4/1/2011 Robert Browning z z z z z z IMAGERY AND SYMBOLS Born on May 7, 1812, in Camberwell, England. His mother was an accomplished pianist and a devout evangelical Christian His father, who worked as a bank clerk, was also an artist, scholar, antiquarian, and collector of books and pictures His rare book collection of more than 6,000 volumes included works in Greek, Hebrew, Latin, French, Italian, and Spanish. Much of Browning's education came from his well well--read father Anonymously published his first major published work, Pauline,, in 1833 and published Sordello in 1840 Pauline Died on the same day that his final volume of verse, Asolando,, was published, in 1889. Asolando 4/1/2011 Intro. to Lit/M.Thoyibi/Session 5 Image: Anything that appeals to our senses, either of sight, hearing, smell, touch, or taste z Symbol: something that stands for something else z 1 4/1/2011 The gray sea and the long black land; And the yellow half half--moon large and low; And the startled little waves that leap In fiery ringlets from their sleep, As I gain the cove with pushing prow, And quench its speed i' the slushy sand. Then a mile of warm seasea-scented beach; Three fields to cross till a farm appears; A tap at the pane, the quick sharp scratch And blue spurt of a lighted match, And a voice less loud, through its joys and fears, Than the two hearts beating each to each! Intro. to Lit/M.Thoyibi/Session 5 The gray sea and the long black land; And the yellow half half--moon large and low; 3 And the startled little waves that leap In fiery ringlets from their sleep, 4/1/2011 Intro. to Lit/M.Thoyibi/Session 5 2 MEETING AT NIGHT Robert Browning (1812(1812-1889) MEETING AT NIGHT Robert Browning (1812(1812-1889) 4/1/2011 Intro. to Lit/M.Thoyibi/Session 5 4/1/2011 Intro. to Lit/M.Thoyibi/Session 5 4 As I gain the cove with pushing prow, And quench its speed i' the slushy sand. 5 4/1/2011 Intro. to Lit/M.Thoyibi/Session 5 6 1 4/1/2011 Then a mile of warm sea sea--scented beach; 4/1/2011 Intro. to Lit/M.Thoyibi/Session 5 Three fields to cross till a farm appears; 7 A tap at the pane, the quick sharp scratch 4/1/2011 Intro. to Lit/M.Thoyibi/Session 5 4/1/2011 Intro. to Lit/M.Thoyibi/Session 5 8 And blue spurt of a lighted match, 9 4/1/2011 Intro. to Lit/M.Thoyibi/Session 5 10 Robert Frost (1874--1963) (1874 z z z z And a voice less loud, through its joys and fears, Than the two hearts beating each to each! 4/1/2011 Intro. to Lit/M.Thoyibi/Session 5 z 11 Born on March 26, 1874 in San Francisco First child of Isabelle Moodie and William Prescott Frost Jr. First published poem, "La Noche Triste,” in 1890 i th in the L Lawrence Hi High hS School h lB Bulletin ll ti b based d on episode in Prescott's Conquest of Mexico Won Pulitzer Prize for A Further Range in 1937 and Elected to membership in the American Philosophical Society Awarded the Bollingen Prize for Poetry in 1963 4/1/2011 Intro. to Lit/M.Thoyibi/Session 5 12 2 4/1/2011 THE ROAD NOT TAKEN Robert Frost And both that morning equally lay In leaves no step had trodden black. Oh, I kept the first for another day! Yet knowing how way leads on to way, I doubted do bted if I sho should ld e ever er come back back. I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged in a wood, and I--I--I took the one less traveled by, And that has made all the difference! Two roads diverged in a yellow wood, And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth; Then took the other, as just as fair, And having perhaps the better claim, Because it was grassy and wanted wear; Though as for that the passing there Had worn them really about the same, 4/1/2011 Intro. to Lit/M.Thoyibi/Session 5 13 4/1/2011 Intro. to Lit/M.Thoyibi/Session 5 14 THE ROAD NOT TAKEN Robert Frost (1874 (1874--1963) Two roads diverged in a yellow wood, And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth; 4/1/2011 Intro. to Lit/M.Thoyibi/Session 5 Then took the other, as just as fair, And having perhaps the better claim, Because it was grassy and wanted wear; Though as for that the passing there Had worn them really about the same, 15 And both that morning equally lay In leaves no step had trodden black. Oh, I kept the first for another day! Yet knowing how way leads on to way, I doubted if I should ever come back. 4/1/2011 Intro. to Lit/M.Thoyibi/Session 5 4/1/2011 Intro. to Lit/M.Thoyibi/Session 5 16 I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged in a wood, and II----I took the one less traveled by, And that has made all the difference! 