G RA C C H U S C A IU S TR A . I N A GE F I VE DY : . A C TS . P ER F O R M ED AS i a t the Eb mtrz aa uya l, 313m m ! c : s ms. BY J A M ES S H E R I DA N ! A U TH OR NO WL E S , O F VIB GINI U S. G L A S G O W: PRIN T . F OR E ND E RSON GLAS GO W; RI D GWAY A N D HURST RO B I N SON C O L ON DON C ON STA B L E C 0 E D I N BUR GH A ND R MI LL I ! E N DU B L I N REI D J ED H , , , . , ; . . , . M DC C C ! ! III . ; E J A M S C U RLL, PRIN T ER, OW GLA SG . TO ES Q J O H N P A T T E R S O N, . B r idge S tr eet Bl a ckfri a r s - Y . DE A R S I R, you r su ggestion AT I d edi ca md t o you a , te With bes t wi shes m ily, —I a it , I wr ote this Tra gedy, . for you r ha ppi nes s, a nd tha t Fri en d a nd S erva n t, of yo u r m, MY DE A R Yo u r o bliged a nd S I R, fa i thfu l J Gla sg o w, Nov e m b e r, 1 823 . . S . ! NO WLES . A DV E RT I S E M E N T TH E A u thor is n ot an of this h — Tra gedy h a s ly a rd A ct for i m pr ovem en t, to Mr M A C R E A D Y ; a nd . con vey h is s en trea te d by Mr . se of a S cen e tha t he th e ELL I S T ON si m ply to rem a rk tha t there , —of ta len ts the it , and t ca nn o th a t ta ste fin d is n ot of term s li ber a li ty wi th whi ch . . in debted h is Fr ien d, a dequ a te t o h e ha s b ee n P RO L O G U E S pok en b y Mr . T ERRY . W H ERE i s t h e m a n wh o a s h i s tho u ghts s u r vey Th e da ys o f Rom a n gra n deu r p a s t a wa y Wh ose m em ory loves in rever en ce t o dwell O e r m i n ds tha t held t h e world wi th i n th eir s p e ll C a lls u p t h e m i ghty sh a d ows fr om t he t om b Whose na m es give i m m orta lity t o Rom e Bu t fe els h i s m i n d i n Vi rtu e s s ca le a s cen d Im pr ove d a s p a tr i ot hu sb a n d fa th er fri en d ? S ou n d b u t t h e n a m e o f e ve la stin g Ro m e Wha t glori ou s vi si on s o e r t h e fa n cy com e ! A t thei r hi gh dee ds t o ga in a d e a thless n a m e Th e du llest hea rt will wa ke a n d p a n t for fa m e ; Their s a crifice o f s elf i n Vi rt u e s ca se From st ernes t eyes t h e tea r s o f m a nho od dra ws A n d Rom e h a s form e d i n m a n y a n a fter a ge Th e H er o Po et O ra tor a n d S a ge ! O e r a n ci en t Rom e t h e Mu se on ce m ore thi s ni ght Plu m es h e r wild pin i on s for a d a rin g flight ! Depi cts t h e s elf devoti on —n oble s tr i fe By whi ch h e r S on s m a i n ta i n e d t heir C ou n try s life : A n d shows h ow b ea ti fu l t h e h oly zea l Tha t hea rt s whi ch b ea t for Fr ee d o m on ly fe e l Th e Ba r d wh o dr ew wi th su ch su cces s of la te Vir gini u s m a dd e n in g o e r a d a u ghter s fa te T o s oothe h i s t err or s her e h a s b i d m e co m e Th e d elega te of Gra cchu s a n d of Rom e ; Th a t i f with ha n ds m a d e feeble by h i fe a r H e strikes t h e chor ds tha t Fr eem en lb v e t o hea r H m bly t o a sk Wh a t m o dern Ba r d m a y hop e With tren gth com m en s u ra te wit h su ch the m e t o cope Then o e r h i s e flo rt s le t n o coldn es s lo wer A n d with you r kin dn ess help hi s wa n t o f p owe , , , ’ , ’ , , , , r- , ’ , , ’ u , , , , , , , , ’ , - ' u . , , ‘ ’ ’ , , , s , , , u , s ’ ‘ , r. DRA M A T I S P ER S O NAL A S PERFO RM ED A T DRU RY LA NE, 1 8 23 - mm . Mr Mr FLA M I N I US , FA N N I U S , T U DI T A N U S , C A I US GR A C C H U S , T H O MP S O N A RC H E R . . . . . L I C I N I US , POMP ONIU S , . . . Mr Y O U N G M r YA R N O L D Mr T E R R Y VE T T I U S . . F U L V I U S FLA C OU S , T I T U S, P R O B US , M A RC US . Q U I N T US , Li ctor , l s t C iti zen , . . S er v a T U S, to the n ts Pa ' t r i cza ns , wa i ti ng u p 0 Gr a cch u s , on . Mi ss CARR Mrs Mrs B U NN . l st Vo ter , Women C O R NE L I A, LI C I N I A Mothe r of C . ’ . , LI VI A , ici n ia L UC I LLA , A S erva n t, Priests A n A tte n da , . Mr M A C RE A D Y Mr P O P E Mr P E N L E Y DRUSUS , S E! . . . WES ’ s, nt, . Li ctors, S ol di ers , C itizen s, 8 m 8w . . . T. . . G RA C C H U S CAIU S I A CT . . S C ENE F I R S T . R OME A S TREE T I N . T I T US a n d MA R C US looki ng occa si ona lly b a ck a s e h i n d th e m a ssi n om e t h i n b ob se r mn s g g p g if Ma r c Wh o i s th a t n ext h im i n m o u rn i n g ? Tzt H i s n ephew The r est a r e com m on fr ie n d s P oo r Ve t t i u s NO o n e wi ll ple a d for h i m Ma r c P e a ce ! They a r e co m i n g on Ent er , , ’ ' . . ' . . . . . . Weep n o t my fr i en d s fo r m e—fo r Rom e for Rom e Re s er v e yo u r tea r s He r p r i de i s tu r n ed to Sh a m e H e r we a lth to po ve r ty h e r s tr en gth to we a kn ess ; H e r fa ir r epor t i n to a bl a s ted n a m e Whi ch own s n o gr a ce o f vir tu e Who wo u ld th riv e I n Rom e let h im forg e t wh a t hon ou r i s Tr u th r ev er en ce fo r the go d s r e spe ct fo r m a n ; Ve tt i u s ‘ . . a , . , . , , , , B C A I US GRA C C H U S : 10 - h a ve h a n ds con s or t with deed s who s e n a me s T h e doe r wh i spe r s wh ile he ca n n ot fo r ce H i s eyes to go the wa y of h i s h a n d S —A y ga z e ! Ye poo r d e Sp i s d a n d o u tca st s on s of Ro m e Th a t cr o u ch to yo u r o wn power by m e n m o r e str on g O n ly be ca u se m or e d a r in g wr e n ch d fr om yo u A y ga z e ! a n d s e e yo u r lover s o n e by o n e a n d n eve r cu r se u n le ss i t be C u t o ff — Yo u r o wn h a n ds th a t yo u d a r e n o t str etch to s a ve them Let h im , , , . ’ , ’ , , , , , [Ex i t Ve t t i u s Ma ste r s, we a nd . F r i en ds . sor r owfu l plight i n deed when s u ch a fr i en d a s Ve t t i u s sp u r n s u s M a r c S ee l— Wh o i s th a t he stops to spe a k to ? K n ow yo u n o t ? Why yo u ve seen h im a s Ti t T i s the S en a to r O fte n a s yo u ve see n yo u r o wn h a n d F a n n i n s— th a t F a n n i n s th a t look s s o sweetly o n the people a n d fo r a ll th a t n ever yet did them a go od tu r n Ma r c 0 ! i s i t he ? S ee how he le a n s to Ve ttiu s Ti t To be s u r e i t i s — a n d see m s to p i ty h i m I wa r r a n t yo u ther e s a tea r in h i s eye n o w a ltho u gh h i s he a r t wo u ld l a u gh to tell yo u how i t ca m e ther e S ee he p u ts h i s h a n d u pon h i s b r e a st ! T h a t s a n a ppe a l to h i s ho n esty—whi ch i s n eve r a n whe o n e el s e a lwa ys s u r e to be ou t of the wa y y h a ppen s to ca ll u po n i t — O h e s a p r ope r P a tr i ci a n Ma r c Th in k yo u the y will con dem n Ve tti u s ? Ti t Th i n k yo u he i s a fr i en d to the people ? Ma r c Who dou bts th a t he i s ? ? T i t Who do u bts then they will con dem n h im M a r c S ee Fa n n iu s qu its h im Ti t A n d he s a s m u ch h is fr i en d a s eve r he wa s H i s a bse n ce w ill p r ofit h im j u st a s m u ch a s h i s p r esen ce Ma r c Yon de r com e Li cin iu s a n d C a iu s G r a cch u s Ti t H a who kn ows b u t G ra cch u s will spea k fo r Ti t . a re in a , . . ’ , . ’ ’ . , , , , . . . , ’ . , . , ’ , ’ . , . . . , . . , . ’ . . . . . . Ve tt i u S ! . - A T RAG EDY 11 . Ma rc Not he ! He n ever a ppe a rs in the a s se mblie s of the people He l ove s to keep hou se better He P r obu s No ! i s m a rr i ed, yo u kn ow ; a n d h i s wi fe i s a fa ir w om a n No won de r he p r efer s h e r com p a n y to o u r 3 M a r c Do they s a y he i s a m a n of a n y p a r ts ? Ti t Y e s ; he a s s is ted hi s b r othe r Ti ber i u s o n ce, when he wa s Tr ib u n e ; a n d he wa s thou ght to be of gr ea t p r om i s e T i s s a i d he i s mu ch gi ven to s tu dy Ma r c Two u l d s eem s o in deed ; a n d th a t he h a d n o t yet fo u n d o u t i t wa s the P a tr i cia n s who m u r de r ed h is b r othe r I wou ld h a ve ta ken m o r e r even g e for a cu r of m i n e th a t h a d bee n l a m ed th a n C a i n s took fo r h i s b r other th a t wa s m u r de r ed Wh a t r even ge d id he ta ke ? Non e ! He kept hou se Whi le the Pa tr i ci a n s b u r i ed h i s b r other in the Tibe r ! Rom e h a s n oth in g to . . . . . ’ . . . ’ . . ’ . , . , , P r ob people Na y, . th a t s cer ta in ’ . n ev er di e fo r the . Ma r c Di e —NO . Ti t He ll ’ Silen ce ! . l iv e n either They a r e her e , n or . . En te r LI C INIUS a n d C A IUS G RA CC H US L i ci n He a lth to yo u m a ster s Ma r c He a lth to Li cin iu s The people look coldly t o L i ci n ! C Gr a cc . . , . . me . . on . L ici n H a n g them ! They Show fin e a i r s a t their o wn h a n d i wo r k — I ll s pe a k to the m 0 Gr a ce G en tly I p r a y yo u ! they a r e b a r e a n d h u n gr y Hou seles s a n d fr i en dless a n d m y h e a r t bleeds fo r them L i ci n Wh a t i s the ca u se of yo u r colle cti n g ? Ti t We com e to s e e Ve tt i u s co n d e n m e d ” L i ci n Why do yo u s a y con dem n ed ? The l a ws a r e to t r h i m He w h e j t i e u s c ! ill a v y . ’ . . . , ; . , . . . . CA IU S G RA C C H US : l2 L ici n Wh a t of the P a tr i ci a n s ? Ar e n ot th e Pa t ri ci a n s j u s t ? Ma rc Not t o the pe ople L i ci n Why n o t ? M a r c Be ca u s e they h a v e the p ower t o be otherwi se They h a ve a s g r e a t do m in i on o ver the peopl e a s over their o x e n ; a n d s o they tr ea t them li k e their ox en u n h i de the m b a ck them u p a n d feed u pon them t . . . . . . , , , . th a t they en d u r e a ll thi s ? M a rc Wh a t ca n the people do ? They h a v e n o fr i en ds th a t will spe a k o r a ct fo r them The peop le ca n do n oth i n g of them s elve s— they h a ve n o p ower If they people co u l d fin d fr i en d s P e a ce — If yo u L i ci n P e a ce fr i en d s you l os e them str a ight Wh o e e r wou l d d ie fo r yo u m a y die for you Y o u sh r u g y o u sh i ver a n d yo u wh in e ; b u t b e Th a t p ities yo u h a s n eed h im self of p ity Y o u m a ke a b ig Sho u t a n d a fri ghtfu l fa ce B u t i n yo u r a ct s a r e l ittle to be fe a r ed th a t wer e Yo u M a r c A r e yo u a ga in st u s too T iber i u s s fr i en d ! L i ci n Who b u t h i s fr i en d Sho u ld be a ga in st yo u ? e ox n , . , . . . , . ’ , , . , , . , , . . , ’ . Y ou Th a t fell fr om h im i n d a n ger who to you In d a n ger cl u n g ? Who wo u l d n o t be a g a i n st yo u ? D r own in g yo u m a ke a cr y ; a n d when a h a n d IS fo u n d to keep yo u r hea d a bove the flood A n d be a r yo u s a fe to l a n d a t the fi r s t w a v e — m h t boo s u po ou i d i ot s i n yo u r fea r n T a y Y o u m a r h i s skill a n d S in k h im to the bo tto m M a r c Is th a t ou r wa y ? L i ci n Ask yo u fo r fri en ds wh o to yo u r fr i en ds a r e foe s , , , , . . , T RAG E DY Ai 13 . p r e se n ce to o of C a i n s Gr a cchu s her e Whose b r other you ga v e u p to dea th ? M a r e We ga ve ! L i ci n Ye ga ve ! Wh en i n the ex er ci se of you r r ights The n obles wi th their h e rd o f s l a ve s a n d cli en ts D r ove you —a b a s e h e r d t o be s o d ri ven ! Wi th clu b s a n d lever s fr om th e m a r ket pl a ce Wh a t di d you then —Like s pe ctr es — with you r fea r Li vi d a n d p u rg d of s u bsta n ce—yo u gla r d o n An d sa w T iber iu s m a n gled wi th thei r sta v e s I n to the Ti ber th r own a s b u tcher s ca st The e n tra i ls to th e t i d a l 0 Gr a ce No m or e Li cin iu s P r a y yo u n o m or e ; yo u a r e too s tem wi th them L i ci n Too stern ! Wo u ld th e P a tricia n s lea r n of m e I d tea ch the m how to ca ter fo r the peo ple They sh ou ld n o t h a ve a vot e If fr e e bo rn m e n Wi ll cr ou ch like sla ve s why wou l d yo u h a ve them fr eem en C Gr a ce It i s h i s m o od fr i en d s —Le t h im b e —Ne e r m in d h im n i a x i i c us i ns r a c E t L i G C c h h l us l o m i s m [ fi In , . , . , , , r - , ’ ’ , , , . . , , . ’ . - , ’ . , . . Ma r e . pla i n Li cin i u s i s n o fr i en d of o u r s Y o u s u ffer e d th e P a tri cia n s Ti t He s a ys t r u th a n d the i r s l a ve s to m u r de r Ti be r i u s M a r e If Li cin i u s i s s o b itte r a ga in st u s, wha t m u st we expe ct fr om C a in s Ti t Yet wo u ld he h a ve s topped Li ci n i u s when he r a i led a t u s Who kn ows b u t C a i n s wou ld befr i en d the people i f he cou ld ? M a r c Not he ! He d h a n g the people if he co u ld C om e m a s te r s ! T o the F o ru m F a r ewell Tiber iu s He wo u ld n o t s e e Ve t t iu s a ccu s ed wi thou t defen din g h im Twill b e lo n g befo r e we sh a ll s e e su ch a n ot he r fr i e n d a s Tibe ri u s ’ . Tis . . . . . . . ’ . , . ’ . , CA I US GRACCH U S : l4 S C ENE SE C OND . Ente r FLAM INIUS, TA a s N US Consu l, O P I M I U S , F A NN I U S , a n d oth e r , P a tr i ci a T U DI n s. 1 How wou l d yo u cu r e a s ta te o e r r u n wi th evil s Bu t a s yo u d cle a n s e a ga r den r a nk wi th Weeds ? Up wi th them by the r oots The s lothfu l h a n d Th a t will n o t ben d it to the n eedfu l wo r k Ma r s i t s own e a s e a n d p r o fitle ss expen ds The l a bou r whi ch i t gru dge s Why fa ll s Ti be r i u s If n ot h i s co a dj u to r ? Ve tt i u s fr ee Gr a cch u s shou l d h a v e been fr ee a n d R o m e a s l a v e F la mi n ( t o Ta d i ta nu s ) K n o w yo u wh a t fr i en d he tr u s ts wi th h is defen ce ? Tu di ta n T i s r u m o u r ed b u t I s a y n o t wi th wh a t tr u th Th a t hopele s s of a cqu i tta l he wi ll plea d G u ilty a n d thr ow him s elf u pon o u r m er cy Op im O u r m e r cy then is m er cy to o u r s el v e s : In showin g whi ch we d a r e n o t p a r don hi m C a i n s I tr u st will n o t a ppea r for him ? F a n n Not b e : he sh u n s a ll ca r e o f p u b lic qu e sti on s An d s eem s t o be a mild r eti r in g m a n He i s n ot of the temper of Tiber iu s ; O r if he i s he d oe s n o t emu l a te Op i m ’ - . , ’ , , , , , . . . ’ , . , , , . , , . , , . , , . , . , , pea k for Ve tt iu s : a g a in s t u s F a n n Se e Ve tti u s i s a t h a n d ! Op im iu s Y o u will con d u ct the p r o se cu tion Op i m I wou ld n ot h a ve hi m H is v oi ce w o u ld be om n ip o ten t . . s , , . A T RAG EDY 15 . Enter VET T I U S, with h i s F r i e n ds, f ollot ve d by T I T US , — z I M a c e n d h A R C US a n d i t i ens O P IU S s s t e o C R s M , . t ra m . Ve tti u s, Op im . Ve tt i a s t d for th ! s a n Behold Op im i u s The s a cri fi ce i s r e a dy Op i m The fa lse m a n Gen tle R o m a n s Is h i s o wn sa cr ifice r Whe n sh a ll we l ive a s b r other s ? Is n o t Rom e O u r co m m o n m othe r ? Why shou l d we h e r so n s Y e powe r s th a t fa vo u r ci vi l co n co r d B e foes — P r ep a r e yo u r ven ge a n ce fo r the fr a tr i ci de F om en ts di s tr u s t a m on g u s Ti t Op im iu s p a ys the pe ople cou r t M a re Y e s he r i de s u s well He s tr oke s u s when e a r e ge n tle be a s ts we do n ot n eed the sp u n —O w Op i m Y o u Sp u r iu s Ve tt iu s I a ccu s e o f tr e a s on Wh a t a n swe r you ? Ve tt i us Th a t s in ce the tim e s de cr ee To i n n o cen ce wh a t wa s i n a n ci en t d a ys The pen a l ty of gu il t I a m p r ep a r ed Gu ilty T o s u ffe r yo u r a w a r d a n d a n swer ? F la mi n An d w a ve you a ll defen ce Ve tt i u s When k n ew you C o n s u l A m a n a l r e a dy ca st to m a k e defen ce ? I s eem a t l a r ge b u t well a m I a dvi s ed My ca u s e i s tr i ed a n d fin a l s en ten ce p a s s d If yo u wou ld h a ve m e u se a Ro m a n s r ight Show m e the Rom a n s I sha ll C l a i m i t of C a ll you the s e R om a n s ? Why yo u r v e r y sl a ve s P u t o n a p r ou der po r t a n d co we r n o t th u s Befor e you ! Op i m Hea r yo u h i s s edi ti o u s spee ch ? B u t he con vi cts h i ms elf —S a y Rom a n s sa y Wh a t pen a lty do you a d j u dge th e tr a i tor ? . , , . . . , , , , , . . . . . , , , , , . . . , — , , . , . , , , ’ . , ’ , . , , , . , , GRA CC H US : C A IUS I6 . Let i t be dea th Ti t Na y good T u di t a n u s n a m e so m e o th e r p u n i sh m en t We wi ll con sen t to b a n i sh h im Op i m It i s too m ild a s en ten ce Let i t be dea th S e na tor s Ay de a th F la mi n C o m e down Op im i u s h e lp u s to colle ct The vote s Ve tt i a s O Ro m a n s he t h a t i s co n ten t T o l i ve a m o n g y o u p r ostr a te a s yo u a r e Shou ld su ffer wor se th a n d ea t h Op i m Yo u r vote s ! yo u r v ote s ! T a di l . . , . , . . . . , . , . t , . . , , . C . Gr a ce . O p im i u s, hold ! a n r n h e r a c c h i o C U u s, G [ p g r ou nd h e Rostr u , a nd m t . C a in s ! C a in s cry , ” G ra