2013
International
Conference
Program
Conference Schedule
Abstracts & Biographies
Program Notes & Composer Biographies
Pre-Registrant List
Venue Maps
Tuesday, June 18
Plaza:
Plaza Hotel Buenos Aires (formerly Marriott)
9:00 am–1:00 pm
Conference Registration Open
1:00–5:00 pm
Practice Rooms Open
Plaza, Mezzanine Level
Plaza, San Martin & Plaza Rooms
Tuesday, June 18
Morning (various times)
Arrivals / Hotel check-in
1:45 pm * Assemble in Plaza Hotel Lobby for departure
2:00–5:00 pm
Guided Orientation Tour of Buenos Aires
* Combination of bus & walking
* Wear comfortable shoes & bring outerwear
6:30–9:30 pm Welcome Dinner & Performance
* Includes a performance by the Orchestra of Indigenous
Instruments & New Technologies
Alejandro Iglesias Rossi, conductor
Fiestas (Plaza)
Overnight in Buenos Aires
Wednesday, June 19
Basílica:
Borges:
Plaza:
Basílica del Santísmo Sacramento
Centro Cultural Borges
Plaza Hotel Buenos Aires (formerly Marriott)
8:00–10:00 am; 1:00 pm–3:00 pm
Conference Registration Open
Wednesday, June 19
8:00 am–8:00 pm
Practice Rooms Open
Plaza, Mezzanine Level
Plaza, San Martin & Plaza Rooms
9:00–10:25 am Auditorio Piazzolla (Borges)
Session 1A
Chair: David R. Montaño (University of Denver)
9:00 Lecture-recital: La Flauta of Buenos Aires through the Music of
Amancio Alcorta: The Music of the Late 19th Century in Argentina
Paula Gudmundson (University of Minnesota–Duluth)
Sonia K. Vlahcevic (Virginia Commonwealth University)
9:30 Lecture-recital: Somos Americanos: New Music by U.S. and Latin
American Composers for Flute and Piano
Martha Councell–Vargas (Western Michigan University)
Richard Steinbach (Briar Cliff University)
10:00 Performance: Colombian Perspectives: A Global Manifestation in
Flute and Piano Music
Tabatha Easley (Virginia Commonwealth University)
Andrés Gómez-Bravo (Universidad EAFIT)
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2013 CMS International Conference
Wednesday, June 19
9:00–10:25 am
Auditorio Williams (Borges)
Session 1B
Chair: Andrea Shaheen (El Paso, Texas)
9:00 Performance: From Tango to Twelve–Tone: Musical Eclecticism in the
“Eight Studies” by Boris Papandopulo
Nicholas Phillips (University of Wisconsin–Eau Claire)
9:30 Lecture-recital: Tango Aleman: A Portrait of the Argentine–German
Composer Mauricio Kagel (1931–2008)
Adalbert Grote (Neuss, Germany)
Linda Apple Monson (George Mason University)
10:00 Lecture-recital: From Buenos Aires to Istanbul: the Journey of
Tango in Distant Lands
Aysegul Durakoglu (Stevens Institute of Technology)
9:00–10:25 am
Florida (Plaza)
Session 1C
Chair: Judith Bond (University of Wisconsin–Stevens Point)
9:00 Paper: Sardanes: The Catalan National Dance as the Thematic Basis
of Alberto Ginastera’s “Glosses Sobre Temes de Pau Casals
Opus 48,” Movement Three
Daniel C. Adams (Texas Southern University)
9:30 Paper: Tango Showdown: Argentina vs. Spain. Commonalities
and Disparities between the Argentinian Tango and the
Tango Flamenco
Jose M.Garcia–Leon (University of New Haven)
10:00 Lecture-recital: From Spain to the New World
EnsAmble Ad-Hoc:
Francy Acosta
Jose Luis Posada
10:30 am
2nd Floor Foyer (Borges)
Coffee Break 11:00 am–12:00 pm Auditorio Piazzolla (Borges)
Keynote Lecture
Chair: Patricia Campbell (University of Washington)
Music in Argentina: A Panoramic Approach
Ana Lucia Frega (Departamento de Artes Sonoras/IUNA)
12:00–1:15 pm
Lunch on own
1:30–2:55 pm Auditorio Piazzolla (Borges)
Session 2A
Chair: Don Bowyer (Arkansas State University)
1:30 Lecture-recital: Idol of the Odeon: A 150th Birthday Tribute to
Brazilian Composer/Pianist Ernesto Nazareth (1863–1934)
Nanette Kaplan Solomon (Slippery Rock University)
Wednesday, June 19
2:00 Performance: Hidden Gems of Brazilian Music
Carlos Audi (Hillsborough Community College)
Hamilton Tescarollo (Indiana University–Purdue University)
2:30 Performance: Programmatic Elements in the Work “Cores &
Construções & Texturas: Sonora Arquitetura” by Almeida Prado
Ingrid P. Barancoski (UNIRIO–Federal University of
Rio de Janeiro State)
Temperature Conversion
For a rough conversion from Celsius to Fahrenheit,
double the temperature in Celsius and add 30. For
weather, remember that 28˚C is 82˚F—just perfect!
