THE
FISHERMAN
AND HIS
WIFE
A participatory play adapted by
Larry and Vivian Snipes
Franklin S. Harris Fine Arts Center 50th Anniversary Season
BYU COLLEGE OF FINE ARTS AND COMMUNICATIONS
DEPARTMENT OF THEATRE AND MEDIA ARTS
SEPT. 26–OCT. 11, 2014 NELKE THEATRE
LIST OF SCENES
MEET THE COMPANY
ACT 1
Rachel Belt
Kokken
From Spokane, WA. Junior in theatre arts studies. Recent credits include Hodel in
Fiddler on the Roof in Alpine, Theresa in Oscar at BYU, and Gloria in Wait Until Dark
at BYU, and assistant director of Charlotte’s Web in Springville.
Mariah Bowles
Storyteller
From St. George, UT. Sophomore in pre-acting. Recent credits include Shelby in Steel
Magnolias at BYU, Mary in The Flattering Word at BYU, Maria in The Sound of Music
at PVHS, Erzulie in Once on This Island at PVHS, Lala in The Last Night of Ballyhoo
at PVHS, and Tzeitel in Fiddler on the Roof at PVHS. Nominated as one of the top ten
actresses in the state, courtesy of the Utah High School Musical Theatre Awards.
Brandon Luke Bringhurst
The Fisherman
From Orem, UT. Freshman in theater arts studies. Recent credits include Officer Quinn
in Oscar at BYU, Samuel Smith in the film Joseph: Plates of Gold, Pippin in Pippin at
Timpanogos High School, and Chino in West Side Story at the Scera Shell. He also just
composed the original score for Legacy, an original play at Timpanogos High School.
Elissa Nicole Ganowsky
Kokken
From Cedar City, UT. Sophomore in theatre arts studies. Nicole’s credits include Rosie
Alvarez in Bye-Bye Birdie, and Elizabeth Proctor in The Crucible. This will be Nicole’s
first mainstage production.
Lizzie Mickelsen
Isabel
From Draper, UT. Sophomore currently in the general studies open major. Recent credits
include dance captain for Damn Yankees at Draper Amphitheatre, Ruth in To See the
Stars at Alta High School, dance captain for Once On This Island at Alta High School,
Julia in Shakespeare’s Twelfth Night at Alta High School, dance captain for Footloose
at Draper Amphitheatre, and Suzie in Crazy For You at Alta High School.
Emma Truax
Flounder’s Assistant
From St. George, UT. Sophomore in pre-acting. Recent credits include Terry in Stage
Door, Miss Merriman in The Importance of Being Ernest, and Ranae in Dirty Rotten
Scoundrels. She was showcased and received third place for her role as Dogberry in
Much Ado About Nothing at the Utah Shakespeare competition.
Ross Wilcox
Flounder
From Peachtree City, GA. Ross is a junior studying Choral Music Education. His credits
include Danny Zuko in Grease and Sky Masterson in Guys and Dolls. He is excited to
be making his BYU debut!
Scene 1: The Fisherman's Hut
Scene 2: Isabel's Cottage
Scene 3: Isabel's Castle
Scene 4: Isabel's Kingdom
Scene 5: Isabel's Grand Empire
PRODUCTION STAFF
DIRECTOR
COSTUME DESIGNER
TECHNICAL DIRECTOR
Nestor Bravo-Goldsmith
Donnette Perkins
Ward Wright
PRODUCTION MANAGER
ASSISTANT COSTUME DESIGNER
DRAMATURG
Jennifer Reed
Shannon McCurdy
Haley Flanders
SCENIC DESIGNER
MAKEUP AND HAIR DESIGNER
PRODUCTION STAGE MANAGER
Donnette Perkins
Valeri Day
Michaela Fordham
Cali Holcombe
Mckenzie Ottley
PROPS DESIGNER
Becky Wallin
LIGHTING DESIGNER
James Lyon
Sara Myers
MUSIC
ASSISTANT SCENIC DESIGNER
Josh Fawcett
OUTREACH COORDINATOR
Brandon Luke Bringhurst
CAST LIST
(in order of appearance)
STORYTELLER
ISABEL
FLOUNDER’S ASSISTANT
Mariah Bowles
Lizzie Mickelsen
Emma Truax
THE FISHERMAN
THE FLOUNDER
KOKKEN
Brandon Bringhurst
Ross Wilcox
Elissa Nicole Ganowsky
Rachel Belt
2 BYU DEPARTMENT OF THEATRE AND MEDIA ARTS
THE FISHERMAN AND HIS WIFE 3
PRODUCTION STAFF
Nestor Bravo Goldsmith
Director
Nestor Bravo Goldsmith, is a Chilean theater director, performer and theater professor.
