Matters ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ A Newsletter for The City University of New York • Spring 1997 A PIONEERING TEACHER OF WRITING 2 New Board Ad Hoc Committees Remembering Mina and the “Grand Experiment” O n March 31, Board of Trustees Chairwoman Anne A. Paolucci announced the creation of two Ad Hoc Committees of the Board. One committee will survey remediation, performance and graduation rates, while the other will explore mechanisms to facilitate a “seamless transition” between the last two years of high school and the first two years of college. Noting that additional members may be chosen, Chairwoman Paolucci appointed Vice Chairman Herman Badillo to chair the committee on remediation, performance and graduation rates. Other members are Trustee George Rios, who will serve as vicechair; President Vernon Lattin of Brooklyn College; President Kurt Schmeller of Queensborough Community College; President Carolyn Williams of Bronx Community College; and Saul Cohen, former President of Queens College and a member of the Board of Regents. Trustee Nilda Soto Ruiz will chair the committee on seamless transition, composed of Trustee Michael Crimmins; President Leon Goldstein of Kingsborough Community College; President Isaura Santiago Santiago of Hostos Community College; President Marlene Springer of The College of Staten Island; Professor David Speidel of Queens College; a representative of the Office of Schools Chancellor Rudy Crew; and Dennis Claire, chairman of the English department of Greenport High School, Long Island. From 1971 to 1978, Marilyn Maiz served as administrative assistant to the late Mina Shaughnessy, City College’s fabled pioneer in the field of teaching basic writing. Maiz now works part-time in CUNY’s Office of Academic Affairs. Here, she recalls the Shaughnessy years upon the publication of a biography of the renowned teacher, and a celebration at the Graduate School. I was struck by the way Mina perceived literacy,” wrote the renowned literary scholar Benjamin Demott in a review of Errors and Expectations: A Guide for the Teacher of Basic Writing by Mina Shaughnessy. “Her work was the kind of work you would do if you were really going to take democracy seriously.” At the time of her death from cancer in 1978, Mina Shaughnessy was considered the leading figure in the field of basic writing. A remarkable teacher, scholar, and administrator who began her CUNY career in 1968 as an adjunct lecturer at Hunter College, she quickly became Director of City College’s Basic Writing Program and in 1975, Dean at the Instructional Resource Center for the University. Taking the Shaughnessy legacy seriously—and lovingly—the Graduate T he first Ad Hoc Committee will gather information on remediation, performance and graduation rates, as well as other relevant facts pertaining to CUNY’s efforts to help students overcome deficiencies. It will, in a second phase, propose options to be considered either as separate pilot programs in certain colleges of the CUNY system or as an across-the board experiment that will improve present conditions, especially performance levels. The second Ad Hoc Committee will work with representatives of public and private high schools and members of the CUNY community, as well as outside advisors, to establish ways and means to facilitate the “seamless transition” between the last two years of high school and the first two years of college. The Committee’s mandate is a broad one, in that it will survey all aspects of the existing situation and put forward proposals for improving it. Both Ad Hoc Committees will meet at least six times a year and will send minutes of all meetings to the Committee on Academic Programs and Planning (CAPPR) and to Chairwoman Paolucci. CAPPR may present recommendations from the Ad Hoc Committee to the full Board if and when such recommendations are ready to be considered, either as pilot programs or as permanent changes. The two Committees will have access to materials collected in the Board of Trustees’ offices and may request the services of the Board’s Researcher to help gather relevant materials from the Central Office of the Administration and the CUNY colleges, as well as from outside agencies, schools, individual educators and media, both local and national. The Researcher may also be asked to prepare charts, summaries and reports as needed. SERIOUS BUSINESS Big Apple Job Fair Breaks Record One visual aid captured perfectly the “we’ve got our eye on you” atmosphere at the ninth annual CUNY Big Apple Job Fair on April 30. The largest number of employers—115—in the Fair’s history gathered at the Javits Center to recruit nearly 5,000 graduating seniors and recent alumni. Below, Alan J. Lipson and Beverly J. Rice of Mutual of Omaha confer with June 1997 graduate Carmen Cerda of Hostos Community College. For New York State Comptroller H. Carl McCall’s keynote remarks at the event opener, see page 2. Photo André Beckles. A+ Donor A major player in the real estate industry, Bill Newman, is pictured above attending a round table sponsored by the Steven L. Newman Real Estate Institute at Baruch College. For more on Newman's generosity to his alma mater, see page 2. Mina Shaughnessy School’s Adult and Continuing Education Office sponsored a presentation on Feb. 26 by Jane Maher, author of Mina P. Shaughnessy: Her Life and Work (NCTE, 1997), at one of its distinguished James Hall Lectures. In addition to educators from English departments and literacy programs across the University, the audience included many friends and colleagues of Mina (pronounced “Mynah”). Also present was one of her former SEEK students, Lotte Wilkins, now a New York State Supreme Court Justice. Maher’s tome traces Mina’s journey from her childhood in a South Dakota mining town to Northwestern University and on to New York City, where she at first pursued an acting career. She also worked with a Continued on page 9 CCNY’S 150TH FETED General Powell, Front and Center I n early April more than 600 guests gathered for a festive dinner dance at the Sheraton Hotel in celebration of City College’s sesquicentennial. The evening’s ceremonies, emceed by CBS correspondent Mike Wallace, included singer Roberta Flack’s musical tribute to two CCNY Class of 1918 grads, Ira Gershwin and Yip Harburg, and an address by Colin L. Powell, former Chairman of the Joint Chiefs of Staff. Earlier in the day CCNY President Yolanda T. Moses announced that the College was establishing a Center for Public Policy Studies and naming it in General Powell’s honor. The Center will open officially in the fall, with the mission of examining public policy issues affecting New York City and other large urban areas in an international context. “I am deeply honored,” General Powell said, “but what gives me the greatest satisfaction is not the personal honor. It is the thought of all the aspiring young people, for generations to come, who are going to be pursuing careers in public policy under the Center’s auspices.” CCNY, founded in 1847 and considered the font of public higher education in the United States, opened its doors as The Free Board of Trustees Chairwoman Anne A. Paolucci, left, and Chancellor W. Ann Reynolds joined General Colin L. Powell to celebrate the 150th birthday of City College. Photo, André Beckles Academy at Lexington Avenue and 23rd Street. In 1866 the name was changed by legislative act to The City College of New York. In 1907 the College moved to a 35acre campus in the St. Nicholas Heights neighborhood of Manhattan, where several of its main buildings in the neo-Gothic style have become local landmarks. Also present at the gala, which raised funds for College academic and scholarship programs, were five of CCNY’s eight graduates who have received Nobel Prizes: Julius Axelrod (Class of 1933, Medicine), Jerome Karle (Class of 1937, Chemistry), Herbert A. Hauptman (Class of 1937, Chemistry), Arthur Kornberg (Class of 1937, Medicine), and Leon M. Lederman (Class of 1943, Physics). ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ 1 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ BARUCH’S BILL OF REITS The Story Behind Newman Gifts By Zane Berzins B ill Newman has been a real estate man all his life. It’s an industry that excites him and exasperates him and still, after so many years, challenges him. He’s not about to retire and rest on his laurels, though there are plenty of them. As Chairman and CEO of New Plan Realty Trust, one of the most respected and largest of the nation’s Real Estate Investment Trusts (known as REITs), Newman is a leader in his profession. On four separate occasions he has been honored with the Wall Street Transcript’s gold, silver and bronze medals as the nation’s best chief executive in the real estate industry. When Bill Newman gave Baruch College a million dollars in 1995 to establish the Steven L. Newman Real Estate Institute and then followed up a year later with another $2.5 million, it was not merely a magnanimous gesture. It was also an appropriate one, for Bill Newman has no illusions about his business. He has seen the speculators and con men, the take-the-money-and-run crowd, come and go. He saw real estate syndicates by the score go bust in the 1970s. He also knows that New Yorkers have a primal dislike of landlords. “I wanted,” he says, “to create a better attitude toward the captive industries in New York City, of which real estate is the primary one—so that it’s not considered a dirty word by the vast majority of tenants.” Baruch College’s School of Public Affairs has become the home of the Newman Real Estate Institute (it is named in memory of Bill’s son, who worked alongside his father at New Plan); among its plans is the first and only undergraduate program in Real Estate and Metropolitan Development in New York City. Its inaugural class begins studies this coming September, and its leadership is now being recruited. Noted architect Henry Wollman has been named Director of the Institute. This spring it sponsored a series of highpowered “round tables” dedicated to examining competing visions of New York City’s future both as a mecca of commerce and a place of residence. A series of Young Professionals Career Evenings is also under way; over Cokes and pizza, students get to meet some of the successful business men and women, planners, and government officials who are re-shaping the city’s real estate landscape. The academic program has a strong component of mentoring and internships. Newman wants to familiarize students with the realities of the business while they are still in college. He also wants to create ties between today’s movers and shakers and the young men and women who are just starting to think about entering the profession. “I want to provide the kind of education for young people that will make them desirable as employees. I met some students at a mentoring session recently,” he says. “They struck me as very intelligent and practical, so I have high hopes.” Baruch’s President Matthew Goldstein says of Newman, whom he has come to know as a friend, “He really wants to give opportunities to young people. In the end, that is his true motivation. The thing that gives Bill the most joy now is having an im- 2 pact on a place that is full of people who are ambitious and smart but who have had limited opportunities in life.” N ewman’s relationship with his alma mater escalated in dramatic fashion in 1993 when, shortly after receiving a Distinguished Alumni Award and meeting President Goldstein, he gave Baruch an unrestricted gift of $5 million. “I succumbed to his charm,” says Newman, adding wryly, “I also figured it was time to pay my tuition.” Anyone who meets Newman will understand that his generosity is not based on noblesse oblige. He feels a real sense of empathy with today’s CUNY students. “It’s still a school for underprivileged kids, many or most of whom are the first ones in their family to attend college.” To honor Newman and his wife, Anita, Baruch named its spectacular new library for them. They were pleased, of course, but a few months later Bill Newman heard something that really excited him: library usage at Baruch had increased five-fold since the new facility opened. Today, Bill and Anita Newman don’t need to make do with less. Residents of Scarsdale, they also maintain a home in Florida and a pied-a-terre in New York City. They attend the theater, they go to the ballet, they read, they play a little golf, they visit with their three grandchildren. Their life is comfortable, but not ostentatious— nor has it ever been. Family is a constellation of the Newmans’ life. Bill Newman gets excited when he imagines that Samantha, age nine and “a sharp little cookie,” or Loren who is six and “a little ball of fire,” might one day join the family firm. And in a sense, despite having some 600 employees, New Plan is a family firm. Bill Newman never speaks of his company without giving proper homage to his father, Morris Newman, an accountant who graduated from Baruch in 1926, when it was still the City College School of Business and Civic Administration, and who soon afterward began dabbling in real estate—he bought office buildings and industrial sites that, during the Depression, could be picked up for a song. T he kind of firm New Plan became was a function of who the Newmans—father and sons—were. They were accountants: meticulous, careful, conservative with their money and with the money of clients who were their earliest investors. “The one thing I really learned from him,” says Newman’s daughter, Debbie, “was the value of a dollar.” New Plan, a public company for the past 35 years, has a market capitalization of more than $1 billion. It has increased its dividends for 71 consecutive quarters, the only public firm that can make that boast. Newman says with pride, “We in management have a tremendous stake in the company in terms of absolute dollars. It’s very large. No one in the family has ever sold a share!” Dean Bernstein, Bill Newman’s sonin-law, is now an executive of the firm and the “sharp little cookie” is awaiting her turn. Though New Plan Realty is headquartered in Midtown Manhattan, not one of the company’s properties is here. That’s because Newman refuses to buy into the old real estate adage: location, location, location. “I’ve seen the biggest disasters in the most beautiful locations,” he observes. For doing business, he prefers small city and suburban areas and such prosaic and unglamorous properties as shopping centers, factory outlets, and garden apartments. New Plan owns them in places like Ohio and upstate New York. “The stores mostly sell things like pharmaceuticals and jeans and shoes—things people need and will always need, good times and bad.” On the other hand, impossible though the place may be, he still considers New York City “the center of my world.” One is not surprised to hear him echo the heartfelt, albeit less-than-logical