9 B IBLIOGRAPHY
9.1
Reference works in Japanese
Buy meisaku jiten [Encyclopedia of Dance Masterpieces. Reissued and Revised Edition]. Engeki
Shuppansha, ed. Tokyo: Engeki Shuppansha, 1994.
Ṷ഍಴ ␠✬‫〭⥰ޡ‬ฬ૞੐ౖ ᣂⵝᡷ⸓ ‫ޢ‬Ṷ഍಴ ␠ 1994 ᐕ
Buy tech [Dance Handbook]. Furuido Hideo. Tokyo: Shinshokan. First published in 1990 by
Shinshind. Page references to the 2000 edition.
ฎ੗ᚭ⑲ᄦ‫〭⥰ޡ‬ᚻᏝ‫ޢ‬㧔㚼‫ޘ‬ၴ 1990 ᐕ㧕ᣂᦠ㙚 2000 ᐕ
Engeki hyakka daijiten [Encyclopedia of Theater]. 6 vols. Waseda Daigaku Engeki Hakubutsukan,
ed. Tokyo: Heibonsha, 1960–62. Page references are to the new edition of 1990.
ᣧⒷ↰ᄢቇṶ഍ඳ‛㙚✬‫ޡ‬Ṷ഍⊖⑼ᄢ੐ౖ‫ޢ‬6 ౠ ᐔಠ␠ 1960–62 ᐕ㧔ᣂⵝᓳೀ 1990
ᐕ㧕
Genshoku ukiyoe daihyakka jiten [Illustrated Ukiyoe Encyclopedia]. 11 vols. Genshoku Ukiyoe
Daihyakka Jiten Hensh Iinkai, ed. Tokyo: Taishkan Shoten, 1980–82.
ේ⦡ᶋ਎⛗ᄢ⊖⑼੐ౖ✬㓸ᆔຬળ✬‫ޡ‬ේ⦡ᶋ਎⛗ᄢ⊖⑼੐ౖ‫ޢ‬11 ౠ ᄢୃ㙚ᦠᐫ 1980–82
ᐕ
Kabuki ezukushi nenpy [Chronological Table of Illustrated Kabuki Collections]. Tsuchida Mamoru, and Suyama Akinobu, ed. Tokyo: fusha, 1988.
㗇ጊ┨ା‫ޔ‬࿯↰ⴡ✬‫ޡ‬᱌⥰પ⛗ዧߒᐕ⴫‫ޢ‬᪉ᬤ␠ 1988 ᐕ
Kabuki haiy myseki benran. Dai ni ji shtei ban [Guidebook of Kabuki Actors Family Names.
Second Revised Edition]. Hattori Yukio, ed. Tokyo: Nihon Geijutsu Bunka Shinkkai, 1972.
Page numbers refer to the revised edition from 1998.
᦯ㇱᐘ㓶⋙ୃ‫ޡ‬᱌⥰પେఝฬ〔ଢⷩ ╙ 2 ᰴୃ⸓ ‫ޢ‬ᣣᧄ⧓ⴚᢥൻᝄ⥝ળ 1998 ᐕ
Kabuki jinmei jiten. Shintei zho [Dictionary of Kabuki Names. New Revised and Expanded Edition]. Nojima Jusabur, ed. Tokyo: Nichigai Associates, 2002.
㊁ፉኼਃ㇢✬‫ޡ‬᱌⥰પੱฬ੐ౖ ᣂ⸓Ⴧ⵬ ‫ޢ‬ᣣᄖࠕ࠰ࠪࠛ࡯࠷ 2002 ᐕ
Kabuki jiten. Shintei zho [Kabuki Encyclopedia. New Revised and Expanded Edition]. Hattori
Yukio, Tomita Tetsunosuke, and Hirosue Tamotsu, eds. Tokyo: Heibonsha, 2000.
᦯ㇱᐘ㓶‫ޔ‬ን↰㋕ਯഥ‫ޔ‬ᑝᧃ଻✬‫ޡ‬᱌⥰પ੐ౖ ᣂ⸓Ⴧ⵬ ‫ޢ‬ᐔಠ␠ 2000 ᐕ
Kabuki jruri gedai jiten [Dictionary of Kabuki Titles]. Nojima Jusabur, ed. Tokyo: Nichigai Associates, 1991.
㊁ፉኼਃ㇢✬‫ޡ‬᱌⥰પᵺℲⅇᄖ㗴੐ౖ‫ޢ‬ᣣᄖࠕ࠰ࠪࠛ࡯࠷ 1991 ᐕ
Kabuki meisaku jiten [Encyclopedia of Kabuki Masterpieces]. Engeki Shuppansha, ed. Tokyo:
Engeki Shuppansha, 1983.
