Set-A MAHESH TUTORIALS I.C.S.E. GRADE - X (2015-2016) TOTAL MARKS : 80 Exam No. : MT/ICSE/PRELIM - I-SET A-005 LITERATURE IN ENGLISH ENGLISH PAPER- 2 (Two hours) Answers to this Paper must be written on the paper provided separately. You will not be allowed to write during the first l5 minutes. This time is to be spent in reading the question paper. The time given at the head of this paper is the time allowed for writing the answers. Attempt five questions in all. You must attempt one question from each of the Section A, B and C and any two other questions. The intended marks for questions or parts of questions are given in brackets [ ]. SECTION A - DRAMA Question 1 Read the extract given below and answer the questions that follow : "O be thou damn'd, inexorable dog, And for thy life let justice be accus'd. Thou almost mak'st me waver in my faith. To hold opinion with Pythagoras." Questions: (i) Who is the speaker? Who is being called 'inexorable dog' and why? (ii) Where are they? Who else are present there? How does the person addressed to answer? (iii) Who was Pythagoras? What was his opinion that is being referred to here? (iv) Who enters the scene a little later? How is that person disguised? Who accompanies that person? From where has that person come? (v) What are the contents of the letter that is read out a little later? [3] [3] [3] [3] [4] Question 2 Read the extract given below and answer the questions that follow : "swear by your double self, And there's an oath of credit." Questions: (i) Name the speaker and the person addressed. Who are the other people present? Where are they? [3] T15 PIA 005 © Copyright reserved. This Paper consists of 5 printed pages. Turn over Set-A ... 2 ... (ii) What had the person spoken to, said immediately before to evoke this reply from the speaker? (iii) In what mood is the speaker? Why? (iv) Who considers himself responsible for all this? Why? (v) Give two prominent character traits of the speaker. Substantiate your answer with relevant examples. [3] [3] [3] [4] Question 3 Read the extract given below and answer the questions that follow : Canynge : De Levis : Canynge : De Levis : Canynge : De Levis : Canynge : De Levis : [Very gravely! This is outrageous, De Levis. Dancy says he was downstairs all the time. You must either withdraw unreservedly, or I must confront you with him. If he'll return the notes and apologise, I'll do nothing— except cut him in future. He gave me that filly, you know, as a hopeless weed, and he's been pretty sick ever since that he was such a flat as not to see how good she was. Besides, he's hard up, I know. [After a vexed turn up and down the room] It's mad, sir, to jump to conclusions like this. Not so mad as the conclusion Dancy jumped to when he lighted on my balcony. Nobody could have taken this money who did not know you had it. How do you know that he didn't? Do you know that he did? I haven't the least doubt of it. Questions: (i) What does De Levis want from Dancy? (ii) Why is De Levis so sure of Dancy to have stolen the money from his room? (iii) How does General Canynge react when De Levis tells him who the thief is? (iv) Where are the speakers? What are they discussing there? (v) What does De Levis want to suggest when he says “...when he lighted on my balcony”? [3] [3] [3] [3] [4] Question 4 Read the extract given below and answer the questions that follow : Lady A : Oh! Why did I ever ask that wretch De Levis? I used to think him pathetic Meg—did you know—Ronald Dancy's coat was wet? The General happened to feel it. Margaret : T15 PIA 005 So that's why he was so silent. Turn over Set-A ... 3 ... Lady A : Yes; and after the scene in the Club yesterday he went to see those bookmakers, and Goole — what n name!—is sure he told Dancy about the sale. Margaret : [Suddenly] I don't care. He's my third cousin. Don't you feel you couldn't, Adela? Questions : (i) Where are the speakers? Name the other person present before this conversation. [3] (ii) Why does Lady Adela refer to Dancy's wet coat? [3] (iii) What does the word 'sale' here indicate? [3] (iv) What does Margaret want to convey when she says, "Don't you feel, (v) you couldn't, Adela"? [3] How do the two ladies feel for De Levis ? [4] SECTION B - POETRY Question 5 Read the extract given below and answer the questions that follow : "What do yon weave, O ye flower-girls With tassels of azure and red?" Questions : (i) Identify the poem, the poet and the type of poem. (ii) With which unique technique has the poet structured the poem? Which city is referred to in the poem? Which two cultures meet in this city as revealed through the poem? (iii) What do the flower girls weave? (iv) Which colours are referred to in the extract? Which other colours are referred to in the poem? (v) What special role do flowers play in the Indian culture? [3] [3] [3] [3] [4] Question 6 Read the extract given below and answer the questions that follow : "For these things in themselves, Beloved, may Be changed, or change for thee, - and love, so wrought, May be unwrought so." Questions : (i) What are the things that the poet thinks change 'in themselves'? Why does she think so? T15 PIA 005 [3] Turn over Set-A ... 