Serve the Lord with gladness! Come before His presence with singing. PSALM 100:2 These words are inscribed above the Princeton University Chapel arch under which all Westminster students pass in the Commencement procession. Rider University Statement of Community Values In our endeavor to make Rider University a just community, we commit ourselves, as caring individuals, to the following principles: • that our rigorous intellectual life nourishes our minds and spirits; • that no person travels these halls as a stranger; • that integrity of word and deed forms the foundation of all relationships; • that we recognize that real leadership is derived from service to others; • that we celebrate our differences for they are our strength; • that we are proud of this special place, entrusted to us by past generations, nurtured by us for future ones; • that we share not one Truth, but respect our common pursuit for understanding; • and through the time we spend here, we are forever joined to each other and to Rider University. Adopted on University Day, April 12, 2001 • Rider University wishes to express appreciation to President Christopher L. Eisgruber and Princeton University for the use of the Chapel for this ceremony. 2 Rider University Board of Trustees Chair: Michael B. Kennedy ’72, ’75 Vice Chair: Ernestine (Mickey) Lazenby Gast (WCC) ’68 Secretary: Christopher Nikolich ’92 President: Gregory G. Dell’Omo Ralph Anderson, Jr. ’81 Louise Hall Beard (WCC) ’71 Alberto Baptiste ’80 F. Christopher Carothers ’91, ’94 Robert Christie ’76 Jeffrey Cornelius (WCC) ’70 E. Bruce DiDonato ’76 Jaimie Gilhooley Flack (WCC) ’77 Molly O’Neil Frank John Guarino ’82 Michael Hennessy ’82 Thomas Marino ’69 Terry McEwen ’98 Donald Monks ’70 Eli Mordechai ’90 Thomas M. Mulhare ’70 Lewis J. Pepperman Denise Petitta ’86, ’91 William (Bill) M. Rue ’69 Mika Ryan Robert S. Schimek ’87 Colleen (Stacy) Shapiro Gary L. Shapiro ’72 Arthur J. Stainman ’65 Alan Wexler ’85, ’90 • Westminster Choir College Student Government Association Executive Board President: Kayla McLaughlin Vice President: Jessica Stanislawczyk Treasurer: Liam Velez Secretary: José Guilherme Schmaedecke Proença 3 Senior Class Officers President: Kathleen Dunn Vice President: Allison Beres Treasurer: Robert Lamb Secretary: Samantha Meril Dean’s Advisory Council The Dean’s Advisory Council for Rider University’s Westminster College of the Arts is a select group of influential men and women who are committed to the advancement of the College. The Council provides advice and counsel to the Dean on the continuing development and evolution of the College. Members provide volunteer leadership for the advancement program and work to promote and enhance the image and stature of the College of the Arts and its components, both regionally and nationally. Josalee Morrell Birchfield ’55 James P. Busterud Aaron E. Gast Ernestine (Mickey) L. Gast ’68 P. Randolph Hill John F. Kelsey, III Ira Lomench Howard McMorris, II Thomas Mulhare ’70 Lynn O. Nagy Dr. Donna Jean Plasket ’71, ’83 Marvin R. Reed Dr. Christopher Bagby Samuel ’80, ’82 Colleen (Stacy) Shapiro Margaret L. Stevens Christine Wainwright 4 Emeritus Dr. Joseph Beck, ’59 (ex-officio) Janice Silcox Bonge ’55 Fred N. Buch ’59 Molly O'Neil Frank Inocencio Linhares ’52 Margaret L. MacLaren-Ulrich Ruth E. Simpkins Westminster Choir College Alumni Council President: Constance M. Fee ’71 Vice President: James Busby ’85, ’92 Secretary: Anthony J. Rafaniello ’05 Alumni Trustee/Past President: Jaimie Gilhooley Flack ’77 Anthony C. Baron ’11 Elizabeth M. Bewie ’02 Laurie Eisenbrown Bischof ’90 Darren Dailey ’89 Robert A. McCormick ’01 Christopher Bagby Samuel ’80, ’82 Jonathan Slawson ’09 Betsy Cook Weber ’82 Thomas E. Faracco ’71, ’79 Robert Ivey ’58, ’59 Kristin Ditlow-Yuan ’05 • 5 Program PLEASE HOLD ALL APPLAUSE UNTIL THE CONCLUSION OF COMMENCEMENT BRASS: Fanfare for the Lord Mayor of London Sir Arthur Bliss (1891-1975) Ryan Brandau, conductor ORGAN: Organ Sonata, Op. 28 I. Allegro maestoso Edward Elgar (1857-1934) Daryl Robinson, organ HANDBELLS: La Paix Westminster Concert Bell Choir Kathleen Ebling Shaw ’85, conductor ORGAN: Deux Esquisses, Op. 41 II. B-flat Minor James Roman mm’16, organ BRASS AND ORGAN: Feierlicher Einzug INTROIT: All Night Vigil, Op. 37 Westminster Chapel Choir Joe Miller, conductor FANFARE: Fanfare for the Common Man Solid Brass Ensemble James Jordan, conductor PROCESSION: Processional Daryl