Patricia Julien
Department of Music and Dance
70 Bilodeau Court
University of Vermont
Burlington, VT 05401
392 South Prospect Street
E-mail: [email protected]
Burlington, VT 05405
Telephone: (802) 656-7760
═════════════════════════════════════════════════════════════════
EDUCATION
University of Maryland, College Park, Md.
Ph.D., Music Theory, 2003
w Dissertation: “The Structural Function of Harmonic Relations in Wayne Shorter’s Early
Compositions: 1959-1963”
The Graduate School and University Center, City University of New York, New York, N.Y.
Doctoral work in Music Theory, 1994-1995
Manhattan School of Music, New York, N.Y.
M.M., Jazz and Commercial Music, 1988
w Specialization in jazz flute performance and composition/arranging
Ithaca College, Ithaca, N.Y.
B.Mus., magna cum laude, 1985
w Applied Music (flute) with minor in Audio Production
TEACHING EXPERIENCE
University of Vermont, Burlington, Vt.
Professor, Music Theory/Composition and Jazz Studies, 2014-present
Associate Professor, Music Theory/Composition and Jazz Studies, 2008-present
Assistant Professor, Music Theory/Composition and Jazz Studies, 2002-2008
Skidmore College, Saratoga Springs, N.Y.
Lecturer in Music Theory/Composition, 2001-2002
George Washington University, Washington, D.C.
Instructor in Music Theory, 1999-2000
University of Maryland, College Park, Md.
Lecturer in Music Theory, 1996-1999
Teaching Assistant, Music Theory, 1995-1999
COURSES TAUGHT
Music Theory (complete undergraduate sequence for majors)
Music Theory Fundamentals for non-music majors
Theory and Practice of Jazz Improvisation I
Jazz Composition and Arranging; Advanced Jazz Composition and Arranging
Jazz Combos (Swing, Bebop, Hard Bop, Contemporary)
JULIEN, page 2 of 14
History of Jazz
An Introduction to Jazz (writing-intensive course addressing musical, racial, socioeconomic, and
cultural issues in the development of various jazz styles)
Group Piano (beginning and intermediate levels)
Sight Singing and Ear Training (all levels)
Music Appreciation
Form and Analysis (advanced theory elective for music majors)
Senior Seminar—Research and Bibliography, plus analysis of Nicholas Cook’s Music,
Imagination, and Culture
Twentieth Century Music History (advanced history elective for music majors)
AWARDS AND GRANTS
Vermont Arts Council Artist Development Grant, to help support the cost of creating a studio cast
recording of the songs in O, Caligula!, April 2015
University of Vermont Humanities Center Lattie F. Coor Programming Grant to help support
Burlington premiere production of O, Caligula!, March 2015
Lattie F. Coor Award, College of Arts and Sciences, University of Vermont, support for creating a
musical and theatrical work featuring solo flute and puppets, 2011-12
Lattie F. Coor Award, College of Arts and Sciences, University of Vermont, for The
Solo Workshop’s “Significant Others,” 2010-11
College of Arts and Sciences, University of Vermont, Faculty Research Support Award (for The
Solo Workshop: Inquiry into Solo Creation and Performance), 2008-2009
Dean’s Fund, College of Arts and Sciences, University of Vermont (Mannes Institute, Rochester,
N.Y.), summer 2008
University of Vermont Kroepsch-Maurice Excellence in Teaching Award, Assistant Professor,
2005-2006
Dean’s Fund, College of Arts and Sciences, University of Vermont (Sorbonne, Paris), January
2004
PROFESSIONAL ACTIVITIES
Publications in Print or Forthcoming
“Barter.” Medina, New York: Imagine Music Publishing, 2013.
“How to Write a Jazz Composition’s Chord Progression.” Journal of Music Theory Pedagogy
Volume 26 (2012): 29-58.
“Harmonic Plateaus in Two Works by Wayne Shorter.” Jazz Perspectives Volume 5, Issue 3
(2011): 163-183.
“The Last Kind Day.” Medina, New York: Imagine Music Publishing, 2010.
“‘Sakeena’s Vision’: The Trifocal Organization of Harmonic Relations in One of Wayne
JULIEN, page 3 of 14
Shorter’s Early Compositions.” Theory and Practice Volume 34 (2009): 107-140.
“Bright Red Socks.” Medina, New York: Imagine Music Publishing, 2007.
Review of Michelle Mercer’s footprints: The Life and Work of Wayne Shorter. Annual Review of
Jazz Studies 13, 2003 (2007): 207-221.
