Macbeth Annotated Act 3 (3.1, 3.2 and 3.4) Act 3 Scene 1 MACBETH To make them kings, the seed of Banquo kings! Rather than so, come fate into the list. And champion me to the utterance! Who’s there! [Re-enter Attendant, with two Murderers] Now go to the door, and stay there till we call. [Exit Attendant] Was it not yesterday we spoke together? Macbeth reveals his true thoughts here about Banquo: he cannot bear the idea that one day Banquo’s children will become kings. Shakespeare makes it clear that Macbeth has already spoken to the murderer. He has already plotted Banquo’s murder. First Murderer It was, so please your highness. MACBETH Well then, now Why is Macbeth trying to justify his actions to a murderer? Have you consider’d of my speeches? Know Macbeth is trying to convince the murderer that That it was he in the times past which held you Banquo has a history of oppressing people So under fortune, which you thought had been lower down the social scale. Our innocent self: this I made good to you In our last conference, pass’d in probation with you, How you were borne in hand, how cross’d, the instruments, Who wrought with them, and all things else that might To half a soul and to a notion crazed Say ‘Thus did Banquo.’ First Murderer You made it known to us. MACBETH I did so, and went further, which is now Our point of second meeting. Do you find Your patience so predominant in your nature That you can let this go? Are you so gospell’d To pray for this good man and for his issue, Whose heavy hand hath bow’d you to the grave And beggar’d yours for ever? First Murderer We are men, my liege. What does the murderer’s reply suggest? We are just following orders? We’re not interested in reasoning? You are insulting us? MACBETH Ay, in the catalogue ye go for men; As hounds and greyhounds, mongrels, spaniels, curs, Shoughs, water-rugs and demi-wolves, are clept All by the name of dogs: the valued file Distinguishes the swift, the slow, the subtle, The housekeeper, the hunter, every one According to the gift which bounteous nature Hath in him closed; whereby he does receive Particular addition. from the bill That writes them all alike: and so of men. © 2005 www.teachit.co.uk Is Shakespeare suggesting that it will take two meetings to convince the murderers that Banquo deserves to die? Is Shakespeare doing this to show that the murderers are hesitant about murdering Banquo, perhaps because they might view Banquo as a good man who does not deserve to die? Which words does Macbeth use to stress the crushing effect Banquo is having? Macbeth compares them to different kinds of dogs. They are unthinkingly obedient according to Macbeth. How should a king treat his subjects? Page 1 of 12 3863.doc Macbeth Annotated Act 3 (3.1, 3.2 and 3.4) Now, if you have a station in the file, Not i’ the worst rank of manhood, say ’t; And I will put that business in your bosoms, Whose execution takes your enemy off, Grapples you to the heart and love of us, Who wear our health but sickly in his life, Which in his death were perfect. ‘If you are not oppressed and as low down the social scale as you can get, then you need to do something’. What is Macbeth trying to do? He again is linking their suffering as the dregs of society with Banquo. He is saying that Banquo is the cause of their suffering. Killing Banquo will cause that suffering to end. Macbeth seems to be talking more about himself here and even hints that Banquo’s death will not only gain them favour and reward in the eyes of the King but will also improve the King’s mental health. Second Murderer I am one, my liege, Whom the vile blows and buffets of the world Have so incensed that I am reckless what I do to spite the world. Both murderers state that they do not care whether they live or die anyway, so taking a risk is not going to bother them. The second murderer sounds as if he wants to get revenge on the world because the world has made him suffer. First Murderer And I another So weary with disasters, tugg’d with fortune, That I would set my lie on any chance, To mend it, or be rid on’t. MACBETH Both of you Know Banquo was your enemy. Macbeth is merely putting words in their mouths. Of course they are going to agree because he is the King! Macbeth is a tyrant who rules by force. Both Murderers True, my lord. Actually they aren’t murderers – they are desperate farmers. Because they are not real murderers they botch the murder of Fleance. MACBETH So is he mine; and in such bloody distance, That every minute of his being thrusts Against my near’st of life: and though I could With barefaced power sweep him from my sight And bid my will avouch it, yet I must not, For certain friends that are both his and mine, Whose loves I may not drop, but wail his fall Who I myself struck down; and thence it is, That I to your assistance do make love, Masking the