17 4/1/2011 Intro. to Lit/M.Thoyibi/Session 5 18 3 4/1/2011 John Donne (1572--1631) (1572 z z z z z A VALEDICTION: FORBIDDING MOURNING John Donne (1572 (1572--1631) Born in Bread Street, London in 1572 Belonged to a prosperous Roman Catholic family Studied at University of Oxford and University of C b id Cambridge His principal literary accomplishments were Divine Poems (1607) and prose work Biatanathos (published posthumously in 1604) Last poem written just before his death was Hymne to God, my God, In my Sicknesse 4/1/2011 Intro. to Lit/M.Thoyibi/Session 5 19 Dull sublunary lovers' love (Whose soul is sense) cannot admit Absence, because it doth remove Those things which elemented it But we by a love so much refined, That ourselves know not what it is, Inter--assured of the mind, Inter Care less, eyes, lips, and hands to miss. Our two souls therefore, which are one, Though I must go, endure not yet A breach, but an expansion, Like gold to airy thinness beat. 4/1/2011 Intro. to Lit/M.Thoyibi/Session 5 As virtuous men pass mildly away, And whisper to their souls to go, While some of their sad friends do say, The breath goes now, and some say, no: So let us melt, and make no noise, No tear tear--floods, nor sighsigh-tempests move, 'Twere profanation of our joys, To tell the laity our love. Moving of th' earth brings harms and fears, Men reckon what it did and meant, But trepidation of the spheres, Though greater far, is innocent. 4/1/2011 Intro. to Lit/M.Thoyibi/Session 5 20 If they be two, they are two so As stiff twin compasses are two, Thy soul the fixed foot, makes no show To move, but doth, if th' other do. And though it in the center sit, Yet when the other far doth roam, It leans, and hearkens after it, And grow erect, as that comes home. Such wilt thou be to me, who must Like th' other foot, obliquely run; Thy firmness makes my circle just, And makes me end, where I begun. 21 4/1/2011 Intro. to Lit/M.Thoyibi/Session 5 22 A VALEDICTION: FORBIDDING MOURNING John Donne (1572 (1572--1631) As virtuous men pass mildly away, And whisper to their souls to go, While some of their sad friends do say, The breath goes now, and some say, no: 4/1/2011 Intro. to Lit/M.Thoyibi/Session 5 So let us melt, and make no noise, No tear tear--floods, nor sighsigh-tempests move, 'Twere profanation of our joys, To tell the laity our love. 23 4/1/2011 Intro. to Lit/M.Thoyibi/Session 5 24 4 4/1/2011 Moving of th' earth brings harms and fears, Men reckon what it did and meant, But trepidation of the spheres, Though greater far, is innocent. 4/1/2011 Intro. to Lit/M.Thoyibi/Session 5 Dull sublunary lovers' love (Whose soul is sense) cannot admit Absence, because it doth remove Those things which elemented it. 25 But we by a love so much refined, That ourselves know not what it is, Inter--assured of the mind, Inter Care less, eyes, lips, and hands to miss. 4/1/2011 Intro. to Lit/M.Thoyibi/Session 5 Intro. to Lit/M.Thoyibi/Session 5 Intro. to Lit/M.Thoyibi/Session 5 26 Our two souls therefore, which are one, Though I must go, endure not yet A breach, but an expansion, Like gold to airy thinness beat. 27 If they be two, they are two so As stiff twin compasses are two, Thy soul the fixed foot, makes no show To move, but doth, if th' other do. 4/1/2011 4/1/2011 4/1/2011 Intro. to Lit/M.Thoyibi/Session 5 28 And though it in the center sit, Yet when the other far doth roam, It leans, and hearkens after it, And grow erect, as that comes home 29 4/1/2011 Intro. to Lit/M.Thoyibi/Session 5 30 5 4/1/2011 THANK YOU FOR YOUR ATTENTION AND PARTICIPATION Such wilt thou be to me, who must Like th' other foot, obliquely run; Thy firmness makes my circle just, And makes me end, where I begun. 4/1/2011 Intro. to Lit/M.Thoyibi/Session 5 SEE YOU AGAIN NEXT WEEK GOOD BYE 31 4/1/2011 Intro. to Lit/M.Thoyibi/Session 5 32 6
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