Section Players and Subs
Violin 1
 Brahms Symphony 4, Mvt. 1 opening to Letter C, Mvt.4: m.33-m.80
 Prokofiev Symphony 1, Mvt. 1: 2 m. before I to J and Mvt. 4: Letter F to 1st
ending before Letter H
 Schumann, Symphony 2, Mvt. 2: opening to trio
 Mozart Symphony 41, Mvt. 4: mm. 74-114
 Verdi La Forza del Destino: Letter E, Letter H-J, Letter M
 Mozart Overture to Magic Flute: mm. 16-57
 Berlioz Symphonie fantastique, Mvt. 1: 2nd m. of Reh 1-Reh 2
Violin 2
 Brahms Symphony 4, Mvt. 1 opening to Letter C, Movt.4: m. 33-m. 80
 Prokofiev Symphony 1, Mvt. 1: 2 m. before I to J and Movt 4: Letter F to 1st
ending before Letter H
 Schumann Symphony 2, Mvt. 2: opening to trio
 Mozart Symphony 41, Mvt. 4: m. 74-114 (Letter B to Letter C)
 Verdi La Forza del Destino: Letter E, Letter H-J, Letter M
 Mozart Overture to Magic Flute: m.16-57
 Berlioz Symphonie fantastique, Mvt. 1: 2nd m. of Reh 1-Reh 2
Viola
 Shostakovich 5, First Movement: Reh 15 to Reh 17, m. 3 of Reh 22 to Reh
25, and Reh 36 to downbeat of 3 m. after Reh 38
 Beethoven Symphony 9, Mvt. 3: pickup to m. 25 (Andante moderato) to 41,
Movt 4: m.449 to 517 and Letter M (m. 543) to 594
 Berlioz Symphonie fantastique, Mvt. 4: mm. 33-46 (7 m. before Reh 51 to
the end of the bar 3 m. before Reh 52), mm. 88-102 (1 m. before Reh 54 to
2 m. before Reh 55), mm. 135-153 (6 m. after Reh 57 through 2 m. after
Reh 58), Mvt. 5: pickup to m. 262 (9 m. after Reh 71) to downbeat of 290 (7
m. after Reh 73)
 Brahms Variations on a Theme by Haydn: Variations 5, 7, and 8.
Cello
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Shostakovich Symphony No. 5, Mvt. 1: #32 to end of the measure, 6 before
#39; Mvt. 3: #89 to #93
Strauss Don Juan: opening to letter C
Mahler Symphony No. 4, Mvt. 1: beginning to end of m. 51 and pickup to #7
to #8 (measures 91-102); Mvt. 3: beginning to second measure of #1
(measures 1-26); #4 to #5 (measures 107-137); third beat of measure 220
to downbeat of measure 238
Beethoven Symphony # 5, Mvt. 2: mm. 1-10; mm. 49-57, mm. 98-106; Mvt.
3: mm 1-177
Beethoven Symphony #9, Mvt. 4: recitatives through m. 90
Wagner Overture to Tannhauser: letter E to letter F (letter I to letter K in
the Kalmus edition)
Brahms Variations on a theme by Haydn: Var. I & V
Double Bass
 Shostakovich Symphony 5, Mvt. 1: Reh 22-4m. after Reh 26
 Strauss Ein Heldenleben: Reh 9-6 m. after Reh 12; Reh 40- Reh 41; Reh 77Reh 78
 Beethoven Symphony 5, Mvt. 3: beginning to 4 m. after Reh A (downbeat of
m. 100), pick up of m. 141 to 23 m. after Reh B (m. 218) no repeats
 Beethoven Symphony 9, Mvt. 4: recitative (mm. 8-29, 38-47, 56-90, 92-163,
and 208-215)
 Handel, Messiah: Opening Sinfonia and “But Who May Abide”
 Tchaikovsky Symphony 4, Mvt. 1: Reh P through 3 m. after Reh Q
Flute (subs)
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Debussy Prélude à l’après-midi d’un faune: Beginning to Rehearsal 3
Ravel Daphnis and Chloe, Suite 2: Rehearsal 155 to 156
Brahms Symphony 4, Mvt. 4: 9 m. after D to 7 m. before E (m 89-105)
Stravinsky Firebird Suite (1919): Variation de “Loiseau de feu”, Mvt. 1,
Rehearsal 9 to end of movement
 Berlioz Symphonie fantastique, Valse (Mvt. 2): Reh 29-33
 Shostakovich Symphony 5, Mvt. 1: Reh 39-41, Mvt. 3: Reh 86-87, Mvt. 4:
reh 97-101
Piccolo
 Tchaikovsky Symphony 4, Mvt. 3: pickup to the 2m. after Letter E for 8 bars
(to Tempo 1)
 Mahler Symphony 9, Mvt. 2: solo section 9m. before Reh 23 to 18 m. after
Reh 25 (key change)
 Ravel Bolero: 3 m. after Reh 8 to Reh 9
 Beethoven 9: Mvt. 4: m. 343 (16 m. before H) to Letter K
Oboe/ English Horn
 Berlioz Symphonie fantastique, Mvt. 1: Reh 16 through 14m. before Reh 17,
Mvt. 2: Reh 31-33, Mvt. 3: EH and Oboe beginning to Reh 27, Mvt. 5: 4m.
