heir gusts fi om some new appetite ; And after cloth remo v d , and meate F a ll too agai n e others cate re r . ’ , , ’ ’ , . , TH E P O E M S OF G R AT I ANA D A UNC ING A ND S I N GI N G I EE! with what constant motion E ven and glorious as the sunne G ratiana steeres that noble frame S oft as her breast sweet as her v o y ce T hat gave each winding law and po yz e And swifter then the wings of Fame , , , , , , . II S h e beat the happy pavement By such a starre made firmamen t Which now no more the roofe envies ; But swells up high with Atlas ev n Bearing the brighter nobler Heav n And in her a ll the Dieties - , ’ , ’ , . , III E ach step trod o u t a lovers thought And the ambitious hopes he brought C ha in d to her brave feet with such arts S uch sweet command and gentle awe , ’ , [ 98 ] , TH E P O EM S A M YNT O R S ’ HIS CH LO RI S , G RO VE A RIGo, A ND AN T w as OF GRAT I ANA EL O G I E ’ Amyn tor s G rove that Chloris For ever ecch oes and her gl ories ; Chloris the gentlest Sh ea ph erd esse Tha t ever l aw n es and lambes did blesse ; Her br eath like to the whispering winde Was calme as thought sweet a s her minde ; Her lips like coral gates kept in The perfume and the pearle within ; Her eyes a double flamin g torch That a l way es Shine and never scorch ; Her selfe the Hea v n in which did meet The all of bright of faire and sweet Here was I br ought with that delight That seperated soules take flight ; And when my reason ca ll d my sence Back somewhat from this excell ence That I could see I did begin T observ e the cu rious ordering O f every roome where ts hard to know Which most excels in sent or Show , , , , , , , - , ’ , . ’ , , ’ ’ , , . [ 1 00 ] L O VE L A C E R IC HAR D Arabian gu mmes do breathe here forth And th East s come over to the North ; Th e windes have brought their hyre of sweet To see Amyntor Chloris greet ; Balme and nard and each perfume T o blesse this payre ch a fe and consume ; And th Phte n ix see ! already fri es ! Her n ea st a fire in Chloris eyes ! Next the great and powerful hand B eckens my tho u ghts unto a stand O f T itian R aphael G eo rgon e Wh ose art even Nature hath out d o ne ; For if w ea ke Nature only can I ntend not perfect what is man These certain ely we must prefer Who mend ed what she wrought and her ; And sure the Sh ad ow es of those rare And kind inco mparable fayre Are livelier nobler company Then if they could or speake or se e : For these I aske without a t ush Can kisse or touch without a blush And we are taught that substance I f u n injoy d but th shade of blisse Now every saint cl ee rly divine 1 0 1 [ ] , ’ ’ , , , ’ , , , - ’ , , , , , , , , , , ’ ’ , . , T H E P OE M S OF ’ Is cl os d so in her sev era ll shrine ; Th e gems so rarely richly set F or them w e e love the cabinet ; S o intricately pl a c t w ith al l As if th imbrord ered the wall S o that the pictures seem d to be But one continued tapistrie Aft er this tra v el l of mine eyes We sate and pitied Dieties ; Wee bound ou r loose hayre with the vine The poppy and the eglantine ; O n e Sw ell d an oriental bo wle Full a s a grateful loyal sou le T o Chloris ! Chloris ! Heare oh heare ! T is pl ed g d above in ev ry sphere Now streight the I ndians richest priz e Is kindl ed in glad sacrifice ; C l o u d es are sent up on wings of thym e Amber pomgran ates jessemin e And through our earthen c o n d u icts sore Higher then altars fum d before S o d ren ch t we our oppressing cares And ch oa kt the wide ja w es of our feares Whilst ra v isht thus we did devise I f this were not a Pa rad ice 0 2 1 [ ] , , ’ ’ , ’ , ’ . , , ’ , , , ’ ’ , ’ . , , , , ’ . , . , , T H E P OEM S OF No Sharpe frost cut no North winde tea re The verdure of that fragrant hayre ; But may the su n and gentl e weather When you are both grow n e ripe toget her Load you with fruit such a s your Father From you with all the j oyes d o th gather : And may y o u when one branch is dead G raft such another in its stead L asting thus ever in your prime Til l th Sithe is sn atch t away from T ime - , , , , , , , ’ ’ . [ 1 04 ] , R I C HA R D L O VE L A C E T H E SC RU T INI E S ET BY MR . TH O M A S C H A R LE S HY Shouldst thou sw ea re I am forsworn ? S ince thine I v o w d to be Lady it is already Morn And twas last night I swore to thee T hat fond impossibility ’ , , ’ . II ’ ’ Have I not l o v d thee much and long ? A t edio u s twelve moneths sp ace I Shbu l d all other b eauties wrong And rob thee of a new imbrace ; Should I still dote upon thy fa ce , _ , . III Not but all j oy in thy browne haire I n others may be found ; But I must search the black a nd faire L ike skil ful l e min erall ists that sound For treasure in u n pl ow d u p ground , ’ - [ - 105 ] . , IV ’ Then if when I have l ov d my round Thou pro v st the pleasant she ; With spoy l es of meaner beauties crow n d I laden w ill retu rn e to thee E v n sat ed with va rieti e , , ’ ’ , ’ . [ 10 6 ] , T H E P OE M S OF And he ( whilst she h is curles doth deck) Hangs no where n ow but on her neck Here Ph oebus with a beame u n tombes L ong hid Leu coth oe and d o omes Her father there ; D aph n e the faire Knowes now no bayes but round her haire ; And to Ap ol l o and hi s S ons Who pay him their due O risons Bequeaths her l aw rel l robe that flame C o n temn es T hunder and evill Fame T here kn