7
Wednesday, June 19
1:30–2:55 pm
Auditorio Williams (Borges)
Session 2B
Chair: David R. Montaño (University of Denver)
1:30 Lecture-recital: Ross Lee Finney’s song cycle, “Chamber Music” ––
a Mosaic of Text and Music
Joseph C. Perniciaro (Fort Hays State University)
2:00 Lecture-recital: Carlos Guastavino: The “Quiet Voice” from Argentina
Marcos F. Krieger (Susquehanna University)
Nina M. Tober (Susquehanna University)
2:30 Lecture-recital: Rocío Sanz, Songs by a Costa Rican Composer
Judith A. Coe (University of Colorado Denver)
Susan E. Wheatley (Indiana University of Pennsylvania)
1:30–2:55 pm
Florida (Plaza)
Session 2C
Chair: Akosua O. Addo (University of Minnesota–Twin Cities)
1:30 Paper: The Yiddish Tango, from Argentina to Eastern Europe and Back
Joan O. Epstein (Eckerd College)
2:00 Paper: Tangos (Re)Envisioned: A Model to Create and Recreate
the Tango through Contemporary Clarinet Literature
Katherine Palmer (Arizona State University)
2:30 Lecture-recital: Non–Piazolla Tangos for Solo Violin:
Pompeyo Camps and José Serebrier
Kia–Hui Tan (Ohio State University–Columbus)
1:30–4:30 pm
Rehearsal for CMS Composers’ Concert I
3:00 pm
Break
* No service provided during this break
Basílica
3:30–4:25 pm Auditorio Piazzolla (Borges)
Session 3A
Chair: Kristin Wendland (Emory University)
3:30 Performance: Rosa Ibérica
Julia Bronkhorst (Voorburg, Netherlands)
Deborah G. Nemko (Bridgewater State University)
4:00 Performance: Viaje Iberoamericano: The “Journey” as a Model for
Interactive Performance
Jeanette Zyko (Austin Peay State University)
Wednesday, June 19
3:30–4:25 pm
Auditorio Williams (Borges)
Session 3B
Chair: Nicholas Phillips (University of Wisconsin–Eau Claire)
3:30 Paper: Liszt’s (Re)readings of von Hagn’s “Was Liebe Sei?”
