& 19 October 2011 Munich (Germany) 17, 18 ca rto o n f eatu re Feeding the Growing Ambition of European Animated Movies Cartoon masters 2011 GETTING YOUR BEST SCRIPT READY FOR PRODUCTION Creating compelling stories and developing the best possible script is a long and complex process. But one that will ultimately facilitate production and make your film stand out in the crowd. Expert advice from script specialist Richelle Wilder. PARTNERSHIPS BETWEEN FILMS & THE ENTERTAINMENT INDUSTRY Cross promotion and the development of film-related content on other platforms are strategies that consolidate the film notoriety and longevity and also enrich the animation industry. Case studies on such partnerships. CROWDFUNDING & THE NEW MEDIA PRODUCTION GUARANTEE FUND How and under which conditions can internauts be involved in the ‘gap’ financing and promotion of your film? Some tangible results in crowdfunding will be revealed. A thorough presentation of the new European Commission cinema loan guarantee fund to ease credit access for producers. LOWER BUDGET FILMS FOR ENLARGED AUDIENCES Animated movies under 5M€ using both 2D and CGI techniques are becoming common in European animation. As new inspiring ways of telling stories are emerging for larger audiences. The talent of creators and producers. www.cartoon-media.eu The high standard of European Animation T he industry of European animated films is still growing with an increased number of films produced and distributed worldwide. The combination of excellent training schools, funding schemes and tax incentives, a tradition of co-productions and talent that finds its expression in a new way of telling stories, all that has contributed to set apart European animation from American major studios. It now enables European animated features to culminate in admission levels in cinema theaters never reached before. Latest reports – from Unifrance Film in particular – confirm that the performance of animated features in cinema theaters is different from other genres as far as audience figures, number of prints, exhibition time, promotion and life span are concerned. In all cases animated features enjoy figures that are above any other cinema form. These are rejoicing news for the industry at large. Europe’s ambition in creative terms can also be praised. There have never been so many films d’auteurs, novel and comic book adaptations in collaboration with their authors, science fiction fantasies that target an enlarged audience, interested in innovative story-telling more teenage/adult-oriented. Munich, Bavaria’s glittering capital «Munich nestles between art and beer like a village between hills.» Originally written by Heinrich Heine some 150 years ago, these words remain true today. With the Opera, the Oktoberfest, the Pinakothek art galleries, BMW and Bayern Munich, the city manages to marry old Bavarian tradition with vibrant modern life. Proud of its famous onion domes, the 15th century Gothic Church of Our Lady is Munich’s unmistakable landmark. Not far away, at Marienplatz, the carillon plays three times a day. And just a stone’s throw from here is probably the most famous tavern in the world, the Hofbräuhaus beer hall. Other sightseeing highlights include the Olympic centre where the Olympic Games were held in 1972, the baroque Nymphenburg Palace, the Bavaria Film Studios and the Englischer Garten, a beautiful park renowned for its lively Biergärten. The annual highlight of Munich’s calendar is, of course, the Munich Beer Festival or Oktoberfest. However, the Bavarian capital is also known for a number of other cultural festivals, both large and small, and events such as the Munich Book Show and the Christmas market which starts on 25 November. To accompany cinema release, Internet with social networks and viral marketing still represent a powerful promotional tool that producers should not overlook. Thus film-related content such as video or mobile games are on the increase thanks to new partnerships with the entertainment industry at large. Rovio’s Angry Birds cross promotion with Rio, the 20th Century Fox animated feature is enlightning in this respect. At latest Cartoon Movie (March 2011), it was noted that production budgets have decreased. This is why it is important for producers to diversify their sources of funding through co-productions, equity financing and other specialised bank loans. This year’s edition of Cartoon Feature will thus concentrate on how to deliver the best story for your film through improved script-writing and development, on other forms of fund-raising and financing through crowdfunding on the Internet and guarantee loans through the new MEDIA production guarantee fund. Emphasis will also be put on how to increase the notoriety of films through better distribution and partnerships with mobile and video game companies. As is customary we will also look in depth at case studies on what Europeans do so well at the moment: films d’auteurs and lower budget films for enlarged audiences. The Programme Developing the best story for your film Richelle Wilder from Script Matters, has headed screenplay and story development at Aardman Animation, worked with Dreamworks and headed Development at Pathe. From story analysis, character development, script editing..., the long road to final script approval is sometimes shortened to the detriment of the story. Some expert advice by a script specialist on why and how you can develop the best story for your film. Co-producing with Germany The largest populated country in Europe, Germany enjoys an enviable range of animation training schools, talent and production companies as well as strong film financial support from the Federal and Regional Bodies. Details on how to plan a film with German involvement and funding will be shared to entice non-German producers to co-produce films in this significant market. Crowdfunding – A new