B O S T O N C O N S E R VAT O RY AT B E R K L E E P R E S E N T S DIE LUSTIGEN WEIBER VON WINDSOR (THE MERRY WIVES OF WINDSOR) Music by OTTO NICOLAI Libretto by HERMANN MOSENTHAL After Shakepeare's comedy The Merry Wives of Windsor March 30–April 2, 2017 8:00 p.m., Thursday–Saturday 2:00 p.m., Sunday Boston Conservatory Theater Conducted by ANDREW ALTENBACH Directed by JOHNATHON PAPE Scenic Design by PETER WALDRON Costume Design by GAIL ASTRID BUCKLEY Wig and Makeup Design by RACHEL PADULA SHUFELT Lighting Design by SEIFALLAH SALOTTO-CRISTOBAL Supertitles by JOHNATHON PAPE This organization is funded in part by the Massachusetts Cultural Council, a state agency. DIRECTOR'S NOTE It seems appropriate that I am writing these program notes on International Women’s Day. Our 2016–2017 opera season has featured a variety of strong women—the sister sorceresses of Handel’s Alcina, the sister wives of Nico Muhly’s Dark Sisters, and now, the merry wives that teach Sir John Falstaff a lesson in Die lustigen Weiber von Windsor—all ably performed by the strong and talented women of Boston Conservatory at Berklee's opera program. As part of our ongoing commitment to the training of our students (both male and female), these works have provided valuable experiences with a variety of languages, musical and dramatic styles, and orchestral textures, as well as numerous opportunities for dazzling vocalism. Shakespeare’s The Merry Wives of Windsor is well known and Verdi’s Falstaff, which is based on it and parts of Henry IV, is also extremely popular. Otto Nicolai’s version premiered in 1849 and is perhaps best known for a couple of arias and the colorful overture, which is often presented as a standalone concert piece. The entire opera, however, is filled with delightful and brilliantly crafted ensembles, vivid orchestrations, and vocal lines that are more akin to Italian bel canto writing than what one finds in most German singspiels. Although he was born and raised in Germany, Nicolai spent the early part of his career in Italy, and you can hear the influences of Bellini, Donizetti, and early Verdi in his vocal writing. His first four operas were originally written in Italian, and for quite some time, Nicolai was more famous than Verdi in Italy! Nicolai eventually returned to his roots and embraced the influence and style of German romantic music. He settled in Vienna, where he wrote numerous works for orchestra, chorus, and solo instruments, as well as lieder. He was also well known as a conductor and founded the Vienna Philharmonic. Nicolai moved to Berlin in 1849, where Die lustigen Weiber von Windsor premiered. It was his only opera to be originally written in German, and is considered his masterpiece. Although now eclipsed by Verdi’s Falstaff (how fickle fame can be!), Die lustigen Weiber von Windsor is a wonderful comic opera that deserves to be heard and enjoyed by a wider audience. 2 • Die Lustigen Weiber von Windsor (Merry Wives of Windsor) In this time when women are asserting their agency and demanding that their rights be respected, the stories we have told throughout our season are a fitting complement to that worthy and necessary struggle. It is not hard to imagine Mistress Ford and Mistress Page (Frau Fluth and Frau Reich in this version) donning their pink pussy hats as they stand up to jealous husbands, deflect unwanted sexual advances, and assert their independence in a narrow, patriarchal society. Johnathon Pape, director SPECIAL THANKS Heidi Freimanis-Cordts Elizabeth Kinder Boston Conservatory at Berklee • 3 CAST Frau Fluth . . . . . . . . . . . . . . . . . . . . . . . . Madison Hatten, Isabelle Zeledón* Frau Reich. . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sarah Plata, Megan Callahan* Herr Reich. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . John Bitsas, James Lesu'i* Dr. Cajus. . . . . . . . . . . . . . . . . . . . . . . . . . . . . William Hurwitz, Craig Juricka* Sparlïch. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Colin Campbell, Cory Gross* Herr Fluth . . . . . . . . . . . . . . . . . . . . . . . . . . . . Michael Miller, Sean Galligan* Fenton. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Quinn Bernegger, Dylan Elza* Servants . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sam Bailey, Jaman Dunn Falstaff. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Blake Jennings, Ryan Stoll* Innkeeper . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Eric Sepúlveda First Man. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Christopher Hester Second Man. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Connor Vigeant Third Man. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Felix Aguilar Tomlinson Anna Reich . . . . . . . . . . . . . . . . . . . . . . . . . . Charlotte Jackson, Alyssa Click* *Friday/Sunday Performer CHORUS Felix Aguilar Tomlinson, Heather Bachelder, Sam Bailey, Madeline Bawden, Alyse Brown, Jaman Dunn, Elizabeth Duska, Katherine Eckard, Christopher Hester, Alexandra Logue, Daniel Lugo, Lauren Marlow, Erin Moran, Anthony Rana, Eric Sepúlveda, Izaya Taylor, Connor Vigeant, Anna Willson, Micah Welch COVERS Frau Fluth . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Alexandra Jacobs Frau Reich. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Erin Moran Anna Reich . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Erin Matthews 4 • Die Lustigen Weiber von Windsor (Merry Wives of Windsor) PRODUCTION STAFF Producer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Johnathon Pape Assistant Producer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Nathan Troup Production Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Don Curioso Stage Manager. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sam Filson Parkinson Stage Manager. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Amanda M. Otten German Dialogue Coach. . . . . . . . . . . . . . . . . . . . . . . . Heidi Freimanis-Cordts German Dialogue Consultant. . . . . . . . . . . . . . . . . . . . . . . . . . Elizabeth Kinder Technical Director. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Andrew Chandler Assistant Technical Director. . . . . . . . . . . . . . . . . . . . . . . . . . Matthew Williams Lead Technician / Zack Box Technical Director. . . . . . . . . . . . Audrey Kimball Stage Supervisor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Katie Hoolsema Lighting Supervisor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tori Sweetser A1 / Sound Supervisor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kevin Thurber Production Electrician. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Nate Jewett Videographer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Phil Roberson Props Manager. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Lisa Charlotte Berg Costume Shop Manager. . . . . . . . . . . . . . . . . . . . . . . Rebecca Shannon Butler Assistant Costume Shop Manager . . . . . . . . . . . . . . . . . . . . . . Amanda Feeley Wardrober Supervisor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kelly Baker Wig Construction. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Rachel Padula Shufelt Marketing and Communications Director . . . . . . . . . . . . . . Andrea Di Cocco Ticket Operations and Patron Services Manager . . . . . . . . . . . . Erin Connors STUDENT STAFF Assistant Director. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Brianna Meese Assistant Stage Managers. . . . . . . . . . . . . . . . . Hagar Adam, Amber LaBerge Supertitle Coordinator/Operator. . . . . . . . . . . . . . . . . . . . . . . . . . . . Linli Wang Deck Crew. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . John Aber, Julia Solecki Spot Operators. . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kasia Gneiser, Tyler Shore Lightboard Operator. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Teagan Reed Wardrobe Crew. . . . . . . Makenzie Schaefer, Mitchell Todd, Paul Watt-Morse Boston Conservatory at Berklee • 5 SETTING Windsor, England, late 16th century ACT ONE Scene 1—The garden between the Reich and Fluth houses, late morning Scene 2—Inside the Fluth house, that afternoon —10-MINUTE INTERMISSION— ACT TWO Scene 1—The Garter Inn, the following morning Scene 2—The garden between the Reich and Fluth houses, later that morning Scene 3—Inside the Fluth house, immediately following —10-MINUTE INTERMISSION— ACT THREE Scene 1—Inside the Reich house, later that afternoon Scene 2—Windsor Woods, midnight 6 • Die Lustigen Weiber von Windsor (Merry Wives of Windsor) ORCHESTRA ANDREW ALTENBACH, conductor FLUTE Colleen Carlson Kathryn Downs OBOE Lindsey A. Stein Aidan Rodier CLARINET Aveion Walker Lauren Choinski BASSOON Hill Erb Liam Cunningham HORN Zhanglong Wu Brian Nowak TRUMPET James Stone TROMBONE Joshua Thomas-Urlik TIMPANI Xinyi Zheng PERCUSSION Harry Zhang HARP Amy Ahn VIOLIN I Shiyu Liu# Svens Skriveris Igor García Morales Fangye Sun Sophia Bellino Ran Seo VIOLIN II Sarah Coghlan Siles Umana Montserrat Ann Chun-Hui Chuang HanHan Zhu VIOLA Maureen Heflinger^ Rebecca Miller Eve Caruso Whitman James Nelson MUSICAL PREPARATION Jean Anderson Collier* James Myers~ ASSISTANT CONDUCTOR/ CHORUS MASTER Claire Clyne REHEARSAL PIANISTS Katie Barr James Myers~ Linli Wang CELLO Elisa R. Sádaba William Laney Johnny Mok Sara G. Cook BASS Justin Cheesman Eric R. Duback #Concertmaster *Faculty ~Professional Staff ^Guest Artist Boston Conservatory at Berklee • 7 STUDENT ENSEMBLE CAST Felix Aguilar Tomlinson, B.M. '20 Heather Bachelder, M.M. '17 Sam Bailey, B.M. '20 Madeline Bawden, B.M. '18 Quinn Bernegger, G.P.D. '18 John Bitsas, M.M. '18 Alyse Brown, B.M. '19 Megan Callahan, M.M. '18 Colin Campbell, M.M. '17 Alyssa Click, M.M. '18 Jaman Dunn, M.M. '18 Elizabeth Duska, B.M. '17 Katherine Eckard, B.M. '20 Dylan Elza, M.M. '18 Sean Galligan, M.M. '18 Cory Gross, M.M. '18 Madison Hatten, M.M. '18 Christopher Hester, M.M. '18 William Hurwitz, B.M. '17 Charlotte Jackson, M.M. '17 Alexandra Jacobs, M.M. '18 Blake Jennings, M.M. '18 Craig Juricka, M.M. '18 James Lesu'i, M.M. '17 Alexandra Logue, B.M. '17 Daniel Lugo, B.M. '20 Lauren Marlow, B.M. '20 Erin Matthews, M.M. '18 Michael Miller, M.M. '18 Erin Moran, M.M. '17 Sarah Plata, M.M. '17 Anthony Rana, B.M. '20 Eric Sepúlveda, M.M. '18 Ryan Stoll, M.M. '17 Izaya Taylor, B.M. '20 Connor Vigeant, B.M. '17 Anna Willson, M.M. '17 Micah Welch, B.M. '19 Isabelle Zeledón, M.M. '17 ORCHESTRA Amy Ahn, M.M. '18 Sophia Bellino, B.M. '19 Colleen Carlson, M.M. '17 Justin Cheesman, B.M. '17 Lauren Choinski, B.M. '17 Ann Chun-Hui Chuang, G.P.D. '17 Sarah Coghlan, P.S.C. '17 