eel d Adon i s fresh as spring G ay as his youth now offerin g Herself those j oyes with voice and hand Which first he could n ot understand Transfixed Ven us sto od a mas d Full of the Boy and L ove Sh e gaz d And in imbraces seem ed more S en cel ess and co ld e then he be fore U sel esse Childe ! I n vaine ( said sh e) You beare that fond artillerie ; S ee heere a p o w r above the slow Weake execution of thy bow S o said sh e riv d the wo od in two U n edg ed all his arrow es too . , ' - , , , - , . , ’ ’ , , , . ’ , ’ ‘ , , . ’ . ’ , , , [ 108 ] To that part whence we have our wound S ee see ! the darts by which we bu rn d Are bright L oysa s pe ncil ls tu ru d With which she now en l iveth more Beauties than they d estroy d be fore , ’ , ’ ’ , ’ , . . T H E P OE M S OF A F O R S AK E N L ADY T O H E R F A L S E S E R VAN T THAT IS D IS DA I N E D B Y HIS N EW MISTRISS ’ it that you so shun me cause you wish ( C ru el s t) a fellow in y o ur w retch ed n esse all case in your ow n e O r that you take some sm T orments to heare another sadly g ro a n e I were most happy in my paines to be S o tru el y blest to be so c u rst by thee : But oh ! my cries to th a t doe rather adde O f which too in u ch already thou h a st had And thou art gladly sa d to heare my mo an e ; Yet sadly hearst me with d er isiOn E RE , ’ , , , , , , , . T hou most unjust that really dost know And feelst th y sel fe the flames I burne in O h ! H o w can you beg to be set loose from that Consuming stake you binde another at ? , , . U n ch ari ta bl est both w ay es to denie That pity me for which yourself must dye To love not her loves you yet know the pain What tis to love and not be l ov d aga in e , , , , ’ ’ . , [ 1 10 ] ’ O r violently h u rl d Oh ma ke [ into my urne to freez e than , 1 12 ] L O VE L A C E R I C H AR D T H E G RA S S EH O PPER TO M Y N OBLE FR I EN D MR , . CHA R LE S COTT O N O DE I ’ H thou that swing st upo n the waving care O f some well fill ed oaten beard Drunk ev ry night with a delicious teare Dropt thee fi om H eav n where now th art rea rd , - , ’ ’ ’ , II The j oyes of ea rth and ayre a re thine intire T hat W ith thy feet and wings dost hop and fly e ; And when thy poppy w o rkes thou dost retire T o thy carv d acorn be d to lye , , ’ ’ - . III Up with the d ay the S un thou w el comst then S po rtst in the guilt plats of his beames And all these merry d ayes ma k st merry men Thy selfe and mela ncholy strea mes , , , ’ , , . IV But ah the sickle ! golden ea res are cropt ; C eres and Ba cch us bid go od night ; , - 1 13 . TH E P O E M S OF S harpe frosty fingers all your flo w rs have topt And what sithes spar d winds shave off quite , ’ , . V Poore verdant fo o l e ! and now green ice thy j oys L arge and as lasting as thy peirch of grasse Bid us lay in gainst winter raine and po iz e Their flou d s with an o erflo w in g glasse , , ’ , ’ . VI Thou best o f men and friends ? we wil l create A genuine su mmer in each others brea st ; And spite of this cold T ime and frose n Fate T haw us a warme seate to our rest , . VII O u r sacr ed barthes shall b u rne eternally A s vestal flames ; the North wind he S hall strike his frost stret ch d winges dissolve and fly e This [ E tna in epitome - , ’ - , . VIII Dropping December shall come weeping in Bew ay l e th u surping of h is ra ign e ; But when i g sh o w rs o f old G reeke we beginne S hal l crie h e hath his crow n e aga in e ! , ’ ’ ‘ , [ 1 14 ] , T H E P OE M S OF AN EL E G I E O N TH E D E ATH O F MRS CA SS ANDRA C OTT O N O N L Y S IST E R T O MR C C OTT ON . . . I T H E R with hallow ed steps as is the ground That must e n shrine this saint with l ookes pro found And sa d aspects as the dark vails you weare V irgins o pprest draw gently gently n ea re ; E nter the d isma l l ch an cell of this roome Where each pale guest sta nds fixt a living tombe ; With trembling hands helpe to remove this earth To its last death an d first victorious birth : L et gums and incense fii me who are at strife To enter th hearse and breath in it new life ; Mingle your steppes with flowers as you goe Which as they haste to fade will speake you r woe , , , , , , , ’ , , , . ’ ’ And when y have pl ac t your tape rs on her urn How poor a tribute tis to weep and mourn ! T hat flo od the channel ] o f your eye lids fil s When you lose trifles or what s lesse your wills I f you l be worthy of th ese O bse quies Be blind unto the world and drop y our eyes ; Waste and consume burn d ownward as this fire ’ - , ’ , , ’ , , , [ 1 16 ] . , L O VEL A C E R I C H AR D ’ s fed no more : so willingly expire ; Passe through the cold and obscure narrow way T hen light you r torches at the spring of day There with her tri umph in your victory S uch j oy a lone and such solemnity Becomes this fun era l l of virg inity That , , . . if you faint to be so blest oh heare ! I f not to dye dare but to live l ike her : Dare to live vi rgins till the h o n o u r d age O f thrice fi fteen cals matrons on the stage Whilst not a blemish or least sta l ne 18 scen e O n y o ur white ro ab e twi xt fifty and fi fteen e ; But a s it in yo u r swathing bands w as given Bring t in your winding sheet u n soy l d to Hea v D eere to do purely without compact good O r hera ld by no one understood But him who n ow in thanks bows either knee For th early benefit