Stefanie C. Dickinson (University of Central Arkansas)
4:00 Demonstration: Mainly Mozart: Using Style Analysis to Compose
Cadenzas for the Master’s Concertos
Kathryn Ananda-Owens (Saint Olaf College)
3:30–4:25 pm
Florida (Plaza)
Session 3C
Chair: Jane M. Solose (University of Missouri–Kansas City)
3:30 Paper: A World of Music in a Week: Examining the Smithsonian
Folkways Certification Workshop: in World Music Pedagogy
Amanda C. Soto (University of Idaho)
4:00 Paper: Charting a Transitioning Tradition: Youth Drum Corps in
the United States
Denise Odello (University of Minnesota–Morris)
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2013 CMS International Conference
Wednesday, June 19
4:30 pm
Break
* No service provided during this break
5:00–5:55 pm Auditorio Piazzolla (Borges)
Session 4A
Chair: Chris Rutkowski (Indiana University–Purdue University)
5:00 Lecture-recital: “Clairières dans le ciel” by Lili Boulanger:
An Historical and Analytical Study
Marika V. Kyriakos (Arkansas State University–Jonesboro)
5:00–5:55 pm
Auditorio Williams (Borges)
Session 4B
Chair: Alexandra Zacharella (University of Arkansas–Fort Smith)
5:00 Paper: Global Perspectives in the Local Classroom: Traditional
Arabic Music and the Western Student
Vanessa Cornett–Murtada (University of St. Thomas)
5:30 Paper: Musical Life in Colonial Virginia: Considering Musical
Education and Performance
Jennifer A. Cable (University of Richmond)
5:00–5:55 pm
Session 4C
Chair: Pamela D. Pike (Louisiana State University)
5:00 Paper: The Earliest Keyboard Instruments in China
Xiaoli Ding (Washburn University)
Florida (Plaza)
5:30 Paper: Keys to the Future: A Study of Undergraduate Piano Education
Rosabel Choi (Arizona State University)
6:00 pm
Break
* No service provided during this break
7:00–8:30 pm Concert of New Music by CMS Composers I
Concert Manager: C. Tayloe Harding
(University of South Carolina–Columbia)
Basílica
The Wordless Book ................................. David H. Davies (Houghton College)
I. Black
II. Red
III. White
IV. Green
Carrie Blythe Davies, piano
Motions for Piano Duet ........................ Judy Bruce (New Castle, Pennsylvania)
Nanette Kaplan Solomon & Susan Wheatley, piano
Daniel J. Perlongo & Susan Wheatley, piano
Pas de Deux ..................... Charles J. Ditto (Texas State University–San Marcos)
Caterina Bristol, oboe
Nikolasa Tejero, clarinet
Suite for Piano ...................... Paul J. Dickinson (University of Central Arkansas)
Paul J. Dickinson, piano
Dance Suite for Viola and Piano ................................................. John C. Griffin
(Western Michigan University)
Kasia Bugaj, viola
John C. Griffin, piano
Evening Free / Dinner on own / Overnight in Buenos Aires
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Wednesday, June 19
Tango Suite in Three Scenes ................................................. Daniel J. Perlongo
(Indiana University of Pennsylvania)
III. Around Cape Horn
Thursday, June 20
Borges:
Plaza: Centro Cultural Borges
Plaza Hotel Buenos Aires (formerly Marriott)
8:00–10:00 am; 1:00 pm–3:00 pm
Conference Registration Open
Thursday, June 20
8:00 am–8:00 pm
Practice Rooms Open
Plaza, Mezzanine Level
Plaza, San Martin & Plaza Rooms
9:00–10:25 am Auditorio Piazzolla (Borges)
Session 5A
Chair: Marcos F. Krieger (Susquehanna University)
9:00 Lecture-recital: Cantos Populares: Argentinean Nationalism and Compositional Idioms in Carlos Guastavino’s Piano Writing
Sang Woo Kang (Providence College)
9:30 Lecture-recital: Classical Music for the Rainbow Nation:
Hendrik Hofmeyr’s Piano Sonata
Justin Krawitz (University of Cape Town)
10:00 Paper: Fuchs, Eisner, and the Confluence of Jewish, Austro-German,
and South American Music Traditions
Miguel Ramirez (Austin Peay State University)
9:00–10:25 am
Auditorio Williams (Borges)
Session 5B
Chair: Douglas P. Ovens (Muhlenberg College)
9:00 Performance: Magical, Dissonant, Fantastic Beauty: The Solo Piano
Nocturnes of Lowell Liebermann