He earned a Ph.D. in Theatre and Performance of the Americas from Arizona State
University, and received his M.A. in theatre and media arts from Brigham Young
University. He also has an MFA in Directing at the Universidad de Chile.
Valeri Day
Hair and Makeup
Co-designer
From Orem, UT. Senior in theater art studies with emphasis in makeup and costume
design. Recent BYU credits include hair and makeup assistant for Lovestruck the
Musical and A Man for All Seasons. She will be hair and makeup designer for
Princess Academy in the spring.
Haley Flanders
Dramaturg
From Atlanta, GA. Graduate Student receiving an MA in theatre history, theory, and
criticism. She received her BA in theatre arts studies from BYU in 2010 with a minor in
music. She then worked as a theatre educator in Georgia. Recent BYU acting credits
include Aunt March and Mrs. Kirk in Little Women. She will be assistant directing
Princess Academy in the spring.
Joshua Fawcett
Lighting Designer
Recent work includes: lighting design for The Legend of Sleepy Hollow, assistant
lighting design for Holiday, lighting, sound and scenic design for Microburst Theatre
Festival, lighting design for Single Wide, and assistant scenic design for Pride and
Prejudice.
Michaela Fordham
Hair and Makeup
Co-Designer
From Dallas, TX. Sophomore studying theatre arts with an emphasis in makeup and
lighting. This is her first experience designing for BYU but is looking forward to many
more including The Winter's Tale in 2015.
Cali Holcombe
Production Stage
Manager
From Provo, UT. Junior in theatre arts studies with an emphasis in stage management.
Recent work include assistant stage manager for Sundance’s production of Fiddler on
the Roof, andThe Selfish Giant at BYU.
Donnette Perkins
Costume Designer
Set Designer
Donnette Perkins is the Costume Shop Manager for the BYU Division of Arts
Production. As a costumer she has worked with the Utah Shakespeare Festival, The
Oregon Shakespeare Festival, The American Conservatory Theater in San Francisco,
Tuacahn Center for the Arts in St. George, Utah and the Pioneer Theater Company
in Salt Lake City, Utah. Her recent costume designs include The Nightingale, Don
Giovanni, and The Gondoliers for BYU.
Shannon McCurdy
Assistant Costume
Designer
From Gilbert, AZ. Senior in theatre arts studies. Recent credits include costume
designer for Charlotte’s Web at Springville Playhouse, and assistant costume
designer for Little Women at BYU Hawaii.
Mckenzie Ottley
Assistant Scenic Designer
From Lehi, UT. Junior in theatre arts studies with an emphasis in stage management.
Recent productions include stage manager for BYU’s A Wrinkle in Time and The
Legend of Sleepy Hollow. Other credits include ASM for SCERA The Scarlet Pimpernel,
The Sound of Music, and BYU’s Little Eyolf.
4 BYU DEPARTMENT OF THEATRE AND MEDIA ARTS
THE FISHERMAN AND HIS WIFE
STUDY GUIDE
DRAMATURG
Haley Flanders
6
7
8
10
11
12
Dramaturg’s Note: Be Careful What You Fish For
The Brothers Grimm & History of the Tale
Costuming our Characters of the Land & Sea
Supernatural Helpers: What Would You Wish For?
Activity: Sea Creature Maze
Autographs and Bibliography
THE FISHERMAN AND HIS WIFE 5
DRAMATURG’S NOTE: BE CAREFUL WHAT YOU FISH FOR
THE BROTHERS GRIMM
Welcome to a land of magic and miracles! A place where fish grant wishes and
dreams come true! Or so it seems…
JACOB (1785-1863) & WILHELM (1786-1859)
In this story, you will meet a storyteller who will guide you along this seaside
adventure. Listen to her words very carefully and follow the sounds and actions of
her two helpers, the kokken. That way, you can be a part of the action and use your
imagination to help create the changing weather and scenery surrounding our tale.
