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Then check this out!
The
Australian Army
BAND
CORPS
The best gig in town
‘The Australian Army Band Corps
is proud to carry the tradition
of being a major bearer of this
nation’s musical identity.’
ABOUT THE GIG
THE AUSTRALIAN ARMY BAND CORPS
The best gig in town
The Australian Defence Force (ADF) is one
of the largest employers of professional
musicians in Australia. A military band is
a versatile ensemble presenting an ideal
opportunity for competent instrumentalists
to secure a rewarding career. The
Australian Army Band Corps (AABC) aims
to achieve musical excellence in a variety
of musical combinations, actively reaching
out to the community. Army bands provide
musical support to community events,
charity organisations and educational
programs, whilst fulfilling its military and
ceremonial responsibilities.
There are opportunities in six full-time
(Regular Army) and numerous parttime (Army Reserve) AABC bands, with
representation in every capital city in
Australia.
Musicians in the AABC gain immense
satisfaction performing a range of styles.
Apart from the symphonic concert band
and marching band, other ensembles may
include; woodwind & brass quintets, jazz
combos or a fanfare team, vocal ensemble,
folk group, big band and contemporary
cover band.
Along with a great pay package, there
is the opportunity to travel the world
representing Australia. A fulfilling aspect
of being in the Band Corps is that you
gain a sense of purpose and satisfaction
knowing that your performances can
help make a difference to the local and
international communities while serving a
vital role in your military duties.
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The creative environment of the AABC
encourages ongoing development,
presenting the opportunity to acquire a
range of skills and in turn, invaluable
experience. Opportunities exist to further
your musical development funded by the
ADF. And if you have a desire to extend
yourself beyond performance, you can
learn creative skills in sound engineering,
lighting, arranging & composition,
conducting, information technology,
instrument repair, human resource
management, stage management,
Occupational Health and Safety, public
relations and much more.
WELCOME
Welcome to the Australian Army Band Corps interactive CD,
you will find a range of relevant information with regard to
joining the creative environment of the Band Corps. There are
wonderful opportunities for you to consolidate your performance
experience whilst enjoying the benefits provided by Defence.
Take the time to navigate through this site – it could be your
first step towards a wonderful future as a professional musician
within the Army. LTCOL Pickett
Director of Music - Army
Commandant - Defence Force School of Music
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EQUIPMENT/INSTRUMENTS
Examples of the makes of musical
instruments provided by the AABC:
LIGHTING RIGS
NB: This product list is not an endorsement
of the companies listed as products used by
the AABC and are subject to change at any
time in accordance with ADF operational and
training needs.
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INSTRUMENTS
Flute:
Muramatsu
Clarinet:
Buffet - Crampon
Oboe:
T.Ward
Bassoon:
Schreiber
Saxophone:
Yamaha/Yanagasawa
Horns:
Holton
Trumpet:
Yamaha
Trombone:
Getzen
Euphonium:
Besson
Tuba:
Besson
Bass Guitar:
Warwick
Electric Guitar: Fender
Drum Kit:
Pearl
Percusion:
LP
SOFTWARE
Music writing software by Sibelius
LIVE RIGS
By Martin Lights
Martin MX10 Extreme Scanners
Martin Pro 518 Scanners
Martin Robocolor Pro 400 Color Changers
Martin Lightjockey PC Based Controllers
Look Solutions Unique2 Hazers
A quantity of Brown’s Welding 3 metre tri
truss
• A
quantity of Design Quintessence 2.5
metre tri truss
www.martin.com.
www.looksolutions.com.
RECORDING AND SOUND
EQUIPMENT
• P
roTools HD system with 96I/Os
• Control 24 control surface with 16 inbuilt
Focusrite preamplifiers, 16 channels of
remote controlled Digidesign microphone
preamplifiers, 1 Avalon AD2022 dual
channel mic pre and 1 Amek Pure Path
Dual Mic-amp
• Compressor-Limiter
• mic preamplifiers,
• Selection of microphones and plugins
from various manufacturers including
Royer, Neumann, Rode, Audio Technica
and Shure.
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A small to medium sized portable PA
comprising of 4 (2 monitors, 2 front of
house) EAW JFX290 Mid/Hi Drivers
coupled with 2 FR250z subwoofers, the
front of house system is controlled by an
XTA DP226 Speaker Management System
driving 2 quad channel D class lightweight
Powersoft amplifiers. The Mixer is a 32
Ch Allen & Heath 4 Bus Desk with 6 AUX
sends. Dynamics processing is supplied by
Drawmer through 4 channels of MX30 gate/
compressor/limiters and 4 channels of MX40
punch gates. M OneXL Reverb and D Two
Delay units are supplied by T.C. Electronics,
31 Band Graphic EQs are from the Symetrix
range. Microphones are selected from
Shure, Audix, Audio Technica and Rode.
There are smaller systems consisting of an
Allen & Heath PA12 Mixer coupled with 2
FBT450 15” horn load active speakers.
ENLISTMENT PROCEDURES
ENLISTMENT PROCEDURE FLOW CHART:
Contact Defence Force Recruiting, the Defence Force School of Music or
local Army Band to obtain recruiting information
Organise interview/ audition with an AABC Music Director directly
or via Defence Force Recruiting
Upon successful completion of the audition you will be
advised which avenue of entry is suitable for you
Contact Defence Recruiting to lodge an application form and to
arrange for further ADF aptitude and medical testing
(This may involve many weeks/months to finalise)
Defence Force Recruiting will advise you of examination results
and offer recruit training
Attend training at Army Recruit Training Centre (ARTC),
Kapooka, Wagga Wagga NSW
Qualified Entry
Induction Training
(DFSM - 6 weeks)
Unqualified Entry
Army Technical & Trade Scheme
(DFSM - self paced up to 15 months)
On the job training at an AABC Unit
(4–12 months to reach minimum job standard)
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ENLISTMENT PROCEDURES
FULL-TIME
PART-TIME
There are two avenues of entry into the Australian Army
Band Corps:
If you are unable to commit to a full-time job in the
Australian Army Band Corps, then a part-time position
may be the way to go.
1. Qualified Entry,
2. Army Technical and Trade Scheme (ATTS)
All applicants to the AABC are required to pass an
audition conducted by an AABC Trade Testing Officer,
in addition to meeting all other ADF enlistment criteria.
Applicants are required to perform their instrument to
a very high standard, with the majority of musicians
being diploma or degree qualified and having extensive
performance experience. All qualifications aside, a high
level of sight reading ability and musicianship is what the
AABC is seeking.
A Musician applying for entry into the AABC who is not
yet at the standard required to enter via Qualified Entry
may be selected to study at the Defence Force School
of Music (DFSM) as a trainee musician through the Army
Technical and Trade Scheme (ATTS).
As a guide, the performance entry level to Qualified
Entry is comparable to the Australian Music Examination
Board (AMEB) Associate Diploma level (Initial term of
employment for Qualified Entry being 3 years), whereas
the performance entry level to ATTS is comparable to
AMEB Grade 7 (ATTS initial term of employment being 6
years).
Army Reserve bands offer musicians the chance to work
in a similar environment to that of a full-time AABC unit.
The part-time nature of the reserve bands is ideal for
people who are studying, have just finished school or
who are looking for a part-time job in the music industry.
Enlistment criteria for the Army Reserve (part-time) is the
same as for the Regular Army (full-time). Personnel are
required to complete recruit training at Kapooka in NSW,
however this training is considerably shorter than that
required of a full-time soldier, and may be deferred for up
to six months after enlistment.
Any ongoing musicianship training is conducted in the
Unit location, rather than at the Defence Force School of
Music in Melbourne.
Benefits offered to reserve musicians include professional
instruments, uniforms, and some meal and travel
allowances where applicable. Army Reserve pay is taxfree and does not affect unemployment benefits, Austudy
or other incomes.
There are also part-time employment opportunities
available in all full-time bands.
You can also be a part-time musician in a full-time band.
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ENLISTMENT PROCEDURES
MILITARY TRAINING
All General Entry recruits into the Australian Army are
required to complete the Recruit Course at the Army
Recruit Training Centre.
Total Duration: Full-time - 80 days
Part-time - 28 days
Location: Kapooka, Wagga Wagga, NSW.