“Four-Way Voicings in Jazz Arranging.” Jazz Education Journal 39/1 (August 2006): 56-60.
“Some Days Fly.” Medina, New York: Imagine Music Publishing, 2006.
“The Function of Non-Functional Harmony.” Jazz Educators Journal 34/2 (September 2001): 5256.
Original Compositions, performed
Solo flute compositions
w “Coincidental Circumstances” (for solo flute and dancer)
Performed: Patricia Julien, flute; Lynn Ellen Schimoler, dancer, for The Solo Workshop’s
“Assigned Allies,” January 30, 2015 (Lane Series, UVM Recital Hall, Burlington, Vt.)
w “Kindred Spaces” (for solo flute with electronics, and puppet)
Performed: Patricia Julien (with Kevin Christopher, puppeteer), for The Solo Workshop’s
“Magnetic Personalities,” June 16, 2012 (FlynnSpace, Burlington, Vt.)
w “Power” (I. Taboo, II. Space, III. Voice)
Performed (“Taboo”): Patricia Julien, March 7, 2015 (Women Composers Festival of
Hartford, Hartford Connecticut)
Performed (“Taboo”): Patricia Julien, February 23, 2014 (Faculty Scholarship Concert,
University of Vermont, Burlington, Vt.)
Performed (“Voice”): Patricia Riley, May 27, 2013 (Inner Mongolia University Art College,
China)
Performed: Patricia Julien, for The Solo Workshop’s “Isolation Interference,” February 28,
2009 (FlynnSpace, Burlington, Vt.)
Solo piano composition
w “Small”
Performed: Ellen Stanton in the Portland Conservatory of Music’s Fourth Annual Back Cove
Festival, April 14, 2012 (Memorial Hall, Portland, Maine)
Performed: Sylvia Parker, May 8, 2008 (New Bedford, Vt.); April 24, 2008 (UVM Recital
Hall, Burlington, Vt.)
Solo guitar composition
w “After Many Days Without Rain”
Performed: Aaron Larget-Caplan; December 10, 2011 (New School of Music, Cambridge,
Mass.); September 29, 2011 (UVM Recital Hall, Burlington, Vt.)
Trio for flute, clarinet, and bassoon
w “The Last Kind Day”
Performed: Third Wheel (Karin Kantenwein Fabiero, Laura Stoutenborough, Rebecca
Rivera), October 19, 2014 (Temecula, Calif.)
Performed: Mary Matthews, Alex Kollias, Dorian Antipa, March 6, 2014 (Hartford, Conn.)
Performed: Intersection, The New Music Ensemble at Sam Houston State University, spring
2008 concerts (Huntsville, Texas)
Performed: Vermont Contemporary Music Ensemble, October 6, 2006 (Montpelier, Vt.) and
October 7, 2006 (Burlington, Vt.)
Published: Imagine Music Publishing (2010)
JULIEN, page 4 of 14
Trio for flute, clarinet/bass clarinet, and classical guitar
w “Stillness,” “Grooved” (inspired by poem #2 and #8 from The Husband’s Tale by David
Huddle)
Performed: Vermont Contemporary Music Ensemble, April 18, 2015 (Burlington, Vt.) and
April 17, 2015 (Montpelier, Vt.)
