Al Capone Does My Shirts Book Unit Created by Gay Miller zzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzz ~ Page 1 © Gay Miller ~ Thank you for downloading this sample of Al Capone Does My Shirts Book Unit. Other book units may be found at http://www.teacherspayteachers.com/Store/Gay-Miller This packet contains graphic organizers for an interactive notebook and game activities covering vocabulary, constructive response writing, and skill practice. I hope your students enjoy a book study using the engaging method of using interactive notebooks. Al Capone Does My Shirts By Gennifer Choldenko Genre ~ Historical Fiction Interest Level ~ Grades 6-8 Grade level Equivalent: 4.7 Lexile Measure®: 600L ~ Page 2 © Gay Miller ~ Table of Contents Materials Needed for Creating the Foldable Graphic Organizers 5 Lesson Plans at a Glance 6 How to Use this Resource for Teaching Vocabulary 7 Vocabulary Teaching Method 8 Vocabulary List 10 Vocabulary Bookmarks 17 Vocabulary Word Cards 19 Vocabulary Storage Pocket 25 Vocabulary Practice Booklet 26 Vocabulary Test 48 Constructive Writing Questions/Alignment to the Common Core State Standards 52 Chapters 1-2 Comprehension 58 Constructive Response - Setting 60 Chapters 3-4 Comprehension 62 Constructive Response – Comparing Characters 64 Chapters 5-6 Comprehension 66 Constructive Response – Point of View 68 Constructive Response – Responding to Text (The Rules) 70 Chapters 7-8 Comprehension 72 Constructive Response – Point of View 74 Chapters 9-11 Comprehension 77 Constructive Response – Summarizing 79 Chapters 12-13 Comprehension 81 Constructive Response – Course of Action 83 Chapters 14-15 Comprehension 85 Constructive Response – Mood 87 Chapters 16-18 Comprehension 89 Constructive Response – Problem and Solution Chain 91 Chapters 19-20 Comprehension 93 Figurative Language Response Cards 95 Constructive Response – Figurative Language + List from Chapters 1-20 101 Chapters 21-23 Comprehension 110 ~ Page 3 © Gay Miller ~ Constructive Response – Sequence of Events 112 Chapters 24-26 Comprehension 114 Constructive Response – Acrostic for Character Traits 116 Chapters 27-29 Comprehension 118 Constructive Response – Cause and Effect 120 Constructive Response – Mood 122 Chapters 30-32 Comprehension 124 Constructive Response – Character Traits and Motives 126 Chapters 33-34 Comprehension 128 Constructive Response – Theme 130 Chapters 35-37 Comprehension 132 Constructive Response – Character Change 134 Chapters 38-40 Comprehension 136 Constructive Response – Plot Development 138 Allusions 141 Language Arts Skills 142 Descriptive Narrative Writing and Common Core Alignment 143 Lesson #1- What is Vivid Imagery? 145 Lesson #2 - Evaluating Literature for Vivid Imagery 152 Lesson #3 – How to Write a Narrative 167 Lesson #4 – Writing using Vivid Adjectives 172 Lesson #5 - Writing using Vivid Imagery 187 Lesson #6 - Show, Don’t Tell 189 Lesson #7 – The Hook 193 Lesson #8 – Point of View 204 Lesson #9 - Dialogue 216 Lesson #10 – Figurative Language 219 Lesson #11 – Transition Words 231 Lesson #12 - Proofreading 234 Report Covers 237 Context Clues Organizers 242 Context Clues Task Cards 253 Credits 265 ~ Page 4 © Gay Miller ~ Part 3 Part 2 Part 1 Read Vocabulary Vocabulary Practice Book Comprehension Practice Constructive Response Question Skill Practice Chapters 1-2 embezzle affliction Page 1 Chapters 1-2 Setting Lesson #1 Vivid Imagery Chapters 3-4 warden heave Page 2 Chapters 3-4 Comparing Characters Lesson #2 Evaluating Literature Chapters 5-6 ledger heinous Page 3 Chapters 5-6 Point of View Responding to Text Lesson #3 Writing Narrative Chapters 7-8 stance antsy Page 4 Chapters 7-8 Point of View Chapters 9-11 terrace replicate Page 5 Chapters 9-11 Summarizing Chapters 12-13 solitary commando Page 6 Chapters 12-13 Course of Action Lesson #6 Show, Don’t Tell Chapters 14-15 redirect gravelly Page 7 Chapters 14-15 Mood Lesson #7 The Hook Chapters 16-18 bulk stew Page 8 Chapters 16-18 Problem and Solution Chain Lesson #8 Point of View Chapters 19-20 shenanigans culpable Page 9 Chapters 19-20 Figurative Language Lesson #9 Dialogue Chapters 21-23 whit train Page 10 Chapters 21-23 Sequence of Events Lesson #10 Figurative Language Chapters 24-26 diligent helter-skelter Page 11 Chapters 24-26 Acrostic (Character Traits) Lesson #11 Transitions Chapters 27-29 deficiency jeopardize Page 12 Chapters 27-29 Cause and Effect Mood Chapters 30-32 rivet upend Page 13 Chapters 30-32 Character Traits and Motives Chapters 33-34 strained vulnerable Page 14 Chapters 33-34 Theme Context Clues Organizers Chapters 35-37 bias preferential Page 15 Chapters 35-37 Character Change Context Clues Task Cards Chapters 38-40 stale censor Page 16 Chapters 38-40 Plot Development Roller Coaster Vocabulary Test ~ Page 5 © Gay Miller ~ Lesson #4 Writing Using Vivid Adjectives Lesson #5 Writing Vivid Imagery Lesson #12 Editing and Proofreading Write final drafts of narratives. (Report Covers) Chapter 1—Devil’s Island embezzle (verb) - to steal money that you have been trusted with embezzler (noun) – a person who embezzles synonyms: misappropriate, misuse, cheat, pilfer, skim, commit fraud Plus there are a ton of murderers, rapists, hit men, con men, stickup men, embezzlers, connivers, burglars, kidnappers and maybe even an innocent man or two, though I doubt it. °º¤ø,¸¸,ø¤º°`°º¤ø,¸,ø¤°º¤ø,¸¸,ø¤°º¤ø,¸¸,ø¤º°`°º¤ø,¸,ø¤°º¤ø,¸¸,ø¤º° Chapter 2—Errand Boy affliction (noun) - something (such as a disease) that causes pain or suffering synonyms: difficulty, burden, problem, hardship, pain, trouble, misery, misfortune “Go ahead, rub it in.” He laughs. “But at least I don’t have those big feet either. They’re an affliction, those feet.” He grabs my head and knocks on it. °º¤ø,¸¸,ø¤º°`°º¤ø,¸,ø¤°º¤ø,¸¸,ø¤°º¤ø,¸¸,ø¤º°`°º¤ø,¸,ø¤°º¤ø,¸¸,ø¤º° Chapter 3—Trick Monkey warden (noun) - an official who is in charge of a prison synonyms: custodian, keeper, superintendent, supervisor “Dead-criminal checker. Sounds like an important position to me. And who is Piper, anyway?” I ask. “Piper? She’s Warden Williams’s daughter. She’s bossy.” °º¤ø,¸¸,ø¤º°`°º¤ø,¸,ø¤°º¤ø,¸¸,ø¤°º¤ø,¸¸,ø¤º°`°º¤ø,¸,ø¤°º¤ø,¸¸,ø¤º° Chapter 3—Trick Monkey heave (verb) - to breathe in and breathe out (a sigh) in a slow or loud way synonyms: puff, gasp, huff, pant, gasp, blow, snort My mom stops, her chest heaving from the climb. °º¤ø,¸¸,ø¤º°`°º¤ø,¸,ø¤°º¤ø,¸¸,ø¤°º¤ø,¸¸,ø¤º°`°º¤ø,¸,ø¤°º¤ø,¸¸,ø¤º° ~ Page 6 © Gay Miller ~ ~ Page 7 © Gay Miller ~ Chapters 38-49 [stale and censor] Chapters 1-2 [embezzle and affliction] Read these definitions of stale. (a) (b) 1. Circle six words in the box that are synonyms of not clean, clear, or pure : having an unpleasant taste or smell not interesting or new : boring or unoriginal Write a or b in the blanks to show the correct meaning of the word stale in each sentence. 1. _______ Their relationship went stale; it was dull and predictable. affliction. difficulty calmness trouble peacefulness hardship misfortune dignity problem serenity cure contentment pain 2. _______ The room was filled with stale smoke. 3. _______ The water in the canteen went stale after the long hike. 4. Complete the word web. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 2. Is affliction used correctly in the sentences below? True or False _______ She is unable to walk after her affliction with polio. censor _______ He grandchildren. 5. Sort the following words in the correct locations on the T-chart. shows great affliction for ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3. Complete the word web. music animals news broadcasts furniture movies vegetables Things that are Censored Things that are not Censored embezzle Page 16 Page 1 ~ Page 8 © Gay Miller ~ his Chapters 38-49 [stale and censor] Chapters 1-2 [embezzle and affliction] Read these definitions of stale. (a) (b) 1. Circle six words in the box that are synonyms of not clean, clear, or pure : having an unpleasant taste or smell not interesting or new : boring or unoriginal Write a or b in the blanks to show the correct meaning of the word stale in each sentence. 1. ______b______ Their relationship went stale; it was dull and predictable. affliction. difficulty calmness trouble peacefulness hardship misfortune dignity problem serenity cure contentment pain 2. ______a______ The room was filled with stale smoke. 3. ______a______ The water in the canteen went stale after the long hike. 4. Complete the word web. 2. Is affliction used correctly in the sentences below? True or False _____T______ She is unable to walk after her affliction with polio. edit censor ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ remove _____F______ grandchildren. control 5. Sort the following words in the correct locations on the T-chart. He shows great affliction for his ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3. Complete the word web. music animals news broadcasts furniture movies vegetables Things that are Censored Things that are not Censored music animals movies vegetables news broadcasts furniture misuse commit fraud embezzle to steal money that you have been trusted with misappropriate Page 16 Page 1 ~ Page 9 © Gay Miller ~ Option 1 Have students use the graphic organizer for notes. Notice the notes are not in complete sentences. Glue the organizer to the left side of the notebook page. On the right side of the notebook, students use the notes to write the details in paragraph form. Option 2 Students complete the organizer by writing complete sentences. ~ Page 10 © Gay Miller ~ Comprehension This section contains one page printable comprehension practice for each reading selection. The chart below is the key to the types of questions for the comprehension questions. The section also contains constructive responses exercises. The constructive response pages that are chapter specific list the chapters they should be used with. If chapter numbers are not listed the questions are flexible and may be used at different points in the story. Types of Questions Key detail / inference main idea / summarizing / theme character/ setting / plot / events word meaning / figurative language text structure point of view different forms of the same story compare and contrast ~ Page 11 © Gay Miller ~ Setting Comparing Characters Point of View Responding to Text (The Rules) Point of View Summarizing Course of Action Mood Problem and Solution Chain Figurative Language Sequence of Events Acrostic for Character Traits Cause and Effect Mood Character Traits and Motives Theme Character Change Plot Development CCSS.ELALiteracy.RL.5.10 CCSS.ELALiteracy.RL.5.9 CCSS.ELALiteracy.RL.5.7 CCSS.ELALiteracy.RL.5.6 CCSS.ELALiteracy.RL.5.5 CCSS.ELALiteracy.RL.5.4 CCSS.ELALiteracy.RL.5.3 5 Grade CCSS.ELALiteracy.RL.5.2 th CCSS.ELALiteracy.RL.5.1 Common Core State Standards Reading: Literature ~ Page 12 © Gay Miller ~ Setting Comparing Characters Point of View Responding to Text (The Rules) Point of View Summarizing Course of Action Mood Problem and Solution Chain Figurative Language Sequence of Events Acrostic for Character Traits Cause and Effect Mood Character