19th & 20th Centuries,
American & European
Fine Art Auction
December 1, 2012
Michaan’s Auctions
2751 Todd Street
Alameda, CA 94501
(800) 380-9822 or (510) 740-0220
www.michaans.com
19th & 20th Centuries, American
& European Fine Art Auction
December 1, 2012, 10am
Preview dates:
Friday, November 30, 10am to 5pm
Day of sale at 9 am to the end of the Auction
or by appointment
Inquiries:
Thomas De Doncker: extension 140
Jeffrey O’Leary: extension 119
Rebecca Caustrita: extension 139
View this catalog online at www.michaans.com.
Additional photos and condition reports available online.
Catalog Design by Andre Salcido
Photography by Jeffrey Lee and Marlyn Williams.
Front Cover Lot: 2048
Back Cover Lot: 2081
Michaan’s Auctions
2751 Todd Street • Alameda, CA 94501
Phone #: (800) 380-9822 or (510) 740-0220
Fax #: (510) 749-7517
COPYRIGHT NOTICE
No part of this catalog may be reproduced, stored in a retrieval system or transmitted by any form or
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permission of Michaan’s Auctions.
Michaan’s Auctions bond # 70044066
1
2001
ALEXANDER GERHARD ANTON
VAN RAPPARD
(Dutch 1858-1892)
Cavaliers
Oil on canvas
20 x 24 inches/ 50.8 x 61 centimeters
Signed lower left “A. Rappard”
Frame: 33 x 37 inches/ 83.8 x 94 centimeters
PROVENANCE: Private Collection, Walnut Creek,
California
Estimate: $8,000 / 12,000
2002
DAVID GOULD
(Scottish 1865-1936)
The Old Mill
Oil on canvas
16 x 20 inches/ 40.6 x 50.8 centimeters
Signed lower right “D. Gould”
Frame: 26.75 x 31.5 inches/ 67.9 x 80 centimeters
PROVENANCE: Private Collection, Walnut Creek,
California
Estimate: $4,000 / 6,000
2
2003
EDOUARD CORTES
(French 1882-1969)
Place de la Republique
Oil on canvas
13 x 18.25 inches/ 33 x 46.3 centimeters
Signed lower right “Edouard Cortes”
Frame: 21.5 x 26 inches/ 54.6 x 66 centimeters
PROVENANCE: Private Collection, Hayward, California
Estimate: $10,000 / 15,000
3
2004
HUGO WILHELM KAUFFMANN
(German 1844-1915)
Eingenickt
Oil on panel
7.6 x 9.75 inches/ 19.3 x 24.8 centimeters
Signed lower left “Kauffmann”
Verso: Label reading “Hugo Kauffmann,
Eingenickt”
PROVENANCE: Private Collection, Menlo Park,
California
Estimate: $10,000 / 15,000
2005
WILLY SLUITER
(Dutch 1873-1949)
Chukotka Fishing Village
Oil on panel
33.5 x 25.6 inches/ 85.1 x 65.1 centimeters
Signed lower right “Willy Sluiter”
Frame: 40 x 32 inches/ 101.6 x 81.3 centimeters
PROVENANCE: Private Collection, San Francisco,
California
Estimate: $10,000 / 15,000
4
2006
MAX SLEVOGT
(German 1868-1932)
Young Girl in WIndow (Slevogthof Neukastel)
Oil on artist’s board
16 x 12.5 inches/ 41 x 32 centimeters
Verso: Lower left estate stamp; label inscribed by Wolfgang Slevogt, the artist’s
son, in ink reading “Hereby I confirm that the oil painting of the “Young Girl in
the Window” . . . is by my father, Berlin 3/12/34 Wolfgang Slevogt”
Verso label reading “Dr. Fr. Schoefeld & Co., Dusseldorf”; verso label
“Kunstlerfarben & Malutensilien, G. Martin, Landau, PFALZ.”
Frame: 20.5 x 17 inches/ 52 x 43 centimeters
PROVENANCE: Estate of the Artist;
to Wolfgang Slevogt;
to Private Collector, Germany by direct descent in family
to present owner, Northern California
Estimate: $40,000 / 60,000
5
2007
ALBERT MARQUET
(French 1875-1947)
Pont Marie, Paris
Oil on board
8.75 x 10.75 inches/ 22.2 x 27.3
centimeters
Signed lower left “Marquet”
Frame: 16.1 x 18.4 inches/ 41.3 x 46.8
centimeters
PROVENANCE: Private Collection, Pacific
Grove, California
Estimate: $4,000 / 6,000
2008
EUGENIO ZAMPIGHI
(Italian 1859-1944)
The Jolly Monks Tasting the New
Beer
Watercolor on paper
10 x 13.75 inches/ 25.5 x 35
centimeters
Indistintly signed upper right “E.
Zampighi”
Frame: 17.25 x 21 inches/ 44 x 53.5
centimeters
PROVENANCE: Private Collection,
Larkspur, California
Estimate: $2,000 / 4,000
6
2009
MAX PEIFFER WATENPHUL
(German 1896-1976)
Blumen in Chinesischer Vase, 1942
Watercolor & graphite on paper
Sight: 16.5 x 11.75 inches/ 42 x 29.8 centimeters
Signed & dated lower right “Max Peiffer Watenphul, 1942”
Exhibited: Zürich, 1952
Frame: 21.5 x 16.75 inches/ 54.6 x 42.5 centimeters
PROVENANCE: Private Collection, Fremont, California
Estimate: $15,000 / 25,000
Literature: Bernhard Degenhart, “Max Peiffer Watenphul Werkverzeichnis”, Deutschen
Bibliothek, Rome, 1989 ill. p.416, (listed as number A. 392)
7
2010
GERARD PIETER ADOLFS
2011
Continental School
(Dutch 1897-1968)
Scenery in Egypt, 1961
Oil on canvas
20 x 16 inches/ 50.8 x 40.5 centimeters
Signed lower left “Adolfs”
Verso: Signed, titled, dated & numbered “Adolfs, ‘61, No. 696,
Scenery in Egypt”
Frame: 27.5 x 24 inches/ 70 x 61 centimeters
PROVENANCE: Private Collection, Sausalito, California
(Late 18th/ Early 19th Century)
Portrait of a Saint
Oil on canvas
14.5 x 12.5 inches/ 36.8 x 31.8 centimeters
Frame: 27 x 24.5 inches/ 68.5 x 62.3 centimeters
PROVENANCE: Private Collection, Chico, California
Estimate: $2,000 / 3,000
Estimate: $2,500 / 5,000
2012
Attributed to HONORE DAUMIER
(French 1808-1879)
Man with Top Hat
Pastel & sanguine on paper
14.75 x 12 inches/37.5 x 30.5 centimeters
Verso: Gallery label reading “Grisler Brothers, Art Dealers, Pittsburgh, PA”
Frame: 18.75 x 16 inches/ 47.8 x 40.5 centimeters
PROVENANCE: Private Collection, Larkspur, California
Estimate: $1,500 / 2,500
8
2013
HARRY THOMPSON
(British 19th Century)
The Aristocratic Dinner Party, 1874
Oil on canvas mounted to press board
41.5 x 53 inches/ 105.4 x 134.6 centimeters
Signed & dated lower left “H. Thompson, 1874”
Frame: 46 x 57.5 inches/ 116.8 x 146 centimeters
PROVENANCE: Private Collection, Walnut Creek, California
Estimate: $3,000 / 5,000
2014
PIERRE-AUGUSTE RENOIR
(French 1841-1919)
Jeune Femme nue aux bras levés
Sanguine on paper
8.25 x 6.4 inches/ 21 x 16 centimeters
Signed lower left “Renoir”
Frame: 13.25 x 11 inches/ 34 x 28 centimeters
PROVENANCE: Ex-Collection of Caroline “Betty” Howard Hume, San Francisco
Estimate: $25,000 / 50,000
9
2015
EMILIO GRAU SALA
(Spanish 1911-1975)
Paddock en Normandie, 1961
Oil on canvas
21.25 x 25.75 inches/ 54 x 65.4 centimeters
Signed lower left “Grau Sala”
Verso: Signed, titled & dated “Grau Sala,
Paddock, 1961”
Frame: 28.75 x 33.25 inches/ 73 x 84.5
centimeters
PROVENANCE: Artist to;
Wally Findlay Galleries, Chicago;
to Private Collection Petaluma, California, 1961
Estimate: $15,000 / 25,000
2016
LUC DIDIER
(French b.1954)
Bateaux sur le Canal de Briare
Oil on canvas
18 x 24 inches/ 45.7 x 61 centimeters
Signed lower right “L. Didier”
Verso: Titled on stretcher “Bateaux sur le
Canal de Briare” Stamped with artist’s
monogram
Included in lot: Certificate of Authenticity
Frame: 23.25 x 29.25 inches/ 59 x 74.3
centimeters
PROVENANCE: Private Collection, San
Francisco, California
Estimate: $4,000 / 6,000
10
2017
VIACHESLAV VASILEVICH KALININ
(Russian Federation b.1939)
Lucky Cards, 2005
Mixed media with collage
Sight: 17.5 x 23.5 inches/ 44.5 x 59.7 centimeters
Signed, titled & dated in Cyrillic with artist’s monogram “KB”
Frame: 23.5 x 29.5 inches/ 59.7 x 75 centimeters
PROVENANCE: Artist;
to Private Collection, San Francisco, California
Estimate: $1,800 / 2,600
2018
LOUIS ICART
2019
VIACHESLAV VASILEVICH KALININ
2020
VIACHESLAV VASILEVICH KALININ
(French 1888-1950)
Swimming Goldfish
Watercolor & Pastel on paper
14 x 9.9 inches/ 35.5 x 25 centimeters
Signed & numbered lower left “Louis Icart, 451”
Verso: Certificate of Authenticity from Nathan
Daniel Isen
Frame: 30.75 x 26.75 inches/ 78 x 68 centimeters
PROVENANCE: Private Collection, Oakland, California
(Russian Federation b.1939)
Models, 2009
Mixed media wirh collage
Sight: 23.5 x 17.5 inches/ 59.7 x 44.5 centimeters
Signed, titled & dated lower right in Cyrillic
Frame: 29.5 x 23.5 inches/ 75 x 59.7 centimeters
PROVENANCE: Artist;
to Private Collection, San Francisco, California
(Russian Federation b.1939)
Egyptian Nights, 2009
Oil on canvas
24 x 18 inches/ 61 x 45.7 centimeters
Signed, dated, titled & artist’s monogram in Cyrillic
“2009, KB”
Frame: 33.75 x 27.75 inches/ 85.7 x 70.5 centimeters
PROVENANCE: Artist;
to Private Collection, San Francisco, California
Estimate: $3,000 / 5,000
Estimate: $1,800 / 2,600
Estimate: $5,000 / 7,000
11
2021
ALEXANDER ALEXANDROVITCH OSMERKIN
(Russian Federation 1892-1953)
Portrait of a Young Woman (E. T. Barkova), 1914
Oil on board
36 x 27.5 inches/ 91.5 x 69.8 centimeters
Signed & dated lower left in Cyrillic “1914”
Frame: 43.5 x 35 inches/ 110.5 x 89 centimeters
PROVENANCE: Artist;
to Private Collection, San Francisco, California
Estimate: $60,000 / 90,000
12
2022
ROBERT B. HOPKINS
(American 1832-1909)
Cabin at Twilight, 1873
Oil on canvas
24.5 x 30 inches/ 62.2 x 76.2 centimeters
Signed & dated lower right “R. Hopkins, 73”
Frame: 37.25 x 42.25 inches/ 92 x 107.3 centimeters
PROVENANCE: Private Collection, Alameda, California
Estimate: $6,000 / 8,000
2023
WILLIAM JOHN WHITTEMORE
(American 1860-1955)
John Dickerson Farm, Looking West, 1901
Oil on canvas
17 x 21 inches/ 43.2 x 53.3 centimeters
Signed lower right “Wm. J. Whittemore”
Verso: Label on stretcher “John Dickerson Farm,
Looking West, Painted Oct. 2, 1901”
Frame: 20.50 x 24.50 inches/ 52.1 x 62.3 centimeters
PROVENANCE: Private Collection, Concord, California
Estimate: $3,000 / 5,000
2024
AARON HARRY GORSON
(American 1872-1933)
The Bluff (Pittsburgh Industrial Scene)
Oil on artist’s board
10 x 13.75 inches/ 25.4 x 35 centimeters
Signed lower left “A. H. Gorson”
Verso: Titled “The Bluff”
Frame: 13.5 x 17.5 inches/ 34.3 x 44.5 centimeters
PROVENANCE: Private Collection, Redding, California
Estimate: $5,000 / 10,000
13
2025
ROBERT FREDERICK BLUM
(American 1857-1903)
Temple Grounds with Buddhist Shrine, Uyeno Park,
Tokyo Japan, 1890
Ink wash on paper
Sheet: 9.25 x 10.75 inches/ 23.5 x 27.3 centimeters
Artist stamp center left
