HIRMER
PUBLISHERS
SPRING 2017
PAINTING
DISCOVERY OF A GREAT
AUSTRIAN EXPRESSIONIST
THE FIRST COMPREHENSIVE
RETROSPECTIVE ON RICHARD
GERSTL IN EUROPE AND THE USA
CATALOGUE RAISONNÉ OF
GERSTL’S APPROX. 70 WORKS
RICHARD GERSTL
Eds. I. Pfeiffer and J. Lloyd in
cooperation with R. Coffer
Essays by R. Coffer,
P. Demandt, J. Kallir,
D. Leopold, J. Lloyd,
I. Pfeiffer, M. Sitte
192 pages
200 colour illustrations
23.5 × 28 cm, hardcover
£ 42.00
978-3-7774-2754-6
June 2017
Exhibition
Frankfurt | Schirn Kunsthalle
24.2.–14.5.2017
New York | Neue Galerie
29.6.–25.9.2017
Richard Gerstl, Self-Portrait,
laughing, 1907, Belvedere,
Vienna © Belvedere, Vienna
Richard Gerstl, The Sisters
Karoline and Pauline Fey, 1905,
Belvedere, Vienna © Belvedere,
Vienna
The Viennese artist Richard Gerstl is still regarded as being an insider
tip. And yet he was one of the most important artists in Vienna in around
1900, alongside Klimt, Schiele and Kokoschka. Although he was only 25
years old when he died, he created an exciting and unusual oeuvre. This
volume accompanying the first comprehensive retrospective at the Neue
Galerie in New York introduces all the aspects of this exceptional artist.
The artistic career of Richard Gerstl (1883–1908) extended over only approximately five years. During
his lifetime he refused to allow his work to be exhibited in any way. As a result of his dramatic early
death by his own hand many of his works were destroyed and almost no personal belongings have
survived. The present work on his entire oeuvre finally fills the gap this has left. In his subjects –
portraits, landscapes and nude paintings, including the first nude self-portrait by an artist since
Dürer – Gerstl succeeded in freeing his style from that of Salon painting. He applied the paint in an
increasingly pastose and free manner and created pictures which are regarded as some of the most
modern works of his time.
3
DRAWING
NEW APPROACHES TO THE
INTERPRETATION OF SCHIELE’S
ALLEGORICALLY ENCODED
WORKS
A UNIQUE OVERVIEW OF
SCHIELE’S DEVELOPMENT
AS A GRAPHIC ARTIST AND
WATERCOLOURIST
TO MARK THE CENTENARY OF
SCHIELE’S DEATH IN 2018:
WITH WORKS FROM THE
ALBERTINA, COMPLEMENTED
BY PRESTIGIOUS LOANS
EGON SCHIELE
Eds. K. A. Schröder,
J. T. Ambrózy
With contributions by
J. Th. Ambrózy, K. A.
Schröder
304 pages
200 colour illustrations
24 × 30 cm, hardcover
£ 42.00
978-3-7774-2764-5
May 2017
Exhibition
Vienna | Albertina
22.2.–18.6.2017
Egon Schiele, The Cellist,
1910, Albertina, Vienna
Egon Schiele, Old Houses in
Český Krumlov, 1914, Albertina,
Vienna
DRAWING THE WORLD
Egon Schiele (1890–1918) is considered to be one of the pioneers of
Austrian modernism together with Gustav Klimt and Oskar Kokoschka.
Coinciding with the start of the commemoration of the centenary of
his death, this volume will approach Schiele’s fascinating works from
a new perspective and will also introduce a paradigm change in the
interpretation of his oeuvre.
Inspiration from Schiele’s private circumstances as well as from the art of antiquity, the Byzantine
period and even the age of the Baroque will help to provide the key to understanding Schiele’s
pictorial allegories, which have remained enigmatic to this day. In the light of the latest Schiele
research the artist will no longer be presented as the disturbingly penetrating portraitist of
existential loneliness, but at the same time also as a champion of lofty ethics and passionate
spirituality.
5
CONTEMPORARY ART
FASCINATING ENCOUNTER
WITH THE CREATIVE WORK AND
THOUGHT OF SHERRIE LEVINE
SYSTEMATIC ARTISTIC
FURTHER DEVELOPMENT OF
THE WORKS BY PROMINENT
ICONIC ARTISTS TO CREATE AN
AUTONOMOUS OEUVRE
CELEBRATES THE MOST
COMPREHENSIVE
RETROSPECTIVE OF THE
ARTIST’S WORKS IN EUROPE
SHERRIE LEVINE
Ed. Neues Museum,
Staatliches Museum für
Kunst und Design Nuremberg
With contributions by
K. Heymer, J. Heynen,
M. Kliege
English-German edition
192 pages
129 illustrations
24 × 30 cm, softcover
with flaps
£ 49.95
978-3-7774-2802-4
May 2017
Exhibition
Nuremberg | Neues Museum,
Staatliches Museum für
Kunst und Design
28.10.2016–12.2.2017
Sherrie Levine, Black and
White Bottles, 1992
Sherrie Levine, Robert
Gober, Checkerboard on Table,
1989/90 Both works: Private
collection
Photographs: Anette Kradisch,
Nuremberg © Sherrie Levine
AFTER ALL
The American artist Sherrie Levine realises in her works the
artistic praxis of appropriating, repeating and varying famous
earlier artworks. At the same time in doing so she creates her own
new oeuvre. Beyond the mere copy she further develops the works
conceptually and with historical clichés, presenting it to the viewer
for reconsideration.
Sherrie Levine (* 1947) is a photographer, painter and sculptor and is celebrated above all in the
United States. When we first consider her works we think of the imitation and interpretation of the
reference works, but our conclusions about the copy soon disappear in favour of a new, autonomous
original. The volume shows over 50 works “after” artists like Duchamp, Cézanne, Degas, van
Gogh and Mondrian, from whose masterpieces Sherrie Levine has created something new. In addition art experts place her work in context, for example with regard to her choice of subject
or her methods of reproduction.
7
CONTEMPORARY ART
MONOGRAPH ON KATHARINA
SIEVERDING, PIONEER OF
LARGE-FORMAT PHOTOGRAPHY
AN OVERVIEW OF HER SERIES OF
PHOTOGRAPHIC WORKS FROM
1967 UNTIL THE PRESENT DAY
LAVISHLY ILLUSTRATED
PRESENTATION OF HER
INNOVATIVE OEUVRE
KATHARINA SIEVERDING
Ed. Kunst- und
Ausstellungshalle der
Bundesrepublik Deutschland
GmbH
With contributions by
Th. Ebers, U. Frohne,
H. J. Hafner, S. Kleine,
G. Schröder
English-German edition
256 pages
300 illustrations
24.5 × 28 cm, hardcover
£ 39.95
978-3-7774-2808-6
May 2017
Exhibition
Bonn | Bundeskunsthalle
10.3.–16.7.2017
Katharina Sieverding,
Maton, 1969-1972,
300 x 252 cm
Katharina Sieverding, Ohne
Titel I-III (Untitled I-III), 1996,
each 300 x 500 cm
All works: © Katharina
Sieverding / VG Bild-Kunst,
Bonn 2016, photographs:
© Klaus Mettig
ART AND CAPITAL
The German photographer Katharina Sieverding is one of the
celebrated international artists who made use of unusual pictorial
invention and innovative media-based artistic praxis from an early
stage in order to revive the artistic potential of photography. This
volume, designed to a large extent by the artist herself, presents
42 groups of works from the years 1967–2017.
Sieverding became famous for the unparalleled consistency with which she has applied her greatly
enlarged portraits in film and photographs since the 1960s by manipulating them in a variety of
ways. Since the 1970s she has developed large-format montages on the state of the world which
were presented to the public for the first time at documenta 6 in 1977. In doing so she challenges
the accelerated picture processes of the present day in a critical manner and in the light of
responsibility, also towards herself. Her oeuvre is spotlighted from all angles in illustrations of her
works, details and installation photos as well as texts on the use of media, the self-portrait and
analogue and digital photography.
9
PHOTOGRAPHY
SENSATIONAL - THE MOST
COMPREHENSIVE ILLUSTRATED
BOOK ON WEEGEE TO DATE
NEW YORK IN LEGENDARY
AND RECENTLY DISCOVERED
PICTURES
WITH ORIGINAL DESCRIPTIONS
BY THE PHOTOGRAPHER
EXTRA! WEEGEE
Ed. Daniel Blau
With contributions by
R. Adams, D. Blau, H. Corey,
S. Picasso
320 pages
620 illustrations, thereof
300 slugs
30 × 24 cm, hardcover
£ 45.00
978-3-7774-2813-0
May 2017
Hep Cats in a Hurry. The run
on the best seats in the Roxy
Theatre for the Jimmy Dorsey
Concert, 1943
Slug with caption by the
photographer for the photo
on the left
The critic, Opening Night at
the Metropolitan Opera, 1943
all works: © Weegee,
International Center of
Photography, courtesy: Daniel
Blau Munich
No other photographer has caught the sensations, scandals and
catastrophes of the 1930s and 1940s in New York City with his
camera as captivatingly as Weegee. He was always directly on the
spot when it happened and documented the events and the onlookers.
