(cello part) Music for Septet & Computer for flute, clarinet, trombone, piano, percussion, violin, & cello by Cort Lippe 2013 Commissioned by the E-Mex Ensemble für neue Musik, and made possible with funds from the Ministerium für Familie, Kinder, Jugend, Kultur und Sport des Landes Nordrhein-Westfalen © 2013 Cort Lippe All International Rights Reserved ! Instrumentation: Flute in C Clarinet in Bb Tenor Trombone (with straight mute) Piano Percussion (see details below) Violin Cello Full score is in C. Accidentals hold throughout a measure unless cancelled by a natural sign. cues in the full score for the computer part 1 All instruments should be amplified with cardioid or hyper-cardioid microphones. (Piano and percussion should have two microphones each, and the other instruments need one each.) Percussion Instruments X X X low,%medium, &%high%toms Perc. & X X snare low%&%high %bongos X vibraphone X X low%&%high% woodblocks 1%octave%crotales 15 & X X X X large%ride%& crash%cymbals X X Possible percussion setup (used by Michael Pattmann): mic 1 mic2 chinese cymbal crash music ride crotales (sticks) music low tom (sticks) tom snare tom vibes maraca tambourine suspended tambourine bongos (sticks) woodblocks Suggested stage setup: piano percussion trombone clarinet violin flute cello conductor X chinese%cymbal X maraca X tambourine A 3 ?4 Violincello ? ? q ≈ 96 q ≈ 152 D D D accel. poco a poco... q ≈ 112 X bX X ? f a D b X ? . f> 31 D XX J ƒ D E # X X nX accel. un poco... bX bX X a tempo q ≈ 132 rit. un poco... ¥. 10 26 D D E ¥ f pizz. X bX X X X B D arco rit. poco a poco... X X bX bX X bX X B 42 2 bX 4 X b X X nX # X X . b X X # X X nX X X . b X X b X a bX B £ £ f £ F ? 3 bX X X F a tempo rit. un poco... 39 47 1 Cort Lippe 2013 3 4 12 Music for Septet and Computer -i- q≈ D E. > 96 ? U D B q ≈ 112 D D X b X . X X b X X . X . nX £ £ D D D rit. poco a poco... accel. poco a poco... 2 2 55 ? 88 q ≈ 138 - 152 D q ≈ 152 ? C 94 ? q ≈ 138 28 D 2 D D rit. poco a poco... # X # X X nX . X # X X . ? F X ¥ D 112 ? X X X X > > > > 115 ?@ X bX X X D. 6 103 X D accel. poco a poco... X >X >X >X # X # X X £ X bX X X X bX bX a X U D 4 4 D 3 #X #X X X X # X #X X X £ f F X 6 D ¥ X bX ƒ X bX X X X X X X # X X X X X X X nX bX X F b>X X ¥ f D >X b>X X X X bX X X . bX ¥ a . a ¥ a. X @ @ bX @ D @ ? £ P F£ £ bX bX 122 X X X X X X X bX X X X X X X #X bX X nX # X X # X b X X @ @ X @ bX @ @ ? f 119 >X 3 # X # X b X nX X # X X X X X X X X X X X ? 124 £ £ X X b X n X X b X X X X nX b X X @ ƒ b X nX X b X X X X b X X nX b X X X X X X X b X b X X X X X X X . X X X a @ ? 126 bX X bX X X bX a ¥ a a. D . ? 132 ? 138 D ¥ D rit. poco a poco... ? D q ≈ 160 - 168 3 ?4 144 D X X . X #X X 2 19 ? D F q ≈ 152 - 160 44 ¥ b X. a D ? p 183 a. ¥ 3 q ≈ 110 U D >X X w D rit. poco a poco... 10 @¥ D X . #X a a X #X > D. E q ≈ 160 - 176 170 X # X X .# X # X X # X # X X # X X X XX F a. 128 P 4 q ≈ 144 D rit. poco a poco... . ¥ # X X. D P D . D ¥ a bX U D 34 U D pizz 2 4 4 b X. 4 190 ? D ¥ 196 ? D b X. a 2 a ¥ D .. ¥ X F # X. D ¥ a a a X. # X a # X. a D D ? # X. . P f ? ¥ a X D f arco sul pont. ? w ? ¥ 213 Ow & 216 220 X b>X >X ¥ & ƒ OX D rit. poco a poco... ? D G ¥ X E ƒ a ¥ 209 ¥ a bX F. D a P B a #O #X p Ow con sordino D a X f. a a b X. a a b X. X. D X. a D ¥ D D molto sul pont. p X. X X E. X X X X # X X a X a? ¥ f £ £ F D OX # # OX OE .. OX OX OE f D b X. 200 205 a b X. a D X. OX a ¥ 2 D D ? q ≈ 138 U D H q ≈ 84 - 92 rit. un poco a tempo D 224 ? 230 ? 233 ? 237 ? 240 ? p a ¥ a . XX. a ¥ f U D ¥ £ # X X X b X. XX a ¥ ¥ ? F ? 