Verso: label Charles Scribner’s Sons; Gallery label,
Spanierman Gallery New York City
Exhibited: Garden Museum, Matsue, Japan
Frame: 16.25 x 16.5 inches/ 41.2 x 41.8 centimeters
PROVENANCE: Charles Scribners’s Sons;
to Spanierman Gallery, NYC;
to Garden Museum Collection, Matsue, Japan;
to Private Collection Alameda, California
Estimate: $2,000 / 4,000
Literature: Alastair Duncan, Louis C. Tiffany, The Garden Museum
Collection, Antique Collectors Club Limited, Old Martlesham,
Woodbridge, Suffolk, 2004, ill. p.654
2026
A. D. GREER
(American 1904-1998)
Texas Landscape
Oil on canvas
28 x 36 inches/ 71 x 91.5 centimeters
Signed lower right “A. D. Greer”
Frame: 34 x 41.75 inches/ 86.3 x 106 centimeters
PROVENANCE: Private Collection, Oakland, California
Estimate: $2,000 / 4,000
2027
HARRY R. TOWNSEND
(American 1885-1968)
Country Auction
Oil on canvas
26 x 36 inches/ 66 x 91.5 centimeters
Signed lower left “H. R. Townsend”
Frame: 31.5 x 41.5 inches/ 80 x 105.4 centimeters
PROVENANCE: Private Collection, Livermore, California
Estimate: $2,000 / 4,000
14
2028
LILLA CABOT PERRY
(American 1848-1933)
Contemplation, 1891
Oil on canvas
45.75 x 35.25 inches/ 116.2 x 89.5 centimeters
Verso: Inscribed on stretcher “L. C. Perry, Giverny, ‘91; Dresden ‘97”; Gallery
label, Debra Force Gallery, NYC
Exhibited: International Art Exhibition Dresden 1897; Panama Pacific San
Francisco Exhibition 1917; Garden Museum, Matsue, Japan
Frame: 56 x 45.5 inches/ 142.2 x 115.5 centimeters
PROVENANCE: Estate of Artist Margaret Perry & Patricia Holaert;
to Debra Force Gallery NYC;
to Garden Museum Collection, Matsue, Japan;
to Private Collection Alameda, California
Estimate: $60,000 / 90,000
Literature: Alastair Duncan, Louis C. Tiffany, The Garden Museum Collection, Antique
Collectors Club Limited, Old Martlesham, Woodbridge, Suffolk, 2004, ill. p.650
15
2029
JAMES ABBOTT MCNEILL WHISTLER
(American 1834-1903)
Study of Poppies
Pastel on paper
Sheet: 10.25 x 7 inches/ 26 x 17.8 centimeters
Signed with artist’s butterfly motif
Frame: 16.75 x 13.5 inches/ 42.5 x 34.3 centimeters
PROVENANCE: Garden Museum Collection, Matsue, Japan;
to Private Collection Alameda, California
Estimate: $15,000 / 30,000
Literature: Alastair Duncan, Louis C. Tiffany, The Garden Museum Collection, Antique
Collectors Club Limited, Old Martlesham, Woodbridge, Suffolk, 2004, ill. p.651
16
2030
JOHN LA FARGE
(American 1835-1910)
Yellow Roses in a Blue Glass Vase
Watercolor & gouache on wove paper
11.1 x 15.5 inches/ 28 x 39.5 centimeters
Verso: Gallery label, William Vareika Fine Arts Gallery, Rhode Island
Frame: 21.25 x 25.5 inches/ 54 x 64.8 centimeters
PROVENANCE: William Vareika Fine Arts Gallery;
to Garden Museum Collection, Matsue, Japan;
to Private Collection Alameda, California
Estimate: $150,000 / 200,000
Literature: Alastair Duncan, Louis C. Tiffany, The Garden Museum Collection, Antique
Collectors Club Limited, Old Martlesham, Woodbridge, Suffolk, 2004, ill. p.651
17
2031
ROBERT FREDERICK BLUM
(American 1857-1903)
Repose
Pastel on paper
12.5 x 15.5 inches/ 31.7 x 39.5 centimeters
Signed center right “Blum”
Verso: Gallery label, Hirschl & Adler Gallery New York City; Gallery label, BerryHill Gallery New York City; Gallery label, R. H. Love Gallery, Chicago, Illinois;
Gallery label, ACA Gallery New York City
Frame: 18.5 x 20 inches/ 47 x 50.8 centimeters (Eli Wilner, New York City)
PROVENANCE: Garden Museum Collection, Matsue, Japan;
to Private Collection Alameda, California
Estimate: $25,000 / 50,000
Literature: Alastair Duncan, Louis C. Tiffany, The Garden Museum Collection, Antique
Collectors Club Limited, Old Martlesham, Woodbridge, Suffolk, 2004, ill. p.655
18
2032
ARTHUR WESLEY DOW
(American 1857-1922)
Golden Willow
Oil on canvas
26.25 x 36.25 inches/ 66.8 x 92.1 centimeters
Signed lower left “Arthur W. Dow”
Verso: Gallery label, Spanierman Gallery New York City
Exhibited: Garden Museum, Matsue, Japan.
Frame: 38.5 x 48 inches/ 97.8 x 122 centimeters
PROVENANCE: Spanierman Gallery NYC;
to Garden Museum Collection, Matsue, Japan;
to Private Collection Alameda, California
Estimate: $80,000 / 120,000
Literature: Alastair Duncan, Louis C. Tiffany, The Garden Museum Collection, Antique
Collectors Club Limited, Old Martlesham, Woodbridge, Suffolk, 2004, Illustrated p.650
19
2033
HARRISON FISHER
2034
HARRISON FISHER
(American 1877-1934)
The Study Hour (The College Girl at Her Studies), 1907
Watercolor, gouache & ink on paperboard
27.5 x 20 inches/ 70 x 51 centimeters
Signed & dated lower left “Harrison Fisher, 1907”
Inscribed in pencil lower left “By Chas. Scribner”
Frame: 33 x 25.5 inches/ 84 x 57 centimeters
PROVENANCE: Private Collection, Modesto, California
(American 1877-1934)
The Debutante, 1910 (The Autumn Fountain . . . )
Watercolor, gouache & pencil on paperboard
27.6 x 19.25 inches/ 70.2 x 40.9 centimeters
Signed & dated “Harrison Fisher, 1910”
Verso: Pencil inscription reading “3 - 31 - ‘10”; Partial illegible title reading “The
Autumn Fountain . . .”; Gallery label reading “Pollack’s Art Shop, New York City”
PROVENANCE: Private Collection, Modesto, California
Estimate: $2,500 / 5,000
Estimate: $4,000 / 6,000
Literature: “Ladies Home Journal”, April 1908, p.11; “The American Girl”, Chas. Scribner’s
Sons, 1909, bookplate no. 7”; “College Girls”, Scribner Picture Publications, “The
Complete Works of Harrison Fisher”, Naomi Welch, 1999, pp. 60, 87 & 230.
Note: This work of art features the model Margery Allwork
Literature: “Ladies Home Journal, September 1st, 1910”; “Fair Americans”, Chas.
Scribners & Sons, N.Y., 1910”; “Pictures in Color”, Chas. Scribner’s Sons, 1910, bookplate no.1; “The Complete Works of Harrison Fisher”, Naomi Welch, 1999, pp. 46, 84
& 124.”
20
2035
EDWARD HOPPER
(American 1882-1967)
Portrait of Walter Tittle (The Illustrator), 1918
Charcoal on paper
14.5 x 12.4 inches/ 37 x 31.5 centimeters
Signed lower right in pencil “Edward Hopper” Titled & dated lower left in pencil
“Portrait of Walter Tittle, 1918”
Verso: Stamp “Property of New York Tribune Inc.” Numbered in pencil “6322/12”.
PROVENANCE: Private Collection, San Francisco, California
Estimate: $15,000 / 30,000
21
2036
JANE PETERSON
2037
JANE PETERSON
(American 1876-1965)
Zinnias - Ferry’s Seeds
Oil on canvas
30 x 24 inches/ 76.2 x 61 centimeters
Signed lower left “Jane Peterson”
Frame: 34 x 27.5 inches/ 86.4 x 69.9 centimeters
PROVENANCE: D.M. Ferry & Co.;
to Harris Moran, Modesto, California
(American 1876-1965)
A Still Life - Daisies, Peonies, Zinnias
Oil on canvas
24 x 18 inches/ 61 x 45.7 centimeters
Signed lower left “Jane Peterson”
Frame: 31.5 x 25.5 inches/ 80 x 64.8 centimeters
PROVENANCE: D.M. Ferry & Co.;
to Harris Moran, Modesto, California
Estimate: $4,000 / 6,000
Estimate: $4,000 / 6,000
2038
HARRY CURIEUX ADAMSON
(American b.1916)
Geese in Winter
Oil on canvas laid to board
Sight: 23.5 x 29.5 inches/ 59.7 x 75 centimeters
Signed lower right “Harry Curieux Adamson”
Frame: 28 x 34 inches/ 71 x 86.4 centimeters
PROVENANCE: Private Collection, San Leandro, California
Estimate: $5,000 / 10,000
22
2039
PAUL FONTAINE
2040
GLENNA GOODACRE
(French/American Late 19th/Early 20th Century)
Setters on Point, 1900
Oil on canvas
35 x 30 inches/ 88.9 x 76.2 centimeters
Signed & dated lower left “P. Fontaine, 1900”
Frame: 43 x 38 inches/ 109.2 x 96.5 centimeters
PROVENANCE: Private Collection, Belmont, California
(American b.1939)
The Young Goat Herder
Bronze
21 x 12 x 12.5 inches/ 53.3 x 30.5 x 31.7 centimeters
Verso: Signed & numbered “G. Goodacre, 15/15”
PROVENANCE: Private Collection, San Francisco, California
Estimate: $2,000 / 4,000
Estimate: $4,000 / 6,000
2041
RAY SWANSON
(American 1937-2004)
Passage
Oil on masonite
14 x 24 inches/ 36 x 61 centimeters
Signed lower left “Ray Swanson”
Verso: Gallery label “Americana”
Frame: 24 x 34 inches/ 61 x 86.3 centimeters
PROVENANCE: Private Collection, The Estate of
Judith P. Shell, Cincinnati, Ohio
Estimate: $4,000 / 6,000
23
2043
GUSTAVE BAUMANN
2042
EDWARD BOREIN
(American 1872-1945)
Bucking Horse
Etching & drypoint on paper
Plate: 6 x 4 inches/ 15.2 x 10.2 centimeters
Sheet: 11.9 x 9 inches/ 30.2 x 22.8 centimeters
Signed lower right in pencil “Edward Borein”
Frame: 16 x 12.25 inches/ 40.6 x 31.1 centimeters
PROVENANCE: Private Collection, Placitas, New
Mexico
(German/American 1881-1971)
Talpa Chapel
Color woodcut
Image: 6 x 7.75 inches/ 15.2 x 19.7 centimeters
Sheet: 13 x 13.5 inches/ 33 x 34.3 centimeters
Titled in pencil lower left “Talpa Chapel” Signed & numbered lower right
along with artist’s hand-in-heart ink stamp “Gustave Baumann, 25/125”
Verso: Artist label reading: “Original Color Woodcut, Drawn and Printed
in Five Colors by Gustave Baumann, Santa Fe, New Mexico” With additional information about the paper, colors & printing.
Frame: 17 x 17 inches/ 43.2 x 43.2 centimeters
PROVENANCE: Private Collection, Vallejo, California
Estimate: $2,000 / 4,000
Estimate: $1,000 / 1,500
2044
EDWARD BOREIN
2045
GUSTAVE BAUMANN
(American 1872-1945)
Parting Cattle
Etching & drypoint on paper with circular watermark
Plate: 3.6 x 8.5 inches/ 9.2 x 21.5 centimeters
Sheet: 7.5 x 15 inches/ 19 x 38.1 centimeters
Signed lower right in pencil “Edward Borein”
Frame: 13.25 x 17 inches/ 33.6 x 43.2 centimeters
PROVENANCE: Private Collection, Placitas, New Mexico
(German/American 1881-1971)
A Quiet Corner
Color woodcut
Image: 7.5 x 8.75 inches/ 19 x 22.2 centimeters
Titled in pencil lower left “A Quiet Corner” Signed & numbered lower
right along with artist’s hand-in-heart ink stamp “Gustave Baumann, I-6/125”
Verso: Artist label reading: “Original Color Woodcut, Drawn and Printed in
Five Colors by Gustave Baumann, Santa Fe, New Mexico” With additional
information about the paper, colors & printing.
