A FILM BY SHARON LEWIS W H AT D O YO U D O W H E N T H E B L I N G, T H E G I R L S A N D T H E FA N S AREN’T ENOUGH? And he was always quietly arrayed, And he was always human when he talked; But still he fluttered pulses when he said, "Good-morning," and he glittered when he walked FESTIVAL SYNOPSIS RITCH is the moody tale of a hip-hop sensation and his return home. Ritch's intimate concert for his hometown entourage offers the photo opportunity of a lifetime to his number one fans Kinzo and Mozie. Ritch however has different plans. The film explodes open in a music-video style with an urban score, a shiny hip-hop star, the bling, the girls and the fans, but then quickly settles into four minutes of beautifully crafted storytelling. Complimented by an evocative neo-noir look, RITCH suggests that within the shadows lies a different truth, as Kinzo and Mozie are about to find out. RITCH is a modern adaptation of Richard Cory, Pulitzer Prize winning poet Edwin Arlington Robinson's shockingly ironic poem about loneliness. CREDITS URBANSOUL INC. P R ESEN TS RI T CH A FI LM B Y SHA RO N L E WI S BAS ED O N TH E P O EM RICHARD CORY B Y E D WI N A RL I NGT O N RO BI NSO N S TAR R IN G PJ KERR BENNY MI N FAY LY A N D N A R R ATED B Y DA RRE N A NT HONY C IN EMATOG R A PH Y B Y RUSS GO OZ E E ED ITED B Y KE N WA NNI NGE R O R IG IN AL S C O R E B Y RYA N L AT HA M A N D BI L LY JA RDI NE P R O D U C TIO N D ESI G N B Y PI E RRE BONHOMME P R O D U C ED B Y DARRE N PO RT E L L I A N D KE RRY YOUNG WR ITTEN AN D D I R ECTED B Y SHA RO N L E WI S WITH TH E S U P P O R T O F ONTARIO ARTS COUNCI L A N D T ORONT O A RT S COUNCI L A N D T HE NF B ONTARIO ARTS COUNCIL CONSEIL DES ARTS DE L’ONTARIO SHARON LEWIS WRITER & DIRECTOR Recently Sharon’s short screenplay, “Lullaby”, was made into an award winning film “Best of the Fest at Outfest”, and has been screened at festivals all over the world. She was also nominated as “best writer” in 2001 by the Black Film and Video Network for the film “maple”. Working on the opposite end of the spectrum, Sharon’s leading role in the film, “Rude”, premiered at the Cannes Film Festival. Sharon has been nominated for two television hosting awards for her work on ZeDtv, a groundbreaking CBC television arts show with an interactive web component. Her work on counterSpin a prime time live political debating show on CBC television, garnered the highest ratings in the history of the program. Being one of the first in Canada to train with the internationally acclaimed master and founder of Forum Theatre Augusto Boal, Sharon was eager to make her mark in theatre. As Artistic Director and Co-Founder of the theatre company, Sugar’n’Spice she produced the first Canadian show utilizing women of colour on stage and in technical and administrative capacities. This show, “sistahs”, which she wrote and directed, played to sold out houses for three weeks and was remounted in Ohio and San Francisco. In every major artistic medium she has been the recipient of numerous grants. At present Sharon is converging all of her experience, storytelling skills and directorial knowledge to fully realize her talent as an exceptional filmmaker. FILMOGRAPHY SHARON LEWIS FILMOGRAPHY Director 2005 Old is the New Black 2000 Impasse At Holy Faith 1998 Desire Producer 2003 Lock Her Room 2001 Maple 1999 The Style of My Soul 1998 Dreamin’ 1997 6/29 Spec Commercial Short Film Short Film Short Film HBO INNOVATION AWARD Short Film BFVN – BEST DIRECTOR Spoken Word Video BLACK HOLLYWOOD “BEST OF” Spec Commercial Short Film RE L AT E D AWA RDS WRITER 2001 Reel Black Awards Nomination for – Best Writer for Screenplay – “MAPLE” 1998 Chesterfield Screenplay Competition/Fellowship Runner Up - “MARKED” ON AIR HOST 2004 Leo Awards Nominated for Best On Air Host Zed/CBC 2003 Gemini Awards Nominated for Best On Air Host Zed/CBC MAGAZINE 2002 ELLE Magazine Canada Named as one of the 30 most powerful women in Canada RICHARD CORY Whenever Richard Cory went down town, We people on the pavement looked at him: He was a gentleman from sole to crown, Clean favored, and imperially slim. And he was always quietly arrayed, And he was always human when he talked; But still he fluttered pulses when he said, "Good-morning," and he glittered when he walked. And he was rich - yes, richer than a king And admirably schooled in every grace; In fine we thought that he was everything To make us wish that we were in his place. So on we worked, and waited for the light, And went without the meat, and cursed the bread; 1921 ORIGINAL POEM BY EDWIN ARLINGTON ROBINSON u rb a n s o u l i n c . 3 3 P o u ch e r S t re e t To ro n t o O N M4 J 2 Z 1 Canada A FILM BY SHARON LEWIS 416.527.2111 www.ritchthefilm.com
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