When you have completed basic recruit training you
will have reached the standard of a basic soldier. You
will have developed the qualities and acquired the
knowledge, skills and attitudes which are necessary to
progress further in the Army.
For more details on recruit training, refer to the Joining
instructions. These instructions will provide you and
your family with enough information to arrange your
personal affairs before enlistment in the Army and
to give you an idea of what you will be doing on the
recruit course.
During Military (Initial Recruit) Training and (Initial)
Employment Training, members may be required to
pay a contribution towards meals, accommodation
and utilities.
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ENLISTMENT PROCEDURES
ROUTINE
Full-time routine:
A typical weekly routine for full-time AABC
members includes personal performance
development, section practice, marching
band, two hours of physical training and
approximately 20 hours of ensemble
rehearsals. Administration is required to be
undertaken by various members of the band to
ensure the effectiveness of the unit. Of course
rehearsal routines may vary throughout the
year due to tours, courses, recording projects
and performances.
Like all members of the ADF, AABC personnel
are required to maintain a basic level of
soldiering skills and physical fitness. Two
assessments are held each year to record the
member’s level of ability in weapons’ handling
and physical & aerobic fitness. Time is set
aside specifically to maintain these skills under
the guidance of qualified physical training
instructors.
Sport also has a significant role to play in the
ADF and is not only an ideal way of maintaining
fitness but also encourages a team mentality.
With this in mind the Australian Army provide
opportunities to develop and maintain a high
level of skill in sport. Adventure training is
yet another form of exposing personnel to
sports such as canoeing, caving, abseiling,
parachuting, scuba diving and sailing, to name
just a few.
Part-time routine
Reserve bands usually have rehearsals once
a week, most often on Tuesday evenings
between 7 – 10pm. Public performances are
generally held no more than once a month,
including the possibility of additional small
ensemble performances.
Basic Fitness Assessments (involving running,
sit ups and push ups) and weapon tests are
held twice a year, whilst medical checks are
programmed for once a year and a dental
check once every 5 years.
The routine for reserve musicians working parttime in Regular Army Bands (full-time bands) is
flexible and can be negotiated with the Music
Director.
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BENEFITS
MEDICAL AND DENTAL
TREATMENT
The ADF provides free medical, optical and
dental treatment required to maintain health.
A comprehensive compensation scheme is
also available if required.
LEAVE
As a member of the ADF you will be entitled
to up to 20 days leave per year as well as
being compensated for weekends worked.
Additional leave can be granted for special
purposes such as maternity (14 weeks full
pay) and compassionate leave.
ACCOMMODATION SUBSIDIES
The three main types of accommodation
subsidies provided for ADF personnel and
their families are:
• Rental assistance is available to
significantly subsidise living costs.
• Live-in accommodation is available
for personnel wishing to live in quality
accommodation in a military area with the
convenience of meals being provided at a
substantial discount.
• Homes managed by the Defence Housing
Authority are available to recognised
couples in locations conveniently
positioned close to work areas.
In the event of relocation, a professional
team of removalists will not only pack your
possessions but also remove much of the
stress associated with moving to your new
residence.
Helpful staff from Defence Housing Authority
will assist in finding accommodation in
your new location. They also provide
information on local schools, shopping
centres, recreational facilities and partner
employment possibilities to help make the
transition as smooth as possible.
For more information on subsidised housing
provided by the ADF visit www.dha.gov.au
Or call Family Information Network Defence
(FIND) on: 1800 020 031
FIND will endeavour to provide a point of
contact relating to your enquiry, including
information involving recruit march-out
parades.
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OTHER BENEFITS INCLUDE:
• Provision of professional quality musical
instruments and equipment.
• Opportunities to travel the world.
• Monetary allowances when on tour.
• An excellent superannuation and benefits
package.
• State of the art facilities - rehearsal
auditoriums, practice & recording studios.
• Training - the Defence Force School of
Music offers further education and training
to support and enhance your career.
• Interest subsidised home loans.
PAY
Part-time pay is approximately $120 a day
- tax free (once fully qualified). For full-time
committment you are starting at around
$50,000 p/a once fully qualified.
For detailed information on the great pay
rates visit www.defence.gov.au/dpe/pac
(and look in ‘Salary Rates’)
OPPORTUNITIES FOR TRAVEL
BENEFITS/TRAVEL
Click on a destination to view photos
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DEFENCE FORCE
SCHOOL OF MUSIC
Our Mission
To deliver professional music training that meets
the needs of service bands within the Australian
Defence Force
Our Vision
The Defence Force School of Music is a best
practice organisation that delivers ‘in time’ training
for all service bands, at all times remaining
responsive to changing customer requirements.
The school remains an industry leader, recognised
both nationally and internationally as a world class
professional music teaching facility. It sets the
standard of music training through its technical
competence, innovative and resourceful methods
and administrative proficiency.
Our Values
STRIVING FOR EXCELLENCE
The Defence Force School of Music is a
world-class music training institution. The
school’s purpose is to deliver professional
music training that meets the needs of
Australian Defence Force bands. The school
keeps pace with changes in music and
learning methods and is an internationally
recognised and accredited training
organisation. It is also the home of the ADF’s
music knowledge and traditions. The credo:
striving for excellence.
The school boasts some of the best training
facilities of any defence force worldwide.
The main building is purpose built and
contains 80 individual practice studios, an
outdoor performance area, recording studio,
The Defence Force School of Music embraces the
values of teamwork, courage and initiative, and
recognises that mutual respect and commitment are
essential to obtaining superior results in the training
and performance environment.
Music is a dynamic and evolving discipline that
requires regular evaluations of training regimes.
Such training must reflect that the very nature of
music performance requires musicians to constantly
strive for excellence in every field of their endeavour.
classrooms, library, a 300-seat auditorium,
office space, lounge, entertainment and
social areas.
The teaching staff comprises of some of
the best and most experienced military
musicians and instructors from within the
Defence Force, as well as civilian instructors
drawn from leading tertiary institutions and
private practice.
The school also offers training to
musicians from overseas defence forces,
Australian emergency services and police
organisations.
The Defence Force School of Music is
located 15km North East of Melbourne
within Simpson Barracks, Macleod.
It consists of a purpose built training
establishment and the Head Quarters of
the Australian Army Band Corps known as
‘Meares House’.
Meares House is an impressive structure
completed in 1936 in the style of an English
Manor, formally owned by the late Doctor
Ainsley Meares - eminent psychiatrist and
author.
http://www.army.gov.au/dfsm/
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AUDITION GUIDE
THE AUDITION PROCESS
The audition usually takes place over an
extended period (in most cases two days)
and includes 5 basic parts
a. section rehearsal,
b. full band rehearsal,
c. practical audition
(including technical work),
d. theory assessment, and
e. aural assessment.
Performance ability is the main criteria for
determining suitability for employment,
however the additional assessments
give a clearer overall picture of a your
capabilities. This assists us in determining
the appropriate entry level and identifying
individual training requirements.
All candidates accepted as Australian
Regular Army musicians must attend
the Defence Force School of Music on
completion of recruit training to undergo
Corps Indoctrination Training.
The audition process comprises
performance-based assessments and
written/theoretical components. Each are
detailed in the sections that follow.
PERFORMANCE BASED
ASSESSMENTS
Section rehearsal
In the section rehearsal you will demonstrate
your ability in a small group environment.
The relevant Section Leader would run this
session and it would typically involve the
music used in the full band rehearsal. It may
take place either before or after the full band
rehearsal.
Some instruments do not form part of a
section eg we don’t have oboe or bass
guitar sections. Where section rehearsal is
not possible due to instrumental constraints,
eg no section to rehearse with, then a small
group rehearsal (Woodwind quintet/rhythm
section) may be more appropriate.
This session usually lasts 45 minutes to
an hour, and allows us to hear you in a
variety of styles. The section leader would
be looking for your ability to blend with
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the other musicians in the section, play
in a range of styles and to follow musical
directions.
Full band rehearsal
The Full Band Rehearsal would ideally follow
on from section rehearsal. This rehearsal
creates an opportunity for us to see you
in the situation most relevant to your
employment in the AABC.