Concert band composition
w “Constancy and Change”
Performed: University of Vermont Concert Band, October 30, 2006
Orchestra composition
w “Among the Hidden”
Performed: University of Vermont Symphony Orchestra, November 12, 2013
SATB Choir compositions
w “Stars” (a cappella, words by Sara Teasdale) [commission]
Performed: Burlington Choral Society, November 19, 2011
w “Vermont” (a cappella, words by Sarah N. Cleghorn) [commission]
Performed: Social Band, November 3 (Richmond, Vt.), November 4 (Hinesburg, Vt.),
November 10 (Burlington, Vt.), and November 11 (Charlotte, Vt.), 2012
Performed: Social Band, April 2, April 3, April 9, April 10, 2011
w “Barter” (with piano accompaniment, words by Sara Teasdale) [commission]
Performed: Unitarian Universalist Musicians Network, 2105 UUMN National Conference,
Boston, Mass., July 25, 2015
Performed: Burlington Unitarian Universalist Choir, January 30, 2011
Performed: Burlington Unitarian Universalist Choir, November 7, 2010
Published: Imagine Music Publishing (2013)
w “Some Days Fly” (a cappella)
Performed: UVM Jazz Vocal Ensemble, December 2, 2009
Published: Imagine Music Publishing (2006)
w “Bright Red Socks” (a cappella)
Performed: UVM Jazz Vocal Ensemble, April 25, 2007
Published: Imagine Music Publishing (2007)
w “Three Songs at Winter’s End” (a cappella, words by April Bernard)
Performed: “Large Crow” by Counterpoint, August 2 (Hanover, N.H.), August 3 (Waitsfield,
Vt.), and August 6 (Burlington, Vt.), 2013
Performed: “Large Crow” by the San Francisco Choral Artists, California ACDA (American
Choral Directors Association) 2013 Conference, session: “Great Literature by Women
Composers,” Oakhurst, Calif., July 30, 2013
Performed: “Large Crow” by Counterpoint, April 5 (Colchester, Vt.), April 6 (Montpelier,
Vt.), April 7 (Manchester, Vt.), 2013
Performed: “Large Crow” by the San Francisco Choral Artists, March 2 (San Francisco,
Calif.), March 9 (Palo Alto, Calif.), March 10 (Oakland, Calif.), 2013
Performed: “Large Crow” by the San Francisco Choral Artists, June 9 (Palo Alto, Calif.),
June 10 (Oakland, Calif.), June 16 (San Francisco, Calif.), 2012
Performed: University of Vermont Catamount Singers, April 20, 2005
Big band compositions
w “On Deck”
Performed: UVM Swing Ensemble, April 29, 2014
Performed: Winooski Valley Jazz Festival high school big band, Harwood Union High
School, Moretown, Vt., February 7, 2014
JULIEN, page 5 of 14
w “Lovely Would Be Nice”
Performed: UVM University Jazz Ensemble, November 15, 2012
w “Something from Nothing”
Performed: Winooski Valley Jazz Festival high school big band, Harwood Union High
School, Moretown, Vt., February 7, 2014
Performed: Westfield State University Big Band, Westfield Festival of New Music,
Westfield, Mass., March 3, 2013
Performed: UVM University Jazz Ensemble, December 3, 2009
w “Silver Dollar”
Performed: Iowa Composers Forum, Connections—A Cedar Rapids Festival of New Music,
Sinclair Auditorium, Coe College, November 6, 2004
Small-group instrumental compositions
w “Little C for Seth”
Performed: the Patricia Julien Project, Juniper at Hotel Vermont, Burlington, Vt., September
16, 2015, June 12, 2015 and January 21, 2015
Performed: the Patricia Julien Project, UVM, March 15, 2015
w “Bingo Was Her Name,” “All There Is,” “The Ancient Ones”
Performed: the Patricia Julien Project, Juniper at Hotel Vermont, Burlington, Vt., September
16, 2015, June 12, 2015 and January 21, 2015
Performed: the Patricia Julien Project, UVM, March 15, 2015
w “Captain Hook”
Performed: Scott Wilson quartet: Society of Composers, Inc. 50th Anniversary National
Conference, Gainesville, Fl., November 14, 2015
Performed: Chris O’Neill, guitar; Bryan Killough, guitar; Greg Rothwell, bass; and Eric
von Oeyen, drums: Parma Music Festival, Portsmouth, N.H., August 16, 2013
Performed: Patricia Julien Project, First Night Burlington, 242 Main, December 31, 2012
Performed: Patricia Julien Project, Muddy Waters, September 6, 2012
w “El Cocodrilo”
Performed: UVM Latin Jazz Ensemble, Ray Vega, director, Southwick Ballroom, May 1,
2012
w “Proximity,” “Zee,” “Zip Zip”