Robinson, organ INTRODUCTION INVOCATION 6 Marcel Dupré (1886-1971) Richard Strauss (1864–1949) arr. Daniel Beckwith ’77, mm’79 James Jordan, conductor VI. Bogoroditse Devo Julie Stitt (b. 1958) Sergei Rachmaninoff (1873–1943) Aaron Copland (1900–1990) Warren Martin ’36, MM’38 (1916–1982) DonnaJean Fredeen Provost and Vice President for Academic Affairs Catherine E. Williams ’90 Associate Pastor of Pastoral Care Princeton United Methodist Church HYMN: Praise to the Lord, the Almighty * Joe Miller, conductor WELCOME Lobe Den Herren arr. Richard Webster (b. 1952) Gregory G. Dell’Omo President of the University ANTHEM: I Can Tell the World arr. Moses Hogan (1957-2003) Joe Miller, conductor COMMENCEMENT ADDRESS Alan Gilbert ANTHEM OF THE GRADUATING CLASSES: Barter Alan Schlichting ’16 (b. 1994) Text: Sara Teasdale (1884-1933) Tyler Weakland ’16, conductor Life has loveliness to sell, All beautiful and splendid things, Blue waves whitened on a cliff, Soaring fire that sways and sings, And children's faces looking up Holding wonder like a cup. Life has loveliness to sell, Music like a curve of gold, Scent of pine trees in the rain, Eyes that love you, arms that hold, And for your spirit’s still delight, Holy thoughts that star the night. Spend all you have for loveliness, Buy it and never count the cost; For one white singing hour of peace Count many a year of strife well lost, And for a breath of ecstasy Give all you have been, or could be. CHARGE TO THE DEGREE CANDIDATES Dr. Stefan Young Professor of Theory and Composition ANTHEM: Anthem of DedicationMartin Joe Miller, conductor *All who are willing and able are invited to stand and join in singing at the signal of the conductor. 7 PRESENTATION OF DEGREE CANDIDATES DonnaJean Fredeen Matthew Shaftel Dean of the College Marshall Onofrio Associate Dean of the College CONFERRING OF DEGREES IN COURSE Master of Music Master of Music Education Master of Voice Pedagogy Bachelor of Music/Master of Arts in Teaching Bachelor of Music Bachelor of Arts in Music PRESENTATION and vesting OF HONORARY DEGREE Candidate CONFERRING OF HONORARY DEGREE Ernestine Lazenby Gast ’68 Trustee of the University Gregory Dell’Omo Alan Gilbert ANTHEM: The Promise of Living Copland James Jordan, conductor HYMN: When the Morning Stars Together * Weisse Flaggen arr. Hal H. Hopson (b. 1933) James Jordan, conductor CLOSING WORDS: Into the World Singing James D. Moyer ’86 BENEDICTION: The Lord Bless You and Keep You Joe Miller, conductor RETIRING PROCESSION: Pictures at an Exhibition Dawn Skjei Cooley The Great Gate of Kiev Ryan Brandau, conductor Peter Christian Lutkin (1858–1931) Modest Moussorgsky (1839–1881) adapted from Ravel’s orchestration for brass, organ and percussion by Douglas Haislip ORGAN POSTLUDE: Prelude and Fugue in B Major, Op. 7, No. 1 Daryl Robinson, organ 8 *All who are willing and able are invited to stand and join in singing at the signal of the conductor. Dupré Participants in the Ceremony Solid Brass Ensemble Phil Frowery ’66, Mace Bearer Tom T. Shelton, Jr., Chief Marshal Cindy Threatt, President’s Party Marshal Scott Hoerl, Administration Marshal Margaret Cusack, Faculty Marshal Donna Jean Plasket ’71, mm’83 and John F. Kelsey, III, Dean’s Advisory Council Marshals Kathryn Moyer ’86 and Alex Wolniak ’06, Alumni Council Marshals Evan Rieger ’16, Gonfalonier • 9 Praise to the Lord, the Almighty ° #3 œ & 4 œœ œœ œ unis. 1. parts 2. parts 3. unis. 4. Praise Praise Praise Praise to to to to œœ ™™ the the the the ? # 43 œœ œœ œœ ¢ j œœ œœ Lord, the al - might - y, Lord, who o’er all things Lord, who doth pros - per Lord! O let all that œœ ™™ œ œ œ œ J ° # & œœ œœ œœ œœ ™™ œœj œ œ ? # œœ œœ œœ ¢ œœ ™™ œ œ J ° # ˙™ & ˙™ œœ œœ O my Shel -ters Sure - ly All that hear, seen new men ™ ˙ ? # ˙™ ¢ œœ œœ œœ œ œ œ œ œ œ œœ Now How What Sound œœ to thy the from œ œ œœ œ œ œœ œ œœ œœ ˙˙ œ œœ œ œœ œœ thy health and sal - va so gen - tly sus - tain here dai - ly at - tend with prais - es be - fore ˙˙ ™™ œœ œœ œœ œ ˙ ™ ˙™ ˙™ ˙™ tion! eth, thee; Him! - - ˙™ ˙™ œœ ˙˙ œœ œœ WORDS: Joachim Neander 1650-1680 Trans. by Catherine Winkworth (1827-1878) TUNE: from Erneuerten Gesangbuch, 1665 10 œœ œ œœ œ œœ œœ œœ ˙œ ™ œ œ His tem - ple draw near; de - sires e’er have been Al - might - y can do, His peo - ple a - gain: œ œœ œ King of cre - a won -drous - ly reign work and de - fend in me a - dore œœ soul, praise Him, for he is thee un - der His wings, yea, His good - ness and mer - cy hath life and breath, come now œœ the so thy is ˙œ ™ œ œ œœ œœ œœ - ˙™ ˙™ tion! eth! thee. Him! ˙™ ˙™ œœ œœ œœ All ye who Hast thou not Pon - der a Let the A - œœ œœ œœ œ œ œ œœ œœ œœ œ # œ ˙˙ ™ œ œœ œ œœ œœ œ œ œ œ œ˙ œ œ œœ Join me Grant -ed If with Glad - ly in in His for glad what love aye ad - o - ra He or - dain He be - friend we a - dore ™ n œ œ ˙˙ ™ - tion! eth? thee. Him. ˙™ ˙™ Lobe Den Herren ARR: Richard Webster (b. 1952) All rights reserved. Reprinted under OneLicense.net #A-713820 When the Morning Stars Together bbb 4 b ( b b b b 4 œœ œ œ œ ( 4 œ œ œ all 1. When the 1. When the in all 2. in all 3. 