Traits and Motives Theme Character Change Plot Development CCSS.ELALiteracy.RL.6.10 CCSS.ELALiteracy.RL.6.9 CCSS.ELALiteracy.RL.6.7 CCSS.ELALiteracy.RL.6.6 CCSS.ELALiteracy.RL.6.5 CCSS.ELALiteracy.RL.6.4 CCSS.ELALiteracy.RL.6.3 6 Grade CCSS.ELALiteracy.RL.6.2 th CCSS.ELALiteracy.RL.6.1 Common Core State Standards Reading: Literature ~ Page 13 © Gay Miller ~ Setting Comparing Characters Point of View Responding to Text (The Rules) Point of View Summarizing Course of Action Mood Problem and Solution Chain Figurative Language Sequence of Events Acrostic for Character Traits Cause and Effect Mood Character Traits and Motives Theme Character Change Plot Development CCSS.ELALiteracy.RL.7.10 CCSS.ELALiteracy.RL.7.9 CCSS.ELALiteracy.RL.7.7 CCSS.ELALiteracy.RL.7.6 CCSS.ELALiteracy.RL.7.5 CCSS.ELALiteracy.RL.7.4 CCSS.ELALiteracy.RL.7.3 7 Grade CCSS.ELALiteracy.RL.7.2 th CCSS.ELALiteracy.RL.7.1 Common Core State Standards Reading: Literature ~ Page 14 © Gay Miller ~ Al Capone Does My Shirts ~ Chapters 1-2 1. The story is told from which point of view? a. b. c. d. 1st through Natalie 1st through Matthew “Moose” 3rd through Natalie 3rd through Matthew “Moose” a. b. c. d. 3. Which genre is Al Capone Does My Shirts? Check one from each row. ____ historical fiction ____ young adult lit ____ fantasy ____ detective 2. Which word best describes Moose? friendly bully responsible dare devil 4. Read this passage from Chapter 1. Now I’m five foot eleven and a half inches—as tall as my mom and a good two inches taller than my dad. My father tells people I’ve grown so much, OR ____ personal narrative he’s going to put my supper into pickle jars and sell it under the name Incredible Growth Formula. OR ___ realistic I think about going in my room now, but it smells like the inside of an old lunch bag in there. My OR ____ journal bed’s a squeaky old army cot. When I sit down, it sounds like dozens of mice are dying an ugly death. OR ____ drama Highlight the figurative language in this passage using this guide: metaphor – green hyperbole - yellow 5. Sequence the following events in order. Natalie sits on the floor playing with her buttons. _____ Moose sees his dad for only a few minutes before he goes back to work. _____ Moose eats manicotti. ______ Theresa comes over and offers to show Moose around the island. _____ Moose moves to Alcatraz. _____ Mom leaves to run some errands. 6. Complete the chart. Moose _____ 7. Which passage shows the special connection between Moose and Natalie? Natalie demeanor role in the family 8. Read this passage from Chapter 2. I had gone to take a leak, and when I came back, a. All so my sister can go to the Esther P. Nat was kicking and screaming. She pulled a Marinoff School. curtain off the rod and sent her button box flying down the aisle. My mom had her arms around Nat, b. I've never been good at fooling Natalie. She trying to keep her from hurting anyone. The knows me too well. conductor and the motorman were yelling. People c. Natalie was the first person to call me were staring. One lady was taking pictures. “Moose.” I swear I started growing to fit the This can best be described as a---. name that very day. a. flash forward d. It’s impossible to know what will set her off. b. flashback She looks pretty peaceful now, though. c. flash sideways d. foreshadowing ~ Page 15 © Gay Miller ~ Al Capone Does My Shirts ~ Chapters 1-2 1. The story is told from which point of view? a. b. c. d. 1st through Natalie 1st through Matthew “Moose” 3rd through Natalie 3rd through Matthew “Moose” 2. Which word best describes Moose? a. b. c. d. 3. Which genre is Al Capone Does My Shirts? Check one from each row. ___ historical fiction OR ____ drama ___ young adult lit OR ____ personal narrative ____ fantasy OR ____ realistic ____ detective OR ____ journal friendly bully responsible dare devil 4. Read this passage from Chapter 1. Now I’m five foot eleven and a half inches—as tall as my mom and a good two inches taller than my dad. My father tells people I’ve grown so much, he’s going to put my supper into pickle jars and sell it under the name Incredible Growth Formula. I think about going in my room now, but it smells like the inside of an old lunch bag in there. My bed’s a squeaky old army cot. When I sit down, it sounds like dozens of mice are dying an ugly death. Highlight the figurative language in this passage using this guide: metaphor – green hyperbole - yellow 5. Sequence the following events in order. __2____ Natalie sits on the floor playing with her buttons. __3____Moose sees his dad for only a few minutes before he goes back to work. __5____ Moose eats manicotti. __6____ Theresa comes over and offers to show Moose around the island. __1____ Moose moves to Alcatraz. __4____ Mom leaves to run some errands. 