You will also meet a fisherman, who is very happy with his simple life inside his tiny
hut by the seashore. However, his wife Isabel would rather have bigger and better
things. She wants to live like the queen of the universe. Last but not least, you will
soon meet a magical flounder and his trustworthy sidekick, a colorful seahorse! As
you watch this tale unfold, ask yourself…
“He who is not
contented with
what he has,
would not be
contented with
what he would
like to have.”
-Socrates
Jacob Grimm (right) and his younger brother Wilhelm
(left) grew up in Germany. They studied to become
lawyers, just like their father. As children, the brothers
were very interested in reading collections of folk
poetry. They took jobs as librarians and soon became
professors at the University of Göttingen. Eventually
they left so they could travel the world, recording the
myths, legends, fairytales and folklore they heard along
the way. Today, the Brothers Grimm receive the credit
for many popular fairytales, although they were merely
the scribes and adaptors of the stories, not the original
creators.
• If you found a fish that could grant wishes, what would you wish for?
• Would you wish for something that would benefit just you, or would you help others?
• What if you had no limit to your wishes?
DO YOU RECOGNIZE ANY OF THESE
GRIMM FAIRYTALES?
Before our tale sets sail, use this study guide as a treasure map to discover the story’s origin, themes, and to
learn about the characters and their trove of colorful costumes. Then put yourself in the story by designing your
own magical helper, making a wish, and finding the path to the sea, just like the fisherman. But watch out for
thunderstorms!
• The Frog Prince
• Rapunzel
• Hansel and Gretel
• The Valiant Little Tailor
• Cinderella
–Haley Flanders, dramaturg
• Little Red Riding Hood
• The Bremen Town Musicians
• Snow White
• Rumpelstiltskin
• Sleeping Beauty
“Wilhelm Grimm and Jacob Grimm,” Elisabeth Jerichau-Baumann, c.1854, Public Domain.
Fairytales often share the same themes and
morals. Do you see any of these themes in
The Fisherman and His Wife?
Greed
Family
Love
Magic
Self-Worth
Good vs. Evil
HISTORY OF THE FISHERMAN AND HIS WIFE
WANT TO MAKE A WISH
ON A FISH?
The Fisherman and His Wife is the nineteenth tale recorded by the Brothers Grimm
and was published in their Children’s and Household Tales collection in German in
1812. It first came from Philipp Otto Runge, a painter, who wrote it on a manuscript
to be published in a collection of German folklore. Similar versions of this tale can be
found elsewhere such as the poem about a golden fish, published by Russian author
Alexander Pushkin in 1835.
In the lobby, don’t miss our
“Waves of Wishes” display,
where you can write a wish on
a fish and place it in the sea, in
hopes that it will come true.
But heed the flounder’s warning:
“Be careful what you wish for.”
“Grimm’s Kinder und Hausmärchen,” Erster Thiel, c.1812, Public Domain.
ABOUT THE PLAYWRIGHTS
BYU’s adaptation of The Fisherman and His Wife was
written in 1998 by husband and wife, Larry and Vivian
Snipes. Together, they run the Lexington Children’s
Theatre in Kentucky.
“Vom Fischer und seiner Frau,” Alexander Zick, c.1900, Public Domain.
6 BYU DEPARTMENT OF THEATRE AND MEDIA ARTS
© Lexington Children’s Theatre. Used by Permission.
© Lexington Children’s Theatre. Used by Permission.
THE FISHERMAN AND HIS WIFE 7
COSTUMING OUR CHARACTERS OF THE LAND & SEA
Costumes can reveal a lot about a character’s personality. During the play, notice
Isabel’s many costumes and ask yourself…
• How do her clothes resemble the desires of her heart?
• How do her clothes compare to the fisherman’s clothes throughout the play?
KOKKEN
The two kokken characters were added to our show
to assist with transitions, add more stage visuals, and
to guide the audience participation. These characters
originated from the ancient Japanese forms of drama
called Kabuki and Noh. Kokken traditionally dress in
black to suggest that they are neutral and invisible. Our
kokken are dressed in dark blue to match the color of
the sea. Copy their actions during the show!