and secresie O r, , , ’ , - , ’ - , ’ ’ , , , , ’ . Dare to affect a serious holy sorrow To which delights o f palla ces are narrow And la sting a s their smiles dig you a roome Where practise the probation o f yo u r tombe With ever bend ed knees and piercing pray r , , , ’ - , [ 1 17 ] , ’ n . T H E P OEM S OF ’ S mooth the rough passe through craggy earth to ay r ; Flame there as lights that sh ipw rackt mariners May put in safely and secure their feares Who adding to your j oyes now owe you theirs , , , , . Virgins if thus you dare but courage take To follow her in life else thro u gh this lake O f Nature w a de and brea ke her earthly bars Y are fixt with her upon a th rone of stars Arch ed with a p u re H ea v n chrystalin e Where round you love and j oy for ever Shine , , , , ’ , ’ , . But you are dumbe as W hat you do lament More sen sel es then her very monument Which at your weakn es weeps S pare that vaine teare E nough to burst the rev rend sepulcher R ise and walk home ; there groaning prostrate fall And Celebrate you r o w n e sa d fun era ll : For h ow soe re you move may heare or see , , . ’ . , ’ You a re more d ea d a nd [ bu ri ed th a n 1 18 , , , ] sh ee . , T H E P OEM S OF ON TH E D E AT H O F M R S E L I Z AB ET H F I L M E R . A N ELEGIA C A LL EPIT A P H OU that shall live awhile before O l d time tyrs and is no more : When that this ambitious stone S toopes low as what it tramples on : Know that in that age when Sinne G ave the world law a n d go v em d Queene A virgin l iv d that still put on White thoughts tho u gh out of fashion : That tra c t the stars Spite of repo rt And durst be good though chidden for t : O f such a so u le that infa nt H eav n R epented what it thus had giv n : For finding eq u al] happy man Th impatient po w rs snatch it agen Thus chaste as th ayre whither Sh ee s fled S h e making her celestial] bed I n her w a rme ala bla ster l ay A S cold a s in this house o f clay : No r were the rooms unfit to feast O r circu mscribe this angel guest ; , , , , ’ , , ’ ’ , , ’ , ’ ’ , ’ ’ . ’ ’ , , , - [ 12 0 ] , L O VE L A C E R I C H AR D The radiant gemme was brightly set I n as divine a carkanet ; O f which the clearer w a s not kn o w n e Her minde or her complexion S u ch an everla sting grace S uch a b ea t ific k face In cl oy sters here this narrow flo o re Tha t possest all hearts before , . , , , . Blest and b ew ay l d in dea th and birth ! The smiles and tea res o f h eav n a n d earth ! Virgins at each step a re a fea rd Filmer is Shot by which they ste er d Their sta r e xtinct their beau ty dea d That the yong world to honour led ; Bu t se e ! the rapid spheres stand still And t u ne themselves unto her will ’ ’ , ’ , , , , . Th u s although this m a rble must A S all things Crumble into dust And thou gh you fin d e this faire built tombe Ashes as what lyes in its wombe Yet her saint like name shall Shine A living glory to this shrine And her etern all fa me be read When all but very vertu e s d ea d , , , , - , - , , ’ . [ 12 1 ] T H E P O EM S T O MY W ORTH Y OF FR IE ND M R PE T ER L I L L Y O N THAT EX C ELLE NT PI CT UR E O F H IS MA JES TY AND TH E D UK E O F Y ORKE D RA WNE B Y H IM AT HAMPT ON C OURT . , - EE ! what a cloud ed m aj esty and eyes Whose glory through their mist doth brighter rise ! Se e ! wh a t a n humble bravery doth shine And griefe triumphant breaking throu gh each line How it commands the fa ce ! so Sweet a scorn e Never did h app y mi s ery adorn e ! S o sacred a contempt that others Show T o this ( oth height of all the w h eel e) below That mightiest monarchs by this Shaded booke May coppy out their proudest richest l o o ke , , , , ’ , , . , Whilst the true eaglet this qu ick lu ster spies And by his s u n s enlightens h is o w n e eyes ; He cures his cares his burthen feel es then streight Joyes that so lightly he can beare such weight ; Whils t either eith erS passion doth borrow And both doe grieve the same victorious sorrow , ’ , , , . [ 12 2 ] T H E P OE M S T H E L ADY OF A . L . M Y A SY LUM I N A GR E AT EX TR E M IT Y IT H ’ that delight the R oyal ca pti v s brought Before the throne to breath his farewell thought T o tel his last tale and so end with it Which gla dly he esteemes a benefit ; When the brave victor at his great soule dumbe Findes something there fate cannot overcome Cals the ch a in d prince and by h is glory l ed First reaches him h is c row n e and then his head ; Who ne re til now thinks himself sla ve and poor ; For thou gh nought else he had h imsel fe be fore He w eepes at this faire chance nor wil allow But that the diadem doth brand h is brow And under rates h imsel fe be low man kin d e Who first had lost his body now his minde , , , , , , , ’ , , , ’ ’ . , , , , - , . , With such a j oy ca me I to heare mv dombe And haste the preparation of my tombe When like go od angels who have h ea v n l y charge T o steere and guide m ans sudden giddy barge Sh e sn atch t me from the rock I w as upon , , ’ , , , [ 12 4 ] L O VEL A C E R I C HAR D ’ And land ed me at life s pavillion : Where I thus wound o ut of th immense abysse Was straight set on a pinnacle o f blisse ’ , , . me l ea pe in again e ! and by that fall Bring me to my first woe so cancel all : Ah ! 