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Autumn,!2013!
MW!9:10010:05!in!University!Hall!014!
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CS200!
Course!Name!
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!
!
!
Friday!discussion!sections!with!TA’s,!
Cecily!Hill!and!Erica!Haugtvedt!
Instructor:!Prof.!Robyn!Warhol!
E0Mail:[email protected]!
Office:!Denney!405!
Office!Hours:!Tu!3:3004:45,!W!10:30011:45!
!
!
Overview!
Required!Book!
Study!of!representative!works!of!British!literature!in!four!periods—Romantic,!
Victorian,!Modernist,!and!Post0Modern—encountered!in!reverse!order.!!
Lectures!will!focus!on!close!reading,!cultural!developments!and!visual!analogues!
to!literary!texts!including!a!wide!range!of!canonical!and!non0canonical!writers.!
The$Norton$Anthology$of$English$
Literature,$9th!edition,!Volume!2!
(Romantics021st!Century)!
!
BRING!ANTHOLOGY!TO!ALL!
LECTURES!AND!DISCUSSIONS.!
$
Goals!
For!each!of!the!periods,!students!will!learn!to!identify!styles,!themes,!and!
authors!in!the!context!of!each!work’s!historical!moment.!!!
Milestones!
Requirements!
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•
•
•
Wednesday,)October)9)
Midterm!exam!in!class!
Identification!of!passages!from!
readings;!true/false!from!lectures.!
Attend!all!lectures!and!discussions.!Each!student!may!skip!one!
discussion!section,!no!explanation!necessary.!If!you!have!to!miss!a!
lecture,!get!notes!from!a!classmate!so!you!can!prepare!for!the!exams.!
Before!each!lecture,!post!a!2500word!response!to!the!assigned!reading!
question!on!Carmen.!!Responses!must!be!posted!no!later!than!8:00!AM!
the!day!of!class.!They!will!be!graded!at!unannounced!intervals.!
Take!a!midterm!and!a!final,!demonstrating!you!have!done!the!reading!
and!paid!attention!to!lectures.!
Participate!in!discussions,!showing!a!good!familiarity!with!the!reading!
and!making!reference!to!issues!raised!in!lectures.!
Wednesday,)December)11)
Final!exam!8:00!AM09:45!AM!
Identification!of!passages!from!
readings!and!true/false!from!lectures!
since!midterm.!
Matching!authors!with!all!four!
periods!covered!in!the!course.!
)
Evaluation!
•
•
•
•
30%!Midterm!Exam!
30%!Final!Exam!
20%!Average!of!grades!on!daily!reading!responses!posted!to!Carmen!
20%!Participation!in!discussions!(see!Grading!Rubric!under!Content!on!
Carmen)!
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1!
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the post-modern period
1960-today
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Chinua Achebe (b. 1930)
(1) “Civil Peace” (1971), 2836-2841
J. M. Coetzee (b. 1940)
(1) from Waiting for the Barbarians (1980), 2982-2996
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2!
Seamus Heaney (b. 1939)
(1) “Digging” (1966), 2953; (2) “The Grauballe Man” and (3) “Punishment” (1975), 2954-2956; (4) “The Skunk” (1979), 2959-2960; (5)
“Casualty” (1979), 2957-2959; (6) “Anything Can Happen” (2001, 2006), 2967.
Margaret Atwood (b. 1939)
(1) “Miss July Grows Older” (1995), 2981-2982
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3!
Tom Stoppard (b. 1937)
(1) Arcadia (1993), 2880-2948
Salman Rushdie (b. 1947)
(1) “The Prophet’s Hair” (1981), 3002-3011
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4!
Ian McEwan (b. 1948)
(1) from Enduring Love (1997), 3012-3026
Kiran Desai (b. 1971)
(1) “The Sermon in the Guava Tree” (1997), 3046-3056
Zadie Smith (b. 1975)
(1) “The Waiter’s Wife” (1999), 3058-3068
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5!
The$Modern$period$
1900/1960$
Joseph$Conrad (185701924)!