4 ... (ii) (iii) (iv) (v) What does the phrase "change for thee" signify? Is it a significant phrase in the poem? [3] Identify the poem, the poet and the form of the poem. [3] What is the poetess trying to suggest in the above lines? [3] Which literary device has the poet used in the poem and why? What does the poet mean when she says not to love in pity? Why does she think so? [4] SECTION C - PROSE Questions 7 Read the extract given below and answer the questions that follow : "And this wild, senseless bet was carried out! The banker spoilt and frivolous, with millions beyond his reckoning, was delighted at the bet." Questions : (i) Name the author of the story. How did the banker make fun of the lawyer? (ii) Mention the three most important terms and conditions of the bet? (iii) What changes occurred in the lawyer in the fifth year of his imprisonment? (iv) What message or the moral lesson does the story convey to us in the end? (v) Why did the prisoner write a note for the banker in the second half of the sixth year? What request did he make? How was it answered? Questions 8 Though set in Iran, the story, ‘Hunger’, has a universal appeal. Elucidate. All the Best T15 PIA 005 [3] [3] [3] [3] [4] [16] Turn over Set-A ICSE X MAHESH TUTORIALS I.C.S.E. SUBJECT : ENGLISH (PAPER 2) Exam No. : MT/ICSE/PRELIM - I-SET A-005 Marks : 80 Time : 2 hrs. Model Answer Paper SECTION A - DRAMA A.1. (i) Gratiano is the speaker. Shylock is called an inexorable dog because he seems to be deprived of any human feelings, no prayers can pierce or melt his heart. [3] (ii) They are in Venice, a court of Justice. The others present include the Duke of Venice, Antonio, Bassanio, Gratiano, Salarino, and the merchants. He answers saying, "Till thou canst rail the seal from off my bond, / thou but offend'st thy lungs to speak so loud /repair thy wit, good youth, or it will fall / to cureless ruin ........... I stand here for law." [3] (iii) Pythagoras was a Greek philosopher who believed that souls of men appeared several times on the earth, assuming sometimes higher and sometimes lower forms of life and that the souls of animals may sometimes enter the bodies of men. [3] (iv) Nerissa, disguised as a lawyer's clerk enters the scene. She is accompanied by Portia, dressed as Balthazar, the doctor of law. She comes from Doctor Bellario. [3] (v) The contents of the letter from doctor Bellario as read out by the clerk at the instruction of the Duke are: “Your grace shall understand, that at the receipt of your letter I am very sick: but in the instant that your messenger came, in loving visitation was with me a young doctor of Rome; his name is Balthazar. I acquainted him with the cause in controversy between the Jew and Antonio the merchant: we turned o’er many books together: he is furnished with my opinion: which, bettered with his own learning, the greatness whereof I cannot enough commend, comes with him, at my importunity, to fill up your grace’s request in my stead. 1 beseech you, let his lack of years be no impediment to let him lack a reverend estimation: for I never knew so young a body with so old a head. I leave him to your gracious acceptance, whose trial shall better publish his commendation.” [4] A.2. (i) The speakers and the person addressed are Portia and Bassanio respectively. The other people present there are Antoni, Gratiano and Nerissa. They are at Belmont Avenue in Portia's house. [3] (ii) The speaker had asked for forgiveness for the 'forced wrong' of having given away the wedding ring thai Portia had given to him. In the hearing T15 PIA 005 Turn over Set-A ... 2 ... of his friends, he swore to her even by her own eyes wherein lie sees himself. [3] (iii) The speaker appears to be angry but is, in fact, in a very jovial, light and mischievous mood. She is happy because she has saved Antonio's life and she is trying to tease her husband using her wit and intellect. [3] (iv) (v) Antonio considers himself responsible for this. This is because he had persuaded Bassanio to give away the ring. He considers himself the unhappy subject of the quarrels. [3] Two of the most prominent character traits of the speaker are wit and intelligence. For instance: The way she fights the case against Shylock and turns the tables on him proves her wisdom. The way she understands the friendship of Antonio and Bassanio without ever having met Antonio proves she values friendship. She’s also a great friend of Nerissa. [4] A.3. (i) De Levis is very sure of Dancy to have taken the money. He wants him to return the notes and apologize for what he did to him. He says he will withdraw his case and he will never have any relationship with him in the future. [3] (ii) De Levis is very sure that the money has been stolen by Dancy alone. He had seen the footmarks of his boot. He has some proof against him. He is confident that he can prove Dancy guilty. [3] (iii) General Canynge looks biased and does not want to listen to the