business from the common eye For sundry weighty reasons. The audience would realise Macbeth’s sheer hypocrisy instantly: he is just trying to justify a premeditated and cold-blooded murder. Even worse, he is trying to justify the murder of a close friend. Macbeth states that he could, in public, order Banquo’s execution but will not do so because he knows that deep down, there would be a public outcry. Why? It must be because Banquo is a popular public figure who is well-liked. Second Murderer We shall, my lord, Perform what you command us. They will just do as they are told. They are desperate and dare not disobey Macbeth. © 2005 www.teachit.co.uk Page 2 of 12 3863.doc Macbeth Annotated Act 3 (3.1, 3.2 and 3.4) First Murderer Though our lives — Macbeth interrupts the first murderer just as he is about to say that he is willing to risk his life to commit this murder. What does this show about Macbeth? Does he care for their lives? Is he the kind of man who listens to others any more? MACBETH Your spirits shine through you. Within this hour at most I will advise you where to plant yourselves; I will tell you where to position yourselves. You Acquaint you with the perfect spy o’ the time, must murder him well away from the Palace. The moment on’t; for’t must be done to-night, What does this information tell you about And something from the palace; always thought Macbeth? His increasing feat of being found That I require a clearness: and with him — out? Note that Macbeth is also willing to murder To leave no rubs nor botches in the work — children. Fleance his son, that keeps him company, Whose absence is no less material to me Than is his father’s, must embrace the fate Of that dark hour. Resolve yourselves apart: I’ll come to you anon. Both Murderers We are resolved, my lord. MACBETH I’ll call upon you straight: abide within. [Exeunt Murderers] It is concluded. Banquo, thy soul’s flight, If it find heaven, must find it out to-night. [Exit] © 2005 www.teachit.co.uk Macbeth is acting independently from his wife. He is gradually learning to become a true tyrant. Also, it shows that he is becoming increasingly isolated from those he once trusted. Page 3 of 12 3863.doc Macbeth Annotated Act 3 (3.1, 3.2 and 3.4) Act 3 Scene 2 [The palace.] [Enter LADY MACBETH and a Servant] LADY MACBETH Is Banquo gone from court? Servant Ay, madam, but returns again to-night. LADY MACBETH Say to the king, I would attend his leisure For a few words. The fact that Lady Macbeth has to almost ask for permission to see her own husband, is a good indicator of the growing split in their relationship. Servant Madam, I will. [Exit] In this brief soliloquy, Lady Macbeth perhaps realises the futility of their new position of power. Has power brought them happiness? No. She believes that they (her and Macbeth) would be better off dead and therefore at peace, than living a life where they are always looking over their shoulders in uncertainty and paranoia. This is the private side to Lady Macbeth: a woman gradually sinking into depression and mental illness. LADY MACBETH Nought’s had, all’s spent, Where our desire is got without content: ’Tis safer to be that which we destroy Than by destruction dwell in doubtful joy. [Enter MACBETH] How now, my lord! why do you keep alone, Of sorriest fancies your companions making, Using those thoughts which should indeed have died With them they think on? Things without all remedy Should be without regard: what’s done is done. MACBETH We have scotch’d the snake, not kill’d it: She’ll close and be herself, whilst our poor malice Remains in danger of her former tooth. But let the frame of things disjoint, both the worlds suffer, Ere we will eat our meal in fear and sleep In the affliction of these terrible dreams That shake us nightly: better be with the dead, Whom we, to gain our peace, have sent to peace, Than on the torture of the mind to lie In restless ecstasy. Duncan is in his grave; After life’s fitful fever he sleeps well; Treason has done his worst: nor steel, nor poison, Malice domestic, foreign levy, nothing, Can touch him further. © 2005 www.teachit.co.uk Publicly, she is putting on a brave face and telling her husband not to worry about things that cannot be fixed. The irony is that the audience has just heard her expressing her own doubts and worries about things that cannot be fixed. Previously she has sounded almost suicidal in a private moment. Now she is urging her husband not to worry! At least Macbeth is being open about how he feels when with his wife, even though he is hiding the murder plot from her. The snake represents Macbeth’s own unsettled, paranoid and tortured mind. The biblical allusion to Satan is clear here, although Macbeth ironically does not realise that he is the snake (evil) and that the only way he will find true peace, will be to die. More