We would be looking for the ability to
balance, blend, play with good intonation
and time and follow the conductor’s
directions.
Practical audition
Practical audition would follow all other
assessments (including written) so that a
clear picture of you is emerging as your
presentation begins. Typically this would
include:
a. Prepared works,
b. Technical work,
c. Sight-reading, and
d. 24-hour list (optional).
AUDITION GUIDE
Prepared works. Candidates select three
contrasting works of a standard appropriate
to their perceived entry standard. As a guide,
candidates should choose works between
8th grade and Licentiate AMEB.
The minimum standard for a Band Corps
musician (Qualified Entry) is a performance
standard equivalent to AMEB AMusA.
Players who fail to meet this standard
may be accepted into training positions
(Unqualified Entry) for either Basic Musician
Course (conducted at the Defence Force
School of Music - DFSM) or on-job training
via Corps Induction.
Technical work. Candidates are expected
to present technical work in all keys. Major,
Melodic and Harmonic minor scales are
required, along with arpeggio, broken
arpeggio, dominant and diminished
sevenths, and broken dominant and
diminished sevenths.
Whilst any format for the technical work
is acceptable, it will need to be presented
over two octaves (where possible within
the range) both ascending and descending
using varied articulations. Where three
octaves are possible within the range
these may also be required. In addition to
these, candidates may be asked to perform
chromatic scales or sustained tones of the
assessor’s choice.
The auditioning officer will ask for individual
pieces of technical work from the required
list.
Sight-reading. Candidates will be asked to
perform sight-reading to demonstrate their
ability in this area.
As a supplement to the sight reading, a
24-hour list may be used. A player’s ability
to prepare works at short notice is arguably
as valuable as pure sight-reading in our
context.
24-hour list. If a two-day model is adopted,
candidates can be given music on day one
that is to be prepared and presented on
day two. This may allow a candidate with
average sight-reading ability to demonstrate
their ability to prepare works at short notice.
This component is optional and would be
used in conjunction with, rather than in place
of, sight-reading.
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WRITTEN COMPONENTS
Performance ability is the main criteria for
determining the suitability of an applicant,
however additional assessments give a
clearer overall picture of your capabilities.
The following assessments assist in
determining the appropriate entry level while
identifying individual training requirements.
Theory testing
There are three components to this
assessment:
a. general rudiments,
b. harmony and musicianship, and
c. a general questionnaire.
The first two components should take
approximately one hour each, however it
is expected that some candidates would
complete each in a significantly shorter
amount of time. The general questionnaire
is usually completed before the day of the
audition and should be provided either prior
to, or at the start of day one.
AUDITION GUIDE
General rudiments. This assessment covers
the candidate’s basic knowledge of musical
theory. It covers the base level of musical
general knowledge expected of a musician
in the AABC.
Candidates with good performance in all
other areas could be encouraged to develop
these skills prior to enlistment, yet typically
this would be completed by during Corps
Indoctrination Training.
Candidates with a limited experience in
this area would need to complete theory
modules from the DFSM. Depending upon
performance in other areas it may be
deemed appropriate that this is completed
as part of the Basic Musician Course. In
the case of exceptional performers, these
competencies may be gained prior to
enlistment and assessed during Corps
Indoctrination Training.
Copies of the DFSM Theory packages can
be used as study guides and are available
from AABC units via your host.
Harmony and musicianship. This
assessment deals with the slightly more
advanced areas of voice-leading, four-part
writing and musical form.
Aural testing
The aural assessment comprises two parts.
a. Group assessment: conducted under
assessment conditions from a CD. It
includes interval recognition, chord
progression recognition, melodic and
rhythmic dictation. A sample of the
assessment items is provided to give you
an idea of how this assessment will be
conducted.
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b. Individual assessment: conducted one
on one, with the candidate required to
display various components such as
sight singing (sol-fa is preferred), singing
intervals above or below given notes,
rhythmic reading, ‘singing and clapping’
and ‘conducting and singing’.
PROMOTION STRUCTURE
TRAINEE
MUSICIAN
LANCE CORPORAL
CORPORAL (SECTION LEADER)
SERGEANT (GROUP LEADER)
WARRANT OFFICER CLASS TWO / STAFF SERGEANT
(CHIEF CLERK OR BAND QUARTER MASTER STOREMAN)
NON COMMISSIONED
WARRANT OFFICER CLASS 2 (BSM1)
WARRANT OFFICER CLASS 1 (BSM)
COMMISSIONED
LIEUTENANT
(COMPLETING OFFICER TRAINING)
CAPTAIN2 (2ND IN COMMAND)
MAJOR (MUSIC DIRECTOR)
LIEUTENANT COLONEL - AABC DIRECTOR OF MUSIC
Military & music courses need to be successfully completed to qualify musicians for promotion.
There are various pay increases according to the rank and length of time in that rank.
1
2
Band Sergeant Major - (Band Manager) or Bandmaster (Music Director) in some units.
An AABC Music Director in some Reserve Bands
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PROMOTION STRUCTURE
CAREER ADVANCEMENT AND
ONGOING TRAINING
musician’s current employment status or to
retrain personnel for future employment.
There are two forms of income progression
in the ADF. Your income will increase by
promotion and via pay group increases.
AABC musicians’ pay group is directly
related to the level of musicianship
attained.
Members of the AABC also have the
opportunity to become solo performers.
This requires the presentation of a formal
program to an examining officer and upon
successful completion entitles the member
to a higher pay group. For the latest pay
scales refer to Defence Force Recruiting
pay rates.
Promotions are awarded based on merit
and successful completion of promotion
courses. All members completing AABC
promotion courses are recognised with
a civilian accreditation (Statement of
Attainment), diplomas and/or degrees in
the field of personnel and human resource
management including music.
Service personnel are also offered the
opportunity to undertake further studies
with civilian organisations to enhance
their profession. Financial assistance
may be granted by the Defence Assisted
Study Scheme if the studies improve the
3
4
Posting Policy
Postings within the AABC are usually for a
three-year period and offer the chance to
forge lasting friendships all over Australia.
Factors such as personal preference, family
welfare and compassionate circumstances
are taken into consideration when posting
personnel. After successful completion
of the audition, you may discuss with the
Trade Testing Officer whether vacancies are
available for your instrument in the various
bands.
ATTS - 6 years, Corps Enlistment (General Entry) 3 years.
For detailed information regarding length and type of training involved at 1RTB Kapooka contact Defence
Force Recruiting on 131901 or visit your local Defence Careers Reference Centre.
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Defence Requirements
Entry into the AABC is the same as for any
other corps of the Australian Regular Army
and candidates must pass aptitude tests
and be physically and medically fit before
signing for the minimum period of service3.
It is a requirement to be a minimum age of
17 to enter the Australian Army. Australian
citizens (or those who hold permanent
residency status or are eligible to become
one) are eligible to serve in the Australian
Defence Force after completing recruit
training4 at Kapooka in New South Wales.
For more information on current
requirements for enlistment into the
Australian Regular Army, visit www.
defencejobs.gov.au or call Defence Force
Recruiting on 131901.
MEET A MUSO
Musician Williamson (Trainee)
Lorelei first picked up the horn at 15 and started having lessons from her mother in Darwin.
Playing an instrument that was desperately needed saw her join the Darwin Youth Orchestra just
a few months later where she continued to play for the next 2 years. During that time she also
played in the Palmerston Concert Band, the Darwin Youth Wind Symphonic Band, and joined the
Darwin Symphony Orchestra. She was a member of the DSO for another 6 years prior to leaving
Darwin. In 2003 she joined the Army Reserve in Darwin and played with the Australian Army Band
Darwin for 2 years where she developed a taste for the army and transferred to the Australian
Regular Army in 2005. She now also plays bass guitar and sings at her church in Canberra.
Musician Manley (Part-Time Musician)
Thomas has been playing the clarinet for 21 years and more recently, the saxophone, although his
first exposure to music was in the Canberra Boys’ Choir. Tom currently plays with the Canberra
City Band Inc, both in their Concert Band and in Spectrum (their big band), in addition to the
RMC Band Duntroon. At one time Tom considered studying the clarinet at university; however,
ended up taking a different route, instead studying science and engineering while maintaining an
involvement in music socially. Since graduating from university, music has become an increasingly
important part of Tom’s life, due, in part, to the Army Reserves, which has opened doors and
created opportunities that would not have otherwise been available.
