A Hidden Landscape STONEHENGE 2 3 PERHAPS THE MOST FAMOUS LANDMARK OF THE WORLD. BUT STILL A MYSTERY Visited a million times, a tourist magnet, an instantly recognized emblem. Stonehenge. Its name alone evokes the vision of a magic space. A silent, serene, mystical scenery. Its sheer dimensions leave us in awe. Every approach seems to get stuck on a purely physical level. Clearly felt, but inconceivable secrets whet our What for? And why? Questions very often asked since Medieval times. Some stunning answers and the newest insights is what this exhibition is about. © LBI ArchPro / 7reasons appetite for answers. 4 5 THE MYTH GETS AP PROACHABLE Stonehenge is probably the most famous prehistoric monument. Myths and legends rank around its origin, its purpose, and its builders. For the first time ever, the exhibition “Stonehenge. A Hidden Landscape” internationally presents the fascinating cult complex Stonehenge and its surrounding landscape, in the light of the latest research findings on a much bigger and older stone circle at Durrington Walls. several original finds that have never before touched and discovered in detail. State-of-the been seen outside the British Isles. The visitor art digital animations of the surrounding land- embarks onto a journey into the spiritual world scape allow an in-depth and vivid experience of our ancestors of more than 4,000 years ago. of a sunken world, full of wisdom, mysticism Gigantic stone models in original size can be and religion. © Niki Gail “Stonehenge. A Hidden Landscape” displays 6 7 HISTORICAL FACTS. AND THEORIES For more than two thousand years, Stonehenge must have been the most significant temple complex in the British Isles. Its history begins around 3,000 years B.C. when the site was set as an earth wall with its enclosure made of wooden poles. was aligned according to nature’s seasons. Cre- Around 2,500 B.C. the stone arrangement was vations in and around the complex have revealed its spiritual character. However, there is also the mation burials, known today as Aubrey holes, set up whose remnants can still be seen today. many objects which still give archaeologists valu- theory that Stonehenge was a sanatorium since were also located at the site. They form a circle The stones’ alignment is in sync with the sea- able insights into life at the time. In the ditch and the bluestones are said to have healing powers. of 56 holes in the inside of the earth wall. sons: at summer and winter solstice the longest rampart area, for example, animal bones have One widely believed but incorrect assumption is and shortest day are indicated by the precise been found which, in some cases, seem to have that Stonehenge was built by druids. However, arrangement of the stones. been deliberately deposited. the Celtic druids lived approx. 1,000 years later, The Stonehenge complex does not only consist of Many theories have been postulated about the at a time when Stonehenge had already been the visible gigantic stones. Archaeological exca- use of the complex. Most of them are referring to abandoned. © atelier olschinsky Even in these early beginnings, the construction 8 9 What remains of Stonehenge today is just rem- The stone circles are made of two types of stones must have worked together to manage this task. nants of the former complex. But one can still which differ in the type of rock used and in size. The stones were professionally cut. All stones imagine how impressive it must have been. The colossal “sarsen stones” with a weight of were given an angular shape. Precise mortise When the complex was completed, it resembled 35 tons, each, were transported to the site from and tenon joints and also tongue and groove a perfect structure: each stone was aligned with a distance of 30 kilometres. The smaller “blue- joints were created for the stone uprights. It is the others. A 4,500 year’s old true masterpiece stones” with a weight of 3 tons, each, all come nearly incredible but true that the only available of craftsmanship. from Wales, more than 240 kilometres away. instrument for all these masonry work steps were Stonehenge consists of two stone circles and The stones were probably transported with sleighs stone tools. also two horseshoe-shaped constructions. and rollers made of wood. Presumably 200 people © Niki Gail PERFECT STRUCTU RE 10 11 STONEHENGE IN TI ME Using the latest technology and modern scientific methods, The Ludwig Boltzmann Institute Vienna and University of Birmingham extensively mapped the landscape around Stonehenge. Their began long before the standing stones were even erected, and ended before the first druids Evidently, Stonehenge never stood alone. The ever laid eyes on the stone circle. Doubtlessly a famous prehistoric stone circle is only part of sensational discovery: Stonehenge landscape a landscape bearing hundreds of monuments – is to be dated thousands of years earlier than some visible, others still undetected. formerly assumed! © LBI ArchPro / Geert Verhoeven finds prove that the history of this sacred site 12 13 STONEHENGE IN CONTEXT co-director of The Stonehenge Hidden Landscape Among their discoveries are 17 ritual mon- Stonehenge is the world’s most well-known Project, took over the curation of „Stonehenge. A uments, including the remains of a massive preserved prehistoric monument. Nevertheless, Hidden Landscape“. With