(1)$Heart&of&Darkness&$(1899,$1902),$pp.$1951/2011$$
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$$$$
$
William$Butler$Yeats$(1869/1939)$
(1)$“The$Stolen$Child”$(1886),$2085/86;$(2)$“The$Lake$Isle$of$Innisfree”$(1890)$2087/88;$(3)“Easter,$1916”$(1916),$
2093/95;$(4)$“The$Wild$Swans$at$Coole”$(1917),$2095/96;$$$$$$$$$$(5)$“The$Second$Coming”$(1920),$2099;$(6)$“Leda$and$
the$Swan”$(1924),$2102;$(7)$“Sailing$to$Byzantium”$(1927),$2102/2103$
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6!
$$$$
$
Virginia$Woolf$(1882/1941)$
(1)$Mrs.&Dalloway&(1925),$first$part:$2155/2201$
(2)$Mrs.&Dalloway,$second$part:$2201/2264$
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$$$$
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James$Joyce$(1882/1941)$
(1)$“The$Dead”$(1914),$2282/2311$
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T.$S.$Eliot$(1888/1965)$
(1)$“The$Love$Song$of$J.$Alfred$Prufrock”$(1915),$2524/2527;$(2)$“The$Hollow$Men”$(1925),$2543/2546$
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7!
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Stevie$Smith$(1902/1971)$
(1)$“Sunt$Leones”$(1937),$2599;$(2)$“Our$Bog$is$Dood”$(1950),$2600;$(3)$“Thoughts$about$the$Person$from$Porlock”$(1962),$
2602/2603$
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$$$$
$
Samuel$Beckett$(1906/1989)$
(1)$Waiting&for&Godot$(1952),$2621/2677$
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MIDTERM EXAM
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8!
The Victorian Period
1837-1901
Alfred, Lord Tennyson (1809-1892)
(1) “Mariana” (1830), 1159-1161; (2) “The Lady of Shalott” (1832), 1161-1166; (3) “Break, Break, Break” (1842), 1174; (4) “Tears, Idle
Tears” (1847), 1183; (5) “The Passing of Arthur” (1869), 1248-1259 (see also photo by Julia Margaret Cameron, plates C 7)
Elizabeth Barrett Browning (1806-1861)
(1) “To George Sand: A Desire” AND (2) “To George Sand: A Recognition” (1844); (3) Sonnets from the Portuguese No. 43 (1850), 1130; (4)
from Aurora Leigh Book I (1857), 1138-1143
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Robert Browning (1812-1889)
(1) “Porphyria’s Lover” (1836), 1278-1279; (2) “My Last Duchess” (1842), 1282-1283;
Ghent to Aix” (1845)
(3) “How They Brought the Good News from
Emily Brontë (1818-1848)
(1) “I’m Happiest When Most Away” (1838), 1329; (2) “The Prisoner: A Fragment” (1846), 1332-1334; (3) “No Coward Soul Is Mine”
(1846), 1334-1335
Matthew Arnold (1822-1888)
(1) “The Scholar Gypsy” (1853), 1381-1387; (2) “Dover Beach” (1867), 1387-1388
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10!
Dante Gabriel Rossetti (1828-1882)
(1) “Jenny” (1870), 1478-1487; PAINTINGS: (2) “Soul’s Beauty” (C 6) AND (3) “Body’s Beauty” (C 6)
Christina Rossetti (1830-1894)
(1) “In an Artist’s Studio” (1856), 1493; (2) “A Birthday” (1857), 1493; (3) “Goblin Market” (1859), 1496-1508
Robert Louis Stevenson (1850-1894)
(1) The Strange Case of Dr. Jekyll and Mr. Hyde (1886), 1677-1686; (2) Dr. Jekyll and Mr. Hyde, SECOND PART: 1686-1719
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11!
Oscar Wilde (1854-1900)
(1) The Importance of Being Earnest (1899), 1733-1777
The Romantic Period
1798-1840
Anna Letitia Barbauld (1743-1825)
(1) “The Mouse’s Petition” (1773), 40-41; (2) “To a Little Invisible Being Who Is Expected Soon to Become Visible” (1795), 49-50; (3)
“Washing-Day” (1797), 50-52
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12!
Charlotte Smith (1749-1806)
(1) “To Sleep” (1784), 54-55; (2) “To Night” (1788), 55; (3) “On Being Cautioned Against Walking on an Headland Overlooking the
Sea, Because It Was Frequented by a Lunatic” (1797), 56
William Blake (1757-1827)
From Songs of Innocence and of Experience: (1) “The Lamb” (1789), 120; (2) “The Little Black Boy” (1789), 120-121; (3) “The
Chimney Sweeper” (1789), 121-122;
(4) “The Clod and the Pebble” (1794), 127; (5) “The Tyger” (1794), 129-130; (6) “London”
(1794), 132-133; (7) “A Poison Tree” (1794), 134
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13!
