English I Intensive Romeo and Juliet Whole-Group Instruction 20 Minutes Small-Group Instruction 20 Minutes Instructional Software Modeled and Whole-Group Wrap-Up 20 Minutes Independent Reading 10 Minutes 20 Minutes Day 1 No Rotations 1 - Shakespearean Insults 2 - Slang Translation 3 Shakespeare bingo Day 2 rBook pg 188 - Think aloud compare and contrast reading skill rBook pg 190 Students practice compare and contrast reading skill Read 20 minutes Day 3 Read Prologue from rBook Journal 1 in different ways to emphasize the meaning (See rBook Journal 1 for ideas) Read Act 1. 1-3 and watch the same scene from the two movies rBook Journal 1 Read 20 minutes After watching the two versions and reading the text fill in movie comparison sheet Read 20 minutes rBook Journal 2 Read 20 minutes Day 4 Day 5 Review Act 1. 1-3 by filling in Character Chart Read 20 minutes English I Intensive Romeo and Juliet Whole-Group Instruction 20 Minutes Small-Group Instruction 20 Minutes Instructional Software Modeled and Whole-Group Wrap-Up 20 Minutes Independent Reading 10 Minutes 20 Minutes Day 6 Read Act 1.4 rBook Journal 3 Read 20 minutes Day 7 Read Act 1.5 rBook Journal 4 Read 20 minutes Day 8 No Rotations 1- Watch movie versions of scene 4-5 2 - Movie Comparison 3 - Act I Quiz Day 9 Read Act 2. 1-2 Rbook Journal 5 Read 20 minutes Day 10 Watch Balcony scen from the both versions Movie Comparison Read 20 minutes Read 20 minutes English I Intensive Romeo and Juliet Whole-Group Instruction 20 Minutes Small-Group Instruction 20 Minutes Instructional Software Modeled and Whole-Group Wrap-Up 20 Minutes Independent Reading 10 Minutes 20 Minutes Day 11 No Rotations 1 - Read Act 2. 3-6 2 - rBook Journal 6 3 - Act 2 Test Read 20 minutes Day 12 Read Act 3.1 and rBook Journal 7 watch the scene from the movie. Record similarities and differences on Movie Comparison sheet Read Act 3. 2-3 rBook Journal 8 Read 20 minutes Day 14 Read Act 3. 4-5 and watch movie Read 20 minutes Day 15 No Rotations 1 - Review Act 3 2 - rBook Journal 9 3 - Act 3 test Day 13 Movie Comparison Chart Read 20 minutes Read 20 minutes English I Intensive Romeo and Juliet Whole-Group Instruction 20 Minutes Small-Group Instruction 20 Minutes Instructional Software Modeled and Whole-Group Wrap-Up 20 Minutes Independent Reading 10 Minutes 20 Minutes Day16 Read Act 4. 1-2 rBook Journal 10 Read 20 minutes Day 17 Read Act 4. 3-5 rBook Journal 11 Read 20 minutes Day 18 Watch movie for Act 4 Movie comparison Read 20 minutes Day 19 Read Act 5. 1-3 rBook Journal 12 Read 20 minutes Day 20 Finish Movie Movie Comparison and review for test Read 20 minutes English I Intensive Romeo and Juliet Whole-Group Instruction 20 Minutes Small-Group Instruction 20 Minutes Instructional Software Modeled and Whole-Group Wrap-Up 20 Minutes Independent Reading 10 Minutes 20 Minutes Day 21 No Rotations 1 - Romeo and Juliet Test 2 - Deconstruct writing prompt 3 - Student sample Read 20 minutes Day 22 Brainstorm Persuasive Begin Outlining essay Essay Read 20 minutes Day 23 Grammar and Mechanics rBook pg 204-05 Read 20 minutes Day 24 Persuasive techniques Rough Draft and conferencing Read 20 minutes Day 25 No Rotations 1 - Peer Editing 2 - Revision 3 - Conference 4 - Final Draft due the next day Read 20 minutes Continue Outlining Romeo and Juliet CLA Standards Literary Response and Analysis 3.1 Articulate the relationship between the expressed purposes and the characteristics of different forms of dramatic literature (e.g., comedy, tragedy, drama, dramatic monologue). 3.2 Compare and contrast the presentation of a similar theme or topic across genres to explain how the selection of genre shapes the theme or topic. 3.3 Analyze interactions between main and subordinate characters in a literary text (e.g., internal and external conflicts, motivations, relationships, influences) and explain the way those interactions affect the plot. 3.4 Determine characters’ traits by what the characters say about themselves in narration, dialogue, dramatic monologue, and soliloquy. 3.6 Analyze and trace an author’s development of time and sequence, including the use of complex literary devices (e.g., foreshadowing, flashbacks). 3.7 Recognize and understand the significance of various literary devices, including figurative language, imagery, allegory, and symbolism, and explain their appeal. 3.9 Explain how voice, persona, and the choice of a narrator affect characterization and the tone, plot, and credibility of a text. 3.10 Identify and describe the function of dialogue, scene designs, soliloquies, asides, and character foils in dramatic literature. Literary Criticism 3.11 Evaluate the aesthetic qualities of style, including the impact of diction and figurative language on tone, mood, and theme, using the terminology of literary criticism. (Aesthetic approach) Writing 1.1 Establish a controlling impression or coherent thesis that conveys a clear and distinctive perspective on the subject and maintain a consistent tone and focus throughout the piece of writing. 1.2 Use precise language, action verbs, sensory details, appropriate modifiers, and the active rather than the passive voice. 1.9 Revise writing to improve the logic and coherence of the organization and controlling perspective, the precision of word choice, and the tone by taking into consideration the audience, purpose, and formality of the context. 2.4 Write persuasive compositions: a. Structure ideas and arguments in a sustained and logical fashion. b. Use specific rhetorical devices to support assertions (e.g., appeal to logic through reasoning; appeal to emotion or ethical belief; relate a personal anecdote, case study, or analogy). c. Clarify and defend positions with precise and relevant evidence, including facts, expert opinions, quotations, and expressions of commonly accepted beliefs and logical reasoning. d. Address readers’ concerns, counterclaims, biases, and expectations. Romeo and Juliet CLA Standards Listening and Speaking 2.4 Deliver oral responses to literature: a. Advance a judgment demonstrating a comprehensive grasp of the significant ideas of works or passages (i.e., make and support warranted assertions about the text). b. Support important ideas and viewpoints through accurate and detailed references to the text or to other works. C. Demonstrate awareness of the author’s use of stylistic devices and an appreciation of the effects created. d. Identify and assess the impact of perceived ambiguities, nuances, and complexities within the text. ALPHABETIZED LIST OF SELECTED Poetry Terms* * Please note that words in italics are defined somewhere else in the list! 1. alliteration: the repetition of sounds, usually consonant sounds but sometimes vowel sounds, at the beginnings of words in the same line or successive lines “The fair breeze blew the white foam flew The furrow followed free” — Coleridge 2. blank verse: unrhymed verse generally written in iambic pentameter “I fancied when I looked at six o’clock The swan still ran and scuttled just as fast.” — Frost 3. connotation: the implied or suggested meaning of a word or expression. For example, the word springtime literally means the season between the vernal equinox and the summer solstice, but the word usually makes most people think of such things as youth, rebirth, and romance 4. couplet: two consecutive lines of poetry that rhyme “‘Tis education forms the common mind Just as the twig is bent the tree’s inclined.” — Pope 5. denotation: the literal or dictionary meaning or meanings of a word Springtime: the season between the vernal equinox and the summer solstice 6. exact rhyme: two or more words that end with exactly the same vowel and consonant sounds EXAMPLES: “feet” and “heat,” “shoes” and “cruise,” etc. 7. free verse: poetry that has no particular rhyme scheme, rhythm, or line length “I celebrate myself, and sing myself. And what I assume you shall assume. For every atom belonging to me belongs to you.” — Whitman 8. hyperbole: a figure of speech using obvious exaggeration or overstatement for special effect “And I will luve thee still. My dear, Till a’ the seas gang dry.” — Burns 9. iamb: a metrical foot made of one unaccented syllable followed by one accented syllable (be-CAUSE, reTURN) 10. iambic pentameter: a line of poetry composed of five iambs The SOUND / must SEEM / an ECH / -o TO / the SENSE. 11. imagery: a word or phrase which brings a picture to the reader’s mind or appeals to his or her sense of sight, hearing, touch, taste, or smell; also the collection of images in a poem ...sagging orchards steamed with amber spice. [smell and sight] — Field The curfew tolls the knell of parting day. [hearing] — Gray 12. metaphor: a figure of speech that makes a comparison between two things that are basically different “The train is a needle plunging into the fabric of night.” 13. meter: the repetition in poetry of a regular pattern of stressed ( creates the rhythm of a poem ) and unstressed ( ) syllables. This 14. metrical foot: a combination of syllables in a rhythmic unit 15. narrative poem: a poem that tells a story 16. onomatopoeia: the use of words which in their pronunciation suggest their meaning “It cracked and growled, and roared and howled Like noises in a swound.” — Coleridge 17. personification: a figure of speech in which something non-human is given human qualities “A narrow wind complains all day How someone treated him.” — Dickinson 18. rhyme: repetition of the same (or similar) sound or sounds at the end of words. Usually, in poetry, rhyming means the ending of two or more lines with words that sound alike (see also exact rhyme and slant rhyme) 19. rhyme scheme: the pattern of rhyme in a poem; rhyme schemes are described by using a different letter of the alphabet to stand for each different rhyming sound 20. simile: a figure of speech in which the comparison between two unlike things is expressed directly, usually by means of like or as “What happens to a dream deferred? Does it dry up like a raisin in the sun?” — Hughes 21. slant rhyme: two or more words that share enough of the same sounds to make them sound similar, but do not end with exactly the same vowel and consonant sounds EXAMPLES: “zone” and “song,” “alive” and “ride” 22. stanza: a group of lines of verse treated as a unit and separated from other units by a space 23. symbol: any object, person, place, or action that has meaning in itself and that also stands for something larger than itself such as a quality, an attitude, or a value. EXAMPLES: A rose is often a symbol of love and beauty; a skull is often a symbol of death; spring and winter often symbolize youth and old age. 24. tone: the feeling communicated by authors’ attitudes towards their subjects and the particular way they write about them. Tone is found in every kind of writing. It is created through the choice of words and details. Shakespeare Bingo 1. Write the following words that you will be hearing from the teacher about Shakespeare in the boxes below. England Stra+ord‐upon‐Avon playwright Henry IV Anne Hathaway Mary Arden Lord Chamberlain's Men April23, 1564 John Shakespeare April 23, 1616 Black Friar's Theater The Comedy of Errors Queen Elizabeth Romeo and Juliet Globe Theater 2. When you hear the word, cross it off, and wait ?ll you get 5 in a row or diagonally. When you do, call out BINGO! Free Space Day 3 Lesson Plan Day 3 lesson Plan (continued) Romeo and Juliet Timeline In writing Romeo and Juliet, Shakespeare re-told an old story. He condensed the action from several months to just 5 days, adding a sense of urgency to every event. In this activity, you will explore cause-and-effect relationships. You will also create a timeline for the play. Directions: Write each event on the day that it took place. The servants of the Capulets and Montagues start a brawl in the streets of Verona. Sunday Monday Tuesday Wednesday Wednesday night/early Thursday Thursday Events in Romeo and Juliet • Friar Lawrence discovers that his message did not reach Romeo. • Juliet stabs herself. • Prince Escalus banishes Romeo. • Juliet apologizes to her father for refusing to marry Paris. • Romeo