2. When Voice and choir only choir only Lord, and we all 3. 4. Voice all 4. Lord, we b ( bb b bb bb œœ ( œ œ œ œ œ œ œ œ œ œ stars to - geth - er morn - ing morn stars syn - ing a - gogue syn a -- gogue in - -stru ment in - stru bring our - ment gift bring our gift œ œœ œœ œ œ œ to and and in in of of their Cre - a - tor’s geth -- ple er their Cre -raised a - the tor’s tem voic - es tem- - nion ple through voic - the es raised the u a - ges u - - nion a - ges mu sic, through touch the our lips and mu - sic, touch our lips and œ œ œ œ œ œ œ œ all shout - ed and the an - gel host and an - the gel host all - ra shout ed of - the fer - ing a - do - -tion of - song, fer - tune ing - the a - and do - ra tion Plain ful hymns, an -- thems, Plain - song, tune - and ful hymns, an - -thems, Teach our minds train and our sens es, Teach our minds and train our sens - es, b ( bb b bb bb œœ ( œ œ œ œœ œ œ œ œ œ œ œ till till which which told told �t �t with joy the joy to the awith- lone a - faith lone - ful, to your your faith us for - ful, these us for these œ œœ œ œœ œœ œœ œ œ œ œ œ œ œ œ œ œ œœ œ œ your wis - dom and your great - ness their ex then then your when the when and the Choir Choir and en, with en, with wis sing sing or -or skill skill dom your ers and the ers - tra and and the ches ches - tra and and con - se and con - se - b ( bb b bb bb œœ œœ b œ œ œ ( bœ œ œ all all glo glo while, while, all all œ œ œ œœ œ œ œ œ œ œ œ œ œ the the ry ry in in our our beau - ty beau - the ty �lled �lled the spired by spired by powers to powers to WORDS: Albert F. Bayly (1901-1984) and and house house your your glo glo - the the of of own ownri ri - œ œ œ œ ˙ ˙ glo - ry glo -- ists’ ry psalm psalm ists’ spoke -your spoke free your our free our sang, sang, song, song, praise. praise. hearts. hearts. œ œ œ œ ˙ ˙ heav - ens heav you - ens be you be gra - cious gra sa - cious cred sa - cred rang, rang, longs, longs, ways. ways. arts. arts. œ œ œ œœ œ œ œ ˙ œ œ œ œ œ œ ˙ - ul - tant great ex - trum ul -- pet tant cym - ness bals their with the cym pet or -- bals gan, with each the a trum sa -- cred or - tion, gan, each a serve sa - you, cred cra we would cra - tion, we would serve you, œ œ œ nœ œ œ œ œ nœ œ œ œ mu mu made madeof of Lord, Lord, sic told, sic - cord, told, ac cord, fac’ring- brought, f ’ring brought, and give and give œ œœ œ œ œ œ œ œ œ ˙ ˙ splen - dor which your might - y works un - fold. y splen dor which works un - Lord. fold. and your all might knew - your wor --ship pres - ence, and your - pres wor --ship Lord. po - all et knew and com Spir it, pos --ence, er wrought. po - in et serv and - ing com - pos Spir it, and, fy - you, ful - er ly wrought. live. fy you, and, in serv - ing ful - ly live. Weisse Flaggen ARR: Hal Hopson (b. 1933) All rights reserved. Reprinted under OneLicense.net #A-713820 11 Commencement Address ALAN GILBERT New York Philharmonic Music Director Alan Gilbert began his tenure in September 2009, and he is the first native New Yorker to be appointed to that post. He simultaneously maintains a major international presence, making regular guest appearances with orchestras including the Berlin Philharmonic, Leipzig Gewandhaus Orchestra, Royal Concertgebouw Orchestra, Cleveland Orchestra, Philadelphia Orchestra, Boston Symphony Orchestra, Munich Philharmonic, Orchestra dell’Accademia Nazionale di Santa Cecilia, and Orchestre Philharmonique de Radio France. Gilbert is Conductor Laureate of the Royal Stockholm Philharmonic, where he served as Music Director for eight years, and was Principal Guest Conductor of the NDR Elbphilharmonie Orchestra (formerly known as NDR Symphony Orchestra Hamburg) for more than a decade. He has led operatic productions for the Metropolitan Opera, Los Angeles Opera, Zurich Opera, Royal Swedish Opera, and Santa Fe Opera, where he