Sara G. Cook, B.M. '18 Liam Cunningham, B.M. '19 Kathryn Downs, B.M. '18 Eric R. Duback, B.M. '19 Hill Erb, G.P.D. '17 William Laney, G.P.D. '17 Shiyu Liu, M.M. '18 Rebecca Miller, B.M. '18 Johnny Mok, M.M. '17 Siles Umana Montserrat, B.M. '20 Igor García Morales, B.M. '18 James Nelson, B.M. '20 Brian Nowak, M.M. '18 Aidan Rodier, B.M. '18 Elisa R. Sádaba, B.M. '17 Ran Seo, G.P.D. '17 Svens Skriveris, B.M. '18 Lindsey A. Stein, M.M. '17 James Stone, G.P.D. '17 Fangye Sun, M.M. '17 Joshua Thomas-Urlik, B.M. '17 Aveion Walker, M.M. '18 Linli Wang M.M. '175 Eve Caruso Whitman, B.M. '18 Zhanglong Wu, M.M. '18 Harry Zhang, B.M. '19 Zinyi Zheng, M.M. '17 HanHan Zhu, P.S.C. '17 PRODUCTION STAFF John Aber, B.F.A. '20 Hagar Adams, B.M. '20 Katie Barr, M.M. '17 Claire Clyne, M.M. '17 Kasia Gneiser, B.F.A. '20 Amber LaBerge, B.F.A. '17 Brianna Meese, M.M. '17 Teagan Reed, B.F.A. '20 Makenzie Schaefer, B.F.A. '20 Tyler Shore, B.F.A. '20 Julia Solecki, B.F.A. '20 Mitchell Todd, B.F.A. '20 Linli Wang, M.M. '17 Paul Watt-Morse, B.F.A. '20 8 • Die Lustigen Weiber von Windsor (Merry Wives of Windsor) BIOS JOHNATHON PAPE, director— joined Boston Conservatory in the fall of 2011 as director of opera studies. He has staged a wide range of opera, theater and musical theater throughout the U.S. and abroad. Recent work includes Eugene Onegin and Falstaff for The Seagle Music Colony, Jake Heggie’s Dead Man Walking for Tulsa Opera; La Fille du Régiment for Dayton Opera; and Don Giovanni, La Bohème, The Cunning Little Vixen, Die Zauberflöte, L’Italiana in Algeri, Iphigénie en Tauride, and Flight for Boston Conservatory. Career highlights include the world premiere of Griffelkin by Lukas Foss for New York City Opera; the U.S. premiere of Daniel Catán’s La Hija da Rappaccini for San Diego Opera; the Los Angeles premiere of Richard Greenberg’s Eastern Standard; and Terrence McNally’s Master Class for HaBimah, the National Theater of Israel. He has a special affinity for the Czech repertoire, having received a Fulbright Research Grant in opera and theater to the Czech Republic in 1994. Pape is a long-standing member of SDC, the Stage Directors and Choreographer’s Society, and AGMA, the American Guild of Musical Artists. ANDREW ALTENBACH, conductor—is music director of opera at Boston Conservatory. A recent review observed, “Altenbach drew resonant sounds, ensemble unity, and stylistic vitality from the orchestra.” Recent opera credits include the Santa Fe Opera, Central City Opera, Minnesota Opera, Opera Birmingham, Music Academy of the West, San Francisco Opera Merola Program, and Indiana University Opera Theatre. Symphonic credits include the Atlanta, Memphis and Milwaukee Symphony Orchestras, St. Paul Chamber Orchestra, Chautauqua Institution, and Grand Teton Music Festival. He was previously music director for the St. Cloud Symphony Orchestra and Artistic Director for the Boston Opera Collaborative. Altenbach is artistic director and conductor of the Minnesota Bach Ensemble, a professional chamber orchestra comprised of players from the Minnesota Orchestra. Upcoming engagements include the Minnesota Bach Ensemble, Brookline Symphony, and the Lakes Area Music Festival. Altenbach lives in Cambridge with his wife, Julia, and their son, Henry. andrewaltenbach.com SEIFALLAH SALOTTO-CRISTOBAL, lighting designer—holds an M.F.A. in lighting design from the University of Missouri-Kansas City. Salotto-Cristobal works full-time at Advanced Lighting & Production Services (ALPS). His freelance lighting and projection