6. Complete the chart. Moose demeanor good natured caring brother role in the family younger brother but must take care of his older sister Natalie easily upset for no reason needs looking after 7. Which passage shows the special connection 8. Read this passage from Chapter 2. between Moose and Natalie? I had gone to take a leak, and when I came back, a. All so my sister can go to the Esther P. Nat was kicking and screaming. She pulled a Marinoff School. curtain off the rod and sent her button box flying down the aisle. My mom had her arms around Nat, b. I've never been good at fooling Natalie. She trying to keep her from hurting anyone. The knows me too well. conductor and the motorman were yelling. People c. Natalie was the first person to call me were staring. One lady was taking pictures. “Moose.” I swear I started growing to fit the This can best be described as a---. name that very day. a. flash forward d. It’s impossible to know what will set her off. b. flashback She looks pretty peaceful now, though. c. flash sideways d. foreshadowing ~ Page 16 © Gay Miller ~ Constructive Response – Setting Place Where the Story Takes Place Time the Story Takes Place __________________________________________________ __________________________________________________ __________________________________________________ __________________________________________________ __________________________________________________ __________________________________________________ __________________________________________________ __________________________________________________ __________________________________________________ __________________________________________________ __________________________________________________ __________________________________________________ Importance of the Setting Setting _____________________ Mood - Atmosphere of the Setting __________________________________________________ __________________________________________________ __________________________________________________ __________________________________________________ __________________________________________________ __________________________________________________ __________________________________________________ __________________________________________________ __________________________________________________ __________________________________________________ __________________________________________________ __________________________________________________ CCSS.ELA-Literacy.RL.5.3 Compare and contrast two or more characters, settings, or events in a story or drama, drawing on specific details in the text (e.g., how characters interact). CCSS.ELA-Literacy.RL.6.3 Describe how a particular story’s or drama’s plot unfolds in a series of episodes as well as how the characters respond or change as the plot moves toward a resolution. CCSS.ELA-Literacy.RL.7.3 Analyze how particular elements of a story or drama interact (e.g., how setting shapes the characters or plot). ~ Page 17 © Gay Miller ~ Constructive Response – Setting (Answer Key) Time the Story Takes Place January 1935 Place Where the Story Takes Place This is during the Great Depression. (Moose's dad is an electrician. During the Great Depression, electrian jobs were scarce. This is most likely why he took the guard/electrician job on the island.) Alcatraz Island Setting Importance of the Setting Mood - Atmosphere of the Setting In the 1930s, Alcatraz Island was a high security prison for the worst criminals. It is located in the middle of the San Francisco Bay in California. Moose mentions that the prison houses the worst of the worst criminals such as Al Capone and Machine Gun Kelly. Moose is worried about living near a prison. He sleeps fully clothed with a baseball bat. He also mentions that the island is eerily quiet. It is isolated from people. The setting is extremely important to the storyline. CCSS.ELA-Literacy.RL.5.3 Compare and contrast two or more characters, settings, or events in a story or drama, drawing on specific details in the text (e.g., how characters interact). CCSS.ELA-Literacy.RL.6.3 Describe how a particular story’s or drama’s plot unfolds in a series of episodes as well as how the characters respond or change as the plot moves toward a resolution. CCSS.ELA-Literacy.RL.7.3 Analyze how particular elements of a story or drama interact (e.g., how setting shapes the characters or plot). ~ Page 18 © Gay Miller ~ Descriptive Narrative Writing This section provides a series of activities/lessons to help students learn how to incorporate descriptions in their narrative writing. Lesson #1 – Goes over terms/vocabulary needed. Lesson #2 – Students look at professional writings to evaluate them for the elements discussed in Lesson #1. I looked for great descriptive pieces from a variety of wellknown authors of upper elementary literature. Not all the excerpts will contain all the elements discussed in Lesson #1. This will provide students will a more realistic approach to writing their own pieces, instead of cramming them with elements just for the sake of “getting everything in.” ~~~~~~~~~~~~~~~~~~~~~~~~~~~ Beginning with Lesson #3, students will begin planning their stories. The printables that are provided will be used to help students write their stories. Because of this, students need to start thinking about the plots of their stories beginning with Lesson #3 so that everything will tie together. [Note: I recommend that you read through the lessons before beginning. In Lesson #4, materials are provided for setting the story on Alcatraz. Decide if you want students to use the Alcatraz setting pages or the optional setting page provided before beginning Lesson #3.] Lesson #3 – Writing a Narrative – Roller Coaster Plot Diagram Lesson #4 – Writing Using Vivid Adjectives – Students will plan their setting and two main characters by listing adjectives of each. Students will use some of these adjectives when writing their stories. Lesson #5 – Writing Using Imagery Lesson #6 – Writing Using Show, Don’t Tell Lesson #7 – The Hook Lesson #8 – Point of View Lesson #9 - Dialogue Lesson #10 – Figurative Language Lesson #11 – Transition Words Lesson #12 - Proofreading Page | 19 Unit Created by Gay Miller Narrative Writing Common Core Standards 5th Grade 6th Grade 7th Grade