Musician Hall (Contemporary Musician)
Doug has been playing saxophone for 11 years. After high school he studied saxophone with
Ken Stubbs and freelanced playing in various corporate gigs and several shows. In 2004 Doug
travelled to Japan and performed at the International Music Festival which had numerous
performers from all over the world. Doug also taught saxophone privately and at several schools
during this time and in 2004 joined the Artillery Band Brisbane as an Army Reservist. He studied
contemporary music at the Conservatorium of Music in Brisbane in 2006, and in 2007 joined the
Australian Regular Army.
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MEET A MUSO
Musician Pepper (Classical Musician)
Zoey Pepper completed a Bachelor of Music in 2000 at the Canberra School of Music, studying
under Richard McIntyre OAM. In 2001 she toured with the Australian Youth Orchestra. Zoey has been
a member of the Canberra Symphony Orchestra since 1999, playing regularly in their Subscription
Series and appearing as guest Principal Bassoonist on a number of occasions. She performed as
soloist in their Symphony for Kids series in 2005, and held the Friends of the CSO sponsorship
chair in 2007. Zoey has held the position of Principal Bassoonist in the Canberra Pops Orchestra
since 2005. Zoey joined the Australian Regular Army in 2003. She travelled to the Solomon Islands
later that year, performing as back-up vocalist. She has performed as bassoon soloist as well as
vocal soloist with the Band of the Royal Military College. Zoey commenced her Masters of Music in
Bassoon at the Australian National University in 2006.
Lance Corporal Emmett (Stores/Admin)
Melissa commenced learning the clarinet when in Primary school in Western Australia. She continued
her instrumental studies throughout her secondary education and even though she hadn’t considered
music as a career choice, Melissa thought she’d give it a go to see if she liked it. Following audition
Melissa joined the Australian Regular Army and attended the Defence Force School of Music in
Melbourne. Since graduation she has served in the Bands in Wagga Wagga, Sydney and Canberra.
Melissa has enjoyed the flexibility of being full-time and part-time, and even left bands for a while,
serving as a Military Policewoman, before returning to music.
Corporal O’Keeffe (Section Leader)
Matthew commenced his studies with Alan Vivian at the Australian National University School of
Music in 1994, completing his Bachelor of Music in 1999. Since completing his degree, Matthew
has specialised in bass clarinet performance and is the principal bass clarinet of the Canberra
Symphony Orchestra. Matthew has performed with the Canberra School of Music Orchestra, the
Canberra Chamber Orchestra and the Canberra Choral Society. He has appeared in orchestras
for the Australian Ballet, opera company Stopera and as a multi-instrumentalist with the Canberra
Philharmonic Society productions Chicago, West Side Story, Les Miserables, Hello Dolly, Sweet
Charity and the Australian premiere of Jekyll and Hyde. He is a founding member of Clarity Clarinet
Quartet and performed throughout Australia and Europe making his international debut at St Martinin the -Fields in 1998. He is regularly heard on ABC-Classic FM on numerous recordings on the
Tall Poppies and Move Records labels. He is an experienced chamber musician and educator, and
continues to be a sought after teacher. In 2004 Matthew joined the Australian Regular Army.
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MEET A MUSO
Sergeant Reynolds (Group Leader)
Graeme has been a professional trumpet for nearly 30 years having completed a B.A.(Perf. Mus.)
at the South Australian College of Advanced Education in 1981 and a B.MUS (Hons) from the
University of Adelaide in 1984. He went onto to become Adelaide’s leading freelance trumpet
player, prior to joining the Australian Army Band Adelaide as an Army Reservist in 1995. Graeme
joined the Australian Regular Army in 1998. He has been deployed to Bougainville, East Timor
and the Solomon Islands, and paraded at Buckingham Palace for the Changing of the Guard
in 2000. He has also spent time on exchange to the New Zealand Army Band in 2002 and
travelled to Japan for an International Marching Band Festival in 2005. Graeme currently enjoys
performing with the Canberra Symphony Orchestra, developing Public Affairs projects and coordinating Chamber Music Concerts for the Band.
Warrant Officer Class Two Mason (Project Officer/Admin)
Rod first joined the AABC as a trainee at the age of 17. Soon after joining, he was awarded a
scholarship to study classical saxophone under the guidance of Dr Peter Clinch at the Canberra
School of Music. Over the years Rod has performed and recorded with a variety of contemporary
bands and has even been seen on Count Down! and MTV. However in recent times, he is best
known for his innovative recording projects that provide tangible support to the community. These
recordings have highlighted Rod’s skills in project concept and design, project management,
marketing, distribution, script writing and musical direction.
Warrant Officer Class One Hooper (Band Manager)
Steve started playing the drums at the age of 13. After completing his studies he joined the Army
as an Army Reserve Musician in Adelaide and subsequently transferred to the Australian Regular
Army. Since that time he has seen postings to many Army Bands and has performed extensively
with a number of civilian music ensembles, ranging in genre from heavy rock through to jazz and
orchestral performances. He currently plays with a corporate groove band, the Canberra Pops
Orchestra, the Canberra Philharmonic Orchestra and many pit orchestras.
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MEET A MUSO
Lieutenant Bermingham (Understudy to Music Director)
Lucy has been a pianist since the age of four. She was a vocalist in the Woden Valley Youth Choir and
later became their accompanist. She has studied piano at the Canberra School of Music under the
tuition of John Luxton and in 1994 joined the Australian Regular Army as a pianist and vocalist. Since
joining the Army, Lucy has been deployed to Bougainville, East Timor and the Solomon Islands. In
2005 she undertook the Band Officer Course at the Defence Force School of Music, was promoted to
Lieutenant in 2006 and currently holds the position of Second in Command of the Band of the Royal
Military College. In her spare time Lucy is heavily involved in the choral, music theatre and music
arranging arenas.
Major Grey (Music Director)
Geoff started with music when, aged six, he was drafted as the seventh brother to join the Hamilton
City Band and given a cornet. After studying Trumpet, Trombone, Clarinet, Piano, Theory and
Musicianship at Ballarat and Clarendon College he joined the Australian Regular Army’s School of
Music as a Trumpeter in 1981, graduating as a Clarinettist in 1982. He enjoyed several roles as an
instrumentalist prior to being appointed to a Conductor’s position in 1993. Geoff has since held
conducting appointments in Wagga Wagga, Perth, Sydney and Canberra.
Lieutenant Colonel Pickett (Director of Music - Army)
Lieutenant Colonel Pickett was appointed as the Director of Music Army, Head of Corps of the
Australian Army Band Corps and Commandant of the Defence Force School of Music in February 2004.
Lieutenant Colonel Pickett enlisted into the Australian Army as an Apprentice Musician in January 1972
and has risen through the ranks to his current appointment. He has served in the Royal Military College
Band, Duntroon, the First Recruit Training Battalion Band, 4th Military District Band, the Defence Force
School of Music as Training Development officer, and has commanded the Australian Army Band
Kapooka and the Australian Army Band Brisbane. Please click here for full bio.
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LTCOL PICKETT BIO
LIEUTENANT COLONEL PATRICK
PICKETT, CSM B Mus, FTCL, LRAM,
ARCM, LTCL, ALCM
Lieutenant Colonel Pickett
was appointed as the
Director of Music Army,
Head of Corps of the
Australian Army Band
Corps and Commandant of
the Defence Force School
of Music in February 2004.
Lieutenant Colonel Pickett enlisted into the
Australian Army as an Apprentice Musician in
January 1972 and has risen through the ranks
to his current appointment. He has served
in the Royal Military College Band, Duntroon,
the First Recruit Training Battalion Band, 4th
Military District Band, the Defence Force
School of Music as Training Development
officer, and has commanded the Australian
Army Band Kapooka and the Australian Army
Band Brisbane.