Ann M. DuHamel (University of Minnesota–Morris)
9:30 Paper: Bela Bartok’s Other Microcosmos
Sylvia Parker (University of Vermont)
10:00 Lecture-recital: Dance Influence on Latin American Piano Music
Annette DiMedio (University of the Arts)
9:30–10:25 am
Florida (Plaza)
Session 5C
Chair: Maud Hickey (Northwestern University)
9:30 Paper: Development Tools Useful for the Creation of Auto–
accompaniment Systems with the Flexibility to Use MIDI or Audio
Input and MIDI or Audio–recorded Accompaniments
David R. Montaño (University of Denver)
10:00 Paper: History, Practice, and Meaning–Making in the Laptop
Orchestra: Technology as Performance in a 21st Century School
of Music
Sarah J. Bartolome (Louisiana State University)
10:30 am
2nd Floor Foyer (Borges)
Coffee Break 11:00 am–12:00 pm Auditorio Piazzolla (Borges)
Keynote Lecture-Recital
Chair: Kristin Wendland (Emory University)
The Performance Practice of Tango (Yeites and Beyond)
Sonia Possetti, piano
Damian Bolotin, violin
Nicolás Enrich, bandoneon
12:00–1:15 pm
Lunch on own
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2013 CMS International Conference
Thursday, June 20
1:30–2:55 pm Auditorio Piazzolla (Borges)
Session 6A
Chair: Stephanie Berg Oram (Red Rocks Community College)
1:30 Lecture-recital: Mike Mower’s “Sonata Latino”
Rachel Bergman (George Mason University)
Linda Apple Monson (George Mason University)
2:00 Lecture-recital: “Garak” for Flute and Piano by Isang Yun
Kimberlee Goodman (Otterbein University)
Sylvia Parker (University of Vermont)
2:30 Lecture-recital: Salon Music for Professionals: The Flute and Piano
Music of Theodor Blumer (1881–1964)
John R. Bailey (University of Nebraska–Lincoln)
Nicholas Phillips (University of Wisconsin–Eau Claire)
3:00 pm
Break
* No service provided during this break
3:30–4:25 pm Auditorio Piazzolla (Borges)
Session 7A
Chair: Stephanie Berg Oram (Red Rocks Community College)
3:30 Workshop: Sensory Consonance, Just Intonation, and Tuning
Your Instrumental Ensemble
Mary Beth Bronk (Texas Lutheran University)
Mary Ellen Cavitt (Texas State University–San Marcos)
3:30–4:25 pm
Auditorio Williams (Borges)
Session 7B
Chair: Andrea Shaheen (El Paso, Texas)
3:30 Workshop: Pianists in Motion: Balance and Dynamic Alignment
in Performance
Paola Savvidou (University of Missouri)
3:30–4:25 pm
Florida (Plaza)
Session 7C
Chair: Deborah G. Nemko (Bridgewater State University)
3:30 Workshop: Counting what Counts: Using Performance Assessments
Effectively in all Music Courses
Debbie Lynn Wolf (Newtown, Pennsylvania)
4:30 pm
Break
* No service provided during this break
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Thursday, June 20
1:30–2:55 pm
Auditorio Williams (Borges)
Session 6B
Chair: Patricia Campbell (University of Washington)
1:30 Lecture-recital: Gong–Chime Music of Southeast Asia: Pianistic
Interpretations
Charisse J. Baldoria (Bloomsburg University)
2:00 Performance: Something Borrowed, Something New: The Marriage of
Stylistic Elements in Works by Milhaud, Abras and Riley for Piano
4-hands
Duo Solose:
Jane M. Solose (University of Missouri–Kansas City)
Kathleen A. Solose (University of Saskatchewan)
1:30–2:55 pm
Florida (Plaza)
Session 6C
Chair: Juan Chattah (University of Miami)
1:30 Panel: Transnational Experiences and Multicultural Perspectives
on Music Teacher Education
Carlos Abril (University of Miami)
Akosua O. Addo (University of Minnesota–Twin Cities)
Judith Bond (University of Wisconsin–Stevens Point)
Ana Lucia Frega (Departamento de Artes Sonoras/IUNA)
Cecilia Wang (University of Kentucky–Lexington)
Thursday, June 20
5:00–5:55 pm Auditorio Piazzolla (Borges)
Session 8A
Chair: Rachel Bergman (George Mason University)
5:00 Paper: Contextualizing K–12 Mathematics Education within the
Context of Musical Composition and Musical Instrument Design
Andrea Shaheen (El Paso, Texas)
Thursday, June 20
5:30 Paper: Why a New Approach to Teaching Part–Writing Practices of
J.S. Bach’s Style of Chorale Harmonization?