and Juliet, now husband and wife, part at dawn. • Benvolio takes Romeo to the Capulet's party, hoping to get his mind off Rosaline. • Prince Escalus decrees that the next person who starts a public fight will face the death penalty. • Romeo drinks poison. • Romeo kills Paris • Montague and Capulet shake hands and promise to build gold statues of each other's children. • Romeo overhears Juliet on her balcony, pledging her love to him. • Friar Lawrence reveals that Romeo and Juliet were married. • Romeo kills Tybalt. • Romeo and Juliet meet. • Romeo and Juliet are married at Friar Lawrence’s cell. • Lord Capulet announces Juliet’s engagement to Paris. • Tybalt kills Mercutio. • Balthasar tells Romeo that Juliet is dead. • Lord Capulet moves the wedding from Thursday to Wednesday. • Juliet's family lays her to rest in the Capulet burial vault. • The nurse advises Juliet to marry Paris; Juliet asks Friar Lawrence for help. Act and Scene Day Times Act 1 Sunday Morning Act 1 Sunday Afternoon Act 1 Sunday Evening The Capulets make ready for their masked ball (masque) The Montague faction gatecrash the ball - Romeo is disguised by a mask. Romeo sees beautiful Juliet - it is love at first sight. Act 2 Sunday Night Romeo and Juliet meet and learn they belong to the opposing families of Montague and Capulet. Despite the conflicting loyalties to their families they swear their love for each other and decide to marry Act 2 Monday Morning Act 2 Monday Early Afternoon Romeo Montague and Juliet Capulet are married by Friar Laurence The Nurse helps Romeo with plans to provide ropes to enable Romeo to climb into Juliet's bedchamber as her husband later that night... Act 3 Monday Late Afternoon Benvolio and Mercutio (Montague faction) meet Tybalt (Capulet faction). Mercutio is killed by Tybalt. Act 3 Monday Act 3 Monday Early Evening Night Act 3 Tuesday Dawn Act 4 Tuesday Morning Act 4 Tuesday Afternoon Act 4 Tuesday Night Act 4 Wednesday Morning Act 5 Wednesday Act 5 Thursday Evening Romeo looks at Juliet in her coffin. Paris sees him, they fight and Paris is killed. Romeo then takes the poison - just as Juliet awakes. Romeo dies and then Juliet stabs herself to death. Act 5 Thursday Evening The tragic love story ends as the Montague and Capulet families end their feud Timeline for Romeo and Juliet Important Events Romeo lovesick for Rosaline A street fight between the Montague and Capulet factions Plans are made for the wedding Romeo revenges the death of Mercutio and kills Tybalt. Prince of Verona banishes Romeo from Verona. Unaware of the wedding Capulet arranges for Juliet to marry Paris on Thursday Having spent the night together the lovers, Romeo and Juliet, part Juliet refuses her father's wishes to marry Paris and decides she will commit suicide rather than betray Romeo Friar Laurence advises Juliet to pretend to take poison and fake her death, allowing her to escape to Romeo. Knowing she will escape Juliet "agrees" to marry Paris. Her delighted father brings the wedding forward to Wednesday Juliet takes the fake potion The Nurse discovers the "dead" Juliet. The Capulet family learn that their daughter Juliet is dead. The wedding preparations are changed to those of a funeral. Romeo learns of Juliet's death - devastated he plans to return to Verona to see the dead body of Juliet - he plans to commit suicide CLIMAX PLOT TITLE: ________________________ RISING ACTION AUTHOR: _____________________ (List examples that create complications or suspense) FALLING ACTION CONFLICT RESOLUTION EXPOSITION Setting: PROTAGONIST vs. ANTAGONIST ______________vs. _____________ Situation/climate: Characters: THEME CLA Standards: Listening and Speaking 2.4c and Literary Response and Analysis 3.1 Reading 1: Prologue Romeo and Juliet Big Idea: What is the selec0on mainly about? ______________________ ______________________ ______________________ ! React What is the conflict that the audience is aware of at the beginning of the play? What is the end result? ___________________ ___________________ ___________________ ___________________ ___________________ ___________________ Student Objec0ves: ‐ Students will iden0fy the conflict ‐ Students will understand the characteris0cs of a tragedy [Enter] CHORUS. Chorus: Two households, both alike in dignity, In fair Verona, where we lay our scene, From ancient grudge break to new muLny, Where civil blood makes civil hands unclean. From forth the fatal loins of these two foes A pair of star‐cross'd lovers take their life; Whose misadventured piteous overthrows Doth with their death bury their parents' strife. The fearful passage of their death‐mark'd love, And the conLnuance of their parents' rage, Which, but their children's end, naught could remove, Is now the two hours' traffic of our stage; The which if you with paLent ears aTend, What here shall miss, our toil shall strive to mend. Read the Prologue in five different ways: 1. All students aloud in unison 2. Going around the room, students read one word at a Lme 3. Repeat Reading 2 4. Going around the room, each student reads a half line (note the break in the line) 5. Students read to the punctuaLon stops ‐‐ semicolons and periods, not commas. CLA Standards: Listening and Speaking 2.4c and Literary Response and Analysis 3.1 Transla0on ____ The story takes place in Verona ____ When they were buried, their parents stopped fighLng ____ Two people fated to be together commit suicide ____ New rioLng grew out of old anger ____ Will now happen during the next hours ____ Their parents' anger went on and on ____ If you missed something here perhaps you'll get it later ____ The horrible Lme they had‐lovers fated to die ____ Nothing could stop but the death of their children ____ CiLzens kill each other ____ Whose misfortune arouses pity ____ Two families‐both rich and respected ____ Born of these enemy families ____ CiLzens kill each other ____ Listen carefully Annotate & Analyze 1. Put line numbers in increments of 5 on the right hand side of the original Prologue. (There should be 14 lines, so you don't need to write line 15) 2. Read the translation and decide which line number matches the modern language translation. 4. Underline: What is the problem in the play 5. Write Romeo and Juliet is a tragedy. Why do you A Sonnet is a poem of fourteen lines using any of a number think it is called a tragedy? ________________________ of formal rhyme schemes ________________________ ________________________ Rhyme Scheme is the paTern of rhyme in a poem; rhyme schemes are described by using a different leTer of the alphabet to stand for different rhyming sounds. Review: Summarize Literary Elements to Know Meter is the repeLLon in poetry of a regular paTern of stressed ( / ) and unstressed ( u ) syllables. This creates the rhythm of a poem Rhyming Couplet is two consecuLve lines of poetry that rhyme: “‘Tis educaLon forms the common mind Just as the twig is bent the tree’s inclined.” — Pope Tragedy is a drama or literary work in which the main character is ruined or suffers extreme sorrow, especially as a consequence of a tragic flaw, moral weakness, or inability to handle bad circumstances. Summarize what the play is about, in your own words. ________________________ ________________________ ________________________ ________________________ Words to Know! Mu0ny (n): riot Dignity (n): special posiLon Romeo and Juliet: Text to Movie Comparison Write down observations of how the Directors/Author decided to depict the Prologue. Zefferrelli Romeo and Juliet w/Leonardo DiCaprio & Claire Danes Romeo and Juliet text 1. Explain the differences in the way the directors and Shakespeare decided to tell the story. Explain using at least two examples. 2. What elements of the modern day Romeo and Juliet were surprising to you? Explain. CLA Standards: Literary Response and Analysis 3.3 and 3.4 Reading 2: Act 1 sc. 1‐3 Romeo and Juliet Big Idea: What is the selec0on mainly about? ______________________ ______________________ ______________________ ! React What advice would you give Romeo the next 6me he sees Rosaline? ___________________ ___________________ ___________________ ___________________ ___________________ ___________________ ___________________ ___________________ Student Objec0ves: ‐ Students will compare and contrast the characters introduced ‐ Students will explain how voice and persona affect the tone of the plot PRINCE Rebellious subjects, enemies to peace, Profaners of this neighbour‐stained steel,‐‐ Will they not hear? What, ho! you men, you beasts, That quench the fire of your pernicious rage With purple fountains issuing from your veins, On pain of torture, from those bloody hands Throw your mistemper'd weapons to the ground, And hear the sentence of your moved prince. Three civil brawls, bred of an airy word, By thee, old Capulet, and Montague, Have thrice disturb'd the quiet of our streets, And made Verona's ancient ci6zens Cast by their grave beseeming ornaments, To wield old par6sans, in hands as old, Canker'd with peace, to part your canker'd hate: If ever you disturb our streets again, Your lives shall pay the forfeit of the peace. For this 6me, all the rest depart away: You Capulet; shall go along with me: And, Montague, come you this a\ernoon, To know our further pleasure in this case, To old Free‐town, our common judgment‐place. Once more, on pain of death, all men depart. ______________ BENVOLIO Good‐morrow, cousin. 85 90 95 100 105 ROMEO Is the day so young? BENVOLIO But new struck nine. 165 ROMEO Ay me! sad hours seem long. Was that my father that went hence so fast? BENVOLIO It was. What sadness lengthens Romeo's hours? ROMEO Not having that, which, having, makes them short. BENVOLIO In love? ROMEO Out‐‐ BENVOLIO Of love? 170 CLA Standards: Literary Response and Analysis 3.3 and 3.4 Shakespeare Translated Translate Romeo's lines into modern English Well, in that hit you miss: she'll not be hit _________________________ _________________________ _________________________ With Cupid's arrow; she hath Dian's wit; _________________________ _________________________ _________________________ And, in strong proof of chas6ty well arm'd, _________________________ _________________________ _________________________ ROMEO Bid a sick man in sadness make his will: Ah, word ill urged to one that is so ill! In sadness, cousin, I do love a woman. BENVOLIO I aim'd so near, when I supposed you loved. ROMEO A right good mark‐man! And she's fair I love. BENVOLIO A right fair mark, fair coz, is soonest hit. ROMEO Well, in that hit you miss: she'll not be hit With Cupid's arrow; she hath Dian's wit; And, in strong proof of chas6ty well arm'd, From love's weak childish bow she lives unharm'd. She will not stay the siege of loving terms, Nor bide the encounter of assailing eyes, Nor open her lap to saint‐seducing gold: O, she is rich in beauty, only poor, That when she dies with beauty dies her store. Prince E 220 From love's weak childish bow she lives unharm'd. _________________________ _________________________ _________________________ BENVOLIO Be ruled by me, forget to think of her. ROMEO O, teach me how I should forget to think. Romeo Mercuti 225 BENVOLIO Then she hath sworn that she will s6ll live chaste? ROMEO She hath, and in that sparing makes huge waste, For beauty starved with her severity Cuts beauty off from all posterity. She is too fair, too wise, wisely too fair, To merit bliss by making me despair: She hath forsworn to love, and in that vow Do I live dead that live to tell it now. 215 Benvolio 230 Juliet Nurse 235 Lady Ca BENVOLIO By giving liberty unto thine eyes; Examine other beau6es. ROMEO 'Tis the way To call hers exquisite, in ques6on more: These happy masks that kiss fair ladies' brows Being black put us in mind they hide the fair; He that is strucken blind cannot forget The precious treasure of his eyesight lost: Show me a mistress that is passing fair, What doth her beauty serve, but as a note Where I may read who pass'd that passing fair? Farewell: thou canst not teach me to forget. BENVOLIO I'll pay that doctrine, or else die in debt. Lord Mo 240 Paris 245 CLA Standards: Literary Response and Analysis 3.3 and 3.4 ROMEO Out of her favour, where I am in love. BENVOLIO Alas, that love, so gentle in his view, Should be so tyrannous and rough in proof. 