sentiments of so many Big Apple natives: “No matter how ‘bad’ they say New York is, it’s still the best place around.” And improving higher education, Newman obviously believes, will make it even better. Comptroller McCall Opens Job Fair I Bill and Anita Newman attending the dedication of the Newman Library at Baruch College. That the Newmans should have their name on a library strikes their daughter, Debbie Bernstein, as somehow “just right.” Her parents, she says, have always been great readers, and when she was growing up “the room the family spent the most time in was the library. It was the nicest room in the house.” Of course, when Newman graduated from Baruch College in 1947 with his B.B.A. in accounting, it was “City College Downtown,” and tuition wasn’t a factor—it didn’t exist. Even so, economic realities made a college degree something that demanded hard work and sacrifice. In that respect, Newman doesn’t think there’s very much difference between the students he knew then and those he meets now. “We may have been poorer,” he says. “I didn’t know a single person who owned an automobile. It was subways all the way. And I knew people then who took 12 years to graduate. That’s not surprising. They had to work.” He describes as “the usual nonsense” all the editorial jeremiads about the quality of today’s CUNY students. “We’ve always been looked down on by the expensive colleges. That’s one reason I gave Baruch my money. I want to show people we can do better with less.” n his keynote remarks at the CUNY Big Apple Job Fair, New York State Comptroller H. Carl McCall reminisced about his own days as a student. “I went to one of those schools whose halls were all covered with ivy, and I went through school in four years. Money wasn’t a big thing—I had scholarships. I had a room all to myself and all the support that was necessary to get a good education with absolutely no distractions.” Looking out over his audience, employers gathered to recruit CUNY students, McCall brought his point home: “Well, I was lucky. Many of the students you see here today didn’t have that kind of experience. They had to get on a subway every day, and often they had to worry whether they had the money to pay for school. They had to leave school and run out to make sure they got to work on time—and some have worked not one but two jobs. “I’m here to tell you I think they all had a better education than I did. I think that the sacrifices they made and the obstacles they overcame in order to get their education made them just the kind of people you want working in your company. And I’m going to spend some time out there trying to convince some of them to come and work for me rather than you.” McCall also explained that he was at the Fair to protect his investments. “I’m interested in what is happening today because, in addition to all the other things I do as Comptroller, I am an investor,” he observed. “I manage the State’s pension fund. I have billions of dollars to invest, and I invest in companies that believe in people and that have good people. There are companies here today like AT&T. Well, I own 6.9 million shares of AT&T. There are people here from the Bank of New York; I own 1.6 million shares of the Bank of New York. There are people here from Dean Witter; I own 2.6 million shares of Dean Witter. There are people here from NYNEX; I own 1.7 million shares. UNISYS is here; I only own 931,000 shares of UNISYS. So what I am here to tell you, as somebody who has invested in your companies, is that I believe my investment will be secure if you secure the kind of people who are here today to work for you.” ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ PROGRAM EASES PATH TO NATURALIZATION Making Citizenship a Snap Comptroller Fetes Women’s History Month By Allan Wernick, Esq. Professor of Public Administration, Hostos Community College, and Director of the CUNY Citizenship and Naturalization Project L ina Chica is a junior majoring in psychology at the College of Staten Island. She arrived in the United States from Colombia as a permanent resident more than eight years ago. She could have applied for citizenship three years ago; now, by providing citizenship services to her on campus and cost free, CUNY has helped her to take that step. “It’s a beautiful program,” exclaimed Lina Chica, referring to CUNY’s new Citizenship and Naturalization Project. “My mother’s been bugging me to apply, but I’ve Fingerprint specialist Marcos Santana assisting freshman Rosemary Abreu in preparing her application at a Queens College "Citizenship Now" workshop. Photo, Nancy Bareis been putting it off. She’s a citizen, and so is my older sister. I’m glad you made it so easy for me to become a citizen.” Lina is one of almost 1,800 CUNY students who by mid-May will have taken part in a program designed to help them navigate the naturalization process. The goal of “Citizenship Now,” as it’s known, is to provide free, top-quality, comprehensive naturalization services. To our knowledge it is the only university-based project of its type in the country, and we expect it to become a model on campuses nationwide. Public interest in the project has been great, as reflected in coverage by the Daily News and New York Times. Many CUNY students see becoming a U.S. citizen as a necessity now, rather than an option. They feel threatened by increased anti-immigrant sentiments in Congress, and they fear losing access to public benefits. They are also concerned that naturalization may become more restrictive and expensive in the future, and they are very smart to worry. Though the nation’s universities fended off Congressional efforts to end permanent residents’ eligibility for student loans, the new welfare reform and immigration laws serve as a warning: Become a U.S. citizen now or your rights and benefits could be taken away. T o meet this challenge, the program is developing ongoing citizenship projects at each CUNY campus. Students seeking naturalization get soup-to-nuts assistance—everything from help in preparing their applications to free fingerprinting and photo services. They leave the campus with a completed citizenship application. We even provide an addressed envelope and certified mail/return receipt requested forms. Students need only add the $95 filing fee and mail the application to the Immigration and Naturalization Service. In addition to these full on-campus workshops, thousands of students have received our CUNY citizenship packet and will pursue applications on their own. The project grew out of CUNY’s successful voter registration project run by the Office of University Relations. Participants in that initiative discovered that a large number of students are permanent residents (green card holders) and thus not eligible to vote. At the initiative of Chancellor Reynolds, Vice Chancellor Nuñez and Vice Chancellor Hershenson,Citizenship Now was launched. University Dean for Student Activities Angelo Proto has been supervising this vigorous outreach to our immigrant scholars. But how to reach them all efficiently and cost-effectively? One answer has been to train dozens of campus “citizenship advocates” to provide the services. Supervising and deploying these advocates have been Ivette Matos, project coordinator and a third-year student at the CUNY Law School; Susan Curtis, executive assistant to Dean Proto; and myself. R epresentatives from 17 colleges, the Graduate School, and the Law School first formed a coordinating committee, which produced a Citizenship and Naturalization Guide usually referred to as the “read me first” handbook. The committee also created a citizenship packet consisting of the guide, the naturalization application (INS Form N-400), the certified mail/return receipt requested forms, and other documents necessary to complete the application. The guide contains a detailed explanation of the requirements for naturalization, step-by-step instructions on completing N-400, the 100 questions and answers used by the INS to test civic knowledge N ew York City Comptroller Alan G. Hevesi, who graduated with a B.A. from Queens College in 1962, honored prominent New Yorkers at his office’s annual Women’s History Month reception in March. From the left honorees Dorothy Chin-Brandt, Queens Criminal Court judge; and civic activist Sally Goodgold; President Frances Degen Horowitz of competency, and an application checklist. We then asked each committee member to select administrators, faculty and students from their campuses to participate in an all-day training at John Jay College in February. Trainees learned the ins and outs of naturalization law and the niceties of INS forms. We also taped a one-and-a-half hour training session at CUNY-TV that has been distributed throughout the University. To help the colleges publicize the event, posters and flyers designed by Bill Freeland at LaGuardia Community College and produced under the direction of Deborah Paruolo, University Director of Admission Services, were sent to the campuses in advance of the workshops. Our visits to each CUNY campus began with pilot “Citizenship Day” workshops at City College and Bronx Community College. With the help of law students Nelson Rosario and S. Tito Sinha, we engaged in the exhilarating but sometimes exhausting process of individual citizenship advocacy for CUNY students. To maintain quality control each application is reviewed twice. I discuss particularly complex sets of circumstances directly with the student applicant. Threading the Labyrinth U nlike most citizens, whose brushes with the law usually concern making a will or buying a house, the law constantly colors the lives of immigrants. To help them deal with what he calls our “incredibly complex and elastic” immigration law, Allan Wernick has drawn on 25 years of experience practicing and teaching U.S. immigration law in his U.S. Immigration and Citizenship: Your Complete Guide. “Many excellent handbooks on the subject are available, but most are too technical and dense for the average reader,” Wernick observed. “I wrote the Guide for the typical high-school-to-communitycollege reader, and to ease the boredom of inevitable legal fine points I pepper the text with actual tales of success and sorrow in navigating the INS labyrinth.” To keep readers abreast of the latest twists and turns in that labyrinth, Wernick urges them to monitor his Website (http:// i l w. c o m / w e r n i c k / ) , which is updated the first of each month. the Graduate School and University Center; Hevesi; Columbia University Chaplain Jewelnel Davis; Rabbi Julie Schonfeld; and honoree Debra Fraser-Howze, President and CEO of the National Black Leadership Commission on AIDS. B eyond the 50 to 100-plus students helped at each workshop, these events are themselves an educational experience for the participants. Also, citizenship advocates learn more and more about immigration law, building toward the day when providing naturalization information is an ongoing component of campus student services. The students leave informed about the naturalization process, and we assume this encourages them to spread knowledge about dealing with the INS to their family and friends. We organizers evaluate each session to improve Citizenship Now’s information and cost-efficiency. Our ultimate goal is to rival the services of top immigration law firms. Nor have we forgotten our origins in the voter registration project. As students leave the checkout station, where their packet gets a final review, we ask them to send us a preprinted, prepaid postcard on the day they file their application. This information will allow us follow up with voter registration information, and will also help us to monitor and develop data on INS processing times. The on-site Citizenship Days are only a beginning. We are holding borough-wide meetings of campus representatives to discuss how best to coordinate future services. We are also exploring outside funding sources and ways of disseminating upto-date information on the CUNY Website. Citizenship Now fills an ongoing need in the University. With some exceptions, an applicant must have been a permanent resident for at least five years to qualify for naturalization. Every day, new CUNY students become eligible. We are moving rapidly to the day when more than half of all CUNY students will be foreign-born. The citizenship project will become increasingly important in making sure our immigrant students fully participate in the shaping of our city, state and nation. For information on Citizenship Now representatives on each CUNY campus, phone Carmen D. Alvarez in the Office of Student Services, 212-794-5380. ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ 3 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ENROLLMENT EXTRAVAGANZA Grassroots Media Blitz Touts City College Engineers By Sheldon Weinbaum Distinguished Professor of Mechanical Engineering, City College L isteners to 1010 WINS and WCBS 880 might have been a bit startled recently to learn from City College’s own students that in 1996 its School of Engineering equaled MIT for the most newly elected alumni to the National Academy of Engineering—or that “you don’t have to spend $15,000 a year and more to obtain a truly first-class engineering education.” Finally, the audience heard that “this ad has been paid for by hundreds of donations from School of Engineering students, faculty, and staff.” Five versions of the radio ad—75 spots in all—were aired on these news channels and on a musical gamut, from KISS FM’s laid back audience to HOT 97 FM and Spanishlanguage La Mega 97.9 FM (top-ranked stations for the area’s school-age listeners). These ads were phase one of an extraordinary media campaign launched by the School of Engineering in January. The idea for the campaign was conceived after a presentation by a special Task Force of CUNY Distinguished Professors in Engineering and Dean Charles Watkins on the current status and future needs of the School. These speakers, tapped by CCNY President Yolanda Moses to meet with CUNY officials, stressed the unrelenting financial burden the School imposed on the resources of City College, its difficult current financial state, and the major shift in its mission from nearly exclusive service to undergraduates to being CUNY’s de facto center for engineering education, where external grant funding now exceeds the entire School of Engineering faculty payroll. Its operating budget for laboratories and equipment and all non-personnel services had shrunk from $1.1 million in 1989 to a mere $290,000 in 1996, though it now serves about 500 masters students and nearly 150 doctoral students. Also, the School had lost 35 of its faculty and staff lines. An overriding concern was the College’s and the School’s declining enrollment, which clearly required a sharp turnabout. Dramatic action was essential, in the form of an unprecedented grassroots campaign that would