Annie Yih (University of California–Santa Barbara)
5:00–5:55 pm
Auditorio Williams (Borges)
Session 8B
Chair: Joan O. Epstein (Eckerd College)
5:00 Performance: Expanding Boundaries: Transcriptions and Commissions
for Flute, Bassoon and Piano
Trio Chiaroscuro:
David Cutler (University of South Carolina–Columbia)
Michael Harley (University of South Carolina–Columbia)
Jennifer Parker–Harley (University of South Carolina–Columbia)
5:30 Performance: Music of the Americas: from North to South
Julie Hobbs (University of Kentucky–Lexington)
Karina Kontorovitch (Northwestern University)
Nikolasa Tejero (University of Tennessee–Chattanooga)
5:00–5:55 pm
Florida (Plaza)
Session 8C
Chair: Judith A. Coe (University of Colorado–Denver)
5:00 Workshop: Mihalyi Csikszentmihalyi and Flow Theory:
Application of Flow to Music Education
Cindy Tseng (University of Oklahoma)
6:00 pm
Break
* No service provided during this break
6:30–7:25 pm Auditorio Piazzolla (Borges)
Session 9A
Chair: Cecilia Wang (University of Kentucky–Lexington)
6:30 Paper: Remodeling the Liturgy: Uwe Scholz’s Choreography for
Mozart’s “Große Messe”
Eftychia Papanikolaou (Bowling Green State University)
7:00 Performance: The Challenges and Benefits of Sharing the Stage,
the Classroom and the Opera Theatre
Soprani Compagni:
Lisa Dawson (Indiana Wesleyan University)
Tammie M. Huntington (Indiana Wesleyan University)
Phoenix Park-Kim (Indiana Wesleyan University)
6:30–7:25 pm
Auditorio Williams (Borges)
Session 9B
Chair: Justin Krawitz (University of Cape Town)
6:30 Lecture-recital: The Electric Guitar in the Tango Quintets of
Astor Piazzolla
John Christian Mery (Portland Community College)
7:00 Lecture-recital: Arranging for Would–Be Tangueros
Katherine Geeseman (University of Texas–Brownsville)
Katherine Palmer (Arizona State University)
Paola Savvidou (University of Missouri)
M. Brent Williams (Valdosta State University)
6:30–7:25 pm
Florida (Plaza)
Session 9C
Chair: Marika V. Kyriakos (Arkansas State University–Jonesboro)
6:30 Paper: Contextualization and Decontextualization in a University
Indian Music Ensemble
Rolf A. Groesbeck (University of Arkansas–Little Rock)
7:00 Paper: It Was a Life Changing Experience: Assessing the Impact
of Study Abroad
Nancy H. Barry (Auburn University–Auburn)
Evening Free / Dinner on own / Overnight in Buenos Aires
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2013 CMS International Conference
Friday, June 21
Plaza:
Museo:
Plaza Hotel Buenos Aires (formerly Marriott)
Museo de Arte Hispanoamericano Isaac Fernández Blanco
* Museum tour includes a performance by
The DAMus Contemporary Vocal Ensemble:
Mercedes Mazzino
Lucila Ruiz
Matías Marques Monteiro
Mariana Rosas, director
8:45 am
Assemble for Cultural Activities
* Blue Group begins in the Dorado room of the Plaza Hotel
* White & Yellow Groups will depart by bus from the Plaza Hotel
9:00–10:30 am
Cultural Activities, Part I:
Blue Group:
Instrument Making Class White Group: Guided Museum Tour
Yellow Group: Tango Lessons Dorado (Plaza)
Museo
Tango Porteño
10:45 am
Transfer to next activity
11:15 am–12:45 pm
Cultural Activities, Part II:
Blue Group:
Tango Lessons
White Group: Instrument Making Class Yellow Group: Guided Museum Tour
1:00 pm
Bus transfer to lunch
Tango Porteño
Dorado (Plaza)
Museo
1:15–2:30 pm Group Lunch
2:45 pm
Transfer to next activity
3:00–4:30 pm
Cultural Activities, Part III:
Blue Group:
Guided Museum Tour
White Group: Tango Lessons
Yellow Group: Instrument Making Class La Bistecca
Museo
Tango Porteño
Dorado (Plaza)
4:45 pm
Return to Plaza Hotel / Rest Break
7:45 pm
Assemble in Plaza Hotel Lobby for departure
8:00 pm
Bus transfer to Tango Porteño from Plaza Hotel
8:30 pm Group Dinner & Tango Show
Tango Porteño
Bus transfer to Plaza Hotel after show (approximately midnight)
Overnight in Buenos Aires
13
Friday, June 21
Please Note: Due to space limitations, it is not possible for all conference
registrants to participate in today’s activities at once, thus each person has been
assigned to a subgroup labeled by color (Blue, White, or Yellow). Everyone will
participate in all activities in rotation throughout the day. Please do not switch
subgroups, as admission tickets and instructors have been arranged according
to this plan. Assignments were sent by email prior to the conference and are
also printed on the back of your name badge.