CCSS.ELA-LITERACY.W.5.3 Write narratives to develop real or imagined experiences or events using effective technique, descriptive details, and clear event sequences. CCSS.ELA-LITERACY.W.6.3 Write narratives to develop real or imagined experiences or events using effective technique, relevant descriptive details, and well-structured event sequences. CCSS.ELA-LITERACY.W.6.3.A Engage and orient the reader by establishing a context and introducing a narrator and/or characters; organize an event sequence that unfolds naturally and logically. CCSS.ELA-LITERACY.W.6.3.B Use narrative techniques, such as dialogue, pacing, and description, to develop experiences, events, and/or characters. CCSS.ELA-LITERACY.W.7.3 Write narratives to develop real or imagined experiences or events using effective technique, relevant descriptive details, and well-structured event sequences. CCSS.ELA-LITERACY.W.7.3.A Engage and orient the reader by establishing a context and point of view and introducing a narrator and/or characters; organize an event sequence that unfolds naturally and logically. CCSS.ELA-LITERACY.W.7.3.B Use narrative techniques, such as dialogue, pacing, and description, to develop experiences, events, and/or characters. CCSS.ELA-LITERACY.W.6.3.D Use precise words and phrases, relevant descriptive details, and sensory language to convey experiences and events. CCSS.ELA-LITERACY.W.7.3.D Use precise words and phrases, relevant descriptive details, and sensory language to capture the action and convey experiences and events. CCSS.ELA-LITERACY.W.5.3.E Provide a conclusion that follows from the narrated experiences or events. CCSS.ELA-LITERACY.W.6.3.E Provide a conclusion that follows from the narrated experiences or events. CCSS.ELA-LITERACY.W.5.4 Produce clear and coherent writing in which the development and organization are appropriate to task, purpose, and audience. (Gradespecific expectations for writing types are defined in standards 1-3 above.) CCSS.ELA-LITERACY.W.5.5 With guidance and support from peers and adults, develop and strengthen writing as needed by planning, revising, editing, rewriting, or trying a new approach. (Editing for conventions should demonstrate command of Language standards 1-3 up to and including grade 5 here.) CCSS.ELA-LITERACY.W.6.4 Produce clear and coherent writing in which the development, organization, and style are appropriate to task, purpose, and audience. (Gradespecific expectations for writing types are defined in standards 1-3 above.) CCSS.ELA-LITERACY.W.6.5 With some guidance and support from peers and adults, develop and strengthen writing as needed by planning, revising, editing, rewriting, or trying a new approach. (Editing for conventions should demonstrate command of Language standards 1-3 up to and including grade 6 here.) CCSS.ELA-LITERACY.W.7.1.E Provide a concluding statement or section that follows from and supports the argument presented. CCSS.ELA-LITERACY.W.7.4 Produce clear and coherent writing in which the development, organization, and style are appropriate to task, purpose, and audience. (Gradespecific expectations for writing types are defined in standards 1-3 above.) CCSS.ELA-LITERACY.W.7.5 With some guidance and support from peers and adults, develop and strengthen writing as needed by planning, revising, editing, rewriting, or trying a new approach, focusing on how well purpose and audience have been addressed. (Editing for conventions should demonstrate command of Language standards 1-3 up to and including grade 7 here.) CCSS.ELA-LITERACY.W.5.3.A Orient the reader by establishing a situation and introducing a narrator and/or characters; organize an event sequence that unfolds naturally. CCSS.ELA-LITERACY.W.5.3.B Use narrative techniques, such as dialogue, description, and pacing, to develop experiences and events or show the responses of characters to situations. CCSS.ELA-LITERACY.W.5.3.D Use concrete words and phrases and sensory details to convey experiences and events precisely. Page | 20 Unit Created by Gay Miller Lesson #1 – Foldable Graphic Organizers The organizers come in three versions: The first has lines where students write definitions and sample sentences. The second copy of the organizer contains the definitions with key words missing for students to add. Students must also write sample sentences. The third copy is completed. It may be used as an answer key, as a sample for students to follow, for differentiated instructions, or for students who were absent. Instructions for Making the Organizer 1) Print the organizer on colored paper. 2) Have students trim around the four sides of the organizer on the bold lines. 3) Fold on the dotted lines and cut on the solid lines to form flaps. 4) Complete the missing information and label the outside of each flap. Page | 21 Unit Created by Gay Miller Lesson #2 – Evaluating Literature On the next pages, you will find twelve cards with excerpts from children’s literature: Woods Runner by Gary Paulsen Charlie and the Chocolate Factory by Roald Dahl Esperanza Rising by Pam Muñoz Ryan Mrs. Frisby and the Rats of NIMH by Robert C. O’Brien The Giver by Lois Lowry Paintbrushes and Arrows by M.C. Finotti The BFG by Roald Dahl The Lightning Thief by Rick Riordan The Watsons Go to Birmingham – 1963 by Christopher Paul Curtis Where the Red Fern Grows by Wilson Rawls The Cay by Theodore Taylor The Great Fire by Jim Murphy Following the cards are four printables for students to use to evaluate the imagery: Imagery Chart (In the practice, have students write phrases that use vivid