(tenor trombone part –
with straight mute )
Music for Septet & Computer
for flute, clarinet, trombone, piano, percussion, violin, & cello
by Cort Lippe
2013
Commissioned by the E-Mex Ensemble für neue Musik, and made possible with funds from the
Ministerium für Familie, Kinder, Jugend, Kultur und Sport des Landes Nordrhein-Westfalen
© 2013 Cort Lippe
All International Rights Reserved
!
Instrumentation:
Flute in C
Clarinet in Bb
Tenor Trombone (with straight mute)
Piano
Percussion (see details below)
Violin
Cello
Full score is in C.
Accidentals hold throughout a measure unless cancelled by a natural sign.
cues in the full score for the computer part
1
All instruments should be amplified with cardioid or hyper-cardioid microphones.
(Piano and percussion should have two microphones each, and the other instruments need one each.)
Percussion Instruments
X X X
low,%medium,
&%high%toms
Perc.
&
X
X
snare
low%&%high
%bongos
X
vibraphone
X
X
low%&%high%
woodblocks
1%octave%crotales
15
&
X
X
X
X
large%ride%&
crash%cymbals
X
X
Possible percussion setup (used by Michael Pattmann):
mic 1
mic2
chinese cymbal
crash
music
ride
crotales
(sticks)
music
low
tom
(sticks)
tom
snare
tom
vibes
maraca
tambourine
suspended
tambourine
bongos
(sticks)
woodblocks
Suggested stage setup:
piano
percussion
trombone
clarinet
violin
flute
cello
conductor
X
chinese%cymbal
X
maraca
X
tambourine
A q ≈ 96
3
?4
Tenor
Trombone
7
q ≈ 112
?
Music for Septet and Computer
-i-
D
q ≈ 132
D
D
rit. un poco...
? #X
£
j
X X
X X.
19
F
D
accel. poco a poco...
X X #X X . X X .
?
j
XX
ƒ
2
?
D
rit. poco a poco...
40
?
46
?
49
f
E
>X.
a tempo
a D
rit. poco a poco...
a X
X bX
? E.
q≈
96
U
E.
X
B
p
D
q ≈ 152
D
bE
6
X X XJ X
£
X X.
¥
f
D
2
D
a tempo
rit. un poco...
¥
3
X X.
b>X
q ≈ 112
3
D
2
£
j
X #X
X X.
22
29
D
gliss.
X
a
¥
X
P
D
D
accel. un poco...
6
nX E
F
¥
1
Cort Lippe 2013
accel. poco a poco...
X
2
q ≈ 138 - 152
D
2
27
56
?
91
?
D
D
>X b X
a
b
X
X
X
? X bX
£
X #X X X X . X
E.
? ¥
104
108
?
111
?
126
?
f
>X X X X X X
£X
a
a £X
X
#X #X
£
a #X
p ƒ simile...
C q ≈ 138
D
#X
#X
X
a
#X X #X #X
X
X #X X
a ¥
D
£
a X
X. X
@
f
2
¥
D
X X a
D
f £
X #E
X
X
D
E.
X #X X X X
D
X X
.
X b X b X nX
96
? X
3
U
D
4
4
D
rit. poco a poco...
99
q ≈ 152
accel. poco a poco...
b X >X
f
D.
a
D
D
X X X X X
ƒ
X X #X X
X
13
X
flz.
a. ¥
'
#X
F
10
138
?
D
D
q ≈ 160 - 168
3
?4
144
D
?
?
157
?
165
?
3
D
10
?
? D
a #X
F
3
171
a
X. X.
>X
a¥
¥
Sz
D
D
D
P
E.
P
E.
a.
X X
P
rit. poco a poco...
a
3
4
E.
Sz F
Sz f
Sz
D
>E .
Sz F
>E .
>X
a
U
D
rapid gliss (approx.
quarter step above/below)
>E .
2
153
q ≈ 110
D
D
3
148
184
2
rit. poco a poco...
3
a X. a
X.
P
>X X
Sz
a. ¥
UE .