served as the first appointed Music Director. At the New York Philharmonic, he has widened the artistic reach of the 174-year-old institution. He initiated annual residencies for composers and leading performing artists and led staged productions of Ligeti's Le Grand Macabre, Janácek's Cunning Little Vixen, Stravinsky's Petrushka, and Honegger’s Joan of Arc at the Stake to great acclaim. Gilbert also encouraged the development of two series devoted to contemporary music: CONTACT!, introduced in 2009, and the NY PHIL BIENNIAL, an exploration of today’s music by a wide range of contemporary and modern composers, which was inaugurated in 2014 and returns in 2016. Last season’s release of Nielsen’s three concertos completed Gilbert’s “Nielsen Project” with the New York Philharmonic: four albums representing the complete symphonies and concertos on Denmark’s Dacapo label that celebrated the Dane’s 150th birthday. In August 2015 he led the Mahler Chamber Orchestra in the United States stage premiere of George Benjamin’s Written on Skin, a special co-production of the New York Philharmonic and Lincoln Center. Gilbert is Director of Conducting and Orchestral Studies and holds the William Schuman Chair in Musical Studies at the Juilliard School. He made his Metropolitan Opera debut to great acclaim in 2008 conducting John Adams’s Doctor Atomic, the DVD of which received a GRAMMY Award. Renée Fleming’s Decca recording Poèmes, on which he conducted, received a 2013 GRAMMY Award. In May 2010 Mr. Gilbert received an honorary Doctor of Music degree from the Curtis Institute of Music, and in December 2011 Columbia University’s Ditson Conductor’s Award for his “exceptional commitment to the performance of works by American composers and to contemporary music.” He was elected to The American Academy of Arts & Sciences in 2014, named an Officier de l’Ordre des Arts et des Lettres by the French government in 2015, was honored with the Foreign Policy Association Medal in 2015, and was nominated for an Emmy Award for Outstanding Music Direction of the New York Philharmonic’s acclaimed production of Sweeney Todd, broadcast on PBS’s Live from Lincoln Center in 2015. He also gave the 2015 lecture for London’s Royal Philharmonic Society, speaking on “Orchestras in the 21st Century – a new paradigm.” 12 Charge to the Degree Candidates STEFAN YOUNG Stefan Young is Professor of Theory and Composition at Westminster Choir College of Rider University. His music studies began with his parents, Raymond and Ruth Young, and continued with Edwin Hughes, Thomas Brockman, Nadia Boulanger, Jean Casasdesus, Robert Casadesus, Annette Dieudonne, Mieczyslaw Munz, Robert Moevs, and Rolv Yttrehus. He received a Bachelor of Music from Rollins College; certificates in harmony, piano, and solfège from The American School of the Arts in Fontainebleau, France; a Master of Music in Piano from The Juilliard School; and a doctorate in Composition from Rutgers University. He has won numerous honors and awards throughout his career. His compositions cover a variety of media: orchestra, band, choir, chamber ensemble, voice and piano, and various solo instruments. His CD, Anthology of Art Songs, is available at Arabesque Recordings. His composition The Call of the Muse for choir, two pianos, percussion, and organ was presented at a recent Opening Convocation of the Choir College. Dr. Young directs Composition Week for young composers during the summer, coordinates three yearly student composition concerts and organizes the composer project with the Westminster Community Orchestra. His other activities include judging the statewide Music Educators Association composition contest and the Cecilian Music Club composition contest, leading composition and piano master classes throughout New Jersey, and serving as staff pianist for the Martha’s Vineyard Camp Meeting Association, where he participates in services, community sings, concerts and the Grand Illumination, whose audiences range from 100 to 5,000. 