William Wordsworth (1770-1850)
(1) “We Are Seven” (1789), 278-279; (2) “The Tables Turned” (1789) 281-282; (3) “Strange Fits of Passion Have I Known” (1799),
305; (4) “She Dwelt Among the Untrodden Ways” (1799), 305-306; (5) “A Slumber Did My Spirit Seal” (1799), 307; (6) “I Wandered
Lonely as a Cloud” (1804), 334-335; (7) “My Heart Leaps Up” (1802), 335
Samuel Taylor Coleridge (1772-1834)(1) “The Rime of the Ancient Mariner” (1797), 443-459; (2) “Kubla Khan” (1797), 459-462;
(3) “The Pains of Sleep” (1803), 483-484
Jane Austen (1775-1817)
(1) Love and Friendship (1790), 525-544
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14!
Gothic Novels
Read selections from (1) Horace Walpole (1717-1797); (2) William Beckford (1760-1844); (3) Ann Radcliffe (1764-1823); and (4)
Matthew Gregory Lewis (1775-1818), 584-608
Percy Bysshe Shelley (1792-1822)
(1) “Ozymandias” (1817), 776; (2) “Ode to the West Wind” (1819), 791-793
Felicia Hemans (1793-1835)
(1) “England’s Dead” (1822), 885-886; (2) “The Homes of England” (1827), 888-889; (3) “Indian Woman’s Death Song” (1828),
894-895
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15!
John Keats (1795-1821)
(1) “On First Looking into Chapman’s Homer” (1816), 904; (2) “When I Have Fears that I May Cease to Be” (1818), 911; (3) “La
Belle Dame Sans Merci: A Ballad” (1819), 923-924; (4) “Ode on a Grecian Urn” (1819), 930-931
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16!
2202:!August!!
SUNDAY!
MONDAY!
TUESDAY!
WEDNESDAY!
THURSDAY!
FRIDAY!
SATURDAY!
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Achebe,!story!
Coetzee,!novel!
excerpt!
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Course!
introduction!
Heaney,!6!poems!
Atwood,!1!poem!
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Discussion!
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17!
2202:!September!!
SUNDAY!
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MONDAY!
))Holiday)
No!class!meeting!
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TUESDAY!
WEDNESDAY!
THURSDAY!
FRIDAY!
SATURDAY!
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Stoppard,!play!
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Discussion!
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1)
2)PostMod)
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4)PostMod)
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8)
9)Modern)
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11)Modern)
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16)Modern)
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Rushdie,!story!
McEwan,!novel!
excerpt!
Conrad,!novel!
Woolf,!novel!
part!1!
Joyce,!story!
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Desai,!story!
Z.!Smith,!story!
Yeats,!7!poems!
Woolf,!novel!
part!2!
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Discussion!
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Discussion!
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Discussion!
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18!
2202:!October!!
SUNDAY!
MONDAY!
TUESDAY!
WEDNESDAY!
THURSDAY!
FRIDAY!
SATURDAY!
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)Modern)
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2)Modern)
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4)MIDTERM)
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9)Victorian)
10))
11)Victorian)
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Beckett,!play!
Tennyson,!5!
poems!
Brontë,!3!poems!
Arnold,!2!poems!
D.!G.!Rossetti,!1!
poem!&!2!
paintings!
C.!Rossetti,!3!
poems!
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Eliot,!2!poems!
S.!Smith,!3!poems!
(No!office!hours)!
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Exam!in!class!
E.!B.!Browning,!4!
poems!
R.!Browning,!3!
poems!
NO!CLASS!
MEETING:!
Prof.!Warhol!at!
conference!
Stevenson,!novel!
part!1!
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Discussion!
No!discussion!
sections!
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Discussion!
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Discussion!
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19!
2202:!November!!
SUNDAY!
MONDAY!
TUESDAY!
WEDNESDAY!
THURSDAY!
FRIDAY!
SATURDAY!
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2)Victorian)
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4)Victorian)
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9))Holiday)
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11)
Barbauld,!3!poems!
Romantic)
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14)
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Stevenson,!novel!
part!2!
No!class!meeting!
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Wilde,!play!
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Discussion!
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Discussion!
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Discussion!
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C.!Smith,!3!poems!
Blake,!7!poems!
D!
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16)
Wordsworth,!7!
Romantic)
17)
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18)
Austen,!novella!
Romantic)
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21)
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))Holiday)
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poems!
Coleridge,!3!poems!
Gothic!Novels,!!
4!excerpts!
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Discussion!
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20!
2202:!December!!
SUNDAY!
MONDAY!
TUESDAY!
WEDNESDAY!
THURSDAY!
FRIDAY!
SATURDAY!
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Robyn!Warhol!
English!2202!
Autumn,!2013!
Shelley,!2!poems!
Hemans,!3!poems!
Keats,!4!poems!
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