All the works come from the N.E.A. agency archive, which was only
rediscovered in 2012; most of the vintage prints are being published
for the very first time in this volume.
Weegee (1899–1968) was the first photographer to receive official permission in 1938 to listen in
live to the New York police radio. From then onwards he sometimes even arrived at the trouble
spot before the police and took countless photographs. From the hardened police officer to the
loud-mouthed crook; from the midnight boozer to the dancing jazz musician; from a dramatic
conflagration to the celebrations at the end of the Second World War: Weegee immortalised all these
moments in unforgettable pictures. The volume also shows a hitherto unknown side of the famous
photographer – happy people enjoying themselves. The works are complemented by the exciting
story of the rediscovery of the archive, which was missing for decades.
11
SCULPTURE
ENCHANTING MATERIALITY:
SCULPTURES BY THE INTERNATIONALLY RENOWNED
SCULPTOR TONY CRAGG
NEW WORKS, IN MOST CASES
IN SHOW FOR THE FIRST
TIME
THE ARTIST’S FOSSIL AND
MINERAL COLLECTION AS A
SOURCE OF INSPIRATION
TONY CRAGG
Ed. Hessisches Landesmuseum
Darmstadt
Essays by T. Cragg,
K.-D. Pohl, J. Wood
120 pages
80 illustrations
21 × 28 cm, hardcover
£ 28.00
978-3-7774-2707-2
January 2017
UNNATURAL SELECTION
Anthony Cragg (*1949) is one of the most important international sculptors of the
present day. The British artist, who lives in Wuppertal, was Rector of the Academy
of Art in Düsseldorf until 2013 and has won many awards. From the beginning his
creative work has found inspiration in Nature as a model.
Cragg’s large-format sculptures of metal, marble, wood and glass are derived from organic
natural shapes and present a fascinating aesthetic. In the foreground is the material as the
sculpture’s strongest means of expression. In the time-consuming development processes
Exhibition
Darmstadt | Hessisches
Landesmuseum Darmstadt
2.12.2016–27.3.2017
during which the work is formed and the material and surface are treated, Cragg’s sculptures
literally “grow” into the space, so that they have an almost intrinsic character or with their
convolutions and protuberances evoke endlessly growing structures. This volume documents
new works as well as specimens from the sculptor’s collection of fossils and minerals for the
first time – a remarkable première.
Wild Relatives, 2012, bronze
4Distant Cousin, 2008, stainless Steel
Both works: Tony Cragg, private
collection, photos: Michael
Richter, ©Tony Cragg / VG BildKunst, Bonn 2016
Fossiles, Collection Tony Cragg,
photos: Michael Richter
13
14
SCULPTURE
BLINDTEXT
SCULPTURE 15
15
ONE OF THE MOST EXTENSIVE EXHIBITION
OF WORKS BY THE ARTIST IN EUROPE FOR
ALMOST 20 YEARS
THE MOST IMPORTANT SCULPTOR OF
THE 20TH CENTURY IN LARGE-FORMAT
ILLUSTRATIONS
Henry Moore, Reclining Figure, 1974, London, Tate:
Presented by the Henry Moore Foundation 1982,
© Reproduced by permission of The Henry Moore
Foundation, 2016
THROUGH HIS WORK, MODERN
ART BECAME A GLOBAL
LANGUAGE
Henry Moore has influenced the history of twentieth-century sculpture more decisively
than anyone else. He was one of the first contemporary sculptors to realise his ideas in the
public space throughout the world. His oeuvre was a lasting source of inspiration for an
entire generation of artists – from Hans Arp, Alberto Giacometti and Pablo Picasso to the
younger generation of German sculptors.
Henry Moore (1898–1986), known as the “Picasso of Sculpture”, is regarded as one of the most
important sculptors of the twentieth century and the epitome of the modern artist. Typical of his
work is the interrelationship between
so-called openings and
dimensional
nature and abstraction. He discovered the “voids“,
holes which heighten the sculptural, threeeffect of his works. With this new approach
Moore exercised a strong influence on
younger sculptors, who gained decisive
impulses from his sculptures. This
volume presents Moore as the dominant personality of modern sculpture
in collaboration with the members of
the younger generation of artists.
HENRY MOORE
A EUROPEAN IMPULSE
Eds. LWL-Museum für Kunst
und Kultur, Münster,
Dr. Hermann Arnhold
Essays by Ch. Stephens,
Ch. Lichtenstern, M. Müller,
T. Pirsig-Marshall
260 pages
240 colour illustrations
24 × 30 cm, hardcover
£ 38.00
978-3-7774-2682-2
January 2017
Exhibition
Münster | LWL-Museum für
Kunst und Kultur
11.11.2016–19.3.2017
Henry Moore, »Three Piece Reclining Figure No. 2: Bridge Prop«, 1963,
London, Tate: Presented by the artist 1978, © Reproduced by permission of The Henry Moore Foundation, 2016
LUTHER
500 YEARS OF REFORMATION
18
CULTURAL HISTORY
CULTURAL HISTORY
LUTHER’S JOURNEY TOWARDS
THE REFORMATION AND HIS
IMPORTANCE TODAY
ICONS OF PROTESTANTISM
FROM FIVE CENTURIES AND
FOUR CONTINENTS
MOVED BY LUTHER’S MESSAGE:
MARTIN LUTHER KING, ASTRID
LINDGREN AND EDWARD
SNOWDEN
THE FIRST COMPREHENSIVE
REPRESENTATION OF THE TOPIC
FROM MULTIPLE VIEWPOINTS
CATALOGUE OF THE NATIONAL
SPECIAL EXHIBITION “THE
LUTHER EFFECT. 500 YEARS OF
PROTESTANTISM IN THE WORLD”
A HIGH-QUALITY READING
BOOK WITH FAMOUS AUTHORS:
MARTIN MOSEBACH, THEA DORN,
UWE TELLKAMP ET AL.
LUTHER!
95 TREASURES – 95 PEOPLE
Martin Luther changed the world. He inspired and provoked people,
and he moved them and repulsed them – but he left no one cold.
The volume invites the reader to study Luther at close quarters,
to accompany him in his existential search and to enquire into his
lasting importance for the present and the future.
By examining 95 precious objects this publication to accompany the exhibition follows in the
footsteps of the young monk Luther along his route towards the Reformation. Who was the man
who published his theses against the trade in indulgences despite being in mortal danger? What
states, events and circumstances prepared the ground for this epoch-making posting of the theses?
The second part of the volume presents 95 people. From Johann Sebastian Bach to Bruce Nauman,
from Sophie Scholl to Pier Paolo Pasolini: irrespective of creed or life philosophy, people all over
the world make reference to the great reformer. That is perhaps the most interesting thing about
Luther: that he has continued to move people for 500 years.
THE LUTHER EFFECT
Eds. M. Gutjahr,
B. Hasselhorn,
D. Leis, C. Nichols,
K. Schneider
With contributions by
M. Mosebach, T. Dorn,
U. Tellkamp, B. Beuys,
H. Münkler, C. Methuen,
C. Geyer, A. Vind,
C. Dieckmann, E. Straub,
V. Leppin, J. Schilling et al.
592 pages
335 illustrations
18.5 × 24 cm, linen with
dust jacket
£ 35.00
978-3-7774-2804-8
June 2017
Exhibition
Lutherstadt Wittenberg |
Stiftung Luthergedenkstätten
in Sachsen-Anhalt,
Augusteum
13.5.–5.11.2017
Ed. Deutsches Historisches
Museum
PROTESTANTISM – 500 YEARS IN THE WORLD
Essays by P. Burschel,
O. Czaika, A. Eckert,
J. H. Grayson,
M. Hochgeschwender,
A. Jarlert, S. Jobs, M. Kern,
Y.-J. Lee, F. Ludwig, F. Mahali,
L. Minardi, J. W. Parsalaw,
V. Reinhardt, U. Rublack,
H. Rydving, D.Y. Ryu
To mark the occasion of the 500th anniversary of the Reformation
this opulent volume invites the reader to embark on a journey
through the world and across a period of time that extends across
five centuries and four continents: It describes in detail the global
diversity and history of the effects – and also the conflict potential –
of Protestantism between the cultures.