13 Degree Candidates The following is a list of candidates for degrees. Indication of graduation honors is based upon the cumulative grade point average after the conclusion of the fall semester. The official roster of degree recipients and the final calculation of graduation honors are recorded in the Office of the Registrar of the University. + Degree candidates with this symbol completed their degree requirements in December 2015. * Degree candidates with this symbol are expected to complete their degree requirements by August 2016. • s Students with this symbol have contributed to the Class of 2016 Scholarship Fund (as of April 28, 2016). This gift supports a scholarship in honor of the Class of 2016 to be awarded during the 2016-17 academic year to sophomores whose financial situations may hinder their ability to complete their studies. Each graduate who contributed $19.26 or more, in honor of Westminster’s founding year, was presented with a Westminster lapel pin to proudly wear today at Commencement. 14 Master of Music Kirsten L. Anderson Olivia Sue Greene Alexandra Pitocchi Minjae Back + Olfary Gutierrez * s Scott Purcell Sean Burns Amanda Carolee Habner Voice Pedagogy and Performance With distinction Piano Pedagogy and Performance Organ Performance Alicia Joy Cadmus Music Education With distinction Thomas J. Carle Voice Pedagogy and Performance With distinction Peter Andrew Carter * s Organ Performance Samuel Cho + Voice Pedagogy and Performance David A. Conley Choral Conducting With distinction Elizabeth Perry Couchoud * Voice Pedagogy and Performance With distinction Jane Anne Dominick Voice Pedagogy and Performance With distinction Voice Pedagogy and Performance With distinction Voice Pedagogy and Performance Voice Pedagogy and Performance With distinction Tak Kin Ho * s Piano Pedagogy and Performance With distinction Voice Pedagogy and Performance With distinction James Joseph Roman III Organ Performance With distinction Sacred Music With distinction William A. Sawyer Tiffany Ho Christopher Robert Schimpf * Voice Pedagogy and Performance With distinction Abigail Leigh Kempson Sacred Music Piano Performance American and Public Musicology With distinction Voice Pedagogy and Performance With distinction Jennifer Suragiat Elizabeth Anne Kowal Grace Elizabeth Svatek Voice Pedagogy and Performance With distinction Voice Pedagogy and Performance With distinction Karen Jessica Lackey Raymond C. Trapp s Voice Pedagogy and Performance Voice Pedagogy and Performance With distinction Sacred Music Justin William Langford s Voice Pedagogy and Performance With distinction Choral Conducting With distinction Morgan Whitney Ulyat Matthew B. Van Dyke Composition Choral Conducting With distinction Jack Phillip Lyons Jeffrey K. Vanderlee Voice Pedagogy and Performance Choral Conducting Genevieve Elizabeth McGahey Cheuk Yee Wong * Voice Pedagogy and Performance With distinction Voice Pedagogy and Performance With distinction Raymond E. Nugent Kexin Xu Voice Pedagogy and Performance Piano Pedagogy and Performance With distinction Voice Pedagogy and Performance With distinction Moira Susan Gannon Keara Eileen Parciak s Lijie Zheng + William Edsel Doreza Sacred Music Fiona B. Ellis Choral Conducting Corey S. Everly Piano Accompanying and Coaching With distinction Erica Marie Finnie Voice Pedagogy and Performance With distinction Derrick Michael Goff Voice Pedagogy and Performance With distinction David Ross Lawn Sacred Music With distinction Piano Performance Ivy Zhou Voice Pedagogy and Performance With distinction 15 Master of Music Education Adam David Kishbauch + With distinction Jamie MaeLynn Ryder With distinction Master of Voice Pedagogy Cecilia Angelica Montemayor Cárdenas + Bachelor of Music/Master of Arts in Teaching Lisa Marjorey Bassett Rebecca Larre Dias * Julianne Elise Michalik s Jonathan E. DeHart Jonathon Austin Feinstein * s Rebecca Joy Witt + B.M.—Summa cum laude M.A.T.—With distinction B.M.—Magna cum laude M.A.T.—With distinction B.M.—Summa cum laude M.A.T.—With distinction B.M.— Magna cum laude Allison G. Griffiths B.M.—Summa cum laude M.A.T.—With distinction B.M.—Summa cum laude M.A.T.—With distinction B.M.—Summa cum laude M.A.T.—With distinction Bachelor of Music Faith Altar Alacar + s Sara Anne Boyd + Sinclair Edan Avramis Kathleen Ariadna Carreras Pereira Music Education Magna cum laude Voice Performance Allison Patricia Beres s Music Education Summa cum laude Adam W. Bergstresser * s Sacred Music Organ Performance Magna cum laude Adrienne C. Bertsche Voice Performance Summa cum laude Baccalaureate Honors Simer S. Bhatia Theory/Composition Magna cum laude 16 Piano Summa cum laude Priscilla L. Faustini s Sacred Music Jonathon Austin Feinstein * s Voice Performance Magna cum laude Voice Performance Summa cum laude Karina Fengler Jordan Steven Carroll s Baccalaureate Honors Baccalaureate Honors Music Education