175 ROMEO Alas, that love, whose view is muffled s6ll, Should, without eyes, see pathways to his will! Where shall we dine? O me! What fray was here? Yet tell me not, for I have heard it all. Here's much to do with hate, but more with love.180 Why, then, O brawling love! O loving hate! O any thing, of nothing first create! O heavy lightness! serious vanity! Mis‐shapen chaos of well‐seeming forms! Feather of lead, bright smoke, cold fire, 185 sick health! S6ll‐waking sleep, that is not what it is! This love feel I, that feel no love in this. Dost thou not laugh? BENVOLIO No, coz, I rather weep. 1. Write What ends the opening fight? ________________________ ________________________ ________________________ 2. Write Why is Romeo so sad in Act 1 scene 1? ________________________ ________________________ ________________________ ________________________ ________________________ 190 ROMEO Good heart, at what? Words to Know! BENVOLIO At thy good heart's oppression. ROMEO Why, such is love's transgression. Griefs of mine own lie heavy in my breast, Which thou wilt propagate, to have it prest 195 With more of thine: this love that thou hast shown Doth add more grief to too much of mine own. Love is a smoke raised with the fume of sighs; Being purged, a fire sparkling in lovers' eyes; Being vex'd a sea nourish'd with lovers' tears: 200 What is it else? a madness most discreet, A choking gall and a preserving sweet. Farewell, my coz. BENVOLIO So\! I will go along; An if you leave me so, you do me wrong. ROMEO Tut, I have lost myself; I am not here; 205 This is not Romeo, he's some other where. BENVOLIO Tell me in sadness, who is that you love. ROMEO What, shall I groan and tell thee? BENVOLIO Groan! why, no. But sadly tell me who. Check for Understanding 210 Profaners (n): a person not respecQul of orthodox religious prac0ce Pernicious (adj): having a harmful effect Literary Terms to Know! An Allusion is a reference in a literary work to a person, place, or thing in history or another work of literature. For example: Cupid and Diana. ‐ Cupid's arrow has the power to make a person fall in love. ‐ Diana, is the goddess of chas6ty, and was opposed to love and marriage. CLA Standards: Literary Response and Analysis 3.3 and 3.4 Romeo and Juliet Characters Direc0ons: Provide 2‐3 character traits for each character. Then, iden6fy the character's rela6onship to the main characters, Romeo and Juliet. Traits Prince Escalus Romeo Mercutio Benvolio Juliet Nurse Lady Capulet Lord Montague Paris Rela0onship CLA Standards: Literary Response and Analysis 3.7 Reading 3: Act 1 scene 4 Romeo and Juliet Big Idea: What is the selec0on mainly about? ______________________ ______________________ ______________________ ! React How is Mercu0o trying to get Romeo's mind off serious thoughts about dreams and their significance? ___________________ ___________________ ___________________ ___________________ ___________________ ___________________ ___________________ ___________________ Student Objec0ves: ‐ Students will iden0fy imagery ‐ Students will compare and contrast Mercu0o and Romeo MERCUTIO O, then, I see Queen Mab hath been with you. She is the fairies' midwife, and she comes In shape no bigger than an agate‐stone On the fore‐finger of an alderman, Drawn with a team of liJle atomies Athwart men's noses as they lie asleep; Her wagon‐spokes made of long spiders' legs, The cover of the wings of grasshoppers, The traces of the smallest spider's web, The collars of the moonshine's watery beams, Her whip of cricket's bone, the lash of film, Her wagoner a small grey‐coated gnat, Not so big as a round liJle worm Prick'd from the lazy finger of a maid; Her chariot is an empty hazel‐nut Made by the joiner squirrel or old grub, Time out o' mind the fairies' coachmakers. And in this state she gallops night by night Through lovers' brains, and then they dream of love; O'er cour0ers' knees, that dream on court'sies straight, O'er lawyers' fingers, who straight dream on fees, O'er ladies ' lips, who straight on kisses dream, Which oX the angry Mab with blisters plagues, Because their breaths with sweetmeats tainted are: Some0me she gallops o'er a cour0er's nose, And then dreams he of smelling out a suit; And some0me comes she with a 0the‐pig's tail Tickling a parson's nose as a' lies asleep, Then dreams, he of another benefice: Some0me she driveth o'er a soldier's neck, And then dreams he of cu\ng foreign throats, Of breaches, ambuscadoes, Spanish blades, Of healths five‐fathom deep; and then anon Drums in his ear, at which he starts and wakes, And being thus frighted swears a prayer or two And sleeps again. This is that very Mab That plats the manes of horses in the night, And bakes the elflocks in foul slu\sh hairs, Which once untangled, much misfortune bodes: This is the hag, when maids lie on their backs, That presses them and learns them first to bear, Making them women of good carriage: This is she‐‐ 60 65 70 75 80 85 90 95 100 CLA Standards: Literary Response and Analysis 3.7 3. In the space provided draw a picture of what you think Queen Mab looks like based on Mercu0o's descrip0on. Imagery and Compare and Contrast 1. Underline What does Queen Mab look like? 2. Underline What is her carriage made of? Whom does she travel with? 3. Draw what you think Queen Mab looks like, based on the text you have underlined 4. Write Is Queen Mab the queen of good dreams, nightmares, or both? Explain. ____________________________ ____________________________ ____________________________ ____________________________ ____________________________ 5. Compare and Contrast Romeo and Mercu0o's character in the diagram provided. Words to know! gnat (n): small fly Romeo and Juliet: Text to Movie Comparison Write down observations of how the Directors/Author decided to depict the Queen Mab Monologue. Zefferrelli Romeo and Juliet w/Leonardo DiCaprio & Claire Danes Romeo and Juliet text 1. Explain the differences in the way the directors and Shakespeare decided to tell the story. Explain using at least two examples. 2. What elements of the modern day Romeo and Juliet were surprising to you? Explain. CLA Standards: Literary Response and Analysis 3.7 and 3.10 Reading 4: Act 1 scene 5 Romeo and Juliet Student Objec0ves: Big Idea: What is the selec0on mainly about? Romeo and Juliet: Act 1 Scene 5 Shakespeare oGen wrote part of his plays in sonnet form. IdenAfy the rhyme scheme in this scene and then answer the quesAons that follow this selecAon. ______________________ ______________________ ______________________ ‐ Students will learn to annotate sonnets ‐ Students will examine figuraAve language ROMEO [To JULIET.] If I profane with my unworthiest hand ( ) This holy shrine, the gentle sin is this: ( ) My lips, two blushing pilgrims, ready stand ( ) To smooth that rough touch with a tender kiss.( ) JULIET Good pilgrim, you do wrong your hand too much, ( ) Which mannerly devoAon shows in this; ( ) For saints have hands that pilgrims' hands do touch,( ) And palm to palm is holy palmers' kiss.( ) ROMEO Have not saints lips, and holy palmers too?( ) JULIET Ay, pilgrim, lips that they must use in prayer.( ) ROMEO O, then, dear saint, let lips do what hands do; ( ) They pray — grant thou, lest faith turn to despair.( ) ! React Do you think it was appropriate for Rome and Juliet to kiss when they first met? Why or Why not? ___________________ ___________________ ___________________ ___________________ ___________________ ___________________ JULIET Saints do not move, though grant for prayers' sake. ( ) ROMEO Then move not, while my prayer's effect I take.( ) Thus from my lips, by yours, my sin is purged.( ) JULIET Then have my lips the sin that they have took.( ) ROMEO Sin from thy lips? O trespass sweetly urged! ( ) Give me my sin again. ( ) CLA Standards: Literary Response and Analysis 3.7 and 3.10 JULIET You kiss by th' book. ( ) Annota0ng NURSE [Suddenly appearing.] 1. Number the lines in increments of 5. Draw a line aGer line 14. Madam, your mother craves a word with you. ( ) 2. Find the rhyme scheme for each line of sonnet. (Only go up to line 14). ROMEO What is her mother? ( ) NURSE Marry, bachelor, ( ) Her mother is the lady of the house, ( ) And a good lady, and a wise and virtuous ( ) I nursed her daughter, that you talk'd withal; ( ) I tell you, he that can lay hold of her ( ) Shall have the chinks. ( ) 3. Circle all the words that have religious connotaAons. 4. Insert stage direcAons for Romeo and Juliet. For example, does Juliet move away when Romeo tries to kiss her hand? If she does, put the direcAon in parenthesis. Example: (Juliet moves hand away) Literary Elements Sonnet is a lyric poem consisAng of fourteen lines. The Shakespearean sonnet consists of three quatrains (four lines each) and a concluding couplet (two lines) Rhyme Scheme is the padern of rhyme used in a poem, generally indicated by matching lowercase leders to show which lines rhyme. The leder "a" notes the first line, and all other lines rhyming with the first line. The first line that does not rhyme with the first, or "a" line, and all others that rhyme with this line, is noted by the leder "b", and so on Comprehension and Analysis Why does Shakespeare use religious metaphors when Romeo and Juliet meet? ________________________ ________________________ ________________________ ________________________ ________________________ Plot Elements Exposi0on: background informaAon on character(s), sefng and situaAon(s) usually found at the beginning. Words to Know! Unworthiest (adj): not deserving effort, aKen0on, or respect Devo0on (n): love, loyalty, or enthusiasm for a person, ac0vity, or cause Return to the plot diagram and write the exposiAon for Romeo and Juliet. Romeo and Juliet: Text to Movie Comparison Write down observations of how the Directors/Author decided to depict Act 1 Scene 5 Zefferrelli Romeo and Juliet w/Leonardo DiCaprio & Claire Danes Romeo and Juliet text 1. Explain the differences in the way the directors and Shakespeare decided to tell the story. Explain using at least two examples. 1. Which version do you like better? (i.e. Zefferrelli, modern day Romeo and Juliet, or Shakespeare’s text) CLA Standards: Literary Response 3.6 and 3.7 Reading 5: Act 2 sc. 1-2 Romeo and Juliet Big Idea: What is the selec0on mainly about? ______________________ ______________________ ______________________ Student Objec0ves: ‐ Students will compare and contrast metaphors and similes ‐ Students will recognize and understand the significance of various literary devices ROMEO He jests at scars that never felt a wound. JULIET appears above at a window. But, soG! what light through yonder window breaks? It is the east, and Juliet is the sun. Arise, fair sun, and kill the envious moon, 5 Who is already sick and pale with grief, That thou her maid art far more fair than she: Be not her maid, since she is envious; Her vestal livery is but sick and green And none but fools do wear it; cast it off. 10 It is my lady, O, it is my love! O, that she knew she were! She speaks yet she says nothing: what of that? Her eye discourses; I will answer it. I am too bold, 'Ts not to me she speaks: 15 Two of the fairest stars in all the heaven, Having some business, do entreat her eyes To twinkle in their spheres Tll they return. What if her eyes were there, they in her head? The brightness of her cheek would shame those stars, As daylight doth a lamp; her eyes in heaven Would through the airy region stream so bright That birds would sing and think it were not night. See, how she leans her cheek upon her hand! O, that I were a glove upon that hand, 25 That I might touch that cheek! JULIET Ay me! ! React Is it possible that Romeo and Juliet love each other so much that marry each other? ____________________ ____________________ ____________________ ____________________ ____________________ 20 ROMEO She speaks: O, speak again, bright angel! for thou art As glorious to this night, being o'er my head As is a winged messenger of heaven Unto the white‐upturned wondering eyes Of mortals that fall back to gaze on him When he bestrides the lazy‐pacing clouds And sails upon the bosom of the air. 30 35 Words to know! Perjuries (n): the offense of willfully telling an untruth in a court aJer having taken an oath or affirma0on. Perverse (adj): Stubborn CLA Standards: Literary Response 3.6 and 3.7 JULIET O Romeo, Romeo! wherefore art thou Romeo? Deny thy father and refuse thy name; Or, if thou wilt not, be but sworn my love, And I'll no longer be a Capulet. 