400 pages
250 colour illustrations
21 × 28 cm, hardcover
£ 42.00
978-3-7774-2722-5
May 2017
Exhibition
Berlin | Deutsches
Historisches Museum at
the Martin-Gropius-Bau
12.04.–05.11.2017
4King Edward VI and the Pope,
 Luther's writing box, early
16th century, © Angermuseum
approx. 1575, National Portrait
Gallery, London
Erfurt, Photograph: Dirk Urban
Martin Luther King, Jr. at
page 16/17: Martin Luther
a press conference. World
among the Reformers,
Telegram & Sun photo by Walter
1625/1650, Deutsches
Albertin
Historisches Museum, Berlin
Which traces has Protestantism left in its contact with other denominations, religions and lifestyles?
How did it change through these encounters – and not least: how did people adopt the Protestant
doctrine; how did they modify it and live by it? On the occasion of the 500th anniversary of the
Reformation in 2017 this lavishly illustrated volume demonstrates the diversity and history of
the effects – and also the conflict potential of Protestantism. It tells a global history of effect and
counter-effect which began in around 1500 and extends into the present day, shown by the examples
of Germany and Sweden, the United States, South Korea and Tanzania.
19
PAINTING
MASTERPIECES OF CENTRAL
EUROPEAN ART FROM
1830–1860
ATTRACTIVELY DESIGNED
VOLUME WITH DETAILED
COMMENTARIES
A TOUR OF THE AGE OF
BIEDERMEIER WITH
OUTSTANDING ILLUSTRATIONS
IS THAT BIEDERMEIER?
Eds. A. Husslein-Arco and
S. Grabner
AMERLING, WALDMÜLLER AND MORE
Contributions by E. Békefi,
W. Busch, E. Doppler,
U. Felbinger, S. Grabner,
F. Mazzocca, K. Monrad,
S. Paccoud, A. Schmidt,
R. Vondrácek and
C. Witt-Dörring
This volume illustrates the development of art in Central Europe
from 1830–1860 – a period which begins in the age of Biedermeier
but extends well beyond it. It shows by means of a selection of
representative works how art at this time developed independently
and was not restricted to the historical Biedermeier era.
312 pages
204 colour illustrations
23 × 28.5 cm, hardcover
£ 42.00
978-3-7774-2779-9
May 2017
Exhibition
Vienna | Belvedere
21.10.2016–12.02.2017
Francesco Hayez, La accusa
segreta (The Secret Accusation), 1847–1848, © Pavia, Musei
Civici del Castello Visconteo
Oil on Canvas
4Ferdinand Georg Waldmüller,
On Corpus Christi Morning,
1857, © friends of the Belvedere,
Photograph: © Belvedere,
Vienna
“Is that Biedermeier?”, we often ask of pictures which date from the same period but do not look
typically Biedermeier. The publication concentrates on these works in particular by showing the wide
range of painting in the years between 1830–1860 through portraits, landscapes and genre pictures.
The main focus lies on Austrian painters like Ferdinand Georg Waldmüller, Rudolf von Alt and
Friedrich von Amerling, together with artists from Northern Italy, Hungary, Bohemia and Slovenia
including Giuseppe Tominz, József Borsos, Bedrich Havránek and Francesco Hayez. There are also
references to the changes in style in furniture production at that time, which also demonstrated a
remarkable diversity.
21
PAINTING
A MASTER OF THE
EXPRESSIONIST PORTRAIT
KEY WORKS FROM THE
ESTATE OF LUDWIG
MEIDNER
Walter Kaempfer
Bella Chagall
SURPRISING ENCOUNTERS
WITH PROTAGONISTS OF
THE GERMAN-JEWISH
CULTURAL SCENE DURING
THE 1910S AND 1920S
Ernst Wilhelm Lotz
LUDWIG MEIDNER
Ed. Philipp Gutbrod
Essays by P. Gutbrod, T. Müller,
S. Sikora, M. Y. Zentgraf,
L. Meidner, J. van Hoddis,
J. Ringelnatz
English-German edition
272 pages
197 colour illustrations
23 × 27.5 cm, hardcover
Max Reinhardt
Self-Portrait Ludwig Meidner
Karola Bloch
£ 42.00
978-3-7774-2683-9
January 2017
Exhibition
Darmstadt | Institut
Mathildenhöhe Darmstadt,
Museum Künstlerkolonie
ENCOUNTERS
Before, during and after the First World War, Ludwig Meidner (1884–1966) created
numerous portraits from German-Jewish intellectual circles which provide evidence of his literary and artistic networks. This volume assembles them and thus
provides a fascinating discovery for all lovers of Expressionism.
To mark the 50th anniversary of Ludwig Meidner’s death, the catalogue provides insight into
encounters with writers, musicians and artists who were his friends during the years before
and during the Weimar Republic, including Leo Baeck, Bella Chagall, Max Hermann-Neiße and
Max Reinhardt. Thirty of these personalities portrayed by him are presented in impressive
fashion together with selected paintings, photographs, poems and short biographies – an artistic
and literary spectrum of the Weimar period that reveals the many remarkable facets of Meidner
as a portraitist. With texts by Johannes R. Becher, Jakob van Hoddis, Franz Pfemfert, Joachim
Ringelnatz and others.
9.10.2016–5.2.2017
English-German edition
240 pages
208 colour illustrationse
23 × 27.5 cm, hardcover
£ 42.00
978-3-7774-2586-3
Works by Ludwig Meidner,
Resi Langer
Simon Guttmann
Tanja
Darmstadt, photo: Gregor
Exhibition
Frankfurt | Museum Giersch
der Goethe-Universität
Schuster
2016
Institut Mathildenhöhe,
Städtische Kunstsammlung
23
24
SCULPTURE
PAINTING
THE LANSDOWNE SCULPTURE
COLLECTION, SCATTERED
ACROSS THE ENTIRE WORLD,
IS REUNITED AGAIN FOR THE
FIRST TIME IN TWO VOLUMES
THE MOST INTENSIVE AND
INNOVATIVE PHASE IN
KIRCHNER’S CREATIVE CAREER
THEMATICALLY INTERLINKED
SELECTION OF WORKS WITH
NUMEROUS EXHIBITS MADE
ACCESSIBLE FOR THE FIRST
TIME
REVIVAL OF THIS
MAGNIFICENT PRIVATE
COLLECTION, THE MOST
FAMOUS IN BRITAIN FOR
150 YEARS
ATTRACTIVE SPRING START TO
THE EXHIBITION SEASON
RICHLY DESIGNED, WITH
NUMEROUS PHOTOS,
DOCUMENTS AND LETTERS
RECONSTRUCTING THE LANSDOWNE
COLLECTION OF CLASSICAL MARBLES
The Lansdowne Collection once included 100 classical sculptures. It
was essentially started by Gavin Hamilton (1723–1798), one of the
most successful British explorers of the sites of antiquity during
the 18th century. His enthusiasm and his acute aesthetic judgement
inspired his patrons to assemble the collection for the specially
designed gallery in Lansdowne-House.
VIBRANT METROPOLIS / IDYLLIC NATURE
Elizabeth Angelicoussis
624 pages (Volume I + II)
548 illustrations
23 × 28 cm, hardcover,
linen with dust jacket
£ 60.00
978-3-7774-2817-8
June 2017
Eds. S. Gianfreda,
M. M. Moeller
With contributions by
G. Gercken, S. Gianfreda,
C. W. Haxthausen, M. Pfister,
K. Schick, U. M. Schneede
English-German edition
272 pages
250 illustrations
23 × 29 cm, hardcover
For a long time the famous private collection, created between the late 1760s and the 1820s, formed
the heart of the Lansdowne mansion in London before it was dispersed after 1930. Elizabeth
Angelicoussis, expert for Roman sculpture in private British houses, has reunited the works, now
scattered across the globe, in two art books. The first one illustrates, for example, the history of the
formation of the collection and the gallery. The second volume catalogues and assesses each known
sculpture and assigns it a place in current research and within the context of Roman art history.
£ 42.00
978–3–7774–2729-4
March 2017
Exhibition
Zurich | Kunsthaus Zürich
10.2.–7.5.2017
The eastern exedra of the
Lansdowne Sculpture Gallery.
Robert Smirke, 1818–21.
© Historic England Archive

Fragment of a statue of
Athena Velletri adapted into
a bust, Los Angeles County
Museum of Art, William
Randolph Hearst Collection
4Ernst Ludwig Kirchner,
Eisenbahnüberführung (Railroad overpass), 1914
KIRCHNER. THE BERLIN YEARS
Ernst Ludwig Kirchner’s move from Dresden to Berlin in 1911 marked
a turning point in his art. Under the impression of this most modern
metropolis in Europe, during the years between 1912 and 1915 the
artist created works which in their exaggerated and concentrated
manner can really be regarded as metaphors for the attitude to life
at the beginning of the 20th century.
