Nalini Ghuman, Resonances of the Raj (Oxford University Press, 2014)
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50519 f. 224
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1
Walter Kaufmann Archive, The William and Gayle Cook Music Library, Indiana
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Walter Kaufmann Composer File: BBC WAC
Sir Edward Elgar
Arnold, Edwin. ‘Imperial Ode’, written for India by Imre Kiralfy. 1895. BL: 1779. K.
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‘Dhar: Viceroy’s visit: Musicians who performed for the Viceroy 1902’. BL India
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Gustav Holst
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________. Sita. BL Add Mss 47821-3
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3
Amy Woodforde-Finden
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4
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Cambridge: Cambridge University Press, forthcoming, 2013; preview excerpt in
Guardian Weekly (2 August 2013), 28
Williams, Raymond. The Country and the City. Oxford and New York: Oxford
University Press, 1973
Whittall, Arnold. ‘Wagner, Schoenberg, Holst: A Centenary Essay’. Soundings 4
(1974): 87-99
________. ‘Sorabjiana’. Musical Times 107 (March 1966): 216-17
Weiss, Piero and Richard Taruskin, compilers and annotators. Music in the Western
World: A History in Documents. New York: Schirmer Books, 1994
Woodfield, Ian. ‘The Calcutta Piano Trade in the Late Eighteenth Century’. In Music
and British Culture, 1785-1914: Essays in Honour of Cyril Ehrlich. Oxford: Oxford
University Press, 2000
________. ‘Music and Empire’. In The Age of Romanticism and Revolution: An Oxford
Companion to British Culture 1776-1832. Oxford: Oxford University Press, 1999
________. Music of the Raj: A Social and Economic History of Music in Late 18thCentury Anglo-Indian Society. Oxford: Oxford University Press, 2000
________. “‘The “Hindostannie Air”: English Attempts to Understand Indian Music in
the Late 18th Century’. Journal of the Royal Musical Association 119 (1994) 189-211
Young, Robert J. C. Colonial Desire: Hybridity in Theory, Culture and Race. London
and New York: Routledge, 1995
____________. The Idea of English Ethnicity. Malden, MA: Blackwell, 2008
44
Young, P. M., ed. Letters of Edward Elgar and Other Writings. 1965. Reprint, Oxford:
Clarendon Press, 1990
Zaidi, Ali Jawad. A History of Urdu Literature. New Delhi: Sahitya Akademi, 1993
Zivin, Joselyn. ‘“Bent”: A Colonial Subversive and Indian Broadcasting’. Past & Present
162 (Feb 1999): 195-220
5. Selected List of Music Consulted
Unpublished Manuscripts
Foulds, John (held in private collections)
Indian Suite: full score and piano-conductor arrangement (by the composer)
Three Mantras for Orchestra: full score and partial piano-conductor arrangement
(by the composer)
Song of Ram Dass: full score and piano-conductor arrangement (by the composer)
Kashmiri Wedding Tune: conductor reduction and instrumental parts
Pahari [Hill] Tune: conductor reduction and instrumental parts
Lento Quieto, Quartetto Geniale: full score and parts
A World Requiem: full score.
Holst, Gustav. The Planets manuscript score. Bodleian Library, Oxford: Ms Mus b.18.
Sorabji, Kaikhosru. Facsimiles, and some manuscript, full scores held at the Sorabji
Archive
45
Arabesque
Chaleur
Symphonic Variations for Piano
Tāntrik Symphony for Piano Alone
Published Scores
Addinsell, Richard. Warsaw Concerto from the R.K.O. picture ‘Dangerous Moonlight’.
Arranged for piano solo by Henry Geehl. London: Keith Prowse & Co. Ltd, 1942
Bantock, Granville. Songs of India. Wiesbaden: Brietkopf and Härtel, 1918. Repr. 2010
in Hunstville TX by Recital Publications
Elgar, Edward. The Crown of India: An imperial masque written by Henry Hamilton. Op.
66. Vocal score. London: Enoch & Sons,1912. Repr. The Crown of India. London:
Elgar Society, in association with Novello, 2004, Vol. 18
_________. Sea Pictures, op.37, in Solo Songs with Orchestra, ed. Julian Rushton.
Rickmansworth : Elgar Society Edition, c2012
_________. The Crown of India, Suite for orchestra, op.66. Kalmus [n.d.]. Repr. The
Crown of India. London: Elgar Society, in association with Novello, 2004, Vol. 18
_________. In Smyrna: in Two Piano Pieces: In Smyrna; Skizze. Includes introduction
by Jerrold Northrop Moore. Borough Green: Novello, 1976
_________. Sospiri, in Music for string orchestra, ed. Julian Rushton. Rickmansworth:
Elgar Society Edition, c2011
_________. Violin Concerto. London: Novello & Co., 1910, reprinted Mineola: Dover
Publications, 1995
_________. Variations on an Original Theme ‘Enigma’. London: Novello & Co., 1899,
reprinted Mineola: Dover Publications, 1992
Foulds, John. Gandharva Music (London: Theosophical Publishing House, 1927?)
