KNOWLEDGE ORGANISER – An Inspector Calls In the exam – 12 marks for A01 12 marks for A02 06 marks for A03 A0 Skill and Knowledge A01 Understanding key events in Act 1: The engagement party Understanding key events in Act 1: Memorising key knowledge leads to success… I need to learn… Birling and Gerald’s conversation Understanding key events in Act 1: Arrival of the Inspector Understanding key events in Act 1: Interrogation of Birling Understanding key events in Act 1: Interrogation of Shelia Shelia’s confession and suspicion Name: Childish behaviour of Shelia and Eric - ‘Go on Mummy, drink to our health’ immaturity Shelia is selfish – ‘still admiring her ring’ Foreshadowing of Eric’s issues by his drinking at the start. - ‘Squiffy’ Edna – introduces working class and middle class theme. Plot exposition happens in this stage. G and B discuss business more than love – teaches us about Birling’s selfishness and capitalist attitude. Dramatic Irony – ‘fiddlesticks’ (about war) ‘absolutely unsinkable (Titanic) makes Birling appear untrustworthy to audience who would have known these things happened. Birling talks about knighthood - selfishness. Birling: ‘I speak as a hard headed businessman’ – capitalist attitude Birling: ‘A man has to make his own way’ – capitalist attitude. Creates tension on arrival – ‘Stage Directions – ‘creates at once an impression of massiveness, solidity and purposefulness’ Change of lighting to ‘brighter and harder’ reflecting a spotlight on the morals and values of the middle classes. Birling is irritated as he interrogated first – but he doesn’t take responsibility. Birling tries to use his status to intimidate the inspector. Eva Smith introduced into the plot. They discuss Eva after she leaves Birling’s factory – and how Sheila gets her sacked from Millwards. Initially selfish response: ‘I’ve been so happy tonight’ / ‘I wish you hadn’t told me’ – she still focuses on herself rather than Eva. ‘So I’m really responsible’ – a moment of realisation ‘anagnorisis’ – she develops from her initial immature presentation. Priestley would have wanted his audience to grow like Shelia does throughout the play and accept some responsibility themselves. Shelia starts to take responsibility for what she has done. She finds out that Gerald knew Daisy Renton – this causes a lot of tension in the audience. Pre Teach Post Teach A01 Understanding key events in Act 2: A01 Understanding key events in Act 2: A01 Interrogation of Eric Understanding key events in Act 3: A01 Interrogation of Mrs Birling Understanding key events in Act 3: A01 Gerald’s Confession The Inspector’s Exit Understanding key events in Act 3: She said about Millwards – ‘I told my father-he didn’t seem to think it amounted to much’ – suggests that Birling is not a responsible father figure and is a sign that Sheila is starting to question her own beliefs. The act ends with high tension as we discover that it is not just Sheila and Birling that are involved, but also Gerald. You will need to have clear knowledge of the key events that happen in Act 2: Gerald tries to encourage Sheila to leave before he is questioned. The inspector says – ‘we’ll have to share our guilt’. Birling tries to take control using his class – he reminds the Inspector he was ‘Lord Mayor’. Gerald admits his relationship with Daisy Renton. Gerald leaves You will need to have clear knowledge of the key events that happen in Act 2: Mrs Birling is shown the photo Mrs Birling explains her role as a member of a Charity Organisation Inspector says – ‘you slammed the door in her face’ – strong imagery Tension builds as Mrs B says the father is responsible. Sheila (and the audience) works out that the father is Eric – Dramatic Irony and Tension is built. You will need to have clear knowledge of the key events that happen in Act 3: Eric reveals he met Eva Smith in the Palace Bar Eva reveals to Eric that she is going to have his baby. Eric gave her money that he had stolen from his father’s company. Eric says about his father – ‘not the kind of father a chap could go to when he’s in trouble’. Eric realises his mother failed to help Eva. Birling says he would give ‘thousands’ (to sort out the situation. The inspector says he is offering money ‘at the wrong time’. You will need to have clear knowledge of the key events that happen in Act 3: Inspector makes key speech ‘there are millions and millions and millions of Eva Smiths and John Smiths still left with us’ – repetition / use of Eva as a symbol for working classes ‘We are members of one body’ –Inspector uses metaphorical language. ‘Fire and blood and anguish’ – semantic field of hell, biblical imagery, judgement You will need to have clear knowledge of the key events that happen in Act 3: The Inspector’s Identity A01 Characters Birling worries about his knighthood (he has not changed or moved from his views) Shelia