Berlin, an industrial centre with accelerating traffic and a population of three million, acted as a
cultural centre of gravity for the whole of Europe. It was a metropolis of the arts and of addictive
pleasures, vibrating with challenging energy and challenged intellect. Kirchner contrasted all this with
summers spent painting with concentrated productivity on the arcadian island of Fehmarn. In his art
both places are linked by the pictorial substance of a form of expression which was in line with the
times and also directed against all convention. A succinct selection of works and a series of essays by
illustrious authors that focus on these pictures make this decisive phase in Kirchner’s oeuvre come
alive in this volume.
25
PHOTOGRAPHY
THE GREAT MASTERS OF ART
E
MOR
ON
S
E
L
TIT
E 43
G
A
P
THE GREAT MASTERS OF ART
Markus Müller
64 pages
67 colour illustrations
17 × 20.5 cm, hardcover
£ 9.95
978-3-7774-2757-7
January 2017
PABLO PICASSO
“Ambiguous work. Where can we start?”, wrote the art historian
Oscar Schürer in the historic series Junge Kunst about Pablo
Picasso’s multi-faceted oeuvre back in 1927. Picasso, who was
investigating Surrealism at the time, was regarded as a genius even
then – and had another 40 years of creativity before him.
The art historian Markus Müller knows where and above all how we can begin to grasp a
multilayered oeuvre like Picasso’s. In this newly edited artist monograph he skilfully guides the
reader through the virtuoso plethora of styles of Pablo Picasso, explains key works from the various
periods and provides a fascinating impression of the bubbling energy of this multi-talented artist.
Not least as a result of the author’s personal acquaintance with the Picasso family, the archive
section of the work promises a number of finds which are seldom on view.
Klaus Fußmann
64 pages
44 illustrations
17 × 20.5 cm, hardcover
£ 9.95
978-3-7774-2758-4
March 2017
Hajo Düchting
80 pages
51 colour illustrations
17 × 20.5 cm, hardcover
£ 9.95
978-3-7774-2759-1
March 2017
Vasily Kandisnky, Heaven
Blue, 1940, Musée national
d’art moderne, Centre
Pompidou
VINCENT VAN GOGH
Vincent van Gogh’s letters to his brother Theo and his artist friends
Emile Bernard and Paul Gauguin are full of emotions, full of life, full
of despair.
Vivid descriptions provide an insight into his painterly work: “… At the moment I am immersed in my
work with the clear-sightedness or blindness of a man in love. This mixture of colours is something
that is quite new for me and when I see it I am beside myself …” It is not for nothing that the letters
are regarded by art historians as one of the most important sources for their research. The excerpts
from the letters quoted in this volume are often dramatic snapshots. They provide readers with
easy access to Van Gogh’s personality as an artist and to his work and may even surprise some art
experts. The colour illustrations, some of them double-page spreads, a detailed biography of Van
Gogh and an essay which reflects a contemporary painter’s view of the artist, make this volume a
special gift for every admirer of Van Gogh.
VASILY KANDINSKY
Vasily Kandinsky became the pioneer of abstract art; he was a
co-founder of the Blauer Reiter, an art theorist and an influential
teacher at the Bauhaus. When he abandoned his promising career as
a lawyer in favour of art at the age of 30, no one could have guessed
that a few years later he would play a decisive role in determining and
revolutionising twentieth-century art.
What the art critic Will Grohmann wrote in 1924 about Kandinsky in the historic series Junge Kunst,
reflects current opinion at the time about the path Kandinsky had chosen towards abstraction,
which was regarded as both irritating and bold. However, it was not just his radical views about art
that polarised people; the charismatic painter also provoked them with his personality, prompting
admiration and repudiation in equal measure. It illuminates the principal milestones in Kandinsky’s
artistic and private life, providing an insight into his legacy and focusing in particular on his years at
the Bauhaus, where he taught together with artist colleagues like Paul Klee and Lyonel Feininger.
27
28
PAINTING
PAINTING
THE NEW MONOGRAPH ON
ONE OF THE MOST IMPORTANT ARTISTS AND ART
TEACHERS OF AMERICAN
MODERNISM
ESSENTIAL DOCUMENTATION OF
THE HISTORY OF THE BAUHAUS
THE LEGACY IN ART AND
WRITING OF ONE OF THE
PIONEERS OF THE 20TH CENTURY
OUTSTANDING REPRESEN­
TATIVE OF THE NEW YORK
SCHOOL WHO INFLUENCED
ARTISTS FROM JACKSON
POLLOCK TO FRANK STELLA
BIBLIOPHILE PRESENTATION
WITH EMBOSSED LINEN
BINDING AND FINE DUST COVER
ARTISTIC MEDIATOR
BETWEEN AMERICA AND
EUROPE
WERNER GRAEFF
HANS HOFMANN
RECOLLECTIONS OF A BAUHAUS ARTIST
Werner Graeff – painter, graphic artist, typographer, photographer and
sculptor – is an important Bauhaus artist and a significant representative
of Constructivism in Germany. Prompted by his friend Mies van der
Rohe he wrote his moving autobiography “Hürdenlauf durch das 20.
Jahrhundert” (The Obstacle Race of the 20th century), which this volume
publishes for the first time with a representative selection of texts.
Werner Graeff (1901–1978) was a student at the Bauhaus in
Weimar and from 1921 a member of the De Stijl Dutch artists’
group. Together with Willi Baumeister he was also closely
associated with the “ring neue werbegestalter” founded
in 1927 by Kurt Schwitters. At an early stage he focused
much of his attention on film and photography, but in 1951
after his return to the Ruhr region from exile in Switzerland
he once again increasingly devoted himself to his work as
an independent artist. Illustrated with a large number of
paintings, pictograms, multiples, drawings and graphic works
from the artist’s estate, this volume leads the reader through
Graeff’s life and works and is at the same time a fascinating
journey through the German art history of the 20th century.
Eds. E. Bergner and
R. Zieglgänsberger
With contributions by
E. Bergner, W.Graeff,
U.Graeff-Hirsch,
J.Neugebauer,
R.Zieglgänsberger
English-German edition
Ed. Friedrich Meschede
Essays by L. Barnes,
J. Hülsewig-Johnen
English-German edition
188 pages
130 colour illustrations
24 × 28 cm, hardcover with
dust jacket
224 pages
50 colour illustrations
19.5 × 25 cm, linen with dust
jacket
¤ 35,00
978-3-7774-2699-0
January 2017
£ 35.00
978-3-7774-2797-3
May 2017
Exhibition
Bielefeld | Kunsthalle
5.11.2016–19.3.2017
The book is being published
on behalf of the Museum
Wiesbaden, which has
preserved the artistic estate
of Werner Graeff since 2010.
Luxembourg | Musée national
d’histoire et d’art
28.9.2017–14.1.2018
CREATION IN FORM AND COLOR
Hans Hofmann, a representative of Abstract Expressionism and American
Modernism during the 20th century with European roots, had a fundamental
influence as a teacher on the development of modern art in America. His
brightly coloured paintings, watercolours and drawings can now be discovered
in a European retrospective.
From 1904 until 1914, the painter Hans Hofmann
(1880–1966), who was a friend of Picasso, Braque,
Matisse, the Fauves and Robert and Sonia Delaunay,
witnessed and absorbed the new art in Paris, the
centre of European art. In his art school, founded in
Munich in 1915, he became a mediator of French
modernism and achieved international fame as an
art teacher. In 1932 he emigrated to the United States
and two years later opened the Hans Hofmann School
of Fine Arts in New York. He influenced a new generation of American artists, including Jackson Pollock,
Werner Graeff with the
35 mm camera he invented,
1947
Werner Graeff, Film
score, Composition I and
II, 1922/77, screen print,
Museum Wiesbaden, Werner
Graeff © Museum Wiesbaden
Helen Frankenthaler and Barnett Newman.
4Song of the Philomel, 1963,
bequest of the artist, photo:
Benjamin Blackwell,
Hans Hofmann, University of
California, Berkeley Art Museum
and Pacific Film Archive,
© Renate, Hans & Maria
Kitamagome, Tokyo, 2014

Museum, Munich, 2010
Hofmann Trust / ARS, New York
/ VG Bild-Kunst, Bonn 2016
29
CONTEMPORARY ART
EXCLUSIVE: THE LATEST
GROUP OF WORKS BY THE
INTERNATIONALLY EXHIBITED
ARTIST DUO
AS GOOD AS IT GETS:
CONTEMPORARY WOODCUTS
HIGH-QUALITY PRESENTATION
WITH SILVER PAINTING AND
EMBOSSED METALLIC COVER
GERT & UWE TOBIAS
Ed. M. Hering
Essays by B. Heid and
M. Hering
English-German edition
172 pages
110 colour illustrations
24 × 32 cm, hardcover
£ 38.00
978-3-7774-2727-0
January 2017
Exhibition
Munich | Staatliche
Graphische Sammung
12.04.–05.11.2017
Ohne Titel / Untitled
Gert & Uwe Tobias in
their studio
All images: © Alistair Overbruck / Gert und Uwe Tobias /
VG Bild-Kunst, Bonn 2016,
courtesy Contemporary
FineArts, Berlin
GRISAILLE
The twins Gert & Uwe Tobias are among the most famous German
artists in the field of printed graphics; their international success has
taken them as far as New York and the Museum of Modern Art. To this
day their inimitable signature has lost nothing of its radical approach.