Ṷ഍಴ ␠✬‫ޡ‬᱌⥰પฬ૞੐ౖ‫ޢ‬Ṷ഍಴ ␠ 1983 ᐕ
Kabuki meisaku jiten [Encyclopedia of Kabuki Masterpieces]. Kanazawa Yasutaka. Tokyo: Seiabo,
1959. Page references are to the 1976 edition.
㊄ᴛᐽ㓉‫ޡ‬᱌⥰પฬ૞੐ౖ‫ޢ‬㕍ⰶᚱ 1959 ᐕ
Kabuki nenpy [Kabuki Calendar]. 8 vols. Ihara Seiseien (Toshir) et al., eds. Tokyo: Iwanami
Shoten, 1956–63. Page references are to the 2nd ed., 1973.
દේᢅ㇢ઁ✬‫ޡ‬᱌⥰પᐕ⴫‫ޢ‬8 ౠ ጤᵄᦠᐫ㧔1956–1963 ᐕ㧕1973 ᐕ
235
Kabuki saiken [Kabuki Appreciation]. Iizuka Tomoichir. Tokyo: Daiichi Shob, 1926.
㘵Ⴆ෹৻㇢‫ޡ‬᱌⥰પ⚦⷗‫ᦠ৻╙ޢ‬ᚱ 1926 ᐕ
Kabuki tj jinbutsu jiten [Encyclopedia of Kabuki Characters]. Furuido Hideo, ed. Tokyo: Hakusuisha, 2006.
ฎ੗ᚭ⑲ᄦ✬‫ޡ‬᱌⥰પ⊓႐ੱ‛੐ౖ‫⊕ޢ‬᳓␠ 2006 ᐕ
Meisaku kabuki zensh [Complete Collection of Kabuki Masterpieces]. 25 vols. Toita Yasuji et al.,
eds. Tokyo: Tky Sgensha, 1968–71.
ᚭ᧼ᐽੑઁ✬‫ޡ‬ฬ૞᱌⥰પో㓸‫ޢ‬25 ౠ ᧲੩ഃరᣂ␠ 1968–71 ᐕ
Nihon bijutsu zukai jiten [Illustrated Encyclopedia of Japanese Art]. Moriya Masahiko, et al., eds.
Tokyo: Tky Bijutsu, 2004.
቞ደᱜᒾઁ⋙ୃ‫ޡ‬ᣣᧄ⟤ⴚ࿑⸃੐ౖ‫᧲ޢ‬੩⟤ⴚ 2004 ᐕ
Nihon buy zensh [Complete Collection of Japanese Dances]. 8 vols. Nihon Buysha, ed. Tokyo:
Nihon Buysha, 1977–88.
ᣣᧄ⥰〭␠✬‫ޡ‬ᣣᧄ⥰〭ో㓸‫ޢ‬8 ౠ ᣣᧄ⥰〭␠ 1977–88 ᐕ
Nihon denki densetsu daijiten [Dictionary of Japanese Romance Literature and Legends]. Inui Katsumi, et al. Tokyo: Kadokawa Shoten, 1986.
ੇసᏆઁ‫ޡ‬ᣣᧄવᄸવ⺑ᄢ੐ౖ‫ⷺޢ‬Ꮉᦠᐫ 1986 ᐕ
Nihon gikyoku zensh [Complete Collection of Japanese Dramas]. 50 vols. Ihara Seiseien (Toshir)
et al., eds. Tokyo: Shun’yd, 1928–33.
દේ㕍‫ޘ‬࿦ઁ✬‫ޡ‬ᣣᧄᚨᦛో㓸‫ޢ‬50 ౠ ᤐ㓁ၴ 1928–33 ᐕ
Nihon shsetsu nenpy. Tsuketari smokuroku [Chronological Tables of Japanese Literary Works.
Additional Index]. Kokumin Tosho Kabushiki Gaisha, eds. Tokyo: Kokumin Tosho, 1929.
࿖᳃࿑ᦠᩣᑼળ␠✬‫ޡ‬ᣣᧄዊ⺑ᐕ⴫㒝࡮✚⋡㍳‫ޢ‬㧔ㄭઍᣣᧄᢥቇᄢ♽ ╙ 25 Ꮞ㧕࿖᳃࿑ᦠ
1929 ᐕ
N, kygen jiten. Shintei zho [No and Kygen Encyclopedia. New Revised and Expanded Edition]. Nishino Haruo & Hata Hisashi, eds. Tokyo: Heibonsha, 1999.