imagery on the chart from one of the story excerpts. This is a good activity to do with partners because individual answers will vary. Once the phrases are written have partners move into small group to discuss their answers. Students can debate which phrases are the best to write in the chart.) Descriptive Words (Your students must have a good understanding of verbs, adjectives, and adverbs to complete this page.) Evaluating the Excerpt Comparing Two Excerpts I do not recommend using all four printables for each reading selection as several of the questions repeat. The printables are intended to be used separately. Select the one(s) that will work best for your class depending on the level and needs of your students. If your students need a lot of practice, there is enough material to stretch this lesson over several days. You can use one printable for one reading selection and a different printable of a different reading selection. Using different printables in the same lesson is also a great way to differentiate instruction. I have provided answer keys using the first card, Woods Runner. You can use this as an example for students. This makes a great small group or partner activity. Page | 22 Unit Created by Gay Miller Lesson #3 – How to Write a Narrative Having students draw and color notes (a left brain activity) while learning facts (a right brain activity) promotes active learning since both sides of the brain are active. The improved communication helps students focus and retain information. In several of my units, I have created resource pages based on this idea. I call these resource pages “Graffiti Notes.” If you have students cut away the borders, these will fit nicely into an interactive notebook for reference. [NOTE: Graffiti Notes will be used for other lessons in this unit including” Lesson 9 “Dialogue” and Lesson 11 “Transition Words.”] On the next pages I have included two versions of the “Roller Coaster Plot Development Diagram.” Select the version that will appeal to your students. The first works best for younger students. Have students write definitions for each part of the “Plot Development Roller Coaster.” Following the printables a discussion guide and answer key are provided. As with the foldable organizers the answer keys may be used as a sample for students to follow, for differentiated instructions, or for students who were absent. After students complete the graffiti notes, have them write an outline for their stories. This is a simple plot outline using the five parts. Having a basic story in mind will help students as they go through the following lessons. Page | 23 Unit Created by Gay Miller Lesson #4 – Writing using Vivid Adjectives Beginning with this lesson, students will begin planning their stories. The printables that are provided will be used to help students write their stories. Because of this, students need to start thinking about the plots of their stories so that everything will tie together. Two different printables are provided for the setting. The first printable is intended to go with the photographs provided. Ten photographs of Alcatraz are included on the next ten pages. [These photographs are original photographs taken by me.] Place one or more photo on the SmartBoard for students to observe when completing the “Setting Adjectives” printable. The photos include: 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. Alcatraz Island from San Francisco Watch Tower Gardens Gardens San Francisco from Alcatraz San Francisco and Bay Bridge from Alcatraz Cell Cell Block Laundry Walkway If you prefer your students not use Alcatraz as their setting, a second printable is provided. On this printable students draw their setting, and then list adjectives to describe it. An additional printable is provided for students to plan and describe the two main characters of their stories. Page | 24 Unit Created by Gay Miller Lesson #5 ~ Writing using Vivid Imagery You may use the “Imagery Chart” printable provided in Lesson #2 or the one on the following page. Remind students that they are going to complete their own imagery charts just like they did in Lesson #2 only this time they will complete the chart based on the setting they selected in Lesson #3. Remind students that they need phrases (not single words) to describe their setting. These phrases will actually become part of their stories, so they need to really try to “paint a picture” of the setting. When working with younger students, you may wish to go with the printable on the next page. Students will draw their main setting in the middle of the page and then describe it in the surrounding spaces. You can also use the two printables as a way to differentiate instruction. Page | 25 Unit Created by Gay Miller Lesson #6 – Show, Don’t Tell Activity #1 - On the next pages are cards with short passages. Have students match the two that go together and then determine which of the two use the “Show, Don’t Tell” method of writing. Example I raced down the road, wildly waving my hands, and yelling, “Stop, stop,” but the bus traveled on down the road without stopping. Answer Key Show Pacing back and forth and wringing my hands, I drew in a shaky voice. I missed the bus. Tell I was feeling extremely nervous. Deleted on Sample Activity #2 – Have students think about an emotion that their characters are going to be feeling in their stories: sad, happy, tired, hungry, etc. Use the printable provided to guide them into writing a “Show, Don’t Tell” paragraph that will become part of the