Their most recent group of works, GRISAILLE, matches up to the
promises inherent in the artists’ reputation.
Exuberant imagination, craftsmanlike perfection and humorous depth characterise the large-format
woodcuts, luminous collages and delicately nuanced typewriter drawings of the artist duo Gert &
Uwe Tobias. In their new group of works GRISAILLE, which was created exclusively for the Munich
exhibition, the artists rediscovered the centuries-old technique of “grey-in-grey painting” and at the
same time interpret it in a new manner through the medium of the woodcut. Via the twilight of a
monochrome colour scheme hitherto unknown in their work, the realm of shadows in their fabulous
pictorial inventions not only acquires ambiguity, but is also carried to extremes once more.
31
PHOTOGRAPHY
SPECTACULAR PHOTOGRAPHS
OF THE ARCTIC
IMPRESSIVE INSIGHT INTO THE
CURRENT WORKS OF THE PHOTO
ARTIST
NEW PHOTOGRAPHIC PROCESS
EMPHASISES THE FASCINATION
OF THE PICTURES
STEFAN HUNSTEIN
Essays by A. M. Bonnet,
P. Giloy-Hirtz, M. Krüger,
U. Pohlmann
128 pages
58 illustrations
29 × 30 cm, hardcover
with dust jacket
£ 38.00
978-3-7774-2734-8
January 2017
IN THE ICE
The artist Stefan Hunstein brought magical photographs of
untouched landscapes back from his journey to the Arctic in 2012.
In their majesty and beauty, their immensity and their deadly cold
they echo the visions of ice in painting and literature, especially
during the Romantic era. The publication shows a selection of these
breathtaking photographs which are being presented in public for
the first time – also in a series of exhibitions.
Here Hunstein, famous for his critical examination of contemporary history through the artistic
processing of existing pictures, has taken up the camera himself and has created “Dream Pictures”
which retain a hint of unreality in their outlines, shadows and reflections, in their theatrical blue
luminosity and the bizarre, constantly changing structures. In these photos – printed on glass using
a special technique – the artist links the fragile and the monstrous, the beauty of nature and “the
horrors of the ice and of darkness” (Christoph Ransmayr). Ice, No. 13
Ice, No. 32
Ice, No. 63
All images: © Stefan Hunstein
33
34
DRAWING
PHOTOGRAPHY
THE LATEST LARGE-FORMAT
EXPRESSIVE DRAWINGS BY
THE INTERNATIONALLY FAMOUS
ISRAELI ARTIST
A HIGHLY TOPICAL PIECE OF
CONTEMPORARY HISTORY
RELATING TO THE SUBJECT OF
REFUGEES
REPRESENTATIVES OF
CHRISTIANITY, ISLAM AND
JUDAISM IN A HUMOROUS YET
SERIOUS DIALOGUE
AN EXCITING COMBINATION OF
PHOTO ART AND POLITICAL AND
SOCIAL DEBATE
A HIGHLY TOPICAL AND
CONTROVERSIAL SUBJECT
INTERPRETED IN THE UNIQUE
PICTORIAL LANGUAGE OF ERAN
SHAKINE
SENSITIVE PORTRAITS OF
PEOPLE BETWEEN COLLECTIVE
AND INDIVIDUAL FATE
ERAN SHAKINE
ROLAND FISCHER
REFUGEES
Roland Fischer was inspired by the current political and social
events relating to the topic of refugees to create a collective portrait
consisting of over 1,000 separate photographs. Central questions
about identity and solidarity, which are the subject of discussion
in the socio-political debate, are raised and treated in an artistic
manner.
The term “refugees” is removed from its abstract context and real people appear in the viewer’s
field of vision, complete with name. As regards motif and topic, a collective portrait like this one, for
which the artist mounted 1,000 individual portraits, hovers between the individual and the collective.
While refugees and migrants are perceived primarily as an abstract collective and an indeterminate
mass, especially as a result of the reporting in the media, Roland Fischer and his art project point
out that this collective is comprised of many individuals with personal, individual fates.
Ed. Kunstverein Rosenheim
Ed. Jürgen B. Tesch
Essays by B. Waldenfels and
S. Lessenich
Introduction by
E. van Voolen
English-German edition
96 pages
44 illustrations
17 × 24 cm, softcover
208 pages
221 colour illustrations
17 × 24 cm, softcover
£ 19.95
978-3-7774-2762-1
January 2017
Exhibition
Rosenheim | Kunstverein
2016
£ 9.95
978-3-7774-2713-3
January 2017
Exhibition
Berlin | Jüdisches
Museum Berlin
27.10.2016–12.3.2017
 Roland Fischer, Collective
Portrait Refugees, 2016
© VG Bild-Kunst, Bonn
2016
Double-page spread taken
from the publication
 Eran Shakine in his studio
A MUSLIM, A CHRISTIAN AND A JEW KNOCKING
ON HEAVEN’S DOOR
Muslims, Christians and Jews have a great deal in common. In
his new large-format oilstick drawings Eran Shakine shows them
appearing together as an indistinguishable trio in actions that are
both profound and humorous. He thus reveals both the diversity and
the similarity of the three and shows his own highly individual view of
these three world religions.
The drawings of Eran Shakine (* 1962 in Tel Aviv) look carefree and casual, but their message is
serious: Muslims, Christians and Jews share a history. They are linked through Abraham’s sons
Ismail, an ancestor of the Muslims, and Isaac, an ancestor of the Jews. And Jesus was born a Jew.
They are members of one family and so Shakine makes them look similar. And although they
interpret their texts differently, love, quarrel, tell of their personal dreams and describe their
personal paths, they share one thought: when they knock at heaven’s door, they all hope to find the
love of God.
35
36
ARCHITECTURE
ARCHITECTURE & MUSIC
THE ARCHITECT DANIEL
LIBESKIND AND THE ALTE OPER
MAKE FRANKFURT ECHO WITH
MUSIC
A MUST HAVE FOR ARCHITECTS
AND PHOTOGRAPHERS
AN UNUSUAL CONCERT EVENT,
DOCUMENTED IN POWERFUL
PICTURES
LARGE FORMAT
ONE OF CARLOS SCARPA’S MAIN
WORKS
A COLLECTOR’S ITEM FOR
FRIENDS OF ARCHITECTURE AND
MUSIC LOVERS
ONE DAY IN LIFE
CARLO SCARPA
LA TOMBA BRION SAN VITO D'ALTIVOLE
The Venetian artist Carlo Scarpa (1906–1978) was one of the
outstanding architects of the twentieth century – and at the same
time a convinced lone wolf who saw his discipline as a form of art
based on craftsmanship. In addition to buildings for museums in
Venice, Florence and Verona his principal works also include the tomb
of the businessman Giuseppe Brion in San Vito d’Altivole (Treviso).
Here Carlo Scarpa had complete freedom to orchestrate a grand idea across an area of 2,200 square
metres. Water, earth, light and air fuse with the buildings in fair-faced concrete (burial place,
pavilion and chapel) to create a magnificent gesamtkunstwerk that invites the visitor to meditation.
Seven years after the completion of the “Tomba Brion”, the famous Munich photographer of
architecture Klaus Kinold had the opportunity to examine this remarkable tomb in photographs. His
carefully considered pictures in black and white or subtle colours describe an other-worldly place
which translates our ideas of growth and decay in an expansively constructed symbolism.
37
Photography: Klaus Kinold
Text: Hans-Michael Koetzle
English-German edition with
Italian appendix
Ed. Alte Oper Frankfurt
Contributions by D. Libeskind,
Dr. S. Pauly et al.
English-German edition
72 pages
55 illustrations
21 × 31.5 cm, hardcover
£ 32.00
978-3-7774-2737-9
January 2017
352 pages
200 colour illustrations
16.5 × 21.5 cm, hardcover,
incl. DVD
£ 24.95
978-3-7774-2742-3
March 2017
Daniel Libeskind likes to re-define spaces and to disrupt thought
patterns – and at the same time he cherishes a great love of music.
Reason enough for the Alte Oper Frankfurt to invite the architect
and town planner to think freely about the performance of music and
concerts. The result is a concert project which will make the entire
city echo with the sounds of music for an entire weekend.