“Kuroko,” Utagawa Kuniyoshi, c.1831, Public Domain.
FLOUNDER’S ASSISTANT
The Seahorse costume was designed to reflect the
colorful scales of fish found in the coral reef.
• What is your favorite sea creature? Why?
ISABEL
THE FISHERMAN
THE STORYTELLER
• What do you think these characters add to the play?
THE FLOUNDER
Q: What was your biggest challenge in designing the
costumes?
A: “The most difficult part of the design process was
finding the right pieces for Isabel’s final costume. Since,
instead of changing costumes, she just adds more
clothing, I had to make sure that her costume was
never too hot or heavy to move in. For her last costume
change she puts on platform shoes and a cape, so that
she seems bigger without having to put on another
dress.” -Shannon McCurdy, costume designer
8 BYU DEPARTMENT OF THEATRE AND MEDIA ARTS
Q: What was the most fun costume to design?
A: “The challenge of the flounder costume actually
made it the most fun costume to design. I had to use a
lot of imagination. I got to create a fish headpiece that
actually could move and to use new materials like a
special thermoplastic call “Wonderflex” and foam and
paints and sequins. I thought that tie-dyed fabric looked
a little like the water with flecks of sunlight on it, so I
tie-dyed his shirt and pants. Also, a flounder has spots
like the blotches of color in tie-dye. I hope you like our
flounder.” -Donnette Perkins, costume designer
The flounder’s decorative headpiece is based
on this painting by famous American artist (and
former BYU Art Professor) James C. Christensen,
entitled “Jonah.”
• Can you spot Jonah in the whale?
“Jonah,” © James C. Christensen. Courtesy Greenwich Workshop, Inc.
THE FISHERMAN AND HIS WIFE 9
SUPERNATURAL HELPERS: WHAT WOULD YOU WISH FOR?
ACTIVITY: SEA CREATURE MAZE
The Fisherman and His Wife uses a popular character that folklore historians call
a “Supernatural Helper”: a fairytale character that can grant wishes! Without the
flounder and his magical powers, there would be no story, no adventure, and no
MAGIC! That would be pretty boring and uneventful, don’t you think? Think of other
familiar fairytales that use supernatural helpers, and keep these questions in mind as
you watch the play.
Throughout the story, the fisherman travels to the seashore many times to make a wish
for his wife. To summon the flounder, he chants,
•
•
•
•
•
What did they look like?
Were they funny? Nice? Scary?
What did the characters wish for?
How did granting the wishes change the story?
Did they end up helping or hurting?
“Flounder, Flounder, come to me. Rise to the surface of the sea.
For Isabel my wife, is unhappy with our life.”
And each time, he is greeted by the flounder and his assistant, the seahorse. Yet much like the maze below, the long
journey to the seashore is not always easy to follow. As Isabel’s wishes get bigger and bigger, the weather gets
worse and worse! Pretend you are the fisherman and the maze below is the difficult path to the seashore during a
thunderstorm. Can you make it before it blows you away? You have 30 seconds. Go!
If you were in one of these fairytales what would
your supernatural helper look like? What would
you wish for? Draw both below.
START
My supernatural helper would look like this…
I would wish for this…
FINISH
10 BYU DEPARTMENT OF THEATRE AND MEDIA ARTS
THE FISHERMAN AND HIS WIFE 11
AUTOGRAPHS
The actors will come out on stage after the show. Make sure you ask them for their autograph!
BIBLIOGRAPHY
For a full bibliography and resource guide, scan the QR code or visit our website:
http://4thwalldramaturgy.byu.edu/fisherman-and-his-wife-bibliography
NOT DONE FISHING?
There are many different book versions of The Fisherman
and His Wife at your local library. During rehearsals, the cast
read some to study the play’s themes, characters, and the
influence of adaptation. So check out these books and see
what differences or similarities you find between our play
and the book versions. Happy fishing!
12 BYU DEPARTMENT OF THEATRE AND MEDIA ARTS
All images without a photo credit were obtained from pixabay.com and used by permission under the Creative Commons CC0 1.0 universal license.”