Performed: the Patricia Julien Project, the Burlington Discover Jazz Festival, June 5 and 7,
2011
w “Glee”
Performed: music for “Bump” in Dancing Uphill, Mann Hall, March 27, 28, and 29, 2008,
and University of Vermont Faculty Recital, October 1, 2005
w “Make Me”
Performed: University of Vermont Faculty Recital, October 1, 2005
w “Without”
Performed: University of Vermont Faculty Recital, October 1, 2005, and University of
Vermont Original Music Faculty/Student Concert, April 13, 2005
w “To Meg”
Performed: by Chris O’Neill, guitar; Bryan Killough, guitar; Greg Rothwell, bass; and Eric
von Oeyen, drums: Parma Music Festival, Portsmouth, N.H., August 16, 2013
Performed: University of Vermont Faculty Recital, October 1, 2005, and University of
Vermont Original Music Faculty/Student Concert, April 13, 2005
w “Nowhere to Hide”
Performed: University of Vermont Jazz Faculty Concert, March 24, 2004
JULIEN, page 6 of 14
w “Consolation Prize,” “Lady Ann Lane,” “Last Night,” “On A Spider’s Web,” “Sky Pointing,”
“Touch Me Goodbye”
Performed: various NYC venues (such as Birdland, 55 Bar, Rathbone’s, The Angry Squire)
by Main Street, Suite 3, The Keynote Quartet, Dr. Butensky, 1991-1995
Solo voice with accompaniment compositions
w “Mother to Son” (words by Langston Hughes) for mezzo soprano, viola, and piano
(commission)
Performed: Arioso (Linda Radtke, Elizabeth Reid McQuillan, and Alison Cerutti); Goddard
College, Eliot D. Pratt Library, WGDR 91.1 FM, Plainfield, Vt., April 28, 2014
Performed: Arioso (Linda Radtke, Elizabeth Reid McQuillan, and Alison Cerutti); United
Church, Northfield, Vt., March 29, 2014
Performed: Nakia Verner, mezzo soprano; Jonathan Goren, violin; Jason Solounias, piano;
New Voices @ CUA, Festival of New Vocal Music, Ward Recital Hall, Catholic University,
January 25, 2014
w “Mr. Pate’s Barbershop” (for tenor and jazz combo, words by Major Jackson)
Recorded: Matt Wright and jazz combo, August 3, 2010
w “More Than I Can Say”
Performed: Amber deLaurentis, for The Solo Workshop’s “Significant Others,” Flynn Center
for the Performing Arts, Burlington, Vt., May 8, 2010
w “Attitude”
Performed: Tori Castillo and Mila Abbasova for the Society of Composers, Inc. Region VI
Conference, West Texas A & M University, Canyon, Texas, October 6, 2012
Performed: Evelyn Kwanza and Sylvia Parker, Recital Hall, UVM, March 19, 2010
Performed: Peigi Leach and Becky Waters, Second Annual UAHuntsville New Music
Festival, Roberts Recital Hall, Huntsville, AL, February 4, 2010
Performed: Evelyn Kwanza and Sylvia Parker, Davis Center, UVM, November 10, 2009
w “Feels Like Home”
Performed: Belhurst Castle, Geneva, N.Y., November 11, 2001
Music for dance
w “There is no need and no desire” (electronic music)
Performed: Scotty Hardwig, dancer, for The Solo Workshop’s TSW V, February 20, 2016
(Middlebury College, Middlebury, Vt.), February 19, 2016 (Lane Series, UVM Recital Hall,
Burlington, Vt.)
Music for theater
w Original incidental music for the Saints & Poets production of A Winnie-The-Pooh Christmas
Tail by James W. Rodgers (book, music, and lyrics), directed by Kevin Christopher and Jess
Wilson
Performed: The Off Center for the Performing Arts, Burlington,Vt., December 5-13, 2015
w Original score/musical for the UVM Department of Theatre production of The Persecution
and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of
Charenton under the Direction of the Marquis de Sade (a.k.a. Marat/Sade) by Peter Weiss,
directed by Gregory Ramos
Performed: Royall Tyler Theatre, Burlington, Vt., November 5-15, 2015
w Original musical, O, Caligula! (with book and lyrics by Kevin Christopher), Saints & Poets
Production Company, directed by Seth Jarvis
Performed: The Off Center for the Performing Arts, Burlington,Vt., April 16-May 2, 2015
w Original score for the Saints & Poets production of Winnie The Pooh by A. A. Milne, adapted
by Kristin Sergel, directed by Kevin Christopher and Jess Wilson
JULIEN, page 7 of 14
Performed: The Off Center for the Performing Arts, Burlington,Vt., October 10-19, 2014
w Original song, “Anna’s Theme” composed for Theatre Kavanah’s production of Anna’s
Journal by Joy Kipp, directed by Wendi Stein.