3 this a quitting of the debt you owe T o cr ush her and her go od n esse at one blowe ? Defend me from so foul e impiety Would make friends grieve and furies weep to see L et , ’ , , , Now ye sage spirits which infuse in men That are obl id g d twice to oblige agen I nforme my tongue in labour what to say And in what coyne or lang u age to repay But y ou are Silent as the ev n in gs ayre When windes unto their hollow grots repaire O h then accept the a l l that left me is Devout oblations of a sacred wish ! , . , ’ , , . ’ , , . , When She walks forth ye perfu m d wings oth East Fan her til with the S un she hastes to th West And when her h eav n ly course calles up the day And b reakes as bright descend some glistering ray ’ ’ , , ’ ’ , , ’ , , [ , 12 5 ] , T H E P O EM S To OF circle her and her as glistering hai re T hat all may say a living saint shines there S low Time with woollen feet make thy soft pace And leave no tracks ith snow of her pure face ; But when this vertue must needs fall t o rise T h e brightest constellation in the skies ; When we in characters of fire shall reade How cleere sh e w as al ive how spotless dead All you that are a kinne to piety : For onely you can her close mourners be D raw neer and make of hallow ed teares a dearth : G o od n es and j ustice both are fl ed the earth , , . , , ’ , , . , , , , . ’ I f this be to be thankful I v a heart ful smart Bro a ken with v o w es eaten with grate And beside this the V ild world nothing hath Worth anything but her provok ed wrath ; S o then who th in kes to satisfie in time Must give a s atisfaction for that crime : S ince she alone knowes the gifts value she Can onely to her selfe requ ita ll be And w orth y l y to th life payn t her own e story I n its true colours and full native glory ; Which when pe rhaps she shal be heard to tell Buffo o n es and th eev es ceasing t o d o ill , , , , , , , ’ , , , 12 6 - , T H E P O EM S OF I n this wilt an u n than kfii l office do : O r wilt I fling all at her fe et I have : ? My life my love my very soule a slave Ty e my free spirit onely unto her And y eel d up my affection prisoner ? Fond thought in this thou teachest me to give What first w as hers since by her breath I live ; And hast but show d me how I may resigne Possession of those things are none of min e , , , , , , ’ , . [ 12 s ] R I C H AR D A L ADY L O VE L A C E W I TH A FA L C O N O N H ER TO F I ST THE H O N OURA B LE MY C OUS I N AE NN E ] L IO V ELA C E] I H I S Queen of Prey ( now prey to you) Fast to that pirch of ivory I n Silver chaines and silken clu e Hath now made full thy victory : , II The swelling admiral] of the dread Cold d eepe burnt in th y flames oh faire ! Wast not enough but thou must lead ? Bound too the Princesse of the aire , , , , , III U n arm d of wings and scaly oare Un happy crawler on the land T o what hea v n fly st ? d iv st to what sh oare That her brave eyes d o not command ’ , , ’ ’ ’ , T H E P OE M S OF IV Ascend the cha riot of the S un From her bright po w r to shelte r thee : Her captive ( fo ol e) outgases him ; Ah what lost wretches then are we ! ’ , V Now proud usurpers on the right O f sacr ed bea uty hea re your dombe ; R ecant your sex your mastry might ; L ower you cannot be o r eco me : , , , , ’ VI ye er e n am d he or head For y are in falcon s monarchy And in that j ust dominion br ed I n which the nobler is the shee ’ R epent , ’ , ’ ’ , . [ 1 30 ] , T H E P OE M S OF These feares are for the noble and the wise ; But if mongst y ou there are such fowle dead eyes As can damne u n ara ign d cal law their po w rs Judging it sin enough that it is ours And with the house Shift their decre ed desires Fa i re still to th Bl a che Bl a che still to the Wh i te ’ ’ ’ , , , , ’ , He ’ do s protest he wil Castles and pyramids it s down and weep No he w il on Pro ud to be ra is d by such destruction S o far from qua rr ll in g with h imsel fe and wit That he wil thank them for the benefit S ince finding nothing worthy of their hate They reach him that themselves must envy at , ’ , ’ , , , . [ 132 ] , , L O VE L A C E R I C HA R D T H E EPI L O GU E H E stu bb o rn e author of the trifle crime T hat just now cheated you of two hours time Presumptuous it l ik t him began to gro w C a rel esse whether it plea se d you or no , ’ ’ , . , ’ But we who ground th excellence of a play O n what th e women at the dores wil sa y Who j udge it by the benches and afford T o ta ke y our money ere his oath or word His sch ol l a rs sch o ol d sayd if he had been wise He sh oiIld ha ve wove in one two comed i es ; T h e first for th gallery in which the throne To their amazement should descend alone Th e rosin lightning flash and monster spire S quibs and words hotter then his fire , , , ’ , ’ , , - , . , ’ ’ Th other for the gentlemen oth pit Like to themselves all Spirit fancy wit I n which plots Should be subtile as a flame Disgu ises would make Proteu s stil the same : Humours so rarely h u mou r d and exprest That ev n they should th in ke em so not drest ; Vices act ed and applaud ed too ti mes 1 3 3 [ ] , , , , , , ’ , ’ ’ , , , T H E P OE M S OF ’ Tickl ed and th actors acted not their crimes S o he might equally applause h ave ga in d O f th h ard n ed sooty and the snowy hand , , , ’ ’ , , . Where n ow one so so spatters t other : no ! Tis h is first play ; twere sol ecisme tsh ou l d goe The next t sh ew d pritily but sea rch t within I t a