Frame: 17 x 17 inches/ 43.2 x 43.2 centimeters
PROVENANCE: Private Collection, Vallejo, California
Estimate: $1,000 / 1,500
Estimate: $2,000 / 4,000
24
2046
WILLIAM GOLLINGS
(American 1878-1932)
Wolves Stalking Indian Encampment
Oil on canvas
22 x 34 inches/ 55.9 x 86.3 centimeters
Verso: Inscribed “This is a genuine Gollings unfinished painting, began in 1931
Sheridan Wyo. John C. Hargis (student of Gollings 1929 to 1931) (Signed)
Charles G. Smith Admr. of Estate”
Frame: 29.5 x 41.25 inches/ 75 x 104.7 centimeters
PROVENANCE: Private Collection, Vallejo, California
Estimate: $20,000 / 30,000
25
2047
MILLARD SHEETS
(American 1907-1989)
Moua Puta Across Drake Bay, 1979
Watercolor on paper
22 x 30 inches/ 55.9 x 76.2 centimeters
Signed & dated lower left “Millard Sheets, 1979”
Verso sheet: Titled upper left “Moua Puta Across Drake Bay, Moorea”; Verso back:
Signed, titled & dated “Millard Sheets, Moua Puta from Across Drake Bay, 1979”
Frame: 32 x 40 inches/ 81.3 x 101.5 centimeters
PROVENANCE: Private Collection, Alameda, California
Estimate: $15,000 / 25,000
26
2048
JOSEPH DWIGHT STRONG JR
(American 1852-1899)
Diamond Head, Hawaii - Launching the Outriggers, 1888
Oil on canvas
24 x 37 inches/ 61 x 94 centimeters
Signed & dated lower left “J. D. Strong Jr. H.I.1888”
Frame: 27 x 40.5 inches/ 68.6 x 101.7 centimeters
PROVENANCE: Private Collection, Dublin, California
Estimate: $60,000 / 90,000
27
2049
JADE FON
(American 1911-1983)
Hawaiian Natives Under Banyan Tree
Watercolor on paper
15 x 22 inches/ 38.1 x 55.9 centimeters
Signed lower right “Jade Fon, A. W. S.”
Frame: 20.25 x 27.25 inches/ 51.5 x 69.2 centimeters
PROVENANCE: Private Collection, Alameda, California
2050
AMELIA COATS
(American Early 20th Century)
Palms
Etching on paper
Plate: 5.5 x 4.25 inches/ 14 x 10.8 centimeters
Signed lower left “Amelia Coats”
Frame: 13.5 x 11 inches/ 34.3 x 27.9 centimeters
PROVENANCE: Private Collection, Hayward, California
Estimate: $2,000 / 4,000
Estimate: $1,200 / 1,800
2051
JADE FON
(American 1911-1983)
WIllow Tree at Lake Merritt, Oakland
Watercolor on paper
Sight: 14 x 21 inches/ 35.5 x 53.3 centimeters
Signed lower right “Jade Fon, A. W. S.”
Frame: 23.25 x 29.25 centimeters/ 59 x 74.3 centimeters
PROVENANCE: Private Collection, Alameda, California
Estimate: $1,000 / 2,000
2052
JORGE MAYOL
(Argentine 20th Century)
Country Landscape, 2003
Oil on canvas laid to masonite
14.75 x 31 inches/ 37.5 x 78.7 centimeters
Signed & dated lower right “Jorge Mayol, 03”
Frame: 21 x 37 inches/ 53.3 x 94 centimeters
All proceeds from this sale to Benefit Lindsey Wildlife Museum
Estimate: $2,500 / 3,000
28
2053
SYDNEY JANIS YARD
(American 1855-1909)
After the Storm, 1898
Watercolor on paper
Sight: 19 x 26.5 inches/ 48.2 x 67.3 centimeters
Signed & dated lower right “Sydney J. Yard, 98”
Frame: 34.5 x 44 inches/ 87.6 x 111.8 centimeters
PROVENANCE: Private Collection, Oakland, California
Estimate: $2,000 / 4,000
2054
JADE FON
(American 1911-1983)
Asilomar Morning
Watercolor on paper
23 x 30 inches/ 58.4 x 76.2 centimeters
Signed lower right “Jade Fon, A. W. S.”
Frame: 31.5 x 39.75 inches/ 80 x 101 centimeters
PROVENANCE: Private Collection, Alameda, California
Estimate: $2,500 / 5,000
2055
MORRIS SHUBIN
(American b.1920)
Hanging Turtle
Watercolor on paper
Sight: 10.25 x 14.5 inches/ 26 x 36.8 centimeters
Signed lower right “Morris Shubin, A. W. S.”
Verso: Titled in pencil “Hanging Turtle”
Frame: 18.25 x 22.25 inches/ 46.3 x 56.5 centimeters
PROVENANCE: Private Collection, Alameda, California
Estimate: $1,000 / 2,000
29
2056
ARTHUR GROVER RIDER
2057
TOM NICHOLAS
(American 1886-1975)
Laguna Coast
Gouache on paper laid to board
9.1 x 11.1 inches/ 23.2 x 28.2 centimeters
Signed lower right “A. Rider”
Frame: 12.25 x 15.25 inches/ 31.1 x 38.7 centimeters
PROVENANCE: Private Collection, Seaside, California
(American b.1934)
Still Life
Watercolor & gouache on paper
Sight: 13.5 x 20.5 inches/ 34.3 x 52 centimeters
Signed lower left “Tom Nicholas, N. A.”
Frame: 24.25 x 31.25 inches/ 61.6 x 79.4 centimeters
PROVENANCE: Private Collection, Alameda, California
Estimate: $2,000 / 3,000
Estimate: $1,000 / 1,500
2058
DONG KINGMAN
(American 1911-2000)
Two works: “San Francisco Harbor from Russian Hill (original sketch);
Down Hyde Street (studio sketch)”
Ink on paper
San Francisco Harbor: 11.5 x 8.75 inches/ 29.2 x 22.3 centimeters
Hyde Street: 19 x 14.75 inches/ 48.3 x 37.5 centimeters
San Francisco Harbor: Signed lower right “Kingman”
Hyde Street: Signed lower right “Kingman”
Lot includes: Certificate of Authenticity; “American Artist” periodical, September
1947, studio sketch reproduced for cover.
Frame: 19 x 15.75 inches/ 48.2 x 40 centimeters
Frame: 25.25 x 20.75 inches/ 64.1 x 52.7 centimeters
PROVENANCE: Artist; to Private Collection, Taiwan;
to Private Collection, San Francisco, California
Estimate: $2,000 / 3,000
30
2059
PAUL DE LONGPRE
(French/ American 1855-1911)
Floral Still Life with Roses, 1906
Watercolor on paper
Sight: 17.75 x 10.25 inches/ 45 x 26 centimeters.
Signed & dated lower left “Paul de Longpre, 1906”
Frame: 26.5 x 19.25 inches/ 67.3 x 48.9 centimeters.
PROVENANCE: Private Collection, Santa Barbara, California.
Estimate: $4,000 / 6,000
2060
PERCY GRAY
(American 1869-1952)
Majestic Oaks with Poppies, 1923
Watercolor on paper laid to board
16 x 22 inches/ 40.6 x 55.9 centimeters
Signed & dated lower right “Percy Gray, 1923”
Frame: 18.5 x 24.5 inches/ 47 x 62.2 centimeters
PROVENANCE: Private Collection, Forestville, California
Estimate: $20,000 / 30,000
31
2061
JADE FON
(American 1911-1983)
Half Dome, 1981
Watercolor on paper
22 x 29 inches/ 56 x 73.6 centimeters
Signed lower right “Jade Fon, A. W. S.”
Frame: 29 x 36 inches/ 73.6 x 91.5 centimeters
PROVENANCE: Private Collection, Alameda, California
Estimate: $4,000 / 6,000
2062
TOM NICHOLAS
(American b.1934)
Demonstration
Watercolor on paper
Sight: 17.25 x 23.5 inches/ 43.8 x 59.7 centimeters
Signed & titled lower right “Tom Nicholas,
Demonstration”
Frame: 28 x 34 inches/ 71.1 x 86.4 centimeters
PROVENANCE: Private Collection, Alameda, California
Estimate: $1,000 / 1,500
2063
JADE FON
2064
PAM DELLA
(American 1911-1983)
Two works: Hummingbird Nest & Hummingbird on Branch
Watercolor on paper
Nest: 6 x 3.5 inches/ 15.2 x 8.9 centimeters
Branch: 7.5 x 3 inches/ 19 x 7.6 centimeters
Nest: Signed lower left “Jade Fon”
Branch: Signed lower left “Jade Fon, A. W. S.”
Frame: 10.5 x 6 inches/ 26.6 x 15.2 centimeters
Frame: 7.75 x 11.75 inches/ 19.7 x 29.9 centimeters
PROVENANCE: Private Collection, Alameda, California
(American 20th Century)
View from Buena Vista Park
Watercolor on paper
Sight: 5.75 x 10.5 inches/ 14.5 x 26.7 centimeters
Signed & titled lower right “From Buena Vista Park, Pam Della, S. W. A.”
Frame: 10.75 x 15.75 inches/ 27.3 x 40 centimeters
PROVENANCE: Private Collection, Alameda, California
Estimate: $1,000 / 2,000
32
Estimate: $500 / 1,000
2065
MAURICE GEORGE LOGAN
(American 1886-1977)
Sailboats at Dock
Oil pastel on paper
14.5 x 19.75 inches/ 36.8 x 50.2 centimeters
Signed lower right “M. Logan”
Frame: 29.25 x 34.25 inches/ 74.3 x 87 centimeters
PROVENANCE: Private Collection, Bay Farm Island, California
2066
TOM NICHOLAS
(American b.1934)
Asilomar
Watercolor on paper
Sight: 20.25 x 14.25 inches/ 51.5 x 36.2 centimeters
Signed & titled lower left “Tom Nicholas, Asilomar”
Included in lot: Photo of the artist with painting
Frame: 30.5 x 24.5 inches/ 77.5 x 62.2 centimeters
PROVENANCE: Private Collection, Alameda, California
Estimate: $1,000 / 2,000
Estimate: $1,000 / 1,500
2067
PAM DELLA
2068
JADE FON
(American 20th Century)
Taxco
Watercolor on paper
Sight: 8 x 10 inches/ 20.3 x 25.4 centimeters
Signed & titled lower right in pencil “Taxco, Pam Della, S.
W. A.”
Frame: 15.25 x 17.25 inches/ 38.7 x 43.8 centimeters
PROVENANCE: Private Collection, Alameda, California
(American 1911-1983)
Sunflowers
Watercolor on paper
Sight: 14 x 20.25 inches/ 35.5 x 51.5 centimeters
Signed lower right “Jade Fon, A. W. S.”
Frame: 22 x 28 inches/ 56 x 71 centimeters
PROVENANCE: Private Collection, Alameda, California
Estimate: $500 / 1,000
Estimate: $1,000 / 2,000
33
2069
ASTLEY DAVID MIDDLETON
COOPER
(American 1856-1924)
Searching for Wisdom
Oil on canvas
30 x 16 inches/ 76.2 x 40.6 centimeters
Signed lower left “A. D. M. Cooper”
Frame: 34.75 x 21 inches/ 88.3 x 53.3 centimeters
PROVENANCE: Private Collection, Sunnyvale,
California
Estimate: $1,000 / 2,000
2070
VICTOR COLEMAN ANDERSON
(American 1892-1937)
Desert Mountain Climbing
Oil on board
16 x 12 inches/ 40.6 x 30.5 centimeters
Signed lower left “Victor C. Anderson”
Verso: Titled in pencil & inscribed with artist’s
address in pencil “Desert Mountain Climbing”
Frame: 20 x 16.25 inches/ 50.8 x 41.3 centimeters
PROVENANCE: Private Collection, Alameda, California
Estimate: $1,500 / 2,500
2069
2070
2071
ALBIN KERN
2072
HUBERT BUEL
(American 1884-1975)
Two Hikers, 1957
Encaustic on canvas board
20 x 24 inches/ 50.8 x 61 centimeters
Initialed & dated lower right “A. K., 1957”
Verso: Signed & titled “Albin Kern, Two Hikers”
Frame: 26.5 x 30.5 inches/ 67.3 x 77.5 centimeters
PROVENANCE: Private Collection, Stockton, California
(American 1915-1984)
Waikiki
Watercolor on paper
Sight: 20.75 x 28.75 inches/ 52.7 x 73 centimeters
Signed lower left “Hubert Buel”
Verso: Bohemian Club label
Frame: 29 x 37 inches/ 73.6 x 94 centimeters
PROVENANCE: Private Collection, Forestville, California
Estimate: $1,500 / 2,500
Estimate: $600 / 900
34
2073
THEODORE WORES
(American 1859-1939)
Mt Fujiyama from Yokohamo, Japan
Oil on board
15.5 x 11.75 inches/ 39.4 x 29.8 centimeters
Signed lower left “Theodore Wores”
Verso: Artist label “Mt. Fujiyama from Yokohamo, Japan, by Theodore Wores,
1895” Gallery label, Spanierman Gallery New York City
Exhibited: Garden Museum, Matsue, Japan
Frame: 21.5 x 18.5 inches/ 54.6 x 47 centimeters
PROVENANCE: Spanierman Gallery NYC;
to Garden Museum Collection, Matsue, Japan;
to Private Collection Alameda, California
Estimate: $10,000 / 15,000
Literature: Alastair Duncan, Louis C. Tiffany, The Garden Museum Collection, Antique
Collectors Club Limited, Old Martlesham, Woodbridge, Suffolk, 2004, ill. p.657
35
2074
ALBIN KERN
2075
Attributed to SELDEN CONNOR GILE
(American 1884-1975)
Along 17 Mile Drive, 1954
Oil on masonite
20 x 26 inches/ 50.8 x 66 centimeters
Artist’s monogram & dated lower right “A. K., 1954”
Verso: Signed & titled “Along 17 Mile Drive, by Albin Kern”
Frame: 24.75 x 30.75 inches/ 62.9 x 78.1 centimeters
PROVENANCE: Private Collection, Clayton, California
(American 1877-1947)
The Fishmonger
Oil on board
7.6 x 10 inches/ 19.3 x 25.4 centimeters
Frame: 10.75 x 12.8 inches/ 27.3 x 32.5 centimeters
PROVENANCE: Private Collection, Pacific Grove, California
Estimate: $2,000 / 4,000
Estimate: $1,000 / 1,500
2076
DANA BARTLETT
2077
OTIS OLDFIELD
(American 1882-1957)
In Verdugo Canyon, 1936
Oil on canvas.