Performed: The Black Box Theater, Main Street Landing Performing Arts Center, Burlington,
Vt., November 14-17, 2013
w Original score for the Saints & Poets production of The Witches by Roald Dahl, adapted by
David Wood, directed by Kevin Christopher
Performed: The Black Box Theater, Main Street Landing Performing Arts Center, Burlington,
Vt., May 9-19, 2013
w Original score for the UVM Department of Theatre production of The Arabian Nights by
Mary Zimmerman, directed by Sarah Carleton
Performed: Royall Tyler Theatre, Burlington, Vt., November 1-11, 2012
w Original score for the Saints & Poets production of Peter Pan by J.M. Barrie, directed by
Kevin Christopher
Performed: The Black Box Theater, Main Street Landing Performing Arts Center, Burlington,
Vt., May 11-20, 2012
w Original composition (commission), “Surgery Song,” for Vermont Stage Company’s
production of The Clean House by Sarah Ruhl, directed by Cristina Alicea
Twelve performances: FlynnSpace, Burlington, Vt., January and February 2012
w Original score (including “Eurydice,” “Nasty’s Game,” and “String Room”) for UVM
Department of Theatre production of Eurydice by Sarah Ruhl, directed by Sarah Carleton
Performed: Royall Tyler Theatre, Burlington, Vt., October 1-4, 9-12, 2008
w Original score (including “Brooklyn,” “Slo Gin Fizz,” “Ostentatious Poverty,” “Not This
Time Either,” “Persuaded Inch,” and “Lovely Would Be Nice”) for various productions of
Rachel Perlmeter’s play Ostentatious Poverty, written and directed by Rachel Perlmeter
Performed: Vermont Jazz Center, Brattleboro, Vt., May 24, 2008; Lost Nation Theater,
Montpelier, Vt., January 24-27, 2008; WRUV 90.1 FM, November 12, 2007; Champlain
College, November 10, 2007; Burlington Discover Jazz
Festival, FlynnSpace, June 3, 2007
w Original score, “India Song,” for UVM production of Marguerite Duras’s play India Song
Performed: Patricia Julien Trio, December 1-3, 2006
Arrangements of Music for Ensembles, performed
SATB Choir arrangement
w “Black is the Color” (a cappella with optional piano accompaniment, American Folk Song)
2016
Orchestral arrangement
w “’Round Midnight” by Thelonious Monk, Cootie Williams, Bernie Hanighen
Performed: UVM University Symphony Orchestra, April 17, 2012
Performed: UVM University Symphony Orchestra, November 11, 2003
Big band arrangement
w “Infant Eyes” by Wayne Shorter
Performed: UVM University Jazz Ensemble, April 18, 2013
Performed: Bohemian Caverns Jazz Orchestra, Washington, D.C., June 28, 2010
Performed: University of Maryland Jazz Ensemble, December 4, 1996 and May 12, 1997
Small-group arrangements
w “Sincerely Diana” by Wayne Shorter
Performed: Glenarden, Md., July 18, 1998
JULIEN, page 8 of 14
w “Bluesette” by Toots Thielemans
Performed: Manhattan School of Music, December 1987
Marching band arrangements
w “Sanford and Son” by Quincy Jones
Performed: The Mighty Sound of Maryland, fall season 2000
w “Good Morning America Credits” by Michael Whalen
Performed: live national broadcast, October 23, 1998
Works Completed, not performed
Solo voice with accompaniment compositions
w “Mementos” (words by Patricia Julien) for soprano and piano [commission, 2013]
Small-group instrumental jazz compositions
w “Doing Dishes” (for flute and two rhythm sections)
w “Hale Bop”
w “Tou”
Solo instrumental composition
w “Explorations of a Mouse Melody” (for solo piccolo)
Big band arrangements
w “Lady Bird” by Tadd Dameron
w “Not A Word” by Alec Julien
w “The Days of Wine and Roses” by Henry Mancini
Recitals and Public Performances (Selected)
Jazz, Featured Flutist
w Patricia Julien Project, Juniper at Hotel Vermont, Burlington, Vt., September 16, 2015, June
12, 2015 and January 21, 2015
w Patricia Julien Project, Discover Jazz Festival, Burlington, Vt., City Hall Stage, June 7, 2014
w Patricia Julien Project, First Night Burlington, December 31, 2013
w Patricia Julien Project, Juniper at Hotel Vermont, Burlington, Vt., November 20, 2013 and