24 hours, 18 locations in Frankfurt, 18 dimensions of human life – presented in 75 concerts. In line
Exhibition
Munich | Walter Storms
Galerie
28.10.–24.12.2016
© both photographs: Klaus Kinold,
Munich, Carlo Scarpa,
La Tomba Brion, San Vito d‘Altivole,
photographs 1985
A CONCERT PROJECT BY DANIEL LIBESKIND AND
THE ALTE OPER FRANKFURT
with the slogan “One Day in Life” the American architect Daniel Libeskind designed a large-scale
project for the Alte Oper Frankfurt which ignores the rules of normal concert performances. It will
permit an intensified experience of music and space in which sounds are transported to places that
were hardly predestined to serve as venues: Indian raga in an operating theatre, Mozart’s Requiem
in a tram depot and Handel’s Water Music in a swimming pool. The present volume documents the
stations and impressions of an intensive concert weekend.
One Day in Life –
Rebstockbad © Alte Oper
Frankfurt/Tibor Pluto
 One Day in Life –
Commerzbank-Arena Daniel
Libeskind © Alte Oper
Frankfurt/Wonge Bergmann
38
ARCHITECTURE
CULTURAL HISTORY
SELECTED MUSEUM BUILDINGS
FROM ASIA, EUROPE, AFRICA,
AUSTRALIA AND THE UNITED
STATES IN SPECTACULAR
PHOTOGRAPHS
INTRODUCTION INTO THE WORLD
OF MONEY
MORE THAN JUST MUSEUMS:
BREATHTAKING ARCHITECTURAL
ARTWORKS INCLUDING, THE
NATIONAL MUSEUM OF AFRICAN
AMERICAN HISTORY AND
CULTURE IN WASHINGTON D.C.;
GUGGENHEIM HELSINKI; CHINA
COMIC AND ANIMATION MUSEUM
IN HANGZHOU; MUNCH-MUSEUM
IN OSLO; LONG MUSEUM WEST
BUND IN SHANGHAI A. M. O.
EXPERIENCE MONEY,
UNDERSTAND CENTRAL BANKS
TREASURES FROM THE HISTORY
OF MONEY OVER MORE THAN
2,500 YEARS
THE DEUTSCHE BUNDESBANK'S
MONEY MUSEUM
We use money every day in the form of banknotes, coins or credit on
our bank account. We pay online on the internet, take out loans and
save money on bank accounts. But what is money really? Where
does it come from? Who controls the banks? What are the tasks of a
central bank and how does monetary policy work?
The documentation of the new permanent exhibition at the Museum of Money of the Deutsche
Bundesbank provides a fascinating insight into place which provides a unique educational
experience. The lavish illustrations make the room installations as vivid as the numerous exhibits
from over 2,500 years of monetary history. Original texts from the museum convey knowledge of
economics and history and offer an introduction to the world of money.
39
NEW MUSEUMS
200 pages
500 colour illustrations
22 × 28 cm, hardcover
£ 19.95
978-3-7774-2807-9
June 2017
Permanent Exhibition
Frankfurt | Geldmuseum der
Deutschen Bundesbank
From December 2016
Coins from l. to r: Roman
Republic, Marcus Iunius
Brutus, 43 / 42 BC, Aureus //
Imperial city of Lübeck,
Thaler, 1537 // Coin 5-euro
bimetallic coin with polymer
ring, „Planet Earth“,
Germany, 2016 © Deutsche
Bundesbank, Frankfurt/Main
Double-page spread taken
from the publication
Ed. Suzanne Greub
Essays by S. MacLeod,
C. Dercon, K. van den Berg,
W. Ullrich, K. Tzortzi, A.
Gröner
240 pages
260 illustrations
24 × 30 cm, softcover
£ 42.00
978-3-7774-2724-9
March 2017
Exhibition
Geneva | Musées d’Art et
d’Histoire de Genève
From May 2017
Double-page spread taken
from the publication
INTENTIONS, EXPECTATIONS, CHALLENGES
The past decade was characterised by a real museum boom which
persists today. Throughout the world museums have been built that
are as unique as the art they contain, and the process continues. This
volume assembles approximately 15 of these museums, designed and
realised by the who’s who of the architect scene.
The architecture of the museums is an artwork in itself. They include buildings such as the
Changsha Meixihu International Culture & Art Centre designed by Zaha Hadid and the Zeitz Museum
for contemporary African art in Cape Town. With designs that extend from exciting to dynamic
to sensuously beautiful the architects have created places of encounter, communication and
inspiration which make the world of art accessible to visitors in ways that are not always mapped
out by curators. The volume shows magnificent photographs and documents through drawings the
development of the buildings as well as the challenges of architecture today.
40
TITLES RECENTLY PUBLISHED
CULTURAL HISTORY
DIVINE GOLDEN INGENIOUS
THE GOLDEN RATIO AS A THEORY OF
EVERYTHING?
192 pages, 115 colour illustrations
17 × 23 cm, hardcover
978-3-7774-2692-1
£ 24. 00
Cultural History
MASTERPIECES OF TEXTILE AND
MATERIAL TIBETAN ART
A FIRST CONCENTRATED
PROCESSING OF THIS AREA OF
TIBETAN ART
INTRODUCES LOVERS OF
TIBETAN CULTURE TO NEW AREAS
IN THE LAND OF THE SNOWLION
HOKUSAI MANGA
Japanese Pop Culture since 1680
240 pages, 231 illustrations
21 × 28 cm, softcover with flaps
978-3-7774-2667-9
£ 24.00
Painting and Drawing
WAYS OF POINTILLISM
TREASURES FROM TIBET
Eds. M. Buddeberg and
B.Richtsfeld
The catalogue presents for the first time the rich Tibetan artistic
heritage through the collection of Michael and Justyna Buddeberg:
carpet manufacture, craftwork in metal and the manufacture of
furniture. Previously neglected aspects of everyday Tibetan culture
are explored and make the catalogue an essential starting point for
further research.
Essays by J. Buddeberg,
M. Buddeberg, K. de Jong,
C. Kalantari, P. Maurer,
U. Montigel, H. and H.
Neumann, L. Niedermayr,
B.Richtsfeld, R. Smith,
F. Spuhler, E. Tsareva, H. Weihreter, T. Wild
The Buddeberg collection includes masterpieces of Tibetan art in textile and metal work and
presents us with hitherto disregarded aspects of the Tibetan approach to art. Carpets for sitting
on or as a riding accessory played a central role in their traditional culture but have hitherto been
neglected in research, as has metal craftwork, which focused on the ornamentation of end knobs
on the poles supporting the cultic paintings. The lavishly illustrated catalogue closes this gap and
presents together with contributions by acknowledged specialists an in-depth overview of the fields
of carpet and textile art, metalwork and furniture production.
360 pages
450 colour illustrations
21 × 31.5 cm, hardcover
£ 45.00
978-3-7774-2626-6
January 2017
Seurat, Signac, Van Gogh
288 pages, 170 illustrations
23.5 × 28.5 cm, hardcover
978-3-7774-2634-1
£ 28 . 00
Painting
With their pioneering method using dots, the artists of Pointillism no
longer directed their gaze only towards the imitation of reality. In their
paintings between 1886 and 1930 their dots, colour and light assumed
an independent existence to create masterpieces of unprecedented
brightness and colour diversity.
GEORG BASELITZ
The Heroes
166 pages, 100 colour illustrations
24 × 30 cm, hardcover
978-3-7774-2568-9
£ 32. 00
Painting
FERNAND LÉGER
Painting in Space
312 pages, 528 colour illus.
22.5 × 27 cm, softcover with dust jacket
978-3-7774-2594-8
£ 32 . 00
Painting
SIN AND SECESSION
FRANZ VON STUCK IN Vienna
320 pages, 344 colour illus.
23 × 28.5 cm, hardcover
978-3-7774-2693-8
£ 28. 00
Painting
THE SPANISH GOLDEN AGE
Painting and Sculpture in the
time of Velázquez
336 pages, 206 colour illustrations
24 × 29 cm, hardcover
978-3-7774-2526-9
£ 38 .00
Painting
VELÁZQUEZ
336 pages, 170 colour illus.
24 × 28 cm, ­softcover
978-3-7774-2496-5
£ 32. 00
Painting
Exhibition
Munich | Museum Fünf
Kontinente
09.12.2016–18.06.2017
from l. to r.: End cap of a
Thangka rod, iron, pierced
and gilded, Tibet, 15th/16th
century;
Saddle rug, wool on wool,
Tibet, 19th century;
Amulet and reliquary, silver,
iron, copper, turquoise and
coral, Tibetan cultural region,
1st half of the 20th century
41
41
BACKLIST
BACKLIST
42
THE GREAT MASTERS OF ART SERIES
GUSTAV KLIMT
Drawings
304 pages, 266 colour illus.
25 × 29 cm, ­hardcover
978-3-7774-4951-7
£ 45. 00
Drawing
NEW
N
ES O
TITL
6/27
ES 2
PAG
HUNDERTWASSER
Japan and the Avant-Garde
256 pages, 106 colour and 101 b/w illus.