OUR
TOWN
By Thornton Wilder
Presented by special arrangement with SAMUEL FRENCH INC.
Pardoe Theatre, HFAC
Nov. 21–22, Dec. 2–6, 9–11, 7:30 p.m.
Nov. 22, Dec. 6, 2:00 p.m.
Dec. 4, ASL interpreted performance
DEPARTMENT OF THEATRE AND MEDIA ARTS
FULL TIME FACULTY
Amy Petersen Jensen, chair
Tom Lefler, associate chair
Julia Ashworth
Brad Barber
Stephanie Breinholt
Dean Duncan
Mary Farahnakian
Barta Lee Heiner
Wade Hollingshaus
Megan Sanborn Jones
Michael Kraczek
Darl Larsen
Lindsay Livingston
Kelly Loosli
David Morgan
George Nelson
Jeff Parkin
Tom Russell
Rory Scanlon
Sharon L. Swenson
Rodger Sorensen
Benjamin Thevenin
Tim Threlfall
ADJUNCT FACULTY &
PART TIME FACULTY
Travis Allen
Dane Allred
Brandon Arnold
Lisa Bean
Jennie Brown
Matthew R. Carlin
Carson Center
Michael Chadbourne
Brandon Christenson
Scott Church
Dan Clark
Travis Cline
Travis Coyne*
Deanne DeWitt*
Richard Duke
Lisa Elzey
Stephanie Freeman
Kristin Gerdy
Matt Goebel
Shelly Graham
Michael G. Handley*
Katie Hill
Jennine Hollingshaus
Ben Hopkin
Wynn Hougaard
The Kennedy Center American
College Theater Festival™ 47
part of the Rubenstein Arts Access Program,
is generously funded by
David and Alice Rubenstein
additional support is provided by
The Honorable Stuart Bernstein and Wilma E. Bernstein
Dr. Gerald and Paula McNichols Foundation
The National Committee for the Performing Arts
The Harold and Mimi Steinberg Charitable Trust
Beatrice and Anthony Welters and the AnBryce Foundation
14 BYU DEPARTMENT OF THEATRE AND MEDIA ARTS
Rebecca Ingram
Tim Irwin
Ruston Jones
Nathan Lee
Teresa Love
Jeffrey Martin*
Shirene McKay
Jaynanne Meads
Kee Miller
Mikel Minor
Kurt Mortensen
Michael Morris
Bradley Moss
Shawnda Moss
Kyle Nielson*
Marianne Ohran*
Donnette Perkins*
Karen Peterson
Stephen Purdy
Reese Purser
Gayanne Ramsden
Emily Ray
Jennifer Reed*
Nathaniel Reed
Lauren Roundy
Courtney Russell
Diena Simmons
BYU ARTS PRODUCTION
Janine Sobeck
Jerry Stayner
Troy Streeter*
Bruce Sundstrom
Anne Sward-Hansen
Ben Unguren
Teisha Vest
Mary Jane Wadley*
Becky Wallin
Ron Wilkinson
Elain Witt
Mark Woodruff
Ward Wright*
ADMINISTRATIVE STAFF
Elizabeth Funk
Rene Helfert
Thaylene Rogers
Kyle Stapley
*BYU Arts Production
This production is entered in the Kennedy Center American
College Theater Festival (KCACTF). The aims of this national
theater education program are to identify and promote
quality in college-level theater production. To this end, each
production entered is eligible for a response by a regional
KCACTF representative, and selected students and faculty are
invited to participate in KCACTF programs involving scholarships, internships, grants and awards for actors, directors,
dramaturgs, playwrights, designers, stage managers, and
critics at both the regional and national levels.
Productions entered on the Participating level are eligible
for invitation to the KCACTF regional festival and may also
be considered for national awards recognizing outstanding
achievement in production, design, direction and performance.
Last year more than 1,300 productions were entered in the
KCACTF involving more than 200,000 students nationwide.
By entering this production, BYU Theatre and Media Arts is
sharing in the KCACTF goals to recognize, reward, and celebrate the exemplary work produced in college and university
theaters across the nation.