August 7, 2013
w Patricia Julien Project, Discover Jazz Festival, Burlington, Vt., June 4 (Red Square), June 5
(Leunig’s), and June 5 (Juniper at Hotel Vermont), 2013
w Patricia Julien Project, First Night Burlington, December 31, 2012
w Patricia Julien Project, Muddy Waters, Burlington, Vt., September 6, 2012
w Patricia Julien Project, Red Square, Burlington, Vt., June 26, 2012
w FlynnSpace, The Solo Workshop’s Magnetic Personalities, “Kindred Spaces” for solo flute,
electronics, and puppet, June 16, 2012
w Queen City Bossa, Discover Jazz Festival, Burlington, Vt., June 4, 2012
w Patricia Julien Project, Discover Jazz Festival, Burlington, Vt., June 3, 2012
w Patricia Julien Project Still Light At Night CD release concert, Southwick Hall Ballroom,
Burlington, Vt., March 24, 2012
w UVM Faculty Scholarship Concert, Music Building Recital Hall, February 26, 2012
JULIEN, page 9 of 14
w Fragile Zoe, First Night Burlington, December 31, 2011
w Patricia Julien Project, Discover Jazz Festival, Burlington, Vt., June 5 and 7, 2011
w Queen City Bossa, Discover Jazz Festival, Burlington, Vt., June 3, 10, and 11, 2011
w Patricia Julien Project, Muddy Waters, Burlington, Vt., February 4, 2011
w Jazz Vibes Trio, Mike Benedict, leader, The Bar at 74 State, Albany, NY, January 15, 2011
w Patricia Julien Project, Marriott, Burlington, Vt., January 7, 2011
w Fragile Zoe, First Night Burlington, December 31, 2010
w Fragile Zoe, Discover Jazz Festival, Burlington, Vt., June 8, 2010
w Fragile Zoe, Club Metronome, Burlington, Vt., April 1, 2010
w Fragile Zoe, First Night Burlington, December 31, 2009
w “Ostentatious Poverty,” Vermont Jazz Center, Brattleboro, Vt., The Patricia Julien Quartet,
May 24, 2008
w Fragile Zoe, FlynnSpace, Burlington, Vt., February 9, 2008
w “Ostentatious Poverty,” Lost Nation Theater, Montpelier, Vt., The Patricia Julien Quartet,
January 24-27, 2008
w Fragile Zoe, Nectar’s, Burlington, Vt., November 30, 2007
w Soloist with the University Symphony Orchestra, performing “Agoo” by guest artist Sowah
Mensah, November 14, 2007
w “Ostentatious Poverty” performed live on WRUV 90.1 FM, The Patricia Julien Quartet,
November 12, 2007
w “Ostentatious Poverty,” Champlain College, The Patricia Julien Quartet, November 10, 2007
w UVM Faculty Jazz Concert, Music Building Recital Hall, October 11, 2007
w “Ostentatious Poverty,” Discover Jazz Festival, FlynnSpace, The Patricia Julien Quartet, June
3, 2007
w UVM Production of Marguerite Duras’s play India Song, The Patricia Julien Trio, December
1-3, 2006
w Faculty Recital, Music Building Recital Hall, October 1, 2005
w Discover Jazz Festival, Flynn MainStage, The BDJF Orchestra with Randy Brecker
(trumpet), June 5, 2005
w UVM Original Music Faculty/Student Concert, Patricia Julien Quartet, April 13, 2005
w Ella Fitzgerald Tribute Concert, Newport, September 25, 2004
w UVM Jazz Faculty Concert, Music Building Recital Hall, March 24, 2004
w Capital Jazz Salon Concert Series, Montpelier, March 19, 2004
w First Night Burlington, 2004 (with the Tom Cleary Trio), Flynn Space, December 31, 2003
w Faculty Recital, the Alec Julien Quartet, October 18, 2003
w Discover Jazz Festival, Twilight Jazz on the Marketplace, June 3, 2003
JULIEN, page 10 of 14
w Ella Fitzgerald Night, Vermont College, April 5, 2003
w UVM Faculty Jazz Concert, Music Building Recital Hall, March 30, 2003
w Benefit performance for Burlington Bread, Contois Auditorium, January 31, 2003
w First Night Burlington, 2003 (guest flutist with the Tom Cleary Jazz Trio and Karen Amirault
Dance Company), Memorial Auditorium Mainstage, Flynn Center Mainstage, December 31,
2002
w Skidmore College Faculty-Student Collaborative Concert, Saratoga Springs, March 1, 2002
w Leader, Patricia Englert Trio, performances in various NYC venues such as Augie’s, CafJ
GianLuca, Gas Point, Paulson’s, The Carriage House, Rathbone’s, 1987-1995