16 x 20 inches/ 40.6 x 50.8 centimeters.
Signed lower right “Dana Bartlett”
Verso: Titled, signed & dated with artist’s cipher “In
Verdugo Canyon, by Dana Bartlett, 1936”
Frame: 19.25 x 23.10 inches/ 48.9 x 58.7 centimeters.
PROVENANCE: Private Collection, Santa Barbara, California.
(American 1890-1969)
Golden Gate Park, 1968
Oil on board
13 x 9.5 inches/ 33 x 24.1 centimeters
Signed lower right “Otis Oldfield”
Verso: Estate stamp “Otis Oldfield Estate”
Exhibited: Charles Campbell Gallery, 1976
Frame: 17.25 x 13.75 inches/ 43.8 x 34.8 centimeters
PROVENANCE: Private Collection, San Francisco, California.
Estimate: $2,000 / 4,000
Estimate: $2,500 / 5,000
36
2078
GEORGE DEMONT OTIS
(American 1879-1962)
Tomales Bay
Oil on canvas
28 x 36 inches/ 71.1 x 91.5 centimeters
Signed lower right “Geo. Demont Otis”
Frame: 35.25 x 43 inches/ 89.5 x 109.2 centimeters
PROVENANCE: Private Collection, Richmond, California.
Estimate: $6,000 / 9,000
37
2079
GLINTENKAMP
2080
HORST B. TRAVE
(American 20th Century)
Cabin Interior, 1951
Oil on canvas
36 x 28 inches/ 91.5 x 71 centimeters
Verso: Signed & dated “Glintenkamp, 5-14-51”
Frame: 44.25 x 36 inches/ 112.5 x 91.5 centimeters
PROVENANCE: Private Collection, Santa Cruz, California
(American 1918-2012)
6/28/64
Oil on canvas
31.75 x 41.75 inches/ 80.7 x 106 centimeters
Verso: Initialed & titled “H. B. T., 6-28-64”
Frame: 32.5 x 42.5 inches/ 82.7 x 108 centimters
PROVENANCE: Private Collection, Seaside, California
Estimate: $4,000 / 6,000
Estimate: $3,000 / 5,000
2081
MANUEL ESPINOSA
(Argentine 1912-2006)
Pintura, 1967
Acrylic on canvas
27.5 x 23.5 inches/ 69.8 x 59.7 centimeters
Verso: Signed, dated & titled “Espinosa, 1967, Pintura”
Frame: 28 x 24.25 inches/ 71.1 x 61.5 centimeters
PROVENANCE: Private Collection, San Francisco, California
Estimate: $4,000 / 6,000
38
2082
CHESTER ARNOLD
(American b.1952)
Landfall, 2002
Oil on linen
18 x 22 inches/ 45.7 x 55.9 centimeters
Initialed & dated upper left “C. A., 8-8-02”
Verso: Signed, titled & dated “Chester Arnold, Landfall,
2002”
PROVENANCE: Private Collection, San Francisco, California
Estimate: $2,000 / 4,000
2083
DAVID PARK
(American 1911-1960)
Spring, 1952
Oil on paper
8.75 x 5.25 inches/ 3.4 x 2.1 centimeters
Verso: Gallery label reading “Hackett - Freedman Modern, David Park,
Spring, 1952 . . . 280 Sutter St., San Francisco, CA., PAR-085-OP”.
Frame: 14 x 11 inches/ 36 x 28 centimeters
PROVENANCE: Private Collection, Oakland, California
Estimate: $15,000 / 30,000
39
2084
PAUL GAUGUIN
(French 1848-1903)
Tahitian Village, From Noa Noa
Collotype on paper
11.25 x 8.75 inches/ 22.2 x 28.9 centimeters
Executed by Ganymede in Berlin
Verso: Certificate of Authenticity from
Global Fine Arts, numbered “42/100”
Frame: 27 x 24.25 inches/ 68.5 x 61.6
centimeters
PROVENANCE: Private Collection, Santa
Cruz, California
Estimate: $2,000 / 3,000
2085
MARSDEN HARTLEY
2084
(American 1878-1943)
Waxenstein, 1933
Lithograph on paper
16 x 11.5 inches/ 40.6 x 29.3 centimeters
Signed & dated lower right “Marsden
Hartley/ 1933”
Numbered & titled lower left “15,
Waxenstein”
Frame: 18 x 13.5 inches/ 45.7 x 34.3
centimeters
PROVENANCE: Private Collection, Fresno,
California
2085
Estimate: $3,000 / 4,000
2087
MARC CHAGALL
(French 1871-1958)
La Sibylle de Cumes
Lithograph on paper
Image: 20.25 x 14.25 inches/ 51.4 x 36.2 centimeters
Signed & titled lower left “Georges Rouault, La Sibylle de Cumes”
Numbered lower right “42/50”
Frame: 35.5 x 29.5 inches/ 90.2 x 75 centimeters
PROVENANCE: Private Collection, Santa Cruz, California
(French/Russian 1887-1985)
Angel
Etching on Arches paper
8.5 x 11 inches/ 21.5 x 28 centimeters
Signed in plate upper right “Chagall” Numbered in pencil lower
left “507/1000” Embossed lower right from the Federation &
Emiliano Sorini “ES”
Included in lot: Certificate of Authenticity from the World
Federation of United Nations Associations; Stamped envelope
from the Federation with offered image
Frame: 14.5 x 18.5 inches/ 36.8 x 47 centimeters
PROVENANCE: Private Collection, Honolulu, Hawaii
Estimate: $1,500 / 2,500
Estimate: $1,000 / 1,500
2086
GEORGES ROUAULT
40
2088
MARC CHAGALL
2089
MARC CHAGALL
(French/Russian 1887-1985)
Le Cirque, 1967
Lithograph on Arches paper
Sheet: 16.75 x 12.75 inches/ 42.5 x 32.4 centimeters
Numbered in pencil lower left “122/250”
Verso: Original title page listing edition size, including lithograph edition number
(122)
Publisher: Tériade Editeur, Paris
Catalog Raisonne: 511, Mourlot
Frame: 26.75 x 22.5 inches/ 68 x 57.2 centimeters
PROVENANCE: Private Collection, Oakland, California
(French/Russian 1887-1985)
Le Cirque, 1967
Lithograph on Arches paper
Sheet: 16.75 x 12.75 inches/ 42.5 x 32.4 centimeters
Numbered in pencil lower left “122/250”
Verso: Original title page listing edition size, including lithograph edition number
(122)
Publisher: Tériade Editeur, Paris
Catalog Raisonne: 522, Mourlot
Frame: 26.75 x 22.5 inches/ 68 x 57.2 centimeters
PROVENANCE: Private Collection, Oakland, California
Estimate: $6,000 / 9,000
Estimate: $6,000 / 9,000
41
2090
JOAN MIRO
2091
FRIEDENSREICH HUNDERTWASSER
(Spanish 1893-1983)
Zephir Vogel (Zephyr Bird)
Lithograph on paper
Sheet: 15 x 22 inches/ 38 x 53.3 centimeters
Original lithograph, printed 1965 at Mourlot in Paris. Published in the catalog Derriere le Miroir (DLM) for an exhibition. Unnumbered edition of
1500 copies published in DLM 87-88-89
Frame: 21.25 x 28.25 inches/ 54 x 71.8 centimeters
PROVENANCE: Private Collection, Oakland, California
(Austrian 1928-2000)
Irinaland Over the Balkans, 1971 (from Look at It on a Rainy Day,
Regentag Portfolio)
Serigraph with metal imprints
Image: 16.25 x 23 inches/ 41.3 x 58.5 centimeters
Sheet: 19.5 x 26.5 inches/ 49.5 x 67.3 centimeters
Signed & numbered in ink lower center “Hundertwasser, Regentag,
139/300” Numbered in ink lower right “1387/3000” Signed & dated in
print “Hundertwasser, 1971” Blind stamp lower right “Schoeller Stern”
Catalog Raisonne: 50, Koschatzky
Publisher: Ars Viva
Printer: Dietz Offizin
PROVENANCE: Private Collection, Sausalito, California
Estimate: $1,000 / 2,000
Estimate: $2,000 / 2,500
2092
FRIEDENSREICH HUNDERTWASSER
(Austrian 1928-2000)
A Rainy Day on the Regentag #5, 1971 (from Look at It on a Rainy
Day, Regentag Portfolio)
Serigraph with metal imprints
18.5 x 26.5 inches/ 45.7 x 67.3 centimeters
Numbered “01387/3000” Stamed upper left “Hundertwasser, Regentag,”
Catalog Raisonne: 48, Koschatzky
Publisher: Ars Viva
Printer: Dietz Offizin
PROVENANCE: Private Collection, Sausalito, California
Estimate: $1,500 / 2,000
2093
ERIK NITSCHE
(Swiss 1908-1998)
General Dynamics, Energetic Earth, Material Service
Lithogaph on paper
Sheet: 50.75 x 36 inches/ 129 x 91.5 centimeters
Signed in print “Erik Nitsche”
Published by R. Marsens & Lausanne
Printed in Switzerland
Frame: 52 x 37.25 inches/ 132 x 94.5 centimeters
PROVENANCE: Private Collection, Vallejo, California
Estimate: $1,500 / 2,500
42
2094
2094
ROY LICHTENSTEIN
2095
LOUIS NEVELSON
(American 1923-1997)
As I Opened Fire...
Three panel serigraph
25 x 62.25 inches/ 63.5 x 158.8 centimeters
Signed lower right of Bratatat panel “Roy
Lichtenstein”
Frame: 31.25 x 71 inches/ 79.4 x 180.3 centimeters
PROVENANCE: Private Collection, Santa Cruz, California
(American 1899-1988)
Sky Gate 1, 1982
Cast moulded paper
33.5 x 20.25 inches/ 85.1 x 51.4 centimeters
Signed and dated lower center “Nevelson - 82”
Numbered lower left “85/90”
Frame: 36.75 x 23.25 inches/ 93.3 x 59 centimeters
PROVENANCE: Private Collection, Santa Cruz, California
Estimate: $1,000 / 2,000
Estimate: $3,000 / 4,000
Note: September 1991 letter from consignor to artist
included with this lot.