cch u s ! C a ins ! C a in s ! Op i m How —Gr a cch u s in the R ostr u m ! C Gr a ce Hold g o od Op im i u s do n o t yet colle ct The v ote s Ti tu s a n d C i t i ze ns No No l —No vote s Ma r c Spea k C a in s Gr a cch us, s pe a k C Gr a ce I com e t o ple a d fo r Vett i n a Go on Ti t G o o n C Gr a ce The b r othe r of Tibe r i u s for the fr i en d M a r e Noble C a in s g o o n ! C Gr a ce I p r a y you , gen tle fr i en d s if I Sho u ld ma ke . . . . , . . , . . . . . . , . . , . , . . y on A p oo r , co n fu s d , d i sjo in ted , gr a cele s s sp e e ch , Let it n o t h u r t the m a n fo r whom I plea d ’ . — r I sho ld f lte a If my he a r t sho u l d r i s e u If I n to m y th r o a t, a n d cho ke m y u tter a n ce O r i f m y eye s sho u ld wi th a to r r e n t d r own My s tr u ggl in g word s—let it n ot I b ese e ch yo u Let i t n o t hu r t the m a n fo r whom I ple a d Ta ke cou ra ge ! Go Ti t Go on , Gr a cchu s , r , . . , i on ! C AI U S GR A C C H US 18 ' ’ ‘ Ha ve you don e C a in s ? i tn e ss es F o r by yo u r lea ve I will p r od u ce m y w Ve tt i a s They a r e the cr ea tu r es of thy t au n p e r in g ; Wr etches th a t fe e d u po n the vi ctim s of Thy cr u elty Op i m , . . , , ' ' . . Ma We ll hea r ’ rc . y ou , G r a cchu s befor e a thou sa n d , l G o on Go on ! C Gr a ce Rom a n s I hold a copy of th e ch a r g e An d depos i ti on s of the wi tn esse s Upon th r ee s ever a l gr o u n d s he i s a rr a ign d F i r st th a t h e stro ve to b r i n g th e m a gi str a cy I n to con tem pt ; n ex t th a t he fo r m d a plot Wi th ce r ta in sl a ves to r a i se a t u m u lt ; l a s t An d we r e th e r e he r e th e sl ighte s t p r oof m y s elf Wo u ld b id h im she a the a d a gge r i n h i s b re a s t Th a t he con Sp ir d wi th e n em i es of Ro m e With for eign e r s b a r b a r i a n s to b etr a y h e r ! The fir st I ll a n s we r —Ve tt i u s i s a R o m a n A n d ti s h i s pr i vi lege to s p e a k h i s tho u g hts The n ex t I ll a n swe r—Ve t t iu s i s a fr eem a n A n d n eve r wo u ld m a ke co m p a ct wi th a sl a ve The l a st I ll a n swer —Ve tt iu s love s h i s cou n tr y, A n d who th a t loves h i s co u n tr y wo u ld betr a y he r ” ‘ 9 B u t s a y they We h a ve wi tn esses a ga in s t h im Na m e them — Who s ta n ds the fi r s t u po n th e li st ? — i n A C l e t I ll oppo s e to h im a S en a tor Who n ext ? A S la ve— Set do wn a Rom a n K n ight Who follows la s t ? The S er va n t of a Qu e s to r I ll pl a ce a Tr ib u n e op p osi te to h im How sta n d we n o w ? Wh i ch weigh s the hea vi er ? The ir Qu e stor s S er va n t or my Trib u n e —The ir C it i ze n s . . . . ’ . : , ’ , , , , ‘ ’ ’ ’ , 1 , ’ . ’ , , . ’ , , , 3 . ’ ‘ . . ’ ’ , i T R A G EDY A 19 . S la ve , or my R oma n Kn ight —Th e ir C l ien t — S e to r Now ca ll yo u r wi tn e sses My n a Ma r c We ll h a ve n o wi tn esses Ti t F o r yo u r s a ke C a in s we a cqu i t h im M a r c Ve tt iu s i s in n o cen t ! , or , ’ . . , , . . C i t iz en Ma re qu i t Ve tt iu s by We d o ! . a ccl a m a ti on . We do ! Op i m He a r m e I s a y ! No ! No ! C i t i zens N o C Gr a ce Th ei r v oi ces a re a ga i n s t yo u Op im i u s To ple a s e the pe ople we wi thdr a w F la mi n C i ti z e ns . , . . , . . , . Hu zza ! H u z z a ! C Gr a ce C o me , Vetti n e, com e i s fr ee ! Ci t iz e ns H u z z a ! H u z z a ! Cit i z en s ou r . my br other s fr ien d ’ : . . a i e t t eu i u s E x n t C ns V , , [ a nd Ci t i zens . This wa s thei r policy ! Wh a t s to be do n e ? Op i m Re m ove h im fr om th e ci ty a n d yo u n ip The da n ge r i n the b u d I ll ta ke h im fo r My Q u e s to r if yo u ll n a m e h im to the offi ce A n d r en der good a ccou n t of hi m — Who w a i ts Un til a r eptile s tin gs h iIn e r e h e cr u she s it ? Tr e a d on i t a t o n ce ! e F la mi n Y ou r co u n s el plea s e s m Her e s th e commis sion I d e sign d fo r C a r bo All b u t the n a m e fill d u p In C a r bo s pla ce I ll in s er t C a i n s a n d de spa tch i t to h im Op i m I lea ve R o m e e r e a n hou r F la mi n He sh a ll h a ve o r de r s Mo s t po siti ve to be a r yo u comp a n y Op i m Of yo u r de ci s i o n yo u sh a ll r e a p the fr u i ts O r whe n you n a m e y o u r fri e n ds lea ve ou t Op im i u s ! F la mi n ’ . . , ’ - ’ , , ‘ , . . ’ ’ , ’ , ’ . , ’ , . . . . , . . , , , C A IU S G RA C C H US : 20 S C ENE T H I RD . En t e r LI C I N I A a n d LI VI A ‘ L ici n i a I a m the h a pp ie s t wife In Ro m e m y Livia ! The h a pp i est w ife i n R om e L i vi a I dou bt i t n o t ; B u t the r e s Fla m i n u s w ife the othe r d a y S ca r ce fr om the F o r u m to h e r hou s e co u ld p a ss F o r s a l u t a ti on s tha t h e r h u sb a n d wo n The C on su l a te L i ci n i a Th a t d a y m y C a i n s s a t A t ho m e w ith m e a n d r e a d to m e m y Li via Little ca r d I wh o wo n the C on s u l a te ! L i vi a A n d the r e s Le ct o ri u s h a s Ob t a in d a go v er n m en t ; H i s wife w ill be a qu ee n L i ci n i a Well let h e r be s o ! My qu een dom i s to be a s im ple wife Thi s i s m y gover n m en t m y h u sb a n d s ho u s e Wher e when he s its wi th m e he i s e n t h r o n d ; Yo u ll s m ile ; b u t J u n o be m y wi tn e s s En ou gh I d r a the r se e h im wi th h i s boy u pon H i s kn ee th a n s e a te d i n the C o n su l s ch a i r Wi th a ll the S en a te r o u n d h i m L i vi a Yet h is gr e a tn e ss Mu st n eed s be thin e L ici n i a I do n o t ca r e fo r gr e a tn e s s It i s a th in g l ives too m u ch o u t of door s T is a n y whe r e b u t a t ho m e ; you will n o t fin d i t . . , . . . ’ ’ , , , . , . . , , ’ ’ ’ . , . , . ’ , , ’ , , ’ , . , ’ , ’ , , . . . ’ . T RAG E DY IA 21 . ' On ce i n a we e k in i t s own ho u s e a t s u pper I With the fa mily ! Kn o ck a n y hou r yo u cho os e A n d a s k fo r i t ; n in e tim e s in t e n , the y ll s en d yo u To the Se n a te o r the F oru m, o r to s u ch T i s a zm o nt h O r s u ch a o n e s i n qu e s t of i t ! ‘ S in ce C a i n s took a m ea l fr om ho m e a n d th a t Wa s wi th my b r other If he wa lk s, I wa lk l Alon g wi th h im if I choo s e ; o r if I s ta y Behin d it i s a r a ce twixt h im a n d the tim e He p r o m i s d to be b a ck a ga i n whi ch i s fi r s t A n d when h e s b a ck a n d the do or s h u t on hi m C on s u m m a te h a ppy in m y wor ld wi thi n I n ever thi n k of a n y wor ld wi tho u t ! L i vi a Well then yo u a r e the h a pp i est wi fe in Rom e L ici n i a Tell m e a n d d i d Fla m in i u s wi fe weep Li vi a Th a t d a y th a t Rom e di d s a l u ta ti on u n to h e r ? L i vi a Weep No why s h ou ld Sh e we ep ? L i ci n i a Fo r h a pp in e ss Do yo u see —I ca n n ot ta lk o f C a i n s b u t I weep s o ble s sed h a ppy a m I — Ther e s C or n eli a — T h a t s h e r step I he a r ! S he i s The kin dest m other to m e Li vi a ; tho u gh She s om etim es chi des m e th a t I d h a ve m y C a i n s Live fo r h is wife a lon e , s , J , ‘ ’ A , ’ ’ , , , . , , ’ , ’ , , ’ , , , , . , . ’ , . , - . , , . . , ’ , ’ . , ’ , . En te r C O R N ELI A Cor G o o d d a y m y Li vi a Now wou ld I lose m y hea d cou ld I n o t tell Wh a t th i s fa ir thin g th a t ca lls m e m other h a s Been ta lkin g of ; if n ot h e r h u sb a n d then F o r o n ce h a th the h u n dr edth ch a n ce t u rn d u p with a ll T h e n in ety ni n e a ga in st i t L ici n ia Well a wi fe Ma y ta lk of h e r h u sb a n d C or Did I n o t tell y o u so ? — Well well I ve j u st n o w co m e fr om thy yo u n g C a in s . . , . , , , , ’ , - . , . ’ , CA IU S GRAC CH US : 22 We v e a lmost qua r re l d ; wou l d you thin k i t Min d, Li ci n i a wha t I sa y ; tha t boy s the m a kin g Of a ma n! — wfll n ot b e ke pt on h u m ble ter ms Wi th for tu n e b u t wa lk u p to h er a n d cha ll e ng e h e r ) To s m ile, or fr own h e r mo st ! L ici n ia It mu s t con ten t 111 8 H is fa the r is n ot su ch o n e ! ’ ’ - ’ , . , , . L ici n ia . , Ay, b u t I m sure of ’ it ! he a lth b e wi th yo u L i ci n i a Mu st yo u go ? You h a ve n ot to ld m e yet th e m orn m g s n ews In de e d I ve hea r d n o n e ; s a ve tha t Ve ttiu s L ivia They s a y is to b e b a n ish d whi ch n o d ou b t C orn el ia , . . ’ ’ . , ’ , , L i ci n ia No t a wo r d of i t ! Wha t i s the tim e o f d a y ? L i via Ti s th e th i r d h o u r G o o d d a y a ga i n An d p a s t . ’ , . . . E x i a t I n v i [ ' ‘ . You ve s u fle r d Li vi a to dep a r t wit h ou t S a yin g good bye t o h e r L ici n ia T i s p a st the t im e C a i u s s ho u ld h a ve been b a ck a lmo s t a n h ou r — w a n i Well h a t d if i s t Go on wi th you r w or k, or C , An d wile the ti m e a wa y ; the s oo n er he ll Be wi th you Why yo u ve don e th a t r o s e to th e life ! A m u sk r o se i s i t n o t ? Ti s ever y th in g Except the s cen t a n d th a t a lmos t I th in k I ca n per ce i ve with lookin g o n t ! I n deed Y o u a r e a s kilfu l n eedle L ici n ia Do yo u th in k C a i u s h a th o u ght to d o wi th Ve tti u s tr ia l ? ’ ’ , - . ’ . . , . ’ ’ . , ’ , , ’ . ’ T RAG E DY A 23 . Th in k wh a t i s pa ss in g o n Olym p u s O n e O r the o the r wh a t con cern s i t u s ? Me n h a ve T heir p r ope r b u sin e ss wh ich n o p a r t i t i s Ca r . wa y , , A cr i m s on L i ci n i a . e you r e ta ki n g to the lea f C o r neli a ! Mot h e r ! Do yo u k n ow a n y th in g ’ on Y o u p r a is e Abo u t C a iu s — I m s u r e yo u do — hi m w k whe n I o e of When I a sk you d i s u r My o r , c s 1 C o n ce rn in g h im yo u r a n swe r b u t p u ts o ff The p r oper o n e wh i ch wer e i t to h a ve Wo u ld you n o t give i t m e ? I fe a r I kno w L Not wha t — O tell m e wh a t h a ve I to fe a r — ! eep m e n o t in the d a r k — A th i n g we s ee n ot S tir r i n g will sta r tle u s ; wh i ch when light com e s We s m ile to fin d cou ld do i t Ta ke yo u r s ea t a ga in Cor A n d I ll s it down b y yo u ; a n d liste n t o me L ici n i a I th a n k yo u n o w C o rn eli a ! Th a n k m e by a n d by, Cor I kn o w n othi n g Y o u s h o u ld ; b u t I do u bt yo u will not Of C a iu s m e a su r e s L ici n ia Me a s u r e s Ha th h e m ea s u r e s ? Cor H a th he h a n d s a n d feet — H a th he b ra in s a n d hea r t —Is he A m a n — Wh a t do you ta ke hi m fo r —Ha ve m e n No p a r ts to pl a y b u t lover s Wh a t ! Ar e they Not citiz e n s a s well —Ha ve they n ot cr a fts C a llin g s p r ofe s s i o n s —Wom en a ct thei r pa r ts When they do m a ke their o r de r ed hou se s kn ow them Me n m u s t be b u sy o u t of d o o r s—m u st stir ea m a ke the gr e a t wo r ld a wa r e The ci ty — y Th a t they a r e in it ; fo r t h e m a s te r y Of whi ch they r a ce a n d wr estle a n d su ch fe a ts P e r fo r m the ve r y ski e s in wo n de r m en t Echoin g b a ck e a r th s a ccl a i m cr y o u t of th e m ’ " , , , . . . , , 1 . , . ’ . , . . A , . ’ . - . . - , , . , , , , , , ’ , C A I US 24 Wh a t wa n t y wi th ou GR A CCH US m e, Li cin iu s ? my oe s G ( t o hi m Ha v e com e to tell m e s o m e thin g — C a i u s ha th spoken F o r Vettin a —I wa s cer ta i n he wo u ld do i t He h a s e n te r d the li s ts ! He h a s st r ipp d fo r the C o u rs e ! I kn o w . . . ’ The s e fea r s ’ a r e n ot go od om en s my , L ici n Nobly h e Ha th s ta r ted —Ve t ti u s Licini u s I m, . is a qu i tted c . well ! 7 — Awa y ! Hu r r y h im hom e t o a s The s oon er her e the bette r L ici n i a S ta y, Li cin i u s C or I ll tell yo u a ll Li cin i a —Let h im go Al l ’ s i . ’ . , . [Exi t L i ci n i u s . h a th spoken in the F o r u m fo r H i s b r othe r s fr i en d a n d they ve a cqu i tted him L ici n i a ( B u r st i ng i n to t e a rs ) An hou r a g o I ; wa s t h e h a pp i e s t wi fe I n Rom e ! Co r Li cin i a if yo u a r e C a i u s wi fe — r Is he n o t de a r to m e ? I a m hi s m othe Yet do I bea r My you n ge s t s o n a n d l a st Wh a t I do kn ow m u st com e I kn ow m y s on ! Kn ow thou thy h u sb a n d—kn o w tho u C a i u s Gr a cch u s He loves hi s m other well— Li ci n ia better H i s co u n tr y be st ! As I h i s m other gr u dge n o t Th a t he p r efer s thee— tho u h i s wife r epin e n o t Th a t he p r efe r s h i s co u n tr y — Both of u s Ma ke u p o u r m in ds to a ll m a y follow C a iu s ’ ’ . , . , . ’ , . , . , , . , , , , , , . . Lu ci us My . ma s ter s comi n g ’ , C or n el ia , a tten ded by GRAC CHUS : C A IUS 26 R e a dy fo r wh a t ? Lici n i a C Gr a ce To ta ke a r ide , wi fe, . a nd a . . L ici n l on g on e t oo The gen er a l wa its L i ci n i a The gen er a l wa its Wha t gen er a l ? Whe r e a re you goin g C a iu s ? 0 ye gods Wh a t s to be co m e of m e ? Tell m e the wo r s t C Gr a ce L ove I m a ppoin ted Q u e stor to O p im i u s ; A n d b u t a m om en t h a ve fo r the fa r ewells Wo u ld ta ke a d a y to sp ea k a n d m a n y s till Left over — Wife—Li cin ia —If yo u lo ve me L ici n i a If I lov e yo u ! Cor A y Li cin i a if you love h im Wo u ldst h a ve thy h u sb a n d be the l owes t m a n In Rom e ? Tho u kn owest n o n e m a y hope to ga in The hon o u r s of t h e sta te who h a ve n o t shown Their p r owess in the field A Ro m a n wife Is m a r r i ed to h e r h u sb a n d s glor y n o t H i s e a se a n d plea s u r e ! C o m e com e ta ke yo u r lea v e . . . , , ’ . ’ . . , , . . , . , , . ’ , , o f h im , . I ll see yo u to yo u r ho r se Ca r Wh a t wi th th a t fa ce ? L i ci n i a Will yo u n o t see yo u r boy befo r e yo u g o ? C Gr a ce I s a w h i m sweet a s I ca m e i n L i ci n i a Well C a i u s G o od bye C Gr a ce Now th a t s m y o wn L1 c1 n 1a I ll s en d yo u lett er s love d a y a fter d a y Now th a t s m y o wn b r a ve gi r l to gi ve m e a smile T i s li ke a s u n n y m o r n in g to a t r a velle r A t s ettin g o u t fill s h im wi th h a pp i es t om en s ! F a r ewell L ici n i a I ll se e yo u to the d o or ! C Gr a ce S o do K eep u p yo u r he a r t love ; I ca n com e to yo u Y o u kn ow a t a d a y s ca l li n g—t h in k of th a t i O r yo u ca n com e to m e l w t e o r i u l w y L i ci n i a ’ . . , . . , , . . , , . . - ’ . , . . ’ , . , ’ , , ’ , ’ . . . . , ’ , , A T RAG EDY 27 . Me letter s, won t yo u ? Ever y wor d of whi ch I ll ki ss a n d thi n k i t i s the h a n d th a t tr a cd them Ther e n o w—a n d love r em em ber a s I sh a ll S a d p a r tin g m a k e s s wee t m eetin g Now, my Li cin ia ’ ’ ’ , , , , . I S E N D O F T H E F R T A CT . , ! GRACCH US : C A IUS 28 A CT II . S C ENE F I R S T THE S TREE T B EF ORE . CAI US S ’ En ter F A N N IU s ’ . The gods p r ovi de fo r h im Fa m e ta lk s of h im As of a them e she co u ld e m bl a z on the m or e The m or e sh e S ho u l d dila te o n t — En em i e s C on te n d wi th fr i en ds wh i ch sh a ll o u tdo the other I n v a u n t in g of h im — Y e a the h a n ds th a t h a t e h im S u pply h im b u t wi th r i che s t kin dn e s ses ; The b a n e they d giv e h im tu r n in g i n to good This Q u esto r shi p fo r h is u n doin g m e a n t H a s b u i lt h im u p a tho u s a n d tim e s the m a n He wa s befor e—th a t s ca r ce a d a y ca n p a s s B u t som eth in g s a dded to swell u p t h e a mou n t Of h is too p r osper o u s fo r tu n e s Fa nn . . ’ . , . , ’ . , , , ’ , . Ent er FL AM IN I US F la mi n O p im i u s Fa u n. Hea lth m y Fa n ni n s i s a rr i v e d I a m gl a d of it . , . . . . , A T R A G EDY u Fla mi n 29 . . Som eth in g to tem per j oy—wou ld . li eve it ? Gra cch u s i s n ow in R om e , o u y be oon to be F a n n H a ! it wa s th a t whi ch b r ou ght Li cin i u s t o H i s ho u s e —I s a w h im en ter i t j u s t n ow F la mi n Wh a t thin k you ? F a n n Th a t if he r etu r n s to R om e Rom e s a t hi s feet F la mi n C o m e to the S en a te ; s om ethin g Mu st be r esolved u pon to hu r t h is cr ed i t A n d sl a ke the people s joy a t s eein g hi m F a u n Effe ct b u t th a t th o u a r t a god to Rom e ! or s . . . . , . , ’ . . , ’ . , . [Exeu nt S C ENE SE C O ND . C AI US En t er C O R NELIA L I C I N IA , Ar e you L i cin ia No Cor GRA C C H US S H O US E ’ . . n ot a l e p , ’ s d a t a nd . L I C INIUS this Licin ia , . ? . Nor p le a s d, ’ n or y et di sple a s d, C o rn eli a ’ . Wh a t ca r e I th a t the wor ld a ll ows h i