EACH SECTION IN ITALICS MUST BE COMPLETED ACCORDING TO THE INDIVIDUAL TEACHER’S PREFERENCES. TEACHER SHOULD REMOVE THESE DIRECTIONS (IN ALL CAPS WRITING) BEFORE DISTRIBUTION OF COMPLETED SYLLABUS TO STUDENTS English II Honors – 1001350 Credit: 1.0 Will meet graduation requirements for English 2010-2011 COMPLETED BY INDIVIDUAL TEACHER Ida Know, _ HYPERLINK "mailto:[email protected]" [email protected]_ _ HYPERLINK "http://www.mywebpage.com" _www.mywebpage.com_ Room phone: 466-5678 Guidance phone: 466-8765 Elements of Literature –Holt Rinehart and Winston – 3rd Course Writers, INC: A Student Handbook for Writing and Learning by Writes Source Course Description: Reading, writing, speaking, listening and viewing competencies are integrated throughout students’ learning experiences. Benchmarks for the Sunshine State Standards are repeated as needed in course sequences. As students progress from one course to the next, increases should occur in the complexity of materials and tasks and in the students’ independence in the application of skills and strategies. Learning tasks and materials accommodate the individual needs of students. Technology is available for students to develop competencies in the language arts. Course Content: The purpose of this course is to provide integrated educational experiences in the language arts strands of reading, writing, listening, viewing, speaking, language, and literature. The content should include, but not be limited to, the following: using reading strategies to construct meaning from informative, technical, and literary texts acquiring an extensive vocabulary through reading, discussion, listening, and systematic word study using process writing strategies, student inquiry, and self-monitoring techniques using speaking, listening, and viewing strategies in formal presentations and informal discussions understanding and responding to a variety of literary forms understanding and using language successfully to impact readers, writers, listeners, speakers, and viewers. 1 Course Materials: COMPLETED BY INDIVIDUAL TEACHER Pen The book and/or essays we’re reading English binder: you will need a three-ring binder to organize all your class notes, reading notes, and handouts Divide your binder into the following sections: Class Notes: Daily notes will constitute the largest part of your total notebook grade The expectation is one page of notes per day; each day’s notes are to be titled and dated, beginning with a new sheet each day of notes. Notes are always to be taken in blue and/or black INK Your notes should be in a clear, stand-alone format and legible Pages should be numbered Use college-rule paper Writing: You will keep all handouts, such as the rubric, that pertain specifically to writing in this section. Your own personal Writer’s Log will also go in this section. Grammar: All handouts that pertain to grammar go in this section Keep any graded or ungraded exercises in this section Vocabulary: You will receive a list of “hot words” to use in your papers, which you will keep in this section As we work on vocabulary throughout the year, keep all lists in this section Graded Papers: Keep all graded papers in this section, for a couple of reasons: (1) it serves as your insurance in case there is a discrepancy between your records and mine. (2) I try to point out strengths and areas for improvement when I grade your writing; so the expectation is for you to review past papers in an effort to improve upon your work. Course Requirements: COMPLETED BY INDIVIDUAL TEACHER Attendance/ Absences/Make-Up Work: Your presence (mind and body) in class is essential. If you MUST miss class due to illness or circumstances beyond your control, it is YOUR RESPONSIBILITY to find out which assignments are missed, to get the handouts, and to borrow and copy* the class notes of the day(s) you were absent. Since you will have at least one week’s lead time for papers and other major assignments, the due date remains the same regardless of your absence. If you are ill the day a paper is due, deliver it to a friend who can turn it in for you. If an emergency arises (illness or otherwise) and you absolutely cannot complete an assignment, I will need a note from your parent/guardian explaining the situation. 