2-10th pages 68-257.12 8/6/04 11:40 AM Page 142 Strategies for Interpreting Poetry Foundation Lesson – High School Close Reading Skill Focus Levels of Thinking Remember Close Reading Literary Elements Detail Diction connotation denotation Imagery Plot conflict Theme Tone Understand Apply Analyze Grammar Create Composition Analysis of a Text Meaning and Effect related to phrases, clauses, and syntax Figures of Speech (grade level) Sound Devices (grade level) Literary Techniques Symbolism Literary Forms Verse Lesson Introduction The following outline consists of nine steps or strategies that serve as aids in poetry interpretation. At first, students may take brief notes for each step. After several attempts, students will be able to practice poetry analysis without having to take written notes. A sound practice is to emphasize certain steps of the outline according to the most important elements that each poem reflects. A central concept for the student to remember is that an understanding of tone as it is developed by diction, imagery, details, point of view, and figures of speech is central to understanding the meaning of the poem. Teachers may wish to begin the lesson by providing students with some background facts about the author of the poem. This information can be interesting and helpful but often is not absolutely necessary for an understanding of the text. Students often benefit from doing the activity with a partner or in a group. 142 2-10th pages 68-257.12 8/6/04 11:40 AM Page 143 Close Reading Strategies for Interpreting Poetry Foundation Lesson – High School “Let your eyes do the walking” (diction) 1. As you skim the poem for the second time, highlight or read aloud all nouns, verbs, adjectives, and adverbs. 2. What do these words imply, suggest, or mean to you? What associations do you have with them? In what contexts have you encountered these words before? What kind of emotional impact do these words have? Questions to think about 3. Does the feeling of the poem change from stanza to stanza or from idea to idea? 4. Where do these changes occur? Keep in mind that any changes of this kind (shifts) may indicate multiple attitudes or tones. Form and pattern of organization 5. Identify the type of poem. Types • tells a story (narrative) • takes the form of drama (dramatic) • expresses the personal views or feelings of the poet (lyric) 6. Identify the form of the poem. Questions to ask about forms • What is the poet’s plan of organization or development? • If the poem is divided into stanzas, which idea is developed per stanza? • Is there dialogue? Between whom? • Does the poet talk directly to the reader, or is there an additional speaker? • Does the poet use any methods of argumentation? • Is there a metrical form to the poem? ballad limerick concrete poem free verse Some Poetic Forms Are dramatic monologue elegy sonnet (English) (Italian) ode Denotation: what does the poet say literally? 7. Use the dictionary to look up any unfamiliar words. 8. Paraphrase the poem. 143 epic sestina pastoral villanelle haiku Close Reading First, read the poem aloud to get the full effect of the work as a whole. 2-10th pages 68-257.12 8/6/04 11:40 AM Page 144 Connotation of words, phrases, all poetic devices, and title 9. Find all literary devices. Close Reading 10. Establish what they suggest or imply. Syntax/Sentence structure 11. Does the poet write mainly in simple, compound, complex, compound/complex sentences or inverted order sentences? 12. How many lines does it take to complete a thought? 13. Does the sentence go beyond one line (enjambment)? Attitude within the poem (tone) 14. Look for the poet’s attitude or feeling toward the subject. 15. Look for the speaker’s attitude toward the subject. Is the poet’s attitude the same? Justify your answer. 16. Look for multiple attitudes. 17. Look for shifts in attitude. 18. Look for a prevailing attitude. Contrasts, stated and implied 19. Look for opposition a. within the speaker e. between the speaker and the listener (reader) b. between the speaker and another person f. between the speaker and life c. between the speaker and society g. between the speaker and fate d. between the speaker and nature Universal Message (Theme) • is seldom directly stated in the poem, • is larger than the parts (the various poetic elements used by the poet), • is an “umbrella of thought” that covers all subjects of the poem and applies to all peoples at all times, • is the final step in poetry analysis, Theme differs from the subject of the poem in that it should be stated in a sentence or two. 20. Fill in the blanks (on the student notes page) with three abstract words. 21. Write a one-sentence statement of theme for the poem. Use at least two of the words listed above. 144 2-10th pages 68-257.12 8/6/04 11:40 AM Page 145 Close Reading Student Notes Close Reading First, read the poem aloud to get the full effect of the work as a whole. Then, follow the detailed instructions in the handout and make notes here. Background information about the poet “Let your eyes do the walking” (diction) Form and pattern of organization Denotation: What does the poet say literally? Paraphrase the poem in your own words. Connotation of words, phrases, all poetic devices, and title Syntax/Sentence structure Attitude of the poet (tone) Contrasts, stated and implied Universal message (theme) This poem is about 145
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