involve everyone affiliated with the School. T he campaign was comprised of four phases. The first was to restore School pride and establish a sense of continuity between current achievements and historic ones of our alumni. We would be very poor ambassadors if we didn’t first believe in ourselves. We needed to feel that to some extent we could control our own destiny despite the storm clouds of newly proposed state budget cuts and the last two years’ deep retrenchment. The second phase would be broad-scale recruitment of students to support the campaign. Third was spreading the word throughout the city of the School’s academic excellence and affordability. The final phase will be to persuade other large divisions of City College and other CUNY campuses to follow in our footsteps with plans of their own to boost enrollment. A radio campaign seemed the obvious starting point, but the idea of faculty and students footing the bill was bold and unprecedented. I knew full well that major fundraising for student and faculty political campaigns rarely approached $10,000, a sum that would buy meager radio exposure. The secret, I felt, was to create a commu- other radio stations proved willing to follow suit. WCBS reduced their package to $2,400. Our campaign goal was a lofty $10,000, and Dean Watkins had agreed to spring for the remainder. What happened next was just as serendipitous: We used seven student announcers, and they created a sensation. Dean Brown took each of the radio amateurs to the studio for audition tapings in both English and Spanish. Even though the ads were intended for a non-CCNY audience, students loved hearing from their fellow students. The faculty sensed we had hit the jackpot, and their donations started to pour in. In the first 10 days we collected more than $6,000, with more than $1,200 coming from students. Faculty donations averaged an amazing $140. For those students who missed the recorded spots by their classmates, volunteers played them on boom ing school at a low cost.” The Transit Authority is also providing a free bonus— 28 large billboards on platforms at stations adjacent to Polytechnic University, our major competitor; at West 4th Street near New York University; and at the two most heavily used stations in Queens. As a final impetus to reach our goal, five favorite faculty members, representing each of the School’s five departments (Computer Science and Civil, Electrical, Mechanical, and Chemical Engineering), volunteered to match dollar for dollar all student contributions on April Fools Day. The event was declared a success at noon to keep our volunteers solvent, with a final tally of $10,363. However, the best news had come the day before, when data revealed that first-time freshman applications were already up an incredible 34% from the previous year, even with the subway campaign just beginning. After just one week “underground,” we received more phone inquiries than during the entire radio blitz. So on April 1, “mock” champagne flowed in Steinman Hall. If other members of the CUNY community would like to join us in this effort, tax-deductible checks can be made payable to “The City College Fund/Engineering Media” and mailed to me at the Department of Mechanical Engineering, City College, Convent Avenue & 138th Street, New York, NY 10031. A CCNY contingent, including five students who made radio ads for the media blitz, gathers beside a copy of the poster appearing in several subway stations. From left, Assistant Dean Ramona Brown, Andrea Ñunez, Allison Huang, Dean Charles Watkins, President Yolanda T. Moses, Prof. Sheldon Weinbaum, Gregoria Camacho, Lyly Marecheau, and Maxime Pinchinat. nity effort that would motivate everyone to participate. We would try to raise as many dollars from 2,000 students, faculty and staff as previous campaigns had raised from 200,000. I knew some faculty and administrators would cringe at the thought of collecting lunch money from our hard-pressed student body. But these skeptics, it turned out, seriously underestimated the dedication of City College’s engineering students. They also did not foresee the impact student donations would have on the attitude of radio station officials. T he campaign had two ardent supporters in Dean Watkins and Assistant Dean of Students Ramona Brown. Brown immediately enlisted the support of all the student clubs. Two students, Sarah Johnson and Shi Shi Jen, volunteered to build campaign barometer displays in the lobby of Steinman Hall. I called 1010 WINS and told its advertising representative that I wanted to buy 15 one-minute spots to be paid for by hundreds of donations that would be collected from students and faculty. The rep was dumbfounded and went to the station manager, who happened to be a Brooklyn College graduate. The rep called back and told me they had never done anything like this before, but would offer us a special rate of 15 spots for $3,000. (Typically, a single morning spot costs $800$900.) They would even throw in nine “billboards” for free—a billboard is a 10-second announcement that weather, traffic, or sports news was being sponsored by the School of Engineering. Hearing of this offer from 1010 WINS, boxes in classes. One senior faculty member observed that we had done more for School morale in two weeks than had been done in the last 10 years. This enthusiasm gave great impetus to phase two of the campaign. We needed student volunteers to work with Director of Admissions Laurie Austin to mount phonathons, citywide open houses and visits by students to their former high school and community college teachers and counselors. Many students were happy to volunteer. W hile an estimated 2,000,000-plus New Yorkers heard at least one of the radio spots, we know that their effect is shortlived. Their primary purpose was to raise the visibility and morale of the School and remind the public it is an excellent institution. The third phase was needed to convey our message more lastingly to many more New Yorkers. My wife pointed to the obvious next venue for our efforts: the subway. There are 3,500,000 straphangers a day, and the average subway ride is 20 minutes. It is hard to imagine a more perfectly captive audience. There is hardly a prospective student who will not use the trains several times a month. Soon I was negotiating with a senior advertising executive at the Transit Authority. We obtained the premier wall spots opposite subway maps and a one- by four-foot overhead poster—that’s one poster in 1,140 subway cars (a fifth of the fleet) for an entire month. The poster we designed features CCNY’s astronaut-alumnus, Mario Runco, walking in space and the ad copy, “Launch your career at City College. A top engineer- AIDS SYMPHONY HONORED Trio of Grammies for Lehman Composer J ohn Corigliano, distinguished professor of music at Lehman College, this winter became the first composer to win two Grammy Awards for contemporary composition. The National Symphony performance of his Symphony No. 1 (“Of Rage and Remembrance”), under the baton of Leonard Slatkin, was honored in the best classical CD category. The symphony was commissioned and premiered by the Chicago Symphony in 1990 and had already won a Grawemeyer Award and two Grammies in 1991. To date, 74 orchestras in 17 countries have performed the work, which the composer wrote as a personal response to the AIDS crisis. Corigliano’s String Quartet also won in two categories this year: best contemporary composition and best chamber music performance (by the Cleveland Quartet). Photo, Julian Kreeger 4 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ DISTINGUISHED BIOGRAPHER, FOUNDER OF CLAGS An Interview with Martin Duberman L Martin Duberman ehman College’s Distinguished Professor of History last summer stepped down as the first director of CUNY’s Center for Lesbian and Gay Studies, the first of its kind at any university in the country. He was also its founder. A prolific author of biographies (James Russell Lowell, Charles Francis Adams, and Paul Robeson), plays (In White America, Visions of Kerouac, Mother Earth), and memoirs, the editor of several anthologies devoted to gay and lesbian culture, Duberman has also been an extraordinarily active participant in the gay rights movement since the early 1970s. He was an originating board member of the Gay Academic Union, the Lambda Legal Defense Fund, and the National Gay and Lesbian Task Force. On the occasion of CLAGS’s 11th anniversary in May and the appearance of two large anthologies of essays generated by CLAGS, which he edited, Duberman met with me for a talk in his Chelsea apartment. There was no sign of his dog named Emma (not in homage to Austen, as will become clear), except for the ill effects of her allergens on his sinuses. After Duberman fended off a fact-checker from The Nation for a forthcoming review he had written, we were in business. —Gary Schmidgall GS: At a very well-attended “watershed” conference of the old Gay Academic Union in 1973 at John Jay College, you were the keynote speaker. You spoke of “the beginning of a long march through academic disciplines and institutions.” Nearly a silver anniversary later, how has the march gone? MD: I would say that the acceptance of the discipline of gay and lesbian studies has been considerable, but paradoxically the acceptance of academics who practice in it seems to have lagged. They are not getting lines, not getting hired. There is a little too much unfounded pride on the liberal acceptance of difference. GS: How would you characterize this discrimination? MD: It’s usually subtle. It reminds me of blacks who distinguish between southern and northern white reactions to color—and prefer the former because there the bigotry comes right out at you. Northern discrimination is more covert, and you’re often not sure you heard what you heard. The same is true for gay and lesbian scholars. GS: And beyond the campus? MD: To be brought up in our culture is inescapably to be homophobic. And that includes gay people. I know that I am somewhat homophobic, so how the hell would they not be? But getting back to the discipline, in 1973 none of us in our wildest fantasies expected that within 25 years we would have gotten as far as we have. GS: And where does the march go next? MD: At CUNY, of course, there has been much discussion, still ongoing, about a doctoral degree in the field under a Multicultural Studies rubric. I have always thought that gay and lesbian studies is so deeply interdisciplinary that such an umbrella might be the best way to pursue advanced degrees in the field. And such a degree might be more easily marketable in the ghastly job situation now. GS: Oscar Wilde predicted that “public officials...need educating” if the fight for gay rights is to be won. What about educating the public? MD: I’m not sure what we want to educate our leaders about. Let me illustrate. Yesterday in my class on sexuality and sex roles I showed a wonderful film called “It’s Elementary” about introducing curricula with gay and lesbian content as early as the first grade. The children are so charming and so hip! The film’s message is “we have to respect all different kinds of people and honor their differences.” That’s lovely, but then the other half of the brain kicks in and you say wait! Is this the best we can do? Or should we be talking, as queer theorists do, about sexual fluidity, about same-sex eroticism being present in all of us, about different cultures organizing sexuality differently. Should we “challenge the binary” (there are gay people or straight people), or do we acknowledge that, politically, the best we can hope for is sincere embrace of the “other”? GS: The American public does seem comfortable with the binary: Republican and Democrat. MD: Or black and white. GS: You have written that “our history has been denied us” and have done much to give this history back, notably with your anthologies About Time: Exploring the Gay Past and Hidden from History: Reclaiming the Gay and Lesbian Past. MD: Even that simple assertion—“our history”—raises issues. It’s not clear what it means. It could mean the history, say, of gender non-conformity. That’s why I like the word “queer”; it allows that umbrella conceptualization of what the subject is. Thinking only of erotic acts between people of the same gender would foreshorten the history a lot. Studying only self-identified gays and lesbians would, too. GS: But the sheer volume of publication in recent years has to be gratifying. MD: Material is coming out at a truly astonishing clip, compared to what we had even just 20 years ago. I can’t keep up. GS: This May CLAGS is celebrating its 11th anniversary, its sixth as a formal Center at the GSUC. Tell me a little about how it came into existence. MD: I had been mulling leaving some money in my will to foster gay and lesbian studies. I was friendly with a film-maker, Helen Whitney, who was married to Yale President Benno Schmidt. So I asked him how much an endowed chair would run. He told me, and I got sticker shock! So I began to consider a more modest plan B. That led, in time, to the formation of CLAGS. GS: I gather from reports that the establishment of CLAGS has not been without periods of high drama and political maneuvering. MD: Prima donna-hood flourishes everywhere—and I do not exclude myself, need- less to say! Yale has more than its share of divas. Anyway, it soon became obvious that New York City was a better place for us. GS: Was there a memorable moment for you in making this move? MD: I’d say it was then-President of the Graduate School Harold Proshansky being so immediately welcoming. I will never forget the first meeting. He said, “This is an idea that is long overdue, and I thank you for letting us implement it.” [Duberman’s eyes twinkle a little, as if to suggest some operatic scenes followed.] What happened after that is a juicy story, which I might write up some day! But I can say that CLAGS now feels perfectly at home at CUNY. GS: Having taught at Lehman College since 1972, when you came up from Princeton, you clearly feel at home here as well. Do you have any silver anniversary thoughts on how you or the University has changed? MD: One way to dramatically illustrate a change jumps to mind. When I first came I said I preferred to teach only undergraduates. Graduate students were too dutiful; they wrote everything down and thought it was true! But several years later, when I got interested in the history of sexuality, I recognized the need to interact with students with more learning and life experience. So, in the late 1970s, I re-approached the Graduate School and offered to teach a course on sexuality. All hell broke loose. The responses were “this course is an outrage,” “there is no such academic discipline,” and that I was a “full-time polemicist.” The History Chair then, Gertrude Himmelfarb, took me to lunch and said that, if offered, no students would sign up for