simply, the snake represents the next threat to Macbeth’s position: Banquo and Fleance. The irony Macbeth recognises in this speech is that Duncan is truly at peace and happy because he is sleeping (for eternity), whereas Macbeth’s guilty conscience means that he suffers nightmares every time he tries to sleep. Macbeth is suffering in both worlds: the day time world where he is constantly paranoid about the next threat to his position and in the night time world where he can get no rest. Page 4 of 12 3863.doc Macbeth Annotated Act 3 (3.1, 3.2 and 3.4) LADY MACBETH Come on; Gentle my lord, sleek o’er your rugged looks; Be bright and jovial among your guests to-night. Secretly Lady Macbeth is feeling the strain of trying to act cheerfully. Theme: appearance and reality. She appears to be in control of her self in public but mentally she is under enormous strain. MACBETH So shall I, love; and so, I pray, be you: Let your remembrance apply to Banquo; Present him eminence, both with eye and tongue: Unsafe the while, that we Must lave our honours in these flattering streams, And make our faces vizards to our hearts, Disguising what they are. The first major hint to his wife of the plot to murder Banquo. Macbeth points out the hypocrisy of putting on a mask of happiness and loyalty in public to disguise the real truth: that they are murdering, scheming tyrants. LADY MACBETH You must leave this. MACBETH O, full of scorpions is my mind, dear wife! Thou know’st that Banquo, and his Fleance, lives. LADY MACBETH But in them nature’s copy’s not eterne. This means that they will not live forever. MACBETH There’s comfort yet; they are assailable; Then be thou jocund: ere the bat hath flown His cloister’d flight, ere to black Hecate’s summons The shard-borne beetle with his drowsy hums Hath rung night’s yawning peal, there shall be done A deed of dreadful note. LADY MACBETH What’s to be done? MACBETH Be innocent of the knowledge, dearest chuck, Till thou applaud the deed. Come, seeling night, Scarf up the tender eye of pitiful day; And with thy bloody and invisible hand Cancel and tear to pieces that great bond Which keeps me pale! Light thickens; and the crow Makes wing to the rooky wood: Good things of day begin to droop and drowse; While night’s black agents to their preys do rouse. Thou marvell’st at my words: but hold thee still; Things bad begun make strong themselves by ill. So, prithee, go with me. [Exeunt] © 2005 www.teachit.co.uk Figurative language: Macbeth is saying that the thought of Banquo and Fleance is poisoning his mind/mentally torturing. Macbeth perhaps takes a little comfort from the fact that Banquo and Fleance are mortal and can be killed. Macbeth is about to tell his wife about the murder plot and then stops himself. Why? The alliterative ‘d’ sounds have a sombre stopping effect to emphasise the ominous finality of Macbeth’s words. Macbeth does not tell his wife the truth. He is now keen for the night to come because he knows that it will bring about Banquo’s death. Night is given human qualities (personification) and Macbeth asks for the night to give him courage. He is perhaps drawing an analogy between the crows flying to the wood and the murderers heading there to take up their positions for the ambush of Banquo and Fleance. Supernatural theme: ‘…night’s black agents.’ Macbeth ends by stating that committing evil will make him stronger. Notice also that he tells his wife to go with him. The balance in their relationship has shifted: he is now in charge. Page 5 of 12 3863.doc Macbeth Annotated Act 3 (3.1, 3.2 and 3.4) Act 3 Scene 4 [The same. Hall in the palace.] [A banquet prepared. Enter MACBETH, LADY MACBETH, ROSS, LENNOX, Lords, and Attendants] MACBETH You know your own degrees; sit down: at first And last the hearty welcome. Lords Thanks to your majesty. MACBETH Ourself will mingle with society, And play the humble host. Our hostess keeps her state, but in best time We will require her welcome. This scene is a complete contrast to the end of 3.2. This is the public face of Macbeth and Lady Macbeth, hiding their deceit and hypocrisy with a public show of dignity, loyalty and friendly rule. Macbeth is keen to show that he is willing to ‘mingle’ and be ‘humble’, to prove he is normal and approachable, rather than as a cold, aloof figure of authority. Macbeth cannot sit still because he is waiting for the murderers to make their secret entrance. This is why he asks his wife to make a toast because he has just seen one of the murderers appear at the door. Macbeth is therefore using his wife as a convenient distraction. LADY MACBETH Pronounce it for me, sir, to all our friends; For my heart speaks they are welcome. [First Murderer appears at the door] MACBETH See, they encounter thee with their hearts’ thanks. The toast is made. Macbeth uses this as a distraction to head