m g oo d A n d wi se ? Di d I n o t kn ow h im s o befor e ? H a d I a d ou bt of i t ? Wh om did I a sk To give their o a th of it ? I wa s con ten t Wi th m in e o wn kn owledge Why sho u ld I be gla d Th a t a ll do p r a i se h im ? F or h i s s a ke Ala s F or a n y ca u s e b u t th a t — Whom a ll do p r a i se Ha th b u t a tho u s a n d eye s for o n e ben t on hi m C a n lowe r a s well a s s m ile I di d n o t wed , - , , C AI U S GRA CC H U S 30 : wou ld choose an i dl e gem To other s eyes t o spar kle ; b u t be cau se He shone to mine C or Hear h e r — Go on, Li ci n i u s L ici n H i s very fame mor e p r ofit b ring s t o Rome Than the exploi ts themselve s of o ther men H i s fair r eno wn ha s ch a rm d Mi cip sa so Th a t he has sent lar ge sto r e of cor n t o the army ; A n d hi s ambassad o r s have m ade i t kn own To the S enate i n fu ll assembly, th a t thei r mast er P er fo r med th i s fr om h i s mer e r es p e ct fo r C ai u s C a r 0 glor i o u s boy l—S u r pass thy mothe r s hop e s What Sai d th e S enate ? We r e they not str u ck wi th t h i s ? Di d th ey not own th e vi r tu e of my s on And p r ai se the name of Gr acch u s ? L i ci n They —Alas ! Their p r o u d blood bo ws t o au ght b u t vi rt u e —No ! The ambassador s we r e sp u r n d d r i ven o u t with shame S en t ba ck wi th s cor n as mer e bar b a r i ans who By showing thei r j u st p r efer en ce of you r s o n S lighted the S enate of i t s d u e r espe ct Unhappy C ai u s ! thy consp i cu ou s vir tu e Li ci n i a Bu t mar ks thee o u t the vi cti m of the S enate Cor It mar k s h im o u t the favo u r i te of th e gods T h i n k s t tho u I r e a r d my son to follo w vi r t u e Only fo r men s a cclaim It in had fitted The child o f S cip i o—and had never made me — h r o f e r i mothe a h e t c c S a y, Li ci ni u s, Th G Knows C ai u s t hi s ? Th y s on , a s o n e ’ . . . . , . ’ , , . ’ . . , . ’ , , , , , . , . . . ’ ’ , , ’ L i ci n ( Aside vfo Cor ) He does, fr om many hands The S enat e canno t h i de H i s fri ends a r e st r ong H i s wo r th fr om Rom e —The people thi nk of C ai u s As thei r sole h Op e and sho u ld he st and fo r Tr ib u ne He m u st obtai n th e offi ce Cor What ! and w i ll ' . . . . - , ’ , . . TRA GE DY A 31 . He s t and fo r Tr ib u ne —Wher efo r e do I ask ? Do I not kn ow he will ? L i ci n ia What means that shou t ? L i ci n F or gi ve me s i ster that I have con cealed The meas u r es of h is fr i ends who have a d vi s d h im To show h imself at on ce i n Rome No do u bt T i s C aiu s and th e pe ople wel come h im L i ci n i a hear I r ight —Ti s he my T i s C ai u s C ai u s . , . , ’ , . ’ , ’ ’ . En ter C A I U S 0 Gr a . ce G RA CC H US a n d P O M P ON I U S My sou l ! we meet agai n —My h o n ou r d . ’ . mother ! Ca r The mother i s h o n o u r d in h e r s o n my C ai u s C Gr a ce Li cini u s fr i end and b r othe r I r e ce i v d Yo u r lett er s, and I thank you for yo u r car e Li cini a thank t he gods we meet again How i s o u r boy love ? How a r t tho u thyself ? L et me look at thee — Well as my hear t co u ld wi sh G r eat Jove to look on s u ch a p r e ci o u s thin g And ca ll i t m ine — Y o u may smil e Mar cu s b u t Ther e s s u ch a th in g as lovi ng one s wife —Li cin i a ! Am I n o t with thee agai n ? Le t h im who thi nk s The wor ld i s wo r th h i s home ex change home for i t A l i ttle t ime he ll find he has los t a wo r ld No t fo u n d one ! ’ , . ’ , . . , . . , , . , , , , , ’ ’ , , , ’ , , L U C I US en t er ing Lu ciu s C aiu s a messenger F r om the S enate C Gr a ce A dm i t h im E x t i W as [ M other yo u ll gi ve me leave Li cin i a ! I ve many th ings to tell thee C ou nt these gems love ; T hey we r e a gift t o me fo r thee fr om hands Do only know thee fr om thy h u sba nd s t ongu e Ne e r yet co u ld speak th e moi ety of th y wo r th , . . , . . . . . ’ , . - ’ . , , ’ , ’ . C AI U S GRA C C H U S 32 Go with my mo the r, sweet ; I have negle ct ed matter s o f h igh du ty j u st to snatch Thi s look of thee and those mu s t now be done Er e I ca n banqu et longer L ici n i a C ai u s you ll Be wi th u s soon ? C Gr a ce That soon 5 a feat of ti me Wi th shor test flight and swift est expectat ion It cannot now per for m — O u r haste shall own No s t op ca n be p u shed by L i ci n i a Remembe r now S ome , “ , , . ’ . , ’ . . , , , . . . E x [ eu nt Corn eli a C Gr a cc . Now . fo r a nd L ici n ia the S enate ! L ict or e nter s L ict or The S enat e, C aiu s cit es yo u t o appear Befor e the C enso r s — e G a c Well l A cqu ai nt the S enate C r I shall obey P om T was ru m ou r d e r e you came O p im i u s had r e t u r n d ; on whi ch a ccou nt The S enate had been su ddenl y co n vok d C Gr a cc I di d expe ct as m u ch Let me t h ink me th ink ! Nothi ng done r ashly—n or ye t tim idl y Th e mean 5 d i s cr eti on b a ck d by sedat e r esolve I cannot do it ! My blood s a poi nt too war m To hear a man deal o u t mo r al ity Axi om u pon axi om—fo r an hou r dilate Upon th e valu e of an aphori sm Ampl ify to o e r r u nni ng in the cau se And th en at eve r y allegati on Invoke no less a wi tness than high Jove H imself and know hi m all the while t o play The knave—gr eat Her cu les it sets my veins A boiling . . , . . . ’ . ’ ’ . , , ’ ’ . . . . . ’ ’ , ’ , ’ - , , - , . C AI U S 3 4. GRA C C H U S : Why gathe r the people to the C amp u s Ma r t i n s ? M a r e Her e a r e two S enator s gentlemen wi ll i nfor m Tzt ' . ’ . y ou . En te r t wo S e r va n ts . Health to yo u master S e wt u s Health to yo u maste r Tzt C a n y o u tell u s why the people gather th i s Wa y ? We a r e all good S e xt u s F o r the old r easo n fr i end till we r e tr i ed What honest man has t u rn d T zt A y i ndeed ! r og u e to day ? S ea t u s Many a one I do u bt ; b u t ch i efly he whom o u r good ci ti z ens bel i eve the honestest i n Rome M a r e M ean yo u yo u r maste r fr i end ? — No I mean the maste r of th e people the u : a e t s S gentleman who feels fo r thei r empty stoma chs and gives them wo r ds to eat— yo u r C aiu s G r acch u s who calls o u r t r adesmen the nob i l i ty of Rome — and s o i ndeed they a r e if r ags ca n make them so Ma r e No bad evi den ce ! Y o u cannot wear th e wool wi tho u t shear i ng the sheep Bu t p r ay what s the matter with C ai u s Gr acch u s ? S e xt u s Only that he has r etu r ned fr om the a r my witho u t h i s gener al s leave — noth ing mo r e— ex cept a wh i spe r o r two abou t the t u m u lt a t F r e g e lla T i s sai d he had a h a nd i n i t M a r e What s yo u r op i n i on ? S ea t u s Bel i eve me i t does n o t favo u r h i m M a re What ! yo u l ike the far e that the Patr icians gi ve ? S ext u s What far e M a r c A good d inne r C ai u s yo u s a y feeds the people u pon wor ds —A ver y natu r al p r efer en ce ! T her e s not a dog o r an ass in Rome that wo u ld not be of you r mind T zt ' . , . . . , ' . . . , ’ . ’ ' , . - , . . , . . , , ‘ . , . ’ . , , , . ’ ’ . . ’ . , . . . . . . , , ’ . . A S extu s . P r ay, TRAGEDY 35 . whi ch of the two may you be fr i end ? , O mer ely that u pon o ccas i on I may know whether I o u ght to take my foo t o r my staff to yo u No o ffen ce I hope I have all th e r espe ct in th e wo r ld for you , beli eve me L et me tak e h im in Ti t Y o u have the wo r s t of i t hand Har k yo u master ; a wor d with you S e xtu s Y ou r pleas u r e maste r ? T i t How comes you r cloak t o have that gloss u pon S e xtu s , . , . , . . . . . . , , . . it ? Not by par tak ing of you r gr eas e, fr i end Why man ther e s a s m u ch fat T i t My gr ease The P atr i ci ans i n a tanned h i de as i n all my body ! have sweated me t o ve r y leanness ; and left me nothing t o r e cr u i t wi thal b u t h u nge r and nakedness They find that their cat tle S e xt u s They a r e r ight gr ow r esti ve wi th ab u ndan ce of p r ovender Ti t B u t they feed their cu r s fr i end S e x tu s Whom do yo u call a cu r ? T i t Down wi th yo u r staff maste r fo r I have a n o ther that may r u ffle the gloss of y o u r cloak fo r y o u What ! has any thi ng s u r p r i sed yo u ? Do yo u wonde r that the o r der wh i ch wi ns you r battles i n the field shou ld Y o u desp i se u s when r efu se yo u r blows i n the ci t ? y if u n ce of p owe r o r an o o u have no need of u s ; b u t y u lati on i s to be gai ned th r o u gh o u r means e O then c p u t o n yo u r sweet looks ou and bow ng to the ve ry i p y belts of o u r gr easy j ackets yo u ex clai m F ai r gentle men — kind fellow citiz ens —loving com r ades — sweet wo rthy gen tle Romans —gr ant u s you r voi ces O r i f t h e enemy i s t o be opposed— O ! then we a r e men of mettle l—her oes poo r sta r ved d evi ls l) ( ” the defender s of o u r co u ntry ! that i s yo u r cattle ( as yo u call u s ) and s o indeed we a r e We bear yo u r P atr i cians on o u r b a cks to v ict or y —we ca r r y them S e xtu s . . ’ . , , , . . . . . , . . ; . , . , , , , , , , - , ‘ , , - I - - , . , G RA C C H U S : C AIU S 36 p r o u dly th r ou gh th e r anks of the bar ba ri ans ! They come o ff s a fe — we g e t the kno cks the p ri cks and the s cr atches They obtain cr owns and tr iu mphs — we cannot ob t a i n — a di nne r ! They get their acti ons r e co r ded—we get o u r s fo r go tt en ! They names and titles — we r et u r n to o u r old ones with wh i ch — o u hono u r u s the r abble the h rd the attle ! e c y —the ver m in —the s cu m of Rome P r ay fr i end wi ll y o u look at th i s staff of S e xt u s , , . ’ - . , , I look at i t fr i end S e xt u s Is i t n o t a staff fr i end ? Ti t Yes i f a staff i s a sta ff; fr i en d S e a t u s If I am wear y i t enables me to r est myself ; i f I am lame i t helps me to walk ; if I qu ar r el i t kno cks down my adve r sar y —and yet i s i t not always a staff; fr i end ? Ma r e Y o u have the wo r st of i t Let me atta ck h im Har k yo u master Does yo u r s t aff eve r kno ck it s owner on the pate ? ? S e xt u s How do y o u mean Ti t . , . . , . , . . , , , , , ‘ . . , . . . S ext u s . Ma Do yo u want to qu ar r el ? O by no means I only wan ted to show yo u the differ en ce between a staff and a man fr i end T i t T u r n on h i m again I ll se cond yo u and her e i s a tr oop of fr i ends at hand r i r u Bea w i th h no longe H the comes a i i n t u r s m Q band of o u r comr ades I ll be ckon them to make haste Ma r e Hem —S hall we go over the ar gu ment again maste r ? Is ther e any th ing el se yo u r staff ca n do ? S e xt u s Yes : when I car r y i t heedlessly it somet imes us ) r ip s Ma r c chan ces to —tr ip me T ( En te r C it i z e n s f r om the one s i de a n d Se r va n ts f r om th e z ens i own w i th the C t i o a li e n —C on u se d c r D f y f Down with th e S laves and S e r vants re. . , . , ’ . . , . . . ’ . - . , . , . . . , “ TRAGE DY A . 37 1 Ente r FLA M I N I U S , T U DITA N U S , Gr m i Hold ! h eld ! I char ge yo u ci ti z ens What means thi s tu m u l t ? How ! Is peace That you a re wear y of it ? Who began F la mi n Sena tors e s, a n d ' , . ou r y , ash ‘ old so That cai tiff yonder ? Ti t O u r old names Ma r e Twas that P atr i ci an s h ir eli ng that began R; S e xt u s ’ , . . ’ ’ . [ on u s G RA CC H US h i s F r i e n ds a pp e a r . c anine . w ra ngl i ng d i s content e d men y Ye pest of Rome What stir s yo u to thi s b r awl ? I know yo u r cu e —Yo u r G r acch u s has r e t u r n d An d ye th e s ignal give of di s con t ent C onsp i r a cy and fo u l r ebelli o n A noble le a de r for yo u r noble par ty A glor i ou s soldi er that r etu r ns h im home Wi tho u t h i s gener al s leave —A wo r thy son Of Rome that tamper s wi th h e r enemi es An d i nstigates h e r alli es to r evol t ! I An honest patr i ot—! S ee i ng C Gr a cch us ch e eks b i mselfi) C Gr a ce P r o ceed Op i m i u s Now i s you r p r oper ti me to speak —I a m her e Gr acch u s i s he r e l— Gr a cch u s—that dr aws not on A man behi nd h is back Op i m . S ilen ce a nd it ' e ’ . , , , , ’ , , , . . . , m i u i i s s O [ p —b e f con u se d ze a l/cs su llen l 0 t he t y a c l e a i n t e d or Izi m, a s tlze a c u ser o Ca i u s o c p pp f f Gr a e e/zu s Gr a celzu s t a ke s lzi s st a t i on —a slzor t i n t e r va l o f ey es st e a con si d e r a 0p m Be fit s s i le n c e, df a st ble ly p u d u r i ng wh ich, h e on Op i mi u s, wil e e m b a r r a ssm e n t . Thi s lofty bear in g the man co u ld qu it h i s post witho u t . fl i es h is b e tr a y s C AI U S GRA C C H U S 38 Hi s : gener a l s leave and u se the sac r ed powe r to p erver t t h e faith H i s d u ty twas t o gu a r d ; a s a mply ca n Fr e g e lla testify C Gr a ce Is thi s you r charge C enso r s I ll save yo u labo u r — l t app I am ci ted her e be cau se I have r e t u r n d Withou t my gene r al s leave and fo r the cr i me Of having r a i s d t h e tu mu lt at Fr e g e lla F i r s t wi th the fi rst I have r emain d my ti me ; Nay I have o v e r se r v d i t by the laws Th e laws wh i ch C a iu s Gr a cch iJ s da r es n o t b r eak B u t C enso r s let that pass I wi ll p r opose A bette r qu esti on fo r you r sati sfacti on ” How have I s e r v d my time ? I ll answer that ” How have I se r v d my time ? F o r m i ne own gain ” ? r What was my o ffi ce O that of the Rep u bli c? What Wa s i t s natu r e ? L u cr ati ve Q u estor S o l u cr ati ve t hat all m y p r ede cesso r s Who went fo rth poo r r e t u r n d home r i ch— s o r ich, Their ver y wi n e vessels re sign d their s t or e Of fl u i d wealth only fo r we a lthi er fr eight Of soli d gold I wen t for th po or eno u gh ; B u t have r e t u r n d still p oo r e r th a n I went T hen fo r my cond u ct as a soldi e r I do not bl u sh to s a y I have p r e va il d By mer cy mo r e than vengean ce I h a Ve won Fr om enemi es the i r hear ts befo r e their ar ms ; And held th e trib u tar y states to Rome By fr i endship mor e than fear I have a n s we r d that ‘ l st Ce n sor If yo u have se r v d yo u r ti me and faith fu l ly Di s ch a r g d yo u r d u ty as a Roman Q u es t o r S o fa r yo u a r e a cqu i tted Op i m To the nex t t h The t u m u lt a t Fr e g e lla ’ , ’ . . . ’ a s ’ , ’ , ’ . ’ . , ’ , . , , . ’ ’ ’ . , , ’ , ’ , . , ’ , . , , ’ , . , , [ ’ . . ’ , . ’ , , . . , . , TRA GE DY A 0 Gr a ce . Ay ! t o that . 