'Tis but thy name that is my enemy; Thou art thyself, though not a Montague. What's Montague? it is nor hand, nor foot, Nor arm, nor face, nor any other part Belonging to a man. O, be some other name! What's in a name? that which we call a rose By any other name would smell as sweet; So Romeo would, were he not Romeo call'd, Retain that dear perfecTon which he owes Without that Ttle. Romeo, doff thy name, And for that name which is no part of thee Take all myself. ROMEO I take thee at thy word: Call me but love, and I'll be new bapTzed; Henceforth I never will be Romeo. 40 45 50 Reviewing the Text 1. What plans do Romeo and Juliet make in scene 2? _____________________________ _____________________________ _____________________________ 2. Foreshadowing is when the author uses hints or clues to suggest what will happen later. Underline where Shakespeare reminds the audience of the possible trouble that lies ahead. JULIET What man art thou that thus bescreen'd in night 55 So stumblest on my counsel? ROMEO By a name I know not how to tell thee who I am: My name, dear saint, is hateful to myself, Because it is an enemy to thee; 60 Had I it wri[en, I would tear the word. JULIET My ears have not yet drunk a hundred words Of that tongue's u[erance, yet I know the sound: Art thou not Romeo and a Montague? ROMEO Neither, fair saint, if either thee dislike. 65 JULIET How camest thou hither, tell me, and wherefore? The orchard walls are high and hard to climb, And the place death, considering who thou art, If any of my kinsmen find thee here. ROMEO With love's light wings did I o'er‐perch these walls; 70 For stony limits cannot hold love out, Sequence of Events Go back to the Tmeline and fill in what happened the night Romeo met Juliet outside her balcony. CLA Standards: Literary Response 3.6 and 3.7 ROMEO I have night's cloak to hide me from their sight; And but thou love me, let them find me here: 80 My life were be[er ended by their hate, Than death prorogued, wanTng of thy love. JULIET By whose direcTon found'st thou out this place? ROMEO By love, who first did prompt me to inquire; He lent me counsel and I lent him eyes. 85 I am no pilot; yet, wert thou as far As that vast shore wash'd with the farthest sea, I would adventure for such merchandise. JULIET Thou know'st the mask of night is on my face, Else would a maiden blush bepaint my cheek 90 For that which thou hast heard me speak to‐night Fain would I dwell on form, fain, fain deny What I have spoke: but farewell compliment! Dost thou love me? I know thou wilt say 'Ay,' And I will take thy word: yet if thou swear'st, 95 Thou mayst prove false; at lovers' perjuries Then say, Jove laughs. O gentle Romeo, If thou dost love, pronounce it faithfully: Or if thou think'st I am too quickly won, I'll frown and be perverse an say thee nay, 100 So thou wilt woo; but else, not for the world. In truth, fair Montague, I am too fond, And therefore thou mayst think my 'havior light: But trust me, gentleman, I'll prove more true Than those that have more cunning to be strange. I should have been more strange, I must confess, But that thou overheard'st, ere I was ware, My true love's passion: therefore pardon me, And not impute this yielding to light love, Which the dark night hath so discovered. 110 ROMEO Lady, by yonder blessed moon I swear That Tps with silver all these fruit‐tree tops‐‐ What shall I swear by? 105 JULIET O, swear not by the moon, the inconstant moon, That monthly changes in her circled orb, Lest that thy love prove likewise variable. 115 ROMEO CLA Standards: Literary Response 3.6 and 3.7 JULIET Do not swear at all; Or, if thou wilt, swear by thy gracious self, Which is the god of my idolatry, And I'll believe thee. 120 ROMEO If my heart's dear love‐‐ Similes and Metaphors 1. Underline three similes or metaphors that Romeo or Juliet uses in the balcony scene. JULIET Well, do not swear: although I joy in thee, I have no joy of this contract to‐night: It is too rash, too unadvised, too sudden; Too like the lightning, which doth cease to be 125 Ere one can say 'It lightens.' Sweet, good night! This bud of love, by summer's ripening breath, May prove a beauteous flower when next we meet. Good night, good night! as sweet repose and rest Come to thy heart as that within my breast! 130 ROMEO O, wilt thou leave me so unsaTsfied? JULIET What saTsfacTon canst thou have to‐night? ROMEO The exchange of thy love's faithful vow for mine. JULIET I gave thee mine before thou didst request it: And yet I would it were to give again. 135 Simile/Metaphor 2. List the similes or metaphors on the chart below. Of the similes and metaphors you listed, which do you think is the most romanTc? Why? _____________________________ _____________________________ _____________________________ _____________________________ What is your definiTon of romanTc? Why? _____________________________ _____________________________ _____________________________ _____________________________ 3. If Shakespeare were to write this scene today, what kinds of similes and metaphors would he use to describe Romeo and Juliet in love? _____________________________ _____________________________ _____________________________ _____________________________ Explana0on _____________________________ _____________________________ a. _________________________________ a. ___________________________ ___________________________________ _____________________________ ___________________________________ _____________________________ b. _________________________________ b. ___________________________ ___________________________________ _____________________________ ___________________________________ _____________________________ c. _________________________________ c. ___________________________ ___________________________________ _____________________________ ___________________________________ _____________________________ Romeo and Juliet: Text to Movie Comparison Write down observations of how the Directors/Author decided to depict the Balcony scene Zefferrelli Romeo and Juliet w/Leonardo DiCaprio & Claire Danes Romeo and Juliet text 1. Explain the differences in the way the directors and Shakespeare decided to tell the story. Explain using at least two examples. 1. Which version do you like better? (i.e. Zefferrelli, modern day Romeo and Juliet, or Shakespeare’s text) CLA Standards: Literary Response 3.7 Reading 6: Act 2 sc. 3-6 Romeo and Juliet Big Idea: What is the selec0on mainly about? ______________________ ______________________ ______________________ Student Objec0ves: ‐ Students will iden0fy rhyme scheme ‐ Students will recognize and understand the significance of various literary devices ROMEO That last is true; the sweeter rest was mine. 45 ( ) ( ( ) ) FRIAR LAURENCE God pardon sin! wast thou with Rosaline? ROMEO With Rosaline, my ghostly father? no; I have forgot that name, and that name's woe. FRIAR LAURENCE That's my good son: but where hast thou been, then? ( ROMEO I'll tell thee, ere thou ask it me again. I have been feasting with mine enemy, Where on a sudden one hath wounded me, That's by me wounded: both our remedies Within thy help and holy physic lies: I bear no hatred, blessed man, for, lo, My intercession likewise steads my foe. 50 55 FRIAR LAURENCE Be plain, good son, and homely in thy drift; Riddling confession finds but riddling shrift. ! React Do you think Friar Laurence should marry Romeo and Juliet? Why or why not? ____________________ ____________________ ____________________ ____________________ ____________________ ROMEO Then plainly know my heart's dear love is set On the fair daughter of rich Capulet: 60 As mine on hers, so hers is set on mine; And all combined, save what thou must combine By holy marriage: when and where and how We met, we woo'd and made exchange of vow, I'll tell thee as we pass; but this I pray, 65 That thou consent to marry us to-day. FRIAR LAURENCE Holy Saint Francis, what a change is here! Is Rosaline, whom thou didst love so dear, So soon forsaken? young men's love then lies Not truly in their hearts, but in their eyes. 70 Jesu Maria, what a deal of brine Hath wash'd thy sallow cheeks for Rosaline! ) ( ( ( ( ( ( ( ) ) ) ) ) ) ) ( ( ) ) CLA Standards: Literary Response 3.7 How much salt water thrown away in waste, To season love, that of it doth not taste! The sun not yet thy sighs from heaven clears, Thy old groans ring yet in my ancient ears; Lo, here upon thy cheek the stain doth sit Of an old tear that is not wash'd off yet: If e'er thou wast thyself and these woes thine, Thou and these woes were all for Rosaline: And art thou changed? pronounce this sentence then, Women may fall, when there's no strength in men. Literary Elements 75 80 ROMEO Thou chid'st me oft for loving Rosaline. 1. In the parenthesis, next to each line, write the rhyme scheme. What is the rhyme scheme Shakespeare is wriKng in? ____________________ FRIAR LAURENCE For doting, not for loving, pupil mine. ROMEO And bad'st me bury love. 85 FRIAR LAURENCE Not in a grave, To lay one in, another out to have. ROMEO I pray thee, chide not; she whom I love now Doth grace for grace and love for love allow; The other did not so. FRIAR LAURENCE O, she knew well Thy love did read by rote and could not spell. But come, young waverer, come, go with me, In one respect I'll thy assistant be; For this alliance may so happy prove, To turn your households' rancour to pure love. 90 Words to know! Forsaken (v): To abandon Rancor (n): biJerness or resenKulness Rhyming couplet is when two lines have the same end rhyme. 2. Act 2 scene 3 is wriBen enKrely in _____________________________. Why do you think shakespeare uses this technique when Romeo is speaking to Friar Laurence? _____________________________ _____________________________ _____________________________ _____________________________ Plot Elements 95 Rising Ac0on: the events and conflicts that lead to an important and dramaKc point (the climax). Go back to the plot diagram and fill in the Rising AcKon for Romeo and Juliet ROMEO O, let us hence; I stand on sudden haste. FRIAR LAURENCE Wisely and slow; they stumble that run fast. ExIt Rhyme Scheme is the paBern of rhyme used in a poem, generally indicated by matching lowercase leBers to show which lines rhyme. The leBer "a" notes the first line, and all other lines rhyming with the first line. The first line that does not rhyme with the first, or "a" line, and all others that rhyme with this line, is noted by the leBer "b", and so on. Sequence of Events Go back to the Timeline and fill in what happened when Romeo went to Friar Laurence. CLA Standards: Literary Response 3.3, 3.6, and 3.10 Reading 7: Act 3 sc. 1 Romeo and Juliet Big Idea: What is the selec0on mainly about? ______________________ ______________________ ______________________ Student Objec0ves: ‐ Students will compare and contrast character reac0ons to a problem ‐ Students will analyze interac0ons of characters PRINCE Where are the vile beginners of this fray? BENVOLIO O noble prince, I can discover all The unlucky manage of this fatal brawl: There lies the man, slain by young Romeo, That slew thy kinsman, brave Mercutio. 150 LADY CAPULET Tybalt, my cousin! O my brother's child! O prince! O cousin! husband! O, the blood is spilt O my dear kinsman! Prince, as thou art true, For blood of ours, shed blood of Montague. O cousin, cousin! 