e108rt_colres_56-159.qxp 9/29/05 11:00 AM Page 58 COLLECTION 1 LESSON PLAN Elements of Literature selection Flowers for Algernon by Daniel Keyes Literary Focus As students explore subplots and parallel episodes and diction, remind them not to look at these elements in isolation, but to consider how they contribute to our understanding of character, tone, and theme. Related Works Consider teaching one of the works below from Elements of Literature with “Flowers for Algernon.” Analyzing subplots and parallel episodes: “The Treasure of Lemon Brown” by Walter Dean Myers Analyzing diction: “The Ransom of Red Chief” by O. Henry Resources For information on annotating text, see pages 17 and 30–33 of this book. Subplots and Parallel Episodes This story contains many different subplots that relate thematically to the main plot of Charlie’s increase in and subsequent loss of intelligence. These subplots include the mouse Algernon’s progress, Charlie’s developing relationship with Miss Kinnian, and Charlie’s relationships with people at work. A thematic pattern of rising development or improvement that then fails appears in all of the subplots. The parallel episodes serve mostly to emphasize insights Charlie has about his condition or situation. His reading of Robinson Crusoe, for example, helps him to recognize his own loneliness and desire for companionship. The incident he witnesses of the dishwasher breaking dishes at a restaurant makes him realize how cruel people had been to laugh at him. “Flowers for Algernon” is a story told almost entirely through diction, or word choice. As the main character, who is also the narrator of the story, gains intelligence, the diction improves and grows complicated; that complexity is lost when the narrator’s condition worsens. The author’s choices of important words that the narrator misspells, such as genus for genius and operashun for operation, help the reader feel the extent of the main character’s loss. The story’s diction is thus tied very closely to its tone, or the author’s attitude about the events. © by Holt, Rinehart and Winston. All rights reserved. Advanced Skill Analyze diction. Close Reading Copyright Collection Resources Literary Skill Analyze subplots and parallel episodes. The coverage of subplots and parallel episodes below builds on the instruction in the Student Edition. You may want to introduce the additional skill of analyzing diction when teaching this story to advanced students. Diction Metacognitive Strategy: Annotating Text As students read, have them annotate the story, focusing on subplots and parallel episodes. To help students consider the thematic importance of these elements, encourage them to consider ideas or qualities that the subplots and episodes share with the main plot of Charlie’s 58 Resources for Teaching Advanced Students e108rt_colres_56-159.qxp 9/29/05 11:00 AM Page 59 gain and loss of intelligence. Have students note subplots and episodes related to • Charlie’s changing relationships with other people • Charlie’s changing ideas about himself Point out to students that a subplot will cover a whole story related to Charlie’s own central tale—that is, it too will have a beginning, a middle, and an end. An episode, on the other hand, will provide only a brief glimpse of a similar situation or condition. Close-Reading Practice: Diction Copyright • What kind of language does Charlie use to predict his loss of intelligence? [Charlie uses very sophisticated scientific language, noting formally that he has “taken the liberty” of coming up with a medical name for his own condition. He uses formal, complicated sentence structures and vocabulary words such as hypothesis, deterioration, and unforeseen. He expresses his hypothesis as a mathematical formula (“Artificially increased . . . of the increase.”)] • What emotional effect, or tone, does the formal, high-level diction have? Are these the words you would use if you were in Charlie’s situation? Explain. [Responses will vary, but students will probably say that the tone of the passage is somewhat cold and distant, which makes its effect more chilling. They might say that if they were in Charlie’s situation, they would feel much more panicked or scared about what would happen next.] • What example of formal, high-level diction in this passage do you find most striking? Why? What message, or theme, do you think this word choice reflects? [Responses will vary. Students may say that the example of Charlie inventing a medical name for his own condition is eerie because he is so detached and scientific. They might say that the example shows that science can do many wonderful things, but it can also be cold and inhuman.] Vocabulary: Context Clues When the narrator reports on the subplot of the arguments between the two doctors in the April 27 entry by saying that one doctor accuses the other of being “more interested in the Chair of Psychology at Princeton” than in the experiment, students may not know that in this context chair means “the head of an academic department.” They can make a good guess, however, by paying attention to the context. Paying attention to the context of the words can give students insight into the subplots in the story. The close-reading passage is on pages 57–58 of the Student Edition. Collection Resources © by Holt, Rinehart and Winston. All rights reserved. Have students re-read the four paragraphs of the June 5 entry beginning with “The surgical stimulus” and ending with “first symptoms of the burnout.” Discuss these questions to explore the author’s use of diction to highlight tone and theme in the passage. Close Reading Vocabulary Before assigning this activity, make sure your students have mastered the Vocabulary words on pages 32–33 of the Student Edition. Words for the Activity opportunist, p. 46 shrew, p. 46 justified, p. 51 specter, p. 51 cowered, p. 53 Collection Resources 59 e108rt_colres_56-159.qxp 9/29/05 11:00 AM Page 60 Activity. Keyes uses the words in the margin to relate the story’s subplots and parallel episodes. Have students discuss the meaning of each word in context and relate each word to a subplot or episode. Postreading For information on reading conferences, see page 23 of this book. Discussion Method: Reading Conference Have students discuss the story’s diction in a reading conference. In groups, have them discuss the author’s use of misspellings in Charlie’s early and later reports and the use of high-level language and scientific diction in the middle reports. Use the following questions to prompt students’ thinking: • How do the changes in diction of the story, from misspelled simple words to sophisticated diction and then back, tell the main plot of the story? [The changes in diction reflect the changes in Charlie’s understanding and intelligence. As he becomes smarter, his words become more complex; then he goes back to thinking and writing as he did before.] • How does the change that occurs in the diction at the end of the story affect the story’s tone? Provide examples to support your answer. [Responses will vary, but students may find Charlie’s decline in ability to think and act, as shown in his diction, a sad end to the story. He cannot even spell flowers, a word that is important to him because it would help him express his love and sympathy for Algernon.] Writing Criteria for Success Have students respond to the prompt below in an essay. A successful response • states convincing reasons for the student's choice • supports the choice with apt details • shows insight into the episode and theme • uses language effectively “Flowers for Algernon” contains many scenes in which important elements of the main plot are repeated or echoed. Which parallel episode do you think is most important? Consider theme as you skim the story to make your selection. Then, write an essay in which you explain how this parallel episode helps reinforce the story’s plot. Use details from the scene to support your points. 60 Resources for Teaching Advanced Students © by Holt, Rinehart and Winston. All rights reserved. Resources Copyright Collection Resources [Sample responses: Opportunist describes a person who is out for his or her own personal gain. The word relates to the subplot of the competition between the two doctors, who are not necessarily putting Charlie’s interests first. A shrew is a nag; the term is used to describe a reason for competition between the doctors. Charlie says the doctor is justified, that is, correct, in being angry at him for not writing his reports. The word shows that Charlie’s relationship with his doctors is no longer one between a patient and doctors but one between colleagues. Specter means “ghost.” It relates to the episode of the doctor being haunted by self-doubt, as Charlie is haunted by the fear of losing his intelligence. Cowered means “drew back or shrank in fear.” This word refers to the episode of people laughing cruelly at the mistakes of the dishwasher, who does not understand what is happening.]
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