ppea res bare and bald as is his chin ; The towne wit sentences : A Sch ol a rs Pl a y Pish I know not why b u t th ave not the way ’ , ’ ’ ’ , , - ’ , ’ . We whose gaine is all our pleasure ev n these Are bound by j u stice and religion to please ; Which he whose pleasure s all h is gaine goes by As slightly as they doe hi s co maed y , , ’ , , . , Culls out the few the wo rthy at whose feet " 1 He sacri fices b oth h imselfe and it His fancies first fruits : profit he knowes none U n l es that o f your approbation Which if you r thoughts at going out w ill pay Hee ] not l ooke farther for a second day , , , , , , ’ . [ 134 ] T H E P OE M S OF Who both imbrac t her G od and flame ; And not alone in so ule did burne But in this love did ashes turne ’ , . How i] doth majesty inj oy Th e bow a n d gairy oth boy A s if the purple ro abe Should sit And sentence give ith cha yr of wit ’ , - , ’ . S ay ever dying wretch to whom E ach answer is a certaine doom What is it that you would possesse ? o u n es The C t or the naked Besse ? Would you her gow n e o r title do Her box or gem the thing or Show ? I f you meane h er the very h er Abstracted fi om her caracter Unhappy boy ! you may as soone With fawning wanto n with the M o one O r with an amorous complaint G et prostitute your very saint ; Not that we are not mortal or Fly Ven us altars and abhor The sel fesa me knack for which you pine ; But we ( defend u s ! ) are divine 1 3 6 [ ] , - , , , . , , , , , , , , , , R I C HA R D L O VE L A C E [ Not ] female but madam born and come From a right honourable wombe S hal we then mingle with the ba se And bring a silver tinsel] race ? Whilst th issue noble wil not passe Th e gold a ll o y d ( almost halfe brasse ) And th blo od in each veine doth a ppea re Part thick Bo o rein n p a rt L ady Cleare ; L ike to the sordid insects sprung From Father S u n and Mother Dung : Yet lose we not the hold we have Bu t fas ter gra spe the trembling slave ; Play at bal o o n with s heart and winde The strings like sca in es steale into h is minde Ten thousand false and feign ed j oyes Far worse then they ; whilst like whipt boys After this scourge hee s hush with toys , , - . , - ’ , ’ , , , ’ ’ , , , ’ . This heard S ir play stil in her eyes And be a dying live like fly es Cau ght by their angle legs and whom The torch laughs peece meal e to cons ume , , , , - , - [ 137 ] . , T H E P OE M S TO OF A LTH E A F R O M PR I S O N S ON G S ET BY D R JOH N W I LS ON . I H E N love with unconfined Hovers within my gates ; And my divine Al th ea brings T o whisper at the grates ; When I lye tangl ed in her haire And fetterd to her eye The birds that wanton in the aire Know n o such liberty , , , , . II When flowing cups run swiftly round With no allaying Ih a mes O ur ca rel esse heads with roses bound O u r hearts with loyal flames ; When thirsty griefe in wine we st eepe When healths and draughts go free Fishes that tipple in the d eepe Kn o w no such li bertie ' , , , , . [ 13 8 ] , T H E P OE M S OF S O NN E T T O GE N E RA LL GORI N G AFT E R TH E P AC I F ICAT IO N AT B E RW I C K E A L A C HA B OT , I OW the peace is made at the foes rate Whilst men of armes to kettles their ol d hehn es translate And drinke in cas kes of honourable plate I n ev ry hand [ let ] a cu p be fo u nd That from all hearts a health may sound T o Gori ng l to Gori ng ! se e t goe round , , . ’ , ’ . . II He who se glories shine so brave and high That captive they in triumph l ea d e each ea re and eye Claiming un combated the v 1cto r1e And from the earth to hea v n rebound Fixt there etern a ll as this round : to Gori ng see him cro w n d T o Gori ng , , ’ , ’ . [ l 4o ] , L O VE L A C E R I C HA R D To his lovely bride in love with scars Whose eyes wound decp c in peace as doth his sword in wars ; They sh ortly must depose the Queen of S tars : Her ch ee kes the morning blushes give And the benighted world repreeve ; ’ ’ T o Letti ce to Letti ce let her live , , , , . . . V G ive me scorching heat thy heat dry S un That to this payre I may drinke off an ocean : Yet leave my grateful thirst u n qu ensh t undone ; O r a hi ll bowle of h eav n ly wine Iri which dissolved stars should Shine T o the couple ! to the couple ! th are divine I , , , ’ , , ’ . T H E P O EM S SIR OF W O RTL EY S S O NN E T T H O MA S ’ AN S W E R E D [ THE SO NN E T 0 more Thou little winged archer now no more A s heretofore Thou maist pretend within my breast to bide No more S ince cruell Death of dearest Ly n da more Hath me d epriv d I bid ad ieu to love and all the world beside , , , , ’ , . , II G0 9 80 ; La y by thy quiver and unbend thy bow Poore silli e foe T hou spen d st thy Shafts but at my breast in vain S ince D eath My heart hath with a fatal] icie d ea rt Already slain Thou canst not ever h O pe to warme her wound O r wound it o re aga in e ] , ’ , ’ [ 142 ] , T H E P OE M S OF A G U ILT L ESS E L ADY I M PR I S O N E D : AF T E R PE NANC E D SON G S ET BY M R W I LL I AM LAWES . I ’ faire one how what e re here is D oth laugh and Sing at thy distresse ; Not out of hate to thy rel iefe But j oy t enj oy thee though in griefe BA R K , , , ’ . , II S ee ! that which ch ay n es you you chaine here ; T h e prison is thy prisoner ; H ow much thy jay l o r s k eeper art ! He bindes your hands but you his heart , ’ . , III Th e gyves