criticises her parents for not having learned anything from the Inspector. They start to question whether the Inspector was a actually a police inspector – Shelia concludes that ‘it doesn’t matter much’ Gerald returns and they discover that there was no Inspector Goole on the police force. Everyone is happy apart from Shelia and Eric who still accept – ‘we all helped kill her’ Gerald suggests that perhaps there is more than one girl and they were shown different photographs. The phone rings – cyclical narrative – it will not end until the Birling’s start taking social responsibility. Priestley is suggesting that more and more things like this will happen unless people start to adapt socialist attitudes. You will need to have a clear understand of how Priestley presents Arthur Birling as: Arthur Birling A01 Characters Factory owner From a country background, so still trying to move higher and higher up the class ladder. Was a magistrate and Lord Mayor of Brumley ‘Hard-headed practical man of business’ – a capitalist. Presented as foolish in his beliefs. You will need to have a clear understand of how Priestley presents Sybil Birling as: Sybil Birling A01 Characters Married to Arthur Birling A ‘cold woman’ Runs a charity organisation. Does not accept her responsibilities or listen to the Inspector’s socialist messages. You will need to have a clear understand of how Priestley presents Sheila Birling as: Sheila Birling Engaged to Gerald, Birling is father, Eric is brother, Mrs Birling is mother, gets Eva Smith sacked. Initially presented as childlike, bossy and selfish ‘You be carefull or I’ll start weeping’. ‘Go on mummy, you must drink our health’ / ‘Squiffy’ / ‘Don’t be an arse Eric’ / ‘Still admiring the ring’/ ‘I wish you hadn’t told me’. She changes after a moment of anagnorisis- ‘So I’m really responsible’ / ‘It was my own fault’ She takes on more socialist values like Priestley and the Inspector Catharsis - A release of built up emotions – she accepts her responsibility and therefore she can move on and become a better person in the future. ‘e.g. Sheila is one of the few characters that gains a sense of catharsis’ A01 Characters At the end she becomes morally mature and responsible – almost like the inspector: ‘It frightens me the way you talk’. / ‘I’m afraid you’ll say something or do something that you’ll be sorry for afterwards’. / ‘We all started like that, so confident so pleased with ourselves…’ You will need to have a clear understand of how Priestley presents Eric Birling as: Eric Birling A01 Characters Eva Smith Daisy Renton A01 Characters Son of Arthur Birling Has a drinking problem His father is his boss. By the end of the play, Eric accepts his responsibilities like his sister. Gets Eva Smith pregnant. You will need to have a clear understand of how Priestley presents Eva Smith/ Daisy Renton as: Used as a symbol for the working classes. May be more than one person. Sacked by Birling / dismissed from Milwards / had relationships with Gerald and Eric / did not receive charity from Mrs Birling / committed suicide. You will need to have a clear understand of how Priestley presents Gerald Croft as: Gerald Croft A01 Characters Engaged to Sheila. His parents (the Crofts) are above the Birling family in the class system. He works for Crofts limited which is a bigger and older company that Birling and Company. Represents the aristocracy. You will need to have a clear understand of how Priestley presents The Inspector as: The Inspector A01 Characters Almost a supernatural being coming to judge the morality of the Birling family. Name Goole suggests a ghost like character He uses violent imagery and blunt language to express his point ‘We are all members of one body’ The voice of Priestley – used to convey his socialist messages . You will need to have a clear understand of how Priestley presents Edna as: Edna A02/3 Language / Dramatic Techniques / Staging A symbol for the working classes. You will need to have a clear understanding how Priestley uses language and structure in the play: Dramatic Irony – Birling’s early speech about the war and the Titanic and Mrs B unaware that Eric is the father. A01 A01 Exam Skills Themes Responsibility Changing of lighting – ‘Pink and intimate’ – brighter and harder Foreshadowing – Eric’s drinking at the start hints at a man who is dealing with stress (stolen money from father / dealing with pregnancy) Use of long monologues– Inspector and Birling Staging – e.g. stilts Inspector uses metaphors ‘ we are all members of one body’ Semantic field of hell- Strong Imagery Stage directions to guide actors Dialogue Names of Charaters – Smith (representing everyone) Birling (sounds like sterling – money) Daisy Renton (sound like flower / beauty for hire) Goole (like Ghoul – haunting the Birling family until they confess their guilt. Cyclical Narrative – the