my course anyway! I withdrew my proposal and said that, since they suddenly felt I was so “contaminated,” I would no longer read dissertations and sit on doctoral orals. GS: Flash forward? MD: When CLAGS was established in April 1991, I felt it was important to have a presence at the GSUC beyond my directorship. I went to the new Chair of the History Program and re-suggested my old course. This time it sailed through! President Horowitz has been magnificent, often showing up and even sitting through our events. Dean Alan Gartner has also been marvelously supportive. The higher levels of administration, most obviously Chancellor Reynolds, have been very helpful. It was only at the mid-management level that I encountered homophobia. GS: Given your almost total devotion in the last decade to CLAGS and queer studies, I wonder if you ever stop to think about your early Bancroft Prize-winning life of Charles Francis Adams and the James Russell Lowell biography and wonder “who was the guy who wrote those books?” MD: I rarely think about them. Someone once called Adams “the iceberg of the northern hemisphere.” I have to confess I grew to be unutterably bored by the man, but what hooked me was his involvement in founding the antislavery movement. That, in turn, sent me on to Lowell, a much more appealing and romantic figure. I think the common thread throughout my career has been from the very beginning, without my always being conscious of it, an interest in the dissenter, the figures challenging the current orthodoxy. GS: Emma Goldman, on whom you have published an epic drama called Mother Earth, certainly fills the bill. MD: Absolutely, she above all has long been my great hero. GS: Have there been, to your mind, any figures of similar “dissenting integrity” on the recent American scene? MD: Well, until last weekend there was the late lamented Allen Ginsberg. GS: Did you know him? MD: No...just a few brief meetings. But before I ever met him, I wrote a play called Visions of Kerouac in which Ginsberg is the hero; it played both coasts in the mid-’70s. GS: Did Ginsberg give you any problem? MD: No, but I was plenty bothered by the New York Times critic, who advised Burroughs and Ginsberg to sue me because I said in my play that they were homosexual! GS: Speaking of your plays of the ‘70s, how many have you written? MD: About a dozen full-length, plus some short ones. GS: Have you felt the theatrical urge recently? MD: Yes, just last year I pulled from a drawer a play about Newton Arvin, the Smith College professor and prize-winning Melville biographer whose career was ruined by a pornography scandal in 1960 in which he turned state’s evidence. Interest has been expressed in it, so we’ll see. I’ve also recently written a play on Roy Cohn. GS: Anything brand new? MD: For about 20 years I have wanted to do a play about the Chicago Haymarket riots, that defining moment in the late 19th century class struggle. [Duberman then politely evaded a question about gay plays since Stonewall that might stand the test of time.] Too many friends and acquaintances on that scene! But let me turn it around and tell a story on myself. When “The Boys in the Band” came out I was doing some reviewing, and I gave it a bad review. But then, three minutes later, I saw the light and was a gay activist. Ever since, I’ve defended the play as an accurate portrayal of gay life then...and, I think, how many gay people still feel about themselves now. GS: The Uncompleted Past is another of your titles. Aside from your theater pieces, is there any past project that still is not quite completed? MD: Paul Robeson’s centennial is in 1998, and it will be 10 years since my Robeson biography appeared. I’ve changed my “take” in some respects, and there is some new evidence. So I am doing a long reevaluation called “Revisiting Robeson.” GS: How did that biography happen? MD: When Robeson’s son—completely out of the blue—asked me to do it, I was stunned. He said he’d been searching for years and then had read my books and felt I was “the right person” to understand his father. His views on that point have changed, which is another reason to revisit Robeson. GS: And what about the future? MD: I have done a piece on Donald Webster Cory, who published in 1951 The Homosexual in America and is considered the father of the homophile movement in America. I discovered Cory was a pseudonym and his widow was in fact still living. I came to like her immensely—we practically bonded as mother and son!—so I canceled a contract with the New Yorker out of respect for her feelings. She has given me permission to publish it in a gay venue where “all Continued on page 7 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ 5 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ A NEW BRIDGE IN BROOKLYN Teaching Science and Religion By Peter J. Brancazio Tow Professor of Physics, Brooklyn College T hroughout my career at Brooklyn College, my main concern has been teaching introductory physics and astronomy to non-science students. In these courses— most notably the liberal arts physics course that is a part of our Core Curriculum—I often have occasion to refer to instances of conflict between science and religion. A lecture on the work of Galileo naturally leads to a discussion of his conflict with the Catholic Church, and in presenting this topic I often draw parallels with the modernday reaction to the teaching of evolution. When I describe the vast scales of distance and time conceived by modern astronomers, I am invariably provoked to remark on the relative insignificance of human existence. And the Big Bang theory always invites me into a comparison with the first chapter of the Book of Genesis. I have learned over the years that many students find such intersections of religious faith and scientific fact to be especially thought-provoking. Indeed, those students who come from orthodox or fundamentalist backgrounds often find them particularly disturbing. After many years of thinking about the most effective and non-threatening ways to discuss religion in a science classroom, I finally felt the urge to draw up a syllabus for a formal course precisely on the subject. That the interdisciplinary Studies in Religion Program at Brooklyn College offered a perfect venue for such a course was, one might say, a godsend. To prepare for the course, I was able to call upon my long-standing interest in the history and philosophy of science, but I also had to become a student again myself, reading extensively in theology, the history of religion, and non-Western religious traditions. My overriding objective was to create a course in science and religion, not science versus religion. That is, I wanted to examine both disciplines as even-handedly and objectively as possible. My purpose was not to convert students or to challenge their faith (or lack of it), but simply to inform, to clarify, and to provoke thought by asking questions without answering them. I saw my role as that of a facilitator rather than a “professor,” and felt that it was best not to present my own views on the subject. For the record, I am primarily a scientific materialist and a skeptic, but my attitudes toward religion have evolved considerably over the years and continue to evolve. After all, this is not a subject about which one comes to easy conclusions. I n constructing the syllabus, I decided to avoid a “confrontational” focus by not concentrating on evolution or the Galileo affair and instead present a wider perspective. I aimed for an objective comparison of science and religion in terms of their world views, sources of knowledge, methods of reasoning, and use of language. The class would be presented with different models of the relationship between science and religion: Are they fundamentally in conflict, or simply independent realms of thought? Is a dialogue, leading to an integration of views, possible? In considering these alternatives, students would be encouraged to fashion a personal accommodation between science and religion consistent with their beliefs. My students at Brooklyn College reflect the great ethnic diversity that characterizes New York City. Accordingly, the religious beliefs professed by a typical class range from orthodox Jews and Muslims to Catholics (practicing and non-) and professed atheists. Most of these students, I have found, know little about any religion other than their own, and some of them—most notably the Russian students—know almost nothing at all about religion. Thus, one of the collateral benefits of this course is that students learn about one another’s beliefs. The first day of class sets the tone for what follows. I begin by asking the class to name all the religions they can think of, which I list on the board. Eventually, our list grows to about 40 names, about half of which are variants of Christianity. I then pose a series of questions for discussion: Why are there so many religions? Are religions God-given or man-made? If nearly every religion believes that it alone is true and all others are false, is it plausible that all religions are false except for one? If so, what criteria does one use to identify a “true” religion? TRUSTEE FINK – IN MEMORIAM F ormer CUNY Trustee Stanley Fink, one of the most ardent and effective legislative advocates for higher education in New York, died on March 4 at the age of 61. A New York State Assemblyman who served his district in Brooklyn for 18 years, Fink was Speaker of the Assembly for seven years. He worked diligently throughout his career to increase funding for K-12 and higher education and was instrumental in the passage of legislation in 1979 that substantially lifted state support for The City University. A 1956 graduate of Brooklyn College, Fink brought his brilliance, good humor, and persuasive eloquence to bear as a University Trustee from 1989 to 1996. At the time of his death he was a senior vice president at NYNEX and deeply involved in its merger with Bell South. 6 This leads into a discussion of philosophical theories of the nature of truth, including the “coherence theory,” which holds that a statement is true if it is consistent with the belief system of a community. If religious truth fits this model, then we may say that all religions are true. While some students are reluctant to accept this premise, presenting it does establish an atmosphere of relativism that allows us to examine individual religions critically but non-judgmentally. In subsequent lectures, I lead the class through an examination of the commonalities of all religions—a set of rituals, specifically, a set of beliefs and rituals based on sacred texts, traditions and stories that relate to an unseen, spiritual realm of existence. During these discussions, I emphasize that religion is more than just individual belief; its most important function is to link together a whole community. One must, of course, be equally analytical about the nature of science. The students know that I am a physics professor and fully expect me to present a ringing defense of science and the scientific method. Therefore, I take great pains to look critically at the scientific enterprise, identifying its metaphysical and methodological limitations. I also make it clear that science is restricted to making objective and verifiable statements about the nature of the material world. Hence, profound questions about such topics as the existence of God or the nature of the soul are simply outside of its scope. Nevertheless, within its limited realm, science has been immensely successful in describing, explaining, predicting and modifying the natural world. In so doing, it has demythologized nature, enormously extended our concepts of space and time, and greatly diminished the significance of mankind in the universe. Inevitably, science has presented a strong challenge to the religious view of natural as well as human history. A comparison of the methodologies of science and religion is appropriate here. The strength and success of science lies in its self-correcting nature. The strength of a theory rests in its ability to make accurate, testable predictions, and failure to do so ultimately leads to new and better theories. Religion, on the other hand, seems unwilling to confront its failures. Does God direct or at the very least intervene in human history? If so, how can the Holocaust be explained? Why is there so much suffering in the world, and why is it so unevenly distributed? Yet the inability of religious leaders to provide satisfactory answers to such questions does not seem to invalidate their theological claims. Why is this so? At this point we arrive at what I see as the central difference between science and religion, which is the matter of faith . Religious faith may be characterized as a belief that is unshakable despite the absence of supporting evidence or even in the face of contradictory evidence. Science, on the other hand, is based on skepticism in the absence of confirming evidence. Some students may well When Professor Brancazio suggested using William Blake’s superb depiction of Sir Isaac Newton in a physics textbook, his publisher blanched and said it was too risqué. Cuny•Matters is fearless. Distinguished GSUC Blake scholar Joseph Wittreich comments on the aptness of the image to a discussion of science and religion. “It reminds us of Blake’s adage ‘As a Man is So he Sees,’ as well as his prayer that God save us from ‘Single Vision & Newton’s sleep.’ Newton, who wrote commentaries on the Books of Daniel and Revelation , presides here over a world in which the senses are closed and perception darkened—just as, in the poem Jerusalem , Blake has Newton join Chaucer, Shakespeare, and Milton in building the heavenly city, a palace of art and a place of imagination.” illustration courtesy of the Tate Gallery, London. ask whether science itself is also based on faith. I suggest that it is perhaps a faith of a different kind. Surely getting on an airplane is an act of faith, even for the non-religious. The power of religious faith cannot be underestimated. It provides comfort, meaning, and hope for many who live in relentless misery. It is especially important that the non-believers in the class learn to appreciate the great emotional and social value of religion, both for the individual and for the community. I ask these students, who may manage to live their own lives comfortably without religion, to consider carefully whether they would like to live in a world in which there was no religion at all. I will be teaching this course for the fourth time in the Spring semester. Student reaction to it has been uniformly positive. The non-believers tell me that they have become more tolerant of religious people. The religious students have learned to be more respectful of other religions and more objective about their own. I hope I have been able to persuade all of these students that science is more than just a collection of formulas, but also that it is not the ultimate truth nor the answer to all our problems. The benefit of the course for me is more simply stated: It has been the most stimulating, challenging, and exhilarating experience of my academic career. CORRECTIONS In the Winter issue story on photographer Jack Kligerman, a reference to the Godwin-Ternbach Museum should have placed it at Queens College. In Dorothy Helly’s article on the “Balancing the Curriculum Seminars,” a reference to the “now medically recognized disease nymphomania” should have read “once medically recognized.” ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ PARSING BELIEFS ABOUT “END TIME” The Ambiguities of Heaven’s Gate Charles B. Strozier, Professor of History at John Jay College and Co-Director of the Center on Violence and Human Survival, has for several years been studying visions of the apocalypse as the end of the millennium approaches. His research, sponsored initially by the MacArthur Foundation, produced Apocalypse: On the Psychology of Fundamentalism in America and, forthcoming this summer, the anthology The Y ear 2000: Essays on the End , co-edited with Michael Flynn, a Lecturer in Psychology at York College. Also a practicing psychoanalyst, Strozier’s research on cultist views of “end time” pre-dated the shocking mass suicide that occurred near San Diego at the end of March. Here he places those views in the context of an astonishing spectrum of millennial beliefs in the 1990s. T he mass suicide of the members of Heaven’s Gate in San Diego was a startling event for most Americans. All those who died went peacefully and seemed to have eagerly embraced suicide as a way of leaving their “containers” to meet the spaceship waiting on the other side of the Hale-Bopp comet to take them to the “next level.” It even seems wrong to deem “tragic” these deaths so willingly embraced. Unlike Jonestown, where at least half of those who died were murdered, there appears to have been absolutely no physical coercion. The suicides nevertheless remain baffling. One longs for concrete, human, and psychologically credible explanations that can begin to put the beliefs and behavior of this group into perspective. Granting that anything said so soon after the event must be tentative, I can offer some preliminary thoughts about Heaven’s Gate. Four points strike me as important. As is often the case with cults, the role of its leader, Marshall Herff Applewhite, was extremely important. This former college teacher of music, who left everything some 20 years ago to found the group, Duberman, continued from page 5 my friends won’t see it.” I’m also working on an essay on Jo Carstairs, whose father Jabez Bostwick helped found Standard Oil. A lesbian, she had her own island in the Bahamas, was a speedboat champion in the 1920s, and was a lover of Tallulah Bankhead, Marlene Dietrich, and others. She died last year at the age of 96. GS: A “generational” question: you write in your memoir of the ‘60s and ‘70s, Cures, of spending 20 years “building brick walls between me and my sexuality.” Do you ever feel impatient with younger gays coming into a relatively less oppressive society? MD: Or angry at them! All of the above. But, seriously, I think many young gays are struggling mightily; it all depends on the accident of where you are placed, geographically and in terms of race and gender. There is still plenty of internalized homophobia around. You are unlikely to hear a parent tell a five-year-old, “You are showing all the signs of becoming a gay person, dear, and we just want you to know how thrilled we are!” No, I think we can see pretty clearly across generational divides. A lot of [young gays], when hearing about people like Frank Kameny and Barbara Gittings or the Mattachine Society and Daughters of Bilitis for the first time, find it clearly exercised a powerful influence over his followers. He, together with Bonnie Lu Nettles, a psychic who dabbled in UFOs, formulated their beliefs and exerted an almost hypnotic control over the members of Heaven’s Gate. Applewhite has been derisively called the “gay guru” because his academic career was cut short by affairs with male students. But clearly of much greater interest was his troubled relationship to his homosexuality. At some point Applewhite had himself castrated. In ways that are typical for such cult movements, he then worked the idea of sexual renunciation into his theology and convinced most of the male members of the group as well to castrate themselves. Such an ultimate form of self-mutilation cemented their tie to the group and made iron-clad the psychological power of Applewhite over his followers. By the end he had also established a problematic relationship to his own death. The coroner reported he did not have liver cancer, but he either genuinely believed he did or, more maliciously, manipulated the group into believing that he was in fact dying. The apocalyptic moment came when Applewhite’s belief in his own demise connected with his conviction that Hale-Bopp was the sign of the end he had long awaited. A second aspect of significance was the characteristic eclecticism of the beliefs of Heaven’s Gate. Their central concern with UFOs was mixed in with New Age and Christian elements. The latter were particularly striking. Hale-Bopp as a sign evokes the Star of David that shone over the birth of Jesus. The suicides came just before Easter, the day of the resurrection, and the purple shrouds that meticulously covered the bodies suggest, among other things, Lent. The members of Heavens Gate very easy to condescend to their “boring assimilationist goals” and “bourgeois” values. When they joke about activists wearing suits and ties picketing the White House in 1965, I have to say “What a minute! Do you understand what that means...picketing the White House in 1965. That really took courage!” It makes me angry when they fail to see they are standing on the shoulders of others. There’s too much scorn and not enough gratitude. Of course, Americans—gay and straight—are so ahistorical. Has anyone heard of Emma Goldman or Norman Thomas or whoever? GS: I had a student in a course a few years ago refer to that famous Viennese analyst in a paper as Sigman Fruit! The main work of CLAGS has been to roll back the darkness about queer history, so you must be proud and delighted with the two anthologies you have edited for New York University Press, A Queer World and Queer Representations, which have just appeared. MD: When I gave NYU Press my selection—and, by the way, every essay originated as a CLAGS presentation—I was sure they’d say “boil it down.” But they liked the material so much that two volumes were planned. A Queer World focuses mainly on social sciences topics: sexual identity, gender, psychology, law, economics, political were fascinated with the idea of being the surviving “remnant,” which is from Revelation 6: 9-10: “And when he had opened the fifth seal, I saw under the altar the souls of them that were slain for the word of God, and for the testimony which they held. And they cried with a loud voice, saying, How long, O Lord, holy and true, dost thou not judge and avenge our blood on them that dwell on the earth?” Applewhite, among his many designations, was called “Father John”; his followers were “monks,” and they lived together in a “monastery.” And when they began in the 1970s, Applewhite and Nettles called themselves “The Two” after the two witnesses “clothed in sackcloth” from Revelation (11: 3-14) who are slain by the Beast and then rise from the dead. Such loose beliefs can seem extremely odd and closer to The National Enquirer than a serious attempt to formulate new religions and theological principles. It is, however, important not to mock the quest for new meanings that is such a vital impulse in all cult movements. There is much spiritual creativity in the effort to break free from old dogmas that many feel no longer fit the special anxieties of the day. The problem is that belief systems like those of Heaven’s Gate can leave one ungrounded, ripped from the security of history and ritual. The authority of tradition can suffocate self-expression, but it can also guide us through troubled times. Third, many have not fully grasped the apocalyptic nature of the UFO movement in this country, which is the crucial context in which to understand Heaven’s Gate. It has been estimated that between 700,000 and three million Americans claim to have been abducted by aliens (the higher figure is more than there are Presbyterians and equal to the number of Episcopalians). It is anybody’s guess how many others believe merely in the reality of UFOs. Two camps compete to explain what aliens science. Queer Representations takes a more literary and media approach with sections on “Ancient Genealogies,” “Visualizing Homosexuality,” “The Lives of Texts and People,” “Approaching Autobiography,” and “Creating Queer Literatures in the U.S.” GS: You have been busy...a gatling gun of titles intended to move and shake. MD: It’s called anxiety control. It’s either that or drugs! You have to keep the anxiety down somehow! GS: Just one more question, one that will shamelessly tempt you to pontificate or, better yet, prophesy. In that keynote address at John Jay we spoke about earlier, you expressed the hope that the gay movement would “offer, in opposition to the current vision of homogenized humanity, our celebration of human diversity.” Then you added that “the goal is utopian, and must partly fail. But only utopian goals will allow us partly to succeed.” This reminded me of Wilde’s remark that a map without utopia on it is not worth consulting. My question, then, is whether the terrain in utopia has changed since 1973—or whether you’d be inclined to add anything to its landscape for the next millennium. MD: I’d happily settle for the old utopian model, though gender-revised: to each according to his/her needs, from each according to his/her gifts. are up to. One group feels aliens come as agents of destruction, and when they abduct humans they take sperm from men and eggs from women with which to build a future race after they wipe us out. Another group believes aliens come to warn us of our own imminent destruction. In either case aliens are positioned apocalyptically in relation to human existence. F inally, Heaven’s Gate is part of the culture’s general obsessions with the year 2000. Applewhite and his followers believed that Jesus at the resurrection shed his “container” to move to another level. It is also clear from some of their documents that the commune in Rancho Santa Fe believed Jesus was born in 4 B.C., which makes 1997 the millennial moment, the real 2000. Suicide itself is apocalyptic. As a potent symbol, 2000 stirs the imagination of virtually all believ- A thousand years ago monks stopped copying manuscripts and the building of churches ceased as the first millennium approached. The anthology from two CUNY faculty members, The Year 2000: Essays on the End, explores a wide variety of cultural responses to the coming of the second millennium, including black evangelical politics, apocalyptic violence, environmentalist doomsaying, and right-wing political extremism. ing Christians at some level. Jesus, after all, announces in the first book of the New Testament (Matthew 24) that he is coming back, just as the Bible’s last book of Revelation plays with the evocative power of thousand-year cycles in its climactic chapter 20. “End time” means that moment (which is at the same time a process) out of human history and into “God’s time.” But as a cultural artifact, 2000 connects as well with other secular forms of the apocalyptic. In this sense many cult members are drawn into generalized images of endings around this definitive symbol for The End; 2000 is everywhere as subtext, in literature and art, in all the media, in politics—especially at the extremes—and in all religions new or old. It is present, one might say, in the American self, sometimes degenerating into apocalyptic chic. It is everpresent, and not just in the minds and souls of the semi-literate and weak at heart. No one in our culture can entirely escape the millennial hysteria of the 1990s. We are not all potential Heaven’s Gaters, but neither will this cult movement be the end of such agitation over collective death in the next few years. ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ 7 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ CSI GRAD VISITS CUNY-TV Animated Talk by Cybertoon Pro Jerry Carlson, a film historian and producer at CUNY-TV who teaches at City College, recently helped organize a presentation by David Master, a major player on the Hollywood animation scene, and reports. H ow did David Master get from Staten Island to the lot at Warner Bros.? His answer takes only a couple of frames: “Indirectly.” A union organizer in New York following his 1971 graduation from The College of Staten Island, Master always maintained an interest in set design. A friend encouraged him to move to Los Angeles, where he found himself in need of a day job while pursuing his interests in the theatrical arts. Master became a high school teacher in an L.A. suburb and started to experiment with ways to involve his students in the arts through his own passion for animation. Year by year the program grew, and by 1991 he was named IBM’s “Technology and Learning Teacher of the Year.” Dozens of his former students now populate the animation divisions of major studios. Finally, Warner Bros. convinced him to come on board, where he is now Director of Artistic Development and Training. In early April, Master stopped at CUNY, as well as Columbia and Harvard, during a two-week tour of the East Coast to recruit for his company and lecture on aspects of educational theory. The CUNY visit was suggested by University Trustee and fellow Staten Islander Jerome S. Berg and took place at the CUNY-TV studio, which was packed with faculty and students invited from 17 campuses. Master, who sports Bugs Bunny in his lapel and lots of toons on his tie, answered questions about his career and offered a wide-angle view during more than two hours of how to achieve “frame fame.” After the official session, enthusiastic audience members continued to pelt him with questions. T alking even briefly with Master, one understands the passion that guides him as an educator, a word he continues to use to describe himself even though “studio exec” might sound tonier. The expert in new digital technologies and their video applications admits that he surprises many EXPLORING OOBLECK, SHAPING THE FUTURE Saying Yes! to Equity in Science Dr. Delores Lowe Friedman, professor of early childhood education at Kingsborough Community College, reports on her recent work as Principal Investigator and Project Director of Science, YES!, an initiative to encourage girls to pursue careers in science. “I am almost reluctant to admit this but I came into Science, YES! a math and science phobic. To me, these two areas have always been intimidating and mysterious and even frightening...Is it possible that there are more people like me—science chickens—who are virtually crippled when it comes to moving our students into a competitive class...? They don’t know how fun it can be. I guess they never played with Oobleck.” view science and science teaching as a career. The project seeks to reform the presentation of science in schools, making it “hands-on,” “minds-on,” and bias-free, so that all children can be engaged by and enjoy science. To do this, the adults who influence them first had to be inspired. The Summer Institute served as the centerpiece of the project, which also provided development conferences for administrators, teachers, and parents to excite their interest in science and enable them to promote gender equity. T he following data from a report by the American Association of University Women, “How Schools Shortchange Girls,” tell us why the goals motivating Science, YES! should be of national concern: •By third grade 51% of boys and 37% of girls had used microscopes. T he comment quoted above comes from a journal written by a New York City public school teacher at the Science,YES! Summer Institute for teachers at Kingsborough Community College last July. Exploring the characteristics of Oobleck (a concoction of cornstarch, food coloring, and water) set the stage for 56 teachers to engage in scientific inquiry. The educators, from five Community School Districts and the Brooklyn High Schools, spent a month as practicing scientists would—examining, asking questions, designing experiments, collecting data, drawing conclusions, and asking new questions. The primary goal of Science, YES!