U
D
D
q ≈ 144
con sordino
F
rit. poco a poco...
D
E q ≈ 160 - 176
F q ≈ 152 - 160
4
4 X a ¥
(straight mute)
p.
D
D
D
D
a a #X X a ¥ D
X. . .
4
? D
194
? D
.
a bX ¥
198
? D
>X.
b
X
@X. @ ¥ D
@X. a D
>
F
. .
. . .
X . @ ¥ X a X a X a b X a nX a a
X ¥
190
f
a X. a X.
.
# X. b X >X X D
?
£ f
.
.
X
a
a
X
¥
¥
F
202
206
?
209
?
a bX E
X.
ƒ
¥
212
B
X
G
£
a ?¥
D
£
X
.
X
aa ¥ a
a
b X X nX
¥
¥
. .
a Xa X
D
a #X ¥ #X a a X
X a @ b X nX @@ b X X @@ X X @
£
£
F£
p
X a
f
X.
a . bX E
¥
a b X X nX
X # X b X nX X # X
J
?
£
£
210
P
X.
. a . b X. nX. X.
X
¥
bX
X. a X. a X. a b X. nX
D
X
>.
a ¥ a X. # X. X.
D
bX X D
ƒ> >
£
bX
nX X # X
B¥
£
bX
nX
#X X X
£
2
X
a X X X X
216
? D
218
?
221
bX a ¥
f
H
q ≈ 84 - 92
?
X #X #X X X
X
a
D
D
?
224
F
¥
D
D
bX
.
X X #X #X X X X X bX
?
£
?
D
D
rit. poco a poco
? ¥ bX X X D
.
F
239
X
X #X #X
X a.
F
q ≈ 138
¥
D
D
P
2
a
a X XX X. a D
£
£
bX
p
U
a D
¥
senza sordino
X
a
p
X X X X X.
#X
X bX X
@
D
X
D
accel. un poco
q ≈ 48 - 52
b X nX
rit. poco a poco...
F
a X # X # X nX X X b X X
229
q ≈ 72 - 78
£
a
rit. un poco a tempo
227
232
X X X #X .
X
D
rit. un poco a tempo
a poco
X #rit.X poco
X X a D
?
X
5
U
D
X X a D
p
I
q ≈ 120 - 132
D
>X a
#X
f F
gliss
D
con sordino
£
X.
X.
D
6
D
.
b
X
a b X X X. a X. ¥
¥ a X E
X ¥ D
a X X ¥
¥
?
F
244
248
?
¥ a bX
E
252
? D
3
?
D
?
?
J q ≈ 100
271
274
?
¥
E.
.
b
X
a ¥
F
D
rit. poco a poco
D
268
? X
>
ƒ
2
P
257
263
X
¥
F
D
senza sordino
D
X.
@
P
f
¥ D
F
a bX
b X X nX ¥
X
#X
f
E
q ≈ 100
.
#
X
X
D
P
X a ¥ D
ƒ
Uw
sempre rit. poco a poco
X #X .
-ii£
bX X bX X X X X bX
poco)stacc.
f
accel. un poco...
X X a
X
E
X #X X
¥
a X X X X bX X X a . ¥
¥
D
a
D
F
E.
,
p
seque quasi subito
E.
¥ a
¥
X E
Pnormale
q ≈ 108
f
#E .
2
7
X
X
#
X
X #X
X nX
X
#
X
#
X
a
X
a
X
>
X
>
X
@
@ @ #X X @
X
n>X # X X
? @#X @#X X
f >
[
rit. poco a poco...
q ≈ 88
X X
w
281
>
.
>X @ # X X X a
E
¥ #E
D
?
F
P
P
£
ƒ
279
X a.
@ X.
>
f
a . #X X a #X
¥
? normale > >
q ≈ 88
L
299
q ≈ 100
? X
302
?
f
subito
? X
>
ƒ
b>X
ƒ
.
X a @#X X
P
p
&
p
£
a.
X X X X X X X X
f poco)stacc.
#w
X-. a . D .
bX X X
f
a.