argument that De Levis puts before him. He rather snubs De Levis for such an allegation he is making towards a person like Dancy. He calls it madness to jump to conclusions like this. [3] (iv) The speakers are in De Levis’ bedroom. They argue with each other and discuss the accusation made against Dancy. [3] (v) De Levis examined his balcony and came to the conclusion that someone had made a daring jump from the adjoining balcony. According to De Levis, Dancy jumped to his balcony and when he saw De Levis in the bathroom. He jumped into the room from the open window. He stole those notes and jumped back. It is this ‘jump’ that De Levis refers to in this passage. [4] A.4. (i) The speakers are in the sitting room of Dancy's flat. Mabel was present with them before this conversation. [3] (ii) Lady Adela suspected Dancy's hand in the theft. She talks about the fact that General Canynge had found Dancy's coat wet, as he had been out in the rain during the theft. [3] T15 PIA 005 Turn over ... 3 ... Set-A (iii) The sale of the mare Rosemary filly to Kentman by De Levis is what Lady Adela refers. Goole had passed this information to Dancy. [3] (iv) Margaret says that she will support Dancy as he is her third cousin. She urges Lady Adela to have the same feeling for a friend and a fellow Christian like Dancy. [3] (v) The two ladies hate De Levis as he is a Jew first. They feel that De Levis should not have made a charge against Dancy. They are loyal to Dancy even if guilty. It is just because he is a fellow Christian. [4] SECTION B - POETRY A.5. (i) The name of this lyric poem is 'In the Bazaars of Hyderabad' written by Sarojini Naidu. (ii) [3] The poet uses the unique technique of questions and answers to structure the poem. The city of Hyderabad is being referred to in the poem. Hinduism and Islam are the two cultures that meet in this city. [3] (iii) Besides the tassels of azure and red, the flower girls weave crowns for the brow of a bridegroom, chaplets to garland his bed, sheets of white blossoms new-gathered to perfume the sleep of the dead. [3] (iv) The colours azure and red are referred to in the extract. Various other colours are referred to through the mention of items like: brocade, amber, jade, saffron, henna, blue, gold, citron, pomegranate, plum and white. [3] (v) Flowers occupy a very special place in the Indian culture, be it religious, social, cultural festivals or the occasions of marriage or death, flowers are an integral part of every occasion and celebration. Different colours and varieties of flowers are used depending upon the mood of the occasion. [4] A.6. (i) The poet think that the things that change 'in themselves' are smile, looks, way of speaking and even tears. She thinks so because appearance, good looks, physical beauty are superficial qualities that fade in their appeal with the passage of time and love that is based on transitory, changeable things cannot endure for long. [3] (ii) If the things do not change on their own, his way of looking at those things may change. It is a significant phase in the poem because it highlights the theme of the poem through a feminist statement that love should be for love's sake. Love based on external attributes and physical beauty may diminish with time and fade in its appeal. [3] T15 PIA 005 Turn over ... 4 ... Set-A (iii) ‘If Thou Must Love Me’ has been penned by Elizabeth Barrett Browning. It is a hybrid sonnet. [3] (iv) The poetess is trying to suggest that love for love's sake lasts a lifetime and will never fade away. She doesn't want to be loved for things that are changeable and even if they do not change, one's way of looking at them may change. If love is based on external things then it may also change with time. Love based on changeable things cannot endure. [3] (v) The poetess has used the technique of cumulative listing: 'a technique of listing similar ideas to explain or add examples to a particular statement.' The poetess feels that if the love is out of pity for the beloved it may not last forever. She may be cajoled by the lover and may forget to weep. The moment that happens, the foundation of love may break because the lover has lost the reason to love. [4] SECTION C - PROSE A.7 (i) The author of the story is Anton Chekhov. The banker made fun of the young man at supper, saying, "Think better of it, young man, while there is still time. To me two million is a trifle, but you are losing three or four of the best years of your life. I say three or four, because you won't stay longer. Don't forget either, you unhappy man, that voluntary confinement is a great deal harder to bear than compulsory. The thought that you have the right to step out in liberty at any moment will poison your whole existence in prison. I am sorry for you." [3] (ii) It was decided that the lawyer would spend fifteen years of his captivity in strict solitary imprisonment under the stringent supervision in one of the lodges in the banker's garden binding the young man to stay there exactly fifteen years beginning from twelve o' clock of November 14, 