geomagnetic prospection ‘house of the dead’, hundreds of burial mounds, the much larger „Superhenge“ at Durrington and ground-penetrating radar measurements, his and evidence of a possible processional route Walls is even older. Finds in Lower Austria of team examined an underground area of more than around Stonehenge itself. What also came a historic circular have even been dated to 14 km² around the stone circle. He is working to light is a mile-long so-called „Superhenge“ an age of almost 4,000 years. „Stonehenge. alongside with Julian Richards (ARCHAEmedia) at Durrington Walls. It was once flanked by as A Hidden Landscape“ offers its visitors new as one of the renowned researchers in connection many as 60 gigantic stone or timber columns, insights and perspectives, allowing them to look with Stonehenge. some of which may still be buried under the soil. at Stonehenge in a larger historical context. © LBI ArchPro / 7reasons Wolfgang Neubauer, Scientist of the Year (2015) and 14 15 A three-dimensional model of the entire Stone- True-to-scale reconstructions of the stone circle At the site of Stonehenge in Wiltshire/England, a henge site reveals the magnitude of this prehis- based on 3D laser scan data let visitors expe- large number of visitors and necessary preser- toric landscape and its development over time. rience the magnificence and dimension of this vation measures make it impossible to enter the It most certainly will be a center of attraction. cult monument. Elaborate visualizations give a stone circle directly or touch the stones. „Stone- Designer Christof Cremer created impressive three-dimensional impression of the landscape henge. A HIdden Landscape“ allows visitors to visualizations that locate the visitors at the cen- surrounding Stonehenge so that visitors are able experience the site with all senses. Real sarsen ter of the stone circle. As fullsized replica, its to imagine the stone circle and also picture all of stones and bluestones out of the ancient quarry grandeur can be grasped in every aspect, with the fascinating cult monuments in the extensive are on display, welcoming visitors to look, feel, all senses. surrounding area. and touch. © Niki Gail EXHIBITION DESIG N. A SENSUAL EXPER IENCE 16 17 Working together with renowned cooperation “Stonehenge. A Hidden Landscape” gets realized partners, academics from Austria and abroad in cooperation with Ludwig Boltzmann Institute for and experts in exhibition design and multimedia Archaeological Prospection and Virtual Archae- presentation, MAMUZ is showing the first-ever ology (LBI ArchPro), ARCHAEmedia, University exhibition about Stonehenge. MAMUZ is one of of Birmingham, 7reasons, Interspot Film, Byte- the leading museums of prehistory in Austria and wood and many more. well known as an a centre of experiences and Turnkey tour management and logistics will be knowledge. provided by Museumspartner. © Niki Gail ABOUT THE EXHIBI TION 18 19 Accompanying Program Technical Data „Stonehenge. A Hidden Landscape“ offers a Flexible modular exhibition design broad variety of side programs, e.g. workshops, Floor space: 500 to 1000m2 + / 6.500 to 11.000 lectures, and guided tours. Languages square-feet + Room height: 3 to 6 m variable / 10 to 20 feet variable The exhibition is designed to be presented in 680 Objects (approx.) from the collections of one or two languages • Museum of prehistory MAMUZ / Landessammlungen Niederösterreich Target Groups • Wiltshire Museum in Devizes The exhibition’s modern scientific approach, a • Salisbury Museum playful yet informative presentation form, and • Dorset Country Museum fascinate visitors from all age groups and fields of interest. • and others Tour management and turnkey exhibition: Museumspartner (including concept, content, agreements, copyright, insurance, floorplan, logistics, installation, and maintenance) © Niki Gail the general appeal of the subject matter will SCIENCE AND LENDING INSTITUTIONS IN COOPERATION WITH INFORMATION, CONTACTS AND BOOKINGS Working with international museums, Museumspartner has produced and travelled numerous exhibitions around the world. One of our most successful exhibitions, “The Vikings”, has so far visited 10 cities in eight countries and attracted more than 1.3 million visitors. Successful exhibitions about the Iceman Ötzi were visited internationally by more than two million people within the last decade. Museumspartner is the leading provider of turnkey travelling exhibition services worldwide, including concepts, project management, budget, exhibition design, production, insurance, transport and art handling, legal agreements, delivery and installation. Museums Partner Museumspartner GmbH Sebastian-Kneipp-Weg 17 6020 Innsbruck, Austria Phone +43 512 562800 www.museumspartner.com [email protected] Petra Rotthoff, M.A. Director of Exhibitions Tel. +49 170 322 7029 [email protected] Siegfried Brugger, CEO Peter Elsaesser, CEO Tel. +43 664 210 0673 [email protected] Heinz Reese MuseumsPartner North America Tel. +1 250 531-0301 [email protected] w w w . m u s e u m s p a r t n e r . c o m Ao. Univ.-Prof. Mag. Dr. Wolfgang Neubauer Curator, Contents, Research Prof. Dr. Julian Richards Curator and Objects Mag. Matthias Pacher Project Management and Concept July, 2016 Text Stanton Warwick SCIENTIFIC ORGANIZATION
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