Appearance and Reality in Monkey and Tartuffe
by Barry Wright
Essay: Appearance and Reality in Monkey and Tartuffe
Pages: 10
Rating: 3 stars
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Creator of Le Misanthrope and French playwright Jean-Baptiste Poquelin had written Tartuffe, or the Impostor
during the 17th century. Among the classical stories of the Chinese literature entitled Journey to the West,
otherwise known as "Monkey" is created by Chinese scholar Wu Cheng'en. The comedy Tartuffe and the Monkey
by Wu Cheng’en are stories accentuating on the exploration of the concepts of appearance and reality.
Tartuffe is a simple, realistic story about understanding the real deceivers and those who are deceived in life as
represented by the antagonist in the comedy named Tartuffe. In examining the entire story, there is only one
deceiver in the story specifically Tartuffe. As the title character of the story, Tartuffe is highly remarkable for
depicting various attitudes towards the other characters to hide his real intentions. Only the readers can truly see
what was he really up to. He has tremendously played with every character in the story by hiding his true motive
by means of presenting his holiness to Madame Pernelle at the beginning of the story as well as to Orgon.
Orgon's two-sided character is revealed in the following lines, "some joys, it's true, are wrong in Heaven's eyes, yet
Heaven's not averse to compromise... any wrongful act you care to mention, may be redeemed by purity of
intention" (Lawall and Mack 360). On the other hand, the major character in the story of Wu, the Stone Monkey
showed realism as they search for the Buddhist scriptures with the help of Tripitaka, Zhu Bajie and Sha Wujing or
Sandy.
The stories may be derived from different periods and diverse countries however both characters of the stories
showed similarity in character. The appearance of both characters, Tartuffe and the Monkey...
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