X
XX
£
a
X X X
X
¥
¥
P
D
q ≈ 108
?
rit. poco a poco...
U
D
f
E
sempre rit. poco a poco...
D
>X
#E .
X a
p F P
3
accel. poco a poco...
& #w
297
K
rit. poco a poco...
287
291
q ≈ 100
subito
@ >X .
X.
? @
285
X. X X X. X. X X
P
a.
X.
F
D
X X X.
X.
X
D
q ≈ 80
accel. poco a poco...
D
8
306
? X. X X
P
a.
X . # X XX .
#X . X X
a. .
X X XX .
cresc. poco a poco...
#X . X X
a. .
X X XX .
sempre accel. poco a poco...
309
? # X . XX nX . X X X X X
.
. a
? @ X X X XX X
312
X
X X X X X X. X X
a . XX X X . XX X
F
X . XXX . X . XX @ X X X X . XX X X . X
sempre cresc. poco a poco...
315
?
f
M
318
?
320
?
X X. X X. X
subito
X
bX
X a . a bX
X X a
q ≈ 100
>
F
¥ bX D
?
F
326
X
X
bX
X
X
sempre cresc. poco a poco...
a bX @ ¥ ¥ @ X a
?
323
X bX
X
flz.
X
P
q ≈ 108
X a
ƒ
bX X X a X a . X
bX X X
£
f
bX
X X a ¥ a. X¥
@ a ¥ ¥ a
f
a . bX a . X a X @ ¥
bX a . ¥ X
nX X a ..
P
X X
XX
# X n>X
X
@¥ ¥
@ X @ >X @ @ X @ X X @ @ X X @
f [
subito
q ≈ 108
329
?
X
a X >X
X #X @ @
>X
a
X
> @ #X
@D
# X nX
X
ƒ X
XXa
subito
q ≈ 96
9
N
D
subito
D
332
?
5
? X
a X X Xa a
?
343
q ≈ 100
a
?
¥
subito
P q ≈ 100
353
bX
?
ƒ>
¥
X X
>
¥
a D
? X
X
F
X X
349
a XJ ¥
?
£
f
F
351
X
#j
X ¥
£
@
#X
¥ J ¥
£
bX ¥
J
£
X bX
>
¥
¥
X
bX a a
D
>X X a
X bX
>
con sordino
D
X
>X X
®
@X
341
346
O q ≈ 108
@
X
J
£
bX ¥
J
£
bX X
¥
#X
¥ X X X
# X # >X
>
f
X
#X
X
a
¥
rit. un poco
a.
#X X
X
¥
X
a D
£
#j
X¥
¥
£ bX
>X X
n
a
¥ J ¥
j
X
f £
X ¥
J
£
X
E.
@
X
@@
X X
a bX
>
f
@
10
? ¥
355
a
bX
>
@ D
a.
D
bX X #X
X #X
> [
? X X # X # X X X X X X X X X X X nX nX X X b X X X X X X . @ X X X X X
[
357
359
? E
> [
XXXX
XX
361
? X
X
F
X
[
[
X
>XXXX X
XX XX
XX
X X
[
[
X
@
> X X X X bX X X
X X.
X
.
.
b
X
X
X
X
#
X
X #X
X
a #X
a ¥
¥
®
?
[
f
365
b X a a . # X X # X X # X nX X-. a # X X # X X
Xa
n
X
#
X
¥
¥
?
[
[F [
P£
Q
367
b X X b X X X X nX
X #X X ¥
.
a
¥
? @
£
[
X X
X
X
X X
369
a
?
£
ï
363
bX . a .
370
? DÁ
senza sordino
11
X
X bX
bX
E
w
w
X
X bX
372
?
378
? w
390
? w
w
w
w
w
w
w
w
w
w
w
w
w
w
w
396
? w
403
q ≈ 140
?
406
?
w
w
384
? w
w
w
E
U
D
R
D
D
D
D
3
,
q ≈ 100
3
accel. poco a poco...
D
rit. poco a poco...
D
U
D

Document 5221217

Document 5215604