DEAN
Stephen Jones,
College of Fine Arts
and Communications
EXECUTIVE PRODUCER
Randy Boothe
PRODUCER
Amy Petersen Jensen
ASSOCIATE PRODUCERS
Tom Lefler
Jeff Martin
ARTS PRODUCTION DIRECTOR
Russell Richins
ASSOC. ARTS PRODUCTION
DIRECTOR
Benjamin Sanders
THEATRE & MEDIA ARTS
PRODUCTION MANAGER
Jennifer Reed
MUSIC PRODUCTION MANAGER
STAGE/HOUSE OPERATIONS
MANAGER
Bridget Rosella Benton
PRODUCTION ASSISTANTS
Brittany Corbett
Heather Richardson
Courtney Schmutz
TECHNICAL DIRECTOR
Travis Coyne
ASS’T TECHNICAL DIRECTOR
Ward Wright
EXPEDITOR
Elijah Hess
DRAFTSMAN
Elijah Hess
SCENE SHOP CREW
Kyle Cook
Kayle Doyle
Johnathan Kimble
Laura McNeil
Nathaniel Maxwell
Drew Pearson
Adam Richardson
Tucker Roberts
Christian Rudd
SCENIC ARTISTS
Alycia Garrett
Cody Robles
Haylie Shaw
PROPERTIES DESIGNER
AND SET DRESSER
Sara Myers
James Lyon
PROP SHOP CREW
Hannah Kroff
Aubrey Burbank
James Lyon
Sara Myers
RESIDENT LIGHTING
DESIGNER
Michael G. Handley
ASST. LIGHTING DESIGNER
Marianne Ohran
MASTER ELECTRICIAN
Amelia Dunlap
Logan Hayden
ELECTRICS CREW
Josh Fawcett
Paul McGrew
Seth Mergist
McKenzie Ottley
Graham Whipple
Logan Hayden
Juliette Lewis
Mariah Hatch
Daniel Barton
STAGE OPERATIONS
Luke Campbell
Brittany Corbett
Chuck Dearden
Cali Holcombe
Cameron Harrison
Elijah Hess
Joes Huston
Christina Iverson
Jasper Raines
Hannah Richardson
Nichole Clarke
COSTUME SHOP MANAGER
Donnette Perkins
ASST. COSTUME SHOP
MANAGER
Deanne DeWitt
HAIR & MAKEUP MANAGERS
Julie Adams
M’Lisa Hansen
CUTTER/DRAPER
Deanne E. DeWitt
Gloria Pendlebury
Mary Jane Wadley
TAILOR
Gloria Pendlebury
FIRST HAND
Mary Jane Wadley
BUSINESS MANAGER
Kyle Nielsen
ASST. BUSINESS
MANAGER
Kelly Bready
ACCOUNTANTS
Amy Collyer
Ashley Rebilas
MARKETING MANAGER
Ken Crossley
COSTUME CRAFTS
Sarah Stewart
CREATIVE SERVICES
MANAGER
Nick Mendoza
WARDROBE SUPERVISOR
Sarah Stewart
PHOTOGRAPHY
Chelsea Bauer
STITCHERS
Shannon McCurdy
POSTER DESIGN
Nicolina Brown
AUDIO ENGINEERING
MANAGER
Troy Streeter
PROGRAM DESIGN
Stephanie Ottenham
AUDIO ENGINEERS
Ammon Eddy
Kristy Hunter
Scott Monson
HOUSE AUDIO
Christopher Bowles
Kristy Hunter
Michelle Ohumukini
PATRON SERVICES
MANAGER
Jeffrey Martin
ASSISTANT
Moises Lopez
MARKETING ASSISTANTS
Brian Collier
Andrew Galloway
Sam Reed
Hillary Tait
Jeffrey Whitaker
PRODUCTION
COORDINATOR
Crysta Powell
PRODUCTION SECRETARIES
Amy Castro
Alexis Iverson
Patrick Stockdale
FINE ARTS TICKET
OFFICE SUPERVISOR
Anna Benally
HOUSE MANAGERS
Brian Gardner
Elijah Hess
Anita Hung
Jennie Winston
USHERS
Stephen Allred
Jessica Chen
Anita English
Bryan Gardner
Clarissa Olphant
Jennie Winston
THE FISHERMAN AND HIS WIFE 15
2013–2014
DONORS
Mary Lou Fulton Chair Endowment
Ira A. and Mary Lou Fulton
Dr. Marcus & Loren Bach Endowment
J. Lavar & Helen Bateman Endowment
Verda Mae Fuller Christensen Endowment
Marie Clegg Jones Speech Endowment
Cherril B. Liptak Endowment
O. Lee Walker Endowment