23.5 × 28.5 cm, softcover
978-3-7774-2044-8
£ 39. 95
Painting
EMIL NOLDE
The Great Colour Wizard
72 pages, 55 colour illustrations
14 × 20.5 cm, hardcover
978-3-7774-2774-4
£ 9. 95
Painting
RICHARD GERSTL
80 pages, 52 illustrations
14 × 20.5 cm, hardcover
978-3-7774-2622-8
£ 9.95
Painting
ESPRIT MONTMARTRE
Bohemian Life in Paris around 1900
320 pages, 290 colour illus.,
24 × 29 cm, hardcover
978-3-7774-2197-1
£ 45. 00
Painting
CHAGALL TO MALEVICH
The Russian Avant-Gardes
320 pages, 150 colour illus.
24.5 × 30 cm, hardcover
978-3-7774-2577-1
£ 32. 00
Painting
EGON SCHIELE
Almost a Lifetime
306 pages, 200 illustrations
22.5 × 28.5 cm, hardcover
978-3-7774-2407-1
£ 32.00
Painting
EAVESDROPPER ON AN AGE
Ludwig Meidner in Exile
240 pages, 208 colour illus.
23 × 27.5 cm, hardcover
978-3-7774-2586-3
£ 38.00
Drawing
NORDIC ART
The Modern Breakthrough 1860-1920
260 pages,
154 mostly colour illus., 1 map
29.5 × 28.5 cm, hardcover
978-3-7774-7081-8
£ 45. 00
Painting
PICASSO.MANIA
340 pages, 394 colour illus.
24.5 × 29 cm, hardcover
978-3-7774-2520-7
£ 39. 95
Painting
ANDY WARHOL
The LIFE Years 1949 – 1959
196 pages, 123 colour illus.
24 × 32 cm, hardcover with dust jacket
978-3-7774-2438-5
£ 25. 00
Drawing
ZORAN MUSIC
The Braglia Collection
192 pages, 147 colour illus.
24 × 30 cm, hardcover
978-3-7774-2686-0
£ 28.00
Painting
MAX MANNHEIMER
The Marriage of Colours
144 pages,
73 colour illus.
24.5 × 30 cm, hardcover
978-3-7774-2637-2
£ 32. 00
Painting
NOLDE, KLEE & DER BLAUE REITER
The Braglia Collection
232 pages, 142 colour illustrations
24 × 30 cm, hardcover
978-3-7774-2497-2
£ 32. 00
Painting
JOAN MIRÓ
Wall Frieze Mural
168 pages, 130 colour illustrations
28 × 22 cm, hardcover
978-3-7774-2452-1
£ 30. 00
Painting
PAVEL FEINSTEIN
124 pages, 72 colour illus.
24 × 28 cm, ­hardcover
978-3-7774-2447-7
£ 38. 00
Contemporary Art/Painting
Sovak
Clear Vision[s]
176 pages, 242 colour illustrations
25 x 28 cm, hardcover
978-3-7774-2687-7
£ 28.00
Contemporary Art/Painting
NUDE MEN
From 1800 to the present day
348 pages, 343 colour illus.
24. 5 × 29 cm, hardcover
978-3-7774-5851-9
£ 39. 95
Painting
OSKAR SCHLEMMER
Visions of a New World
300 pages, 352 colour illus.
9.5 × 11 cm, hardcover
978-3-7774-2304-3
£ 75. 00
Painting – Sculpture
T
BES IAN
TR
AUST BOOK
AR 13
20
KUNSTMUSEUM BERN
Masterpieces
460 pages, 203 colour illus.
24 × 30 cm, hardcover
978-3-7774-2629-7
£ 45. 00
Painting
BEST-R
E
SELL
43
BACKLIST
BACKLIST
44
BACKLIST
0
2
AL
SON
PER VIEWS
R
INTE
MONIKA FIORESCHY
Strip-Cut-Collages
240 pages, 134 colour illus.
20 × 32 cm, ­hardcover with dust jacket
978-3-7774-2616-7
£ 32. 00
Painting
AN ARTIST´S LIFE
by Eleanora Antinova
216 pages, 53 illustrations
17 x 24 cm, hardcover with dustjacket
978-3-7774-2538-2
£ 19. 95
Contemporary Art
EVA & ADELE
You Are My Biggest Inspiration
160 pages, 186 colour illus.
14.5 × 21 cm, hardcover
978-3-7774-2614-3
£ 32. 00
Contemporary Art
WINFRIED BAUMANN
Cathedrals for Garbage
384 pages, 660 illustrations
27 × 24 cm, hardcover
978-3-7774-2613-6
£ 28.00
Contemporary Art
STRONG WOMEN FOR ART
In Conversation with Anna Lenz
296 pages, 155 colour illus.
17 × 24 cm, softcover
978-3-7774-2149-0
£ 19. 95
Biography
MY LIFE WITH ALEXANDER
ARCHIPENKO
208 pages, 84 illus.
17 × 24 cm, hardcover
978-3-7774-2248-0
£ 17. 00
Biography – Sculpture
JANAINA TSCHÄPE
Flatland
264 pages, 200 colour illus.
26 × 30 cm, hardcover
978-3-7774-2633-4
£ 38. 00
Contemporary Art
April 2017
GABRIELA VON HABSBURG
2016–1996
240 pages, 100 colour illus.
24.5 × 31.5 cm, hardcover
with dust jacket
978-3-7774-2617-4
£ 32. 00
Art 21st Century
JOHN BALDESSARI
The Städel Paintings
200 pages, 70 colour illustrations
28 × 28 cm, hardcover
978-3-7774-2449-1
£ 36 . 00
Contemporary Art
PIERRE HUYGHE
248 pages, 770 colour illus.
plus 160 miniature illustrations b/w
20.6 × 28 cm, softcover with flaps
978-3-7774-2249-7
£ 39.00
Contemporary Art
GRIMANESA AMORÓS
OCUPANTE
128 pages, 60 colour illustrations
24 × 28 cm, hardcover
978-3-7774-2648-8
£ 24 . 00
Contemporary Art
ALBRECHT GEHSE
TURMOIL
156 pages, 108 colour illustrations
35 × 37 cm, hardcover with dust jacket
978-3-7774-2674-7
£ 32. 00
Painting
PRIX N
ÉDITIO
ART RS
CTO
DIRELUB
C
DED!
AWAR SSE
GRO
E
I
D
"
2016"
BENJAMIN KATZ:
GEORG BASELITZ AT WORK
English-German edition
144 pages, 93 b/w photographs
24 × 28 cm, hardcover
978-3-7774-2054-7
£ 29. 95
Photography
MAURICE WEISS
Facing Time
English-German edition
128 pages, 55 colour photographs
24.5 × 30 cm, hardcover
978-3-7774-2242-8
£ 32. 00
Photography
THOMAS HUBER
On The Horizon
168 pages, 124 colour illustrations
29 × 23 cm, hardcover, linen
978-3-7774-2684-6
£ 32. 00
Contemporary Art
CLIFFORD ROSS
Through the Looking Glass
176 pages, 122 colour illus.
11.6 × 12.2 cm, hardcover with dust jacket
978-3-7774-5301-9
£ 49. 95
Glass Art
THE POWER OF LINE
260 pages, 160 colour illus.
17 × 24 cm, hardcover
978-3-7774-2498-9
£ 32.00
Cultural History
Gerhard Richter–Brigid Polk
Königsklasse III
96 pages, 69 colour illustrations
19,5 × 26 cm, softcover
978-3-7774-2507-8
£ 14.95
Painting
MARIO DILITZ
Sculptures
128 pages, 78 illustrations
22 × 30 cm, hardcover
978-3-7774-2702-7
£ 24. 00
Sculpture
RONI HORN
Portrait of an Image
English-German edition
104 pages, 50 colour photographs
21 × 27 cm, softcover
978-3-7774-2098-1
£ 15. 00
Photography – Installation Art
45
BACKLIST
2ND N
O
EDITI
BACKLIST
46
MINIATURES FROM THE BAROQUE
PERIOD IN THE TANSAY COLLECTION
396 pages, 210 illus.
24 × 30 cm, hardcover
978-3-7774-2638-9
£ 49. 95
Cultural History
MINIATURES FROM THE TIME OF
MARIE ANTOINETTE IN THE TANSEY
COLLECTION
500 pages, 233 illus.
24 × 30 cm, hardcover
978-3-7774-9021-2
£ 54.00
Cultural History
GUGE – AGES OF GOLD
The West Tibetan Masterpieces
390 pages, 527 colour illus.,
2 fold-outs
28 ×28 cm, hardcover, dust jacket
978-3-7774-2668-6
£ 38. 00
Cultural History
TABO - GODS OF LIGHT
The Indo-Tibetan Masterpiece
308 pages, 405 colour illus.,
2 fold-outs
28 × 28 cm, hardcover, dust jacket
978-3-7774-2326-5
£ 38. 00
Cultural History
EUROPE IN VIENNA
The Congress of Vienna 1814/1815
408 pages, 364 mostly colour illus.