During 1985, Lieutenant Colonel Pickett was
selected to attend the famed Royal Military
School of Music, Kneller Hall in London
where he completed the Bandmasters
course. Whilst in London he completed a
Licentiate and Associate Diploma in music
at the Royal College of Music, the Royal
Academy of Music and Trinity College of
Music London where he was appointed as
Fellow in Conducting during 1988. On his
return to Australia, he completed a Bachelor
of Music at the University of Melbourne and
is currently completing a Masters of Music in
Instrumental Conducting at the Queensland
Conservatorium of Music.
During 1997, Lieutenant Colonel Pickett was
awarded the Conspicuous Service Medal on
the Australia Day Honours List for services as
Officer Commanding and Music Director of
the Australian Army Band Kapooka. During
1999, the title of “Citizen of the Year” was
bestowed upon him by the Mayor of Wagga
Wagga. Lieutenant Colonel Pickett has
commanded bands on three tours of East
Timor and two tours of Bougainville. For this
Service, he was awarded the Australian Active
Service Medal (East Timor clasp) and the
Australian Service Medal (Bougainville clasp).
Lieutenant Colonel Pickett is in demand as
a guest conductor, adjudicator and clinician
throughout Australia. In January 2004 he
was appointed Adjunct Professor of the
University of Queensland where he lectures
in Multi Instrumental Pedagogy, Instrumental
Conducting and Group Music Skills. He is the
founding Director of the UQ Symphonic Wind
ensemble.
In November 2004 he commanded a 70
piece Australian Army Concert Band on a
tour to Japan for the Japan Self Defence
Force Marching Festival. In January 2005 he
commanded and conducted the Australian
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Defence Force Band, Pipes and Drums and
Ceremonial element at the Edinburgh Military
Tattoo, “A Salute to Australia”. Later that year
he was the conductor for the Symphonic Wind
Band for Education Queenslands Musically
Outstanding Students program, MOST.
The year of 2006 marked another significant
year for Lieutenant Colonel Pickett’s
professional involvement and contribution to
major national and international events. In
March 2006, he commanded the Tri-Service
Band element of the Commonwealth Games
in Melbourne, Australia. He also initiated the
‘Army in Concert’ 2006 National Tour, which
featured internationally-renown Australian
principal artists performing in 12 major capital
and regional cities throughout Australia. This
project utilised his expertise as concept
designer and principal conductor. On an
international scale, Lieutenant Colonel Pickett
contributed as the Senior Music Director to
the Brunei International Military Tattoo 2006.
As a technical advisor and production director
and consultant, he closely assisted the Tattoo
Executives in their efforts to coordinate 13
countries to develop a major production in
honour of His Majesty of Brunei Darussalam’s
60th birthday. In March 2007 LTCOL Pickett
lead an Australian Military band contingent to
Penang in Malaysia to celebrate the Australian
Army 106 birthday and to acknowledge to
unique relationship the two countries shared.
Lieutenant Colonel Pickett’s personal interests
include live music, choral singing, military
history and golf.
FAQ
WHAT INSTRUMENTS ARE YOU
LOOKING FOR?
• technical work ( scales, etc)
• aural perception & theoretical knowledge.
CAN I CONTINUE STUDYING
WHILST IN THE ARMY?
An Australian Army Band (full-time or
part-time) comprises of the following
instrumentation:
Your audition results will determine the
duration of training required at the Defence
Force School of Music (DFSM) in Melbourne.
For full-time positions, this training ranges
from six weeks up to 15 months.
Successful auditions for part-time positions
will receive twelve months on-the-job training
within the band.
Yes. Provided that the study discipline is
beneficial to the Army, the Army can provide
up to 75% of the cost of study in addition to
time off work to attend lectures and exams.
Trumpet
Euphonium
Saxophone
Oboe
Clarinet (Bb) Tuned Percussion
Bass Guitar
Vocalist
French Horn
Keyboard
Trombone
Tuba
Bassoon
Flute/Piccolo
Bass Clarinet
Drums/Percussion
Guitar
Piano
Bagpipes
WHAT MUSICAL STANDARD
DO I HAVE TO BE?
Minimum performance entry level is
comparable to AMEB Grade 7 for Unqualified
Entry (to study at the Defence Force School
of Music) and similarly, Associate Diploma for
Qualified Entry.
A high level of sight reading ability and
musicianship is what the AABC is seeking.
An audition will be required to assess your
suitability as a musician in the Australian Army
on the following criteria:
• performance of three contrasting works
• sight reading
WILL I BE OBLIGED TO SIGN A
CONTRACT?
If you join the Army full-time, there will be a
contract of 3 or 6 years depending on the
length of training you have received.
WHAT TYPE OF MUSIC DO
YOU PLAY?
An Australian Army band consists of 35
musicians that primarily operate as a
symphonic concert band. The band regularly
breaks down into smaller ensembles like jazz
ensembles, rock band, big band, woodwind
& brass quintets, sax quartet, trios, duos,
soloists and fanfare team. This enables us
to perform all genres of music, from Glenn
Miller to Top 40, Bach to Lloyd Webber and
everything in between.
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DO YOU TRAVEL?
The opportunity exists for musicians to travel
nationally and internationally. Recent trips
include Malaysia, Japan, Gallipoli, Vanuatu,
Iraq, Bougainville, East Timor, Solomon
Islands, England and a national ‘Army in
Concert’ tour.
WHAT ABOUT FITNESS?
The minimum level of fitness for entry into the
Army is:
Males:
Females:
Push-ups 15
Push-ups 8
Sit-ups 45
Sit-ups 45
Shuttle run level 7.5
Shuttle run level 7.5
HOW MUCH DO I GET PAID?
FAQ
HOW MUCH DO I GET PAID?
Full-time: After completing all training,
your salary will be in excess of $48,000 per
annum.
Additional benefits include housing rental
subsidies, home loan subsidies, study
assistance, free medical and dental care,
travel and personal instruments provided
as well as a minimum of four weeks annual
leave.
IF YOU JOIN THE ARMY
WILL YOU BE DEPLOYED
OVERSEAS?
Bands only deploy into secure operational
areas to provide entertainment to troops.
Deployments often consist of a rock
band (formed from a Regular Army Band)
deploying for usually no more than 16 days.
Part-time: your daily rate of pay is around
$120 tax free (once fully qualified).
Each full-time band also has 20 part-time
positions available.
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SO WHAT HAPPENS NEXT?
Arrange to visit an AABC band and take
the opportunity to see the workplace for
yourself. Then arrange a no-obligation
audition. The enlistment process, postaudition, consists of aptitude, physical,
medical and psychological evaluations.
Upon successful completion, you will
undertake basic soldier training at Wagga
Wagga, NSW, for 80 days (or 28 days for
people wanting to join part-time).
Within the Army you have the flexibility to
transfer between full-time (Regular Army)
and part-time (Army Reserve) Bands.