155 PRINCE Benvolio, who began this bloody fray? ! React Suppose Mercu/o had killed Tybalt in the sword fight. How might the ac/on of the play have changed? ____________________ ____________________ ____________________ ____________________ ____________________ BENVOLIO Tybalt, here slain, whom Romeo's hand did slay; Romeo that spoke him fair, bade him bethink How nice the quarrel was, and urged withal Your high displeasure: all this uttered 160 With gentle breath, calm look, knees humbly bow'd, Could not take truce with the unruly spleen Of Tybalt deaf to peace, but that he tilts With piercing steel at bold Mercutio's breast, Who all as hot, turns deadly point to point, 165 And, with a martial scorn, with one hand beats Cold death aside, and with the other sends It back to Tybalt, whose dexterity, Retorts it: Romeo he cries aloud, 'Hold, friends! friends, part!' and, swifter than his tongue, His agile arm beats down their fatal points, And 'twixt them rushes; underneath whose arm An envious thrust from Tybalt hit the life Of stout Mercutio, and then Tybalt fled; 175 But by and by comes back to Romeo, Who had but newly entertain'd revenge, And to 't they go like lightning, for, ere I Could draw to part them, was stout Tybalt slain. And, as he fell, did Romeo turn and fly. 180 This is the truth, or let Benvolio die. CLA Standards: Literary Response 3.3, 3.6, and 3.10 LADY CAPULET He is a kinsman to the Montague; Affection makes him false; he speaks not true: Some twenty of them fought in this black strife, And all those twenty could but kill one life. I beg for justice, which thou, prince, must give; Romeo slew Tybalt, Romeo must not live. Compare and Contrast 185 PRINCE Romeo slew him, he slew Mercutio; Who now the price of his dear blood doth owe? 2. What does Montague say should happen to Romeo? Why? _____________________________ _____________________________ _____________________________ _____________________________ _____________________________ MONTAGUE Not Romeo, prince, he was Mercutio's friend; 190 His fault concludes but what the law should end, The life of Tybalt. PRINCE And for that offence Immediately we do exile him hence: I have an interest in your hate's proceeding, My blood for your rude brawls doth lie a-bleeding; But I'll amerce you with so strong a fine That you shall all repent the loss of mine: I will be deaf to pleading and excuses; Nor tears nor prayers shall purchase out abuses: 200 Therefore use none: let Romeo hence in haste, Else, when he's found, that hour is his last. Bear hence this body and attend our will: Mercy but murders, pardoning those that kill. Exit 1. What does Lady Capulet say should happen to Romeo? Why? _____________________________ _____________________________ _____________________________ _____________________________ _____________________________ Check For Understanding 195 1. What causes the fatal sword fight between Mercu/o and Tybalt? How is Mercu/o killed? _______________________________ _______________________________ _______________________________ 2. Underline What does Mercu/o foreshadow when he has been stabbed by Tybalt? Plot Elements Climax: the turning point and moment of highest interest when a crucial decision is made or not made, a significant ac/on is taken, or an important discovery is made. Go back to the plot diagram and fill in the Climax for Romeo and Juliet Words to know! Humbly (adv) ‐ lower in dignity or importance Dexterity (n) ‐ skill in performing tasks Sequence of Events Go back to the /meline and fill in what happens in Act 3 scene 1. Romeo and Juliet: Text to Movie Comparison Write down observations of how the Directors/Author decided to depict Act 3 scene 1 Zefferrelli Romeo and Juliet w/Leonardo DiCaprio & Claire Danes Romeo and Juliet text 1. Explain the differences in the way the directors and Shakespeare decided to tell the story. Explain using at least two examples. 2. What elements of the modern day Romeo and Juliet were surprising to you? Explain. CLA Standards: Literary Response and Analysis 3.3, 3.7, and 3.8 Reading 8: Act 3.2-3 Romeo and Juliet Big Idea: What is the selec0on mainly about? ______________________ ______________________ ______________________ ! React Do you think Juliet's reac5on to Romeo being banished is jus5fied? ____________________ ____________________ ____________________ ____________________ ____________________ Student Objec0ves: ‐ To iden0fy the conflict ‐ To understand cause and effect rela0onships Juliet's Reac0on to Romeo being Banished (Act 3.2) JULIET Shall I speak ill of him that is my husband? Ah, poor my lord, what tongue shall smooth thy name, When I, thy three‐hours wife, have mangled it? But, wherefore, villain, didst thou kill my cousin? 110 That villain cousin would have kill'd my husband: Back, foolish tears, back to your na5ve spring; Your tributary drops belong to woe, Which you, mistaking, offer up to joy. My husband lives, that Tybalt would have slain; 115 And Tybalt's dead, that would have slain my husband: All this is comfort; wherefore weep I then? Some word there was, worser than Tybalt's death, That murder'd me: I would forget it fain; But, O, it presses to my memory, 120 Like damned guilty deeds to sinners' minds: 'Tybalt is dead, and Romeo‐‐banished;' That 'banished,' that one word 'banished,' Hath slain ten thousand Tybalts. Tybalt's death Was woe enough, if it had ended there: 125 Or, if sour woe delights in fellowship And needly will be rank'd with other griefs, Why follow'd not, when she said 'Tybalt's dead,' Thy father, or thy mother, nay, or both, Which modern lamenta5ons might have moved? 130 But with a rear‐ward following Tybalt's death, 'Romeo is banished,' to speak that word, Is father, mother, Tybalt, Romeo, Juliet, All slain, all dead. 'Romeo is banished!' There is no end, no limit, measure, bound, 135 In that word's death; no words can that woe sound. Where is my father, and my mother, nurse? Words to know! Purgatory (n): mental anguish or suffering Exile (n): being barred from one's na0ve CLA Standards: Literary Response and Analysis 3.3, 3.7, and 3.8 Romeo's Reac0on to being Banished (Act 3.3) ROMEO There is no world without Verona walls, But purgatory, torture, hell itself. Hence‐banished is banish'd from the world, 20 And world's exile is death: then banished, Is death mis‐term'd: calling death banishment, Thou cuX'st my head off with a golden axe, And smilest upon the stroke that murders me. FRIAR LAURENCE O deadly sin! O rude unthankfulness! 25 Thy fault our law calls death; but the kind prince, Taking thy part, hath rush'd aside the law, And turn'd that black word death to banishment: This is dear mercy, and thou seest it not. ROMEO 'Tis torture, and not mercy: heaven is here, 30 Where Juliet lives; and every cat and dog And liXle mouse, every unworthy thing, Live here in heaven and may look on her; But Romeo may not: more validity, More honourable state, more courtship lives 35 In carrion‐flies than Romeo: they my seize On the white wonder of dear Juliet's hand And steal immortal blessing from her lips, Who even in pure and vestal modesty, S5ll blush, as thinking their own kisses sin; 40 But Romeo may not; he is banished: Flies may do this, but I from this must fly: They are free men, but I am banished. And say'st thou yet that exile is not death? Hadst thou no poison mix'd, no sharp‐ground knife, 45 No sudden mean of death, though ne'er so mean, But 'banished' to kill me?‐‐'banished'? Howlings aXend it: how hast thou the heart, Being a divine, a ghostly confessor, A sin‐absolver, and my friend profess'd, 50 To mangle me with that word 'banished'? Compare and Contrast 1. Write What does Juliet say is worse than Romeo being banished? ________________________ ________________________ ________________________ ________________________ 2. Write What does Romeo say would be beXer than being banished? How is that similar to Juliet's reac5on? ________________________ ________________________ ________________________ ________________________ ________________________ ________________________ ________________________ ________________________ 3. Literary Element: Hyperbole is an exaggerated statement, or claims not meant to be taken literally. Underline examples of hyperbole that Romeo and Juliet use in each of their monologues, or speeches. CLA Standards: Literary Response 3.6, and 3.7 Reading 9: Act 3 sc. 4-5 Romeo and Juliet Big Idea: What is the selec0on mainly about? ______________________ ______________________ ______________________ Student Objec0ves: ‐ Students will iden0fy plot elements and the sequence of events ‐ Students will iden0fy literary devices JULIET Wilt thou be gone? it is not yet near day: It was the nightingale, and not the lark, That pierced the fearful hollow of thine ear; Nightly she sings on yon pomegranate-tree: 5 Believe me, love, it was the nightingale. ROMEO It was the lark, the herald of the morn, No nightingale: look, love, what envious streaks Do lace the severing clouds in yonder east: Night's candles are burnt out, and jocund day 10 Stands tiptoe on the misty mountain tops. I must be gone and live, or stay and die. JULIET Yon light is not day-light, I know it, I: It is some meteor that the sun exhales, To be to thee this night a torch-bearer, And light thee on thy way to Mantua: Therefore stay yet; thou need'st not to be gone. ! React Is Romeo correct when he says that he will meet with Juliet again? Why or why not? ____________________ ____________________ ____________________ ____________________ ____________________ ____________________ ____________________ ROMEO Let me be ta'en, let me be put to death; I am content, so thou wilt have it so. I'll say yon grey is not the morning's eye, 'Tis but the pale reflex of Cynthia's brow; Nor that is not the lark, whose notes do beat The vaulty heaven so high above our heads: I have more care to stay than will to go: Come, death, and welcome! Juliet wills it so. How is't, my soul? let's talk; it is not day. 15 20 25 JULIET It is, it is: hie hence, be gone, away! It is the lark that sings so out of tune, Straining harsh discords and unpleasing sharps. Some say the lark makes sweet division; 30 This doth not so, for she divideth us: Some say the lark and loathed toad change eyes, O, now I would they had changed voices too! Since arm from arm that voice doth us affray, Hunting thee hence with hunt's-up to the day, 35 O, now be gone; more light and light it grows. CLA Standards: Literary Response 3.6, and 3.7 ROMEO More light and light; more dark and dark our woes! Enter Nurse, to the chamber Nurse Madam! JULIET Nurse? Iambic Pentameter: a line of poetry made up of five iambs. An iamb consists of an unstressed syllable followed by a stressed syllable (u /). Nurse Your lady mother is coming to your chamber: The day is broke; be wary, look about. Exit JULIET Then, window, let day in, and let life out. ROMEO Farewell, farewell! one kiss, and I'll descend. He goeth down Meter: the arrangement of words in a rhythmical paVern of verse. 40 JULIET O think'st thou we shall ever meet again? What meter is Shakespeare wriSng in? _____________________________ ROMEO I doubt it not; and all these woes shall serve For sweet discourses in our Sme to come. JULIET O God, I have an ill‐divining soul! Methinks I see thee, now thou art below, As one dead in the boVom of a tomb: Either my eyesight fails, or thou look'st pale. 55 ROMEO And trust me, love, in my eye so do you: Dry sorrow drinks our blood. Adieu, adieu! Exit 1. Mark (u) above the unstressed syllables, and (/) above the stressed syllables for lines 1‐6. JULIET Art thou gone so? love, lord, ay, husband, friend! I must hear from thee every day in the hour, 45 For in a minute there are many days: O, by this count I shall be much in years Ere I again behold my Romeo! ROMEO Farewell! I will omit no opportunity 50 That may convey my greeSngs, love, to thee. Literary Elements 60 2. Why does Shakepeare write in this metrical paVern, for this scene? _____________________________ _____________________________ _____________________________ _____________________________ _____________________________ Check For Understanding 1. Underline How does Juliet show she is in love with Romeo? 