39 . . P r od u ce yo u r p r oofs Op i m I char ge yo u as yo u r gene r al — r Yo p r oofs yo u r e vi den ce —yo u r witnesses u C Gr a ce Op i m Is i t from t hee I hea r t h i s hau ghty challeng e ? Who bes t sho u ld kn ow thy acti ons ? Wast tho u not Mi ne offi cer —I char ge thee wi th t h e tr eason Befo r e the gods I char ge thee wi th i t C ai u s I sa y I char ge t hee as th y gene r a l Is i t to the face C Gr a ce Tho u dar i ng noble Of these u p r ight au thor i ti es tho u cla i m st To be at on ce the wi tness and a ccu ser ? — i enso s t fit Is i t the law ! s r i Sa y C The a ccu sation l st Ce ns or The law pe r m i ts i t not And p r oof i n su ch a case cann ot exi s t In the same per son C aiu s Gr a cch u s t her efo r e Is fr ee u nless yo u ca n fin d o the r cau s e F o r h i s det enti on Op i m C ensor s i t i s fi t If o u r crl m m a ls Y o u look t o the p u bli c safety Es cape yo u r penalti es you r p r i sons and Yo u r chains will soon be o u r inh e ri ta n ce C Gr a ce Have th e laws lost their r eve r en ce . . . . . , . . , , . , . . ’ , , , . . , , . , , , . , . . , . . Is heavy . . C Gr a ce Heavy as the p r oofs a re light Ye citiz ens of Rome behold what favou r Yo u r maste r s show you r b r eth r en I have bor ne My co u nt r y 5 ar ms wi th hono u r ; o v e r s e r v d My ti me ; r et u r ned in pove r ty t hat m ight Have a m a ss d tr eas u r es — and they th u s r ewar d me P r efer a char ge agai ns t me wi tho u t p r oof Di r e ct o r i nd i r e ct—wi thou t a testimony Wei ghty o r l ight—wi tho u t an ar gu ment Idle o r plau s ible— wi thou t as mu ch O f fe as ib ili ty a s wo u ld s u ffice . . . , ’ ’ , ’ , , , , C AI U S 40 To GR A C C H U S : feed s u sp i cion s phant om Why i s thi s ? ? How have I bo u ght th i s hatr ed When my b r other Tiber i u s Gr a cch u s fell beneath their blows I ca ll d them not assassi ns When h i s fr i ends F ell sa cr i fi ces to their after veng ean ce I d id not style them b u t che r s When the ir hatr ed D r ove the Nu m idi an nobles fr om the S enate Wi th s co ffs and ex e cr ati ons that they p r a i s d me A n d to my cau se ass i gned the r oyal bo u nty Of K ing Mi cip s a still I d i d not nam e them The p r ou d i nvi d iou s i nsolent P atr i ci ans Op i m Hea r ye C Gr a ce Ye m e n o f Rome ther e i s no favou r F o r j u sti ce l—gr u dgingly h e r d u es a r e gr anted You r gr eat men boast no mo r e th e love of co u ntr y They co u nt their talent s —meas ur e their domai ns N u mber their slaves —make l i sts of knights and cli ents Enlar ge their palaces —d r ess fo r th their banqu ets Awake their lyr es and timb r els—and wi th thei r floods Of r ipe F aler ni an d r own the li ttle left Of vir tu e Op i m He wo u l d r ai se a tu m u lt C Gr a ce No Th i s h a nd s the fi r st to a r m against the m a n Wh o e e r he be that favou r s civil di s cor d I have no gu s t fo r blood Op im i u s I sa cr ifi ce to j u sti ce and to mer cy Op i m He h a s a sp e r s d the j u sti ce of o u r o r de r ; He flatt er s the Ple b i a n s and sho u ld be A t t a ch d and b r ou ght to qu esti on fo r thi s cond u ct C Gr a ce Romans I ask the o ffice of yo u r Tr i b u ne Ma r e A y ! yo u shall have it ! Gr acch u s sh a l l be Tr ib u ne ! Tit G r a cch u s Tr i b u ne ! C aiu s Gr a cch u s Tr ib u ne ! Op i m S tay fr iends ! Take heed ! Bewar e of fla t ’ , , , ’ - , , ’ , , , , , , ' . . . , / . , , . . . . ’ , ’ . , , ’ . , ’ . . . , . . . t e re r s , ! G RA C C H U S : C AI U S 42 Ma r e ’ Her e s one r eady to yo u r hands master s ; C ai u s Gr a cch u s C hoose h i m and yo u ll do good s e r vi ce to you r cou ntr y He ll see that you shall have you r r ights n o r will the P atri ci ans dar e t o s t op their noses when they pass u s as i f we wer e s o mu ch car r i on ! Look yo u master s C ai u s i s the fr i end of the P lebei ans ; he r espe cts o u r o r de r and s o h e o u ght ; and ther efo r e let ever y good ci ti z en s u ppor t h im Away my fr i ends Vote and cr y C ai u s Vot er s C ai u s Gr a cch u s ! H u z z a ! [E xe u n t Voter s M a r c He s s u r e of the ele cti on ! The P atri ci ans will eat poor s u pper s to n ight T i t He r e a r e mor e voter s ! ( En t e r Voter s ) S ave o u goi ng to vote fo r t h e r ight ca n maste ou rs ; a re y y . , ’ . , ’ . , , , , , , , . , . . ’ . . . . , ? d i d a te Voter l st Do yo u thi nk we d vote for the wr ong ’ . one ? yo u ll vote fo r C aiu s Gr a cch u s ? No — I dont l ike h im They say he ll l st Vote r b r ing the stat e i nto dange r We a r e men that love peace and con cor d Har k yo u master Tit Ay and good feed ing take these cattle to the stalls of the P atr i ci ans T h e T hey gi ve str ipes P atr i ci ans make p r ofitable maste r s only now and then ; b u t that s nothing yo u know t o a k indly beas t Away I sa y — t o the stalls wi th them x E [ eu nt se ve r a lly Ti t . T hen ’ ’ . . . . , , . , . . . ’ , , , . . . Ent er Cor . C aiu s , yo u L I C IN I A se e , is a nd C O RNE LIA . nowher e to be fo u nd Let u s go home again L ici n i a Not till I s e e h im Li vi a was r i ght ; he ll s u r ely stand Let s seek h im i n the For u m Cor A r e yo u mad ? . . . . ’ ’ . . fo r Tr ib u ne . TRAG EDY A 43 . Go to the F or u m after h im ! All Rome Wo ul d ta l k of i t —When d id yo u know a wife F ollow h e r h u sband to the F o r u m ? Why T wo u l d s e t all finger s po in ti ng ; and they d s a y C ai u s d i d well to take a wife to s chool h im I d r ather lose a h u sband than have people S o talk of mi ne L ieini a Y o u wi sh h im t o be Tr ib u ne I wi sh h im not my dau ghter ; Cor Li cin i a no B u t I do know that i f he will be Tr i b u ne He will ; and knowing that the u nwel come tho u ght M u st be my gu est I d enter tain wi th gr a ce F o r m i ne own di gn i ty and h i s contentment —My Whi ch shou ld not p r o fitle s s be m a r r d , ’ ’ , . ’ , . . , . . , , , ’ , , , ’ . Why do yo u gr asp me by the a r m and tr emble ? T h e people sho u t fo r joy L ie in ia It i s a kind Of joy that s fearfu l to my mi nd — A b r eez e S o air y gi ve i t b u t a l ittle mo r e Of b r eath be comes a sto r m and makes a wr e ck Of th e poor lau gh ing vessel . ’ . , , , . En te r L I C I N I US . O ! my Mar cu s K n ow yo u wh er e C aiu s i s —Thi nk yo u he means To stand fo r T r ib u ne — Have yo u come fr om h im ? O r go yo u to h im ? Tell me eve r y th ing ; And a s k me what yo u may yo u will not se t me A ta sk so har d I will not do it M a r cu s i n o L i ci n i u s a t s l i s n e o r C [ g L ici n S i ster h i s own ho u se i s the likeli est pla ce To find h im in I par ted with h im at The C amp u s Mar ti n s —H e may be at home Go seek h i m the r e and if he be not come , ‘ , , . . , . - . , , . C AI U S GR A C C H U S 44 : Wait fo r h im I, mea nwhile will look for h i m , To b r ing him to yo u L ici n i a Will yo u n o w my Mar cu s ? Then we ll go home C or neli a Mind you r p r omi se S ear ch fo r h im i n the or u m — If you meet Wi th any fr ie nd of h i s i n qu ire of h im And if yo u find h im s a y I sent yo u fo r h im And b r other do not qu i t h im till h e comes S a y I have som e thi ng to impar t to h im ; M atter of moment—ca nnot be p u t o ff— That he e xpe ct ed not— that s j u st falle n o u t Go — and be s u r e yo u b r ing h im to me, Mar cu s I ve a wor d to s a y Cor Has te yo u befo r e ch ild To Mar cu s L i ci n i a Well if yo u de ce i ve me now I ll tr u st yo u a e om t h e t o h t a t e s L r E x i t i c i n i [ p o f g f . - , . . , ’ ! - . , . . , , , . , , e ! ’ ’ . . , . . . , ’ . In a wo r d what has h e done ? L i ci n Defeated the P atr i ci ans , and p r opo s d Himself for T r ib u ne Cor It wo u ld come to th i s I knew that i t wou l d come to th is Li cin i u s A n d I co u ld tell what fu r th e r i t will come to If I wo u ld ! No matter ! Two s u ch sons as mi ne Wer e neve r m ade fo r mother s that have eyes Wh i ch a r e afr ai d of tea r s —t hat come to me I d id r e ar my boys A s old a cq u aintan ce C ompan i ons fo r the gods — Why wonde r I If they will go to them e r e other men ! M any a time when th ey have s t ood b e fb re me S u ch th ings a s mothe r s seldom look u pon A n d I have s e e m d to fee d o n them w i th m ine eyes My tho u ghts have p o n d e r d o e r thei r b i e r whe r e they Lay sti ff and co ld — I wo u ld not se e them so If I co u ld help it —b u t I wou ld not help it C or . , ’ . . . , , , . , , , ’ , ’ ’ , . At My C ai u s 45 Tr i b u n e ! be mu s t TRAGE DY; [Shou ts sever a l t i me s, a pp roa chi ng L i ci n And he i s so ! Those shou ts p r o claim it S e e , C o rnelia , He comes Behold L ook how they hem Why do you tu r n away ? n ea r er . . . - h im r o u nd ! To s e e that fl u sh of tr iu mph on h i s cheek Whi ch l ights i t u p as he d id feel a god And think how I may after se e that cheek Li cin i a s well A n d think u pon that fl u sh : i t h a d o e r com e h e r qu i te —C ome Ma r cu s A way — r e t i r e a li ttle n i c i n i L i a a d us l o r n e C [ , ’ . ’ . , G RA CC H US DR USUS MAR CUS a n d C i t iz ens Ent er C A I US , , , C . Gr a ce . . P C M P O N I U S , T I T U s, sh ou t i n g . No mo r e my fr i ends —No mo r e of th i s , , I p ra y yo u ! I Di spe r s e to you r seve r al homes Why do . y give ou These honou r s to yo u r se r vant ? Ti t S u ffe r u s To s e e yo u to yo u r ho u se . . We ll hail yo u r h o n o u r d mother a n d you r wife Ra m Indu lge t h e pe ople Gr acch u s ! C Gr a ce W e ll my fr ie nd s If you will go wi th me ( Se e s Cor ne li a ) My h on o u r d mother Cor Ma y the gr eat gods who cr o wn d t hee wi th th i s tr i u mph Instru ct thee s o to u se i t as to bless T h y co u ntr y — With a firm and m ighty hand M ayest tho u u phold the laws and keep them eve r A bove the p r o u d man s vi olen ce and wi th i n ’ ’ . a. . , . , , ’ . ’ . , , , , ’ , C A I US 46 GR ACC H U S : shall thy mother —Rome L A ck n o wle cc h e r son and tea ch thy name of after ages Who i s yo u r b r other T r i b u ne ? C Gr a ce Wo r thy D r u s u s My son i s happy i n h is colleagu e S ir ; And let me tr u st wi ll not di shonou r h im Dr u su s My honou r i s to se cond h im C o r neli a C Gr a ce C ome mothe r Th e poo r man s r each ’ , - so , . . , . . , . . , . . LI C I NI A en ter s L ici n iu s Ha Li cin i a ! Cor My L i cin i a (g oi ng up t o h er wh ile L i ci n i u s with . , . , , . h olds Ca i us F o r C ai u s . ) hono u r a ct li ke C aiu s wi fe He s Tr ib u ne Tr ib u ne L ie i n i a Think what eyes a r e on you C or Y o u a r e the mothe r of a Roman too S u mmon yo u r sp i r i ts —That s m y dau ghter —C ome Up to h im now at on ce and wi sh hi m joy L i ci n i a C ai u s I gi ve yo u My Li cin i a C Gr a ce L i ci n ia I gi ve yo u H e r hear t doth ove r t ask C Gr a ce C ome ! L e a di ng h er o H e r tong u e f ) ( L ici n ia Joy C ai u s — I do give you joy ! ( Fa in ts ’ ’ , ’ . . . ’ , , . . . . . . , . on h is a r m. The Cu r ta i n dr op s EN D O F T H E S ECO ND . ) A CT . A TRAGE DY III . S C ENE F I RS T OP IM IU S a nd 47 . . FLA M I N IU s . S a w yo u , Flamin iu s , how t hey l o ok d defian ce I cou l d r ead the name at ’ Op i m . us ? That was Of Gr acch u s on those dar ing b r ows of thei r s Behoves u s now a meek look wher e befor e We d gi ve a s cowl : the people a r e o u r mas t er s That Rome shou l d ever see i t ! F la mi n We m u st bear i t We mu st smile Oy i m Ay wh ile o u r blood boils — Flam i n i u s And at the same time gr i nd o u r teeth if so It pleaseth Gr a cch u s — Gods th at a man I cou ld take By the th r oat and smi te — yea se t my fo ot u pon F o r per fe ct loath ing — whom I sho u ld th ink i t r igh t eou s T o slay in a temple—a y by He r cul es A t th e altar of a temple — that a man Like that sho u l d or der me and do i t too By vi lest in str u m e n ts w —It i s a ta sk F or pa ti en ce . . , , , ’ . . . . , , , , , , , , ‘ ' , C A I US 8 GRA C C H U S : Never king was absol u te In Rome as he H i s wi ll i s law P op iliu s C a n wi tness that self b a ni sh d to es cape A heavi e r doom The S enate hath he lop p d Of half i t s power wi th h i s th r ee h u nd r ed kn ights Whom he has n a m d ass i stan ts to i t wi th Equ ali ty of vo ices Not a day P asses b u t some new ed i ct weakens those T hat sho u ld be st r ong and makes them str ong twer e be st Wer e weak And then h is st at e H e neve r moves B u t i n a cr owd of kn ights ambassado r s ; S oldi e r s and magi str ates ; a r t ifice r s And men of letter s tha t at tend on h im Ther e s not a man in Rome b u t C ai u s Gr a cch u s Oy i m What wo u ld yo u say of h i m wo u ld r i d Rome of h im ? F la mi n I d say he was a wo r th y so n of Rome F la mi n . . . ’ - , ’ . , ’ , . , ’ , - . , , , , ’ . ' ’ . Oy i m Fla m i n i u s —I ll ’ . . e ffe ct it ! By wh a t means ? Oy i m Have yo u e e r not e d D r u s u s m u ch ? F la mi n His colleag u e ? F la mi n . ’ . . qu i et s imple ho nest ma n Who follows Gr a cch u s wi th a m odest z eal A n d ra t h e r s eems fr om a n u nai m ing sp ir i t To se cond h i s des igns than help them Th r ou gh p r in ciple Op i m Y o u have de s cr ib d h im well A s h e a p p e a r s ; I know h i m as he i s T i s dpp o rt u n i ty t hat p r oves a man ; A n d t r u st me Li vi u s Dr u su s i s n ot one That having power lacks will to ove r top H i s fellow I wi ll u se th is Li viu s Dr u s u s To combat Gr acch u s wi th the v er y me ans That make h im t o be fe a r d Have patience and F la m i n A . , , , , , , , . ’ , . x . ’ , , , , , . , ’ . , GR A C C H U S : C AI US 50 They wo u ld not follow G r acch u s th u s and leave H i s bette r s at their heels Dru su s I do not co u r t Their favo u r good Op im i u s It contents m e To know that I d i s char ge wi th honesty The d u ty of their Tr ibu ne Op i m Li vi u s Dr u s u s The r e s not a man i n Rome b u t i f he speaks T h e t r u th w ill sa y yo u do I ll swear i t fo r one At any time We r e yo u not h u r r i ed now I d tell you someth ing Dru s u s that wo u ld show yo u What men th ink o f yo u ; b u t as t is I ll keep it Till you ca n hear it — Yet th i s befo r e I leave yo u Dr u s u s I wou ld I we r e a fr i end of yo u r s To do yo u a fr i end s o ffi ce ! Gi ve me you r hand I l ike yo u Dr u s u s —Yo u r e an honest T r ib u n e I s a y I l ike y ou : and d i d I not say i t Beh ind you r back I wo u ld not to yo u r face F a r ewell — P e r haps yo u r e not s o ca ll d fo r nei the r B u t yo u co u ld spar e a moment ? Dr u su s If i t be Yo u r pleas u r e T his Op i m T hank yo u Dr u s u s thank yo u Is ve r y k i nd of y o u — Y o u know F la m m l u s ? Dr u su s I know h i s fai r r epo r t Op i m Y o u know h im well then ; — know bette Take h im by the hand h i m r u t B He wants to know yo u mo r e than by r epo r t Dru su s I wo u ld I knew how to dese r ve th i s hono u r Op i m I wo u ld yo u knew what hono u r yo u deser ve The r e a r e men D r u s u s wear their wo r th s o modestly They do not seem to know they have i t Y o u I s e e a r e one of these ; a n d gr i eve to see i t ; F o r s u ch the mass a cco u nt as common men As gold wh i ch i s not co in d t h e u n skill d eye Will take fo r b r as s —Dr u s u s it makes me mad , . , . , , . . , ’ , , ’ , . , , ’ , , ’ ’ , , . , ’ , , ’ ’ , . . . , ’ ’ . . . . , , . . . , . . . . . . . , , , . , ’ ’ , , , . A ’ T RAGE DY . To see the s te r lin g s t o re thr own by a n d tha t Is basest hoar de d only for the stamp Whi ch the othe r on ly wants — I wi sh I h a d T h e coi ni ng of yo u , Dr u s u s Dru su s; Y o u wo u ld find Yo u ov e r we ig h d me ’ ' t , 1 ’ . neve r we igh d I yet ian honest man And her e s to tr y i t ! Wo u ld yo u Dr u s u s da r e A ch i eve the th ing you co u ld a nd sho u ld ? Dr u sus I we r e n o t A man els e Op i m Every one th a t knows y o u Dr u s u s Knows that yo u a r e a man — b u t a r e you s u ch A man ? Dr u su s I think I am Op i m I thi nk so too B u t eve r what we most des ir e t o be We fear may n o t be thou gh we know n o t why We do s o Dr u s u s I ll deal fr ankly wi th yo u u I will not hes i tat e n o r wi nd abo u t Nor speak by halves as if I fear ed to le t My tho u ghts go fro m me Lis ten to me then Rome i s i n danger —di s co r d re igns in h e r : H e r o r de r s a r e opposed among themselves The people hate the S enat e—call u s pr o u d C r u el l u x u r i o u s avar i ci o u s ; maste r s Opp r esso r s tyr an t s—m e n al as ! my Dr u s u s That a r e n o t master s even of their own The ca u se o f thi s i s C aiu s Gr acch u s He F o r h is own ai ms lets no o ccas i on pass To inflame th e commons ; wher efo r e he r evi ve s Old gr i evan ces o r fan cies p r esent o r P r e dicts to come : and sho u ld th i s co u r se go on Witho u t obstr u cti on Rome will gr i eve to s e e T h e e n d —The S enate ju stly fea r ing thi s Or ’ . ’ , , . ’ . . . . , , , . , , ’ , . , , , . , . . , , , , , , , . , , , , , , , , 3 I C AI U S 52 GRA C C H U S : H ave m u ch d e bat ed on the re m e dy ; I I 1 i And all at length agr e e t h e re i s b u t on e,b Namely to find a man th a t s fit to medi a t e 11 thou Bet ween them and the people D r u s u s — l Ar t he Dr u su s Alas what we ight have I Op im i u s To bear against the wei ght of C aiu s Gr a cchu s ? Thou go o d a n d Op i m What We ight hast th e n H honest m a n Now by the gods, I love t hee , Dr u s u s fb r I Thy tr u e s impl i city —What weight h a st tho u Why h a st tho u not the weight of C aiu s G r acch u s ? Y o u shar e one o ffi ce — the s ai n e ca r es d i vi de The same r e s p on s ib ilit ie s — why n o t The same r espe ct ? Oh Li vi u s Dr u s u s C aiu s We r e not content did Dr u s u s lead the people And G r a cch u s h u mbly follow at their hee ls Deal fr ank ly with a fr i end B u t let that pass What thi nk you Dru s u s —Do th e S en ate ha te The p e ople ? l Dr u su s Nay I wou ld bel i eve they di d no t — u l u Op i m I know yo wo d I th ink yo u ( lo—b u t m u ch I wonde r tha t yo u do, becau se t i s not The fash i on Dru s u s do you thi nk — i o n ot an swe r me ff o u sh le w h u t D l Il y I am s u r e yo u do not Take my wor