after Reh 83-84
 Dvorak Symphony 9 (New World), Mvt. 2: EH solo, Oboe Reh 2 to 9 m. after
Reh 3, Reh 4 for 3 measures
 Shostakovich Symphony 5, Mvt. 1: Reh 42-43, Mvt. 3: Reh 84 -85, Mvt. 4: 7
m. after Reh 107-109, Reh 123-126
 Brahms Variations on a Theme by Haydn, Theme
 Beethoven Symphony 9, Mvt. 1: 7 m. after Letter D to Letter E, Mvt. 2: 17
m. after Letter L to Letter M, Mvt. 3: 2nd Andante Moderato
 Handel Messiah: Presto section of Overture, opening 8 bars of #12 ( For
Unto Us)
 Le Tombeau de Couperin (1st mvmt)
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Mussorgsky Pictures at an Exhibition (Tuileries and Ballet of Chicks in their
Shells)
Clarinet
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Verdi La Forza del Destino: Letter G to Letter H
Berlioz Symphonie fantastique: solo 3m. after Reh 43 to 44
Dvorak Symphony 9 (New World), Mvt. 4: 2 m. before Reh 3 to 4
Shostakovich Symphony 5, Mvt. 1: solo 2 m. after Reh 41 to 1 m. after 43,
Movt 2: 3 m. before Reh 69 to 1 m. after Reh 70
 Brahms Variations on a Theme by Haydn, Var V: 4m before Letter G to
Letter I, Var VIII m.346 (15m. after Letter K) to m. 360 (end of var.)
Eb Clarinet
 Shostakovich Symphony 5, Mvt. II, Reh 49 to 5 m. before Reh 51
 Berlioz Symphonie fantastique, Mvt. V: Reh 63 to 4 m. after 64
 Ravel Bolero: solo Reh 3 to 4
Bassoon
 Berlioz Symphonie fantastique Mvt. 4 - 15 measures before rehearsal 51 to
the downbeat of rehearsal 53
 Berlioz Symphonie fantastique Mvt. 5 - 8 measures after rehearsal 63
through the 4th measure of rehearsal 64
 Dvorak Symphony 9 Mvt. 2 - Parts marked “Solo”
 Beethoven Symphony 4 Mvt. 4 - measure 116 through the downbeat of
rehearsal A
 Brahms Variations on a Theme by Haydn Var. 8 - measure 327 through
measure 360
Fr. Horn
 Tchaikovsky Symphony No 5
Horn I Mvt II opening solo (first 20 measures)
 Beethoven Symphony No. 9
Horn I Mvt I Start at letter Q (play 9 measures)
Horn I Mvt II Start at letter L (play 16 measures)
Horn IV Mvt III Start at rehearsal #12 and play till rehearsal # 20
 Brahms Variations
Horn I Variation VI play All
 Shostakovich Symphony # 5
Horn I Mvt I #17 - #21, #36 - #39
Horn I Mvt II #54 - #55
 Berlioz Symphonie Fantastique
Horn I Mvt I Start at #2 play 4 measures
Horn I Mvt II start at M 257 - M 280
Horn I Mvt IV #54 - # 55
 Dvorak New World Symphony
Horn III Mvt I opening
Horn I Mvt IV Letter O - # 11
Trumpet 2
 Bartok Concerto for Orchestra, Mvt. 5, Rehearsal 201-254
 Shostakovich 5, Mvt. 1: rehearsal 27-32, Mvt. 4: rehearsal 97-98
 Berlioz Symphonie fantastique, Cornet 2 part, Mvt. 4: rehearsal 53 to 7
measures before rehearsal 54
 Beethoven Symphony 9, Mvt. 4, Presto: beginning to m. 25, mm. 164-202
 Brahms Academic Festival Overture: Opening, mm. 63-92
Trumpet 1 excerpts
 Mahler Symphony 5, Opening
 Mussorgsky Pictures at an Exhibition, Promenade: opening to rehearsal 2
 Stravinsky Petrushka, Ballerina’s Dance
Trombone 3
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Beethoven Symphony 9 Seid Umshlungen, Mvt. 4: 3/2 section between M
and O
Strauss, Ein Heldenleben: 5m. before 72 to 74
Strauss Till Eulenspiegel: Reh 36 to downbeat of 4 m. before Reh 38
Rossini William Tell Overture: Letter C to 9 m. after Letter D
Schumann Symphony No. 3 “Rhenish”: Mvt. 4: mm. 1-18
Tuba
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Berlioz Symphonie fantastique: Mvt. 4 and Mvt. 5
Brahms Symphony 2, Mvt. 4: Letter O to 19 m. after Letter P
Bruckner Symphony 7, Mvt. 4: Letter P to Letter S
Mahler Symphony 1, Mvt. 3: 4m. before Reh 3 to Reh 4
Mussorgsky Pictures at an Exhibition, Mvt. 4 solo “Bydlo”
Prokofiev Romeo and Juliet Suite no. 2: Mvt. 1: Reh 5 to 4m. before Reh 6
and Mvt. 5: 4m after Reh 49 to Reh 51
 Shostakovich Symphony 5, Mvt. 1: 4th bar of Reh 29 – Reh 35 and Mvt. 4:
Reh 128 - Reh 129