_________. Essays in the Modes Paris: Éditions Maurice Senart: 1928
_________. A World Requiem, vocal score: London: W. Paxton & Co, 1923
46
Hindustani Tune Book: A collection of Bhajans and Ghazals arranged for piano or
organ. Harmonized by Emma Moore Scott. 2nd ed. Lucknow: The Methodist
Publishing House, 1894
Hindustani Verses set to music by Emily Bickersteth Durrant. London: Charles Vincent,
1898
Holst, Gustav. Choral Hymns from the Rig Veda, Op.26, Groups I – IV. London: Stainer
& Bell, 1911-1912
_________. Vedic Hymns for Voice and Piano. London: Chester, 1920
_________. Savitri. Op. 25. London: Eulenberg Ltd., 1976
_________. The Planets, suite for large orchestra, Op. 32. Edited by Imogen Holst and
Colin Matthews. London: Eulenberg Ltd. 1985
_________. Collected facsimile edition of autograph manuscripts of the published works.
Vol.1, Chamber Operas : 1, Savitri, Op.25, 2, The Wandering Scholar, Op.50 / Ed. I.
Holst. Faber Music, 1974
Hymns Ancient and Modern Revised. London: William Clowes and Sons, Ltd, 1950
Lehmann, Liza. The Golden Threshold. Words by Sarojini Naidu. London: Boosey & Co.
Ltd., 1906
Scott, Cyril. Lotus Land. Kent: Elkin & Co., 1905
_________. Indian Suite. London: Schott & Co. Ltd., 1922
Sorabji, Kaikhosru. Opus Clavicembalisticum. London: J. Curwen and Sons, 1932
The Rāgas of Tanjore: songs and hymns from the répertoire of the Karnatic singer
Natrajan [Vaidyanatha Iyer], arranged in staff notation with an introduction by
E. Clements. London: The Dharwar Gayan Samaj, 1920
Venzani, Angelo. Music for Imre Kiralfy's operatic-historical production in two acts
Historical Production, India, produced at the 1895 Earl’s Court Indian Exhibition.
London: E. Ascherberg & Co, 1895. BL G.603.a (9)
Williams, M., arranger. “Kashmiri Foxtrot” by Woodforde-Finden. Boosey & Co. 1925.
Boosey & Hawkes Archive, London
Woodforde-Finden, Amy. Four Indian Love Lyrics. Words by Laurence Hope. London:
Boosey & Co. Ltd., 1903
47
Woodforde-Finden, Four More Indian Love Lyrics. Words by Hope. London: Boosey &
Co. Ltd., 1912
Woodforde-Finden, On Jhelum River. Words by Frederick John Fraser. London: Boosey
& Co. Ltd., 1906
6. Selected Non-Print Sources
Brown, Geoff. ‘A World Requiem: Review’. The Times (13 November 2007):
http://www.thetimes.co.uk/tto/arts/music/livereviews/article1865977.ece
Chalabi, Selma, ‘Casting light on a dark part of Britain’s history’, BBC News, 21 April
2010: http://news.bbc.co.uk/1/hi/uk/8632310.stm.
Clements, Andrew. CD review - Elgar: The Crown of India, etc, BBCPO/Davis; The
Guardian, November 6, 2009, p.13:
http://www.theguardian.com/music/2009/nov/06/elgar-the-crown-of-india-review
Dalrymple, William. ‘Kashmir: The Scarred and the Beautiful’. New York Review of
Books (May 2008): http://www.nybooks.com/articles/archives/2008/may/01/kashmir-thescarred-and-the-beautiful/?page=1
Jeremy Dibble. ‘Parry, Sir Hubert’. Grove Music Online. Oxford Music Online.
Oxford University Press:
http://www.oxfordmusiconline.com/subscriber/article/grove/music/20949
Duchen, Jessica. ‘Edward Elgar: A maestro you can bank on’. The Independent (16
March 2007): http://www.jessicaduchen.co.uk/pdfs/indi-2007/elgar-mar16.pdf
From Clonmel to Calcutta: The Untold Story of Maud MacCarthy, produced by
Karishmeh Felfeli. Dublin City FM (18 July 2012).