CONTACTS
HEADQUARTERS
Sydney
Defence Force School of Music
Meares House
Simpson Barracks
MACLEOD VIC 3085
Phone: (03) 9450 7315
Email: [email protected]
Australian Army Band Sydney
Victoria Barracks
PADDINGTON NSW 2021
Phone: (02) 9339 3415
FULL-TIME
Brisbane
Australian Army Band Brisbane
Gallipoli Barracks
ENOGGERA QLD 4051
Phone: (07) 3332 5923
Canberra
The Band of the Royal Military College Royal Military College
DUNTROON ACT 2600
Phone: (02) 6265 9479
Townsville
1RAR Band
Lavarack Barracks
TOWNSVILLE QLD 4813
Phone: (07) 4771 7858
Wagga Wagga
Australian Army Band Kapooka
Blamey Barracks
Kapooka
WAGGA WAGGA NSW 2661
Phone: (02) 6933 8490
PART-TIME CONTACTS
Melbourne
Australian Army Band Melbourne
Simpson Barracks
MACLEOD VIC 3085
Phone: (03) 9450 7338
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CONTACTS
PART-TIME
Canberra
Newcastle
Adelaide
The Band of the Royal Military College
Royal Military College
DUNTROON ACT 2600
Phone: (02) 6265 9479
Australian Army Band Newcastle
Bullecourt Barracks
Military Road
ADAMSTOWN NSW 2289
Phone: (02) 4979 3614
Australian Army Band Adelaide
Warradale Barracks
WARRADALE SA 5046
Phone: (08) 8305 7066
Darwin
RACT Pipes and Drums
Training Depot
ADAMSTOWN NSW 2289
Phone: (02) 4979 3614
10/27 RSAR Band
Keswick Barracks
KESWICK SA 5035
Phone: (08) 8305 6157
Australian Army Band Darwin
582 Stuart Highway
BERRIMAH NT 0820
Phone: 0417 786 642
Brisbane
Melbourne
Australian Army Band Brisbane
Gallipoli Barracks
ENOGGERA QLD 4051
Phone: (07) 3332 5923
Australian Army Band Melbourne
Simpson Barracks
MACLEOD VIC 3085
Phone: (03) 9450 7338
Royal Australian Artillery Band Brisbane
1st Field Regiment
Gallipoli Barracks
ENOGGERA QLD 4051
Phone: (07) 3332 7494
2/10 MDM Regiment Band
8 Chapel Street
EAST ST KILDA VIC 3182
Phone: (03) 9526 4221
QLD University Regiment Band
Queensland University
ST LUCIA QLD 4067
Phone: (07) 3721 4302
4/19 PWLH Band
Bougainville Lines
Simpson Barracks,
MACLEOD VIC 3085
Phone: (03) 9450 7898
Perth
Australian Army Band Perth
Defence Music Centre Western Australia
Irwin Barracks
KARRAKATTA WA 6160
Phone: (08) 9383 6470
Sydney
Australian Army Band Sydney
Victoria Barracks
PADDINGTON NSW 2021
Phone: (02) 9339 3415
UNSW Regiment Band
Day Avenue
KENSINGTON NSW 2033
(02) 9663 1212
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1/15 Royal NSW Lancers Band
2 Smith Street
PARRAMATTA NSW 2150
Phone: (02) 9635 7822
23 Field Regiment Band
Chandler Street
KOGARAH NSW 2217
Phone: (02) 9588 2513
Tasmania
Australian Army Band Tasmania
Anglesea Barracks
Davey Street
HOBART TAS 7000
Phone: (03) 6237 7189
Townsville
First Battalion, Royal Australian Regiment
Lavarack Barracks
TOWNSVILLE QLD 4813
Phone: (07) 4771 7458
Wagga Wagga
Australian Army Band Kapooka
Blamey Barracks
Kapooka
WAGGA WAGGA NSW 2661
Phone: (02) 6933 8490
WHERE’S THE GIG?
TOWNSVILLE
BRISBANE
NEWCASTLE
DARWIN
TOWNSVILLE
The map shows the location for all
Australian Army Bands. The part-time
opportunities are marked in red and both
full-time and part-time opportunities are
marked in white.
DARWIN
SYDNEY
BRISBANE
CANBERRA
PERTH
NEWCASTLE
WAGGA
WAGGA
ADELAIDE
PERTH
SYDNEY
CANBERRA
MELBOURNE
HOBART
ADELAIDE
MELBOURNE
WAGGA WAGGA
MAIN MENU
HOBART
ROUTINE
ROUTINE
Part-time routine
Full-time routine:
A typical weekly routine for full-time AABC
members includes personal performance
development, section practice, marching
band, two hours of physical training and
approximately 20 hours of ensemble
rehearsals. Administration is required to
be undertaken by various members of the
band to ensure the effectiveness of the
unit. Of course rehearsal routines may vary
throughout the year due to tours, courses,
recording projects and performances.
Sport also has a significant role to play in
the ADF and is not only an ideal way of
maintaining fitness but also encourages
a team mentality. With this in mind the
Australian Army provide opportunities to
develop and maintain a high level of skill
in sport. Adventure training is yet another
form of exposing personnel to sports such
as canoeing, caving, abseiling, parachuting,
scuba diving and sailing to name just a few.
Reserve bands usually have rehearsals once
a week, most often on Tuesday evenings
between 7 – 10pm. Public performances are
generally held no more than once a month,
including the possibility of additional small
ensemble performances.
Basic Fitness Assessments (involving
running, sit ups and push ups) and weapon
tests are held twice a year, whilst medical
checks are programmed for once a year and
a dental check once every 5 years.
The routine for reserve musicians working
part-time in Regular Army Bands (full-time
bands) is flexible and can be negotiated with
the Music Director.
Like all members of the ADF, AABC
personnel are required to maintain a basic
level of soldiering skills and physical fitness.
Two assessments are held each year to
record the member’s level of ability in
weapons handling and physical & aerobic
fitness. Time is set aside specifically to
maintain these skills under the guidance of
qualified physical training instructors.
MAIN MENU
BENEFITS/TRAVEL
REGIONAL SUPPORT
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BENEFITS/TRAVEL
BOUGAINVILLE
Click here to read a diary of a deployment to Bougainville
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BENEFITS/TRAVEL
CANADA
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BENEFITS/TRAVEL
CHINA
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BENEFITS/TRAVEL
EAST TIMOR
<< | MAIN MENU
BENEFITS/TRAVEL
ENGLAND
<< | MAIN MENU
BENEFITS/TRAVEL
EDINBURGH
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BENEFITS/TRAVEL
GREECE
<< | MAIN MENU
BENEFITS/TRAVEL
CRETE
<< | MAIN MENU
BENEFITS/TRAVEL
JAPAN
<< | MAIN MENU
BENEFITS/TRAVEL
MALAYSIA
<< | MAIN MENU
BENEFITS/TRAVEL
SOLOMON ISLANDS
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BENEFITS/TRAVEL
TURKEY
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BENEFITS/TRAVEL
UNITED ARAB EMIRATES
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BENEFITS/TRAVEL
VANUATU
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RECORDINGS
The Australian Army Band Corps is proud to provide musical support to music education programs and
community charity organisations. Producing recordings is another important aspect of remaining relevant
in today’s music industry. Be it jazz CDs raising funds for the homeless or an educational recording, the
Band Corps are active members of society supporting the hearts and minds of Australians.
CAMOUFLAGE EXPOSED
An award winning big band Jazz album that raised in excess of $30,000 to assist in the rehabilitation of Sydney’s
homeless. [Sold-out, however is featured in the AABC recording ‘Just Jazz’]
Nominated as ‘Best Contemporary Australian Jazz Album 2003’
Attained ‘number one’ ranking on Birdland Record’s ‘Top Ten’ listing.
Band awarded the Chief of Defence Force Commendation.
Reviews:
A CD not to be missed! The section work and high-energy solos are outstanding throughout.
Don Burrows
Have a listen to this CD, like me you will enjoy every punchy swinging moment of the album - superb.
Jim McLeod - Jazztrack, ABC Classic FM.
The world is clearly changing. Really? Yes.
If an army band is turning its considerable talents away from the articulation of the parade ground to the type of music
exemplified by ‘Steps in the Dark’ by Musician Andy Fiddes, then humanity is on the march in a decidedly creative
formation. Beautifully structured, moody writing evoking European echoes, nice ensemble.
It all works. The band is called ‘Camouflage’ but I have to tell them that they have blown their cover. They groove.
Paul Grabowsky – Director Australian Art Orchestra
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RECORDINGS
TRIBUTE TO AUSTRALIA’S COLONIAL HERITAGE
(To purchase this CD Call (03) 9450 7318)
A double compilation CD featuring some of the finest symphonic recordings
produced by the AABC spanning 20 years.
JUST JAZZ
(To purchase this CD Call (03) 9450 7318)
A double compilation CD featuring some of the finest Jazz recordings
(featuring Camouflage Exposed) produced by the AABC spanning 20 years.
SALUTE TO THE AUSSIE DIGGER
(
To purchase this CD Call (03) 9450 7318)
A heartfelt insight into Australian military history with poetry, diary excepts and
song - Narrated by Jack Thompson. ‘Be taken to the front-line’.
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RECORDINGS
REVIEWS - Salute to the Aussie Digger
“This moving portrayal of Australia’s proud Military history narrated by Jack Thompson and brought
together by modern day soldiers, musicians, and historians, is a wonderful tribute to those who served and
an invaluable educational tool for generations following on.”
Historian, Dr Jonathan King
“Powerfully presented. A stirring tribute to the diggers who served our nation, produced by their
successors and contemporaries. An excellent insight into Australia’s military history.”