w WPKN, Connecticut, “Jazz Adventures, Live” hosted by Phil Bowler, ca. 1992
w Scarlett Antonia’s Performance Company, performances at venues such as the West Side
Dance Project and The ChoreoSpace, 1989-1990
w WHEC, Rochester, N.Y., Channel 10 “News at Noon, Live,” September 1990
Jazz, Ensemble Artist
w Benefit performances for the Humane Society of Chittenden County, Patricia Julien Trio,
August 19, 2010, November 7, 2009, August 20, 2009, July 23, 2009, October 25, 2008,
August 21, 2008, July 26, 2007, August 23, 2007, July 20, 2006, and August 24, 2006
w UVM Annual Women’s Awards Banquet, Patricia Julien Trio, March 23, 2009, March 24,
2008, March 26, 2007, April 27, 2006, April 26, 2005, May 12, 2004
w Robert Hull Fleming Museum, “An Eye Toward Nature,” Opening Reception, October 2,
2004
w Discover Jazz Festival, NECI (with the Joe Capps Trio), June 10, 2004
w Vermont Cancer Center’s 16th Annual National Cancer Survivors Day, Patricia Julien Trio,
Shelburne Farms Coach Barn, June 1, 2003
w International Women’s Day, Billings Student Center, March 7, 2003
Folk/Pop Music, Featured Flutist
w Karen McFeeters, “Maybe Day” CD Release Show, Flynn Space, October 23, 2004
w Don Sheldon/Mitch Barron, Huntington Valley Arts Festival, September 12, 2004
World Music, Featured Flutist
w Srinivas Krishnan, UVM Faculty Scholarship Concert, Music Building Recital Hall, February
21, 2016
w Atilla Engin (Turkish jazz percussionist, singer, and composer) New World Orchestra (7-
piece ensemble), concert performance at Weill Recital Hall, December 8, 1993; jazz club
engagements at various NYC venues such as The New Music Café, CBGB’s, AkA, The West
End Gate, 1992-1995
w Dariush (Iranian folk-rock singer), concert performance at Carnegie Hall, June 3, 1990, The
Kennedy Center, April 1991; concert tours of the eastern United States, Canada, Sweden,
England, Denmark, France, Norway, 1990-1992
Rock, Featured Flutist and Vocalist
JULIEN, page 11 of 14
w Katja, performance at Grand, November 17, 1993
w Andy McCann Band, performances in various NYC venues such as CBGB’s, The Bitter
End, 1987-1989
Classical, Featured Flutist
w UVM Faculty Scholarship Concert, Music Building Recital Hall, February 23, 2014
w Principal flutist, premiere of “Emergent Universe Oratorio” by Sam Guarnaccia, Shelburne
Farms Breeding Barn, Shelburne, Vt., September 15, 2013
w University of Vermont Symphony Orchestra, “Bombay Theme” by A. R. Rahman
(Burlington, Vt.), April 27, 2013
w FlynnSpace, The Solo Workshop’s Isolation Interference, “Power” (I. Taboo, II. Space,
III.Voice) for solo flute, February 28, 2009
w Brooklyn Conservatory of Music Concert Series, Chamber ensemble (flute, classical guitar,
soprano), December 18, 1991
w The Field, “Three Pools” by Don Howell, (flute, guitar, dancer), March 21, 1990
w Saatchi & Saatchi Advertising television commercial for the New York Philharmonic Free
Parks Concerts, July 1989
w Alice Tully Hall (Ushers Onstage), “Suite for Flute and Jazz Piano” by Claude Bolling,
January 5, 1988
w Alice Tully Hall (Ushers Onstage), “A Housefull of Cats (A Bedtime Story)” by Cary
Masters, New York Premiere, (chamber ensemble), January 5, 1988
w WXXI National Public Radio “Sonata for Flute and Piano” by Francis Poulenc, May 13,
1981
Recordings (Selected)
Jazz, Featured Flutist
w Swimming in the Sun, Patricia Julien Project, Haiku Monkey Media, 2015
w Still Light At Night, Patricia Julien Project, Haiku Monkey Media, 2012
w Serendipity, Anthony Geraci, 2011
w Frame Problem, Fragile Zoe, Haiku Monkey Media, 2010
w Glee, Patricia Julien Project, Haiku Monkey Media, 2006
w Walking Tunes, Alec Julien Quartet, Bending Tree Records, 2003
w America, The Missing Peace, Dan Nilsson, Lumison Records, 1995
Rock/Folk/Jazz, Flutist
w String Theory, The Will Patton Ensemble, Kings Hill Music, 2005 (featured on tracks 6 and
11)
w Maybe Day, Karen McFeeters, 2004 (featured on tracks 1 and 12)