—a Goals 2000-funded project—was to increase the number of girls and women who • In one state, 64% of male students who had taken physics and calculus were planning to study engineering as compared to only 19% of females who took these courses. •In general, girls’ interest and enthusiasm for science and math declines the longer they are in school. Many factors, including an outmoded curriculum, low teacher expectations, genderbiased teaching and counseling, and parental discouragement, contribute to the problem of girls losing interest in science. Our nation’s continued advancement in science and technology in the new millennium re- Warner Bros. animation executive Dave Master . Photo, André Beckles audiences with his insistence on the broad education and strong professional discipline required for those who wish to enter Hollywood’s elite circles. “If you’re in a story meeting at a studio and think Hamlet is the name of a new restaurant in Santa Monica, you’re not going to be a player,” he quips. Showing the CUNY audience a tape of examples of work submitted by applicants for internships at Warner Bros., Master emphasized that the ideal candidate would quires that we attract women and underrepresented minorities to these fields. Science, YES! conferences presented guest experts in gender equity and science education, including Dr. Patricia Campbell, a co-author of the AAUW report; Dr. Janice Koch, associate professor of science education at Hofstra University; and Dr. Pamela Fraser-Abder, director of science education at New York University. Accomplished female scientists—including an engineer from Brooklyn Union, a NYNEX engineer, and a molecular pharmacologist—inspired participants with their personal stories about characteristics such as creativity, self-esteem, and perseverance that were instilled in them by parents and teachers. All three Summer Institute conferences were videotaped and aired by Crosswalks Television during the spring, summer and fall of 1996, and are potential professional development resources. The Science, YES! Institute provided a rich variety of activities focused on doing. We wanted teachers to experience the same curiosity and wonder we hoped they would convey in their classrooms. Field trips and workshops at the Jamaica Bay Wildlife Reserve, the New York Hall of Science, and a trip on the Research Vessel CUNY were highlights of the summer. Teachers took nature walks, built bridges, constructed and flew kites, conducted water sampling experiments, dredged up sea life from Sheepshead Bay to Jamaica Bay, and examined specimens of spider crabs, flounder, mussels, snails, and barnacles under microscopes. Teachers conducted “bottle biology,” in which they created environments in soda bottles with plants and animal life, manipulating and examining changes in variables. They also acted as detectives, identifying mystery powders that had been mixed together, and constructed buildings using straws and paper clips and bridges from be someone who had apprenticed in an artist’s studio in Renaissance Florence. “Knowing how the new digital hardware works is necessary,” he insists, “but there is no substitute for knowing what you want to use it for. It took me eight years of intense mentoring in short-form storytelling to master it,” he points out. “I could have gotten a medical degree in that time!” What is refreshing in Master’s presentation—something that has made him a valued presence on several national educational committees—is his flexible perspective. He is quick to correct a utopian faith in technology with a dose of humanistic critical thinking. Conversely, he insists that great ideas are only as fine as a practitioner’s disciplined capacity to realize them in a chosen medium. His flexibility allows him to talk to students across a number of disciplines, as he did at CUNY— film, theater, graphic design, computer science, and studio art. Master emphasized again and again to his CUNY audience that the future of the media arts will require a workforce combining perpetual curiosity with broadbased knowledge and well-practiced craft. In other words, the industry will need more people like Dave Master, who found a basis for that delicate balance of qualifications in his CUNY education. Crewman Noel Schneider of the Research Vessel CUNY helps teachers from P.S. 3 and P.S. 164 examine sea life on a voyage last July in Sheepshead Bay. From left, Valerie Menditto, Leslie Daniels, Paulette Williams, and Lorraine Thomas. Photo, Christine Rose. toothpicks, testing the strength of their structures. F aculty members Alan Ascher, assistant principal of science at South Shore High School and a College of Staten Island adjunct professor, and Diane Varano, codirector of the air currents project and adjunct professor at Brooklyn College, taught the methodology courses, which covered such topics as Living Things and Change, Chemicals in Our Everyday World, and Construction and Invention. Within those broad topics methodologies of inquiry-based learning and cooperative learning were explored. In their courses, Prof. Peter Pilchman and Prof. Loretta Taras presented an Introduction to Scientific Method and Nutrition and Physiology Exercises. A workshop on the Construction of Living Things included assembly of rodent skeletons from the fecal pellets of owls, as well as work with the human skeleton. As part of their course work, teachers were required to reflect on readings and activities in journals. This comment from one teacher exemplifies how the work affected many participants: “I wasn’t making Continued on page 12 8 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Mina, continued from page 1 long-time associate of the Rockefeller family on a biography of John D. Rockefeller and as an editorial supervisor at McGrawHill before joining City University. T hose of us who were privileged to know and work with Mina remember a person of exceptional intellect, whose honesty, humanity, humor, and grace shaped all her endeavors. These qualities shine through Maher’s detailed narrative, which is beautifully interwoven with Mina’s own words taken from letters to her family and friends, from her speeches, and from Errors and Expectations. After becoming director of the Basic Writing program at City College, Mina was suddenly confronted with the challenge of expanding a program created for fewer than 300 SEEK students. Over one summer she had to prepare for the arrival of thousands of academically underprepared new students in the first open admissions program in the country. Colleagues at other campuses faced the same prospect, and they began meeting to share experiences and ideas. Ken Bruffee, then directing the writing program at Brooklyn College, recalls, “It was a sort of floating craps game of three to eight or 10 people. I called around CUNY to find out if any of us knew anything about what we were supposed to be doing, and everyone told me that Mina Shaughnessy seemed to have a handle on things. We’d meet in restaurants or coffee shops and talk.” These talks evolved into CAWS, the CUNY Association of Writing Supervisors. In 1975, as Dean at the Instructional Resource Center, Shaughnessy’s responsibility was to create, gather and disseminate information about effective teaching methods and practices. This was curtailed considerably by the budget crisis that closed CUNY down for two weeks in 1976. “Mina was forced to witness the dismantling of a program she had painstakingly assembled over a period of eight years,” writes Maher. Her Errors and Expectations was published in 1977 to extraordinary reviews, not only in educational but in popular publications as well. C. Michael Curtis of The Atlantic Monthly praised it as “a book about the spirit as well as the mechanics of teaching...its clarity, its commonsense humanity, commend it to anyone interested in the quality of writing in American classrooms.” Benjamin Demott, writing in The Nation, found the book “personal at its core, individual: a reflection of a sensibility at once acute, loving, and brave.” Demott later commented, “Instead of giving inflated speeches about what a democratic society was all about (as so many people were doing at the time), she was doing the grainy, difficult work that would help those of us who were already ‘privileged’ realize there are people in the world who are just beginning to take the steps toward developing an educated mind.” Mina’s friend and colleague, Bob Lyons of Queens College, echoed the sentiments of many readers and reviewers when he observed that Errors and Expectations is “cherished by teachers because it is both academically rigorous and morally exhilarating.” T hese qualities come through best in Mina Shaughnessy’s own words. The following excerpts from her speeches and her book offer a good sense of her thinking and illustrate the elegance of her language. For Mina was also a poet (see sidebar), as her friend Irving Howe made clear when he called her a “lover of words, a lover of literature, a lover of fine perception.” J ane Maher, currently an assistant professor at Nassau Community College, has also written biographies on the younger brothers of Henry and William James and on William C. Stokoe, the father of sign lan- On open admissions: “Open admissions began as a remedial wing to a few departments on traditional college campuses, but it is now transforming the colleges themselves, exposing far more than the deficiencies of the new students. By probing the nature of those deficiencies and resisting those who have tried to isolate the phenomenon of disadvantage from the society that caused it, open admissions is forcing the real question—not how many people society is willing to salvage, but how much this society is willing to pay to salvage itself.” On the complexities students face in learning to write: “For the [Basic Writing} student, academic writing is a trap, not a way of saying something to someone. The spoken language—looping back and forth between speakers, offering chances for groping and backing up and even hiding, leaving room for the language of hands and faces, of pitch and pauses—is generous and inviting. Next to this rich orchestration, writing is but a line that moves haltingly across the page, exposing as it goes all that the writer doesn’t know, then passing into the hands of a stranger who reads it with a lawyer’s eyes, searching for flaws.” On literacy and democratic ideals: “The experience of open admissions . . . has not only revealed . . . that there are no pedagogical reasons why writing should be an exclusive skill rather than a common skill among our citizens. It simply needs to be taught. And the fact that it is not taught to the students who need it most constitutes a true crisis of literacy in this country, where . . . the most fruitful and necessary activity is arguing rather than agreeing.” “Today, people are, for the most part, alarmed over the declining levels of literacy among the privileged, not over the traditional sub-literacy of the poor. But until this traditional illiteracy is as alarming to the American people as the declining literacy of the affluent, our schools will continue to cultivate literacy as a privilege rather than an entitlement.” guage linguistics. Although she never met Shaughnessy, Maher found this project particularly satisfying because of Mina’s palpable influence on her as a student and an educator. Maher attended The College of Staten Island as an open admissions evening student for seven years. “During those same years Mina was working tirelessly to improve conditions for open admissions students not just at City but in the entire CUNY system,” she noted. “Mina’s efforts were improving conditions for me and thousands of students who, for any number of reasons, were not expected to attend, much less succeed, in college.” Maher went on to earn a master’s in British and American literature at Columbia and a Ph.D. in English education at New York University, then taught writing to open admissions students at Kingsborough Community College. “No one seemed very sure of how to go about teaching these students AND ALSO A POET M ina Shaughnessy was also an accomplished poet. Earlier in her career she published some literary criticism and several children’s stories. She especially loved Shakespeare, Chaucer, Milton, and James; the poem on the left reflects the convergence of her two worlds. Mina lived on East End Avenue, opposite CUNY’s Central Office, and during her long battle with cancer she would often look across the way. She knew she was dying when she wrote the poem on the right. The blue books are passed out. Then the examination questions. And the scribbling begins: the skin stretches white over the knuckles, eyes look out occasionally from pathetic isolation. Could they be writing about the pilgrims of Canterbury with such stern faces? Could King Lear ever arouse such dispassionate busyness? No—surely this has nothing to do with Lear. But suppose some student should, now, in this room accidentally grasp Lear’s terror, feel the burn of that great pessimism. Would the scribbling stop? Would he, perhaps, sit