towards the door. Both sides are even: here I’ll sit i’ the midst: Be large in mirth; anon we’ll drink a measure The table round. [Approaching the door] There’s blood on thy face. The tone becomes more urgent: you’ve got blood on your face. Wipe it off before somebody sees you. First Murderer ’Tis Banquo’s then. MACBETH ’Tis better thee without than he within. Is he dispatch’d? It’s better that his blood is outside you than inside him. First Murderer My lord, his throat is cut; that I did for him. MACBETH Thou art the best o’ the cut-throats: yet he’s good That did the like for Fleance: if thou didst it, Thou art the nonpareil. If Fleance is dead and you did it, you are a murderer that nobody can compare with, because you are the best. First Murderer Most royal sir, Fleance is ’scaped. © 2005 www.teachit.co.uk Page 6 of 12 3863.doc Macbeth Annotated Act 3 (3.1, 3.2 and 3.4) MACBETH Then comes my fit again: I had else been perfect, Whole as the marble, founded as the rock, As broad and general as the casing air: But now I am cabin’d, cribb’d, confined, bound in To saucy doubts and fears. But Banquo’s safe? First Murderer Ay, my good lord: safe in a ditch he bides, With twenty trenched gashes on his head; The least a death to nature. Two similes are used by Macbeth to compare his state of mind (providing that Banquo and Fleance are both dead). Macbeth now ends up feeling trapped by fear (of losing his throne) and paranoid again. Banquo’s murder is reiterated to emphasise to the audience that he is truly dead: this is a dramatic device to make his appearance as a ghost later in the scene more shocking to the audience. The word ‘safe’ is used ironically. MACBETH Thanks for that: There the grown serpent lies; the worm that’s fled Hath nature that in time will venom breed, No teeth for the present. Get thee gone: to-morrow We’ll hear, ourselves, again. [Exit Murderer] LADY MACBETH My royal lord, You do not give the cheer: the feast is sold That is not often vouch’d, while ’tis a-making, ’Tis given with welcome: to feed were best at home; From thence the sauce to meat is ceremony; Meeting were bare without it. The guests are waiting for Macbeth to make the toast. This is the first hint to the guests that Macbeth seems a little distracted. Lady Macbeth manages to take control of the situation, even though we know that mentally she is struggling to remain in control herself. MACBETH Sweet remembrancer! Now, good digestion wait on appetite, And health on both! Macbeth makes the toast, giving his guests permission to begin the feast. At this point, the ghost has entered and sits where Macbeth is about to sit. LENNOX May’t please your highness sit. [The GHOST OF BANQUO enters, and sits in MACBETH’s place] MACBETH Here had we now our country’s honour roof’d, Were the graced person of our Banquo present; Who may I rather challenge for unkindness Than pity for mischance! ROSS His absence, sir, Lays blame upon his promise. Please’t your highness To grace us with your royal company. MACBETH The table’s full. © 2005 www.teachit.co.uk It is ironic that Macbeth is criticising Banquo for not being there and hints to the guests that he has deliberately broken his promise. Ross agrees and invites Macbeth to sit. Macbeth sees no spare seats, whereas the audience and the guests see an empty seat. Page 7 of 12 3863.doc Macbeth Annotated Act 3 (3.1, 3.2 and 3.4) LENNOX Here is a place reserved, sir. MACBETH Where? LENNOX Here, my good lord. What is’t that moves your highness? MACBETH Which of you have done this? The repeated questions serve to add to the tension. The dramatic tension is enhanced by the fact that the guests cannot see the ghost, whereas Macbeth can. Lords What, my good lord? MACBETH Thou canst not say I did it: never shake Thy gory locks at me. The guests are beginning to stand up. What are they thinking about Macbeth? Has Macbeth lost his mind? What has he seen? Why is he frightened? ROSS Gentlemen, rise: his highness is not well. LADY MACBETH Sit, worthy friends: my lord is often thus, And hath been from his youth: pray you, keep seat; The fit is momentary; upon a thought He will again be well: if much you note him, You shall offend him and extend his passion: Feed, and regard him not. Are you a man? MACBETH Ay, and a bold one, that dare look on that Which might appal the devil. This used to be an effective rhetorical question used by Lady Macbeth to accuse her husband of cowardice. It no longer works. The sight of Banquo is so horrific that it would disgust the devil. An audience is left to imagine how terrible Banquo looks to Macbeth. LADY MACBETH O proper stuff! This is the very painting of your fear: This is the air-drawn dagger which, you said, Led you to Duncan. O, these flaws and starts, Impostors to true fear, would well become A woman’s story at a winter’s fire, Authorized by