story. Page | 26 Unit Created by Gay Miller Lesson #7 ~ The Hook Instructions for Assembly Print the pockets, hook definition, and story beginning strips on colored paper. (Two sizes of pockets are provided. The larger pockets work great for a file folder activity for a learning center. The smaller pockets work best for an interactive notebook.) Have students cut out the definition of hook and glue it onto a page in an interactive notebook as pictured below. Have the students cut out the pockets on the bold lines. Next fold the left and right sides toward the back of the pocket on the dotted lines. Then fold the bottom flap up toward the back. Glue the flaps in place. Finally glue the pockets onto interactive notebook. Have students cut out the story beginning strips. Instructions for Use Students will sort the story beginnings into the appropriate pocket based on which type of hook is used. Page | 27 Unit Created by Gay Miller Point of View Common Core Alignment 5th Grade 6th Grade 7th Grade 8th Grade CCSS.ELALITERACY.RL.5.6 Describe how a narrator's or speaker's point of view influences how events are described. CCSS.ELALITERACY.RL.6.6 Explain how an author develops the point of view of the narrator or speaker in a text. CCSS.ELALITERACY.RL.7.6 Analyze how an author develops and contrasts the points of view of different characters or narrators in a text. CCSS.ELALITERACY.RL.8.6 Analyze how differences in the points of view of the characters and the audience or reader (e.g., created through the use of dramatic irony) create such effects as suspense or humor. Page | 28 Unit Created by Gay Miller Lesson #8 ~ Point of View Organizers The organizers come in three versions: The first has lines where students write definitions and sample sentences. The second copy of the organizer contains the definitions for the different types of point of view with key words missing for students to add. Students must also write sample sentences. The third copy is completed. It may be used as an answer key, as a sample for students to follow, for differentiated instructions, or for students who were absent. Instructions for Making the Organizer 1) Print the organizer on colored paper. 2) Have students trim around the four sides of the organizer on the bold lines. Fold on the dotted lines and cut on the solid lines to form three flaps. 4) Complete the missing information inside the organizer and label the flaps. 3) Activity Following the organizer is a printable to use with the story excerpts from Lesson #3. Have students determine if the story beginnings are written in first, second, or third person point of view. For additional practice with point of view, you may like to take a look at this free item on Teachers Pay Teacher Point of View Activity using Advertising Slogans Page | 29 Unit Created by Gay Miller Lesson #9~ Dialogue The following “Graffiti Notes” will help your students remember these rules. I have found that students are much more likely to write quotations correctly when given a specific set of rules to follow. With source phrases coming at the beginning, end, and middle of the quote the rules vary. Here are five rules that will work with all types of quotations: Rule 1 Find the direct quotation. Place quotation marks around (" ") the quote. Rule 2 Separate the source phrase from the direct quotation. Remember when the source phrase interrupts, or divides the quotation, it is set off by two commas from the words actually said. Rule 3 Capitalize the first word of the direct quotation. Most of the time the first word of the second part of the direct quotation is not capitalized because it is not the first word of the sentence. Exceptions to this are words that are always capitalized such as the word I, special nouns, etc. Rule 4 Place a period (.), question mark (?), or exclamation mark (!) at the end of the sentence before the ending quotation mark. Rule 5 Remember all other capitalization and punctuation rules. The Five Rules for Writing Direct Quotations Rule 1 Rule 2 Rule 3 Add quotation marks. Separate source Capitalize the phrase from first word of the quote. direct quotation. Rule 4 Rule 5 Add end marks. Add needed capitalization and punctuation. Page | 30 Unit Created by Gay Miller Figurative Language Common Core Alignment 6th Grade Figurative Language Similes, Metaphors, Personification, Hyperbole Adages, Idioms, and Proverbs Sound Devices Onomatopoeia, Repetition, Alliteration, and Rhyming Words 5th Grade CCSS.ELA-Literacy.RL.5.4 Determine the meaning of words and phrases as they are used in a text, including figurative language such as metaphors and similes. CCSS.ELALiteracy.RL.6.4 Determine the meaning of words and phrases as they are used in a text, including figurative and connotative meanings; analyze the impact of a specific word choice on meaning and tone. CCSS.ELA-Literacy.L.5.5 Demonstrate understanding of figurative language, word relationships, and nuances in word meanings. CCSS.ELALiteracy.L.6.5 Demonstrate understanding of figurative language, word relationships, and nuances in word meanings. CCSS.ELA-Literacy.L.5.5a Interpret figurative language, including similes and metaphors, in context. CCSS.ELALiteracy.L.6.5a Interpret figures of speech (e.g., personification) in context. 