there weeping all over the blue book? And would I give him an A? I watch from my window The people doing the work of the world. Floor upon floor of them Too busy to note that the winter afternoon has lit them up like film strips. They are busy in the world I lately lived in to write,” she recalled. “That is when I was introduced to Mina’s book, Errors and Expectations. Although I have now been teaching basic writing for almost 20 years, I still use that book to guide me—and to inspire me.” One of Maher’s intentions is to bring hope back to educators committed to the ideals of open admissions. Shaughnessy’s work and devotion, she writes, “can inspire us as we face some of the very same obstacles that Mina faced: ignorance about our students’ abilities, resistance from administrators and legislators who are too short-sighted to realize that our students can learn if we provide them with the time and conditions necessary to do so.” Mina worked nonstop, but she never seemed tired or disheartened. I recall the advice she gave to a young teacher who had written to her about starting a composition program. The man had recently been assigned to direct his college’s newly created composition program, a daunting task given the lack of preparation of many students, a staff of new teachers, his own inexperience as an administrator, and a considerable amount of resistance from “regular” faculty to the program. He had written to Mina hoping she could provide him with a surefire plan to turn things around. She replied that, unfortunately, no such plan existed and then offered four succinct bits of wisdom. First, she said, be prepared to work harder than ever before. Second, develop camaraderie among the faculty by holding meetings so that they can get to know and learn from each other. Third, try to recruit members of the senior faculty, where some of the best teachers are likely to be found; they are not only experienced teachers but have influence in the department. Finally, make it look like you’re having fun! L ess than a month before her death, Shaughnessy’s work as a teacher, writer, and scholar was recognized by President Jimmy Carter. His deputy traveled to New York to present her with a Presidential proclamation. In her acceptance speech before a small group of colleagues, Mina described in a characteristically modest—and candid—way the work for which she was being honored: “It was, I would say, a grand experiment, one that I hope will continue in some form that will perhaps change because we made mistakes. ...People thought we couldn’t do it, and we discovered—because we were innocent—that we could.” One with whom Mina worked and who learned from her was the Pulitzer Prizewinning poet Adrienne Rich, who taught both creative and basic writing at City College. Maher ends her book with Rich’s description of Shaughnessy’s continuing influence and impact on her field: “Her work illuminates the links between literacy and illiteracy, between student and teacher, writer and reader, grammar and literature, between the failures of our society and its visions. She was one of our major educational theorists, whose quality I believe will be recognized more and more as time goes on; I would place her with Maria Montessori, Paolo Freire, Ivan Illich, among the greatest of those who have understood that intelligence is not determined by privilege.” Mina P. Shaughnessy: Her Life and Work can be ordered directly from National Council of Teachers of English at 1-800-3696283, or through local bookstores. ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ 9 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ QUEENS TEAM SOOTHES SAVAGE BREAST Neanderthals Flaut Early Music Theories By Bonnie A.B. Blackwell Professor of Geology and Earth & Environmental Sciences, Queens College and GSUC Consortium for Evolutionary Primatology N eanderthals obviously were not the brutes we once thought. With the discovery of a remarkable object in the Alpine foothills of Slovenia, in fact, our attempts to imagine their life style must now include soirées musicales featuring serenades around the fire in their caves by a very distant ancestor of James Galway or Jean-Pierre Rampal. In 1991, Ivan Turk, from the Slovenian Academy of Sciences, sent me some cave bear teeth for dating from a site called Divje Babe I. Little did I know that I would soon be dating what is now considered to be history’s oldest musical instrument. Even in 1994, when Beverly Lau, who was then an eleventh grader at R.F. Kennedy High School in Queens; Joel Blickstein, a research associate at Queens College; and I were working on dating the teeth, we had no sense of the significance they would have for musical history. In the summer of 1994, as we ascertained the age of the bear teeth, Turk and his crew found a partial femur bone of a cave bear that had four nearly perfect circular holes in it. By October 1996 we were able to report to the Geological Society of America that the bone dated to between 42,000 and 82,000 years old, because it is known that cave bears became extinct 35,000 years ago. Also, the cemented sediment that had been overlying the bone meant it could not possibly have “migrated” down from a younger layer. Mousterian tools (used by Neanderthals) and a hearth were found near the femur as well. W hat riveted us, of course, were the neat, circular finger holes. Averaging 9 millimeters in diameter, the four holes in the bone penetrate only one side of its shaft, which is broken across two of the holes. Since the bone displayed no other results of animal chewing and the holes were in straight alignment, we concluded humans produced them. Encouraging to our thesis was the ability of Turk and his colleagues to reproduce similar holes in fresh bear bones with tools also found at the Divje Babe cave. Very similar bird bone flutes have been found in other European and Asian sites dating from 22,000 to 35,000, but none as old as the femur and none from a site peopled by Neanderthals. A recent analysis by Queens College graduate and musicologist Robert Fink indicates that the flute plays four notes from the harmonic minor scale: neutral mi, fa, so, and minor la—which is much like the first four notes of the song “Danny Boy.” According to Fink, “Under no circumstances could the holes in the flute be anything other than a deliberate attempt to make different tones that, to our ear, can be combined to make music.” Divje Babe is the richest site in Slovenia. Bones and teeth from 58 different species have been recovered there, along with the only fossilized cave bear hair ever found. When first visited by the Neanderthals, the cave was surrounded by a boreal forest similar to those in the southern Alps and experienced temperate climates. By the time Neanderthals abandoned the cave, glaciers were advanced toward it and the forest was thinning out. W e dated the sediment in which the flute was found by using a technique called electron spin resonance (ESR). Earlier dating attempts indicated that the The bone flute discovered by a team of archaeologists that included three members from Queens College. Photo, courtesy of the Slovenian Academy of Sciences. youngest Mousterian layers were 43,400 years old ( 1,400), but the older layers exceeded the limit of carbon-14 dating, which is not effective on objects more than about 50,000 years old. ESR, however, can date teeth as old as six million years by dating the enamel from mammal teeth associated with given archaeological remains. When buried in the ground, tooth enamel accumulates small doses of radiation over time, producing a measurable ESR signal. By measuring the accumulated radiation, the rate at which the ground generates radiation, and the dose rate generated by the uranium absorbed by the tooth, an ESR age can be calculated. Beverly Lau, now an undergraduate at SUNY-Binghamton, dated five cave bear teeth from three layers in Divje Babe. Under my supervision she meticulously separated the enamel from the dentine of each tooth by holding the enamel fragments between her fingers while grinding the surface with a diamond drill. “There were times I thought the grinding would never end!” Lau recalls. Eventually, however, 11 different samples were analyzed by ESR. The big problem in dating Divje Babe has been estimating how much water was present in the sediment over history. This is because water reduces radiation accumulation in enamel. Evidence suggested the cave has been both very wet and very dry over the past 100,000 years. Therefore, we decided it was necessary to calculate a minimum and maximum age for each tooth. Once we arrived at a full picture of our Neanderthal denture, we were able to suggest that the flute’s age could be as recent as 43,500 ( 1,400) years to as late as 67,000 to 82,000 ( 11,000). This is a unique Mousterian find, and my students and I plan to do further dating to constrain the age of our flute. T he arcane technology of electron spin resonance and niceties of sedimentation, however, were not uppermost in the minds of those who attended a New York Flute Fair at which I spoke in March. Naturally, eyes were riveted on pictures of the flute, which is under careful guard in the Slovenian Academy of Sciences, and my audience was enthralled by news that their favorite instrument is now considered the oldest. The musicians wanted to hear every gory detail about Neanderthal life, but were particularly keen to learn of the chances of discovering signs of an ancient flute concerto on one of those walls at Divje Babe. I told them not to hold their breath on that. Anyway, the Neanderthals were probably into shorter forms. If we do discover an ancient ditty, I’ve got the perfect title for our find: “I’ve Got You, Divje Babe!” Haywood Burns Chair Inaugurated F ormer Mayor David N. Dinkins joined more than 100 distinguished guests from the New York legislative and legal community on March 6 in honoring Judge Nathaniel R. Jones. The judge is the first holder of the Haywood Burns Chair in Civil Rights at the CUNY Law School at Queens College. It is the Law School’s first endowed chair and also the first to be named for an African American at a New York State law school. The new University Chair commemorates Haywood Burns’ life-long dedication to the civil rights movement and the broadening of opportunities in legal education. For three decades Burns was a leading civil rights lawyer, and from 1987 to 1994 he served as the second Dean of the Law School. He was killed in an automobile accident in April 1996 while traveling in South Africa. Jones, a senior judge of the Sixth Circuit of the U.S. Court of Appeals in Cincinnati, was first appointed to a federal bench in 1979 by President Jimmy Carter after serv- 10 fundraising drive for the Burns Chair. University leaders also expressed thanks to the State Legislature for its appropriation of $100,000 to the endowment. Kick-off donors to the Haywood Burns Chair in Civil Rights endowment Fran and Robert Boehm, flanked by Law School Dean Kristin Booth Glen and the Chair’s first holder, Judge Nathaniel R. Jones. Photo, André Beckles. ing the NAACP as General Counsel for 10 years. He brings an array of accomplishments appropriate to a chair in civil rights. Jones has published numerous articles on the subject, taught as an adjunct at the University of Cincinnati Law School for many years, and has traveled often to South Africa as a civil rights advocate. He was ar- rested and detained there in 1985 while leading a delegation to observe a notorious treason trial. Philanthropists Fran and Robert Boehm also received an ovation at the reception in the Robert J. Kibbee Lounge at the Central Office. Through the Boehm Foundation, they donated $50,000 to kick off the C hancellor W. Ann Reynolds, recalling the career of the late dean, said, “In the same way that, as a child, Haywood Burns instinctively knew that a segregated swimming pool in Peekskill was fundamentally wrong, he knew that a public law school, dedicated to the service of human needs, was fundamentally right. With the help of our legislative friends, we are able to commemorate an important part of his legacy.” The Chancellor closed by quoting words that epitomize “the rich bequest that Haywood Burns has left us all”: “We must neither accentuate nor submerge our differences,” he once said. “We must move to an appreciation and even a celebration of both the richness and the strengths we all bring one another, and of the great unity that is possible in diversity.” ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○○ ○○ ○○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○○ ○○ ○○ ○○ ○○ ○○ ○○ ○○ ○○ ○○ A NEW STUDY OF SEX, POWER, LAUGHTER Queens of Comedy Dr. Susan Horowitz, who holds a doctorate in drama from the GSUC, has been an adjunct in English for more than a decade at Borough of Manhattan Community College and is an expert and well-traveled lecturer on humor, stress, and communication. All three topics intersect perfectly in her just published book, Queens of Comedy (Gordon and Breach), in which she examines recent generations of America’s funny women. She sets out to place today’s comics—Roseanne, Ellen DeGeneres,Whoopi Goldberg—in the grand tradition of Mae West, Sophie Tucker, Minnie Pearl, and Totie Fields. Horowitz’ main focus is on four queens of contemporary comedy, introduced in her opening chapter, “Comic Appeal, Sex Appeal, and Power.” L ucille Ball, Phyllis Diller, Carol Burnett, and Joan Rivers are Queens of Comedy. Each created a career that lasted more than a quarter of a century. Each put her own twist on traditional female comic types and broke new ground for younger, more radical comediennes. And each is a very funny lady. For more than 25 years, these Queens of Comedy have been getting big laughs and big hands—winning hands, because they are in fact top cards. The Queen of Hearts is, of course, Lucille Ball. Her funniness and lovability charmed “I Love Lucy” fans in the 1950s and still appeal in syndicated reruns. The situation comedy mixed broad farce with domestic sentimentality and fine ensemble comic acting. The emotional heart of the program was the love between Lucy and Ricky Ricardo (played by Desi Arnaz, Ball’s husband, who produced the show). The Queen of Clubs is Phyllis Diller, who began performing in major comedy clubs and nightclubs at a time when stand-up comedy was 99% male. She broke down barriers against women in comedy through the sheer force of talent and determination. At 37, Diller was a housewife with five children, an unemployed husband, and a gift for making women laugh at the laundromat. She embarked on a risky show business career, honed her talent, and wrote much of her own material, delivering 12 laughs a minute, and playing in the biggest clubs on the circuit. The Queen of Spades is Carol Burnett, who dug deeply into her own childhood pain—both parents were alcoholic and sporadically abusive—to create comedy