credits include: Carmen (Opera Colorado); Boston Conservatory at Berklee • 9 Dead Man Walking (Tulsa Opera); A Little Night Music, The Magic Flute and La Bohème (Opera in The Ozarks); Cabaret, Guys & Dolls, The Sound of Music, Les Misérables, Into the Woods and The 25th Annual Putnam County Spelling Bee (Woodland Theatre Company); Jesus Christ Superstar, Red, Sideshow and Rabbit Hole (Emerson Umbrella); Oliver and Shrek The Musical (Wagon Wheel Theatre); A Christmas Carol The Musical (The Armory Dinner Theatre); Distracted (Unicorn Theatre ); and Ben Franklin’s Apprentice (Coterie Theatre). SAM FILSON PARKINSON, stage manager—is pleased to return to Boston Conservatory for this production. As a freelance artist based out of Boston, Massachusetts, Parkinson has worked on the creative and production staff at SpeakEasy Stage Company, Guerrilla Opera, MetroWest Opera, Bad Habit Productions, Opera in the Ozarks, Opera Brandeis, MetroWest Opera, Boston Opera Collaborative, and the Trentino Music Festival. Parkinson holds a B.M. and an M.M. in vocal performance from Boston Conservatory, where he founded the first student opera organization. samparkinson.com DON CURIOSO, production manager—has served Boston Conservatory for 15 years. Curioso served as production manager for Civic Light Opera in Seattle, Washington and was production manager/technical director for Suffolk University. Professional credits include American Musical Theater, Long Wharf Theater, The Garde Arts Center, and Yale Repertory Theater. Early career highlights include Babes In Arms, directed by Ginger Rogers; the pre-Broadway production of Late Nite Comic, starring Robert Lupone; the inaugural season of Connecticut Repertory Theater; and The Gifts of the Magi and Children of Eden, featuring then-unknown Cheyenne Jackson. Recent Conservatory highlights include Opening Note!; productions with the late Dana Brayton; numerous collaborations with theater, dance, music, and opera; serving as the liaison at Midway Studios during the Conservatory's 2009 off-campus season; and hosting the Production Managers Forum in Boston. Curioso received an M.F.A. in technical direction and production management from the University of Connecticut. His teaching credits include Wagner College, Suffolk University, and Boston Conservatory. AMANDA M. OTTEN, stage manager—is in her fourth season as stage manager for Boston Conservatory. She has also worked as the production stage manager for 10 • Die Lustigen Weiber von Windsor (Merry Wives of Windsor) Odyssey Opera’s Un Giorno di regno, Boston Opera Collaborative’s Albert Herring, and the world-premiere production of Let’s Make a Sandwich with Boston Conservatory ensemble-in-residence Guerilla Opera. Before moving to Boston, Otten worked in Chicago for several years as production stage manager for the opera program at Northwestern University. Some of her credits include L’Incoronazione di Poppea, Albert Herring, Die Fledermaus, and Street Scene. She has also worked with Ash Lawn Opera, Triad Stage, and Lookingglass Theater Company, where she worked on the world premiere of Trust by David Schwimmer. Otten holds a B.F.A. in technical production from the University of North Carolina, Greensboro. MATTHEW WILLIAMS, assistant technical director—is a graduate of Emerson College, where he studied theatrical design and technology. His most recent credits include The Ouroboros Trilogy with Beth Morison Productions (Rail Chief and Deck Crew), Il Campanello and L'Amico Fritz with Boston Midsummer Opera (Technical