2. Circle How does Romeo show he is in love with Juliet? Sequence of Events Go back to the Smeline and fill in what else happened on Day 2. Romeo and Juliet: Text to Movie Comparison Write down observations of how the Directors/Author decided to depict Act 3 scene 45. Zefferrelli Romeo and Juliet w/Leonardo DiCaprio & Claire Danes Romeo and Juliet text 1. Explain the differences in the way the directors and Shakespeare decided to tell the story. Explain using at least two examples. 2. What elements of the modern day Romeo and Juliet were surprising to you? Explain. CLA Standards: Literary Criticism 3.11 Reading 10: Act 4 sc. 1-2 Romeo and Juliet Big Idea: What is the selec0on mainly about? ______________________ ______________________ ______________________ Student Objec0ves: ‐ Students will compare and contrast characters dialogue to understand characteriza0on ‐ Evaluate the impact of dic0on and figura0ve language on tone and mood FRIAR LAURENCE On Thursday, sir? the time is very short. PARIS My father Capulet will have it so; And I am nothing slow to slack his haste. FRIAR LAURENCE You say you do not know the lady's mind: Uneven is the course, I like it not. 5 PARIS Immoderately she weeps for Tybalt's death, And therefore have I little talk'd of love; For Venus smiles not in a house of tears. Now, sir, her father counts it dangerous 10 That she doth give her sorrow so much sway, And in his wisdom hastes our marriage, To stop the inundation of her tears; Which, too much minded by herself alone, May be put from her by society: 15 Now do you know the reason of this haste. ! React Do you think Paris believes that Juliet loves him and that she is going to confession to prepare for being married? Why or Why not? ____________________ ____________________ ____________________ ____________________ ____________________ ____________________ FRIAR LAURENCE Aside Look, sir, here comes the lady towards my cell. Enter JULIET PARIS Happily met, my lady and my wife! JULIET That may be, sir, when I may be a wife. PARIS That may be must be, love, on Thursday next. 20 JULIET What must be shall be. Words to know! Leisure (n): Free 0me CLA Standards: Literary Criticism 3.11 FRIAR LAURENCE That's a certain text. Characteriza0on and Compare and Contrast PARIS Come you to make confession to this father? JULIET To answer that, I should confess to you. PARIS Do not deny to him that you love me. 25 JULIET I will confess to you that I love him. PARIS So will ye, I am sure, that you love me. JULIET If I do so, it will be of more price, Being spoke behind your back, than to your face. 1. How would you characterize Juliet's responses to Paris? _____________________________ _____________________________ _____________________________ _____________________________ 2. How would you characterize Paris' responses to Juliet? _____________________________ _____________________________ _____________________________ _____________________________ PARIS Poor soul, thy face is much abused with tears. 30 JULIET The tears have got small victory by that; For it was bad enough before their spite. PARIS Thou wrong'st it, more than tears, with that report. JULIET That is no slander, sir, which is a truth; And what I spake, I spake it to my face. 35 PARIS Thy face is mine, and thou hast slander'd it. JULIET It may be so, for it is not mine own.Are you at leisure, holy father, now; Or shall I come to you at evening mass? FRIAR LAURENCE My leisure serves me, pensive daughter, now. 40 My lord, we must entreat the Wme alone. PARIS God shield I should disturb devoWon! Juliet, on Thursday early will I rouse ye: Till then, adieu; and keep this holy kiss. Exit 3. In lines 17‐36, noWce that each character's response is short and open to interpretaWon? Why do you think this is the case? _____________________________ _____________________________ _____________________________ _____________________________ 4. What is Juliet's purpose in going to the Friar's cell? How is she able to achieve her goal without Paris knowing? _____________________________ _____________________________ _____________________________ _____________________________ Sequence of Events Go back to the Wmeline and fill in what happened on Day 3 in the morning. CLA Standards: Literary Response and Analysis 3.10 Reading 11: Act 4 sc. 3-5 Romeo and Juliet Big Idea: What is the selec0on mainly about? ______________________ ______________________ ______________________ Student Objec0ves: ‐ Students will iden0fy plot elements and sequence of events ‐ Iden0fy and describe the func0on of soliloquies and asides JULIET Ay, those aAres are best: but, gentle nurse, I pray thee, leave me to myself to‐night, For I have need of many orisons To move the heavens to smile upon my state, 5 Which, well thou know'st, is cross, and full of sin. Enter LADY CAPULET LADY CAPULET What, are you busy, ho? need you my help? JULIET No, madam; we have cull'd such necessaries As are behoveful for our state to‐morrow: So please you, let me now be leS alone; 10 And let the nurse this night sit up with you; For, I am sure, you have your hands full all, In this so sudden business. LADY CAPULET Good night: Get thee to bed, and rest; for thou hast need. 15 Exit LADY CAPULET and Nurse ! React Would you take the po1on if you were Juliet? Why or why not? JULIET Farewell! God knows when we shall meet again. I have a faint cold fear thrills through my veins, That almost freezes up the heat of life: I'll call them back again to comfort me: Nurse! What should she do here? 20 My dismal scene I needs must act alone. Come, vial. What if this mixture do not work at all? Shall I be married then to‐morrow morning? No, no: this shall forbid it: lie thou there. 25 Laying down her dagger What if it be a poison, which the friar Subtly hath minister'd to have me dead, Lest in this marriage he should be dishonour'd, Because he married me before to Romeo? I fear it is: and yet, methinks, it should not, 30 For he hath s1ll been tried a holy man. How if, when I am laid into the tomb, I wake before the 1me that Romeo CLA Standards: Literary Response and Analysis 3.10 Come to redeem me? there's a fearful point! Shall I not, then, be s1fled in the vault, 35 To whose foul mouth no healthsome air breathes in, And there die strangled ere my Romeo comes? Or, if I live, is it not very like, The horrible conceit of death and night, Together with the terror of the place,‐‐ 40 As in a vault, an ancient receptacle, Where, for these many hundred years, the bones Of all my buried ancestors are packed: Where bloody Tybalt, yet but green in earth, Lies festering in his shroud; where, as they say, At some hours in the night spirits resort;‐‐ Alack, alack, is it not like that I, So early waking, what with loathsome smells, And shrieks like mandrakes' torn out of the earth, That living mortals, hearing them, run mad:‐‐ O, if I wake, shall I not be distraught, Environed with all these hideous fears? And madly play with my forefather's joints? And pluck the mangled Tybalt from his shroud? And, in this rage, with some great kinsman's bone, As with a club, dash out my desperate brains? O, look! methinks I see my cousin's ghost Seeking out Romeo, that did spit his body Upon a rapier's point: stay, Tybalt, stay! Romeo, I come! this do I drink to thee. 60 She falls upon her bed, within the curtains. 45 Check For Understanding 1. Why does Juliet begin to doubt Friar Laurence's plan ? ____________________________ ____________________________ ____________________________ ____________________________ 2. Underline What is Juliet's back up plan if she doesn't take the po1on, or if it doesn't work? 50 55 Plot Elements Falling Ac0on: the events that develop from the climax and lead to the conclusion. Go back to the plot diagram and fill in the falling ac1on for Romeo and Juliet Sequence of Events Words to know! Dishonored (v): bring shame or disgrace on Go back to the 1meline and fill in what happened on Day 3 in the evening. CLA Standards: Literary Response 3.3, 3.4 and 3.7 Reading 12: Act 5 sc. 1-3 Romeo and Juliet Big Idea: What is the selec0on mainly about? ______________________ ______________________ ______________________ ! React Do you think Romeo was truly in love with Juliet? How do you know? ____________________ ____________________ ____________________ ____________________ ____________________ Student Objec0ves: ‐ Students will compare and contrast drama0c monologues ‐Students will analyze the func0on of literary elements Romeo Dies How oF when men are at the point of death Have they been merry! which their keepers call 90 A lightning before death: O, how may I Call this a lightning? O my love! my wife! Death, that hath suck'd the honey of thy breath, Hath had no power yet upon thy beauty: Thou art not conquer'd; beauty's ensign yet 95 Is crimson in thy lips and in thy cheeks, And death's pale flag is not advanced there. Tybalt, liest thou there in thy bloody sheet? O, what more favor can I do to thee, Than with that hand that cut thy youth in twain 100 To sunder his that was thine enemy? Forgive me, cousin! Ah, dear Juliet, Why art thou yet so fair? shall I believe That unsubstan0al death is amorous, And that the lean abhorred monster keeps 105 Thee here in dark to be his paramour? For fear of that, I s0ll will stay with thee; And never from this palace of dim night Depart again. Here, here will I remain With worms that are thy chamber‐maids; O, here 110 Will I set up my everlas0ng rest, And shake the yoke of inauspicious stars From this world‐wearied flesh. Eyes, look your last! Arms, take your last embrace! and, lips, O you The doors of breath, seal with a righteous kiss 115 A dateless bargain to engrossing death! [Kisses Juliet. Takes out the cup of poison.] Come, bi\er conduct, come, unsavoury guide! Thou desperate pilot, now at once run on The dashing rocks thy sea‐sick weary bark! Here's to my love! [Drinks.] O true apothecary! 120 Thy drugs are quick. Thus with a kiss I die. Words to know! Apothecary (n):a person who prepared and sold medicines and drugs. CLA Standards: Literary Response 3.3, 3.4 and 3.7 Juliet Dies JULIET 160 Go, get thee hence, for I will not away. What's here? a cup, closed in my true love's hand? Poison, I see, hath been his 0meless end: O churl! drunk all, and leF no friendly drop To help me aFer? I will kiss thy lips; 165 Haply some poison yet doth hang on them, To make me die with a restora0ve. [Kisses him.] Thy lips are warm. Yea, noise? Then I'll be brief. O happy dagger! [Snatching Romeo's dagger.] 170 This is thy sheath; [Stabs herself.] there rust, and let me die. [Falls on Romeo's body, and dies.] Compare and Contrast 1. Who do you think shows more love in their words, Romeo or Juliet? ___________________________ 2. Underline the words Romeo and Juliet use to describe their love, the acBons to show their love, and the quickness of their suicide. Then fill in the compare and contrast diagram to determine who demonstrates more love. Plot Elements Resolu0on: the events that follow the climax, and end the story. Now, go back to the plot diagram and enter the ResoluBon for Romeo and Juliet Romeo and Juliet: Text to Movie Comparison Write down observations of how the Directors/Author decided to depict Romeo and Juliet’s last words. Zefferrelli Romeo and Juliet w/Leonardo DiCaprio & Claire Danes Romeo and Juliet text 1. Explain the differences in the way the directors and Shakespeare decided to tell the story. Explain using at least two examples. 1. Which version do you like better? (i.e. Zefferrelli, modern day Romeo and Juliet, or Shakespeare’s text) Essay Type: Compare and Contrast ( ) In-class timed essay (X) Take home essay Student legal name (“nick name”):___________________________ PER:____ Student ID#:__________________ Student Signature:_____________________ Teacher’s Name: ______________ Freshmen Sophomore ( ) Eng 1 Fall ( ) Eng 3 Fall ( ) Eng 2 Spring ( ) Eng 4 Spring (X) English I Intensive 20____ Junior ( ) Eng 5 Fall ( ) Eng 6 Spring Senior ( ) Eng 7 Fall ( ) Eng 8 Spring Writing Prompt Romeo and Juliet, by William Shakespeare, has been retold over the years. In an essay, discuss the similarities and differences between the two movie versions of Romeo and Juliet that you saw in class (i.e. Franco Zeffirelli or Baz Luhrmann). Which version do you feel better told the story? Support your opinion with examples from the text and movie. Breakdown the prompt: 1. What is the Stipulation (Specific directions)? 