7th Grade CCSS.ELALiteracy.RL.7.4 Determine the meaning of words and phrases as they are used in a text, including figurative and connotative meanings; analyze the impact of rhymes and other repetitions of sounds (e.g., alliteration) on a specific verse or stanza of a poem or section of a story or drama. CCSS.ELALiteracy.RL.7.4 Determine the meaning of words and phrases as they are used in a text, including figurative and connotative meanings; analyze the impact of rhymes and other repetitions of sounds (e.g., alliteration) on a specific verse or stanza of a poem or section of a story or drama. CCSS.ELALiteracy.L.7.5 Demonstrate understanding of figurative language, word relationships, and nuances in word meanings. CCSS.ELA-Literacy.L.5.5.b Recognize and explain the meaning of common idioms, adages, and proverbs. Page | 31 Unit Created by Gay Miller 8th Grade CCSS.ELALiteracy.RL.8.4 Determine the meaning of words and phrases as they are used in a text, including figurative and connotative meanings; analyze the impact of specific word choices on meaning and tone, including analogies or allusions to other texts. CCSS.ELALiteracy.L.8.5 Demonstrate understanding of figurative language, word relationships, and nuances in word meanings. Lesson #10 Figurative Language Three Door Flip Print the organizer onto colored paper. Students will fill in the missing information in the blank spaces. To make the organizer, trim around the four edges on the lines indicated. Fold the page in half vertically on the dotted lines. Cut on the lines indicated on the inside of the organizer, up to the fold so that the organizer opens with three flaps. Page | 32 Unit Created by Gay Miller Lesson #11 ~ Transition Words The following “Graffiti Notes” will give your students a resource to use when writing. Page | 33 Unit Created by Gay Miller Lesson #12 ~ Proofreading A checklist and a rubrics are provided. Report Covers Following the rubric are five report covers that work well if students use Alcatraz as the setting of their stories. Page | 34 Unit Created by Gay Miller Context Clues Common Core Alignment 5th Grade 6th Grade 7th Grade 8th Grade CCSS.ELALiteracy.L.5.4.a Use context (e.g., cause/effect relationships and comparisons in text) as a clue to the meaning of a word or phrase. CCSS.ELALiteracy.L.6.4.a Use context (e.g., the overall meaning of a sentence or paragraph; a word's position or function in a sentence) as a clue to the meaning of a word or phrase. CCSS.ELALiteracy.L.7.4.a Use context (e.g., the overall meaning of a sentence or paragraph; a word's position or function in a sentence) as a clue to the meaning of a word or phrase. CCSS.ELALiteracy.L.8.4.a Use context (e.g., the overall meaning of a sentence or paragraph; a word's position or function in a sentence) as a clue to the meaning of a word or phrase. CCSS.ELALiteracy.L.5.5.c Use the relationship between particular words (e.g., synonyms, antonyms, homographs) to better understand each of the words. CCSS.ELALiteracy.L.6.4.d Verify the preliminary determination of the meaning of a word or phrase (e.g., by checking the inferred meaning in context or in a dictionary). CCSS.ELALiteracy.L.7.4.d Verify the preliminary determination of the meaning of a word or phrase (e.g., by checking the inferred meaning in context or in a dictionary). CCSS.ELALiteracy.L.8.4.d Verify the preliminary determination of the meaning of a word or phrase (e.g., by checking the inferred meaning in context or in a dictionary). ~ Page 35 © Gay Miller ~ Context Clues Organizer Three organizers are offered. The first contains 4 context clue types, the second contains 6 context clue types, and the third contains 8 context clues types. The organizers come in three versions: The first has lines where students write definitions and sample sentences. The second copy of the organizer includes the definitions with key words missing for students to fill in. Students must also write definitions and sample sentences. The third copy is completed. It may be used as an answer key, as a sample for students to follow, for differentiated instructions, or for students who were absent. Instructions for Making the Organizer 1) Print the organizer on colored paper. 2) Have students trim around the four sides of the organizer on the bold lines. Fold on the dotted lines and cut on the solid lines to form six flaps. 4) After discussing the types of context clues, have students write a definition and a sample sentence for each type on the lines provided. 3) Page | 36 Unit Created by Gay Miller This is the dock guard tower, a popcorn stand on stilts where somebody’s dad sits with enough firepower to blow us all to smithereens. Maybe she’ll meet other kids like her. Maybe they’ll recognize each other and communicate in their own peculiar way. What does peculiar mean? a) regular b) typical c) unusual d) natural What does smithereens mean? a) resting b) cowering c) pieces d) whining #2 #1 She packed every pair of underwear I owned and she made it all seem like a big treat. When we got there, my gram had an awful scowl on her face. She gave me a big hug and glared at my mother like I’d never seen her do. What does glared mean? a) frowned b) smirked c) grinned d) laughed “Put her in an asylum, Helen. It’s the humane thing to do,” Mrs. McCraw said between bites of cinnamon nut cake. What does humane mean? a) fast b) painful c) harsh d) kind #3 Page | 37 Unit Created by Gay Miller #4 Font Walk in the Park Dotty Font Clipart Microsoft Office Clipart Gallery Page | 38 Unit Created by Gay Miller Teachers Pay Teachers http://www.teacherspayteac hers.com/Store/Gay-Miller Visit my website at http://bookunitsteac her.com/ Visit me on Pinterest at http://www.pinterest .com/lindagaymiller/ ~ Page 39 © Gay Miller ~
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