Saturday, June 22
Saturday, June 22
10:45 am
Assemble in Plaza Hotel Lobby for departure
11:00 am
Bus transfer to Estancia Santa Susana
12:30 pm Estancia Tour & Activities
Estancia Santa Susana
1:30–2:30 pm
Group Lunch
* includes Argentine Folk Music and Dance Performance
2:45–3:30 pm
Gaucho Skills Demonstration
4:30 pm
Bus transfer to Plaza Hotel
6:00 pm
Arrive at Plaza Hotel
Evening Free / Dinner on own / Overnight in Buenos Aires
Sunday, June 23
Sunday, June 23
10:00 am
Assemble in Plaza Hotel Lobby for departure
10:15 am
Bus transfer to Teatro Colón
11:00 am
Performance: “In Crescendo” Guitar Quartet
Juan Pablo Bujía
Leonardo Galán
Ezequiel Marín
Andrés Novío
Teatro Colón, Main Hall
12:30 pm
Teatro Colón, Salón Dorado
Brief Recital by Faculty Members of the Instituto Superior de Arte
1:00 pm
Lunch Reception with ISA Faculty Members (included)
Petit Colón
2:00 pm
Transfer by bus to either San Telmo Market OR Plaza Hotel
* Those who disembark at the San Telmo Market must return on own
Afternoon Free
Evening Free / Dinner on own / Overnight in Buenos Aires
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2013 CMS International Conference
Monday, June 24
Plaza:
La Usina:
Plaza Hotel Buenos Aires (formerly Marriott)
La Usina del Arte
8:30 am
Composers and Performers II transfer by bus to La Usina
9:00–10:25 am
Retiro (Plaza)
Session 10B
Chair: Linda Apple Monson (George Mason University)
9:00 Paper: Here Come the Ladies: Reflexivity and Images of Late Victorian
Womanhood in “A Gaiety Girl” (1893)
William A. Everett (University of Missouri–Kansas City)
9:30 Paper: The Symphony Orchestra as Caribbean Reincarnation:
Revisiting the Classical/Pop Schism at the Hollywood Bowl
Ludim R. Pedroza (Texas State University–San Marcos)
10:00 Paper: Musical Characteristics Reflected in Art
Stephanie Berg Oram (Red Rocks Community College)
9:00 am–12:00 pm
Auditorium (La Usina)
Rehearsal for CMS Composers’ Concert II
10:30 am
Break
* No service provided during this break
11:00 am–12:25 pm Florida (Plaza)
Session 11A
Chair: Sylvia Parker (University of Vermont)
11:00 Paper: Customer–Driven Education: Who is ‘The Customer’?