2. What does the prompt tell you to Recapitulate (Background)? 3. What does the prompt Invite (General Directions) you to do? Try writing the prompt in your own words: In this paper I need to… ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ Essay Type: Compare and Contrast ( X ) In-class timed essay( ) Take home essay Student legal name (“nick name”):___________________________ PER:____ Student ID#:__________________ Student Signature:_____________________ Teacher’s Name: Proud 20____ Freshmen Sophomore Junior ( ) Eng 1 Fall ( ) Eng 3 Fall ( ) Eng 5 Fall ( ) Eng 2 Spring ( ) Eng 4 Spring ( ) Eng 6 Spring (X) Eng 1 Intensive Argument 0 No thesis sentence. 1 Thesis Sentence is inadequate. 2 Thesis Sentence is limited and incomplete. Organization No Weak Topic organization Sentence, primary and secondary support, conclusion Limited Topic Sentence, primary and secondary support, conclusion Clarity No clarity. Very hard to understand. Weak word choice. Hard to understand. Very limited word choice. Grammar/Syntax, Mechanics, Punctuation, Usage, and Spelling Shows no grasp of grammar at all. Very weak understanding of grammar. Many errors. MLA Format No knowledge of the format Weak and improper use of MLA format Limited use of proper grammar. Many improper usages. Limited understanding of MLA Senior ( ) Eng 7 Fall ( ) Eng 8 Spring 3 Thesis Sentence is less specific and less effective, imprecise but acceptable. Adequate Topic Sentence, primary and secondary support, conclusion 4 Thesis Sentence is less accurate and specific. Strong Topic Sentence, primary and secondary support, conclusion Less clear, but Mostly understandable. clear with Adequate word strong choice. word choice Adequate understanding of grammar. Strong grammar with only a few mistakes. Adequate grasp Strong of MLA adherence formatting to MLA format 5 Thesis Sentence is clear and accurate. Excellent Topic Sentence, primary and secondary support, conclusion Very clear and easy to understand. Excellent word choice Excellent use of grammar. Mastery of MLA formatting Writing Prompt: Romeo and Juliet was set in the 1600s when social norms and teen issues were much different. In a four-paragraph essay explain the differences and similarities in society during the time of Romeo and Juliet compared to today. Essay Type: Compare and Contrast ( X ) In-class timed essay( ) Take home essay Student legal name (“nick name”):___________________________ PER:____ Student ID#:__________________ Student Signature:_____________________ Teacher’s Name: Proud 2010 Freshmen Sophomore Junior ( ) Eng 1 Fall ( ) Eng 3 Fall ( ) Eng 5 Fall ( ) Eng 2 Spring ( ) Eng 4 Spring ( ) Eng 6 Spring (X) Eng 1 Intensive 0 No thesis sentence. 1 Thesis Sentence is inadequate. 2 Thesis Sentence is limited and incomplete. Organization No organizatio n Weak Topic Sentence, primary and secondary support, conclusion Limited Topic Sentence, primary and secondary support, conclusion Clarity No clarity. Very hard to understand. Weak word choice. Hard to understand. Very limited word choice. Grammar/Syntax, Mechanics, Punctuation, Usage, and Spelling Shows no grasp of grammar at all. Very weak understanding of grammar. Many errors. MLA Format No knowledge of the format Weak and improper use of MLA format Limited use of proper grammar. Many improper usages. Limited understanding of MLA Argument Senior ( ) Eng 7 Fall ( ) Eng 8 Spring 3 Thesis Sentence is less specific and less effective, imprecise but acceptable. Adequate Topic Sentence, primary and secondary support, conclusion 4 Thesis Sentence is less accurate and specific. Strong Topic Sentence, primary and secondary support, conclusion Less clear, but Mostly understandable. clear with Adequate word strong choice. word choice Adequate understanding of grammar. Strong grammar with only a few mistakes. Adequate grasp Strong of MLA adherence formatting to MLA format 5 Thesis Sentence is clear and accurate. Excellent Topic Sentence, primary and secondary support, conclusion Very clear and easy to understand. Excellent word choice Excellent use of grammar. Mastery of MLA formatting Writing Prompt: Romeo and Juliet is labeled a tragedy because of the amount of people who died, and the price the enemy families had to pay. In a four-paragraph essay discuss who you think is at fault for Romeo and Juliet’s death. Be sure to cite the text to support your opinion with proper MLA citation. CLA Standards: Writing Applications 2.1 Student objec$ves: ‐ Iden$fy a topic sentence, details, $me order, linking words, and a conclusion in a personal narra$ve ‐Iden$fy the form, audience, and purpose for wri$ng Wri$ng Focus: Compare and Contrast ‐ To compare means to tell how two things are alike. ‐ To contrast means to tell their differences ‐ A compare and contrast essay gives details about how two subjects are alike and different The Senate and the House of Representa2ves The government of the United States is made up of three branches: the legisla2ve branch, the execu2ve branch and the judicial branch. The legisla2ve branch, called Congress, is responsible for making laws. Congress is made up of two houses: the Senate and the House of Representa2ves. In this essay, you will learn the differences and similari2es between these two houses of Congress. There are many differences between the Senate and the House of Representa2ves. The Vice President of the United States is the head of the Senate. He must vote in the Senate if there is a 2e. On the other hand, the House of Representa2ves’ leader is called the Speaker of the House. The representa2ves elect him or her. Another difference is that the Senate is made up of 100 senators, two from each state. The House of Representa2ves, however, is made up of 435 representa2ves. The number of representa2ves from each state is determined by that state’s popula2on. The greater the popula2on in a state, the more representa2ves that state will have in the House. A third difference is that senators are elected to six‐year terms, while CLA Standards: Writing Applications 2.1 representa2ves are elected to serve two‐year terms. Every two years, the na2on holds an elec2on for members of Congress. At that 2me, all members of the House of Representa2ves and one‐third of the Senate are up for re‐elec2on. There are also similari2es between the Senate and the House of Representa2ves. For example, both houses of Congress are made up of men and women. Both senators and representa2ves are members of Congress who must work together toward the same goal: to create, discuss, debate and vote on bills, some of which eventually become laws. In the U.S. Capitol Building in Washington D.C., senators and representa2ves oYen meet with each other and in smaller groups to discuss laws. Before the President can sign a bill into law, it must first be approved by a majority of members in both the House and Senate. Although Congress is made up of two types of lawmakers, they must work together for the benefit of all Americans. Parts of a Compare and Contrast Essay 1. Underline the sentence that tells what the author is going to compare and contrast 2. In which ways are these two things alike? Put a star next to each way. 3. In which ways are these two things different? Put a box around one example of each. 4. Circle the linking words that connect the details. 5. Put a star before the sentence or paragraph that sums up the event and tells the writer's feelings about it. Direc$ons: Help the author of this essay. Write down your cri$que of the paper keeping in mind that the feedback must be specific, helpful, and kind. _______________________________________________________________ _______________________________________________________________ _______________________________________________________________ _______________________________________________________________ Transi)ons/Word Choices Plan Your Essay Wri/ng Prompt: Show the differences and similari/es between the two movie versions of Romeo and Juliet. Persuade the reader which version be@er told the story. Introduc)on Paragraph (Include Thesis): 1 S T B O D Y P A R A G R A P H Topic Sentence: Primary Support 1: Secondary Support 1: Primary Support 2: Secondary Support 2: Primary Support 3: , Secondary Support 3: Conclusion Sentence: * Sentence starters are only suggestions. Replace them with your own if you like. 2 N D B O D Y Topic Sentence: Primary Support 1: Secondary Support 1: Primary Support 2: Secondary Support 2: P A R A G R A P H Primary Support 3: Secondary Support 3: Conclusion Sentence: Conclusion Paragraph (Rephrase Thesis): * Sentence starters are only suggestions. Replace them with your own if you like. Persuasive Techniques When planning a persuasive essay, follow these steps 1. Choose your position. Which side of the issue or problem are you going to write about, and what solution will you offer? Know the purpose of your essay. 2. Analyze your audience. Decide if your audience agrees with you, is neutral, or disagrees with your position. 3. Research your topic. A persuasive essay must provide specific and convincing evidence. Often it is necessary to go beyond your own knowledge and experience. You might need to go to the library or interview people who are experts on your topic. 4. Structure your essay. Figure out what evidence you will include and in what order you will present the evidence. Remember to consider your purpose, your audience, and you topic. The following criteria are essential to produce an effective argument 1. Be well informed about your topic. To add to your knowledge of a topic, read thoroughly about it, using legitimate sources. Take notes. 2. Test your thesis. Your thesis, i.e., argument, must have two sides. It must be debatable. If you can write down a thesis statement directly opposing your own, you will ensure that your own argument is debatable. 3. Disprove the opposing argument. Understand the opposite viewpoint of your position and then counter it by providing contrasting evidence or by finding mistakes and inconsistencies in the logic of the opposing argument. 4. Support your position with evidence. Remember that your evidence must appeal to reason. The following are different ways to support your argument: Facts - A powerful means of convincing, facts can come from your reading, observation, or personal experience. Note: Do not confuse facts with truths. A "truth" is an idea believed by many people, but it cannot be proven. Statistics - These can provide excellent support. Be sure your statistics come from responsible sources. Always cite your sources. Quotes - Direct quotes from leading experts that support your position are invaluable. Examples - Examples enhance your meaning and make your ideas concrete. They are the proof. CASHEE Persuasive Essay Into Activities: Have students list and describe (in written form) the techniques they commonly use to persuade or convince people to do or believe something. Think of how they try to influence their parents or friends. Have them share and discuss with class. What is the purpose of making an argument? To convince someone that you are right Ask students what things they have argued about recently, and with whom. Answers would include grades, curfew, dating, music, movies, sports, and parents, friends, teachers, girlfriend/boyfriend, siblings. In a persuasive essay you have to convince total strangers—using nothing but your writing skills and whatever facts you can call upon to back you up. Review Writing Essays The 4-Step Method for Writing Essays Step 1 Introduce the topic, then write a thesis statement that takes a clear and definite position. (Introductory Paragraph) Step 2 Support your thesis statement with reasons and details. (Body Paragraph) Step 3 Re-state your thesis statement and plug it back into the topic. (Conclusion) Step 4 Proofread what you have written for spelling, grammar, vocabulary, and sentence structure. Make sure to do prewriting activities before you ever start to write an essay Materials created/adapted by Bob Leadbetter Persuasive Thesis Statements A good thesis statement is the most important aspect of a persuasive essay. If the thesis is not a clear statement of opinion you will have trouble structuring an argument What makes a thesis statement unclear? (Wishy-washy views, or taking both sides). If the thesis is not provable, it will be difficult to find reasons and details to support it. What makes a thesis statement impossible to prove? If it is based as a matter of taste, or personal opinion Have students write thesis statements for each of the following essay questions. 