R. Don & Shirley Oscarson Endowment
Ruth Smith Silver Endowment
Donald C. Sloan Endowment
Divine Comedy Endowment
H. Roland Tiejen Endowment
Frank Whiting Endowment
Ryan D. Roundy
Scott and Liesl Shurtliff
Rodger and Claudia Sorensen
Sam and Diane Stewart Family
Foundation
Alan and Cheri Stock
Janet L. Swensen
K. Perry Woolsey
Laurie and Bruce Bayne
Phil and Gloria Bowman
Clayton and Christine Christensen
Castle Foundation
DAB Stewardship Trust
Burt Dalton
Genesis Health System
Joshua and Jenna Gubler
Michael and Virginia Handley
G. Kevin Jones
Megan Sandborn and Glen Jones
David and Bianca Lisonbee
George and Leslie Nelson
Kyle H. Nielsen
Ben and Dana Nye
Richard and Nadene Oliver
Nat and Jennifer M. Reed
Michael and Becky Roundy
Deanne and Paul DeWitt
Eric and Cecelia Fielding
Samuel and Barbara Fletcher
Minerva Herrera
Benjamin and Melanie Hess
Jeffery and Aylsia Howe
Amy and McKay Jensen
Thomas and Laura Lefler
Eric and Anjanette Martinis
Minerva H. Munoz
Jeffery and Jana Parkin
Rory and Deanna Scanlon
Arlene and Kevin Sollis
Sharon E. Swenson
Diane and Kenneth Wallace
Gregory and Laurie Weisler
Elizabeth C. Funk
Kelly G. Goodman
Barta L. Heiner
Eric and Elaine Huntsman
Mike and Marianne Kraczek
Patrick and Diane Power
Nat and Jennifer M. Reed
Danna and Gregory Robinson
JoAnn and James Rogers
Thomas B. and Courtney Russell
Eric and Annette Samuelsen
David M. Snow
Timothy and Linda Threlfall
Mary Jane and Sterling Wadley
Ralph and Cornelia Wilson
Ward and Mary Wright
Juila D. Ashworth
William and Betty Bilson
Kelly and Brian Bready
Stephanie and Stephan Breinholt
Gary and Joan Browning
William and Tribly Cope
Timothy and Dana Edvalson
Mary and Hooshang Farahnakian
Alesia and James Bischoff
Clifford and Stania Brennan
Sarah K. Butler
Klair N. Bybee
Richard and Antonia Clifford
Craig and Gail Clyde
William and Triby Cope
Laura and Stephan Curry
Lorna H. Daniels
Allan N. Davis
Rebekka Fogle
Annemarie and Jared Garrett
Sheril and Ann Hill
Linea and Rafael Hoyos
Chaliese and Clinton Jones
Keith E. Kopp
Melanie L. Lamb-Lee
Kristine and Kelly Long
Hondo B. Louis
Nadine L. Lugo
Marcus and Donna Mahan
Kenneth and Judith Mallett
Mary and Michael McGrew
Paul E. Mcgrew
Ben A. Myers
Douglas Olsen
Shannon and David Perez
Andrew Foree
Deen Ferrell
Kevin and Shelly Flint
Terry and Laura Holt
Kyle Lindsay
Eric C. Player
Patrick and Diane Power
Sandra S. Stanger
Beth S. Sprague
Matthew J. Taylor
Russell T. Warne
Shelly E. Warnick
Kay and Brian Vigue
Gayanne Ramsden
Adam T. White
The Department of Theatre and Media Arts expresses deep appreciation to
our generous patrons. For information about giving to Theatre and Media Arts,
visit cfac.byu.edu and click on the link “Giving to the College.”
For information on how you can play a greater role in Theatre and Media Arts
at BYU, contact Amy Petersen Jensen, department chair, at (801) 422-8132 or
[email protected].