d then D r u su s The S enate love th e peopl e — A y I k now T i s eas ily sai d b u t I will p r ove i t t o yo u Know then I have been dep u t ed to soli ci t You r fr i endsh ip fo r the S enate—not to oppo se As on ce O ctavi u s d id th e for mer G r a cch u s B u t to o u tdo yo u r colleagu e i n h i s plans In favo u r of the p eople stil l p r opos ing S ome law fo r thei r add iti onal a dvan t age ; And only s tating—as i n Simple fair ness ’ ' J , a -u - . o . , x , . v, . A , J , L , w , , . , , . . . ’ . , ’ . , , , ’ , , , , A T RAG EDYL 53 — sho l d t h a t so t h e S en at e h a d e xPre s s d u Y Their wis hes —no thi ng far th e r By thi s m eans The people wi ll be ser ved—th e S e n ate placed Agai n in con fid e n ce yo tIr ri va l str ip p d Of danger o u s i n flu e nce — you r self ex a l te d A ccor di ng t o yo u r wn rtll —a nd, t o su m u p The whole at on ce you r co u nt ry saved fro m r u in Fla mi n Y ou canno t hes itate i n s u ch a cau se Dru su s I u nder ta ke the t r u st wi th sacr ed z eal ; And if I ca n compose the p r esent evils S hall deem myself m o st hap py Op i m I am s u r e of i t And shall with joy r ep o r t th i s to the S en a te ’ ou e ' . , ’ - v- — s n e . , . . , . , . . Y ou r wi shes fo r the people ; we ll p r omot e them What you say sho u ld b e shall be on y ou r saying The tr i bes shall kn ow O r b r eak at on ce wi th u s What ti s to have a Tr ib u ne of r ep u te Who does not u se h i s offi ce to p r omote C ab a l and str i fe and jealo u sy and hate Li ke cer tain gent lemen To you r wo r k at on ce ! B u t har k you Li vi u s D r u s u s ; tell m e t r u ly — ? r C not ove modest ome u o C onfess now Are y I know you a r e —I know th at shou ld the S enat e G ive you yo u r choi ce of honou r s yo u d r efu se To challenge e en the smallest Well No mat t er ! S u ch men l i ve fo r thei r co u ntr y —Heed not Gr a cchu s If he u pb ra i d yo u — if — S hou l d th e Plebei an s Give b u t o n e shou t fo r D r u s u s he ll be s i ck Wi th all the ga l l of envy —C ome to the S en a te To— mo r r ow Be not str a nge wi th u s good Li vi u s M ar k him now —Heed h im well fo r he i s wily And t ho u a r t s imple in thi ne hones ty Yo u ll come t o the S en ate to mo rrow —Eye h i m Dr u s u s ’ . , , , , . ’ , , , , , . , , , . , , ’ , ’ - . - . , ’ ‘ ‘ , , . - , , , . ’ - , , GRA C C H U S : C AI U S 54 He ’ s a r ank t r a ito r —M ind — mo l , ’ to rr ow now - , n en 3 5 Nobly pl a y d ! Op i m Beyond my h opes Le t u s info rm o u r fr ie nd s And as the choice of T ri bu ne s i s a t hand b 1 ele cti on 5— C ome ! I Despatch P r even t h i s r e — I “ Flam i n iu s wai t at on ce u pon th e S enate ll 1 a F la mi n ’ . . L . , . , , . - . , . , I have felt thee, C aiu s The nob ilit y Of th y commandi ng natu r e has o p p o s d I1 A — r u sha l t fe el h o e me Tho n ow — r u m d n t i A d 3 p me Yet th r ou gh another Res t u n t il I ga i n 0 The C ons u l ship a n d tho u no mor e a r t Tr ib u ne a The we ight o f v e ng ean ce li es in th e a r m that sends i tfi ’ , ’ ’ , . ! , . . , t r shou t away ! u n m o v d I hear yo u now The sn a r e i s sp r ead and let the l i on r oar ! ’ Ay, . , . , S C ENE S E C OND C . G R A CCH U S . discover e d i n the ROSi m m . —TI T U S , MA R Gr a e e No m o r e my fr i ends ! How often m u st I tell yo u Y o u sho u ld not pay these hono u r s to yo u r Tr ib u ne ? Ti t Long m a y yo u l i ve C ai u s Ma r e P r ospe r o u sly and long H i ther comes hones t Dr u s u s S hall we sho u t fo r h im ? C ’ . , . . , . , n . A TRAGE DY 55 . Why sho u ld we ? Think yo u he i s any gre at fr iend to the people ? Not he Is he not a qu i et easy contented man who lets th ings take the ir co u r se ? Ca n s u ch a man be a fr i end t o the people No no ; he i s no fr i end to the people He i s well eno u gh i n h i s pla ce be cau se he keeps a r og u e o u t of i t ; and j u st says 1 a and no a c c o r d i ng to the w i ll of C a i u s y M a r c Y o u s a y r ight F o r my par t I neve r liked yo u r peaceable honest man Give me a sti r r ing fello w that will b r ow beat the nobles and call the au thor ities to a ccou nt That s you r o nl y Tr ib u ne Ti t . , , , , . , . , , . , . . , , , . - , . ’ . . E n t e r DR USUS . Gr a ce Dr u s u s I have wai ted fo r yo u and I am glad yo u have come M a r c Obser ve he has n t h u r r i ed h im s e lfi— Make way for honest Dr u s u s — m a ke way ther e r as cals— let the good man pass ! Y o u may kno w by the fellow s gait that he loves h igh feedin g and sleeps one half of the day fo r havi ng doz ed away the other half Tit S ilen ce ! C ai u s i s goi ng t o speak — C hee r him master s All H u z z a ! Long l ive C ai u s ! Romans he r e a r e some plans of new 0 Gr a ce de cr ees We mean t o o ffe r fo r yo u r app r obati on I know not whether yo u wi ll th in k them wi se ; B u t th i s I know the hand that d r ew them u p Belongs to one wo u ld die t o do y ou good Ti t Wo r thy C ai u s All L ong may yo u l i ve C aiu s C Gr a ce Wi th gr i ef we see yo u bar e of many goo ds That make l ife sweet Yo u r wr etchedness affl i cts The hear t of C a i u s —Tho u sands of b r ave m e n Wande r ing abo u t the st r eets of Rome witho u t M eans o r employment to p r o cu r e t hem Now . , , . ’ . , , ’ , - , , . , . . . . . , . , , . . . , , . . . , , , , C A I US GRA C C H U S 56 : We her e d ir ect two coloni es t o be sent To the lat e con qu e r d citi es Ti t Noble C a i u s M a r c Wo rt hy C a iu s ! All C aiu s fo r ever ! Dru su s My co u ntr yme n ! Ma rc D r u s u s i s going t o speak —Now ’ . . . . . fo r . a n ora n Dru su s Y o u need not lear n I la ck those noble p ar t s, . Whi ch make the o r ato r yo u love to hear ; I have no mer it b u t my hones ty ; And t is my hones t y that says t o yo u I d d i e with C a i u s fo r the good of Rome Ma r c Yes yes ; Dr u s u s i s an honest qu i e t good so r t of man That eve r y body m u st s a y fo r h im ; b u t a s fo r h i s spee ch I d make as g ood a one myse l f chee r h i m C hee r him master s — [ T he p e op le ch e er f a i n tly Dr usu s I do n o t ask yo u to ap plau d me Roman s ; I love yo u r welfar e bett er t han you r p r ai se M a r c C ome come t hat s ve r y well now ; che e r for that mas t er s ver y well indee d —C heer C heer ! , ’ , ’ , , , . . ’ , . , . . , . ’ , . , - , , I thank yo u fellow ci tiz ens Don t mind me e h c Ma r c C heer h im agai n maste r s n er a l ee r A [ g Dru su s Romans I know my colleagu e s love fo r you ; And yet meth inks he s ti nts i t i n thi s me a s u r e Two coloni es What a r e t wo colon i es ? Two handfu l s H e shou l d s t r et ch th i s g r an t and ease The gr oan ing and deb il it at ed state Two handfu ls o f the people to two citi es C ai u s fo r on ce adopts half meas u r es —I De cr ee that to ea ch city ther e be sent Thr ee tho u sand of the poo r est citiz ens Th r ee tho u sand to each ci ty Noble D r u s u s Hu zz a Ma r c Wo r thy Dru s u s Dru su s ’ - . , . . . . . ’ , . , , , . - - , , . , . . C AI U S 58 T h e S enat e GRA C C H U S : the Tr ib u nes The mo r e fri ends Y o u have the less yo u will have need of me M a r c Good honest man go on All Go on Go on Dr u su s I s a y—and if I know the t h ing I s a y Am I not r ight i n saying i t — I sa y, The S enate wi sh the people t o be happy And do not want to t a x them Noble C aiu s Might have gone far the r i n thi s a ct o f h i s And not d i sp le a s d the S enate ; ther efor e I Witho u t r egar d to h i s de cr ee enact That cer tai n waste u n cu lti vated lands Lying no r th of Rome be fo r thwit h p a r ce ll d o u t To fifteen h u ndr ed of the poor es t famili es F r ee of a ll r ent and se r vi ce M a r c Noble Dr u s u s ! The wo r thy S enat e ! Hu zz a fo r D r u s u s and the S enate Dru su s My fr i ends th i nk n o t o f Dr u s u s Than k t h e S enat e Ma rc Good honest man H e i s too modest to take the p r ai se to h imself — H e gives i t a l l to the S e nate Obser ve C aiu s —h e changes colou r —h e envi es Dr u su s h e doesn t like the appla u se we gi ve t o Dr u s u s Ap plau d the good man again Long li ve Dr u s u s ! Dr u s u s and the S enate for ever Hu z z a ! All H u z z a ! C Gr a ce Ma y I be hear d my fr i ends Tit S peak G r a cch u s speak ! Ma r e Dr u s u s for ever ! C Gra ce Rome Rome my fr i ends for e ve r ! — w h o e e r i s j u st and g r eat ood i r e s h o e W g The honou r be to Rome o u r common mothe r I have waru d yo u oft — Look to yo u r libert i es ! Bewar e the S enate s ar ts Bewar e h e r t ools Dr u sus How ! C ai u s C Gr a ce Nay good Li vi u s Dr u s u s or . , . . , . . , , . , ’ , , , , , , ’ , , . . , . . . , . - . . ’ . . . , . . , . , . , , . . , ’ ’ , , ’ ’ - . . . , TRAGE DY A 59 . Ma rc Not a wor d aga i nst Dr u su s ! . No ! No ! No ! Ma r e The S enat e h a s a ct ed well in th i s It has A ll It has — c t If yo u app r ove i t, mas te r s, C Gr a ce I am on ent I am content —I cannot help my fear s B u t le t i t p a ss I ll say I am content ! Mas ter s I never yet in cu r r d yo u r cens u r e If I am over watchfu l fo r you r safety G u ar di ng yo u gainst the chan ce of inj u r y If I s u spe ct—b u t s in ce i t pleases yo u I ll not s u spe ct thi s ki ndness of th e S enat e And yet i t may be a s k d—when yo u wer e weak And needed fr i ends wher e was the S enate s kindness ? Then you migh t help yo u r selves ; now y ou a r e s tr ong It holds i t s h u n d r ed hands to gi ve yo u a i d I th ink twas not the kindness of the S enat e, M ade i t expedi ent when my fir st de cr ee De cla r d the mag i str ate to be i nfamo u s Who wa s d e p o s d by j u dgment of the people O r when my nex t enacte d that the magi s tr ate Who bani shed wi thou t law a ci tiz en S hou ld a n swe r the assembly of the people O r when to gi ve yo u plen i tu de of powe r; I gr anted each inhab itant of Lati u m The r ight of s u ffr age Ti t Hear h im ! Hear h im — i len e c Dr u s u s i s going to speak Ma r c S Dr u su s Romans I ll not p r etend to s a y how m u ch — h t e owe enat e Be i t m u ch o r li ttle S You — i Only a s I think they love yo u O r noth n g I ll not speak ill of the m They have d e si r d me To show you favo u r — Mar k me—have des ir ed me S ho u ld I be j ealo u s of the m ? Wo r ds my fr i ends A r e a ir — b u t a ct i ons a r e s u bsta nti al th i ngs That war r ant j u dgmen t —B u t we ll n o t debat e All . . . x - . . . . ’ - . , ’ . , - , ’ , , , ’ ’ , ’ , , , ’ , , ’ , ’ . , , , , , , . , , , . . . ’ . , , , , , ’ ’ . . . , , , ’ ' ' C AI U S G RA C C H U S 60 : tru th o r falsehoo d — They appear to favou r u s An d let u s take advantage of thei r seemi ng My colleag u e C ai u s as he j u st now sai d Has gi ven to the i nhab itants of Lati u m The r ight t o vote —the r ight of ci tiz en s Has not thi s a ct then made them citiz ens ? A n d yet my fr i ends the Lati n soldi e r feels T h e s co u r ge —H e feels the s cou r ge —a n i nfamy T hat neve r sho u ld app r oa ch the fr eeman s back We now de cr ee that i t shall be u nlawfu l Hen cefor th fo r any captain of o u r legi ons T o beat with r ods a sold i e r of that nati on Ma r c A noble de cr ee — Wo r thy Dr u s u s —A n oble de cr ee Hu zz a ! Dr u su s My fr iends I now depar t—b u t e r e I leave OT h e i r , , , , , . , , , ’ , , , , . , . r , . y ou , I mu st de clar e that whatsoe er I have done I have done with the app r oval of the S enate [Descen dsz M a r c We ll follow y o u home Dr u s u s We ll fol — o u low y home We ll chee r the S enato r s a s we pa ss them We ll follow yo u home Dru su s Nay my good fr i ends ! M a r c C ome come Let u s follow h i m to h i s hou se S i n ce y o u will not be den i ed Dr u su s Well — i i D r u u u a c e G tay L v s s s let me speak wi th S r C ’ , , . ’ ’ . , ’ . ’ . . , . , . . . . . ou y Dr u su s , . Yo u r pleas u r e C aiu s ? C Gr a ce P leas u r e — Li vi u s Dr u s u s Look not s o sweet u pon me —I am no chi ld Not to know b itter fo r that it i s sm e a r d Wi th honey Let me r ather s e e thee s cowl A l i ttle ; and when tho u dost speak r em i nd me Of the r o u gh tr u mpet mo r e than the so ft l u te By Jove I ca n applaud the honest caitiff Bespeaks h is cr aft Dru sus The ca itiff . . , . , ’ , , . , . 61 Gr a ce A h ho Now Y o u we r e only then Yo u r e Li vi u s Dr u s u s The man men took h im fo r —the easy man T hat s o the wo r ld went r ight car d not who got The p r ai se ; b u t r athe r fr om p r efer ment sh r u n k Than cou rted it Who ever tho u ght i n s u ch A plai n and homely p ie ce of st u ff to s e e The mighty S enate s tool Dr u su s The S enate s tool C G r a ce Now what a deal of pai ns fo r l ittle p r ofit ! If yo u cou l d play the j u ggler wi th me Li vi u s T o s u ch per fe cti on p r a cti se seem i ng as T o pass i t on m e fo r r eali ty M ake my own senses wi t ness gai nst myself That thi ngs I know i mposs ible to be I s e e as palpable as if they wer e T we r e wo r th the a cting ; b u t when I am maste r Of all you r myster y and know as well A s yo u do that the p r odi gy s a li e What wanton waste of labou r — Li vi u s Dr u s u s I know yo u a r e a tool Dr u su s Well let me be so ! I wi ll not q u ar r el wi th yo u wo r thy C aiu s C a ll me whate e r yo u please C Gr a ce What b a r e fa c d sh ifting What r eal fie r ce n e s s co u l d gr ow tame s o soon Y o u tu r n u pon me l ike a tige r and When open m o u th d I b r ave yo u str aight yo u play T h e cr o u ch ing spani el Yo u ll not qu ar r el wi th me I want yo u not to qu ar r el Li vi u s Dr u s u s B u t only to be honest to the people Dru su s Honest ! C Gr a ce A y honest — Why do yo u r epeat My wo r ds as if yo u fe a r d to tr u st yo u r own ? Do I play e cho ? Q u esti on me and s e e If I s o fear to be myself —I a ct C . . ’ , ’ , , , . , ’ ’ . . . , , , ’ ; , ’ , , , ’ , , , . , , ’ . ’ . . , , ’ - , ’ , , . . . . , ’ , , C AI U S GRA C C H U S 62 : The wall whi ch speaks n ot b u t wi th other s ton gu e s I s a y yo u a r e n ot honest t o th e people I s a y you a r e the S enate s tool—thei r bai t Their j u ggler —t heir t ri ck— mer chan t —If I wr on g yo u , B u r st o u t at on ce, and fr ee r et or t u pon me Tell me I li e a n d smi t e me t o t h e ear th I ll r i se b u t to emb r ace yo u ! Dr u su s My good C ai u s Restr ain you r ar dent temper ; i t doth h u r r y you Into madness C Gr a ce Gi ve me b u t an answer , and I ll be content —A r e yo u n ot leagu ed wi th th e S enat e ? Dr u su s Yo u r senses leave yo u C aiu s C Gr a ce Will yo u answer me ? Dru su s Th r ow o ff t h i s h u mo u r C Gr a ce Gi ve me an answer Dr u s u s Dr u su s Mad man C Gr a ce A re yo u the cr eat u r e o f the S enate ? Dru su s Good C ai u s C Gr a ce Do you j u ggle wit h the people ? Let me b u t know yo u man fr om yo u r own lips T i s all I want to know yo u a r e a tr ait or Dr u su s A tr aitor C Gr a ce A y l Dr u su s To whom ? C Gr a ce To the poo r p eople ! The ho u seless citiz ens that sleep a t nights Befo r e the port als , and that star ve by d a y Under the noses of t he S enator s ! T ho u a r t thei r magi str at e their fr i end their father Dost thou bet r ay them ? Has t t hou sold them ? Wilt thou Ju ggle them o u t of the few friends they have left ? Dr u su s If twi ll content you C ai u s I am one Who loves alike th e S enat e and the p e ople I am th e fr iend of both ’ a , s ’ , , ’ . , . . . ’ . , . . . . . , . . . . . . , . , ’ . . . . . . . , . , , ’ , . , . . A TRAGE DY 63 . Gra ce The fri end of neither The S enate s tool —a tr aito r to the people L A man that seems to s i de wi th nei ther par ty ; Wi ll now bend th i s way and then make it u p By leaning a l ittle to the other s i de : Talk moder ati on—pati en ce—wi th one foot St ep o u t and wi th the othe r ba ck agai n Wi th one eye glan ce h i s p i ty on the cr owd A n d wi th the other cr ou ch to the nob il i ty ; At any p u bli c gr i evan ce r ai se h i s voi ce And like a har mless tempest calm away ; Idle and not ed only fo r h i s noi se S u ch men a r e the best i nstr u m ents of ty r anny The s imple slave i s eas ily avoi ded By hi s ext er nal badge ; yo u r o r der wear s C . . ’ , , , , , , , , , . Dru su s . I ll leave