Put Poems in Your Pockets: Imagine your campers gathered in a circle for the beginning of their first day at camp. You give a warm welcome; make some introductions; sing a few lively, favorite songs; and before activities begin, you pull a poem from your pocket to share with everyone. When the day is done, your pocket yields another poem in celebration of a child’s birthday or a storm that whipped the trees or a special new friend or the frogs that punctuated the day with their croaking. Why Poetry at Camp? Campers receive a message in a moment, a flash of understanding, a validation of their experience, or a new perception when a planned or spontaneous poem is woven into their everyday experience. Poems provide a brief but memorable bookend for the camp day. At school, children are accustomed to ringing bells that mark the day’s beginning and ending . . . why not the more engaging sounds of a poem, chosen and read (or even written) by a counselor or a camper? Share poems about camp things — bugs, night, dreams, quarrels, trees, crying, or questions. Daily or weekly good-byes at camp may be commemorated with more poems. Poetry at Camp Goes Beyond the Classroom Camp has long offered activities and experiences introduced in school, but camp gives more in-depth opportunities for campers to connect with their real lives . . . poetry at camp is a chance to “slip in the back door” with new expressions, ideas, outlooks, links to experience, and the magic of a wellturned phrase. Schools struggle to teach the written language, wrestling with the impact of text messaging, which filters words to the simplest message. Even the traditional “love note or letter” that offers a teen a chance to express his feelings, may be text messaged. Poems provide campers with another’s view of their common experience, spoken in words 50 CAMPING magazine • November/December 2008 Why Use Poetry at Camp? different from their own. Poems naturally expand campers’ options for vocabulary and their expression of daily syntax. Timing Is Everything A well-timed poem shared by a camp leader can send a message to campers that sets a tone. Talk of friends, love, caring, sharing, nature’s beauty, and other less tangible subjects may be more easily communicated in a poem rather than the speaker’s less-practiced words. A well-placed poem may support the camp leader’s request, or reprimand, or open or close a difficult conversation. Poems of appreciation may be given as a simple and heart-felt “thank you.” Poetry at camp takes minutes to prepare, minutes to share, and costs nothing. . . a simple, valuable, and perhaps, unique addition to your program. Daily Camp Experiences With Poetry Staff can begin to collect poems from the children’s section in any library. It is crammed with books of poems — humorous and serious, about food, family, animals, nature, morals, and more — in so many subjects you will be taxed to choose just a few. Copy them, and stuff them in your pocket. After a few readings, campers begin to ask for more! Give copies to campers and encourage them to read them aloud. Make extra copies available to start camper collections. Plaster poems on bathroom doors and bulletin boards, add them to newsletters, and use them as a basis for camp skits and plays. A budding musician might provide background music for a fellow camper as she recites her poem. Place books of poems in the nurse’s station, places where campers wait, and in staff rooms — give them time to read and start their own collections. When you find creative times and places to present poems, you may be surprised at your own keenness for finding and sharing them. Faith Evans Find a Poem for Every Camp Situation . . . . From the public domain, here are a few poems to pull out of your pocket during those teachable moments at camp: Poetry at Play Camp playgrounds teem with rhymes and rhythms, often passed from one generation to another. One example is Miss Polly Had a Dolly. Young campers often jump rope longer and better while shouting breathlessly . . . . Miss Polly Had a Dolly Miss Polly had a dolly who was sick, sick, sick. So she phoned for the doctor to be quick, quick, quick. The doctor came with his bag and his hat, And he knocked on the door with a rat-a-tat-tat. He looked at the dolly and he shook his head. And he said, “Miss Molly, put her straight to bed.” He wrote on the paper for a pill, pill, pill, “I’ll be back in the morning with my bill, bill, bill.” - Anonymous Settling Arguments Who goes first? Who get’s the chocolate one? Who’s IT? Camper arguments and decisions may be settled by toning nonsense rhymes while pointing to one child per word. “Out goes you!” decides the