2096
ROBERT RAUSCHENBERG
(American 1925-2008)
Horse Silk (Night Sights Series), 1992
Offset lithograph on paper
28.5 x 20 inches/ 72.4 x 50.8 centimeters
Signed & dated lower left in pencil “Rauschenberg,
93” Numbered lower center “26/100”
Year of Work: 1992
Printed: 1993
Included in lot: Letter from Aperture
Frame: 34.75 x 25.5 inches/ 88.3 x 64.8 centimeters
PROVENANCE: Private Collection, Honolulu, Hawaii
Estimate: $800 / 1,200
Note: This image was specially created for the cover of
the fortieth anniversary issue of Aperture magazine
2095
2097
ROBERT RAUSCHENBERG
(American 1925-2008)
Two works: Bulkhead (Day Lights), 1994; Tanya’s Veil (Whale)
Offset lithograph on paper
Bulkhead: 8 x 12 inches/ 20.3 x 30.5 centimeters
Tanya’s Veil: 11 x 8.5 inches/ 28 x 21.5 centimeters
Bulkhead: Initialed & dated lower right in pencil “R. R., 94” Numbered lower left
“236/750” Embossed seal of the Federation lower right
Bulkhead: 8 x 12 inches/ 20.3 x 30.5 centimeters
Tanya’s Veil: Numbered lower left in pencil “227/500” Signed lower center
“Rauschenberg” Embossed seal of the Federation lower right
Included in lot: Certificate of Authenticity from the World Federation of United
Nations Associations; Stamped envelope from the Federation with offered image
Frame: 18.5 x 14.5 inches/ 47 x 37 centimeters
PROVENANCE: Private Collection, Honolulu, Hawaii
Estimate: $1,000 / 2,000
43
2098
BEAU BRADFORD
2099
KEITH HARING
(American 20th Century)
Arnold Schwarzenegger
Serigraph on canvas
20 x 20 inches/ 50.8 x 50.8 centimeters
Verso: Dedication in pencil reading “Happy Birthday to
you....Happy 26th, Rodney Buice, June ‘50- May ‘76”
PROVENANCE: Private Collection, Vallejo, California
(American 1958-1990)
Fight AIDS
Lithograph on paper
11 x 8.5 inches/ 28 x 21.5 centimeters
Numbered lower left in pencil “441/1000” Embossed lower
right from the Federation & Emiliano Sorini “ES”
Included in lot: Certificate of Authenticity from the World
Federation of United Nations Associations; Stamped envelope from the Federation with offered image
Frame: 17.25 x 14.25 inches/ 43.8 x 36.2 centimeters
PROVENANCE: Private Collection, Honolulu, Hawaii
Estimate: $800 / 1,200
Estimate: $600 / 900
2100
ZARINA HASHMI
(Indian b.1937)
Blanou House (Blossom House), 1985
Woodblock
Sheet: 32.5 x 25.75 inches/ 82.5 x 65.5
centimeters
Signed & dated lower right in pencil “Zarina, 85”
Titled lower center “Blanou House” Numbered
lower left “21/40”
Frame: 39.75 x 30.75 inches/ 101 x 78
centimeters
PROVENANCE: Private Collection, San Francisco,
California
Estimate: $3,000 / 5,000
2101
PAUL WUNDERLICH
(German 1927-2010)
Minotauros
Bronze
30.75 x 7.25 x 5.75 inches/ 78.1 x 18.4 x 14.6
centimeters
Signed & numbered right side of base
“Wunderlich 373/2000”
Verso: Makers stamp “Venturi Arts”
2100
44
Estimate: $2,000 / 4,000
2101
2102
ELIZABETH MURRAY
(American 1940-2007)
Straight, No Chaser (Crossing), 1999
Hand colored mixed media paper construction with collage mounted
to 4-ply museum board
18.5 x 29 inches/ 47 x 73.7 centimeters
1 of 33 unique variants, no. 31 (No. EM99-2185)
Included with lot, Certificate of Authenticity from Gemini, G.E.L., Los
Angeles, California
Frame: 19.5 x 30 inches/ 49.5 x 76.2 centimeters
PROVENANCE: Private Collection, Norfolk,Virgina
Estimate: $15,000 / 20,000
Literature: Included with Straight, No Chaser (Crossing), 1999 is a four-page
document from Gemini G.E.L., llc., Los Angeles, California signed by the artist
describing their collaboration and the specific methods and techniques used
in its’ creation.
The Gemini, G.E.L. documents states that Crossing required 16 lithographic
runs and 11 screen runs. The artist cut and assembled the elements and
during and after the assembly stage, Murray hand colored and painted each
piece. The work was then folded and manipulated into its final configuration
making each piece an unique variant within the total edition of 33.
45
2103
After ALFRED STIEGLITZ
(American 1864-1946)
A Personal Vision, A Portfolio Selected by Dorothy Norman, 1995
Five photogravures on Lana Gravure paper
Sheet size: 17 x 14 inches/ 43.2 x 35.5 centimeters
New York Series, Spring 1935 (Daytime), Plate: 10 x 8 inches/ 25.5 x 20.3 centimeters
New York Series, Spring 1935 (Nighttime), Plate: 9.75 x 8 inches/ 24.7 x 20.3 centimeters
Portrait of Dorothy Norman, 1932, Plate: 4.25 x 3.5 inches/ 10.8 x 9 centimeters
Hands, Dorothy Norman I, 1931, Plate: 5 x 4 inches/ 12.7 x 10.1 centimeters
Equivalent, Mountains & Sky, Lake George, 1924, Plate: 10 x 7.5 inches/ 25.5 x 19
centimeters
Colophon signed & numbered in ink “Dorothy Norman, 32/250”
Included in lot: Original portfolio case
PROVENANCE: Private Collection, Honolulu, Hawaii
Estimate: $400 / 800
2104
After EDWARD STEICHEN
(American 1879-1973)
The Early Years 1900-1927
Twelve photogravures on Papier Duchene
Sheet size: 20 x 15.75 inches/ 50.8 x 40 centimeters
Grand Prix at Longchamp: After the Races, Paris, 1907, Plate: 7.75 x 8.25 inches/ 19.7
x 21 centimeters
Self-Portrait with Sister, Milwaukee, 1900, Plate: 5.25 x 6.75 inches/ 13.3 x 17.1
centimeters
Torso, Paris, 1902, Plate: 6.75 x 8.75 inches/ 17.1 x 22.2 centimeters
Moonrise, Mamaroneck, New York, 1904, Plate: 10.5 x 12.5 inches/ 26.6 x 31.7 centimeters
In Memoriam, New York, 1902, Plate: 10.75 x 8.25 inches/ 27.3 x 21 centimeters
Steichen and Wife Clara on Their Honeymoon, Lake George, New York, 1903, Plate: 7.25
x 8.25 inches/ 18.5 x 21 centimeters
Richard Strauss, New York, 1904, Plate: 10.25 x 7.25 inches/ 26 x 18.5 centimeters
The Flatiron, New York, 1905, Plate: 13.25 x 10.25 inches/ 33.6 x 26 centimeters
Heavy Roses, Voulangis, France, 1914, Plate: 8.5 x 10.5 inches/ 21.5 x 26.6 centimeters
Isadora Duncan at the Portal of the Parthenon, Athens, 1920, Plate: 9 x 7.25 inches/
22.8 x 18.5 centimeters
Three Pears and an Apple, France, c.1921, Plate: 13 x 10.25 inches/ 33 x 26 centimeters
Brancusi in His Studio, Paris, 1925, Plate: 10.5 x 8.5 inches/ 26.6 x 21.5 centimeters
Colophon signed & numbered in ink “Beaumont Newhall, Mary Steichen,
918/1000”
In Memoriam; Signed in plate lower right “Steichen”
Steichen and Wife Clara; Signed in plate lower left “Steichen”
Richard Strauss; Signed in plate lower left “Steichen”
Published by Aperture, © 1981
Printed by Jon Goodman & Richard Benson
Included in lot: Original portfolio case, bound in Indian tussah silk & Curtis
Tweedweave paper; Invoice from Aperture, New York
PROVENANCE: Private Collection, Honolulu, Hawaii
Estimate: $1,500 / 2,500
2105
IMOGEN CUNNINGHAM
(American 1883-1976)
Two Callas
Gelitan silver print
13.25 x 10.25 inches/ 33.5 x 26 centimeters
Embossed signature lower right
Frame: 25 x 19.25 inches/ 63.5 x 48.9 centimeters
PROVENANCE: Private Collection, Petaluma, California
Estimate: $2,000 / 3,000
46
2106
ANSEL ADAMS
(American 1902-1984)
Trailside, Juneau, Alaska
Gelatin silver print
16 x 12 inches/ 40.6 x 30.5 centimeters
Signed in ink lower right “Ansel Adams”
Year of work: 1947
Printed: c.1970
Included in lot: Copy of invoice
Frame: 28.25 x 22.25 inches/ 71.7 x 56.5 centimeters
PROVENANCE: Private Collection, Honolulu, Hawaii
Estimate: $4,000 / 6,000
2107
RUTH BERNHARD
(American 1905-2006)
Shell & Driftwood
Gelatin silver print
8.5 x 11 inches/ 21.5 x 28 centimeters
Frame: 16.25 x 20.25 inches/ 41.3 x 51.5 centimeters
PROVENANCE: Private Collection, Honolulu, Hawaii
Estimate: $1,500 / 2,500
2108
ANSEL ADAMS
(American 1902-1984)
Barn, Cape Cod, Massachusetts
Gelatin silver print
13.5 x 19 inches/ 34.3 x 48.3 centimeters
Signed in pencil lower right on mount “Ansel Adams”
Year of work: 1937
Printed: c.1970
Included in lot: Original invoice
Frame: 22.25 x 28.25 inches/ 56.5 x 71.7 centimeters
PROVENANCE: Private Collection, Honolulu, Hawaii
Estimate: $5,000 / 8,000
47
2109
RUTH BERNHARD
(American 1905-2006)
Two Leaves
Gelatin silver print
13.5 x 10.5 inches/ 34.3 x 26.6 centimeters
Signed lower right in pencil “Ruth
Bernhard”
Included in lot: Original invoice from
Viewpoint Gallery, Sacramento
Frame: 20.25 x 16.25 inches/ 51.5 x 41.3
centimeters
PROVENANCE: Private Collection, Honolulu,
Hawaii
Estimate: $1,500 / 2,500
2110
RUTH BERNHARD
(American 1905-2006)
Angel Wing
Gelatin silver print
14 x 11 inches/ 35.5 x 28 centimeters
Signed in pencil lower right “Ruth
Bernhard”
Included in lot: Original invoice from
Viewpoint Gallery, Sacramento
Frame: 20.25 x 16.25 inches/ 51.5 x 41.3
centimeters
PROVENANCE: Private Collection, Honolulu,
Hawaii
2109
2110
Estimate: $1,500 / 2,500
2111
BRETT WESTON
2112
BRETT WESTON
(American 1911-1993)
Garrapata Beach, 1954
Gelatin silver print, mounted. From the Fifteen Photographs Portfolio, 1961
7.6 x 9.6 inches/ 19.3 x 24.5 centimeters
Signed & dated lower right in pencil “Brett Weston, 1954”
PROVENANCE: Gift from the Artist to;
Dr. Peters Strykers, California
(American 1911-1993)
White Sands, 1947
Gelatin silver print, mounted. From the White Sands
Portfolio, 1949
9.6 x 7.6 inches/ 24.5 x 19.3 centimeters
Signed & dated lower right in pencil “Brett Weston,
1947” Numbered lower left “5/25”
PROVENANCE: Gift from the Artist to;
Dr. Peters Strykers, California
Estimate: $2,500 / 5,000
Estimate: $2,000 / 3,000
48
2113
BRETT WESTON
(American 1911-1993)
Guatemala Hills
Gelatin silver print, mounted
Sight: 15 x 18.75 inches/ 38 x 47.5 centimeters
Signed lower right in pencil “Brett Weston”
Frame: 24.25 x 27 inches/ 61.5 x 68.5 centimeters
PROVENANCE: Gift from the Artist to;
Dr. Peters Strykers, California
Estimate: $8,000 / 12,000
49
2114
DAVID PLOWDEN
2115
YASUHIRO ISHIMOTO
(American b.1932)
Two works: Lincoln Valley, North Dakota, 1971; Fences, St. Lawrence River
Valley, Quebec, 1969”
Gelatin silver print
Lincoln Valley, Image: 10.5 x 10.5 inches/ 26.7 x 26.7 centimeters
Lincoln Valley, Sheet: 11 x 13.9 inches/ 27.9 x 35.3 centimeters
Fences, Image: 7.5 x 13.6 inches/ 19 x 34.6 centimeters
Fences, Sheet: 9.75 x 14 inches/ 24.7 x 35.5 centimeters
Lincoln Valley, Verso: Signed, titled, dated & numbered in pencil “Lincoln Valley, No.