Director), and Guys and Dolls with Emerson Stage (Technical Director). ANDREW CHANDLER, technical director—is originally from Alabama and has served as the production manager and/or technical director of the New York Musical Theatre Festival, Forestburgh Playhouse, and Theatre West Virginia. He currently serves as the technical director for Odyssey Opera in Boston and is thrilled to be a part of Boston Conservatory's production department. Chandler holds a B.A. in technical theatre from Florida State University. KEVIN THURBER, sound supervisor—has been involved in numerous productions in and around Boston, including corporate, concert, and theater. He served as A1 for Carrie, Far From Heaven (Speakeasy Stage Company), and Shrek (The Hanover Theatre); sound designer for Caps for Sale (Boston Children's Theater) and Alice in Wonderland (Apple Tree Arts); A2 for A Christmas Carol (The Hanover Theatre) and The Pirate Princess (A.R.T.); and more. TORI SWEETSER, lighting supervisor—has worked with Boston Lyric Opera, Odyssey Opera, Christmas Revels, New England Conservatory, and the Castleton Opera Festival. She has also toured internationally, most recently with the Philip Glass opera Einstein on the Beach. Boston Conservatory at Berklee • 11 LISA CHARLOTTE BERG, props master—is originally from Michigan and new to the Boston area. She holds a B.F.A. in design and technical theatre from Wayne State University. Berg has recently worked for the Boston Lyric Opera, North Shore Music Theatre, and the Michigan Opera Theatre. lisacharlotteberg.com REBECCA SHANNON BUTLER, costume shop manager—holds a B.F.A. from the Massachusetts College of Art and Design. She has been with Boston Conservatory since a 2004 internship, where favorite productions include Romeo and Juliet, The Mikado, and The Wild Party. Freelance costume design credits include Boston Conservatory (Hair, Reflections), Actors' Shakespeare Project (Cymbeline, The Merry Wives of Windsor) and Intermezzo Chamber Opera Series (Rocket's Red Blare, The Diva Monologues, The Prodigal Son, Anne Hutchinson). Butler is a founding member of a designer's studio, the Industrial Stitchers Guild, and has created costumes and textile art for organizations in Boston and beyond. AMANDA FEELEY, assistant costume shop manager—holds a B.F.A. in fashion design from Massachusetts College of Art and Design. She has worked as a costume technician across the country, including The Santa Fe Opera, Walt Disney World, and locally at The Boston Ballet and Costume Works. She previously designed the costumes for Boston Conservatory’s production of Assassins. She received an EMACT DASH award for her work on Theater at the Mount’s The Fox On The Fairway and has designed numerous shows for them including some favorites: Shout! The Mod Musical, Xanadu, Legally Blonde, and The Drowsy Chaperone. Feeley’s fashion design work has been shown in Boston Fashion Week and other New England fashion shows. 12 • Die Lustigen Weiber von Windsor (Merry Wives of Windsor) VOICE/OPERA FACULTY Patty Thom, Chair of Voice and Opera Johnathon Pape, Director of Opera Studies Andrew Altenbach, Music Director of Opera Studies Nathan Troup, Associate Director of Opera Studies Jean Anderson Collier, Principal Opera Coach George Case, Director of Choral Activities Kevin Wilson, Director of Vocal Pedagogy STUDIO VOICE FACULTY Gina Beck Marilyn Bulli William Cotten Kerry Deal Rebecca Folsom Sara Goldstein Thomas Gregg Michael Hanley Robert Honeysucker Victor Jannett Monique Phinney Desiree Maira Mary Saunders