yo u C ai u s And hope yo u r b r east will har bou r better co u n cils Gr u dge you the S enate s kindness t o the people ? T i s well —wh o e e r se rv es them shows love to me ! ’ , , . . ’ ’ ’ x i E t [ C Gr a ce . . Go ! T/ze p e op le f ollowi ng , wi th ske a ts I have till d ’ . waste ; and, wi th my a B r o u gh t hope of fr u i ta g e forth—th e s u per fi ci al And hear tless so il cannot s u st ai n t h e shoot : The fir s t har sh wind that sweeps it leaves i t bar e ! F ool that I was t o till i t ! L et them g o ! ’ I loy d t hem and I se rv d them Le t them go ! , ’ - Vett i us Why C aiu s wha t s th e matter people S o follow D r u s u s ? C Gr a ce Matt er l—Know yo u why The wind wa s all the mo r ning in th e sou th . ’ . , , . , , t hat th e C AI U S 64 S i ts G RA C C HUS : / now at no r th that s the antagoni st point ? When tho u canst tell why tu r ns the fitfu l wind I ll tell thee why the people follow Dr u s u s Ve tt i u s M or e wonder ye t ! Ther e stood a gr ou p of S enator s Under a por ti co and a s they p a s s d They ch e e r d them—ch e e r d the S enato r s —I thou gh t They mu st be mad C Gr a ce No no ! they a r e not mad Ther e s not a day i n the month o r year they a r e Of sou nder mind They know as well to— day A s they did yeste r day what th ings they look a t That Rome i s Rome ; that I am C ai u s ; he They follow D r u s u s and the S enator s They ch e e r t h e S enator s — They a r e not mad B u t tho u a r t m a d t o th ink them s o be cau se They a ct the deeds of madmen ’ , , ’ ’ ' . ’ , , ’ ’ . . . . , ’ , , . , , , ,‘ , . , , En t er L I C I N I US . L i ci n C aiu s Ha Well m e t —Bad news C Gr a ce Bad news and well met s a y yo u Why so i t i s ; fo r we r e y o u P l u to s her ald Y o u co u l d not pl u ck a smi le fr om C ai u s cheek Wo u l d pay th e labou r of destr oying —C ome Yo u r news ? L i ci n Op im i u s wi ll be C ons u l C Gr a ce Well I m T r ibu ne L i ci n P r ay yo u show yo u r self among The people o r their hea r ts a r e lost to yo u You r enemi es have won them half al r eady Hands they wo u ld look at e r e they took a gift fr om them They now do shake as they p e r ta in d to fr i ends A fte r long t r avel gr ee t ed : b r eath they d t u r n fr om T ho u gh wafting fo r tu ne s kindest e r r and now . . . , , ’ , , , ’ , . . . . ’ . , . , . ’ , ’ , ’ , , C AI US GRA C C H U S 66 : they shou ld —I will n ot go among them To pay co u r t to them fo r thei r own Be s e r v d I p r ay you master s —p r ay you be se r v d ! C onsent that I sho u ld get you food ; p r ovi de you C loth ing and lodging ; find yo u lands to till ! Wh i le all the ti me they lean the e a r to Dr u s u s A n d I m u st p u ll the m by the cloak to win Attenti on No — No honest man co u ld do i t ! I wi ll not go among them — If they a r e told That poi son s poi son yet will swallow i t F o r food i n Jove s name let them noth i ng b u t The tasting on t will sati sfy them —B r other Keep s ilen ce —No man u r ge me to i t I shou ld not—cannot—will n o t go among them ! [Exi t L i ci n F ollow h im not yo u will b u t lose you r labou r L et u s go to the people and per s u ade them F o r the i r own p r ofit to r etai n thei r Tr ib u ne Op im i u s H i s o ffi ce he m u st keep I know i s swo r n to h i s u ndoing ; a n d Hath no i mped iment on ce C ons u l i f C aiu s sho u ld lose the Tr ib u neshi p — C ome fr i ends An d if , ’ ’ , , , , . ’ , ’ , ’ . . , . . , , . , . , , , , , . [ Exeu n t EN D O F TH E T HIR D A CT . A T RAGEDY IV A CT 67 . . S C ENE F IR S T . A S TREE T I N R OME Enter P O MP O N I U S . VETT I U S a nd . It wa s a false r etu r n He had thei r votes Thou gh he has lost h i s o ffice Lo yo u now What str i des they take that u sed to w a l k befor e S ca r cely i s he b r o u ght S o cir cu mspe ctly I nto a p r i vate state agai n than they T hi s blow P r o ceed to ab r ogate h i s laws If ther e i t l ight wher e i t i s meant i t sho u ld Will n o t fall sho r t a hair s b r eadth of h i s life Ve t t i u s Y o u may be s u r e of i t : fo r that i t was Op im i u s g ot the C ons u l sh ip P om T hi s mo r ni ng C ai u s and he met near the C ap i t ol F la ccu s h a d C aiu s by the a r m —Op i m iu s On seeing h im makes a dead stand and then Wi th eyes fix ed on h im th u s and folded ar ms He follows h im r ight r ou nd and cr i es to h im What hoa ! yo u C aiu s Gr acch u s wh ither now ? ” What plot s on foot ? — then falls on h im wi t h s u ch , . . . , , . , , ’ - . . . . , . , . , , , , , , , , ’ , GRA CC H U S : C AI US 68 A to rr en t of vi le terms as i t wo u l d s ting The ta mest looker on to hear Ve tt i u s And how Di d C aiu s bear i t ? P om Why as one that seein g A tiger r eady co u ch d to sp ri ng u pon h im In qu i ck avoi dan ce finds se cu r i ty He p a s s d i n s ilen ce on O p im i u s had H i s C an di ot tr oops wi th h im —Bu t wher e is Flacons ? Ve tt i us Gone to b r ing C ai u s to the F o ru m How Have yo u di sp o s d o u r L at in fr i ends ? P om Abo u t The Ros tr u m Ve t t i u s F ear not —If i t comes to n u mber s O u r s ca n tell their s t hr i ce over , - . . . , , , ’ : , ’ . . . . ’ . . , . . En t er L I C I N I US L ici n Fr i ends well met ! S om e th i ng s on foo t t ha t bodes n o t good to C a i u s ! I p a s s d j u st now a gr o u p o f S enator s : One of t he m n a m d h im and h a d far ther spoke n B u t that ano the r p la cd on seeing m e H i s finger on h i s lip Y o u may b e s u r e They only want o ccas i on to despatch h im Me n in qu ire fo r h im Ve t t i u s All Rome pe r cei ves i t As one whom m i s ch i ef d ogs Is C ai u s well When saw yo u h i m — Doe s he go o u t to day ” To the F o r u m ? —half u nder b r eath a s fea r ing fo r The answer Other s as h i s fr i ends pa ss by L ay heads together and, with eyes glan ced t owar ds them Wh i sper wi th looks por t en t o u s S ome do smile That never s m il d befo r e on au ght th a t lov d him That s the wo rs t s ign —A smile fr om those that ha te u s Looks at some s cowl of fat e abo u t to fa l l If n ot al r eady lowe r ing ! . . , ’ ’ ’ , , ’ , , . . . . - . - , , , . , , . ’ ’ ’ , A TRAG EDY 69 . Wh done ? L ici n Mee t fo r ce wit h for ce ! P om Agr eed ! Ve tt ius Agr eed ! P om a . ’ t s to be . . . If y ou have any fr iend as e t u np le dg y ’ d, When me et we in th e For u m ? It i s the hou r L i ci n At the thir d hou r — If they r epeal h i s laws—far ewell to Rome Ve tt i u s . . . of fate . S C ENE S E C OND . C A I US GRA C C H US 8 H O US E ’ En te r C O R N E L I A a nd ' LI C I N IA . . L ici n i a Yo u ll speak to h im ? Cor I w ill L i ci ni a You ll u rg e h im n o t To go ? Y ou wou ld not thr ow you r r i ches t ge m Away thou gh yo u m ight g ive t to one did know Its valu e and d id covet i t ? Cor I wo u ld not L i ci n ia He s coming — ( Goi ng Mother Cor I have sai d Li cini a ! [ Exi t L i ci n ia Yes : t her e s a point wher e vir t u e s t ops T i s the r e Whe r e sh e b u t loses labo u r —H a —b u t i s H e r labo u r ever lost — I can t debate That qu es t i on n ow —Nat u r e wont let m e —S he s ’ . . . ’ . ’ , , . . ’ - . . , ’ ’ . . ’ ’ . C AI U S ' 70 GRA CC H U S : Too str ong and I mu st play the h u mble par t S h e sets me —Had he not a wi fe and ch ild H e s he r e , . ’ G RA CC H US wi thou t p e r ce i ving his Mother C Gra ce I ll wr estle wi th h im for at least My laws Thi s thr ow What ! ab r ogate my laws O i nsolen ce of tyr anny Well well LWe r e he twi ce We a r e not so weak as let h im — The C onsu l he sh a l l not lay hands on them Yea tho u gh o u r blood Cor ( Adva nci ng ca lmly ) C ai u s a wo r d with yo u The r e s F u lv iu s Fla ccu s wai ting at the doo r With a whole cr owd of citiz ens — Is t yo u They want ? C Gr a ce It I S Cor 3T i s best s on to deal fr ank ly Wi th yo u r m othe r What s on foot —No matter ! Hear me I do not like that Fla ccus He s a m a n Hath mo r e amb i ti on than i ntegr i ty And z eal t han wi sdom —Is he of yo u r p a r ty ? He i s C Gr a ce The sooner then y o u b r eak wi th h i m Ca r The better S end h im wo r d you cannot come C Gr a ce My wo r d s al r eady p le dg d t o go wit h h im To the F o r u m On What er r and C ai u s Gr acch u s ? Ca r Is i t abo u t you r laws they wo ul d ann u l ? Mi nd C aiu s you r e no longe r Tr ib u ne C G r a ce F ear not ! I shall be p r u dent ( Goi ng ) A r e yo u g oing then ? C or T a /re s h is na nd ) I c a n almost thi nk y o u S t op C ai u s ( still The boy did co n h is lessons a t my knee Ent er C AI U S , . ’ . . - , . , . , . . , . ’ ’ . . . . . , , ’ . - . ’ . , . . . . . , , . . ’ ’ . . . , . ’ , , . . . . , , . . , TRA GE DY A 71 ’ . And I co u ld r u le i n all h i s li ttle moods Wi th b u t a look — Ay C aiu s b u t a look Of you r mother s made yo u calm as s u nsh ine in You r biggest sto r m I wo u ld not lose yo u C aiu s Go not to C ai u s I wo u ld not lose yo u The F or u m — r i s i t yo u ! G r othe a c e M C , , - ’ , , , - , . . It i s you r mother feels that sh e i s all The mother —whatsoe e r sh e seems —I wo u ld Be left a s on my C ai u s —Go not to The F o r u m ! C Gr a ce Whe r efo r e mothe r ? What i s the r e That I sho u ld fear ? C or Yo u r b r othe r s blood my s o n Do I n ot know yo u C ai u s ? C a n I not r e a d yo u Wi thou t you r tongu e to help me ? Does not hi s blood C r y fo r r evenge ; and i s you r e a r u napt T o hear i t —C aiu s that dear b r othe r s death s The life of all thy acts — T was that did plead F o r Ve tt i u s— a s k d the T r ib u nesh i p — r e v i v d Tiber iu s s laws —d e fie d the S enate— made thee Like a god to Rome deali ng o u t fate— and now Thou a r t no longer ar m d wi th thy gr eat o ffi ce Wou l d lead thee for th to s a cr i fice —My s on Go not to the F or u m T i s a wor thl ess ca u se Why shou ld yo u go m y C ai u s ? To defend You r laws fr o m ab r ogation ? T h ink of them F o r whom yo u made those laws —the fi ckle people Did lend a hand to p u l l yo u fr om you r seat Thou a r t s ingle A n d r ai se u p them they shake at ! T h o u hast no se conds T i s a hopeless str u ggle S o s u nk a r e all the hear t of p u bl i c vi r tu e H a s not the blood to make i t beat agai n C Gr a ce And sho u ld I ther efo r e s ink with the base times , ’ . . , . , . ’ , . , , ’ ’ , ’ ’ ’ ’ , , ’ , , ’ , , , ’ , . . C AI U S GRA CC H U S 72 : A r e the g od s also base ? Wh at mother what — Is vi r tu e base ? Is hono u r su nk Is manh ood A th ing contemptible —and not t o be Ma i n ta i n d ? Remembe r yo u Mess ina mot he r ? On ce fr om i t s p r omont or y we beheld A galley in a stor m ; and a s the bar k Ap p r o a ch d the fat al sho r e cou ld well d i s ce r n The feat u r es of the cr ew wi th hor r or all Aghast save one Alone he str ove to g u i de The p r ow er e ct am i dst the ho r ri d wa r Of wi nds a n d water s r agi ng —Wi th o n e hand He r u l d th e hopeless helm—the othe r s t r a in d The fr agment of a sh i ver d sai l—h i s b r ow The while bent p r ou dly on the s cowl ing s u rge — wl d wh i h he s c o aga i n The vessel stru ck c t A One man alone bes t r ode the wave and r od e The foaming co u r se r s a fe ! Twas he, the same Y o u cla s p d yo u r C ai u s i n yo u r ar ms and cr i ed L ook look my so n the br ave man ne e r despair s ; And li ves wher e cowar ds d ie I wou ld b u t make Du e p r ofit of yo u r lesson — i u a s C ai u s C o r C C Gr a ce Well I ll n ot g o ( Si ts down ) I wi ll b e ou r u l d by y If you plea s e let men say what they l i s t o f me I car e not if they whi spe r as I pas s And po in t and smile and say to one another L o the bold Tr ib u ne Gr acch u s L o the man What i s t t o me ! Di d lo r d i t o e r th e S enat e ! I know I am y ou r son and wou ld app r ove it If I m ight—b u t sin ce yo u Wil l not have it so, I ll stay fr om th e Fo r u m m other ; I ll n o t go To the F o r u m Ca r Know the pe ople you di d p r o m i se To go ? C Gr a ce A r e t hey n o t he r e wi th Fu lviu s Fla ccu s , , ’ , ’ , , , ’ ’ ’ , ’ . , ’ ’ , , ’ , , . . ’ . . . , . ’ , . , . , , , , ’ ’ , ’ ’ , . . . . , C AI U S 74 ' GR A C C H U S : I shou l d defend you r laws fr om ab r ogation And I obey yo u T i t Wo r thy C a i u s C Gr a ce S ome coldness ther e has been bet ween u s ; , . . . . but We know the cau se and so a r e fr i ends again O u r enem i es may on ce p r evai l by cu n n m g B u t not a se cond time No w show yo u r selv es The men yo u sho u ld b e —If yo u r li ber ties And r ights a re dear to y o u be fai thfu l to them — e F ear not the S enat C all u pon the tr ibes B e fr eemen— none wi ll dar e to make yo u slaves The C ons u l i s abo u t to pass F lo ccu s C ai u s P r o ceeding to the sacr ifi ce wh i ch he Has o r d e r d to give imp i o u s san cti ty To h i s des igns agai nst yo u C Gr a ce P r ay yo u now My fr i ends obser ve good o r der Le t them pass , . , . , . , . . . , ’ , . , . . , . . c n e t ( Sr l r o e i o r i s s c r o e a e s P A s e s t h t l e o s s S o w d , , [ p o f g f by O P I M I U S , a s Co nsu l, a tt e n d e d by DR USU S a n d . S e na t or s . S ee i ng Gr a cch u s , Op imi u s st op s ] What ! do yo u wai t to i nter ru pt u s her e Y o u C aiu s G r acch u s F u lvi u s and the r est Wi th yo u r lewd r abble C Gr a ce Y o u may see Op im i u s The way i s clear fo r you Op i m O ! Is i t s o ? T i s well i ndeed yo u gi ve u s leave to pass Yo u r e ve ry h u mble now good C ai u s Gr acch u s Dr u s u s Is th i s the man that tho u ght to r ide The ne cks of the S enat or s ? Thi s the lawgi ve r That p a r ce ll d o u t the lands of the P atri ci ans ? Why yes — T i s C aiu s G r acchu s ! C Gr a ce Tr u e Op imi u s Tru e —It i s C ai u s G r a cchu s Op im , . , , , . . , . . ’ , , ’ , ’ ’ , . . , , , , . TRAGE DY A ' 75 . How ! S o h u mble ? What ! Thi s the gentleman that r a il d at u s The other day with s u ch a fear less tong u e ? C a ll d u s l u x u r i o u s p r o u d Opp r essor s tyr an t s ; The common r obber s of th e state — This he ? What knave may not gr ow honest S peak yo u r soul man Tell u s you hate u s —S p u r n u s mo ck u s and Revile u s as yo u wont to do —I hate The do u ble v ill ai n — We a r e not the C onsu l These a r e not Li ct or s Gr acchu s does n o t fear To let u s know hi s tho u gh t s ? C Gr a ce I will not stay To give yo u plea of qu ar r el Know Op im i u s The man th at loves h i s co u ntr y m a y r espe ct x i t The shadow of h e r gr eatness E [ Op i m Ha —Take heed L ook to yo u r safety — O n to the sa cr i fi ce Op im . ’ , ’ , , , . , , , , . . . . . , , , . . . . . a rt h i n a d s E x eu n t i m i u s O [ p y p ’ e n du r d C o u l d C ai u s b r ook i t ? . Is thi s to be I have no blood of h is wi thi n my veins And ye t they boil M a r c Had he b u t spoke the wo r d He shou ld have been a ve n g d He r a il d a t u s —C ome Le t u s follow h im Ti t Hold fo r the common ca u se M a r c The common cau se we r e se r v d by any hu r t that We co u ld do Op im i u s He s a tyr ant ! F lo ccu s The wo r st of tyr ants Ma r c C ome let s follow h im and r i d o u r co u n tr y of a F la cons . , , . ’ ’ . . . , , ’ . ’ . . ’ . , , —How a r e we p r e p a r d fo r s u ch a th in g ? Remember too i t i s the tim e of s a cr i fi ce — r i t S e e he r e t u r ns a i s was tame to bea a c u u Fl c s C A n d chafing l ike a flood fr om i t s embankment New b u r st Tit . S t ay , ’ . , . . . , , C AI US GRA C C H U S : Re — En ter C AI US G R A CC H US C Gr a ce End u r e a life on s u ffer ance S — i i L ke th s Why yo u m u st th ink me wate r fr i ends O r someth i ng fart her sti ll r e mo v d fr om blood If ther e s s u ch pove r ty i n nat u r e that I seem to have no p r oper heat i n me B u t keep cool ve ins u nde r the fo r ce of that Whose only s ight I s e e sets yo u r 3 a bo ili ng M a r c Let s follow h i m and r id o u r co u nt r y of A tyr ant C Gr a ce ( Ru shi ng b efore th em ) No ! Ti t He r e comes h i s Li ctor w i th The entr ails . . . , , , ’ — ’ , ’ , , - . ’ . , . . . . . . En t er L i ct or L i ctor , wi th t h e e n tr a ils . Way the r e evi l citiz ens ! T i s an evil wo r d Down with h im ! . , Ma rc ’ . h lm C i t i z en s for . Down wi th h i m . h T ey [ f ‘ w h i m qfl ollo . Gr