Dakota, 1971, David Plowden, GP-1975-K3”
Fences, Verso: Signed, titled, dated & numbered in pencil “Fences, St. Lawrence
River Valley, Quebec 1969, David Plowden, GFB-69-1784-K-3”
PROVENANCE: Private Collection, Mill Valley, California
(Japanese/American 1921-2012)
Two works: Can & Crane
Gelatin silver print
Can, Image: 6 x 8.5 inches/ 15.2 x 21.5 centimeters
Can, Sheet: 8 x 10 inches/ 20.3 x 25.4 centimeters
Crane, Image: 10 x 7.2 inches/ 25.4 x 18.3 centimeters
Crane, Sheet: 14 x 11 inches/ 35.5 x 28 centimeters
Can: Signed lower right “Yas. Ishimoto”
Can, Verso: Note from artist to collector, signed “Yas. Ishimoto”
Crane, Verso: Signed in pencil lower right “Yas. Ishimoto”
PROVENANCE: Private Collection, Mill Valley, California
Estimate: $1,500 / 2,500
Estimate: $2,000 / 3,000
2116
DAVID PLOWDEN
2117
BRUCE DAVIDSON
(American b.1932)
Two works: Grain Elevator, North Topeka, Kansas & Pullman, Washington,
1972
Gelatin silver print (Grain Elevator laid to mat board)
Grain Elevator, Image: 9.1 x 10 inches/ 23.2 x 25.4 centimeters
Pullman, Image: 9.25 x 13.5 inches/ 23.5 x 34.3 centimeters
Pullman, Sheet: 11 x 14 inches/ 27.9 x 35.5 centimeters
Grain Elevator: Signed on mat board in pencil lower right “David Plowden”
Pullman:
Pullman, Verso: Signed, titled, dated & numbered in pencil “Pullman Washington,
1972, David Plowden, CP-454-K-3D”
PROVENANCE: Private Collection, Mill Valley, California
(American b.1933)
Untitled (Welsh Miners Series)
Gelatin silver print
Image: 12 x 14.7 inches/ 30.5 x 37.3 centimeters
Sheet: 16 x 20 inches/ 40.6 x 50.8 centimeters
Verso: Signed lower center in pencil “Bruce Davidson” Stamped lower
left “Welsh Miners, Sequence No. 2, Portfolio No. 3, All Rights Reserved,
Copyright Bruce Davidson, 1982”
Year of work: 1965
Printed: 1982
PROVENANCE: Private Collection, Mill Valley, California
Estimate: $2,000 / 3,000
50
Estimate: $1,500 / 2,000
2118
W. EUGENE SMITH
(American 1918-1978)
Spanish Wake, 1951
Gelatin silver print laid to board
19 x 28.5 inches/ 48.2 x 72.4 centimeters
Signed lower right “W. Eugene Smith”
PROVENANCE: Private Collection, Mill Valley, California
Estimate: $6,000 / 9,000
2119
BRETT WESTON
(American 1911-1993)
Window Display, 1954
Gelatin silver print, mounted. From the Fifteen
Photographs Portfolio, 1961
7.6 x 9.5 inches/ 19.3 x 24 centimeters
Signed & dated lower right in pencil “Brett Weston,
1954”
PROVENANCE: Gift from the Artist to;
Dr. Peters Strykers, California
Estimate: $4,000 / 6,000
2120
BRUCE DAVIDSON
(American b.1933)
Untitled (Welsh Miners Series)
Gelatin silver print
Image: 10 x 8 inches/ 25.4 x 20.3 centimeters
Sheet: 20 x 16 inches/ 50.8 x 40.6 centimeters
Verso: Signed lower center in pencil “Bruce
Davidson” Stamped lower left “Welsh Miners,
Sequence No. 1, Portfolio No. 3 (numbered in pencil),
All Rights Reserved, Copyright Bruce Davidson,
1982”
Year of work: 1966
Printed: 1982
PROVENANCE: Private Collection, Mill Valley, California
Estimate: $1,500 / 2,000
51
2122
BRUCE DAVIDSON
2121
KENNETH PROBST
(Swiss 1952-2010)
Markus Klinko with His Harp
Gelatin silver print
Sheet: 24 x 20 inches/ 61 x 50.8 centimeters
Image: 19 x 19 inches/ 48.2 x 48.2 centimeters
Verso: Signed & dated lower right in pencil “Ken Probst, c.1990”
PROVENANCE: Private Collection, Vallejo, California
(American b.1933)
Untitled, 1980
Dye transfer photograph
Image: 14.75 x 22.75 inches/ 37.5 x 57.8 centimeters
Sheet: 20 x 24 inches/ 50.8 x 61 centimeters
Verso: Signed & dated in pencil “Bruce Davidson, 80”
PROVENANCE: Private Collection, Mill Valley, California
Estimate: $2,000 / 3,000
Estimate: $4,000 / 6,000
2123
DAVID PLOWDEN
(American b.1932)
Three works: Yaquina Bay Bridge, Newport, Oregon, 1968; Statue of Liberty
from Caven Point Road; The Market Street Bridge, Susquehanna River”
Gelatin silver print (Statue of Liberty laid to board)
Yaquina Bay Bridge, Image: 13.4 x 10.75 inches/ 34 x 27.3 centimeters
Yaquina Bay Bridge, Sheet: 13.9 x 11 inches/ 35.3 x 28 centimeters
Statue of Liberty, Image: 10 x 13.40 inches/ 25.4 x 34 centimeters
Market Street Bridge, Image: 10.5 x 10.5 inches/ 26.7 x 26.7 centimeters
Market Street Bridge, Sheet: 11 x 14 inches/ 28 x35.5 centimeters
Statue of Liberty: Signed on board lower right in pencil “David Plowden”
Yaquina Bay Bridge, Verso: Signed, titled, dated & in pencil “Yaquina Bay Bridge,
Newport Oregon, 1968, David Plowden, GFB-68-5576-K-3”
Market Street Bridge, Verso: Signed & numbered in pencil “David Plowden, GFB469-2...”
PROVENANCE: Private Collection, Mill Valley, California
Estimate: $3,000 / 5,000
52
2124
MICHAEL KENNA
(American/British b.1953)
Hilltop Trees, Teshikaga, Hokkaido, Japan, 2003
Sepia toned gelatin silver print
8 x 7.5 inches/ 20.3 x 19 centimeters
Signed & dated lower right in pencil “Michael Kenna, 2003”
Numbered lower left “38/45”
Included in lot: Original invoice from Stephen Wirtz Gallery, San
Francisco
Frame: 20.25 x 16.25 inches/ 51.5 x 41.3 centimeters
PROVENANCE: Private Collection, Honolulu, Hawaii
Estimate: $3,000 / 5,000
2125
TOM BARIL
(American b.1952)
Manhattan
Twelve photogravures
Sheet: 24 x 20 inches/ 61 x 50.8 centimeters
Flatiron Building, Plate: 13.5 x 5.75 inches/ 34.3 x 14.5 centimeters
Chrysler & Empire State Buildings, Plate: 13.5 x 10.75 inches/ 34.3 x 27.3 centimeters
Verrazano Bridge, Plate: 13.5 x 10.6 inches/ 34.3 x 27 centimeters
Chrysler Building Through Window, Plate: 13.25 x 10.5 inches/ 33.6 x 26.6 centimeters
Smoke Stacks Variation, Plate: 13.5 x 10.5 inches/ 34.3 x 26.6 centimeters
Rockefeller Center, Plate: 13.5 x 10.6 inches/ 34.3 x 27 centimeters
Chrysler Building from Madison Avenue, Plate: 13.5 x 10.75 inches/ 34.3 x 27.3 centimeters
Brooklyn Bridge with Clamp, Plate: 13.25 x 10.75 inches/ 33.6 x 27.3 centimeters
59th Street Bridge, Plate: 13.5 x 10.75 inches/ 34.3 x 27.3 centimeters
Met Life Building in Fog, Plate: 13.5 x 10.75 inches/ 34.3 x 27.3 centimeters
Chrysler Building at Night, Plate: 13.5 x 10.75 inches/ 34.3 x 27.3 centimeters
World Trade Center, Plate: 13.5 x 10.75 inches/ 34.3 x 27.3 centimeters
Numbered in pencil on title page “35/75” Each signed lower right in pencil “Tom
Baril” Embossed monogram lower right “GJ”
Companion book numbered & signed in pencil “35, Tom Baril, Ann Beattie, John
Wood, Steven Albahari”
Published by Steven Albahari
Included in lot: Linen portfolio case; Companion book including a short story by
Ann Beattie & an introduction by John Wood; Invoice from 21st Editions; Letter
from the publisher
PROVENANCE: Private Collection, Honolulu, Hawaii
2126
WOLF VON DEM BUSSCHE
(German b.1934)
N.Y., N.Y.
Portfolio of ten Gelatin silver prints depicting the World Trade Center &
Washington Square, printed & processed archivally by the photographer, Black
Stone Press, San Francisco, 1982. Portfolio No. 44
17.50 x 12.25 inches/ 44.5 x 31.1 centimeters
Each signed in pencil lower left “Wolf Von Dem Bussche” Dated lower right
“1976”
Verso: Each titled, dated & numbered in pencil along with artist’s stamp
PROVENANCE: Private Collection, Vallejo, California
Estimate: $8,000 / 12,000
Estimate: $4,000 / 6,000
53
2127
GEORGE TICE
(American b.1938)
Petit’s Mobil Station, Cherry Hill, New Jersey
Selenium toned gelatin silver print mounted
7.5 x 9.5 inches/ 19 x 24 centimeters
Signed lower right in pencil “George Tice”
Verso: Titled & dated “Galerie Selenium”
Year of work: 1974
Printed: 1989
Included in lot: Original invoice from Scott Nichols
Gallery, San Francisco
Frame: 16.25 x 20.25 inches/ 41.3 x 51.5 centimeters
PROVENANCE: Private Collection, Honolulu, Hawaii
Estimate: $1,500 / 2,500
2128
THOMAS ALLEN
(American b.1963)
Two works: Recover, 2003; Bookend, 2004
Chromogenic prints
Recover: 24 x 20 inches/ 61 x 50.8 centimeters
Bookend: 20 x 24 inches/ 50.8 x 61 centimeters
Verso: Each signed, titled & dated
Included in lot: Invoice for both works from the Foley Gallery,
The Sea Ranch, CA
Frame: 24.25 x 20.25 inches/ 61.5 x 51.5 centimeters
Frame: 20.25 x 24.25 inches/ 51.5 x 61.5 centimeters
PROVENANCE: Private Collection, Honolulu, Hawaii
Estimate: $1,500 / 2,500
2129
KENNETH PROBST
(Swiss 1952-2010)
Josh Conner’s Back, San Francisco, 1995
Gelatin Silver print
Image: 10.25 x 10.25 inches/ 26 x 26 centimeters
Sheet: 14 x 11 inches/ 35.5 x 28 centimeters
Verso: Titled & dated lower left in pencil “Josh Conner’s
Back, San Francisco, 1995” Numbered lower center
“1/25” Signed lower right “Kenneth Probst”
Frame: 25 x 21 inches/ 63.5 x 53.3 centimeters
PROVENANCE: Private Collection, Vallejo, California
Estimate: $2,000 / 4,000
54
2130
KENNETH PROBST
(Swiss 1952-2010)
Tattooed Twins, San Diego, 1989
Gelatin silver print
Sight: 18 x 18 inches/ 45.7 x 45.7 centimeters
Verso: Titled lower left in pencil “Tattooed Twins, San Diego, 1989”
Signed, numbered & copyright lower right “Kenneth Probst, 3/10, © 1993”
Year of work: 1989
Printed: 1993
Frame: 30.5 x 30.5 inches/ 77.5 x 77.5 centimeters
PROVENANCE: Private Collection, Vallejo, California
2131
DONALD HARCOURT DE LUE
(American 1897-1988)
Genesis, 1986
Bronze
17.25 x 14.25 x 7 inches/ 43.8 x 36.2 x 17.8 centimeters
Signed & dated lower right “De Lue, SC © 86”
Base: Foundry Stamp
PROVENANCE: Private Collection, San Francisco, California
Estimate: $8,000 / 12,000
Estimate: $4,000 / 6,000
2132
JIANG TIE FEING
(American b.1938)
Mermaid, 1987
Bronze
17.5 x 17.5 x 9 inches/ 44.5 x 44.5 x 22.8
centimeters
Signed lower center in Chinese script
Verso: Dated, numbered & makers mark “Finger
Hut ‘87 62/199”
Included in lot: Certificate of Authenticity from
Finger Hut Publishing
PROVENANCE: Private Collection, Windsor, California
Estimate: $3,000 / 5,000
2133
JIANG TIE FEING
2132
(American b.1938)
Calla Lilies, 1987
Bronze
Figure: 18 x 9 x 6 inches/ 45.8 x 22.8 x 15.3
centimeters
Flowers: 19 x 18 x 7.5 inches/ 48.3 x 45.8 x 9
centimeters
Figure: Signed on left leg in Chinese script
Dated, numbered & makers mark lower right leg
“Finger Hut Grp. Pub. ‘87, 55/199”
Flowers: Numbered Verso “55/199”
Included in lot: Certificate of Authenticity from
Finger Hut Publishing
PROVENANCE: Private Collection, Windsor, California
2133
Estimate: $3,000 / 5,000
55
Terms and Conditions of Sale
STANDARD CONDITIONS OF SALE
These Conditions of Sale are binding on all purchasers
at Auction. Please read carefully.