General Peter Cosgrove AC MC
“A wonderful CD... Jack Thomson reads a powerful narrative telling the story of Aussie Digger’s experience
in wars from colonial times to the present. The music is evocative, shifting in style and tempo to capture
something of the experience and the times, whilst the authentic sound effects provided by the Australian
War Memorial bring this account to life. Legacy is a cause that really matters and this musical tribute does
justice to that cause, to the heroism and the tragedy of more than a century of Australians at war.”
Historian - Peter Cochrane
“The Australian Army Band Sydney’s effort exemplifies the spirit of the ADF…”
“By taking this step forward – producing this fine CD which portrays so well the spirit of the Aussie
digger, and earmarking Legacy for the profits – The Australian Army Band Sydney typifies the spirit of
comradeship and ethos of service which shaped Legacy and Australia. We are proud to be involved in this
project”
Sydney Legacy President, Charles Wright
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RECORDINGS
SCRIM (To purchase this CD Call (03) 9450 7431)
An all original album offering funk, fusion, Latin and jazz. This recording highlights the creative talents of AABC
musicians – Produced to assist in the education of improvised music.
This is a Latin/Funk tune somewhat modal in nature. This piece was written initially from the bass line, the drum
kit groove was created to suit. The groove is basically a funk samba type groove, the drummer has to pay careful
attention to play this type of groove very accurately otherwise the rhythm section will not settle. The tune is
basically in Bb minor, while the melody adopts use of the Bb Phrygian mode scale (Bb, Cb, Db, Eb, F, Gb, Ab,
Bb) which is played over the Bb min 11 chord. The tune is a simple 8 bar form which at the end has an unusual
descending chromatic rhythmic figure, using dominant 7th (#5) chords, leading to a 4 bar interlude.
The salsa section at letter ‘D’ is set up by a 4 bar ‘montuno’, (the montuno is a repetitive rhythm usually played in
octaves on the piano). The entire feel of this section of the tune changes to more of a ‘Salsa’ feel especially in the
rhythm section. At letter ‘E’ we have an 8 bar interlude type melody based on the Ab ‘mixolydian’ modal scale.
The solos section at letter ‘F’ is played generally over an Ab dominant 7th chord while on the 8th measure we
have a rhythmic figure that leads us back to the start of the next solo. There is an 8 bar melodic interlude to be
played between each soloist at letter ‘E’. Analysis by Musician Rod James-Bland.
SCRIM CD Review:
‘The musicians’ creativity, matched by dedication to their artistry, is evident throughout this recording and is an
example of the depth and diversity of musicianship found today in the AABC. The AABC has enjoyed being an
important and active member of the music industry, supporting the local community and in this case assisting
young musicians to explore musical styles. The SCRIM CD contrasts with previous AABC albums. It shifts from
fusion to swing, presenting a small ensemble platform for young musicians to discover and develop their own
creativity. It maybe difficult for one to imagine such creativity within a military band, but you will be pleasantly
surprised to hear this fine ensemble venture outside the square. We thank the members of SCRIM who have
taken the time to express their musicianship in a bid to assist the education of young Australians’.
Mike Tyler - Senior Education Officer (The Arts) Education Queensland.
Queensland and Federal Chair of the Australian Music Education Board.
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RECORDINGS
SCRIM MUSO PROFILES:
Musician Jeff Camilleri - Bass
Jeff has vast experience both as a band leader and a music agency consultant. He has been performing
professionally for over 20 years and has amassed an impressive resume. Jeff has worked alongside many
Australian acts ranging from Human Nature & Tommy Emmanuel to international artists including Arturo Sandoval
& David Sanborn. Jeff regularly performs in the studio as a bassist and vocalist, recording material for advertising
jingles including the existing ABC AM 702 Station ID, numerous local and international albums, plus film and
television soundtracks. Since joining the AABC in 2005, Jeff has continued to perform with a vast array of
Australia’s premier talent and is in constant demand enabling him to continue to explore his musical prowess
beyond the AABC.
Musician Rod James-Bland – Drums
Rod started his career 25 years ago playing on the pub and club circuit and has been part of the Australian music
scene as a live performer and recording musician since that time. He graduated from the Conservatorium of
Music in Sydney receiving a Diploma in Jazz studies in 1993 and went on to become a lecturer in drum kit and
percussion at the esteemed Australian Institute of Music.
He has performed and recorded with many elite Australian Artists including; Ed Wilson, Don Burrows, Julie
Anthony, Doug Parkinson, Emile Nelson, Martin Lass and Dorian Mode just to name a few, as well as international
acts “The Supremes” and “The Drifters”. Since joining the AABC in 2004 he has continued to record and perform
regularly with Australian and International Artists.
Corporal Richard Hibble - Guitar
Richard became a proficient saxophonist early in life and later extended his musical ability by teaching himself
guitar. Richard holds a Bachelor of Music, a Graduate Diploma of Education and a Bachelor of Science.
Highlights with the Australian Army Band Sydney (AABS) include three deployments to East Timor (2001-2) and
the Big Band recording and release of Camouflage Exposed in 2002. His musical influence comes from guitarists
Joe Pass, John Schofield and Mike Stern as you may hear in his compositions.
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RECORDINGS
Musician Marty Ball - Alto Saxophone
Marty began playing the saxophone at the age of 11. In 1990 he went to university to study Jazz. He continued
regular public performances and composing which soon propelled him into recording studios and onto the
airwaves of Adelaide radio. After hearing about the great pay and lifestyle of musicians employed in the Army,
Marty decided to enlist as a member of the AABC. Since enlisting, Marty has travelled throughout Australia and
overseas. Aside from the three AABS CDs on which he is featured, Marty’s goal is to record & write his own CD.
Marty’s influences include David Sanborn, Charlie Parker, Cannon Ball Adderley and Gerald Albright. Musician Craig Mitten – Trumpet
Craig commenced playing trumpet in high school and became the inaugural winner of the Woodville High School
‘most versatile performer’ award in year 12. He realised at an early age that he wanted to make music his life and
went on to complete a Bachelor of Music (jazz major). Craig has performed with numerous international artists
including Shirley Bassey, Joan Rivers, Chuck Findley and Phil Wilson. Craig, like all members of the AABC, is
highly dedicated to his art and has goals beyond his ‘day gig’, aspiring to continue writing and recording originals
and pushing the boundaries with his own musicianship - a lifetime pursuit!
Sergeant Peter Bell – Sound Engineer
While completing his Bachelor of Music in Performance, Peter enlisted in the Army Reserve and joined the
Queensland University Regiment Band to earn some tax free dollars. He transferred to the Australian Regular
Army in 2001 and was posted to AABS. His is featured on the AABS Jazz recording Camouflage Exposed,
performing trombone and as assistant engineer. He played a significant role in recording, editing and mixing the
educational CD Salute to the Aussie Digger, gaining both military and civilian acknowledgment.
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BENEFITS/TRAVEL
DIARY OF A DEPLOYMENT TO
BOUGAINVILLE
The Australian Army Band Sydney (AABS)
were deployed to Bougainville to assist
in the peace process by using music as a
medium to encourage peace and harmony
throughout the island. Another significant
role was to elevate the moral of both the
civilian and military personnel posted far
from their family and friends.
AABS arrived in Bougainville on 1st
November 2000 after a brief stop over in
Townsville. Thankfully, upon arrival the
weather was relatively cool for Bougainville
standards (90%humidity), so acclimatising
was not as torturous as first feared. After
disembarking the RAAF Hercules, the band
was briefed on personal safety in a sak sak
(thatched hut with open sides). Uni-mogs
were used to transport the band along
the heavily potholed roads to Loloho, the
Peace Monitoring Group HQ.
The journey painted a clear image of
conflict from the past. Once successful
thriving businesses, now reduced to
nothing more than decrepit torn down
frames draped in aggressive vines, with
burnt out vehicles scattered randomly
along the roadside. All the same, the
devastation was contrasted by the
beautiful picturesque coastline and lush
tropical vegetation.
Loloho, a port of a copper mine and
where the conflict began, has now been
transformed into a makeshift military
camp surrounded by coiled barbed
wire complete with native guards.
The centerpiece, a large ‘A’ framed
construction originally used to store
copper, now accommodates approximately
70 - 100 tents and is affectionately known
as ‘The Opera House’. Although this iron
monstrosity gave some protection from the
tropical storms, it significantly intensified
the oppressive heat by limiting air flow.