a ce Hold ! Hold ! F lo ccu s ( W h o h a s f ollowe d t he p e op le b u t wi th ou t e n d e a vou r i ng t o stop t h e m ) They have m u rd e r ed h im C Gr a ce Blood shed — Blood i s not wa shed away ex cept Wi th blood C . . , . . . . , wly e e o le Th p p ( r e t u rn slo a n d su llen l y . ) Why di d yo u thi s ? Why do yo u eve r that Y o u sho u ld not do ? Who bade y o u take my qu ar r el Into yo u r own hands ? Who ? I d i d not a sk yo u F o r help o r co u nsel —Gods if I do choose To stake my l ife may I not fix the game I t h r o w t away on — Had I not her e the tyr ant H imself w ith in ar m s r ea ch that b u t a str ide Li ke th i s had made my weapon and h i shear t , ’ ’ , , , A TR AG EDY ; A cqu ainte d ? Had I not —If I did think A gu st of spleen a fit of temper a S o u r stoma ch was a thin g to p i t ch agai nst The ca u se—had I n o t man eno u gh i n me Thou gh th r i ce the n u mbe r of h is satellites En v i r o n d h im to s mi te h i m to my foot 3 i Now look yo u fo r A n d yo u m u st smi te h i s slave That slave the stones we tr ead on shall weep blood And o u r ve ins lend the tear s F la cons Remembe r twas F o r you they di d i t C Gr a ce Me ? O I r etai n T h e memor y of all they have done fo r me — i s Obse ve the look T hey a r e d e p r e s s d c r r F lo cu s and sp ir i tless Fr om yo u r r eb u ke It i s not well to b r in g Their z eal to s u ch an ebb C Gr a ce It i s i ndeed ! h u n der ) The ti de fo r ebb ing Li sten T D o u o ( y hear ? Ti t The heavens lowe r C Gr a ce On u s Ther e i s somethin g awfu l i n thei r spee ch Mo r e than the so u nd That s ange r , , / , , — ‘ ’ , - , , , , ’ . , . . . ’ . . . . . . . . . . , ’ . En ter VETT I U S , h a Ve tt i u s st i l y . Di spe r se ! Di spe r se ! The C ons ul heavily Has ta e n h i s Li ctor s death The S enate Is convoked ( Thu n de rs lou de r S ever a l of th e p e op le . ’ ’ . . . wi th d r a w ) . Gr a ce No w i t speaks o u t T i s not for nau ght T hey keep that sti r r in g in the heavens S ome foot On haste wi th wr ath hath fr om J ove s p r esen ce now Gone for th the bear e r of a n er r a n d whose Dr ead impo r t hath se t all Olymp u s shaki ng ! C ’ . . . . ’ , , , , C AI U S ’ 78 Yo u F la cons . a re GRA CC H U S : i nfu si ng fear int o th e cr owd Thi s i s no way to r em edy th e evil Th ink what ca n best be done C Gr a ce No t hi ng i s best Wher e no thing ca n be done F lo ccu s Her e comes you r b r ot her . . . . . . . En ter L ici n L I C I N I US , . ha st ily . de cr ee has p a s s d the S enate that the C ons u l L ook to the p u bli c safety — C aiu s yo u An d Fu l vi u s Fla ccu s a r e t h e men they a im a t Y o u m u st p r ote ct yo u r selves T h u n ders st ill lou der ) ( “ F la ccu s Obse r ve the citi z ens fall o fl fr om u s As long as o u r veins C Gr a ce Why le t them go A . ’ , , . . . , . . . , Why sho u l d their 5 flow —Le t them fa l l o ff to one To none ! Their car r i on wo u ld b u t pois on Rome And b r eed a mo r tal gener al pestil en ce L et them I say — It sh a ll be wr i t in blood The man who labo u r s fo r the people s good The people shall gi ve u p to sacr ifi ce S o shall their gr oans u np i ti ed r end their b r eas t s U nheeded save of them whose ear s confess No sweeter m u s i c ! Her e even a t the foot Of my gr eat father s statu e I wi ll b r ave The tyr ant s wr ath alone a n d k n e e ls a t h i s o es a t h er t a t u e G n s h d s i i [ f g ’ , , , , ’ , , , ’ , ’ ’ , h is f a ce wi th hi s h a F la ccu s . To the n ds . What ! hold yo u r ne ck a xe En t e r P O M P O N I U S , ha st ily P om . Ar e on C aiu s , th e . the C ons u l s Li ct o r s I m watch fo r yo u ’ ’ , . a d v i s d, ’ A F la cons T RAGE DY 79 . Meet fo r ce wi th for ce . h e C i t i z e ns T ( r e t u rn i n la rg er nu mb er s . ) The people th r ong to yo u again Twas b u t The sto r m di sper sed them L i ci n Gr acch u s C aiu s C ra cch u s If you r e a man a ct l ike one Keep n o t te rms Wi th men do make the laws a plea fo r acts The laws fo r bid — The S enate i s the tr ai to r Thi nk in i t s bloody ed i ct yo u a r e led Al r eady to th e slau ghter Ca i u s t is Yo u r co u ntry calls on you P om Wi th tear s ’ . . , , . ’ . , . . , ’ - . . , . L ici n Tiber i u s call s on yo u u r hands C Gr a ce G i ve me yo I w ill Ti s done my fri ends — t i s pas t — t hu n de r ) Y ou hear ? Gr eat Jove ! O u r fates command u s F lo ccu s Mu ster fri ends Beti mes to mo r r ow on Mo u nt Aventine We ve s canty time fo r p r epar ation Night Dr aws on apa ce S ome of yo u keep a wat ch Near C a iu s s ho u se lest in the dead of night They steal u pon h im —C ai u s far e thee well We meet to mor r ow C Gr a ce I wil l meet thee Fla ccu s B u t le t not the fi r st blow be o u r s F la cons It can not They str ike al r eady that do d r aw on u s — f O Rome C Gr a ce Against myself I pledge mysel The sons do love thee mos t m u st make thee bleed . . . . . ’ ’ . , . , . , - . ’ . . ’ , , , . - , . . . , . . . . . , . . , , , G RA C C H U S : C AI US 80 S C ENE F O U RTH A . —En te r C O R N E L I A a n d LI C IN I A wi th h on e 0 c w hi c a ollowe d by LUC I U S r r i ng lig h t s y f Cou ch , r r “ , s e ts d own , . Will yo u not go to bed ? L i ci n i a Not till he come s Cor He mu st s u p o u t Well I ll sit u p fo r h i m Li cin i a Cor What wi th those eyes that look s o ill p r e p a r d To play the watcher ? L ici n i a I will r ead C o r neli a And keep myself awak e I can t lie down Go yo u to bed my mo th e r I ll n o t give yo u Cor E x cu se fo r so u n ca ll d for labo u r by — i P ar tak ng i h Good n i ght a t e i a n i i or d E x C n l u c L i ci n i a Good n ight L us [ I wi sh — He wou ld come home Why shou ld he su p ab r o a d To n ight ? M ost like i t i s my b r othe r s fau lt He never lets h im r est wi th tak ing h i m To C ar bo s hou se —o r Fla ccu s s— o r t o some I wou ld he h a d a wife h im self S u ch pl a ce To keep h im mo r e at home — C o r nel i a s r i ght ; I m half a sle e p a lr e a dy —A heavy lid Is s t r ange compan ion to an anx i o u s hea r t C ome tho u that canst di s co u r se wi tho u t a tongu e Cor . . . . . ’ . , . ’ , . — , . , ’ . , ’ . ’ - , . . . . ’ . ’ ’ . , ’ . ’ , . , 82 C AI U S GRAC C H U S : Hold thy u n cons cio u s u n o fie n di n g vi ctim Look on and s can thy plea of conj u r ation And see if i t be p r oof T ho u canst not do i t ! Al r eady i s the agu e cr eeping o e r Thy flesh at longer tr i al of the test Wo u ld shake the weapon fr om thy hand tho cle n ch d Wi th tho u sand oaths That I shou ld see h e r thu s I m u st not look on h e r agai n— n o r speak to h e r I ll call h e r mai d to watch by h e r and then I will to bed a n d sleep —o r feign to sleep G n o i [ g L ici n i a ( I n h er sle ep ) Keep h i m i n mo ther ! Let h im not go fo r th They ll ki ll my C ai u s C Gr a ce ( Re t u r n i ng ) S h e i s d r eam ing of me S ome ho r r i ble con ce i t h e r fan cy fr ames To cheat h e r wi th — Had I not bette r wake h e r F o r what — To do i n ear nest wha t I wo u ld not H e r fan c y d id wou ld do i t b u t i n jest O p r ope r kindness Wh a t s o e r it was How calm l—H e ne e r hath lo ok d on T i s gone ! — sleep That hath n o t cau ght i t light ed on the li ds Of vi r t u e —I mu st gaz e on h e r no longer [ Goi ng L ici n i a ( At first i n h er sle ep th en a wn /ri ng a n d r ush i ng f or wa r d ) O spar e h im ! S ave h im ! Gi ve hi m to h i s wi fe ! S tr ike her e S tr i ke her e ’ , , , , . ’ , ’ ’ , ’ , . , . ’ . . . . , . , ’ , ’ ’ ’ a , . , . a i u s ca tc h e s he r i n hi s C ( a r ms. ) — Twas a d r eam B u t p r ess me to th y hear t —S peak t o me C aiu s I know t is yo u — b u t p r ess me—speak t o me It was a ho r r i d d r eam ! C Gr a ce Ne er m ind i t love L ici n i a No mo r e I do Dr eams a re b u t d r eams My C ai u s ’ , ’ ’ . . , . ’ Th i s is . . T i s yo u ou r ho u se—and ’ tis ou r s itting r oom TRA GEDY A 83 . We a r e t alkin g i n ; and i t i s night — st ill n ight That never walk d h e r s ilent r o u nd methi nks Wi th softer s t ep Li st love — when we a r e still No u ght s s tir r ing —Why, how pale you look m y C aiu s ! ? C Gr a ce Do I Indeed yo u do—and when you smile, Li e i n i a Methinks you do gr ow paler —Don t s m ile C aiu s You r smile fit s n ot what i t doth cover and Is meant to hi de not show —Gods h u sband what s The mat ter ? C Gr a ce S wee t, you fr igh t e n d me j u s t now i ’ , , , . , ’ , . . . ’ , . . , ’ , . , 1 . ’ . . . L ie in ia Fr igh t e n d you ’ ce A woman s Ay ’ . . Gr a shr i ek star ts ter r or s; Wher e tru mpets mi ght r edo u ble their alarms And not one fear awake ! L i ci n ia And d id I shr i ek ? I knew not what I d id — T was s u ch a d r e a in I ll t ell i t you 10 C Gr a ce No neve r m ind L i cini a L i ci n i a Not t ell i t you Ar e yo u afr ai d to hear i t ? No Lici ni a C Gra ce Afr ai d of a shadow T wo u ld pain yo u to go ove r i t Not it ! L ieinia P ain me ? Is n o t yo u r a r m ar o u n d me C ai u s ? — i I not hea r o u talk ng to me ee o S ou D y y F eel yo u —Not want a p r oof that yo u a r e safe And well — I d r e a m d that yo u lay bleed i ng love At the C ons u l s feet stood over yo u and sm il d And str u ck ! and str u ck —Why wh at s th e matter , C ai u s That you hold you r hand to you r fo r ehead ? C Gr a ce F ool that I was To walk bar eheaded yeste r n ight in the gar den That shooti ng pai n s the p r ofit on t — Go on Go on Li cini a — Did the C ons u l u se H i s weapon l ike a sold ie r ? C . . , . ’ . ’ , . , . , . . . . , . ’ . . , ’ , ’ ’ , , ’ , , . . ’ ’ . , , . C A I US 84 GRA CC H U S : No do u bt — no do u b t ! L i cin i a W t C aiu s ? C Gr a ce It wo u ld b e A n i dle dr eam had not the th r ift t o t u r n A m a n i nto a demon Pr it hee love, Wh a t fig u r e t oo k he next ? L i ci n i a Yo u make a jest Of m e w J ll tell no mo r e o f i t — I m gl a d Y o u a r e so mer r y C . Gr a ce . . , . . , . ’ - a- . ’ . L ici n i a Ar e yo u not ? C G r a ce No t if it doe s n ot pl e ase you , love Li ci n i a Inde ed — t i t does You ll be mer ry u B e eve r me rr y B To mo rr ow I will answer fo r t ; a n d so Will I and s o will all the ho u se Now why Tell me sho u ld we be mer r y love t o mor r ow Of a ll the days in the year ? C Gr a ce Indee d Li ci n i a, I cannot tell L i ci n ia Y o u cannot tell l Y ou C aiu s ! Now tell not that to any one It i s The b ir th day of o u r boy ! Ther e wa s a tim e I fe a r d you wou ld n o t li ve t o s e e i t — Bu t That time i s past Thank Ju p it er fo r what ? — i r r i He sends to mo ow What a r e you t h nk n g of C Gr a ce O u r boy L icin i a Is that the way t o think of o u r boy ? Think o f h im with a smil e —H e i s a boy To make a father p r ou d a l thou gh it i s H i s mother says it We ll go C Gr a ce S o he i s To r es t love L ici n i a Nay I am n ot weary, C aiu s ; S it u p a wh ile and talk . . . . . ’ - ’ - , . , , , - , , . - , . . a . . — , - - ’ . . - . . . . , . . . , . - . . , . ’ , A T RA GEDY ' Gr a ce I wou ld n ot ta lk T o n ight L i ci n i a No mor e wou ld I 0 85 . . . - . . . — W e ll ’ go t o re s t . Now I h a ve n o t t old yo u h a lf C ome , C a i u s The r e a s on we s h a ll be so h a ppy, l ov e To m or r ow —C a n t you gu e ss C Gra ce Wh a t i s t Li cin i a ? Li ci n i a Wa s i t n ot o u r weddin g d a y ? It wa s 0 Gr a ce It wa s ! L ici n i a Ha ve we n ot r ea s on t o be ha ppy ? I h a ve H a ve n ot yo u ? Sh a n t we be h a ppy ? S a y we sh a ll ! C Gr a ce We sh a ll ! T o be s u r e - . , , ’ - . ’ ' , . . - . . . . ’ . ’ . S a y it C Gr a ce ou t ! To be s u r e we sh a ll ! — Why s hou ld we n o t ? Why sh ou ld we C om e to r est C om e to r e st —It gr ow s to t or t u r e ! L i ci n i a Wh a t m y C a iu s ? C Gr a ce The p a in I told you o f L ici n i a Y ou a r e n ot well ! You do n o t lo ok a s you wer e well—n or sp e a k All s wr on g if you r e n ot well 0 Gr a ce A li ttle s leep Will s e t a ll r ight L ici n i a It wi ll ! It will ! 0 Gr a ce C om e lov e ! Li ci n i a I wou ld n o t fo r the wor ld yo u shou ld be ill To— m or r ow—or a n y da y—b u t mo st of a ll To morr ow 0 Gr a ce C om e t o r e s t love ! L ici n i a Ar e you s u r e T i s n oth i n g n eed s be fe a r d ? 0 Gr a ce D on t qu esti on m e Th e sl ighte st n o i s e d is tr a ct s m e . . , . . . . . . ’ ’ . . . . . . . , . - . . . , . ’ ’ ’ . . C AI US 86 G RA C C H U S : L ici n ia Doe s i t C a iu s ? You r e ill in deed then ! you a r e ver y ill ! Wha t s h a ll be don e fo r yo u ? C Gr a ce Y o u d r i v e m e m a d ! C om e to r e s t D on t min d m e, l ove — Don t min d m e — . , ’ , . . ’ ’ . n L E x eu [ EN D O F T H E F O U RT H ACT . T R A G EDY A 87 . V A CT . S C ENE F IR S T . THE S TREE T B EF ORE CAI US S ' Cit i z e ns a sle ep in va r i ou s ’ —some ost u r e s p En t er T I T U s wa tchi ng . . Al m ost the m orn in g da wn s — Wh a t ! r ou se ye fr i en ds T i s tim e t i s t im e ! Up d r owsy com r a des u p Ti t . . ’ ’ , , , , [ Th ey r ise . GRA C C H U S f rom the hou se C Gr a ce H a —Is i t ti m e m y fr i en ds ? Ti t It i s good C a i u s ! C G r a ce Wh a t n o i s e of step s i s th a t ? T i t A b a n d of ci ti z en s C r o s s in g the e n d of the s t r eet C Gr a ce G o on befo r e m y fr i e n d s —I ll follow yo u n t T t u x i a n d z eu E s C t i i ens [ I will b u t ta ke a l a st look of the hou se To th in k of wh a t I lea ve within th a t ho u s e I left h e r sleep in g —G od s u po n the b r i n k Enter C . . . . , . . , . . . ’ . . , . . G RA C C H US : C AI U S 88 e cip i ce a n d sh e mu s t d own ! Of wh t p I ca n n ot s a ve h e n —My la st ki s s when I Di d p r in t u p on h e r cheek sh e b re a th d my n a m e, A n d a ll u n con s ci ou s a s sh e wa s wi th s u ch A pl a in tiv e ca den ce—e v en pi ty 5 s elf C o m p o s d of te a r s a n d m u r m u r s a s sh e i s In h e r mo s t m elti n g mo od, di d n ever fr a m e — n o e te de r r B u t th a t I di d tea r m y s elf M At on ce a wa y—fo r a ll th a t m a n hood b a ck d By hon ou r th a t d id n ever yet r elen t — n I m u st h a v e for gon e u d u p o m e H a d rg My p u r po s e —Tho u ght mu st l o ok a n other wa y ! Tiber i u s—I a m comin g Ar t tho u her e — — i i n f o a r m e b othe w t g Y e s r I feel My r Tho u a r t —I a m r ea dy Mighty sh a de lea d on ! a r a - , ’ , , , ’ , ’ , . ’ , , , ’ . - , , - LI C I N I A Li ci n i a C a iu s . , r ush e s ou t , O a s h e i s g oi ng o : f Ha ve I fou n d ou y . Why d o yo u qu it yo u r bed ? L ici n ia T o s e ek you C a iu s ! To b r in g yo u b a ck wi th m e ! C om e in to th e h o u se ! C Gr a ce Wh a t fea r yo u love ? L i ci n i a I kn ow n o t wh a t I fea r ; B u t well I kn ow th a t I h a v e ca u se t o fe a r You r p u ttin g off y ou r jou rn e y ye s te r da y Y ou r goin g to the F oru m a s you d id You r m a ki n g i t s o l a te e r e yo u ca m e ba ck Yo u r looks a n d a n s wer s when yo u did com e b a ck You r r i sin g n ow a t thi s u n won ted hou r A thou sa n d thou sa n d thin gs th a t I co u ld n a m e n m e r r a i n m e I the t e t o th k of th f o ew i m a d H Y o u go n o t fo r th for g oo d — i a i c i n a G L Wife c e r C C olle ct you r self a n d li s ten t o m e n ow I m u st go fo rth a n d m a y n o t be p r even ted , . , . . . , ' , , , . . , , , . 