ending returns to the start symbolising that nothing has moved on as the older generation have not accepted their responsibility yet. Tension – how Priestley build up tension in different parts of the play. Cliff Hanger – How Priestley creates cliff hangers at the end of each Act and at the end of the play. You need to understand how the examination paper works and how to approach the question on this text. A01 – A02A03 Inspector: Inspector Goole – is a vehicle for the theme of responsibility: “we are all members of one body, we are all responsible for each other”. Inspector wants each character to take responsibility, but Priestley actually wants the audience to take responsibility ‘for each other’. Socialist/capitalist – Priestley is a socialist – central message of play is that we all need to take responsibility each other. Last speech: “There are millions and millions of John Smiths and Eva Smiths”. Eric and Shelia: Difference in generations – Eric and Sheila – accept responsibility – Sheila and Eric have moments of anagnorisis and catharsis. Sheila – moment of anagnorisis – “everything we said happened really happened”. The others – especially Mr and Mrs B – don’t take any responsibility: “Still, I can’t accept any responsibility”. Eric – tries to take responsibility for his baby. Steals money, admits the truth in the end. Mr Birling: Mr B, shows lack of responsibility to his family as a father- more interested in business / when finds out about baby, more concerned about stolen money / doesn’t notice his son’s drinking problems. Birling can’t see the socialist viewpoint: “If we were all responsible for each other it would be very awkward” – takes no responsibility for welfare of employees Mrs B – lack of responsibility towards the needy she was supposed to help. Gerald: A01 Themes Older and Younger Generations Gerald – lack of responsibility towards Sheila and his engagement. Leaves Daisy Renton/Eva Smith on the streets – no responsibility for her well-being. Older generation think that they are always right – Mr and Mrs B don’t accept responsibility. Mr Birling denies that there is going to be a war – complacent attitude Don’t appreciate change – things should remain as they are Eric – near the end of play – moment of anagnorisis and realises his parents are wrong. Younger generation are amiable – Eric and Sheila accept responsibility Older generation- stubborn and narrow minded Priestley’s message is that the younger generation is the way forward – Sheila and Eric both feel guilt and have moments of Catharsis and anagnorisis. Key Quotes: A01 Themes A01 Love and Lust Themes: A01 Appearance and Reality Themes: A01 A02 Rich and Poor Blame and Shame Structure: Sheila “you don’t seem to have learnt anything” Inspector – “We often do on the young ones, they’re more impressionable”. Mr B – “you youngsters just remember what I said”. You need to understand how Priestley structures his play through understanding of: The ‘well-made play’ The ‘whodunit’ Greek Tragedy A03 Contextual Factors A01 Planning an answer: A01 Timing an answer: A01 Using quotations: NEXT STEPS… Unities of time, place and action Exposition, cliff-hanger, climax, anagnorisis, catharsis, denouement, peripeteia Linear structure / circular structure The influence of the following contextual factors on the novel: Set before the war 1912 and performed just after in 1946 Based on Priestley’s socialist values Priestley wanted the audience to listen to his socialist message because there was a big class divide in 1912 and he wanted them to move away from this. Priestley saw an opportunity to move away from class divides because people worked together in the war. No NHS at that time – Priestley brought about social changes to move to this system. Relevant to modern audience as there is still a social divide in the country – lots of children in poverty. There is still gender inequality today and this is also a theme of the play. Detective plays were really popular after the war and Priestley used this form to put across his message. In some productions, they put the house on stilts and poor people at the bottom to show divide in society. You will need to understand: Methods of planning a response to an examination question before attempting the answer You will need to understand: How long you have to answer the question and how long you should spend working on the extract and the Cluster similar quotations from an extract to explain your views Memorise key quotations before the examination Use ellipsis within a quotation to cut them down to key parts. Embed quotations within sentences Use modal verbs to offer degrees of certainty. Suggest multiple interpretations of the same quotation Lead into quotations with a colon. Use one word quotations To use the words suggests and implies.
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