2 *You can either copy notes by hand or make a photocopy. If you choose to make a photocopy, you need to highlight and/or annotate so that I know you read through the notes you borrow. AVOID LATE ASSIGNMENTS! Your responsibilities in this class include keeping your own up-to-date assignment notebook, turning assignments in on time, and carefully guarding your class notebook. If you do not understand an assignment, check with me or a buddy before the assignment is due. Saying “I don’t understand” will not excuse any assignment you fail to turn in. Each day an assignment is late, I will subtract 10% from the grade. Once I have graded and returned an assignment you cannot turn that assignment in for credit. CLASSROOM RULES/ EXPECTATIONS: I expect you to be in class on time, with your notebook open and dated for that day’s notes, pen out, books ready, and backpack off our desktop. Have your assignment ready to hand in if one is due. You need to be ready to participate in class. Show respect toward one another and toward me as I have great respect for each of you. Grading Policy/ Assessment COMPLETED BY INDIVIDUAL TEACHER: EVALUATION: For most major assignments, I will provide the rubrics or explain the expectations that I will use to assess your work. For general reference, I will follow St. Lucie County School Board grading system of A – F. Academic Honesty Policy: Violation of the “Academic Honesty Policy” includes willful or deliberate unauthorized use of the work of another person for academic purposes, or inappropriate use of notes, or other material in the completion of an academic assignment or test is not permitted. In addition to disciplinary responses, the granting of credit for this assignment may be considered null and void. Personal Statement: COMPLETED BY INDIVIDUAL TEACHER “I hear and I forget, I see and I remember, I do and I understand. 3 English II-Honors Course Topics 1st Quarter 1. Diagnostic Testing (on-going) In order to evaluate students’ previous knowledge and foundation in reading and writing through various assessment tests SLC Benchmark Pre-Test FCAT Writing Pre-Test 2. Writing (on-going) In order to prepare before writing, understand and further develop your knowledge, foundation, and application of the writing process, 6+1 Traits of Writing, paragraph structure, and composition development, and how language can transcend cultural barriers, the student will learn the following: Review the 6+1 traits of writing, including ideas, organization, voice, word choice, sentence fluency and conventions, presentation Review the writing process of prewriting, writing, revising, editing, and publishing Develop stronger application of specific steps of the writing process, specifically prewriting, to formulate ideas through prewriting to include but not limited to brainstorming, notes, journals, discussion, Venn diagram, story map, plot pyramid. Formulate a logical organizational pattern for your writing based upon a persuasive or expository topic from your repertoire or the teacher, and utilize prewriting strategies to better prepare for the essay. Develop a succinct thesis statement to present an effective argument for a persuasive or expository essay Exhibit proper paragraph development, application of transitional devices, sentence structure, spatial order, and/or chronological order, and punctuation. Reiterate and demonstrate composition development to include introduction, body, conclusion, purpose, tone, and audience through expository writing. Exhibit proper grammar and mechanics from self-directed and classdirected study Understand the necessity of precise diction 4 Comprehend the impact of connotation and denotation of language due to language barriers Primary Sources: Writer’s Choice Grammar and Composition & any Write Traits resource Research: Compose an expository essay on a conflict or area of tension that has developed in another country 3. Literature: Fiction/Non-Fiction In order to understand conflict and tension and the impact of cultural collision: Compare a variety of traditional, classical, or contemporary works of literature Identify the key literary elements of each story/novel Utilize literary circles to present your novel for others to wish to read Maintain an independent reading log of personal reading completed over the quarter Analyze literature for effective use of literary devices taken from essential vocabulary Readings: “The Cold Equations” by Tom Godwin p. 8 “The Bass, The River, and Sheila Mant” by W. D. Wetherell, p. 34 “Geraldo, No Last Name” by Sandra Cisneros, p. 112 “A Very Old Man with Enormous Wings” by Gabriel Garcia Marquez, p. 222 “Everyday Use,” by Alice Walker, p. 70 “Life is Sweet at Kumansenu,” by Abioseh Nicol, p. 147 “Liberty,” by Julia Alvarez, p. 184 “Through the Tunnel,” by Doris Lessing, p. 276 “The First Seven Years,” by Bernard Malamud, p. 119 “The Bet,” by Anton Chekhov, p. 209 “The Pit and the Pendulum,” by Edgar Allan Poe, p. 288 Primary Sources: Elements of Literature, Third Edition 