Merrill Shea Lisa Sheldon Patty Thom Christy Turnbow Kevin Wilson Kathryn Wright OPERA AND VOCAL STUDIES Michelle Alexander Jean Anderson Collier Pamela Dellal Damien FrancoeurKrzyzek Thomas Gregg Sun Ho Kim John Kuntz Charles Linshaw Elizabeth Seitz Michael Strauss ACADEMIC STAFF ACADEMIC OFFICE Joe Bennett, Vice President for Academic Affairs and Dean of the Conservatory Jim O'Dell, Associate Dean for Academic Operations Shannon Landis, Academic Operations Manager MUSIC DIVISION OFFICE Andy Vores, Interim Dean of Music Lawrence Isaacson, Associate Director of Music Ryland Bennett, Concert Services Manager Aileen Sullivan, Ensembles Coordinator Thomas Rodman, Administrative Coordinator, Music Division Ryan Fossier, Performance Librarian Boston Conservatory at Berklee • 13 BOSTON CONSERVATORY 2016–2017 NAMED SCHOLARSHIPS Boston Conservatory gratefully acknowledges the generous donors who support Boston Conservatory students through annual scholarships. Michael A. Alaura Memorial Scholarship Michele and Anthony Manganaro and family Timothy C. and Jane L. Gillette Scholarship Timothy C. and Jane L. Gillette Ruth Sandholm Ambrose Scholarship Various donors Hank Hankinson Scholarship Rachael Hedding '65 Henry Francis Barrows Scholarship Fanny B. Reed Trust / BNY Mellon Wealth Management Mimi and Roger Hewlett Scholarship Mimi and Roger Hewlett Florence D. Berger Scholarship Emanuel Berger Erin and Dana Brayton Scholarship Various donors Gregory E. Bulger and Richard J. Dix Scholarship Gregory E. Bulger and Richard J. Dix Davi-Ellen and Bruce Chabner Scholarship Davi-Ellen and Bruce Chabner, MD Jennie Chan Scholarship Jennie Chan H. Wilfred Churchill Piano Prize Robert F. and Caroline M. Collings Scholarship Caroline McMillan Collings and Robert Collings Mark H. Cooley Piano Scholarship Mark H. Cooley Anne Cuervo and Philip Pionelli Scholarship Anne N. Cuervo and Philip J. Pionelli Davis UWC Scholars Program Isabella Dohrmann Scholarship Diana Dohrmann '71, Ph.D. Al and Pat Houston Dance Scholarship Alfred D. and Patricia Houston Alice and Laurence Jacobs Scholarship Jephson Educational Trust Scholarship Benjamin Kasser Piano Scholarship Cynthia and Oliver Curme Teresa Koster Scholarship Teresa Koster Lizbeth Krupp Dance Scholarship Lizbeth and George Krupp Kunkemueller Family Scholarship Pamela S. Kunkemueller Emanuel Landsman Scholarship Sheila and Emmanuel E. Landsman, Ph.D. Alfred E. Lee Memorial Scholarship Various donors Marilyn Levitt and Andrew Friedland Scholarship Marilyn Levitt and Andrew Friedland Ricardo and Professor Hans Lewitus Scholarship Ricardo and Marla Lewitus Neil Donohoe Scholarship Various donors Richard V. and Elaine A. Lombardi Scholarship Richard V. and Elaine A. Lombardi Miles A. Fish III '63 Scholarship Miles A. Fish III '63 Anne and Lyle Micheli Scholarship Dr. Lyle J. and Mrs. Anne Micheli Kitty Flather Scholarship Kate Sides Flather Marie Chelius Morse Scholarship Virginia Phillips 14 • Die Lustigen Weiber von Windsor (The Merry Wives of Windsor) Rombult Murphy Scholarship Sean Murphy '94 '96 and Peter Rombult Ivy and Fran Scricco Scholarship Ivy and Francis Scricco Charlotte Prescott Newton Scholarship Charlotte Prescott Newton Warren Seamans Scholarship Warren A. Seamans Nikolais/Louis Dance Scholarship Murray Louis William Seymour Scholarship for Music Education Various donors Rictor Noren Annual Scholarship Erik Gregory Yolanda Cerreta Pangaro Scholarship Anthony and Creelea Pangaro Christos and Eva Pappas Foundation Scholarship Christos and Eva Pappas