w What Comes Up, Don Sheldon/Mitch Barron, Pilot Ti Recordings, 2004 (featured on tracks 2,
6, and 10)
w Unemployed, Joe Bass, 2003 (featured on track 6)
JULIEN, page 12 of 14
Gospel, Flutist
w A Celtic Mass for Peace: Songs for the Earth, Sam Guarnaccia and Philip Newell, 2008
w A Triumph of Grace, Adrian Westney, Jr., AT Music, 1997 (featured on track 13)
Invited Lectures, Papers, and Presentations
“Tonal Plateaus in Two Works by Wayne Shorter” (conference paper)
Society for Music Theory national conference
Seattle, Washington, November 14, 2004
“Tonal Plateaus in Two Works by Wayne Shorter”
New England Conference of Music Theorists
Boston University
Boston, Massachusetts, April 17, 2004
“Tonal Plateaus in Two Works by Wayne Shorter”
Music Theory Society of New York State
Eastman School of Music
Rochester, New York, April 4, 2004
“Harmonic Relations in Wayne Shorter’s Early Compositions: An Analysis of ‘Suspended
Sentence’” (invited lecture)
The Sorbonne
Paris, France, January 12, 2004
“Introduction to Jazz Improvisation” (invited lecture)
Hartwick College
Oneonta, New York, March 15, 2002
“Enticing Icing: The Beauty of Non-Functional Harmony in Selected Jazz Compositions” (invited
lecture)
Lecture Series – Thinking About Music
George Washington University, April 12, 2001
“What Key Is It In?: Wayne Shorter’s Non-Functional Use of Harmony” (invited lecture)
Salisbury State University
Salisbury, Maryland, February 2000
“Wayne Shorter: ‘Sincerely Diana’” (conference paper)
Society for Music Theory national conference
University of North Carolina
Chapel Hill, North Carolina, December 1998
“A Tribute to Lee Morgan” (panel speaker)
Earle Gullins, moderator
Glenarden, Maryland, July 18, 1998
“Don Byron: ‘Music for Six Musicians’” (panel speaker)
Don Byron, guest artist; Tom Bickley, moderator
University of Maryland, October 3, 1997
Professional Development
Faculty Resource Network at New York University, “Cosmopolitanism and Pop Culture,” led by
Jason King, June 10-14, 2013
JULIEN, page 13 of 14
Faculty Resource Network at New York University, “New Orleans Jazz: A Metaphor for
American Life,” led by Michael Gerard White, June 11-15, 2012
Hudson Jazz Workshop, led by Armen Donelian and Marc Mommaas, with guest artist Jim
McNeely, Hudson, N.Y., August 12-15, 2010
Mannes Institute for Advanced Studies in Music Theory, Eastman School of Music, “Jazz Meets
Pop,” June 15-18, 2008
Faculty Resource Network at New York University, “Modern Jazz and the Political Imagination,”
led by Robin D. G. Kelley, June 6-10, 2005
MEMBERSHIP IN PROFESSIONAL SOCIETIES
Society for Music Theory
Music Theory Society of New York State
ASCAP
Society of Composers, Inc.
SERVICE TO PROFESSIONAL ORGANIZATIONS
Society for Music Theory
w National conference meetings (1998-2000, 2002-2005, 2008, 2009)
Founder and organizer of, and performer in, annual jazz jam session
w Chair, SMT-Jz NASM task force (2009-2010)
w Founding member, Award Committee for the Jazz Special Interest Group (2002-2006)
Music Theory Society of New York State
w Program committee member for 2006 annual meeting
w Session chair (Lecture/Performance: Conversations with Monk and Evans) and panel
moderator (Jazz Analysis Round-Table Discussion), Skidmore College, April 8, 2006
Music Teachers National Association
Reviewer of Vermont compositions for MTNA competition, High School level, 2015
Music Theory Online
Reviewer of article resubmitted for publication consideration, 2015
Music Theory Spectrum
Reviewer of two articles submitted for publication consideration, 2014
Journal of Jazz Studies
Reviewer of article submitted for publication consideration, 2012
Music Theory Spectrum
Reviewer of article submitted for publication consideration, 2012
Theory and Practice
Reviewer of article submitted for publication consideration, 2010
Journal of Music Theory
Reviewer of article submitted for publication consideration, 2006
JULIEN, page 14 of 14
REFERENCES
Available upon request