Magna cum laude Alyssa René Christian * Music Education Robert N. Colby-Witanek Piano Summa cum laude Victor Sabino Azarcon Cristobal * s Theory/Composition Music Education Summa cum laude Amanda Taylor Garcia-Walker Music Education Summa cum laude Kristin Marie Hill Music Education Summa cum laude Shanley Michelle Horvitz Voice Performance Cum laude Lauren J. Kelly Voice Performance Magna cum laude Baccalaureate Honors Jessica Virginia Kerler s Voice Performance Summa cum laude Garrett Sharif Kheshtinejad Music Education Magna cum laude Joseph C. Kim + Music Education Magna cum laude Sarah Kathleen Labrie + Music Education Summa cum laude Logan Erin Laudenslager s Voice Performance Summa cum laude Lauren Michelle Lazzari s Sacred Music Magna cum laude Thomas Bernard Lynch s Shauna Lee McQuerrey Voice Performance Cum laude Melanie Sarah Mendel Evan Ryan Rieger Music Education Summa cum laude Voice Performance Magna cum laude Samantha Elizabeth Meril s Gabrielle Joyce San Roman Julianne Elise Michalik s Nicola Anne Santoro Jessica Lynn Moreno * s Caitlin Jennifer Scharar Voice Performance Summa cum laude Piano Summa cum laude Voice Performance Sara M. Munson Robin R. Schott, Jr. s Organ Performance Sacred Music Summa cum laude Baccalaureate Honors José Guilherme Schmaedecke Proença s Ryan Patrick McCann s Music Education Magna cum laude Kayla Emrick McLaughlin s Music Education Magna cum laude Voice Performance Cum laude Bethan Kanoa Neely s John Joseph Maenhout Music Education Summa cum laude Voice Performance Magna cum laude Alan Joseph Schlichting Alyssa Rebecca Pereira Ryan Austin Manni s Music Education Summa cum laude Voice Performance Music Education Summa cum laude Voice Performance Magna cum laude Theory/Composition Summa cum laude Elizabeth Franklin Richter s Music Education Summa cum laude Music Education Music Education Magna cum laude Arielle Kayla Rabano s Music Education Summa cum laude Christina Marie Regan s Music Education Cum laude Casey E. Rice Music Education Magna cum laude Theory/Composition Summa cum laude Sacred Music Jessica Rose Stanislawczyk s Voice Performance Summa cum laude Baccalaureate Honors Brynhildur Thora Thorsdottir Voice Performance Austin Michael Turner * Music Education Cum laude Tiffany Lee Vickers s Music Education Summa cum laude Tyler Daniel Weakland s Sacred Music Magna cum laude Francis James Williams Voice Performance Bachelor of Arts in Music Chaequan Caree Anderson * s Katherine Shevaun Caughlin Erin Leigh MacKenzie s Cum laude Summa cum laude Nicole Elizabeth Michel s Christina Nichole Farrell Rachel Christine Morris Magna cum laude Lauren Elizabeth Handy Cum laude Magna cum laude William Mosher s Cum laude Baccalaureate Honors Tessa Máiréad Scortino s Cum laude Liam Javier Velez s Magna cum laude 17 Awards Who’s Who Among Students in American Universities and Colleges Shaun Bartole Hannah Bass Amanda Bezold Kyle Bivens Johanna Blume Alexis Bonamassa Savoia Buntin Diamond Carr Jessica Crowell-Graff Alia Danch Arden Dean Christina Diecidue Sandra DiGrazio Caroline Forde Allison Griffiths Stephen Hopson Rebecca Janicki Andrew Jemas Haley Johnston Matthew Kolbusz Kayla McLaughlin Hunter Morgen Katharine Rella Tara Roach Olivia Rosenberger Rachel Safer Tarah-Lynn Saint-Elien Allison Sawka Samantha Schimek Jessica Stanislawczyk Natalie Taptykoff Tyler Weakland Lucia White Jenna Wilush Student Government Awards Cassie D. Iacovelli Student Government Award: Lucia White Ralph Materia Memorial Award: Jarrett Case The Michelle McCormack Award: Richard Kopp The Linda Schmidt Memorial Award: Jennifer Cultrara Student Government Outstanding Service Award: Victor Sabino Azarcon Cristobal Andrew J. Rider Scholars Sara Boyd* Megan A. Coiley Thomas C. Heidenreich* Jessica Stanislawczyk** Mallory E. Murphy* Lydia P. Stepanoff Aldo A. Aranzulla Lauren Goldman Michael S. McCormick *Second-year scholar ** Third-year scholar Rider University President’s Award Christina Diecidue 18 Shaun Bartole Jessica Stanislawczyk Westminster Firsts A Classical Legacy 1920 1977 Westminster Choir was established by John Finley Williamson at the Westminster Presbyterian Church in Dayton, Ohio. Westminster Choir became the first chorus-in-residence at the Spoleto Festival U.S.A. in Charleston, S.C., at the invitation of Gian Carlo Menotti. joined by President George W. Bush and former New York Mayor Rudolph Giuliani. • Westminster Symphonic Choir’s performance of Verdi’s Requiem with the New Jersey Symphony was broadcast nationally by PBS. 1926 1978 2004 The Westminster Choir School was founded. Westminster Choir established its own recording label, copyrighted “Westminster Choir,” and released its first recording: Six Motets of Johann Sebastian Bach, with guest conductor Wilhelm Ehmann. 