90 C AI U S I G RA C C H US : fa i th of m e n th a t h a ve n o fa ith ex ce pt When tr ia l i s n o t n e a r —Go n ot m y C a i u s My lo r d — My hu s b a n d —F a ther of m y chi ld ! G o n o t b u t hea r you r poo r distr a cted wife ! C Gr a ce Li cin i a n o w i s i t pe r ve r s e i n yo u To fa n cy d a n ge r I h a v e b u sin e s s fo r th ! Is i t a tim e to wa lk the s tr eets u n a rm d When d r u n ken r eveller s fr o m b r ea kin g u p ? Of b a n qu ets a r e a b r o a d No m o r e of thi s In i n m y love — Be s u r e I ll m a ke a ll h a s te Thy th in r obe su its n o t s weet the m or n i n g a i r t m T e r u In m y Li ci n i a i n ! the r e s n ou ght to fe a r ! [ p L ici n i a Wha t s th a t Tr u mp et ) Aga in ! Spea k s n o t tha t s u mmo n e r To thee ? C Gr a ce Dea r wi fe L i ci n i a C om e i n to the ho u s e C om e i n If I m thy wi fe who s e in ter est in thee Sh a ll pu s h by m in e — Whose cl a im to hold thy pledge C a lls o n thee wi th a r i ght ca n sh u t o u t m in e Tho u s ha lt n o t go n T r u t e [ w C Gr a ce Li cin i a ! L ici n ia Na y thou sh a lt n o t ! C Gr a ce Le t go m y r obe In e i n ia I wi ll n o t let it go Y o u h u r t m e C a i u s l—Kn ow you , yo u do h u r t m e ? F o r J u n o s sa ke de a r h u sb a n d Ca iu s — O! Y o u gr i pe m y w r i st till I a m s i ck wi th the p a in If a n y on e h a d sa i d i t ! Do b u t on e thin g An d I will let thee go ? C Gra ce Wh a t is it L i ci n i a Kill m e Th e , . , , . . , . ’ ’ . . , , ’ . , , ’ . . . . . ’ , . . . , . . ' . , ’ - , . . . . L i ci n i a A h ! ( Ne a r ly f a i n ts i n h is a r ms ) C Gr a ce Go ds ! I h a v e kill d thee ! L ici n ia No . . ’ . . . TRA GEDY A 9 1 . h a v e, t i s wi th a su dden d r a u ght Of too sweet l ife ! —Ble s s thee m y C a i u s—bless thee ! you ll s ta y wi th m e —you ll com e Y o u wi ll n o t go wi t h m e C ome i n ! C ome in ! C om e In You ll li v e fo r m e ’ O r if you , ’ - ’ ’ - Ent er L I CI N I U S . L ici n Wh a t ke e p s you C a i u s ? C Gr a ce ( Asi de t o hi m ) Ta ke h e r fr om a bo u t My n e ck L ici n ia I hea r you C a i u s — Ther e —Myself Will do th a t kin dn e s s fo r thee Tho u a r t fr ee To g o — S ta y h u sb a n d —Gi ve m e fr om a bo u t Thy n eck tha t colla r whi ch th ou we a r s t to keep i t As thy l a s t gift C Gra ce He r e my Li ci ni a L i ci n ia Wh a t ! No thi n g a b ou t m e I ca n give th e e i n Ex ch a n ge for t —O I h a ve a token yet Th a t h a th the vir tu e of a n a mu l et To hi m beli ev e s in t —O n e thi n g I do kn ow S teel a t i t s s ight h a th a ll a s h a rm les s t u rn d A s po in t of down th a t ca n n ot s ta n d a ga in s t The ten de r es t b r ea th S wea r o n ly tho u Wilt s ta y Un til I fet ch i t E x i t i c a L i n i C Gr a ce B r in g i t l ov e ! h urr i e dly [ L i ci n No w C a i u s Now i s yo u r ti m e Wa i t n o t ti ll sh e r etu rn s C Gra ce I ve p r o m i s d h e r L ici n An d if yo u p r o m i s d h e r To plu ck a n eye o u t wou ld you th in k it ki n der To do t th a n le a ve t u n don e ? Awa y a t o n ce ! The ca u s e — the ca u s e ! . , . . . . , . . , , . ’ , , . . . , . . ’ , ’ . , , ’ , , , , . , . , . . . , . , . ’ ’ . . . ’ . , ’ ’ , L ici n i a , . L I C I N I A r u sh es ou t wi th Thy boy m y C a iu s ! , h er Ch ild . G R A CC H US : C A I US 92 C . Gr a ce H a . L ici n i a Na y, i f tho u loo k . ’ st th a t wa y u p on thy ch ild , s a ti sfied ther e i s n o hope fo r m e C Gr a ce Why wa s th i s ki n d ? L i ci n i a I do n o t kn ow th a t wo r d It s ta n ds for n oth in g— wo r se T i s fo u n d the th in g It s a y s i t i s n o t Hu sb a n d s a r e ca ll d ki n d Tha t b r e a k the fooli sh he a r ts a r e kn i t to them A n d fa the r s k in d who the i r o wn ch il dr e n do Ma ke or ph a n s o f— a n d b r othe r s kin d who pl a y T h e p a r ts of bloodless str a n ge r s — a n d fr i en ds too Whose a cti on s fin d them foes M o r e ki n d a r e foes Th a t a r e n ot kin d, b u t do n o t s a y they a r e C Gr a ce T a ke the ch i ld wi fe L ici n i a I will C Gr a ce Why dost tho u k n eel ? L i ci n i a To beg a ble s s in g fo r h im of the gods S in ce tho u do s t t u r n h im fr om the e a skin g i t Of thee C G r a ce The gods be m o r e to h im Li cin i a Tha n tho u wo u ld s t h a ve m e be Li cin i a — H a Th a t look L i ci n C om e C om e C Gr a ce S he r i vets m e L i ci n Do yo u he a r ? — r m e a a G Te w y r a c e a Mo r e ble ssin gs lig ht C Im ’ . . , . . ’ ’ . , , , , , . . . . , . . . . . , , . . . , , . . . . . . . . y on ou e the th in gs I d bles s [Ea e u n t C Gr a cch us a n d Li ci n i u s Th a n I feel p a n gs who ’ cu r s . A la r m — Ent er con t i n u e s. lowe d by Cor . Wh t s th s U n ti l I . la y LU C I LL A a nd LU C I U s i ? Li cin i a ! T a ke the ch ild fr o m m e m e down a n d d ie a Li ci n i a C O RN EL I A f r om t he h ou se , ’ . , . f ol . A Cor TRA G EDY 93 . A n d di e . da u ghter ! L i ci n i a R a ther thou fa l l d own Al o n g wi th m e a n d p r a y the god s they s en d A th u n de r bolt to str i ke u s both togethe r ; F o r both a l r e a dy th ey h a ve s m i tten s o T o sp a r e s the co u n t e r t i d e of m e r cy Cor R i se We m a y n o t tem pt the god s — C om e i n to the ho u s e An d show thy te a r s to i t — twil l n o t tell of thee Th i s i s the com m on str eet a n d thou b u t le n d st T h e essen ce of thy gr i ef to vilest ton g u es Will m a ke a j est a n d m a r vel o n t C om e i n L i ci n i a Y o u co u n sel m e a n d do n o t kn ow the ca u se Wher eon yo u cou n sel m e Cor My s on i s de a d ? L i ci n i a No No Yet Why wou l dst thou s a y he li ves Cor Yet — A n d b u t th a t l i ttle wo r d twi x t h i m a n d de a th ? He i s the s a m e a s de a d then th in k h im dea d A s I do L i ci n ia A n d a r t tho u a m other ? Ris e , ri se , my . , , ’ . , ’ . ’ , ’ . . . , . . . , ’ , . . The m other of the vi r tu e of m y child The fa shi on of h i s body n a tu r e fix d I h a d n o choi ce in t — wa s n o t a sk d how high The sta tu r e o u t shou ld gr ow — ga ve n o t m y voi ce As to the sh a pe of li m b o r l in e a m en t N o r p i ck d the sh a de a n d tex t u r e of the sk in B u t of hi s wo r th the m odellin g wa s m i n e S a y th a t i s de a d a n d yo u m a y s a y I m de a d L i ci n i a I ca n n ot a n swer th i s —I ca n b u t m a r vel The weight bows m e to e a r th sho u ld s eem so light ’ . ’ ’ ’ . , ’ , . , T o yo u L ivi a . . C o r n el ia C AI U S GR A C C H U S : 94 “ L i vi a Th o s e fe a r fu l n oise s Li ste n — Yo u W1 11 h ea r The r u sh o f feet o n e ver y si de I ve p a ss d S u ch gr ou p s of a n gr y lo oki ng m e n —s om e p a le S om e flu sh d—s ome mu te, a n d other s mu tte r in g T o o n e a n ot h e r—hu rryin g a ll on e wa y As a ll on on e m om en t ou s obj e ct ben t I ca m e to thee tha t we m ight s eek s om e s a n ctu a r y, Fo r ho u s e s a r e n ot s a fe in ti m e s li ke the s e ! Cor T h e Temple of D i a n a i s a t h a n d We will g o thi ther S ee m y Livia Ta ke hold of h e r, How lo st Li cin i a i s An d l e a d th e wa y Nobly, ye gods O n obly - . ’ ’ . ’ , . , . . . , , , . n E r eu t [ S C EN E S EC OND Corn e lia la st . . M O U N T A VE N T I N E . a r me d Gr oup s of C i t i z en s —En ter C A I U S F U LVI U s FLA C C U S, a nd VETTI U s G RA C C H U S —Di sta nt . , F lou r i sh — — Y o u s e G Th e ir v e ry tr u m a c e s e e l o u e I r Y C pets sha ke Yo u r r a n k s H ow will they sta n d th e b l ows of th o s e Who s e on ly b r e a th ca n s ta gger — Wh a t ! No m e a n s ? F la ccu s Twi ce h a v e we o ffe re d ter m s o f p e a ce, whi ch they Ha v e twi ce r e fu s d—a n d in to p ri son ca s t O u r he ra ld my o wn s on ; a n d n ot con te n t . . . . ’ , . A T R AGEDY With thi 95 . they h a v e p r ocla im d fo r a r ewa r d To h im who b r in gs yo u r he a d i t s we ight i n gol d C Gr a ce Then sh a ll the y h a ve i t a t a de a r e r p ri ce Th e s a fety o f my fr i en ds ’ s, . , . . , . En ter P O M P O N I U S . Why s ta n d you he r e ? Adva n ce A r u m o u r sp r e a d s a m on g o u r r a n ks Th a t p a r d on i s p r o cl a i m d to tho s e who qu i t u s ; An d m a n y fr i en d s fa ll o ff ! C Gr a ce It s h a ll b e so C a ll b a ck the r u n a wa ys a n d let th e m sa v e The hon ou r o f thei r m a n hood ! H u sb a n ds dr iv e ou t You r s a d for ebodin g thou ghts ; y ou r wi ve s sh a ll hea r — n i u n r s You r feet t o ght po the th e hold s on s C he ck n o t y ou r p i o u s tea r s b u t l e t them flo w F o r joy ; yo u r m o ther s h a v e n ot lo st thei r p r op s C ow a r d s r el a x n ot yo u r str a in d sin ews yet u bted— b r a ve he a r t s r ein you r co u ra ge Bu t li ve r edo To gi ve i t co u r s e u pon a fa i r er field C a i u s a l on e sh a ll bleed Ve tt i u s Wh a t m e a n yo u , C a iu s C Gr a ce T o yi e ld m y s elf in to th e C o ns u l s ha n ds An d sa v e thes e vein s th e i r st or es Ve tt i u s N o by t h e g o d s Y ou sh a ll n ot d o i t ! C Gr a ce Not ! W hy s ho u l d I li ve At s u ch a p ri ce a s h a lf the se l iv e s whi ch I C a n s in gly dyin g sa v e —I ca n n ot li v e To giv e m y cou n try fr e e d om ; le t me die To s a v e h e r b l ood P om . - , ’ . . , , - , , ’ , , , . ’ . . , . . , . , , , Enter L I CI N I U S L ici n Wh er e a r e yo u r swor d s m y fr i en ds ? Do they be com e their s ca bb a r d s or y o u r h a n d s When tyr a n n y s s o n e a r — U n sh e a th I s a y . . , , ’ , , C A I US 96 G RA C C H US : show their hon est fa ce s to o u r foes A n d m a ke the k n a ve s to blu sh C Gr a ce D r a w o ff o u r fr i en d s I ll m eet them s in gly L i ci n Never We ll li ve o r d ie together — O r ta ke you r cou r s e Yi eld you r self to the tyr a n t if you will ; My swo r d i s o u t a n d sh a ll n o t qu i t m y gr a sp S o lon g a s i t ca n str ike a l in k a wa y F r o m the vil e ch a in s th a t ga ll u s —Le a ve u s C a iu s Deser t u s—fly u s— ca r r y wi th thee h a lf O u r str e n gth wi th the r em a in i n g h a lf we ll s t ru ggle N or v ilely l i v e the th r a lls of tyr a n n y C Gr a ce 0 Rom e m y co u n tr y — 0 m y m oth e r Rom e I s i t to shed thy blood I d r a w m y swo r d ? T o fill thy m a tr o n s a n d thy d a u ghte r s eyes Wi th te a r s a n d d r a in the sp ir its of thy son s ? S hou ld I n o t r a ther tu rn i t ga in st m yself; A n d by the tim ely s a cr i fi ce of o n e They wi ll n o t let m e do i t ; P r ese r ve the m a n y They ta ke fr om m e th e r u le of m in e o wn a cts Wh a t Is i t s o ? A n d m a ke m e fr eedom s sl a ve C om e then the o n ly vi r tu e th a t i s left m e The fa ta l vi r tu e of n e cess ity Upo n them G i ve them s to u t he a r ts ye god s to en a ble them To sta n d the fla shi n g of their tyr a n ts swo r ds ; De a f to the d in of b a ttle let them be ; S en sele s s to wo u n d s a n d wi tho u t eyes fo r blood ; Th a t fo r thi s o n ce they m a y bel i e them selves Ma ke ty r a n n y to cower a n d fr om h e r yoke Lift p r ostr a te libe r ty to fa l l n o m or e An d , . . . . ’ . ’ , , , . ’ , , . . , ’ ’ , ’ , - . , ’ , . , . , , ’ , , , , , a E [ e u na , C A I US 98 To hon est 0 ma n m en ma P r ofa n e n ! . G R A C C H US : —Then wi ll he o ffer s a cr i fi ce ! m a n —m o s t s a cr i legi o u s a n d ! th a t wi th thy l ip s do s t l a u d the god Whose o r d in a n ce thou t e a r e st with thy h a n ds The p a th to whom thou h a st with per il s o Beset th a t he who seeks m a y fin d it o u t By good m en s gr a ve s a t m a n y a spot Wher eon They d id u n ti m ely fa ll —Why cl a sp yo u m e My L i vi a ? L i vi a Do yo u he a r the cl a sh of swo r ds In d e e d l do n o t ! Ti s yo u r fa n cy Livi a C or L i vi a Na y t i s yo u r ta lkin g of m e n s gr a v es C or Men s g r a ves — wher eo n we la y them — n o t A r e b u t m en s beds F o r o n e h a r d d a y of to i l to follow on An othe r ! Th a n kles s l a bo u r Livi a — Swe a t To h im expen d s i t p r o fitle s s— th a t goe s To n o u r i sh other s a n d they ta k e a s tho u gh The u s in g we r e a boon —How fa r es i t wi th Li cin ia ? L i vi a All a b str a cted a s sh e wer e I ca n d r a w A l ive to n ou ght wi tho u t h e r — No wor d n o r s ign fr o m h e r The r e kn eels sh e to The sta tu e of the g odde ss m u te a s s ilen ce A n d i n s o fi x ed s t ill n e s s yo u m ight a s k Wh i ch is the m a r ble ? — n ! m e i the e Let h o u t W a r o ld e r t i W i S ) ( y Cor Don t sh u t the ga tes b u t let h i m i n Li vi a Who i s it ? Cor On e i s wou n ded fr o m the fr a y ; S u r e s ign i t h a s co m m e n cd shou lder i a L n i a d r o a on L i v s u i c i h e r h e d s [ p p I fea r fo r Lu ci u s 5 H e h a s go n e n e a r i t A n d tho u h a st a s o n Li vi a - , ’ , , . . ’ ' . . , ’ . ’ , . ’ . ’ , , , , , . . . , , , , . ’ , . . . . ’ ’ . - . Is i n i t ! . A T R A G EDY 99 . I fea r n o t wh a t I d o kn ow How m u ch s o e e r I feel it —Livia ! Livia ! I m a m othe r tho u gh I d o n o t w a il To let yo u kn ow i t ( En te r L u ci u s ) Now S ir ! whe r e h a ve yo u bee n ? F in ely yo u ve m a r k d m y o r der s Tell m e wh a t Yo u ve seen a n d hea r d ? Lu ci u s The b a ttle i s begu n C or I kn ow i t a l r e a dy C a n yo u tell wh i ch s ide Is like to wi n ? Lu ciu s The citiz en s they s a y Give gr o u n d L i vi a They d o Cor I co u ld h a ve t old i t yo u Wi thou t the a i d of a u gu ry —How le a r n d Y o u thi s ? L u ci u s Fr om s om e did ca r r y to h i s ho u s e The you n g Va ler i u s w o u n ded m o r ta lly H im they d o ca ll the com eli est yo u th i n Rom e Cor Th a t s r ight —Y o u spea k n o t o u t of b r e a th a s tho u gh The hou se wer e on fir e Va ler i u s s a y yo u ? Lu ci u s Yes I d id n o t kn ow h im when I sa w h i m s o H i s fa ce wa s g a sh d L i via Oh Cor He a r you s i r ? Now kn ow Yo u r s elf a m a n Y ou h a ve been n e a r e r to The fr a y th a n yo u li ke to tell Yo u r e a fin e boy Wh a t r u sh of feet i s th a t ? G o s e e d n u a l E x i t L u c i n r e t r t s e u r n s s e [ p y L u ci us T h e cit iz en s Fly eve r y wa y—a n d fr om the wi n dows a n d The ho u ses top the wom en look a n d wr i n g Thei r h a n ds ; a n d wa il—a n d cl a m o u r —Listen yo u Will he a r them Cor . , ’ . ’ , . , . ’ ’ ’ . . p . . , , . . . ’ . , . ’ . , . . , . , ’ . . . , ’ . - . , . . ’ , , . . 1 00 C A I US he a r them wi tho u t e a r s Sh u t to the ga tes [Exit Lu ci u s C Gr a ce a r tin L i ci n i a t up ) i s C a iu s S T g ( C Gr a ce ( S t i ll wi th ou t ) T h a n kles s he a r t s ! Not o n e p r esen ts h im self to a i d m y swo r d ; O r le n d a ch a r ge r to a ss i st m y flight ; B u t a s I we r e a r a ce r i n the ga m es I They cr y m a ke h a ste a n d sho u t a s I p a ss b y M a y they r e m a i n the a bje ct th in gs they a r e Beggi n g their d a i ly p i tta n ce fr om the h a n ds Of tyr a n t lor ds th a t s p u rn them — Ma y they cr a wl Eve r i n bo n d a ge a n d i n m i ser y A n d n eve r k n ow the blessed r ights of fr eem en r n t e s E [ Her e wi ll I pe r i sh L ici n ia ( Ru sh i ng up t o h i m ) C a i u s C Gr a ce My Li ci n i a My m othe r too L ici n i a Why sho u ld yo u pe r i sh — Fly F ly — A steed A n d s a ve yo u r l i fe m y C a i u s Ther e a r e a h u n d r ed wa ys to s a ve A steed ! Yo u r life ; t a ke o n e of them m y C a i u s C or If The r e s a n y hope m y s o n C Gr a ce My ch i ld too Ti t ( En t e r i ng ) C a i u s ! P o m p o n iu s a n d C a i u s r em a i n n o t he r e Li ci n iu s str ivi n g to keep b a ck the C on s u l A n d give y o u ti m e fo r flight h a ve fa lle n be n e a th H i s hi r elin gs blow s — T hey ha ve the s ce n t of yo u A n othe r m o m e n t s p a u se a n d yo u a r e lost Cor Ma ke the a ttem p t m y s o n ! Cor . I G R A C C H US : ca . n . . . ’ . . . . . , , , , , . , . . . . , . , . . , . ’ . , . . . , , , , ’ . ’ . , . L i ci n i a L u ci u s Too l a te . . F ly — Fly n te r i n E ( g . is . Em b r a e The g od s do b a r e Cor It ) , c m e, no —O C a iu s my son , swo r d ga in s t vir tu e ! ’ . J US T P U B LI S H ED , B Y T H E S A ME A U T H O R . —VIRGINIUS I . a , Tr a ge dy S ixth Editi on . O cta . ve . Price II - . T H E ELO C U TI O NI S T, a C olle cti on of Pieces in Pros e a n d Ver se p ecu lia rly a da pted t o d ispla y t h e A rt of Rea d in g i n t h e m ost com pr ehen sive sen se of t h e te rm ; i n clu d i n g a m on g other o igi n a l m a tte r A DEB A T E com p osed , , r , , , expr essly for t h e pu rp ose of exer ci sin g th e You n g Stu den t i n u rel n tr o a r g u m en ta tive de c l a m a ti on ; a n d re ce de d b I a n p y p y i n whi c r Wa lker s h a n a ttem t i s m a de t o s im li f u ct i on M p p y p Syste m a n d by r e fe n i n g h is Illu str a ti on s t o m or e ge n era l Pr in ciples t o r e du ce t h e n u m b er of hi s ru les Thi r d Editi on ’ : . , , , . , 1 2m o . Pl i ce , b ou n d , P in ted for Rei d r , 8: H en ders on , Gla s gow .
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