23 × 28. 5 cm, hardcover
978-3-7774-2324-1
£ 38. 00
Painting/History
CANALETTO
Bernardo Bellotto paints Europe
360 pages, 311 colour illus.
29 × 30 cm, hardcover
978-3-7774-2247-3
£ 39. 00
Painting
VODUN
African Voodoo
English-French edition
236 pages, 150 colour illus.
24 × 32 cm, hardcover
978-3-7774-4031-6
£ 60. 00
Sculpture – Tribal Art
FISH HOOKS OF THE PACIFIC ISLANDS
374 pages, 10 fold-outs, 341 colour and
31 b/w illus.
22.5 × 28 cm, hardcover
978-3-7774-4931-9
£ 130. 00
Tribal Art
THE CHASUBLE OF THOMAS BECKET
A BIOGRAPHY
304 pages, 180 illustrations
22.5 × 30 cm, hardcover, dust jacket
978-3-7774-2519-1
£ 85.00
Cultural History
April 2017
ALL THE BEAUTY AT HAND
A Brief History of Hirmer Publishers
80 pages, 100 colour photographs
23 × 27.5 cm, hardcover
978-3-7774-2618-1
£ 13. 95
Cultural History
June 2017
BUDDHA IN THE YURT
Buddhist Art from Mongolia
English-Russian edition, 2 volumes
In total: 840 pages, 554 colour illus.
24 × 28.5 cm, hardcover, slipcase
978-3-7774-4351-5
£ 120. 00
Cultural History
EARLY CAPITALS OF ISLAMIC CULTURE
The Artistic Legacy of Umayyad
Damascus and Abbasid Baghdad
(650–950)
72 pages, 84 colour illus.
23. 5 × 26. 5 cm, hardcover
978-3-7774-2244-2
£ 22. 00
Cultural History
RUSSIAN LACQUER
312 pages, 248 colour illus.
24 × 30 cm, ­hardcover
978-3-7774-2429-3
£ 45. 00
Decorative Arts
PRECIOUS CUFFLINKS
From Pablo Picasso to James Bond
128 pages, 150 colour illus.
22 × 28 cm, hardcover
978-3-7774-2423-1
£ 34. 005
Decorative Arts
The Pinakothek Museums in Bavaria
Treasures and Locations of the
Bavarian State Painting Collections
180 pages, 144 colour illustrations
15 x 21 cm, softcover with flaps
978-3-7774-2544-3
£ 9.95
Painting
MUSEUM ISLAND BERLIN
416 pages, 254 colour illus.
9.8 × 32. 5 cm, hardcover
978-3-7774-4441-3
£ 45. 00
Cultural History – Architecture
FROM SAMOA WITH LOVE?
Samoan Travellers in Germany
1895-1911. Retracing the
Footsteps
224 pages, 176 mostly colour illus.
21 × 27 cm, hardcover
978-3-7774-2239-8
£ 34. 00
Cultural History
2016
FILAFRT BOOK
A
BEST AND
URY
IAL J
SPEC RIZE
P
IMAGES TAKE FLIGHT
Feather Art in Mexico and
Europe 1400–1700
480 pages, 271 illustrations
24 × 30 cm, hardcover, dust jacket
978-3-7774-2063-9
£ 39. 95
Sculpture
TSHOR D
LISTE RT
AL A
TRIB AWARD
BOOK 014
2
NUKUORO
Sculptures from Micronesia
280 pages, 308 colour and b/w illus.
24. 5 × 30. 5 cm, hardcover with dust
jacket
978-3-7774-2028-8
£ 50. 00
Sculpture – Tribal Art
SERGE BARBEAU
ÚLTIMOS TESTIGOS
The Last Maya Rebellion In Yucatán
96 pages, 60 illus.
26 × 38 cm, hardcover
978-3-7774-2619-8
£ 39. 95
Photography
47
BACKLIST
BACKLIST
48
FRAGMENTS OF METROPOLIS
Rhein & Ruhr
2nd revised edition
256 pages, 150 colour illus.,
30 drawn maps
15.5 × 24.5 cm, hardcover
978-3-7774-2772-0
£ 24. 00
Architecture
FRAGMENTS OF METROPOLIS
Expressionist Heritage in Berlin
2nd revised edition
256 pages, 140 colour illus.,
56 drawn maps
15.5 × 24.5 cm, hardcover
978-3-7774-2678-5
£ 24. 00
Architecture
THE EXPANDED SUBJECT
New Perspectives in Photographic
Portraiture from Africa
128 pages, 65 colour illus.
20.3 × 25.4 cm, hardcover
978-3-7774-2632-7
£ 24. 00
Photography
MODERNISM LONDON STYLE
The Art Deco Heritage
English-German edition
216 pages, 379 b/w photographs
24 × 27 cm, hardcover
978-3-7774-8031-2
£ 39. 95
Photography – Architecture
Networks of Construction
360 pages, 94 illustrations in colour,
161 b/w illustrations
21 x 28,5 cm, hardcover with dust jacket
includes a construction plan
978-3-7774-2539-9
£ 39.95
Architecture
BOXING CUBA
From Backyards to World Championship
184 pages, 102 illustrations
24 x 28 cm, hardcover
978-3-7774-2612-9
£ 28. 00
Photography
BEST TURE
ITEC
ARCHBOOK
L
NCIA
FINA ES
TIMER2013
BEST-R
E
SELL
Grey Matter(s)
144 pages, 73 illustrations
34 x 28 cm, hardcover
978-3-7774-2576-4
£ 39.95
2nd edition
Photography
JOSEF SUDEK
The Legacy of a Deeper Vision
288 pages, 210 photographs
32 × 26 cm, hardcover with dust jacket
978-3-7774-5291-3
£ 45. 00
Photography
BEST-R
E
SELL
SUMM
Roland Fischer
Façades
224 pages, 101 colour illustrations
25 x 31,5 cm, softcover with flaps
978-3-7774-2559-7
£ 22.00
Photography – Architecture
RUST RED
The landscape Park Duisburg-Nord
208 pages, 300 colour illus.
22 × 28 cm, hardcover
978-3-7774-2427-9
£ 45. 00
Architecture
ROLAND FISCHER - TEL AVIV
Israeli Collective Portrait
200 pages, 80 colour illus.
24 × 28.5 cm, hardcover, slipcase
978-3-7774-2623-5
£ 24. 00
Photography
Christine Ljubanovic
Conversation Portraits
Photo-Suites 1974–2014
164 pages, 61 duplex illustrations
24 x 31 cm, soft cover
978-3-7774-2528-3
£ 25.00
Photography
Niklas Maak
LE CORBUSIER
The Architect on the Beach
208 pages, 74 b/w illus.
12 × 20 cm, hardcover with dust jacket
978-3-7774-3991-4
£ 17. 95
Architecture
Niklas Maak
LIVING COMPLEX
From Zombie City to the New Communal
240 pages, 117 b/w illus.
12 × 20 cm, hardcover with dust jacket
978-3-7774-2410-1
£ 17. 00
Architecture
ROLLS-ROYCE MOTOR CARS
English-German edition
180 pages, 200 colour illus.
32 × 27 cm, hardcover cloth over boards,
bookmark
978-3-7774-2193-3
£ 50. 00
Design
MR RADLEY DRIVES TO VIENNA
A Rolls-Royce Silver Ghost crossing
the Alps - 1913 & 2013
152 pages, 108 illus.
27 × 28 cm, hardcover
978-3-7774-2346-3
£ 25. 00
Cultural History
ENGINEERING DESIGN
Made in Wuhan, China
English-Chinese-German edition
80 pages, 79 colour illus.
28 × 30 cm, softcover
978-3-7774-2029-5
£ 19. 95
Architecture
ORNAMENTAL DESIGN PRINTS
128 pages, 145 b/w illus.
24 × 28 cm, hardcover
978-3-7774-2156-8
£ 29. 95
Decorative Arts – Graphic Design
THE MINI STORY
English-German edition
236 pages, 286 colour illus.
32 × 27 cm, hardcover
978-3-7774-2372-2
£ 45. 00
Design
BMW – 100 Masterpieces
236 pages, 404 illustrations
32 x 27 cm, linen, dust-jacket
978-3-7774-2523-8
£ 39.95
Design
2ND N
O
EDITI
BOOK
E
OF TH
YEAR 4
201
ADAC
49
HIRMER PUBLISHERS
50
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Illustration front page: Richard Gerstl,
Semi-Nude Self-Potrait,1904/05, Leopold
Museum, Vienna. Taken from the publication:
Richard Gerstl (see page 3)
Illustration back page: Eran Shakine, A
Muslim, a Christian, and a Jew trying to
figure out God's Plan, 2015. Taken from
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Christian and a Jew Knocking on Heaven’s
Door (see page 35).
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