By registering to bid at auction, in person, or
through an agent, by absentee bid, or telephone or
any other means including the Internet and e-mail,
you agree to be bound by these Conditions of Sale
(and changes made as noted below.)
All property and every lot for sale in our catalogue
is offered subject to the following terms and conditions, along with any changes that may be published
or announced prior to or during a sale by Michaan’s
Auctions. (MA). The terms “MA” “us,” “we,” or “our”
as used herein all refer to Michaan’s Auctions. Unless
otherwise indicated in the catalogue or at time of
sale, MA acts at all times solely as the agent for the
seller. All sales shall be deemed to occur in
California regardless whether by telephone, mail or
through the Internet or the physical location of the
buyer.
DEFINITIONS
Hammer price: The highest bid received for a lot
upon the fall of the auctioneer’s hammer.
Buyer’s premium: The amount paid by the buyer as a
percentage of the hammer price and in addition
thereto.
Purchase price: The aggregate of the hammer, buyer’s
premium and applicable taxes or other fees, if any, as
may be required by law.
Reserve: The minimum price at which the lot may be
sold.
Buyer: The person or entity who buys property at
auction or private sale.
Consignor: The seller, or the seller’s representative,
on behalf of whom we are selling the Property.
Lot: The single item or group of items offered by us
for sale.
Property: The item or items comprising an auction
lot being offered for sale.
BUYER’S PREMIUM
The Buyer shall pay a Buyer’s Premium which shall
be retained by MA as follows:
If you choose to pay by check, cashier’s check or
cash, the Buyer’s Premium is eighteen percent (18%)
per lot up to and including $250,000 plus twelve
percent (12%) per lot of any amount in excess of
$250,001 up to and including $1,000,000 and ten
percent (10%) per lot in excess of $1,000,001. If you
choose to pay by credit card (Visa, Mastercard or
Discover only) or any other form of payment, the
Buyer’s Premium is twenty-one percent (21%) per
lot up to and including $250,000 plus fifteen percent
(15%) per lot of any amount in excess of $250,001
up to and including $1,000,000 and twelve percent
(12%) in excess of $1,000,001. Internet Buyer’s
Premium is twenty-three percent (23%) per lot up
to and including $250,000 plus eighteen percent
(18%) per lot of any amount in excess of $250,001.
TERMS OF SALE
a. The Purchase of and Payment for Property
The sale of a lot shall be to the highest bidder as
determined by the auctioneer, in accord with these
Conditions of Sale. Title to the lot shall pass with
the fall of the Auctioneer’s hammer. Buyer shall pay
the Purchase price, as defined above, and such other
fees as may be due, in full, within seven (7) days of
the auction sale. Sale is not final and property will
not be released to Buyer until good funds for all
amounts due, are received by MA. Payment may be
made (i) in cash, (ii) by wire transfer (additional $15
56
fee), (iii) by money order or other guaranteed funds,
or (iv) by personal check (when buyer’s credit is
approved). No lot shall be transferred by Buyer to
another person until the sale is final. In the event of
partial payment for any lot or lots we shall apply
payments, in our discretion, to the lot or lots we
select. The Buyer grants MA a security interest in
the purchased Property, and we may retain as collateral any property purchased and any funds in our
possession, to secure a Buyer’s obligations to us, if
any. We retain the rights of a secured party under
the California Commercial Code. All fees, taxes, premiums or other sums due and not paid pursuant to
this paragraph shall bear interest at 1.5 % per month
from the 8th day following the sale to the date paid
in full.
b. Collection of Property
Upon transfer of title, Buyer assumes full responsibility, including risk of loss and damage, for the
Property. Purchased property shall be removed at
Buyer’s expense within fifteen (15) days after the
sale becomes final. Property not removed shall be
subject to a service fee of $50, and a storage fee, if
retained by MA, of 1% of the purchase price per
month. MA may also, in its sole discretion, elect to
place the Property in a public storage facility at the
Buyer’s sole risk, responsibility and expense.
c. Liability for delivery of property
If, for any reason whatsoever, we are unable to deliver the purchased Property to the Buyer, MA shall be
liable to the Buyer only for the Purchase price paid
by the Buyer and in no event shall we be liable for
incidental or consequential damages, including, but
not limited to, business interruption or loss of profit.
d. Available Shipping
As a service to the purchaser, MA may be able to
pack and ship items as set forth in the provisions for
shipping in the paragraph following the terms and
conditions of sale.
THE AUCTION PROCEDURE
a. Registration
Bidders must register in advance to bid at auction.
(a) If by mail or on the Internet please comply with,
sign and send back the requisite form or absentee
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sign and fax a copy of the Telephone Bid Registration
Form, which is available only by calling MA.
Telephone lines are limited, and available on a firstcome, first-serve basis. Registration to bid by telephone must be completed by 5 p.m. the day prior to
the auction. (c) When intending to bid in person, pre
register at the desk and obtain a bidding paddle. The
auctioneer may refuse to recognize any person not
registered and not having a paddle number. MA
reserves the right at its sole discretion, to refuse
anyone the right to register and participate at an
auction.
b. Announcements
We may, at the commencement of, or during the
Auction, announce changes in or modifications to
the Conditions of Sale or descriptions of Property.
c. Absentee Bids
For a Buyer’s convenience, absentee bids will be
accepted, when properly executed and submitted in
a timely manner. However, we neither accept any
responsibility to an absentee bidder, nor any liability
whatsoever for a failure to execute the absentee bid
for any reason. In the event that identical multiple
absentee bids are the highest bids received for the
same lot then the earliest received of the competing
absentee bids shall prevail at that bid amount.
d. Auctioneer’s Discretion
The Auctioneer has the absolute discretion to 1)
pass a lot or withdraw it from sale at any time prior
to its actual sale; 2) refuse to recognize any bidder;
3) refuse to recognize any bid; 4) resolve any dispute
between bidders or resolve any doubtful bid by
deciding who is the successful bidder or nullifying
the auction of the lot and reoffering it for sale. The
Auctioneer’s decision is binding as to disputes arising at auction. If a dispute arises post sale, our
records of the sale shall be conclusive. Both the
Auctioneer and MA shall be without any liability
whatsoever resulting from the exercise of the discretion referred to herein.
e. Reserves
All Property is offered for sale subject to a Reserve
unless otherwise stated by us at time of sale. MA
may protect the Reserve by an initial bid or continued bidding on behalf of the consignor. Any bids by
MA staff after the Reserve is met shall be made only
on behalf of registered bidders. Neither the consignor nor an agent or representative of the consignor
is allowed to bid on their own property.
DISCLAIMER OF WARRANTIES
Except for warranty of title, neither we nor the
Consignor make any warranties, guarantees or representation, express or implied, with respect to the
Property, including, but not necessarily limited to,
any implied warranty of “fitness for purpose” or
“merchantability.”
Any and all statements and descriptions in any catalogue or elsewhere by MA, relating to age, attribution, authenticity, size, genuineness, provenance, historical relevance or significance, physical condition,
importance, quality, quantity, rarity, period, culture,
source or origin, are presented as statements of
qualified opinion only.
MA’s disclaimer of liability covers information contained in catalogues, and all other printed material
published by us, including condition reports. Buyers
assume the responsibility to inspect the Property
and make their own decision as to the nature, quality and value of the Property.
Neither MA nor the Consignor make any warranty
or representation with regard to the existence of or
the transfer of intellectual property rights, except
and to such extent as may, from time to time, be
explicitly stated.
No employee of MA is authorized to nor shall make
any warranty or representation on MA’s behalf,
except as stated in the catalog or in any written
addendum.
ESTIMATES OF VALUE
All estimates of value as published in our Catalogues
or elsewhere are statements of qualified opinion as
to the range of the price a willing buyer might pay
for the Property at auction. The actual price paid at
auction or subsequently, may vary substantially from
the estimates. MA shall not be liable for any such
differential.
BUYER’S DEFAULT
If a Buyer fails to pay for purchased Property, or
otherwise does not comply with these Conditions
of Sale, the Buyer shall be in default. In addition to
all remedies available in law, to MA and to the
Consignor, the Buyer shall be liable for the entire
Purchase price. Additionally, at our option, we may
either cancel the sale and retain all payments made
by Buyer as well as retain any and all Property of
Buyer in our possession as security against payment
of the sums in default, or we may re-offer the
Property for sale, at auction or privately, without
reserve. Buyer shall be liable to us and the
Consignor for the additional fees, commissions and
costs on both sales (including handling, storage and
court costs and attorney’s fees) resulting from the
cancellation or resale of the Property and in the
event of resale, any deficiency which may result.
RESCISSION
The sole and exclusive remedy, available only to the
original buyer, is the limited right of rescission set
forth herein. MA will cancel the sale of Property if
the original buyer establishes to our satisfaction that
there has been a breach of the Consignor’s warranty of title, or that the identification of Authorship*
of the Property as set forth in Bold Type Heading is
not substantially correct, based on a fair reading of
the Catalogue (as may be amended by posted or
announced changes.) IN ALL INSTANCES, YOU
MUST GIVE WRITTEN NOTICE TO US WITHIN
30 DAYS OF THE SALE OF THE PROPERTY,
SETTING FORTH THE BASIS FOR YOUR CLAIM
AND, AT YOUR SOLE EXPENSE AND RISK,
RETURN THE PROPERTY IN QUESTION TO MA
WITHIN SEVEN (7) DAYS AFTER NOTICE IS
GIVEN AND IN THE SAME CONDITION AS
WHEN SOLD. Upon review of the claim and the
property, if we are satisfied with the bases for your
claim and the property is in the same condition it
was in when sold, MA will rescind the sale and
return to you the Purchase price, unless we have
already remitted funds to the Consignor. In that
event, and at MA’s sole discretion, MA shall either
pay you as provided above, or shall pay you only
that portion of the Purchase price retained by us
(the Seller’s commission, the buyer’s premium and
any sales taxes collected) and on your behalf make
demand on the Consignor for the balance and upon
receipt of the funds remit same to you. Should the
Consignor refuse to return the funds to you or to
MA, we shall disclose the Consignor’s identity and
assign to you any and all rights MA may have against
the Consignor. Any and all liability MA may have as
agent for the Consignor shall thereupon terminate.
BUYER EXPRESSLY UNDERSTANDS AND AGREES
THAT MA SHALL HAVE NO OTHER LIABILITY
TO THE BUYER EXCEPT FOR THE RETURN OF
THE PURCHASE PRICE AND THAT IN NO EVENT
SHALL MA BE LIABLE FOR ANY DAMAGES,
INCLUDING BUT NOT LIMITED TO
INCIDENTAL, CONSEQUENTIAL OR
COMPENSATORY DAMAGES OR LOSS OF
PROFIT OR BUSINESS OPPORTUNITY.
*Authorship refers to the maker or creator of the
Property, and the period, social culture, and origin of
the Property as stated in the Bold Type Heading for
a given lot in our catalogue. It does not refer to the
descriptions which may be contained in the information below the Bold Type Heading.
MISCELLANEOUS
a. Modification: No modification or amendment of
the Conditions of Sale shall bind MA unless contained in a writing signed by MA, except as may be
posted or published as noted above or verbally
announced at time of sale.
b. Severability: If, for any reason, any part of the
Conditions of Sale is held to be invalid or unenforceable, the remaining portion shall be valid and
enforceable.
c. Successors and Assigns: The Conditions of Sale shall
be binding on all the heirs and assigns of the Buyers
and bidders and inure to the benefit of MA’s successors and assigns.
d. Jurisdiction, Venue, Choice of Law: Dispute resolution
shall occur in Alameda County, California, USA. The
provisions of the Conditions of Sale will be construed and disputes determined by application of
California Law, without regard to conflicts of law.
e. Notice, Service of Process: Buyers agree to accept all
notices and service of process relating to dispute
resolution at the address provided by Buyer on any
registration forms required to be executed as a condition of bidding in our auction.
f. Dispute Resolution: All disputes and claims arising
out of or relating to events and actions covered
herein, brought by or against us, shall be resolved by
mediation or binding arbitration in accord with the
procedures set forth below. This provision does not
apply to claims brought by the Buyer directly against
the Consignor, including, but not limited to any
action brought pursuant to the rescission provisions
noted above
OPTIONAL PROVISIONS
Shipping, insurance packaging and handling of purchased lots is at the risk and expense of the purchaser. As a service to the purchaser, MA may ship
appropriate items solely via United Parcel Service,
(UPS) Ground. MA will not ship by any other method including USPS, and property requiring freight
shipment. MA will, in no event insure the property
whether or not packaged and shipped by MA. MA
shall not, under any circumstances, be liable for the
loss, theft or damage to property, including, but not
limited to selection of shipper, the acts or omissions
of any shipper or the acts or omissions occurring in
packing for shipment. It is the purchaser’s responsibility to obtain a shipping quote for any lot being
offered, from an outside shipper, prior to the auction date. (As a courtesy, MA may provide quotes
for items to be shipped via UPS). Post sale determination of shipping costs does not constitute grounds
for cancellation of any purchase made at auction.