to rase so smooth a Skin Are so unto themselves within ; But blest to kisse so fayre an arme Haste to be happy with that harme ; , , , IV And play about thy wanton wrist As if in them thou so wert drest ; , [ 14 4 ] But if too rough too hard they presse , , V And as thy bare feet blesse the way The peopl e doe not mock but pray And ca ll thee as a mas d they run I nstead of prostitute a nun , , , ’ , . , VI Th e merry torch burnes with desire T o kindle the eterna l] fire And lightly da u nces in thine eyes T o tunes of epith a la mies , . VII The sheet s ty d ever to thy wast How thankful] to be so imb rac t ! And see ! thy very very bonds Are bound to thee to binde such hands ’ ’ , ’ , . T H E P OEM S OF H I S D EA R E B R O TH E R CO LO N EL F L I MMOD E RAT EL Y MOURN I N G M Y B ROTH ERS U NTI MEL Y D E ATH AT CARMARTH E N TO . . I F teares coul d wash the ill away A pea rle for each wet bead I d pay ; But as d ew d com e the fu ller grow es S o w ater d eyes but swell our woes , ’ ’ , ’ . II drop another cals which still ( G riefe adding fii el l ) doth distill T oo fruitful] of her selfe is anguish We need no cherishing to languish O ne , , . III ’ Coward fate d egen ra te man L ike l ittle children uses when He whips us first until ] we w eepe Then cause we still a weeping keepe , , , ’ , . IV from thy firme selfe never swerve ; Teares fat the griefe that they Should sterve T hen [ 14 6 ] TH E P OE M S OF TO A LADY THAT D ES I RE D M E I WOUL D B E AR E MY P ART W ITH H E R I N A SON G MADAM A L . . H IS is the pri ttiest motion : Madam th alarums of a d ru mme That cals your lord set to your cries To mine are sacred symphonies ’ , , , . ’ What though tis said I have a voice ; I know tis but that hollow n 0 1se Which ( as it through my pipe doth spe ed) Bitterns do carol through a reed ; I n the same key w ith monkeys j iggs O r dirges of proscrib ed piggs O r the soft S erenades a bove I n calme o f night when cats make love , ’ , , . , Was ever such a consort seen ! Fourscore and fourteen with fo rteen ? Yet sooner th ey l agree one p a ire Then we in our spring winter aire ; They may imb ra ce sigh kiss the rest : O ur breath knows nought but east and w est ’ , , - , [ , l 4a ] , . R I C HAR D L O VE L A C E Thus have I heard to childrens cries Th e faire nurse still such l ull abies That well all sayd ( for what th ere lay) T h e pleasure did the sorrow pay , , , . ’ S ure th er s another w ay to save Your ph a nsie madam ; that s to ha ve a te) f i s but a p titioning kinde T e ( Th e organs sent to Bil in gsga te Where they to that soft mu rm rin g quire S hall teach you all you can admire O r do but heare how love bang Kate I n pantry darke for freage o f mate With edge of steele the square wood shapes A n d D i do to it ch a untsor scrapes T h e merry Phaeton oth carre You l vow makes a melodio u s j arre ; S weeter and sweeter w h isl eth He T o u n anointed a xel tree ; S uch swift notes he a n d 3 wheels do run ; For me I y eeld him Ph aebus son S a y fa ire C oman d res can it be ? o You Should rd ain e a mu tin ie For where I howle all accents fall A s kings harangues to one and all ’ , ’ , ’ - , , . ’ ’ - - ’ . , , , , , , . [ 14 9 ] , T H E P O EM S OF Ulisses art is now withstoo d : You ravish both with sweet and go od ; S aint S yren Sing for I dare heare But when I ope oh stop your care , , , ’ , , . Far lesse be t aemu l ation T o passe me or in trill or tone L ike the thin throat of Philome] And the smart lute who should excel] As if her soft cords should begin And st rive for sw eetn es with the pin ’ , , , , , . Yet can I mus ick too ; but such As is beyond all voice or touch ; My minde ca n in faire order chime Whil st my true hea rt still beats the time ; 8 0 fu ll of h armon i c My soul e That it with all parts can agree ; I f you winde up to the highest fret I t shall d escend an eight from it And when you shall vo u chsafe to fall S ixteen e above you it shall call And yet so d is assenting one They both shall meet in unison , , , , , , - , , . [ 150 ] TH E P OEM S V A L I ANT OF LO VE I OW fie upo n that everlasting life ! I dye ! S he hates ! Ah me ! I t makes me mad ; As if love fir d his torch at a moist ey e O r with his j oyes e re c ro w n d the sa d O h let me live and shou t when I fall on ; Let me ev n triumph in the first attempt ! L oves duellist from conquest s not exempt When h is fair mu rd resse shall not gain one groan And he expire ev n in ovation ’ ' , ’ ’ . , , ’ ’ , ’ . II me make my approach when I lye downe With counter wrought and travers eyes ; With pe als of confidence batter the towne ; ? Had ever begga r yet the keyes No I will vary stormes with su n and winde Be rough and offer calme condition ; Ma rch in and pread or starve the garrison Let her make sallies h ou rel y : yet I le find n d ermi n d s h s u Th ugh all beat of to be ee o ) ( Let , - , , . , ’ ’ ’ . [ 152 ] , III ’ hearts t o rd ain e by so u nd of lips T ha t hence forth none in tears dare love c o m en ce ll i s Her thoughts ith in th eclipse) fi i h ( O n paine o f having 3 la unce broke on her b ed That he be brand ed all free beauties s lave And his own hol lo w eyes h e d omb d his grave : S ince in your b oast th a t coward nere was fed Who to his prostrate ere was prostrated Of , , ’ ’ , , ’ i , ’ , ' ’ , . T H E P OEM S LA OF B E