Don Bowyer (Arkansas State University)
11:30 Paper: Looking Inward, Branching Outward: Applications of
Qualitative Research as a Music Learning Tool
Sarah Watts (Selinsgrove, Pennsylvania)
12:00 Paper: Using Distance Learning to Encourage Problem Solving &
Create Networks among Music Majors
Pamela D. Pike (Louisiana State University)
2014 CMS Common Topic:
“Confluence: Music, Culture, and
Community”
15
Monday, June 24
9:00–10:25 am Florida (Plaza)
Session 10A
Chair: Pamela D. Pike (Louisiana State University)
9:00 Paper: In Burst of Fresh Song: William Churchill Hammond and
the Promulgation of the European Christmas Carol through the
Mount Holyoke College Glee Club
Bonnie S. Jacobi (Colorado State University)
9:30 Paper: Argentine Rock and Música Beat of the Late 1960s
Judith A. Coe (University of Colorado–Denver)
10:00 Paper: Do You Hear the People Sing?: A Comparison of Protest Songs
from the Baltic Region and the United States
Heather MacLaughlin Garbes (Mägi Ensemble)
Monday, June 24
Monday, June 24
11:00 am–12:25 pm
Retiro (Plaza)
Session 11B
Chair: Caterina Bristol (Alabama State University)
11:00 Paper: The Role of Bulgarian Folk Music in the Works of Petko
Staynov & Pancho Vladigerov
Viara S. Albonetti (Southern Connecticut State University)
11:30 Paper: Arab Music in Latin America: Music and Representation
in Rosario, Argentina
Andrea Shaheen (El Paso, Texas)
12:00 Paper: Indonesian Influences in the Music of Elaine Barkin (b.1932)
John O. Robison (University of South Florida)
11:00 am–12:25 pm
Plaza (Plaza)
Session 11C
Chair: Bonnie S. Jacobi (Colorado State University)
11:00 Paper: A 20th Century Composer for the 21st Century World:
The Global Sources and Impact of Astor Piazzolla
Patricia R. Bedford (Fort Worth, Texas)
11:30 Paper: Pixinguinha and His Influence and Urbanization of
Brazilian Popular Music
Alexandra Zacharella (University of Arkansas–Fort Smith)
12:00 Paper: “Monster Concerts”: Gottschalk’s Brobdingnagian
South American Festivals
Christina L. Reitz (Western Carolina University)
12:45 pm
Assemble in Plaza Hotel Lobby for departure
1:00 pm
Bus transfer to La Usina
1:15–2:15 pm
Group Lunch
2:30–3:30 pm Keynote Lecture
Chair: Juan Chattah (University of Miami)
Music of Alberto Ginastera
Georgina Ginastera
Luis Ascot, piano
3:30 pm Coffee Break 3:45–5:00 pm Concert of New Music by CMS Composers II
Concert Manager: C. Tayloe Harding
(University of South Carolina–Columbia)
Foyer (La Usina)
Auditorium (La Usina)
Foyer (La Usina)
Auditorium (La Usina)
Expanding Mottos ................................................................. C. Tayloe Harding
(University of South Carolina–Columbia)
David Cutler, piano
Confluence ................. Chris Rutkowski (Indiana University–Purdue University)
Hamilton Tescarollo, piano
Carlos Audi, cello
Hommage à Trois ............. Mark A. Olivieri (Hobart & William Smith Colleges)
Nicholas Phillips, piano
Largo .................................................. Douglas P. Ovens (Muhlenberg College)
Tomas Cotik, violin
Douglas Ovens, piano
Matchpoint ................................................. Scott Stinson (University of Miami)
Tomas Cotik, violin
Adam Satinsky, cello
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2013 CMS International Conference
Monday, June 24
5:15 pm
Bus transfer to Plaza Hotel
Monday, June 24
5:30 pm
Arrive at Plaza Hotel
7:15 pm
Assemble in Plaza Hotel Lobby for departure
7:30 pm
Walk to Farewell Dinner
7:45–9:30 pm Farewell Dinner
Centro Naval
Overnight in Buenos Aires
Tuesday, June 25
Tuesday, June 25
Hotel check-out
Departure or post-conference excursions as arranged in advance
CMS CULTURAL EXPRESIONS IN MUSIC
Sang-Hie Lee, Editor
VOLUME 1
The Tango in
American
Piano Music:
Selected Tangos by
Thomson, Copland,
Barber, Jaggard,
Biscardi, and Bolcom
by OSCAR E. MACCHIONI
(University of Texas at El Paso)
In this inaugural volume, Dr. Oscar Macchioni elucidates with native
fluency and expert pianistic insight the influence of Argentine Tango
in the piano works of six American composers: Virgil Thomson, Aaron
Copland, Samuel Barber, David Jaggard, Chester Biscardi, and William
Bolcom. The Tango in American Piano Music is at once vivid and
erudite, and makes an important contribution to the literature
for scholars and performers.
ISBN: 978-1-881913-38-2
Price: $30.00
Plus $7 for shipping/handling domestic and $20 for international, per copy
To order online, go to www.music.org
and select Cultural Expressions in Music
from the Books & Monographs menu.
312 East Pine Street
Missoula MT 59802 USA
17