winner or the loser. Ecka, decka, donie, creak, Ecka, decka, do. Ease, cheese, butter, bread Out goes you! - Anonymous Dispelling Fears A simple poem about the universal experience of stargazing will ring familiar to most, young and old. At camp, campers from the urban areas may be able to see stars, previously hidden by ambient light or pollution. Stimulate their imaginations by inviting them to lie on their backs and title the star groups using their own creative names. Any fear of darkness may dissipate when campers become immersed, together, in the beauty of a starry night. Starlight Starlight, star bright, First star I see tonight. I wish I may, I wish I might, Have the wish I wish tonight. - Anonymous Teach Environmental Awareness Written more than a century ago, Christine Rossetti’s poem gives voice to today’s Leave No Trace ethic: Hurt No Living Thing Hurt no living thing; Ladybird, nor butterfly, Nor moth with dusty wing, Nor cricket chirping cheerily, Nor grasshopper so light of leap, Nor dancing gnat, nor beetle fat, Nor harmless worms that creep. - Christine Rossetti Active Poetry Poems can stand alone, inspire a good discussion, or be the basis for activity and further exploration. For example, wrap cookies in copies of Vachel Lindsay’s poem, The Moon is the North Wind’s Cookie. Invite campers to write their own poems about the moon, or cookies, while dipping them in milk. CAMPING magazine • November/December 2008 51 Why Poetry Matters David Markwardt It is my premise that a love of poetry is innate. Humans are born with a sense of the importance of rhythm which develops in the womb from being close to the comforting beat of our mother’s heart. Later, as infants, held tightly near our mother’s chest, and her familiar heartbeat, we absorbed the soft rhythms of lullabies. And later yet, we chanted our ABCs, carrying the beat with our bodies, and remembering the letters that rhymed. If a love of poetry is innate, then what happens to poetry’s place in kids’ lives as they get older? Poetry may be nurtured or it may fall into a kind of dormancy. Parents, who are busy making financial ends meet, may not have time to nurture the poetic impulse. Reading time to their kids may be delegated to the babysitter or television. The love of poetry may become latent. Poetry can make a difference in the lives of kids. As a parent, I make it a habit of memorizing poems that are pleasing to me and reciting them to my oldest son August as I drive him to elementary school. A favorite has been William Blake’s The Tyger. The Tyger Tyger! Tyger! burning bright In the forests of the night, What immortal hand or eye Could frame thy fearful symmetry? In what distant deeps or skies Burnt the fire of thine eyes? On what wings dare he aspire? What the hand, dare seize the fire? And what shoulder, & what art, Could twist the sinews of thy heart? And when thy heart began to beat, What dread hand? & what dread feet? What the hammer? what the chain? In what furnace was thy brain? 52 CAMPING magazine • November/December 2008 What the anvil? what dread grasp Dare its deadly terrors clasp? When the stars threw down their spears, And water’d heaven with their tears, Did he smile his work to see? Did he who made the Lamb make thee? Tyger! Tyger! burning bright In the forests of the night, What immortal hand or eye Dare frame thy fearful symmetry? - William Blake One July night, two months after the daily recitations had ended for summer’s school break, August surprised me by reciting the first stanza of The Tyger. August hadn’t been asked to memorize The Tyger but had absorbed it anyway. August said he enjoyed the rhyming and the music of the poem. His life was made richer by it. As children grow older and their lives grow in complexity, they may turn to poetry to give them words to attach to their feelings. They may move on to poetry that explains the world to them or find new things in a favorite poem. When he was in first grade, August loved The Tyger’s energy and rhymes. By second grade, August, whose reasoning faculties were developing, wanted to talk about how the poem addresses the mysteries of life and the origins of animals. The language of poetry needs to be suitable for a camper’s growing experiences because it is language that sets human beings apart from other animals. We can give voice to our camp experiences through poetry. We shape our lives by how we talk about what happens to us and how we feel about it. Poetry matters because it helps define who we are. David Markwardt is a published poet, owner of a consulting business, and director of Teamwork in Action, a team and leadership development program that he began at Santa Fe