her grandam. Shame itself! Why do you make such faces? When all’s done, You look but on a stool. © 2005 www.teachit.co.uk Lady Macbeth again tries to cover for him by saying that it is an illness that has affected him since childhood and that it will soon pass. She shows quick thinking here and tells the guests not to pay Macbeth too much attention since it will only offend him. Lady Macbeth pours scorn on her husband, seeming to compare her husband to a woman: in other words saying that he is weak. She tells him that he should be ashamed of himself because he is only looking at a stool. Page 8 of 12 3863.doc Macbeth Annotated Act 3 (3.1, 3.2 and 3.4) MACBETH Prithee, see there! behold! look! lo! how say you? Why, what care I? If thou canst nod, speak too. If charnel-houses and our graves must send Those that we bury back, our monuments Shall be the maws of kites. [GHOST OF BANQUO vanishes] The ghost does not speak even though Macbeth tries speaking to it. Like the witches, just as Macbeth wants to find out more, the ghost vanishes. Again, it seems as if supernatural influences are mentally torturing Macbeth. The other interpretation is that this ghost represents Macbeth’s guilty conscience getting the better of him, and that is why no one else can see it. LADY MACBETH What, quite unmann’d in folly? Lady Macbeth tried the tactic of calling her husband a coward in Act 1 Scene 7 but it does not seem to be working now. Macbeth is brave when he is pitted against mortal men but what about the supernatural? Again, this shows that the hold Lady Macbeth used to have on her husband has weakened even more. MACBETH If I stand here, I saw him. LADY MACBETH Fie, for shame! MACBETH Blood hath been shed ere now, i’ the olden time, Ere human statute purged the gentle weal; Ay, and since too, murders have been perform’d Too terrible for the ear: the times have been, That, when the brains were out, the man would die, And there an end; but now they rise again, With twenty mortal murders on their crowns, And push us from our stools: this is more strange Than such a murder is. Macbeth states (he is obviously frightened at this point) that many murders have been committed in the past before people invented laws to stop human cruelty. The irony is that an audience knows that Macbeth has broken many laws and is becoming increasingly cruel as a tyrant. He is perhaps referring to the law (‘human statute’) to try and make sense of this supernatural situation. In other words, he cannot understand how a murdered man could rise from the dead. LADY MACBETH My worthy lord, Your noble friends do lack you. MACBETH I do forget. Macbeth tries to make an excuse, saying that Do not muse at me, my most worthy friends, he is ill but then makes a toast to Banquo. I have a strange infirmity, which is nothing To those that know me. Come, love and health to all; Then I’ll sit down. Give me some wine; fill full. I drink to the general joy o’ the whole table, And to our dear friend Banquo, whom we miss; Would he were here! to all, and him, we thirst, And all to all. Lords Our duties, and the pledge. [Re-enter GHOST OF BANQUO] © 2005 www.teachit.co.uk Page 9 of 12 3863.doc Macbeth Annotated Act 3 (3.1, 3.2 and 3.4) MACBETH Avaunt! and quit my sight! let the earth hide thee! Thy bones are marrowless, thy blood is cold; Thou hast no speculation in those eyes Which thou dost glare with! LADY MACBETH Think of this, good peers, But as a thing of custom: ’tis no other; Only it spoils the pleasure of the time. MACBETH What man dare, I dare: Approach thou like the rugged Russian bear, The arm’d rhinoceros, or the Hyrcan tiger; Take any shape but that, and my firm nerves Shall never tremble: or be alive again, And dare me to the desert with thy sword; If trembling I inhabit then, protest me The baby of a girl. Hence, horrible shadow! Unreal mockery, hence! [GHOST OF BANQUO vanishes] Why, so: being gone, I am a man again. Pray you, sit still. Macbeth is now shouting, from the point of view of his guests and the audience, at thin air. He must appear to be completely insane. A king has to inspire confidence by appearing confident and in control. The guests must be thinking: if he cannot control himself, how can he control Scotland? This is a turning point in the play not only because it marks a growing distance between Lady Macbeth and Macbeth, but also a growing distance between Macbeth and his subjects. Macbeth uses a simile to compare an opponent to a bear, a rhinoceros or a tiger. He is saying that if the ghost appeared in any of those forms, he would challenge and fight it. He cannot fight a ghost that looks like Banquo. He also cannot say who the ghost is, otherwise that will put him under immediate suspicion. LADY MACBETH You have displaced the mirth, broke the good meeting, With most admired disorder. MACBETH Can such things be, And