LL A B O NA T O MY L AD Y H R O BA . ODE I ELL me ye subtill j udges in loves treasury I nform me which hath most in richt mine eye This diamonds greatn es or its clarity ? , , , , , II Ye cloudy spark lights whose vast multitude O f fires are harder to be found then v iew d Waite on this star in her first magnitude , ’ , . III C a l mel y or roughly ! Ah she shines too much ; T hat now I lye ( her influenc e is such ) , C h rush t with too strong a h and or soft a touch , , . IV L overs beware ! a certaine double harme Waits your proud hopes her looks al killing charm G uard ed by her as true victorious arme , , - , . [ 154 ] TH E P OE M S OF I CANN O T tell who loves the Skeleton O f a poor marm ose t ; nought but boan G ive me a n aked n esse with h er cl oath s on , , ’ , . II S uch whose white sa ttin u pper coat of skin Cut upon vel vet rich incarnadin H as yet a b ody ( and of flesh) within - , , , . I II S ure it is meant good husbandry in men Who do incorporate with aery l ea n e T repair their sides and get their ribb agen , , , ’ , . IV Hard hap unto that huntsman that decrees Fat oys for all his sw et when as h e sees After his say nought but his keepers fees , , , ’ . , V ’ Then L ove I beg when next thou tak st thy bow Thy angry sha fts and d ost heart chasing go Passe ra sca l ! dea re stri ke me the largest d oe , , , - , , . , [ 156 ] , ] A LA BO URBO N D on e moy p l us d e Pitie en p l u s d e C rea u lte, I e n e fi u zs [ za s Viu re, n e M or ir ca r sa n s ci ‘ IVI N E Destroyer pitty me no more O r else more pitty me ; G ive me more love ah qu ickly give me m ore O r else more cruelty ! For left thus as I am My hea rt is ice and flame ; And languishing thus I Can neither live nor dye ! , , , , , , , II Your glories are eclipst and hidden in the grave O f this indifferency ; And Ca lia you can neither altars have Nor I a Diety : They are aspects divine That still or smile or shine O r like th o ffend ed sky Fro w n e dea th imm ediately , , , , , , , , ’ , , . [ 157 ] T H E P OE M S THE OF FA I R E B E G G E R I O MAND I N G asker if it be Pi ty that you faine would have Then I turne begger unt o thee And aske the thing that thou dost crave I will suffi ce thy hungry need S o thou wilt but my fa ncy feed , , , , . II I n all ill y ea res was ever kn o w n e ? O h so much beauty such a dearth Which in tha t thrice bequeath ed go w n e L o o kes like the S un eclipst with E arth L ike gold in canvas o r w ith dirt U n soy l ed E rmins close begirt , - , , , u . II I Yet happy he that ca n but tast This whiter skin who thirsty is ! F o ol es dote on sattin motions l ac d : Th e g ods go n a ked in their blisse At th harrell s head there shines the vine T here only relishes the wine , , ’ . ’ ’ . [ 158 ] , . I T H E P OE M S [A B OF D I A LOGUE E TW IX T C O RD A NUS A ND AMORET O N A L O S T H EA R T IST R ES S ED pilgrim whose dark , clouded eyes S peak thee a martyr to love s cruelties Whither away ? Amor What pitying voice I hear ? Calls back my flying steps Pr yth ee draw near Amor I shall but say kind swain what doth become O f a lost heart ere to E lysium I t wound ed walks First it does freely fly e I nto the pleasures of a lover s eye ; But once con d emn d to scorn it fetter d lies An ever bowing slave to tyrannies Amor I pity its sa d fate since its o flen c e Was but for love Can tea fs recall it thence ? 0 no such tears as do for pity call Sh e proudly scorns and glories at thei r fall Amor S ince neither sighs nor tears kind shepherd tel] 0 1 6 ] [ ’ , . , ’ , , . . , , , ’ ’ ’ , , - , . ’ , . . , , , . , , . , , R I C H AR D L O VE L A C E ? Will not a kiss prevail Thou may st as well Court Becho with a kiss Can no art move A sacred violence to make her love ? C ord 0 no ! t is only Des tiny or Fate Fashions our wills either to love or h ate Amor T hen c a ptive hea rt since that no h u mane ’ . ’ . . . , , Hath power to graspe thee his fa rewell Farewell L ost hearts like lambs drove from their folds b y fears May b ack return by chance but not by tea rs ] , . , , , . T H E P OE M S OF ’ Which at once chri stn d and buri ed thee And change our shriller passions with that sound First told thee into th ayre then to the ground , , ’ , . Ah wert thou borne for this ? only to call Th e King and Queen guests to your burial] ! T o bid good night your day not yet begun And shew a setting ere a rising sun ! , , , , ? Or wouldst thou have thy life a martyrdom Dye in the act of thy religion Fit excel lently innocently good ? First sealing it with water then thy bl ood As when on blaz ing wings a blest man sores And having past to G od through fiery dores S traight 3 roab d with flames when the same ele ment Which was h is shame proves now his orname nt ; O h how he h ast n ed death burn t to be fi y ed Kill d twice with each delay till deified S o swift hath been thy race so full of flight L ike him c on d em n d ev n aged with a night Cutting all lets with clouds as if th hadst been L ike angels pl u m d and borne a Cherubin , , , , , , ’ , ’ ’ , , , ’ ’ ' , , ’ . , , , ’ ’ , , ’ , ’ . , [ 1 64 ] L O V EL A C E R I C H AR D ’ your j ourney towards hea v n say ? T ooke you the world a little in your way S a w st and d islik st its vaine pompe then didst fly e U p for etern all glories to the skye ? L ike a religious ambitio u s one A spi red