that was darker and more violent than that of Lucille Ball. She broke new ground with her willingness to jump, trip, take pratfalls, or do the famous Tarzan yell that challenged notions of ladylike behavior. Burnett has said, “If you’re a woman, it’s difficult to break through the barrier of having others accept you as funny. There’s all that training you’ve had since you were three. Be a lady! Don’t yell or try to be funny. Just be a nice little girl. Sit quietly with your knees close together, and speak only when you’re spoken to. Women are afraid to make themselves unattractive. I’m not afraid of that, goodness knows!...Most women are obsessed with an outmoded sense of modesty. They are afraid that being funny is unfeminine.” Burnett’s willingness to challenge that feminine role-playing stereotype resulted in a style of comedy that mixed broad slapstick with vulnerability and pathos. Her talent and personal likability were at the core of “The Carol Burnett Show,” the most successful of the few prime-time variety shows hosted by a comedienne. Joan Rivers is the Queen of Diamonds. Her sparkling wit and hard-edged comedy cut through pretense with the precision of an industrial diamond drill. Her love of jewelry is evident in the necklaces, bracelets, brooches, and earrings of her fashionable ensembles. But for years Rivers was more a diamond in the rough, obliged to polish her act in low-pay or no-pay showcase clubs. She broke taboos with her act, basing it on her own life and daring treatment of intimate subject matter. She finally broke through on “The Tonight Show,” becoming Johnny Carson’s first permanent guest host. Her own talk show later won an Emmy. E ach of these women had to struggle against some form of prejudice. Sometimes it was simple racism. Ball’s sponsors, for instance, resisted casting Arnaz as her television husband because they thought the audience would not accept an American woman married to a Cuban. Susan Horowitz Sometimes it was internalized sexism—a fear of appearing unladylike or “not nice.” For the first seven years of “The Carol Burnett Show,” Burnett was so concerned not to appear assertive that she avoided attending the program’s production meetings. As female stand-up comics, Diller and Rivers met with tremendous resistance. Theirs was—and to an extent still is—a male profession. Many male comics got their start in strip joints, and audiences were used to equating men with humor and women with stripping. As a beginner, Rivers was booked into a joint that billed her as “Pepper January—Comedy with Spice.” When she kept her clothes on and tried to be funny, the frustrated audience booed her off and shouted “Bring on the girls!” Why was stand-up comedy the only branch of show business where men for so long significantly outnumbered women? Conversely, why are today’s female comics, while still few compared with males, a rapidly growing minority? (According to Budd Friedman, owner of the Improvisation Comedy Club in Los Angeles, about 15% of comics are women.) Maybe it has something to do with how men look at women— and how women see themselves. For a long time, of course, a woman was simply not supposed to be funny. A 1909 newspaper editorialized, “Measured by ordinary standards of humor, she is about as comical as a crutch....A woman was made to be loved and fondled. She was certainly not made to be laughed at.” Such a premise led to the absurd situation of female humorists who, as Nancy Walker notes in her seminal book, A Very Serious Thing: Women’s Humor and American Culture, “were writing humor in the face of the prevailing opinion that they were not capable of what they were, at that moment, doing.” Deanne Stillman, coeditor of Titters, a 1976 collection of women’s humor, wanted to be a humorist as a teenager, but, believing that “writing funny was something girls didn’t do,” she signed the parodies she submitted to Mad Magazine as “Dean.” As recently as 1988, the owner of a well-known New York comedy club opined, “Stand-up comedy is aggressive. It takes balls. Sure, some women do it, but you kind of wonder about them.” Even some brilliantly successful female comics feel the vertigo that comes from trying to strike a balance between traditional roles and personal inclination. Joan Rivers has said, “I don’t like funny women. I don’t think I’m funny. I think I’m witty.” Some have resolved the conflict between funniness and femininity by choosing one. Gilda Radner said, “You’re not likely to see me sitting at the back of a party being pretty.” And Burnett, stigmatized for years as a gawky mugger, advised an audience at the Museum of Broadcasting, “The idea that it’s not feminine to clown around is old hat. Just be you.” More breezily dismissive was Elayne Boosler on a recent HBO special: “Being a lady has never been one of my goals.” What is the road of the future? Will comediennes follow in the footsteps of macho comedy styles, salting their vocabulary with profanity and donning aggressive posturing like shoulder pads and pinstripes? Will the mood of the country—and the comics—become more conservative and return to traditional sex roles? Or will both women and men move toward a comedy style based less on a power model of domination and submission and more on sharing? A ll artists mirror their society. This is especially true of comics, whose art is validated not by its impact on a small group of connoisseurs or succeeding generations, but on the instant feedback of laughter. Comics who comment on contemporary mores exert an influence on their fans that is more powerful than that of standard (and duller) authority figures. Lucille Ball, Phyllis Diller, Carol Burnett, Joan Rivers, and all other comediennes past and present, are rooted in a tradition of female comic personae. The seed of their individual talent is nurtured—or twisted—by the needs and beliefs of their contemporaries. The more adventurous among them break new ground, challenge their audience, and open up possibilities for a new generation of performers. By studying the art of popular comediennes, we may learn what it means to be female and professionally funny—and something about what it means for a woman to exert power. We must all deal with issues of sex roles and power. It is the special task of the comic to handle these issues with charm and humor. By looking into their “funny mirror,” we may learn something about our own ambivalences about comic appeal, sex appeal, and power. We may even learn something about masculinity and femininity—about, that is, ourselves. TYPES A & B—A NIETZSCHEAN VERSION One notices how some people know how to treat their experiences—their insignificant everyday experiences—so that these become a plot of ground that bears fruit three times a year. Others—and how many of them there are!— are driven through the storms of fate’s most exciting turns, the most varied currents of their time or nation, and yet always stay lightly on the surface, like a cork. Thus, one is finally tempted to divide humanity into a minority who know how to make much out of little and a majority who know how to make a little out of much...perverse wizards who, instead of creating the world out of nothing, create nothing out of the world. —from Human, All Too Human ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ 11 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ STUDENTS’ STATE SENATE COUP (DE THÉÂTRE) E arly in March 45 CUNY students from 16 campuses participated in the first college- level Model New York State Senate Session. Initiated by the Puerto Rican/Hispanic Task Force of the State Legislature, the session took place in the Senate Chamber at the Capital in conjunction with the 10th annual “Somos El Futuro” (We Are the Future) Conference, which is intended to encourage latinos to become politically aware and involved. The session consisted of debate on two bills with potential impact on the students’ own lives, one on rent regulation and the other on welfare reform. Students played the roles of Republican and Democratic senators from actual districts, which in some cases required them to argue views contrary to their own. Prior to the session, participants had four intensive training sessions at the Graduate School developed by the CUNY Internship Program. Special speakers included Prof. Edward Schneier of City College, Prof. Robert Pecorella of the New York State Assembly Internship Program, Assemblyman Vito Lopez, State Senator Efraim Gonzalez, and CUNY Vice Chancellor Elsa Nuñez. Reina Zeda, a junior at City College who lives in Spanish Harlem, played the role of Majority Leader Joseph Bruno and conferred frequently with his staffers to assure that her arguments matched the senator’s. “What I learned is how, as a leader, you really have to stand for what you believe. We were each assigned a district, and we had to take into consideration constituents’ needs, the party, and re-election.” Bronx Assemblyman Roberto Ramirez, chair of the Task Force and initiator of the session, spoke glowingly of the students’ performance: “You are sitting in one of the most powerful legislatures in the country, and I hope one day you will come back as full-fledged senators.” The Albany trip was developed by the CUNY Internship Program office under the direction of Prof. Ed Rogowsky, who was assisted by project coordinator Michael Speer, Jill Simone Gross, and project faculty member Anthony Maniscalco of John Jay. CUNY mock legislators included Aldo Valmon and Daniel Ramirez, center foreground; behind them, from the right, Monica Palacio, Sonia Galeano, and Michelle Soto; Nibaldo Aguilera is far left. Science Yes!, continued from page 8 good use of the children’s questions or giving them a chance to discover or investigate. I’ve been afraid to do this in my classroom because of the behavior problems I’ve encountered. I now realize that was just an excuse, because I wasn’t clear on how to go about performing an experiment. In fact, I have a room which contains very little evidence of teaching science. Shame on me, but not for long.” T he children in Science, YES! classrooms have been actively engaged in a wide variety of experiments. Gerterlyn Dozier’s 2nd graders at P.S. 243 have been studying and writing about wildlife. “Owls are wild. They’re cute,” says Stephanie, but adds sensibly, “they need to stay in the wild.” Luis reports, “When I go to the zoo again I will take a picture. I will look for the owl’s beautiful eyes.” Valerie Menditto’s kindergartners at P.S. 164 have recently been planting bulbs around their school, and she applied her newly acquired inquiry-based learning techniques when her students became fascinated by worms they encountered. One critter, dubbed Wormy, became the star of a science fair exhibit, “Wormy in Motion.” The students experimented to find out how Wormy navigated on different materials. Clara found he “holds the carpet with his scales,” while Albert observed that he “goes slow on the foil because he slips on the metal.” It’s a good guess that “going slow” will not happen to these kindergartners if they choose a career in science...and if Science, YES! continues to prepare future teachers to nurture them. A SCHOLARSHIP FROM TRAGEDY —AND THE HEART T here are no small parts, just small actors,” goes the saying. That wisdom applies to educational philanthropists as well as thespians. There are no small donations to the campuses and students of the City University. Of course, large gifts like Fiterman Hall at the Borough of Manhattan Community College or the Newman Library at Baruch College are bound to take the breath away. But more modest gifts can have the same exhilarating impact. Consider, for example, the Paris Garcia Scholarship at the College of Staten Island. In 1987 Maria Garcia was a single parent studying finance at the College of Staten Island. Because her son had suffered several serious ailments almost from birth, Garcia decided to take some biology classes to be able to follow his health more knowledgeably. His death in 1991, just before his fifth birthday, staggered her and the sophomore’s GPA suffered. But the loss of Paris finally steeled Garcia’s resolve to enter a health care profession, and she soon joined the inaugural class of the joint B.S. program for physician assistant at CSI and Bayley Seton Hospital. According to Prof. Pamela Carlton, director of the physician assistant degree program at CSI, Garcia “was able to persevere and eventually graduated as valedictorian of her class.” Taking her degree in biology and physician assistant (plus an associate in finance) in 1995, Maria Garcia Plover—her new married name—went on to complete her residency in the neonatal intensive care unit at Norwalk Hospital in Connecticut. She was immediately offered a position at the Hospital and is pictured here in her workplace. Paris not only inspired her change of career path, but also a desire, as she says, “to give something back to all the wonderfully supportive teachers in the biology department and Physician Assistant program.” She decided, therefore, to establish the Paris Garcia Scholarship to be awarded to a graduate of the Physician Assistant degree program who has overcome hardship and demonstrated courage in earning a degree. Prof. Carlton recalls Maria as “an absolutely wonderful student with a very creative mind and superb manual skills.” College of Staten Island graduate Maria Garcia Plover, foreground, attending to one of her charges with colleague Anne Mauk in the neonatal intensive care unit of Norwalk Hospital. Photo, Wendy D. Morgan Carlton is just as admiring of the first Paris Garcia Scholar. Robert Albanese, while struggling financially through a divorce, gave up a successful bus company he had developed so he could go back to school. Prior to graduating as a physician assistant, he earned a degree in biology with honors and has already published two papers as a primary author. Board of Trustees The City University of New York Anne A. Paolucci Chairwoman Herman Badillo Vice-Chairman Satish K. Babbar Jerome S. Berg John J. Calandra Michael C. Crimmins Edith B. Everett Ronald J. Marino Susan Moore Mouner James P. Murphy Robert Price George J. Rios Nilda Soto Ruiz Richard B. Stone Sandi E. Cooper Chairperson, University Faculty Senate Ifeachor Potts Chairperson, University Student Senate Jay Hershenson Vice Chancellor for University Relations Editor: Pamela Bayless Managing Editor: Gary Schmidgall Letters or suggestions for future articles on topics of general interest to the CUNY community should be addressed to CUNY Matters 535 E. 80th St., 7th Floor New York, NY 10021 CUNY Matters is available on the CUNY home page at http://www.cuny.edu. 12 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ The Office of University Relations The City University of New York 535 E. 80th St. New York, NY 10021 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
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