Foundation Eleonora Perpessa-Mahnken Scholarship Glenn E. Mahnken Sylvia and Christopher Perry Scholarship Sylvia and Christopher D. Perry Attilio Poto Scholarship David W. White '66 Sandra Shaw Scholarship for Music Education Kimball Shaw Katherine and David Scott Sloan Scholarship Katherine and David Scott Sloan Lawrence and Lillian Solomon Scholarship David Solomon Steenbrugge-Choi Scholarship Jan Steenbrugge '99 and Young-Shin Choi '98 '00 Julie Ince Thompson Award Scholarship Various donors Presser Foundation Scholarship Jan Veen Scholarship for Dance Education Jan Veen Trust Gardner Read Scholarship Frances Caudill Peter J. Wender Scholarship Peter J. Wender Gerry and Steve Ricci Scholarship Geraldine R. and Steven J. Ricci Amy and Ed Wertheim Scholarship Amy K. and Edward D. Wertheim Bernard H. and Estelle Rosenzweig Scholarship Davi-Ellen and Bruce Chabner, Ph.D. Wymor Scholarship Anamarie Sarazin Dance Scholarship Various donors Marillyn Zacharis Scholarship Marillyn Zacharis Charlotte and Arthur Zitrin Scholarship Charlotte and Arthur Zitrin Foundation YOUR GIFT CAN CHANGE LIVES. To directly support students through scholarship, or to learn more about the named scholarship program, contact Eileen Meny, senior stewardship officer, at 617-912-9128 or [email protected]. Boston Conservatory at Berklee • 15 BOSTON CONSERVATORY AT BERKLEE R AT ING 15 0 1 ARS Board of Overseers Ivy C. Scricco, Chair Anne N. Cuervo, Vice Chair Steven E. Eisenberg P'17, Vice Chair Stacy Parkinson P'14, P'16, Ambassador B Leadership Council Teresa Koster, Chair Laura D. Kunkemueller, Conservatory Liaison Elizabeth S. Boveroux Gregory E. Bulger Davi-Ellen Chabner Caroline McMillan Collings Diana Dohrmann '71 Kate Sides Flather Mimi Hewlett Kelly C. McKernan Lyle J. Micheli, M.D. Pamela A. Murray Charlotte Prescott Newton Megan O'Block Christopher D. Perry Santosh Perumbadi Wanda Reindorf Geraldine R. Ricci Jan Steenbrugge '99 Peter J. Wender Edward G. Wertheim Tania Zouikin Howard H. Bengele, Ph.D. Joan M. Broderick Doreen Donovan Corkin Ronald F. Duska P'17 Miles A. Fish, III '63 Edward C. Fleck Jill A. Fopiano, C.F.A. Jennifer A. Fraser John S. Foster Remmi Franklin Christina P. Glen Preston B. Grandin Alice Jacobs Kate Kush Tom Kush Marilyn Levitt Ricardo Lewitus, M.D. Michele Manganaro Gregory Mailloux Michael G. Moyer Brendan Murphy Sean M. Murphy '94 '96 Barbara G. Papesch Suzanne H. Rollert Warren A. Seamans Robb Silva Anne C. Tolkoff Rosamond Vaule Jason S. Weissman Amy K. Wertheim YE Berklee and Boston Conservatory Jeff Shames, Board Chair Michael R. Eisenson, Vice Chair Susan Whitehead, Vice Chair Roger H. Brown, President, Berklee Richard Ortner, President, Boston Conservatory at Berklee David Abrams Luis Alvarez G. Leonard Baker, Jr. Michael A. Brown John Connaughton Cynthia K. Curme Emilio Estefan Gloria Estefan Monica Giraldo Dean F. Goodermote David Gross-Loh Joshua Gruss '97 (Berklee) Christopher Guest Nils Gums '06 (Berklee) Dan Harple Kristine Moyer Higgins Charles Hirschhorn Steven Holtzman William Kaiser Joel Katz B. J. Krintzman Laura D. Kunkemueller Sara Lawrence-Lightfoot Miky (Mie Kyung) Lee Martin J. Mannion Demond Martin Marc Mayer Jane L. Mendillo Frederick T. Miller Peter Muller Anthony Pangaro Alexander Rigopulos Darius Sidebotham David Scott Sloan Susan Solomont Jeffrey C. Walker Ann Marie Wilkins Marillyn Zacharis Barry Zubrow CELE BOARD OF TRUSTEES 8 1 6 7 – 2 0 16 • Die Lustigen Weiber von Windsor (Merry Wives of Windsor) 7
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