Full Fathom Five
for Treble Chorus with Piano Accompaniment

Music by
Steven Plank
Text by
William Shakespeare

Ding dong ding dong ding
 
   







  * 
  
Small





Chorus 
5




Ding dong ding dong ding






rP
er

Ding
Fo
 
 





Dong
Ding
dong
Ding

dong

Ding
    
Full fath - om five
Dong









   
   
9
 
   


Ding
 
 
us
al
   
Small
    
Chorus





 
       




  
 

Chorus




nl
y

 




O
Piano
q = 46



    







Dong
       
thy fa - ther lies;


















*The pitches are sung in rhythm, but each tone is sustained, following its attack, for the
remainder of the bar. Thus, the small chorus may be divided so that each of the five
sub-groups has one note in sequence. Alternately, all may begin the sequence together,
with on sub-group holding the first pitch, one sub-group the second pitch, and so forth.
Copyright © 2002 Colla Voce Music, Inc.
4600 Sunset Ave., #83, Indianapolis, IN 46208
International Copyright Secured Made In USA All Rights Reserved
www.collavoce.com
13
Ding
Dong
      

      

Of his
bones
are cor - al made;
 
   



   
   





Ding
  
 

eyes:
Dong
      
No- thing of him that doth




rP
er


   






us
al
Dong
 





 


   
19




Ding
 



Fo

 
   

 
 

Dong

Those are pearls that were his




16
      











  
Ding
O



 








nl
y
  

   



sea - change
    
      
fade,
3
But doth suf- fer a










Ding

In - to some- thing rich


and strange,













   
   

22
Dong
       

dong
ding




     
ding
   
   
  

Hark!
now I hear them
 
Ding dong ding dong ding








rP
er


   


 



  * 
  
29
Ding
 
    

   
  
 

dong








     
us
al
26
Ding
O
   
   















Sea - nymphs hour- ly ring his knell:


Fo
Ding





  
    





nl
y






dong


ding
dong


bell!
 
Ding
 









Ding dong ding dong ding



dong

ding

dong




*Repeat for as long as desired. Within the confines of the measure, each singer should
freely determine the rhythm and duration of the pitches. Diminuendo to end.

bell!