1. How many after-school activities should students be allowed to participate in? (Students should be allowed to participate in as many activities as they want.) 2. Are overcrowded classrooms a threat to education? (Overcrowded classrooms are a threat to education because they decrease student attention, teacher response, and safety.) NOTE: This thesis is preferable because the reasons to be argued are also included. 3. Should Michael Jordan still play professional basketball when he is 45 years old. (Michael Jordan should not play professional basketball when he is in his forties.) Materials created/adapted by Bob Leadbetter Convincing Reasons In a persuasive essay reasons are the whys that make-up your argument. Example: Thesis Statement: Broccoli should be banned from the school cafeteria. Reasons: Nobody likes Broccoli Broccoli smells up the cafeteria. The school has no right to force students to eat broccoli. Each reason will become the topic of a body paragraph. The first sentence of each paragraph should state the reason simply and clearly (like a thesis statement). Have students write one reason for each of the three thesis statements they wrote. Examples: Students need to learn how to budget their time. Overcrowded classrooms decrease student attention. Older stars need to step down and make room for younger players. Appeals to Fact Facts, figures, and statistics always look impressive to readers. They immediately lift the thesis out of the realm of personal opinion and anchor it in something real and truthful. Example: 72% of all students in this school agree the broccoli smells terrible. The problem is that on the CAHSEE essay you may not have these facts readily available because you don’t know the question beforehand. Appeals to Reason When you don’t have facts at your disposal, you can try to sway your audience with arguments that will make logical sense to them. Example: Reason; Broccoli smells up the cafeteria. Detail; If the cafeteria reeks of broccoli, teachers will try to get out of lunch duty and older students will stop using the cafeteria completely. This can only hurt the school Have students choose one of their three thesis statements and write an appeal to reason that would support that thesis. Example: Students need time to experiment with many interests and hobbies. Overcrowding makes people uncomfortable and irritable. Jordan should give the younger kids a chance and just be a mentor. Materials created/adapted by Bob Leadbetter Appeals to Emotion This aims straight at people’s desires, fears, angers and prejudices. Detail: It is child abuse to force children against their will to eat and smell disgusting food that they hate. When are appeals to emotion useful in a persuasive essay? When you don’t have any facts or the facts are against you. What is the danger of relying on appeals to emotion? Logical people may not be swayed, and see through your arguments. Have students choose one of their thesis statements and make an appeal to emotion that they think would support their thesis statement. Example: Schools are not police states or jails. Students have rights. Students are not cattle and shouldn’t be treated as such. Basketball is a young man’s game; the old timers should clear out of the way. Materials created/adapted by Bob Leadbetter CASHEE Persuasive Essay Guided Practice Have students create an outline for the following essay question. Should parents be allowed to monitor and restrict Internet use for their high-school aged children? Use the following form. Thesis Reason Detail Detail Reason Detail Detail Use Internet overhead to share and discuss examples students have used. Independent Practice Write an outline, an introduction and a conclusion for the following essay question. Should high school students be forced to say the Pledge of Allegiance in school every morning? Remind students to use a topic sentence or grabber, bridge and thesis statement when they write the introductory paragraph. Remind them to restate the reasons and details and mention something about the future when writing the conclusion. If you want to give them extra writing practice have them write the full essay. When students have completed the introduction, outline, and conclusion review the answers together. (See Pledge handouts) Materials created/adapted by Bob Leadbetter CASHEE Persuasive Essay Writing Tasks (See handouts) Write a composition in which you argue whether or not your school should adopt a yearround schedule. Write an essay in which you express your opinions about community curfews for teenagers. Have students exchange essays and evaluate based on the ESUHSD Writing Rubric. Have students write an essay taking the opposite viewpoint. Practice Essay: School Foods Have students read both articles from the Mercury News “Hooked on Junk Food” and “The Big Greasy”. (handout) Discuss with class (maybe a Socratic Seminar). Have students write a persuasive essay on the type of foods that should be served in schools. Materials created/adapted by Bob Leadbetter Romeo and Juliet Unit Test I. Matching _____ 1. Benvolio _____ 2. Capulet _____ 3. Friar Laurence _____ 4. Juliet _____ 5. Lady Capulet _____ 6. Lady Montague _____ 7. Mercutio _____ 8. Montague A. He agrees to marry Romeo and Juliet B. He sends Romeo into exile C. She dies grieving for her son, Romeo D. Romeo's father E. She refused Romeo's love and caused his depression F. He kills himself when he thinks Juliet is dead G. He gives a feast to introduce Juliet to bachelors H. He explains the circumstances of Tybalt's death I. Capulet's favored suitor for Juliet J. Both Paris and Romeo want to marry her K. Juliet's servant and mentor L. She wants the Prince to execute Romeo M. He is slain by Tybalt N. Romeo kills him to avenge his friend's death _____ 9. Nurse _____ 10. Paris _____ 11. Prince _____ 12. Romeo _____ 13. Rosaline _____ 14. Tybalt II. Identify the speaker You may use a character more than once. A=Romeo B=Juliet C=Friar Laurence D= Capulet E. Montague F= Prince G=Lady Montague H=Lady Capulet 15. Oh, dear account! My life is my foe's debt. 16. That which we call a rose/ By any other name would smell as sweet. 17. In one respect I'll thy assistant be;/ For this alliance may so happy prove,/ To turn your households' rancor to pure love. 18. Affliction is enamored of thy parts,/ And thou art wedded to calamity. 19. Death is my son‐in‐law. Death is my heir 20. If ever you disturb our streets again,/Your lives shall pay the forfeit of peace. 21. Parting is such sweet sorrow. 22. Oh, I am fortune's fool! 23. Graze where you will, you shall not house with me. 24. A crutch, a crutch! Why call you for a sword? Romeo and Juliet Unit Test III. Multiple Choice 25. Why is Romeo so sad? a. He wanted to fight, but he missed it. b. He just lost his best friend. c. He had an argument with his cousin Benvolio. d. The girl he loves does not want to get married. 26. What does Romeo mean when he says, "Oh, dear account! My life is my foe's debt"? a. Although the dinner was expensive, he didn't enjoy it. b. His love for Juliet has brought him out of his depression. Since she is a Capulet, he owes his enemy for his new happiness. c. He is glad that Tybalt left the banquet without fighting. d. He went to the party to get a glimpse of Rosaline. When he saw Rosaline dancing with another young man, he felt jealous and angry. 27. Why does Friar Laurence agree to marry Romeo and Juliet? a. He hopes that it will help to end the feud between the families. b. He doesn't like Paris, and doesn't think Juliet should marry him. c. He is obliged by the laws of the church to marry anyone who asks him. d. Romeo offers him a lot of money. 28. What punishment did the Prince give Romeo for fighting? a. Death b. Twenty years in jail c. Exile d. A fine of 5,000 lira 29. Romeo's killing Tybalt put Juliet in a bad position. What did she finally decide? a. Not to weep for either of them b. To weep for both Romeo and Tybalt c. To weep only for Tybalt d. To weep only for Romeo's banishment 30. What plans do Friar Laurence and Juliet make? a. They will tell Capulet the truth and ask him to beg the Prince to allow Romeo's return. b. She should threaten to kill herself if her father makes her marry Paris. c. Juliet should agree to marry Paris. On the eve of her wedding, she should drink a potion that will make her appear dead. After it wears off, she should go to Mantua to be with Romeo. d. The Nurse will help her disguise herself and run away that very night. They will go to another town. Friar Laurence will send Romeo there in a week. Romeo and Juliet Unit Test 31. What news does Balthasar bring Romeo? How does Romeo react? a. Balthasar tells Romeo of Juliet's death. Romeo rushes out to the apothecary to get poison. He goes to Juliet's grave to drink the poison. b. Balthasar tells Romeo that Juliet has married Paris. Romeo swears to return and kill Paris. c. Balthasar tells Romeo where to meet Juliet and the Nurse. Romeo happily gets ready to leave. d. Balthasar tells Romeo what Friar Lawrence has arranged with the Prince. Romeo is free to return to be with Juliet. 32. What went wrong with the Friar's plan? a. The Prince changed his mind about the pardon. b. His letter never got to Romeo, so Romeo didn't know that Juliet was not really dead. c. The nurse would not cooperate. d. The potion was too strong and killed Juliet. 33. What are the circumstances of Paris' death? a. Capulet is angry that Juliet killed herself. He blames Paris, and kills him. b. Paris kills Romeo, and the Prince orders him to be killed. c. Paris finds the remains of the potion that Juliet took. He swallows it and kills himself. d. Paris and Romeo meet at Juliet's tomb. Paris starts a fight, and Romeo kills him. 34. After she wakes up from being drugged, why does Juliet kill herself with Romeo's dagger? a. She realizes how foolish she had been, and she is afraid to be discovered by her father. b. She sees Romeo dead from the poison. Since there is no poison left, she kills herself with his dagger. c. She is still dazed by the potion. She picks up the knife and then trips, accidently killing herself. d. She is afraid the Prince will think she killed Romeo intentionally, and either banish her or put her to death. 35. Why does Romeo decide to go to the feast even though he is not invited? a. Benvolio offers to introduce him to Juliet. b. He wants to make peace with the Capulets. c. Rosaline, the girl he loves, will be there. d. His favorite foods are going to be served. 36. Mercutio can be described as a foil to Romeo because a. he comes from a different social class b. he is much older than Romeo c. he is a Capulet and Romeo is a Montague Romeo and Juliet Unit Test d. unlike Romeo, he does not take love seriously IV. True/False 53. Mercutio is an African American, cross dresser. 54. Romeo took ecstasy before the Capulet ball. 55. Romeo and Juliet both die in the end. 56. Tybalt, Mercutio and Paris are all killed by Romeo. 57. The Nurse and Friar Laurence are used as comedic reliefs in a tragic play. 58. The Capulets and Montagues come together and honor their children, burying their feud forever. 59. Juliet is forced to marry Paris 60. The entire play is only 4 days long V. Plot/Stucture: Label the plot diagram with each event from the play.
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