int ernat ional show of t he arts of t hread SIMPLY MODERNE #8 n 9edition th g n i itt Em o br K 2017 id e dozens of artists and designers from all over the world Amy and David Butler, Di Ford, Misao Wada, Ségolaine Schweitzer, Bonnie Sullivan, Kaffe Fassett and many others… rd Exceptional exhibits, the ANTIQUE WELSH QUILTS and PASSACAGLIA More than 120 selected stands, workshops, live wide-screen demos and an open space for bloggers to stop and chat in a friendly atmosphere. www.pourlamourdufil.com N#8 UK £11.99 - US $17.99 - CAN $21.99 - NZ$24.99 - AUS$24.99 - Printed in USA APRIL 19 -23 2017 th QUILTS & CRAFTS NANT ES Butler uilt i n g Design by David SIMPLYModerne Q Sewing ry The show will open on Wednesday at 6pm till 10pm for a special opening night! SIMPLY Moderne QUILTS & CRAFTS 8 ISSUE N° 2 color IMPROVISATIONS I N T E R N AT I O N A L E X H I B I T I O N curated by NANCY CROW Color Improvisations 2 is a special invitational exhibition of contemporary quilts curated by Nancy Crow, one of the most celebrated and influential quilt artists and teachers in the world. Color Improvisations 2 includes 50 large and spectacular quilts by 43 artists from Canada, France, Germany, Great Britain, Switzerland, Japan, and the United States. All of the quilts were made specifically for the exhibition, which includes a new quilt by Nancy Crow. Color Improvisation Nancy Crow - USA - 2015 by ROBERT SHAW Moby Dick 3 Kit Vincent - CANADA - 2015 205 x 206 cm Color Improvisations 2 grew out of what Nancy Crow calls her “ongoing mission to bring back the majesty, strength, and energy of large textile works, specifically large quilts.” In her introduction to the exhibition’s catalogue, she asks, “Why not work large? Why not take advantage of this wonderful attribute of the quilt? I believe that those of us who love working with fabric were originally drawn to this medium by its large forceful presence and the freedom to use color joyously.” 219 x 222 cm 36 SIMPLYModerne SIMPLYModerne 37 Report Report Memories of Oaxaca Anne Parker - USA - 2015 203 x 213 cm Fire Works / Feuer Werk Anette Tatchen - 2015 224 x 224 cm All of the quilts in the exhibition are colorful abstract compositions that were machine-pieced, primarily from hand-dyed fabrics, and also quilted by machine. And all are indeed large and dramatic—between 80 and 90 inches in height and width. The exhibition premiered at the Museum Tuch+ 38 SIMPLYModerne Technik in Germany in March 2016, and 23 of the 50 quilts were exhibited as part of the 22nd annual European Patchwork Meeting in Sainte-Marieaux-Mines, in the heart of Alsace in northeastern France, from September 14-18, 2016. Many of the participating artists attended the event. SIMPLYModerne 39 Report Report Color Improvisations 2 is a powerful, groundbreaking exhibition that presents contemporary quilts as art. Taken as a whole, the quilts in this show represent a body of work as compelling, coherent, and distinctive as the Gee’s Bend, Louisiana quilts that shook up the art world when they were first exhibited in the early 2000s. While each of the artists included in Color Improvisations 2 maintains a strong individual artistic identity, the group’s collective use of solid colors, improvisatory piecing, and intricate machine quilting are all at the service of gloriously pure abstract design. Nancy Crow, who has been making pieced quilts for nearly forty years, has been a pioneer in moving quilts from a traditional handcraft to an art medium, from the bed to the wall. As Jean Robertson, Professor of Art History, the Herron School of Art and Design and adjunct professor in Women’s Studies at Indiana University-Perdue University in Indianapolis, Indiana, has written: “As an activist, teacher, and curator, Nancy Crow was a catalyst and prime mover of the art quilt movement. Today, she stands at the forefront of innovative quiltmaking, and she is one of the premier colorists in contemporary American art, no matter what medium one surveys." Curvilinear 15 Ellin Larimer - USA - 2015 218 x 213 cm Lupine Lilian Heer - SWITZERLAND - 2015 210 x 210 cm Glimpse of my New Country Connie Carrington - USA - 2015 211 x 213 cm 40 SIMPLYModerne Crow has taught quiltmaking in countries around the world, and her work is represented in the collections of the Renwick Gallery at the National Museum of American Art, Smithsonian; the Museum of Art and Design and the American Folk Art Museum in New York City; the Indianapolis Museum of Art; and the International Quilt Study Center & Museum at the University of Nebraska, Lincoln. SIMPLYModerne 41 Report Report Drawing Class Connie Carrington - USA - 2015 218 x 206 cm She is the subject of the book Nancy Crow (Breckling Press, 2006), and the author of Nancy Crow: Quilts and Influences (American Quilters’ Society, 1989), Improvisational Quilts (C & T Publishing, 1995), and other books. Crow says she has always compared pieced quiltmaking to painting. “Both require a strong classical sense of figure/ ground composition,” she explains in the exhibition catalogue, “and experienced knowledge of how to mix and create colors (for quiltmakers, through dyeing cotton or silk fabrics), a strong sense of proportions, and drawing ability. In addition, the quiltmaker must have a practiced expertise in cutting all the parts, one at a time, out of fabric and then pinning/working vertically on a huge wall. This requires strong engineering abilities coupled with common sense to put sometimes hundreds, if not thousands, of parts together by sewing each to the next. Unlike painting, fabric colors, shapes, and lines are not brushed on or glued together, but sewn together. And to be able to cut parts, shapes, and lines by eye and then to manage color and value demands hours and hours of practice. The quilt-maker’s eye must be able to coordinate infinite calibrations with the muscle control of hand, wrist, and arm. The entire operation is physical and requires strength. It takes obsessiveness, intensity, practice, practice, practice, and a great eye.” A portion of Color Improvisations 2 will be on view at the International Patchwork Festival in Sitges, Spain from March 9-12, 2017, and the entire exhibition will be 42 SIMPLYModerne Projects shown at the Kurpfälzisches Museum in Heidelberg, Germany from April 2–August 13, 2017, and at Hallen am Rhein in Schaffhausen, Switzerland from September 8–September 30, 2017. Following travel in Europe, Color Improvisations 2 will be available to venues in North America in 2018 and 2019. Art historian and curator Robert Shaw is coordinating the North American tour of Color Improvisations 2. For more information about Color Improvisations 2: www.colorimprovisations2.org or contact Robert Shaw at: [email protected] or (802) 734-2632. Robert Shaw is an independent scholar and curator and the author of such critically acclaimed books as American Quilts: The Democratic Art, The Art Quilt and America's Traditional Crafts. He has curated exhibitions at the National Gallery of Art, the University of Michigan Art Museum, the Tokyo Great International Quilt Festival, and the Dallas Museum of Natural History, and lectured at the American Folk Art Museum, Sotheby's, the Baltimore Museum of Art, the de Young Art Museum, and dozens of other venues. Cogwheels 44 Calling all Birds 50 Dash 56 October 20th 62 Painted Ladies 68 Corsage 74 Organic 80 Rainbow 86 Sous les Alizés 92 Technical lesson with Kathy Doughty and the project: Mini-Mandalas 106 Technical lesson with Modern Quilt Guild and the project: Dusky Cactus 114 Blue Dahlia 118
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