1928 Westminster Choir and the Cincinnati Symphony made the nation’s first coast-to-coast radio broadcast, aired over Station WLW. 1929 Westminster Choir College was established and moved to Ithaca College. 1932 Westminster Choir College moved to Princeton, N.J. 1934 As the first official American guests of the Soviet Union, with whom the United States had just resumed diplomatic relations, Westminster Choir made the first broadcast from Russia to the United States. 1938 Westminster Choir, with conductor and founder Dr. John Finley Williamson, presented the first U.S. performance of Joseph Haydn’s Passion (The Seven Last Words). The performance also featured a volunteer orchestra of Princetonians, including Albert Einstein in the violin section. • The Choir sang at the dedication of the New York World’s Fair. 1939 Westminster Choir sang for the first time with the New York Philharmonic. Since then, it has set a record for the number of joint performances—more than 350—by a single choir and orchestra. 1957 Westminster Choir completed a five-month, globecircling tour under the auspices of the U.S. State Department’s Cultural Exchange Program. The Choir performed in 22 countries, traveled 40,000 miles and appeared before 227,000 people. 1964 Westminster Choir sang on the Telstar World-Wide Telecast in the spring for the opening ceremonies of the New York World’s Fair. This reportedly was the largest audience ever to see a television show at that time. 1965 For the first time the Choir appeared with three major orchestras in one year: the Berlin Philharmonic, the American Symphony Orchestra and The Philadelphia Orchestra. 1971 Westminster Choir performed at the John F. Kennedy Center for the Performing Arts during the inaugural week of concerts with the Piedmont Chamber Orchestra under the direction of Nicholas Harsanyi. The work performed was The Dawn of Glory by Christian Latrobe. 1972 The Choir began its first summer as the chorus-inresidence for the Festival dei Due Mondi (Festival of Two Worlds) in Spoleto, Italy, at the invitation of Gian Carlo Menotti. 1980 Westminster Choir was the first choir to be featured on the “ Live from Lincoln Center” telecast series over National Public Television. The Choir performed Verdi’s Requiem with the New York Philharmonic and Zubin Mehta. 1982 Westminster Choir was part of the 10,000th performance of the New York Philharmonic, America’s oldest permanent orchestra. 1988 Westminster Choir sang Bernstein’s Chichester Psalms with the New York Philharmonic under the composer’s direction in a performance at Carnegie Hall celebrating the 45th anniversary of Bernstein’s conducting debut with the orchestra. 1990 Westminster Symphonic Choir sang in the Leonard Bernstein memorial concert at the invitation of the Bernstein family. 1991 Westminster Symphonic Choir performed at Carnegie Hall’s 100th Anniversary Celebration. 1992 Westminster Choir College merged with Rider University. • Westminster Symphonic Choir performed in “A Tribute to Riccardo Muti” with The Philadelphia Orchestra and Maestro Muti, a performance televised nationally on the Arts & Entertainment Cable Network. 1993 Westminster Choir premiered Arise My Love by Stephen Paulus, a gift from the composer to celebrate Joseph Flummerfelt’s extraordinary career. • Westminster’s artistic director, Joseph Flummerfelt, was named Musical America’s 2004 Conductor of the Year, the first choral conductor to be so honored. 2005 Westminster Symphonic Choir performed Ravel’s Daphnis et Chloé (complete) for the first time with the New York Philharmonic, conducted by Lorin Maazel. 2006 Westminster Symphonic Choir participated in the New York Philharmonic’s first performance of Mozart’s Mass in C Major, K. 317 “Coronation,” conducted by Lorin Maazel. • Joe Miller appointed director of choral activities and conductor of the Westminster Choir and the Westminster Symphonic Choir. 2007 Rider University established Westminster College of the Arts. • Westminster Williamson Voices presented the North American premiere of James Whitbourn’s Annelies: The Anne Frank Oratorio. • Westminster Symphonic Choir opened the Carnegie Hall season performing Beethoven’s Symphony No. 9 with the Lucerne Festival Orchestra, conducted by David Robertson. 