st for the everlasting c ro w n e ? O r, in , , ’ ’ , , Ah ! holy tray tou r to your brother prince Rob d of h is birth right and preheminence ! Could you ascend yon chaire of state e re him ? And snatch from th beire the starry diadem Making your honours now as much uneven A s g ods on earth are lesse then saints in h ea v n , ’ - ’ ’ , ’ , ’ ’ Tr i umph ! . Sing triumphs then ! O h put on all Your richest l o o kes drest for this festival] ! T ho u ghts fi1 11 of ra v ish t reverence with eyes S o fixt as when a saint we canonize ; Clap wings with S era phins before the throne At this etern all coronation And teach your so u les new mirth such as may b e Worthy this birth day to divinity , , , , , , , - . But ah ! these bla st your feasts the ju bil ies We send you u p are sa d as were ou r cries , , [ 165 , ] T H E P OEM S OF And of true j oy we can expresse no more Thus crown d then when we buri ed th ee before ’ , ’ in heav n R esigne our o ffi ce to Princesse [ , fo rgiv en es ! 166 ] whils t we . T H E P OEM S OF ’ That are ev ry one the Nine And brighter here Astreas shine ; View our Lu cippe and remain e I n her these be auties o re aga in e , , ’ , . Amaz ement ! Noble Cl itoph on E v n now l o o kt somewhat colder on H is cooler mistresse and Sh e too S mil d not as she us d to do Se e ! the individual] payre Are at sa d Od d es and parted are ; They quarrel] semu l ate and stand At st rife who first shal kisse your hand ’ , ’ ’ . , , , , . A new dispute there lately rose Betwixt the G reekes and L atines whose T emples Should be bound with glory I n best l a nguaging this story ; , , Yee h ey res of love that with one smi l e A ten y eeres war ca n reconcile ; Peace fiI l l H el l en s ! V ert u o u s ! S ee : The jarring langu ages agree ! And here a ll armes l a yd by they d oe I n E nglish meet to wayt on y o u , - , , . [ 168 ] R I C HAR D L O VE L A C E MY T RU EL Y V A L I AN T L E A R N E D FR I E ND W HO I N HIS B OO KE RESO LV D THE A RT GL AD I AT OR Y I NTO THE MA THEMA TIC KS TO ’ EA R KE, ith ’ I reader ! wilt be ’ l earn d ? w a rres ’ A gen ra ll in a g S trike a lea gue with arts and scarres And sn atch from each a crow n e ? ? ow n e II Wo u ldst b e a wonder ? S uch a one As should win with a l o o ke ? A bishop in a garison ? And conquer by th e bo oke , III then this m ath em atick shield And henceforth by its rules Be able to dispute ith field And combate in the schooles T ake ’ , . [ 1 69 ] , , , IV Whilst peacefu l learning once again e And the souldier so concord A S tha t he fights now with her penne And she writes with his sword , . [ 1 70 ] , T H E P OE M S OF Where the brave [ Etius we se e b etray d T obey h is death whom thousand lives obey d ; Whilst that the mig hty fo o l e his scepter breakes And through his gen rals wounds his own d oo me Speakes Weaving thus richly Va l en ti n i a n The costliest monarch with the cheapest man ’ , ’ ’ , , ’ , , . S ouldiers may here to their old glories adde The Lover love and be w ith reason ma d : Not as of old Alcides fu rious Who wilder then his bull did teare the house ( Hurling h is la ngua ge with the canvas stone) T w as thought the monster ror d the so b rer tone , , , , , ’ ’ . But ah ! when thou thy sorrow didst inspire With passions blacke as is her darke attire V irgins as sufferers have wept to see S o white a soule so r ed a c ru el tie ; T hat thou h a st gri ev d and with unthought r edresse D ri d their wet eyes who now thy mercy blesse Yet loth to lose thy watry j ewel] when Joy w i p t it o ff laughter straight spru n g t agen , , , ’ , ’ : , , ’ ’ . , Now ruddy ch ecked Mirth with rosie wings Fans ev ry brow with gla d nesse whilst sh e sings 2 1 7 [ ] ’ , R I C H AR D L O VE L A C E Delight to all and the whole theatre A festival] in heaven doth a ppe are : Nothing but pleasure love ; and ( like the morne) Each fa ce a gen ra l smiling doth adorne , , ’ . Hea re ye foul speakers th at pronounce the aire O f stew es and shores I will informe you where And how to cl oath aright yo u r wanton wit Without her nasty b a wd attendin g it : V iew here a loose thought sayd with such a gra ce Minerva might have spoke in Venu s face ; S o well d isgu is d th a t tw as co n c ei v d by none But Cupid had Di a na s linnen on ; And all his naked parts so va il d th expresse Th e shape with cl o w d in g the unc o mlin esse ; T hat if this R eformation which we Rec eiv d had not be en bu ried with thee The stage ( as this w o rke) might have liv d and l o v d Her lines the austere S karl et had a ppro v d ; And th actors wisely been from that o ffence A s C leare as they are now from a u dien ce , , , , , ’ ’ ’ , ’ ’ ’ , , ’ , , ’ ’ ’ , ’ , . T hus with thy G enius did the scazn e expire Wanting thy active and correcting fire That now ( to Spread a d arkn esse over all ) , [ 1 73 ] , . L O VE L A C E R IC HAR D N othing remain es but Poesie to fall : And though from these thy E mbers we receive S ome warmth so much as may be said we live ; That we dare praise thee bl u sh l esse in the head O f the best piece Hermes to L ove e re read ; That we rejoy ce and glory in thy wit And feast each other with rem embri n g it ; That we d are speak thy thought thy acts recite : Yet all men henceforth be afraid to write , , , ’ , , . 6 '
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