The wharf now only accommodates Naval
vessels supporting the Peace Monitoring
Group(PMG) and used as a diving platform
for desperate personnel wishing to cool off.
The maiden concert was held at the
markets in Arawa approximately 7km from
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Loloho, the capital of Bougainville. Initially
the locals were hesitant to approach
us however they soon began to gather
confidence and edged closer, although
always maintained a safe distance from the
microphone to watch the concert.
On Saturday the band provided an
evenings entertainment to farewell the
Commanding Officer of the Arawa team
site where many peace negotiations were
held. The performance began with the
clarinet choir, followed by a small jazz
ensemble and concluded with the full show
band. During the course of the evening,
a group of ladies from the local Arawa
community performed two vocal pieces
and presented the Commanding Officer
and his family with handmade gifts and a
farewell lei. It was fascinating to hear the
Bougainvillian people performing and to
experience a small part of their culture.
The following day the AAB-S split into two
small bands; one heading North aboard
the MSA BROLGA and the other to the
South of the Island travelling by Iraquoi
helicoptor.
BENEFITS/TRAVEL
The Northern Endeavour.
The band aptly named the ‘Northern
Cruisers’ left Loloho at 8.30am and spent
most of the day on the upper decks in the
sun taking in the beautiful coastline. They
saw the most amazing marine life on their
journey North, including sharks, marlin,
pods of dolphins and the sea boiling with
a frenzy of feeding fish. A member of the
crew was fortunate enough to hook a Maihi
Maihi (dolphin fish) one of the worlds most
prized fighting fish, leaving the rest of the
mad keen fisherman green with envy.
Arriving at the Buka entrance the BROLGA
crept gingerly through the passage
escorted by zodiac inflatable as they were
entering unchartered waters.
The greatest threat however were the
number of locals in canoes chasing the
multitudes of fish entering the path of the
BROLGA. Once anchored, a scrumptious
tea was served followed by an impromptu
concert for the ship’s company and the
onlooking audience of fisherman.
Woken to the sonorous call of ‘Wakey
Wakey’, the band had breakfast and
departed in zodiacs to the team site at
Buka. This resembled a scene from “Water
Rats in the Pacific” compared to our usual
leisurely coach trip. The Buka concert
attracted a large audience of well over 300
natives from the surrounding region. At the
conclusion of the show, the band was free
to wander and soak up the atmosphere of
the nearby Buka markets. The majority of
the market was undercover and consisted
of an amazing array of fruit and vegetables,
betel nut, cigars and smoked fish. All were
colourfully displayed on banana leaves and
artistically hung from ceilings or packed
delicately in woven baskets. Later in the
day another concert was scheduled at the
Buka High School, where on arrival, we
set up in record time and spent about half
an hour playing with and taking photos of
the children in the playground. Performing
was particularly difficult due to the arduous
humid sticky conditions, however against
these odds, the concert went extremely
well.
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Our next destination was Tinputz, a three
and a half hour journey. Unfortunately
the ocean had whipped up a ferocious
three metre swell overnight and a number
of the members of the band had a very
unpleasant time. The concert venue was
situated on top of a huge hill overlooking
the bay and the breeze was unbelievably
refreshing. A performance had never been
held on the stage and was built solely
for the Reconciliation Ceremony. The
performance was definitely the highlight
of the Northern Cruiser’s voyage as the
crowd was enormous and very receptive.
Following the first bracket of the show,
a local village band with the title ‘Black
Temple’ performed. Primitive instruments
such as sticks and shells melded with
electric guitars and drum kit were
utilised to give the band their unique and
entertaining style. During their performance
members from the band started dancing,
eventually encouraging the local ladies
to join them. The band later found out
that dancing in public is unacceptable
behaviour in Bougainville, even through the
BENEFITS/TRAVEL
local ladies told them they hadn’t enjoyed
themselves so much in a long time. Later
that day, a group of small children aged
about six or seven paddled out to the
BROLGA in their canoes. Some of the
BROLGA crew gave them ‘Chuppa Chups’
and word must have got out because
suddenly they were swarmed by canoes
milling around the ship.
The next day the BROLGA began it’s
journey back to Loloho during which a
storm caused very unpleasant travelling
conditions for all on board.
Members from the ‘Northern Cruisers’ had
a fascinating and memorable trip on board
the MSA BROLGA, all thanks to the crew
who were sensational and can’t be thanked
enough.
The Southern Flyers.
Two Vietnam veteran iraquoi helicopters
were used to transport all of the equipment
and musicians to the isolated team sites.
What an exhilarating experience, travelling
at high speeds over beautiful aqua waters
and coconut palm lined sandy beaches.
Heading inland over impenetrable jungle,
only hundreds of feet up skimming over
tree tops and as high as 2000 feet, through
the clouds, to climb over mountains that
would dwarf Mt Kosciusko.
Once they arrived they immediately loaded
equipment into 4 wheel drives and made
their way to Aku. The performance was to
raise funds for the local school and was
part of a four day sporting festival. The
standard of volleyball was outstanding
which soon gave us second thoughts
about challenging them. The locals were
curious but shy and crowded around us
cheering for more. Alas! the Bougainville
weather had its way and a tropical storm
soon had us packing the equipment into
a sak sak. The main concern was to get
back to the team site on the other side of
three rapidly swelling rivers.
That night the team site staff cooked a
sensational meal of local chili coconut
fish as well as a number of other equally
enticing dishes.
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The following day the band flew to Tonu
team site in the Conga region to another
village named Ameu. The concert was
performed outside the village church and
after the concert dozens of screaming
happy children ran behind the vehicle
to farewell us filling us a full sense of
accomplishment.
In the evening we tasted the delights of
freshly cut coconuts and pineapple –
Delicious!
Locals were invited to attend a weekly
video screening (Dragonheart) within the
team site grounds preceded by a short
reggae concert to draw the crowd.
The band took off to Sirakatau at sunrise
and were immediately trucked off to Sovele
across very rugged terrain and a death
defying land slip crossing. The concert was
delayed as the students, aged from 13 to
30, were all involved in year 8 exams. This
gave just enough time for the band to rest
and allow the cumulonimbus clouds to roll
over the mountains and threaten us once
again. However the children’s beaming
smiles shone through the drizzle while
BENEFITS/TRAVEL
some local men ripened on “jungle juice’
danced and caused quite a stir.
After the perilous journey to the team
site the band set up for the evening
concert. Sure as eggs the rain clouds
once again congregated to set the required
atmosphere while families travelled up to
three hours from the highlands to witness
possibly their first ‘white’ concert. It was
a beautiful sight, the sun reflecting on the
rain, the rolling hills as a back drop and
hundreds of villagers under the cover of
giant banana leaves making their way to
the concert. One highlight was a machete
wielding youth who could have quite easily
been a Circus Oz daredevil, who performed
a mind boggling display to the music. One
of the musicians took the opportunity to
break the ice and play a rock saxophone
solo while imitating his movements. The
crowd roared appreciatively uniting the
local people with their visitors from Sydney.
All will remember the mutually rewarding
and most valuable cultural exchange that
occurred during our time in Bougainville.
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COPYRIGHT
© Commonwealth of Australia (Australian Army) 2007
This work is copyright. Apart from any use as permitted under the Copyright
Act 1968, no part may be reproduced by any process without prior written
permission from the Commonwealth available from the Defence Force School
of Music. Requests and inquiries concerning reproduction and rights should be
addressed to: The Defence Force School of Music, Meares House, Simpson
Barracks, MACLEOD VIC 3085. Every effort has been made to trace and acknowledge copyright. Where attempt
has been unsuccessful, the producer would be pleased to hear from the copyright
owner so any omission or error can be rectified.
ACKNOWLEDGEMENTS
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ACKNOWLEDGEMENTS
ACKNOWLEDGEMENTS
Written and directed - W02 Rod Mason
Graphic design - Chris Shepherd (Defence
Publishing Service)
Interview filming - Andrew Axon
Interview footage editing - Scot McCann
Audio demo tracks - SGT Peter Bell
Funded by Defence Force Recruiting
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