2008 Westminster Kantorei participated in the world premiere recording of John Magnussen’s Psalm, composed for the Limón Dance Company. 2009 Westminster Choir and Joe Miller released their first recording, Flower of Beauty. 2010 Conducted by Wolfgang Sawallisch, Westminster Symphonic Choir participated in The Philadelphia Orchestra’s first performance of Britten’s War Requiem. Westminster Williamson Voices premiered James Whitbourn’s Requiem Canticorum, and the Westminster Choir premiered Jaakko Mäntyjärvi’s To a Locomotive in Winter. 1996 2012 Westminster Choir, conducted by Joseph Flummerfelt, traveled on a concert tour of Korea and Taiwan and performed in the Colmar Music Festival in Colmar, France. 1999 Westminster Symphonic Choir performed the world premiere of Kaija Saariaho’s Oltra Mar, 7 Preludes for the New Millennium with the New York Philharmonic conducted by Kurt Masur. 2001 Westminster Choir and the New York Philharmonic, conducted by Joseph Flummerfelt, performed the world premiere of Stephen Paulus’ Voices of Light, commissioned by Rider University to celebrate the 75th anniversary of the founding of Westminster Choir College. 2002 To commemorate the events of September 11, 2001, Westminster Choir was featured in the PRI national radio broadcast of “In the Shadow of the Towers.” They were Westminster Symphonic Choir performed with Gustavo Dudamel and the Simón Bolivar Symphony Orchestra for the first time. 2014 The Westminster Williamson Voices’ and James Jordan’s recording of James Whitbourn’s Annelies, the first major choral setting of The Diary of Anne Frank, was nominated for a GRAMMY Award for Best Choral Performance. • Westminster Symphonic Choir performed the New York premiere of Christopher Rouse’s Requiem with the New York Philharmonic conducted by Alan Gilbert. 2015 Westminster Symphonic Choir performed Leonard Bernstein’s Mass: A Theater Piece for Singers, Players and Dancers for the first time with The Philadelphia Orchestra conducted by Yannick Nézet-Séguin. Westminster College of the Arts Rider University’s Westminster College of the Arts educates and trains aspiring performers, artists, teachers, and students with artistic interests to pursue professional, scholarly, and lifelong personal opportunities in art, dance, music and theatre. The College consists of three divisions: Westminster Choir College, the School of Fine and Performing Arts and Westminster Conservatory. Westminster Choir College is a college of music and graduate school located in Princeton, N.J. Renowned for its tradition of choral excellence, Westminster has become a center of excellence in solo performance as well. Its programs include music education; music theory and composition; sacred music; voice, organ, and piano performance and pedagogy; choral conducting; and piano accompanying and coaching. Westminster’s graduates go on to successful careers as performers and in leadership positions in schools, churches, community organizations and businesses around the world. Westminster Conservatory of Music serves the Central New Jersey/Eastern Pennsylvania area with on-campus and community-based music instruction. The community music school of Westminster College of the Arts, it offers a superior faculty and tailors lessons, workshops and classes to the needs of the individual student. Rider University is a private co-educational university with campuses in Lawrenceville and Princeton, New Jersey, which emphasizes purposeful connections between academic study and education for the professions. Its four colleges – The College of Business Administration; College of Liberal Arts, Education, and Sciences; the College of Continuing Studies and Westminster College of the Arts – provide dynamic undergraduate programs in more than 60 areas and graduate programs in 18 specialties. Rider’s rigorous, hands-on learning prepares students to think critically and communicate clearly to become socially responsible leaders. The School of Fine and Performing Arts is located on Rider’s Lawrenceville campus. Its programs include arts administration, dance, music studies, musical theatre, popular music culture, theatre and visual arts. The School provides many opportunities for all students to participate in the arts. • 20
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