3 I q ≈ 120 - 132 ¥ D senza sordino, normale X a F a ¥ p b Xa b X 5 #X X a # X b X X X X b X X . X nX X # X P q ≈ 72 - 78 X # X X X b X nX X # X q ≈ 48 - 52 . a X E D X # X X. a a ¥ . # X a XX ¥ X #X ¥ a X X¥ D F ¥ @ #X X @ @ #X X @ ¥ D E aXX X b X X a bX a ¥ @ X X X a . @X X D bX bX f P D 3 244 253 X #X E X X # X X nX X X X a tempo rit. poco a poco X X bX X E rit. poco a poco X-. a p accel. un poco X ¥ X X X X a X X X a X X X E X D sempre molto sul pont. ? 227 E rit. un poco @ f D 3 P F 6 260 ? X . F a ¥ D ¥ 265 ? D ? D J q ≈ 100 >X ? ƒ 274 ? Ba #X f gliss. X E. a. D X a. F bX X X X X X X £ f poco)stacc. a E ¥ #X E -ii- ƒ ¥ f q ≈ 100 a bX X ¥ X D rit. poco a poco P E D , Uw p seque quasi subito #X P # >X E X E X normale #X X accel. un poco... X. a a . # X. a a X. X a #X ? @ £ £ f . rit. poconXa poco... # X E 281 @a a ? ƒ q ≈ 88 284 E. a #X ? P 279 X-. F f sempre rit. poco a poco X X b X X nX # X X ¥ a ?¥ .bX nX. X # X. . @ 268 271 @ bX . E a # X. @ E. X X. a f # X. X q ≈ 108 molto)vib. @a £ £ X P X a a a # X. 2 X. . @ @ X @ @ # X. a #X w a b>X f X F a subito K 286 ? ƒ 289 ? q ≈ 100 >X X 7 #X X # X X X X X X X X . a a a X X a. w #X @ @ normale £ f poco)stacc. p q ≈ 88 w E E X a E p p P F rit. poco a poco... accel. poco a poco... X-. a. D . ? 3 292 P f D q ≈ 108 subito L q ≈ 100 297 # >X ? ƒ 299 ? X X f X XX a X ¥ £ XX a X X X X E q ≈ 80 a XX X rit. poco a poco... U D f F X X X X X sempre rit. poco a poco... D D D XX . X . X XX . X . X X a X X X X X X X X X X X X X X X X X ? P P 304 307 ? 309 ? X X X #X X X accel. poco a poco... X X X X X X #X X X X X X X X cresc. poco a poco... X X #X X X X X X X X X X #X X X X X X X #X X X X X X @ X X F sempre cresc. poco a poco... sempre accel. poco a poco... 8 312 ? X. XX X X . X #X X . X X X XX X X X X. X X. X X q ≈ 108 # X XXXXX XXX XXX # X XX XXX XXX XXX # X XX XXX XXX X Xsubito a ? f sempre cresc. poco a poco... ƒ M q ≈ 100 £ 318 X . . ( X )X X X X X X a X a X X a ¥ ¥ b XX ? > X P f 315 a X ? @( n) X ¥ b XX ¥ f 321 a. ¥ D X ? 325 D bX P a .n X ¥ () . Xa ¥ X pizz. a @¥ ¥ @X a X bX X D subito q ≈ 108 a . a . X a @¥ X X D D (sempre pizz.) £ F f N q ≈ 96 X # X X X X X X# X . # X# X X X X .X X . X X X X X X 330 a ¥ ? X X X X X X X X @X X X p £ £ £ £ £ £ X X X #X X X 333 #X X X X. #X X X #X X #X X @ X X X X a X X ? X X X X X X X X X X X £ £ 336 #X X #X X . X X X X X X . X X X #X #X #X #X X X . X X X a ? X X X X X @X X X X X £ £ £ subito subito O q ≈ 108 339 ? X E 9 ¥ 5 arco rit. un poco D >X b X X >X X >X b X X f q ≈ 100 346 #X #X X X X X X # X n X # X n X X X X # X X X X X X X X X #X X @ & ? E X X X X > > > P f # X 348 X X a X #X X ¥ ? a #X a ¥ a a ¥ J ¥ a a a X a a X a ¥ bj X & £ £ £ £ £ f£ F £ £ £ £ 351 a bX a ¥ a X a a bX a j X ¥ @X @X @X X @ ? ¥ £ subito P q ≈ 100 353 ? # >X ƒ bX X X X X X X X X bX X X X X X X X X X X X a . # X. ¥ a # >X D > § f £ # X X # X X nX X X X X # X nX X X X X 356 # X # X X X #X #X X # X # X X ? £ £ £ # X X X b X X X . >X X # >X X >X 358 b>X X X # X # X X X X. X @ X E ? XX X XX X X X bX X ? F 361 nX X X # X bX D 10 X X. X # X ®X X X X X ? X F f X n X # X X #X f 363 b X X. a ¥ X. ® X X XXXXX F f X a a . X X b X X X-. a X X b X X ¥ X X X @ ¥ X ? P F Q X@ 368 X X X X X X OO &X X ? ï £ £ 365 O & w 370 377 & Ow 384 ? 391 & R 398 & Ow Ow Ow Ow # # Ow # # Ow # # Ow Ow Ow Ow D D 3 accel. poco a poco... D OX OX OX OX OX OX OX OX £ Ow Ow Ow Ow Ow Ow Ow Ow Ow # # Ow Ow q ≈ 140 a bX X ¥ ¥ a . X D Ow Ow D Ow 2 rit. poco a poco... ? # # Ow & OE U D poco , q ≈ 100 U D D D
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