overcome us like a summer’s cloud, Without our special wonder? You make me strange Even to the disposition that I owe, When now I think you can behold such sights, And keep the natural ruby of your cheeks, When mine is blanched with fear. Lady Macbeth provides the stage directions: one can imagine the guests getting up and making their excuses to leave as quickly as possible. What is the point of being king if his subjects are now beginning to distrust him? Macbeth uses a simile to compare the sudden change from normality to being haunted to a summer cloud: it appears without warning. This is also a rhetorical question because yes, ghosts can appear suddenly, without warning, as has just been demonstrated. ROSS What sights, my lord? LADY MACBETH I pray you, speak not; he grows worse and worse; Question enrages him. At once, good night: Stand not upon the order of your going, But go at once. LENNOX Good night; and better health Attend his majesty! © 2005 www.teachit.co.uk Lady Macbeth appears to act in a natural way. She has been left very much alone to sort out this mess whilst her husband rants and raves. Lady Macbeth just tells the guests to leave in any order of rank they choose. Guests would have had to ask permission and leave in rank order under normal circumstances. Page 10 of 12 3863.doc Macbeth Annotated Act 3 (3.1, 3.2 and 3.4) LADY MACBETH A kind good night to all! [Exeunt all but MACBETH and LADY MACBETH] MACBETH It will have blood; they say, blood will have blood: Stones have been known to move and trees to speak; Augurs and understood relations have By magot-pies and choughs and rooks brought forth The secret’st man of blood. What is the night? LADY MACBETH Almost at odds with morning, which is which. This harks back to the old idea that there is always a price to be paid for wrongdoing. Perhaps Macbeth is beginning to realise that murder will only lead to more murder. Macbeth, in his paranoia, believes that the secret of the murder has been revealed by nature. The natural order will reassert itself and truth (goodness) will always find a way of revealing itself. MACBETH How say’st thou, that Macduff denies his person At our great bidding? LADY MACBETH Did you send to him, sir? MACBETH I hear it by the way; but I will send: There’s not a one of them but in his house I keep a servant fee’d. I will to-morrow, And betimes I will, to the weird sisters: More shall they speak; for now I am bent to know, By the worst means, the worst. For mine own good, All causes shall give way: I am in blood Stepp’d in so far that, should I wade no more, Returning were as tedious as go o’er: Strange things I have in head, that will to hand; Which must be acted ere they may be scann’d. Macbeth has already lined up Macduff as the next person who is considered too much of a threat to live. We learn that Macbeth has paid informers in Macduff’s house. Macbeth is also going to see the witches again to find out more news. Again, this shows that Macbeth no longer needs his wife. Macbeth admits that he has come too far to try and change for the better. He seems to have accepted in a world-weary way the fact that he is a murderer. There is no turning back. LADY MACBETH You lack the season of all natures, sleep. MACBETH Come, we’ll to sleep. My strange and self-abuse Is the initiate fear that wants hard use: We are yet but young in deed. [Exeunt] © 2005 www.teachit.co.uk The scene ends on quite a pathetic note when we compare them at the start of the scene. They are reduced here to two rather pathetic figures just desperate to get a good night’s sleep. Page 11 of 12 3863.doc Macbeth Annotated Act 3 (3.1, 3.2 and 3.4) The play was probably first performed in 1603 to James I who had a deep interest in anything supernatural. The fact that the ghost of Banquo appears at all is a clear signal to the audience that the natural order of society has been disrupted and disturbed by evil. An audience in 1603 might have believed that Banquo’s appearance is a sign that society has become infected by evil influences and that ghosts are doomed to wander in limbo until justice has been done. This can be compared to the ghost of Hamlet’s father in ‘hamlet’. Murdered souls did not have immediate access to Heaven, because often, the person murdered did not have time to make confession before dying. Why? Because they were murdered suddenly and violently, without warning. Possible questions: Comparing and contrasting the scenes, discuss how the relationship between Lady Macbeth and Macbeth changes. 1. Analyse how the character of Macbeth changes during these scenes. 2. How would you stage these scenes as a director to show the different sides to Macbeth’s character? Do not forget to use: • POINT © 2005 www.teachit.co.uk • EVIDENCE Page 12 of 12 • EXPLAIN 3863.doc
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