Purchasers are advised that large and fragile items
can be expensive and that MA will ship no property
without first obtaining consent from the purchaser
and only after packing and shipping costs have been
disclosed by MA. When MA is to pack and ship, MA
will provide to the bidder with a quote for cost of
packing and handling and the UPS fee. The Purchaser
is responsible for any insurance of the shipment.
Shipment will not be made until both all sums due
MA including the shipping and handling fees as quoted, and written confirmation is received that insurance has been waived or has been obtained by purchaser. Shipment may take up to 21 days after payment is received.
MEDIATION AND ARBITRATION
PROCEDURES
(a) Within 30 days of written notice that there is a
dispute, the parties or their representatives may
meet at a time and place mutually agreed upon, to
mediate their differences. If the parties agree, a
mediator acceptable to the parties shall be selected.
The mediator shall be an attorney, trained in mediation techniques and familiar with commercial law
and the California Uniform Commercial Code
(UCC). The mediator’s fees shall be shared equally
and paid by all parties. At the mediation, all parties
shall have actual authority to settle the dispute. Any
statements made during, and all aspects of, the
mediation process shall be kept confidential and
shall not be admissible in any subsequent arbitration
or judicial proceeding. Any resolution shall be confi-
dential. (b) If the parties cannot agree to mediation,
or if mediation does not resolve the dispute, or in
any event no longer than 60 days after receipt of
written notice referred to above, the parties shall
submit the dispute for binding arbitration before a
single neutral arbitrator jointly selected, or absent
agreement, selected from the panel of Arbitrators
provided by the American Arbitration Association
(AAA). If, within 15 days, the parties cannot agree
on an arbitrator, then AAA shall select one (1) person as arbitrator in accord with AAA rules. The
arbitrator shall be an attorney, experienced in commercial law and with the UCC. The arbitrator shall
be required to follow the law in making his award,
and the award shall be in writing and shall set forth
findings of fact and legal conclusions.(c) The arbitration shall occur within 60 days of the selection of
the arbitrator, in either Oakland or San Francisco,
California, unless the parties agree to another location. Discovery and the procedure for the
Arbitration shall, unless otherwise agreed to by the
parties, follow the procedures and policies of AAA
governing commercial arbitration, subject however
to the following modifications:
1. All arbitration proceedings shall be confidential.
None of the parties nor the arbitrator, may disclose
the existence, content or results of the arbitration
without the written consent of all parties.
2. The parties shall attempt to agree on the issues to
be arbitrated, or identify the disputed issues in writing no later than 45 days prior to arbitration.
3. Unless otherwise agreed by the parties, discovery,
if any, shall be limited as follows: (a) Requests for no
more than 10 clearly identified categories of documents, to be provided to the requesting party within
14 days of written request therefore; (b)
Depositions: No more than two (2) per party, provided however, the deposition(s) are to be completed within one (1) day; (c) Compliance with the
above shall be enforced by the arbitrator in accord
with California law.
4. Each party shall have no longer than eight (8)
hours to present its position. The entire hearing
before the arbitrator shall not take longer than
three (3) consecutive days, unless all parties agree
otherwise in writing.
The award shall be made in writing no more than 30
days following the end of the proceeding. Judgment
upon the award rendered by the arbitrator may be
entered by any court having jurisdiction thereof.
Each party shall bear its own attorney’s fees and
costs in connection with the proceedings and shall
share equally the fees and expenses of the arbitrator.
This auction is being conducted in compliance with
section 2328 of the Commercial Code, section 535
of the Penal Code, and provisions of the California
Civil Code.
Bonded pursuant to California Civil Code sec
1812.600 et seq. Bond # 70044066
57
PROPERTY MADE FROM OR CONTAINING
MATERIALS FROM ENDANGERED OR
PROTECTED SPECIES
Property that contains any percentage of material
made or potentially made from endangered and/or
other protected species of wildlife are, as a courtesy,
marked in the catalogue with the symbol “ * ”.
Michaan’s Auctions does not accept any responsibility or liability for failing to mark such lots. Such
material includes, but is not limited to, ivory, tortoise
shell, crocodile skin, whalebone, rhinoceros horn,
some species of coral and certain woods.
Prospective buyers are advised that several countries completely prohibit importation of property
made, all or in part, of proscribed materials. Some
countries require special permits, such as a CITES
permit, from the relevant regulating authority in the
countries of exportation and importation as well.
Potential buyers intending to import the property
into another country should be familiar with the relevant customs laws and regulations prior to bidding
on property containing wildlife material. Regulations
may vary as the U.S. prohibits importation of articles
containing material(s) from species it has designated
endangered or threatened if the articles are less
than 100 years old.
It shall be the potential buyer’s sole responsibility to research and satisfy the requirements of any laws and regulations that apply
to the import and export of property as
described in the aforementioned paragraphs.
Prospective buyers must also note that the
inability or delay in obtaining permits, licenses or other permissions to import or export
property containing potentially regulated
wildlife material will not constitute a basis for
rescission or cancellation of the sale of said
property or the delay in payment of purchased items in accordance with the
Conditions of Sale.
Definitions of Authorship:
This is to qualify the relationship between the object
and the named person in the catalogue. The following conventions for attribution are used by
Michaan’s Auctions:
Giovanni Bellini: In our opinion a work by the artist. When the artist’s forename(s) is not known, a
series of asterisks, followed by the surname of the
artist, whether preceded by an initial or not, indi-
cates that in our opinion the work is by the artists
named.
Attributed to Giovanni Bellini: In our opinion
probably a work by the artist but less certainty as
to authorship is expressed than in the preceding
category.
Studio of Giovanni Bellini: In our opinion a work
by an unknown hand in the studio of the artist,
which may or may not have been executed under
the artist’s direction.
Circle of Giovanni Bellini: In our opinion a work
by an as yet unidentified by distinct hand, closely
associated with the named artist but not necessarily
his pupil.
Style of ......; follower of Giovanni Bellini: In
our opinion a work by a painter working in the artist’s style, contemporary or near contemporary, but
not necessarily his pupil.
Manner of Giovanni Bellini: In our opinion a
work in the style of the artist and of a later date.
after Giovanni Bellini: In our opinion a copy of a
known work of the artist.
The term signed and/or dated and/or inscribed
means that in our opinion the signature and/or date
and/or inscription are from the hand of the artist.
The term bears a signature and/or date and/or
inscription means that in our opinion the signature
and/or date and/or inscription have been added by
another hand.
“bearing signature...”/”bearing
date...”/”bearing inscription...” In our opinion
the signature/date/inscription is by a hand other
than that of the artist.
Typical Headings:
FURNITURE
George III Mahogany Chest of Drawers
Third Quarter 18th Century
This heading, with date included, means that
the piece is, in our opinion, of the period indicated with no major alterations or restorations.
George III Mahogany Chest of Drawers
This heading, without the inclusion of the date,
indicates that, in our opinion, the piece, while
basically of the period, has undergone significant restoration and alteration.
George III Style Mahogany Chest of Drawers
The inclusion of the word “style” in the heading indicates that, in our opinion, the piece was
made as an intentional reproduction of an earlier style.
BRONZES
Antoine-Louis Barye
This heading indicates that the casting and patination were done by the artist or with his
direct authorization or supervsion.
Cast After a Model by Antoine-Louis Barye
This heading indicates that the casting and patination of a known Barye model were done by
another, i.e., artisans at the F. Barbedienne or
other foundry.
CERAMICS
Meissen Porcelain Cup and Saucer
Late 19th Century
This states that the cup and saucer were made
at the Meissen factory in the last quarter of
the 19th Century.
Meissen Porcelain Cup and a Saucer
Late 19th Century
Again, this states that the cup and saucer were
made at the Meissen factory in the last quarter of the 19th Century, but it also indicates
that the cup and saucer may not have been
“born” together.
Meissen Porcelain Cup and Saucer
Circa 1900
This states that the cup and saucer are of Meissen
style, and although of the date specified, not necessarily made at the Meissen factory.
‘Meissen’ Porcelain Cup and a Saucer
19th Century
This states that the cup and saucer are of
Meissen style, and although of the date specified, not necessarily made at the Meissen factory.
Meissen Porcelain Cup and Saucer
The title without a specific date simply states
that the pieces were made at the Meissen factory but does not specify when, implying that
their age is questionable.
Bid Increments
Minimum Value
from US $ 0
from US $ 50
from US $ 200
from US $ 500
from US $ 1,000
from US $ 2,000
from US $ 5,000
from US $ 10,000
from US $ 20,000
from US $ 50,000
from US $ 100,000
from US $ 200,000
Maximum Value
to US $ 49
to US $ 199
to US $ 499
to US $ 999
to US $ 1,999
to US $ 4,999
to US $ 9,999
to US $ 199,99
to US $ 49,999
to US $ 100,000
to US $ 199,999
to US $ 499,999
Expected Bid Increment
US $ 5
US $ 10
US $ 25
US $ 50
US $ 100
US $ 250
US $ 500
US $ 1,000
US $ 2,500
US $ 5,000
US $ 10,000
US $ 25,000
All increments may vary at auctioneer’s discretion.
58
Artist Index
Artist
Lot #
Adams, Ansel
2106, 2108
Adamson, Harry Curieux
2038
Adolfs, Gerard Pieter
2010
Allen, Thomas
2128
Anderson, Victor
2070
Arnold, Chester
2082
Baril, Tom
2125
Bartlett, Dana
2076
Baumann, Gustave
2043, 2045
Bernhard, Ruth
2107, 2109, 2110
Blum, Robert Frederick
2025, 2031
Borein, Edward
2042, 2044
Bradford, Beau
2098
Buel, Hubert
2072
Chagall, Marc
2087, 2088, 2089
Coats, Amelia
2050
Continental School
2011
Cooper, ADM
2069
Cortes, Edouard
2003
Cunningham, Imogen
2105
Daumier, Honore Attributed to
2012
Davidson, Bruce
2116, 2117, 2120, 2122, 2123
De Longpre, Paul
2059
De Lue, Donald Harcourt
2131
Della, Pam
2064, 2067
Didier, Luc
2016
Dow, Arthur Wesley
2032
Espinosa, Manuel
2081
Feing, Jiang Tie
2132, 2133
Fisher, Harrison
2033, 2034
Fon, Jade
2049, 2051, 2054, 2061, 2063, 2068
Fontaine, Paul
2039
Gauguin, Paul
2084
Gile, Seldon Conner Attributed to
2075
Glintenkamp2079
Gollings, William
2046
Goodacre, Glenna
2040
Gorson, Aaron Harry
2024
Gould, David
2002
Grau Sala, Emilio
2015
Gray, Percy
2060
Greer, A D
2026
Haring, Keith
2099
Hartley, Marsden
2085
Hashmi, Zarina
2100
Hopkins, Robert
2022
Hopper, Edward
2035
Hundertwasser, Friedensreich
2091, 2092
Icart, Louis
2018
Ishimoto, Yasuhiro
2117, 2120, 2123
Artist
Lot #
Kalinin, Viacheslav
2017, 2019, 2020
Kauffman, Hugo
2004
Kenna, Michael
2124
Kern, Albin
2071, 2074
Kingman, Dong
2058
La Farge, John
2030
Lichtenstein, Roy
2094
Logan, Maurice George
2065
Marquet, Albert
2007
Mayol, Jorge
2052
Miro, Joan
2090
Murray, Elizabeth
2102
Nevelson, Louis
2095
Nicholas, Tom
2057, 2062, 2066
Nitsche, Erik
2093
Oldfield, Otis
2077
Osmerkin, Alexander
2021
Otis, George DeMont
2078
Park, David
2083
Perry, Lilla Cabot
2028
Peterson, Jane
2036, 2037
Plowden, David
2114
Probst, Kenneth
2121, 2129, 2130
Rauschenberg, Robert
2096, 2097
Renoir, Pierre Auguste
2014
Rider, Arthur Grover
2056
Rouault, Georges
2086
Sheets, Millard
2047
Shubin, Morris
2055
Slevogt, Max
2006
Sluiter, Willy
2005
Smith, W Eugene
2117, 2120, 2124
Steichen, Edward After
2104
Stieglitz, Alfred After
2103
Strong Jr, Joseph Dwight
2048
Swanson, Ray
2041
Thompson, Harry
2013
Tice, George
2127
Townsend, Harry
2027
Trave, Horst 2080
Van Rappard, Alexander
2001
Von Dem Bussche, Wolf
2126
Watenphul, Max Peiffer
2009
Weston, Brett
2111, 2112, 2113, 2019
Whistler, James Abbott McNeill
2029
Whittemore, William John
2023
Wores, Theodore
2073
Yard, Sydney Janis
2053
Zampighi, Eugenio
2008