1870 and ending at twelve o' clock of November 14, 1885. The slightest attempt on his part to break the conditions, if only two minutes before the end, released the banker from the obligation to pay him the two million. He might have anything he wanted, in any quantity he desired by writing an order, but could only receive them through the window made purposely for that object and was to be his only contact with the outer world. He could not cross the threshold of the lodge, to see human beings, to hear the human voice, or to receive letters and newspapers. [3] (iii) "In the fifth year the music was audible again and the prisoner asked for wine." He spent the year "doing nothing but eating and drinking and lying. He did not read books. Sometimes at night he would sit down to write; he would spend hours writing, and in the morning tear up all that he had written. More than once he could be heard crying." [3] T15 PIA 005 Turn over ... 5 ... Set-A (iv) The story conveys the message that true happiness does not lie in materialistic things which are vain and temporary like a mirage. It also conveys the message that true happiness lies within us and since we are social animals, we cannot survive or flourish without contact with the outside world or people. We need to interact and share our views. Even the best of gadgets and food, got without labour can lead to depression. The story also conveys the message that a person cannot survive or be happy without freedom. Confinement, away from society, with all the material benefits received free of cost can be the worst form of punishment. [3] (v) In the second half of the sixth year the prisoner began zealously studying languages, philosophy and history. He threw himself eagerly into these studies—so much so that the banker had enough to do to get him the books he ordered. In the course of four years some six hundred volumes were procured at his request. It was during this period that the banker received a letter from his prisoner. He requested the banker, "My dear Jailer, 1 write to you these lines in six languages. Show them to people who know the languages. Let them read them. If they find not one mistake I implore you to fire a shot into he garden. That shot will show me that my efforts have not been thrown away. The geniuses of all ages and of all lands speak different languages, but the same flame burns in them all. Oh, if you knew what unearthly happiness my soul feels now from being able to understand them!" The prisoner's desire was fulfilled. The banker ordered two shots to be fired in the garden. [4] A.8 Set against the background of the 1978-79 Iranian Revolution which replaced ancient monarchy under Shah Mohammad Reza by a Republic. An indirect satire on the Iranian political propaganda. The major theme of the story are hunger and starvation as well as vast economic and social differences between the haves and the have-nots all over the world. The Haves: A crowded market place with shops full of items waiting to be sold. Due to inflation things are expensive. Although, the demand hasn't gone down. Customers purchase and enjoy themselves eating and drinking. The Have-nots: We are presented with the plight of a poor man, Kasim. He sells rags to earn his living. It represents have-nots. His family lives in village. They have no land to cultivate. He is the only earning member. Problems of hunger and starvation suffered through several generations. He belongs to a class of manual labourers. He finds it difficult to make a decent living. His great grandfather did physical labour in some household and died of high-fever. His grandfather died of hunger and cold. His father was a physical labourer who starved ahd moved from place to place. He managed life with 500 rupees a month. If he doesn't work, he would have to sleep hungry at night. Rizwan also belonged to the class of have-nots. Educated yet in the clutches of poverty. Not suitably employed and in need of one. He has to shoulder family responsibilities and appears quite well to do. Later, it is T15 PIA 005 Turn over ... 6 ... Set-A discovered that his family is also facing acute financial problems. His father died two years ago. His mother is ill. His brother's education was discontinued due to lack of finances. He has no money to buy food. He goes hungry throughout the day. The uneducated poor as well as educated unemployed, both Kasim and Rizwan suffer the pangs of hunger. They are victims of starvation. Have-nots die of hunger and starvation as upper dass indulges in extravagance, wide economic gap between rich and poor, rich country. It is a vast storehouse of petrol. Yet, the benefits of economic abundance do not percolate to poor. They do not benefit from national affluence. Though it is a story based in Iran, it is universally true of all the developing nations of the world that have a wide disparity between the haves and the have-nots. We, in India, can also easily identify with the characters and their problems. [16] T15 PIA 005 Turn over
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