SL-Matrix 39s & 26i
™
Get more of the music, presented exactly as the
artists intended, with MIT SL-Matrix interfaces.
MIT Cables founder Bruce Brisson began purposefully designing audio
cables in the 1970's after encountering the sonic problems inherent in
cables typical of the day. He later founded Music Interface Technologies
in 1984 after patenting and licensing his early designs. This collaboration
produced some of the industry’s most successful and enduring products.
Over the ensuing three decades, MIT Cables has risen to prominence in
the audio industry as the technology leader in audio and video cabling,
as well as power line treatment. MIT Cables are used to interface the finest professional recording studios throughout the world.
MIT Cables' core audio cable technology is our exclusive Poles of
Articulation, named after the fact that every audio cable has a single
point where it is most efficient at storing and transporting energy. At this
point in the audio frequency spectrum, the cable will articulate best, and
represents the cables' particular Articulation Pole.
Audio Interfaces
two-year project to miniaturize and improve the hallmark MIT network
systems. Designed as a paired system, the SL-Matrix 39 speaker and
SL-Matrix 26 audio interfaces excel in the all-important midrange octaves
for increased realism and naturalness of voices and musical instruments.
Special attention has been given to the critical region between middle C
and A440Hz, where most vocal and solo instrument information resides.
This adds to your enjoyment of both music and movies, as all of the
fundamental frequencies and first several harmonics are presented in
perfect balance with each other.
MIT’s SL-Matrix 39/26 pairing represents 30 years
of MIT innovation, distilled down to more
affordable price points.
26X the Performance
26X Like
of Just Cable!
The SL-Matrix 39 speaker and SL-Matrix 26 audio interfaces (available
in both balanced and single-ended configurations) are the result of a
39X the Performance
39X Like
of Just Cable!
SL-Matrix 26 audio interconnect
Proudly Engineered
and Made in the USA
Proudly Engineered
in the USA
SL-Matrix 39 Speaker Interface
MIT
®
Music Interface Technologies™
Proudly
Engineered
in
the USA
Proudly
Engineered
and
Made in
the USA
Pro
Engin
a
Mad
the
MIT Multipole Technology Explained
™
Over-Articulating
50 IDEAL
Multipole Technology.
TM
Area of Better Bass
Area of Better Midrange
Area of Better Highs
20
Under-Articulating
Frequency (Hz)
-10
BASS
B
MIDRANGE
TREBLE
Audible Range of the Human Ear
20 Hz
20 kHz
60
Over-Articulating
Articulation (%)
50 IDEAL
50 IDEAL
1x
40
Ideal Articulation
30
Area of Better Bass
Area of Better Midrange
Area of Better Highs
20
10
Under-Articulating
0
Frequency (Hz)
-10
Graph C: The plot to the right is a conceptual illustration showing
BASS
C
MIDRANGE
TREBLE
Audible Range of the Human Ear
20 Hz
20 kHz
60
Over-Articulating
50 IDEAL
Articulation (%)
When choosing an interface, look for the Multipole Technology
logo with the performance rating indicating the number of Poles of
Articulation in each product. This simple feature will help you select
the correct performance level for any system, with complete confidence and accuracy.
Ideal Articulation
30
0
Graph B: This articulation plot describes an example cable that
how Multipole technology works synergistically throughout the audio
spectrum. Poles A & B provide an area of better bass, Poles C & D
provide an area of better midrange, and Poles E & F provide an area
of better highs. Together, they provide controlled bass, and smoother,
more extended highs along with a lower noise floor –“like multiple
cables in one!”
50 IDEAL
40
10
Graph A: Represents the bandwidth of the audible range of the
has its Articulation Pole tuned to a high frequency, described by
audiophiles as “bright” or “fast.” Conversely, a cable that has its
Articulation Pole tuned to a lower frequency would be described by
audiophiles as “muddy” or “veiled.” MIT Cables’ interfaces are engineered to have multiple Articulation Poles optimized for the lows,
mids, and highs. Our Poles of Articulation synergistically work together to transport the audio signal with a more even response than just a
single cable, as if multiple cables are being used together.
20 kHz
60
™
human ear. We will use this graph to describe how well a cable
articulates across the audible bandwidth. The 50% line serves as our
baseline for articulation response.
Audible Range of the Human Ear
20 Hz
A
B
C
D
E
F
50 IDEAL
40
Ideal Articulation
30
Area of Better Bass
Area of Better Midrange
Area of Better Highs
20
10
Under-Articulating
0
Frequency (Hz)
-10
It’s like having multiple cables in one!™
TM
BASS
MIDRANGE
TREBLE
MIT
®
Music Interface Technologies™
4130 Citrus Avenue, Suite 9, Rocklin, C A 9567 7
916/ 625-0129
Fax: 916/ 625-0149
www.mitcables.com
Doc: SL-Matrix 39S &26i cutsheet 2013
MIT Cables’ core audio cable technology is our exclusive
Poles of Articulation, named after the fact that every
audio cable has a single point where it is most efficient
Multipole at storing and transporting energy. At this point in the
TECHNOLOGY
audio frequency spectrum, the cable will articulate best,
Inside! and represents the cables’ particular Articulation Pole.
A
Articulation (%)
MIT Cables founder Bruce Brisson began purposefully designing
audio cables in the 1970’s after encountering the sonic problems inherent in cables typical of the day. He later founded Music
Interface Technologies in 1984 after patenting and licensing his early
designs to other manufacturers, producing some of the audio industry’s most ground-breaking and seminal products.