Futehally, Laeeq. ‘Enchanted Gardens: Babur’s Gift’. In The Hindu Folio, special issue
with the Sunday Magazine from the publishers of The Hindu. Online edition.
4 June 2000: http://www.hindu.com/folio/fo0006/00060200.htm
Ghare-Bāire, film directed by Satyajit Ray, based on the novel by Tagore, The Home and
the World (NFDC, 1985).
Ghosh, Amitav. ‘“The Ghat of the Only World”: Agha Shahid Ali in Brooklyn’, 1 Jan.
2002: http://www.amitavghosh.com/aghashahidali.html
48
Holst, Imogen. Illustrated talk on Savitri. BBC broadcast, 30 April 1967. National
Sound Archive, ref. T31307.
Hopkins, Charles. ‘Love and Mysticism: Sorabji, Sa’di, and the Sufic Tradition’. In the
booklet accompanying Hopkin’s Gulistan recording (1995). Altarus, 1AIR-CD9036.
Huckdale, David. ‘Fairest Isle: Exotic, Erotic, and Edwardian’. BBC broadcast, 1995.
National Sound Archive, ref. H4594/3.
In Between the Notes: A Portrait of Pandit Pran Nath. Video Documentary. Other Minds,
1986.
Johari, Aarefa. ‘Parsis debate race vs. religion’. Hindustan Times (Mumbai, September
19, 2010): http://www.hindustantimes.com/india-news/mumbai/parsis-debate-race-vsreligion/article1-601959.aspx
‘Kabīr’, Encyclopædia Britannica Online, s. v. ‘Kabīr’, accessed Jan. 2011:
http://www.britannica.com/EBchecked/topic/309270/Kabir
Kala Pani: A Forgotten History. Presented by Selma Chalabi (21 April 2010), BBC
Radio 4: http://news.bbc.co.uk/1/hi/uk/8632310.stm
Kenrick, John. ‘Our Love Is Here To Stay - Part III B 1900-1940: Life Upon The Wicked
Screen’: http://www.musicals101.com/gay3b.htm; see also ‘Famous figures talk gay’:
The Maharajas’ Motor Car: The Story of the Rolls-Royce in India. BBC documentary
(July 2011).
Matthews, Colin. ‘Holst, Gustav’. Grove Music Online. Oxford Music Online.
Oxford University Press
http://www.oxfordmusiconline.com/subscriber/article/grove/music/13252.
Nevile, Pran. ‘What a Heaven She Must Make of Cashmere’. The Tribune India.
Online edition. 22 July 2000. Main feature:
http://www.tribuneindia.com/2000/20000722/windows/main1.htm
1942 A Love Story. Film (Hindi). Directed by Vidhu Vinod Chopra (1994)
Oramo, Sakari. ‘The forgotten man’. The Guardian. 28 April 2006:
http://www.theguardian.com/music/2006/apr/28/classicalmusicandopera1
Palmer, Tony. ‘The Inner Orbit of Gustav Holst’. The Guardian. (April 21, 2011):
http://www.guardian.co.uk/music/2011/apr/21/gustav-holst-tony-palmer
49
‘Preamble to “Master and Pupil - Phillip Fowke plays piano music by Edmund Rubbra
and Cyril Scott’. BBC broadcast, 27 Sept 1979. National Sound Archive, ref.
T2517BW C1
Rubbra, Edmund. ‘Composer Portrait: Cyril Scott’. BBC broadcast, 26 April 1967.
National Sound Archive, ref. MT32008
Stevenson, R. ‘Opus Clavicembalisticum - A Critical Analysis’. In the booklet with
the recording of Opus Clavicembalisticum by John Ogdon, 28-49. Altarus AIRCD-9075, 1989
Tommasini, Anthony. ‘The Symphony as a Vessel to view Other Worlds’. New York
Times (30 Jan, 2010):
http://www.nytimes.com/2010/01/30/arts/music/30symphony.html?_r=2
Thompson, Warwick, director. Somebody Bin Usin’ that Thing. Played at the Rosemary
Branch Theatre, London N1 in March 2001.
Thompson, Warwick. ‘Have a Gay Old Time’, Guardian Unlimited, 9 March 2001:
http://www.guardian.co.uk/friday_review/story/0,3605,448635,00.html
Van Houdt, Reiner and René van Peer. ‘Finding one’s way through an immense building
of music’, an essay on Sorabji’s music using program note of Chaleur as an epilogue. On
the Sorabji Archive’s website:
http://www.sorabji-archive.co.uk/articles/vanhoudt_vanpeer_1.php
50