Community College. He received a master of science in organization development and a master of fine arts in poetry. He lives outside of Santa Fe, New Mexico, with his wife, Tracey, and his two sons, August, age eight, and Elliot, age three. The Moon Is the North Wind’s Cookie The moon is the North Wind’s cookie. He bites it day by day, Until there’s but a rim of scraps That crumble all away. The South Wind is a baker. He kneads clouds in his den. And bakes a crisp new moon that – greedy North Wind –eats – again. Consider creating a “Poetry Trail” where campers read or memorize a poem at stations across camp, using props and costumes as desired. Other campers follow a map or hike the trail and stop to hear poems performed by their friends. For example, next to the water, a camper might share E.E. Cummings’ poem about four girls at the shore: Maggie and Milly and Molly and May maggie and milly and molly and may went down to the beach (to play one day) and maggie discovered a shell that sang so sweetly she couldn’t remember her troubles, and milly befriended a stranded star whose rays five languid fingers were; and molly was chased by a horrible thing which raced sideways while blowing bubbles: and may came home with a smooth round stone so small as a world and large as alone. for whatever we lose (like a you or a me) it’s always ourselves we find in the sea.” - E.E. Cummings This “comfort” poem sets the tone for rest or sleep: All around me quiet. All around me peaceful. All around me lasting, All around me home - Ute Indian Healing Relationships Poems can help put things in perspective when campers are faced with relationship challenges. This ditty rings with a lighthearted outlook. It’s hard to lose your lover (or your friend) When your heart is full of hope. But it’s worse to lose your towel When your eyes are full of soap. - Anonymous Poetry Resources Web Sites • Gogglepoetry.com • Poetry4Kids.com • Storyit.com Teaching Lessons Weather at camp is always a consideration when it affects outdoor activities. This tongue twister communicates to campers the invaluable attitude of perseverance. It’s a good one to memorize and recite (to expected groans from campers who have heard it before!). Yet, campers get the message and often join you on the last three lines. Whether the Weather Whether the weather be fine Or whether the weather be not Whether the weather be cold Or whether the weather be hot – We’ll weather the weather Whatever the weather Whether we like it or not! - Anonymous Find a Place for Poetry Metaphorically, poetry at camp is like dessert — it’s not essential to the meal, but it adds delicious pleasure, and most poetry consumers feel full and satisfied. Unlike dessert, not all poetry is sweet, yet, few desserts are thought provoking. Both poems and desserts may be inspiring, and campers may look forward to more! Oh, and you can’t gain weight with poetry! So read poems, recite poems, post poems, write poems, and find a place for them on your camp program plate. Consider making a commitment to fill your pockets with poems and share them with campers. Use the magic of a poem as a springboard, a place from which to plunge into the depths of the moment, for yourself — and for your campers. Faith Evans, M.Ed., is the owner of PlayFully, Inc.. Evans is a national camp staff trainer and team builder, author, and speaker. Her professional history in the world of camp spans forty years and has been nationally recognized by the American Camp Association for outstanding staff training. • PoetryFoundation.org – Features for Children Books • Anything by Jack Prelutsky, considered the Poet Laureate for Children. Find silly and unpredictable poems at www. JackPrelutsky.com and in numerous books of poetry compiled by Prelutsky. Learn to write poetry with his book, Read a Rhyme, Write a Rhyme. • Shel Silverstein –read anything by the author, plus classics, Where the Sidewalk Ends and A Light in the Attic. Highly imaginative! • Poetry Speaks to Children edited by Elise Paschen, with wonderful illustrations, including a CD of poems read by their authors. • Poetry by Heart compiled by Liz Attenborough. Find a delightful collection for many ages by well-known writers. • Bugs – Poems about Creeping Things by David L. Harrison who “revels in that which most of us revile.” Fun! • A Writing Kind of Day by Ralph Fletcher who writes poems about almost anything. • A Family of Poems compiled by Caroline Kennedy is an anthology of poems that she and her family cherished . . . a broad selection by famous authors, with memorable illustrations. CAMPING magazine • November/December 2008 53
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