4. Non-fiction and research In order to understand the importance of age appropriate materials, mass media, and effective oral communication: Develop a topic for an expository essay that would be engaging for you, the speaker, and the audience Create an effective research plan Select proper sources based upon audience when developing an argument for an expository presentation or essay 5 Determine the validity of multiple sources using MLA and APA guidelines and initial teacher guided research Use mass media and digital technology to create a visually appealing and appropriate presentation Present an oral presentation discussing the global impact of a conflict or tension impacting a studied culture Primary Source: Writer’s Choice Grammar and Composition 5. Vocabulary In order to develop grade level vocabulary, use multiple strategies to own the meaning and application of the following essential vocabulary and literary terms: plot, theme, exposition, rising action, falling action, climax, resolution, omniscient point of view, magical realism, suspense, internal and external conflict, cause and effect, inured, increments, recoiled, paramount, annihilate, irrevocable, immutable, ponderous, apprehension, ineffably, denizens, pensive, dubious, antipathy, filial, surreptitiously, conspicuous, concussion, luminous, quizzical, stench, impeded, magnanimous, reverence, frivolous, impertinence, ingenious, prudence, cataclysm, providential, sidle, furtive, cowering, doctrines, rifling, plaintive, cajoled, diffuse, complacent, elect, hyperactive, admonitions, clenched, inconsolable, contrition, supplication, inquisitive, minute, incredulous Course Topics 2nd Quarter 1. Writing In order to understand cause and effect, sentence elaboration, and the use of figurative language: Write to explain the elements of drama Research the time period of the assigned play and relate the play to its historical period Develop a research question pertaining to the unit, gather information to support your topic, and write a thesis paper Write to compare and contrast any aspect of our drama unit Practice timed writings focusing on expository and persuasive writing Write to explain informational text Work in groups to develop an advertisement using poetic devices Create your own poem (s) to demonstrate mastery of sounds, structure, and graphical elements of poetry 6 2. Literature: Poetry & Drama In order to identify, analyze, and apply the knowledge of the elements of poetry and drama: Readings (Drama): Antigone, p. 690 “Greek Drama: Out of Ritual,” by David Adams Leeming, p. 685 “The Myth of Oedipus,” p. 688 “Literature and Religion: Ancient Greek Burial Practices,” p. 696 “What is a Tragic Hero?” by Aristotle, p. 739 “Russia’s Antigone,” by Roberta Reeder, p. 740 “All the Unburied Ones,” by Anna Akhmatova, p. 740 “I am not one of those who left the land,” by Anna Akhmatova, p. 740 “Recognizing Persuasive Techniques in Advertisements,” p. 898 Primary Source: Elements of Literature, Third Course 3. Listening and Speaking In order to understand the multiple ways in which people can respond to poetry and the tools that playwrights use, both past and present: Readings: “Stagecraft: Using Stage Directions,” p. 683 “Courage,” by Anne Sexton, p. 512 “Theme for English B,” by Langston Hughes, p. 376 “Stopping by Woods on a Snowy Evening,” by Robert Frost, p. 516 “Sea Fever,” by John Masefield, p. 590 “I am Offering This Poem,” by Jimmy Santiago Baca, p. 550 “Shall I Compare Thee to a Summer’s Day?” by William Shakespeare, p. 560 “Heart! We Will Forget Him!” by Emily Dickinson, p. 568 “Three Japanese Tankas,” by Ono Komachi, p. 570 The Power of a Poem,” by Susan Sheehan, p. 510 “Loveliest of Trees,” by A.E Housman, p. 520 “The Parable of the Old Man and the Young,” by Wilfred Owen, p. 907 “To Every Thing There is a Season,” p. 911 “The Greatest of These is Charity,” p. 922 Primary Source: Elements of Literature, Third Course 4. Informational Text (on-going) In order to learn more about playwrights and poets: Read articles, essays, and biographical information pertaining to studied authors Research the lives of these authors using texts, the Internet, United Streaming, and other valid and reliable sources 7 5. Vocabulary (on-going) In order to develop grade level vocabulary, use multiple strategies to own the meaning and application of the following essential vocabulary and literary terms: dramatic interpretation, genre, drama, stagecraft, simile, assonance, alliteration, metaphor, hyperbole, rhyme, meter, imagery Course Topics 3rd Quarter 1. Writing In order to develop and demonstrate strong creative, informative, or persuasive