way to finance films To supplement traditional film funding methods, and «gap» finance your film, crowdfunding is emerging as a hybrid money-raising model. Examples of film-raising up to 900 000 € can be accounted for and a number of successful crowdfunding Internet platforms are now available. NewFaceFilm is one of them and Director Pino Foris will explain how you can partially fund and promote your films through this innovative method. MEDIA Guarantee Production Fund Endowed with 8 MEUR from 2010-2013, the MEDIA Production Guarantee Fund aims at supporting the European film industry by facilitating credit access to private sources of financing. It also guarantees part of the loan given to producers by financial institutions. IFCIC in France and Audiovisual SGR in Spain will each administer the Fund with the European Commission. Florence Aviles (TBC), from IFCIC will detail practical conditions of access to this Fund. Industry partnerships between animated movies & video/mobile games With over 300 million Angry Birds game downloads, Rovio, the Finnish-based entertainment company has developed an innovative strategy towards its franchise going from touchscreen smartphones to social gaming, merchandising, publishing… One of its latest development includes a unique integration between Angry Birds and the 20th Century Fox animated feature Rio released last Spring. Details of this partnership (TBC). Latest trends in Europe: lower budget films and films d’auteurs As more animated features are released and exported, and as financing sources have diminished, many budgets have decreased to 5M € or under. An abundance of films d’auteurs, comic book and novel adaptations but also science fiction fantasies for an older audience are flourishing with an international potential that has rarely been matched. Case studies. Finding the best sales agent and distributor for your film Irina Ignatiew, EVP International at Telepool GmbH, will explain from a domestic and international perspective where the animation market stands at the moment. Her company is presently involved in Thor, Niko2 and Seven Dwarfs. She will define her role as sales agent/distributor and in particular how she handles relationships with producers, distribution and film exploitation. Promoting films with social networking and viral marketing With the increased number of animated films being released and the multiplicity of distribution channels, the marketing of films has evolved to encompass the audience’s new habits. Our guest speaker will inform participants of new and changing consumers’ trends and how to best serve the promotion and launch of a film with media, non media partners and social networks. PR ACTICAL I N FORM ATION Registration Deadline 7 October 2011 The booking form must be returned to CARTOON as soon as possible. Number of Participants Schedule Arrival: Monday 17 October 2011 (morning) Seminar: Monday 17 (afternoon), Tuesday 18 and Wednesday 19 October 2011 Departure: Thursday 20 October 2011 (morning) 80 professionals. If there is an overdemand, we observe a «first come, first served» policy. Costs Registration and subscription fee: 300 EUR Meals cost: 200 EUR This fee includes documentation, audiovisual material, interpretation and administrative costs as well as 2 dinners, 3 lunches and 5 coffee breaks. Accommodation and transportation costs are not included. Travel arrangements and accommodation bookings will be handled by CARTOON. B O O K I N G FO R M CA RTO ON F EATU R E Location The event will take place at the Hotel Le Méridien, located in Munich city centre. Target Audience Animation professionals, producers, authors and directors, heads of development, investors, distributors, new media companies, etc. Languages Used English and French (with simultaneous interpretation in both languages). Fax (32) (2) 245 46 89 [email protected] www.cartoon-media.eu Surname (Mr / Mrs). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . First Name. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 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To be returned to CARTOON before 7 October 2011 Cost: 500 EUR (300 EUR for registration and subscription + 200 EUR for meals) to be paid on return of this registration form Hotel Le Méridien ****(*) Double room single use 185€/night Double room 205€/night Twin room (2 beds) 205€/night Eden Hotel Wolff **** Double room single use 144€/night Double room 162€/night Twin room (2 beds) 162€/night Motel One München-Sendlinger Tor **(*) Single room 80€/night ! Price excludes VAT and includes breakfast Room Flight booking Vegetarian non smoking Yes Yes smoking No No Payment by credit card: VISA MASTERCARD / EUROCARD N° Expiry date . . . . . . . . . . . . . . . . . / . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Fax . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Cardholder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Email . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Payment by bank transfer: DEXIA BANQUE Bank holder: AEFA - CARTOON (AISBL) IBAN account: BE15 – 0682-2876-5130 Bank address: Bd Pachéco 44 – 1000 Brussels – Belgium SWIFT Code: GKCCBEBB Website. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Would like to participate at the Cartoon FEATURE MUNICH, 17-19 OCTOBER 2011 VAT number/National registration number .................................................................. Date . . . . . . . . . . . . . . . . . . . . . . . Signature . . . . . . . . . . . . . . . . . . . . . . . . . . CARTOoN PA RT N E R S For any further information, please contact: Cartoon AISBL European Association of Animation Film Yolanda Alonso I N CO L L A B O R AT I O N W I T H Avenue Huart Hamoir 105 1030 Brussels - Belgium T +32 2 242 93 53 F +32 2 245 46 89 [email protected] www.cartoon-media.eu www.facebook.com/CARTOON.eu CARTOON IS SPONSORED BY
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