writing: Write to expand and elaborate upon your ideas Further develop paragraph and sentence elaboration Compose writing samples that are examples of real life writing, including resume, cover letter, brochure, how-to-manuals Incorporate figurative language in to writing to further enhance writing style Compose writing that demonstrates a strong position by means of a thesis statement and support for the idea Incorporate sensory description in to writing to further enhance writing skills Participate in mock timed writing exams to prepare for the FCAT Writing test Read and use the FCAT rubric to evaluate personal persuasive and expository writing Primary Source: Writing Grammar and Composition 2. Literature: Non-fiction and Fiction (on-going) In order to understand the value of informational and functional text and its use in daily life: Evaluate text for features such as transitional devices, table of contents, glossary, index, bold and italicized text, headings, charts, illustrations and subheadings, to enhance comprehension of text Determine the main idea of text through textual features and content Understand the characteristics of a variety of non-fiction text Comprehend the author’s purpose of writing and how it affects the meaning Read a variety of literature to expand core foundation of knowledge necessary to connect topics and become a fully literate member of a shared culture 8 Read a variety of FCAT writing samples that demonstrate higher level writing in preparation for the exam Readings: “Where Have You Gone, Charming Billy?” by Tim O’Brien, p. 196 “No News From Auschwitz” by A.M. Rosenthal, p. 409 Night by Elie Wiesel “The Butterfly,” by Pavel Friedmann, p. 414 “Into Thin Air” by Jon Krakauer, p. 418 “R.M.S. Titanic” by Hanson W. Baldwin, p. 388 Supplementary readings: Fallen Angels by Walter Dean Myers Friedrich by Hans Peter Richter 3. Vocabulary (on-going) In order to improve grade level vocabulary, using context clues to comprehend terminology: references, reports, technical manuals, articles, editorials, primary sources, historical documents, periodicals, job-related materials, practical/functional text, fecund, skirted, objective, subjective, irony, purpose, deteriorate, innocuous, notorious, benign, apex, crucial, speculate, traverse, jeopardize, tenuous Course Topics 4th Quarter 1. Writing: Research Papers In order to understand the value of research writing: Develop writing that emphasizes focus/tone/style Write a persuasive literary analysis of the play Develop a research question and create a multi-genre presentation with a bibliography Write a research paper and create an oral presentation that supports your paper Fine tune research writing focusing on synthesis Write a business letter or memo Complete a job application 2. Literature: Shakespeare In order to understand how themes in Shakespearian literature relate to your life: Identify, analyze, and apply knowledge of the elements of a variety of fiction and literary texts to develop a thoughtful response to a literary selection Identify, analyze, and apply knowledge of the elements of a variety of nonfiction, informational, and expository texts to demonstrate 9 Identify, analyze, and apply knowledge of the elements of drama to develop a thoughtful response to a Shakespeare play View and critique a production of Julius Caesar Readings: Julius Caesar, p. 774 “William Shakespeare’s Life: A Biographical Sketch,” p. 762 “The Elizabethan Stage,” p. 765 “Rule by the Rich,” p. 833 “Literature and Beliefs: The Uses of Superstition,” p. 791 “Literature and Government: Rule by the Rich,” p. 833 “Julius Caesar in an Absorbing Production,” p. 878 “The Arrogance and Cruelty of Power” from “Speech at the Nuremberg Trials, November 21, 1945,” p. 884 Primary Source: Elements of Literature, Third Course 3. Informational Text/Media Literacy (on-going) In order to better understand the life and times of William Shakespeare: Using the school library, public libraries, and other resources, select a topic, develop a research question, and collect reliable information to support your topic Read informational text about his life and analyze and compare his works (drama, poetry) Research the life and times of Julius Caesar using text, the Internet, and other valid and reliable sources Organize, synthesize, analyze, and evaluate the validity and reliability of information from multiple sources 5. Vocabulary (on-going) In order to develop grade level vocabulary, use multiple strategies to own the meaning and application of the following essential vocabulary and literary terms: 10
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