⷏㊁ᤐ㓶‫ޔ‬⠀↰ᤠ✬‫ޡ‬⢻࡮⁅⸒੐ౖ ᣂ⸓Ⴧ⵬ ‫ޢ‬ᐔಠ␠ 1999 ᐕ
Shoga kott jinmei daijiten [Dictionary of Artists of Antique Paintings and Calligraphy]. Tsune’ishi
Hideaki, ed. Tokyo: Kin’ensha, 1975. Page references are to the 1994 edition.
Ᏹ⍹⧷᣿✬‫↹ᦠޡ‬㛽⫃ੱฬᄢㄉౖ‫ޢ‬㊄࿦␠ 1975 ᐕ
Sg Nihon gikyoku jiten [Comprehensive Encyclopedia of Japanese Drama]. Kawatake Shigetoshi,
ed. Tokyo: Heibonsha, 1964.
ᴡ┻❥ବ✬‫✚ޡ‬วᣣᧄᚨᦛ੐ౖ‫ޢ‬ᐔಠ␠ 1964 ᐕ
Ukiyoe jiten [Ukiyoe Encyclopedia]. 3 vols. Yoshida Teruji, ed. Tokyo: Gabund, 1971. Page references are to the 3rd ed., 1994.
ศ↰ᥢੑ✬‫ޡ‬ᶋ਎⛗੐ౖ‫ޢ‬3 ౠ ↹ᢥၴ㧔1971 ᐕ㧕1994 ᐕ
Ukiyo-e Masterpieces in European Collections. 13 vols. Narazaki Muneshige et al. Tokyo: Kodansha,
1988–91.
ᬰፒቬ㊀ઁ‫⬿⒁ޡ‬ᶋ਎⛗ᄢⷰ‫ ␠⺣⻠ޢ‬19881991 ᐕ
Zoku kabuki nendaiki [Sequel to the Chronological Record of Kabuki]. Ishizuka Hkaishi, ed.
Tokyo: Hirotani Kokusho Kankkai, 1925.
⍹Ⴆ⼾⧂ሶ✬‫➖ޡ‬᱌⥰પᐕઍ⸥‫ޢ‬ᑝ⼱࿡ᦠೀⴕᦩ 1925 ᐕ
236
Zoku zoku kabuki nendaiki [Second Sequel to the Chronological Record of Kabuki]. Tamura Nariyoshi, ed. Tokyo: Ichimuraza, 1922.
↰᧛ᚑ⟵✬‫ޘ➖ޡ‬᱌⥰પᐕઍ⸥‫ޢ‬Ꮢ᧛ᐳ 1922 ᐕ
9.2
Reference works in other languages
Baird, Merrily C. 2001. Symbols of Japan: Thematic Motifs in Art and Design. New York: Rizzoli
International Publications.
Brandon, James R. & Samuel L. Leiter, eds. 2002a. Kabuki Plays on Stage: Brilliance and Bravado,
1697–1766. (Kabuki Plays on Stage, Volume 1). Honolulu: University of Hawai’i Press.
Brandon, James R. & Samuel L. Leiter, eds. 2002b. Kabuki Plays on Stage: Villainy and Vengeance,
1773–1799. (Kabuki Plays on Stage, Volume 2). Honolulu: University of Hawai’i Press.
Brandon, James R. & Samuel L. Leiter, eds. 2002c. Kabuki Plays on Stage: Darkness and Desire,
1804–1864. (Kabuki Plays on Stage, Volume 3). Honolulu: University of Hawai’i Press.
Edmunds, Will. H. 1934. Pointers and Clues to the Subjects of Chinese and Japanese Art. London:
Sampson Low, Marston & Co., Ltd. Reprint, Chicago: Art Media Resources, 2001. Page references are to the 2001 edition.
Gobbi, Pietro. 1989. Hon: Firme, Sigilli, Stemmi: Filologia dell’Ukiyo-e / Signatures, Seals, Crests: Philology of the Ukiyoe Prints. Turin: L’Angolo Manzoni Editrice.
Halford, Aubrey S. and Giovanna M. 1956. The Kabuki Handbook; a Guide to Understanding and
Appreciation, with Summaries of Favourite Plays, Explanatory Notes, and Illustrations. Tokyo and
Rutland: Tuttle.
Herwig, Arendie and Henk. 2004. Heroes of the Kabuki Stage: An Introduction to Kabuki with Retellings of Famous Plays Illustrated by Woodblock Prints. Amsterdam: Hotei.
Joly, Henri L. 1967. Legend in Japanese Art. Rutland: Tuttle. Page references are to the 4th ed., 1973.
Koop, Albert J. and Inada Hogitar. 1923. Japanese Names and How to Read Them: Manual for Art
Collectors and Students. London: Eastern Press.
Lane, Richard. 1978. Images from the Floating World: The Japanese Print. Oxford: Oxford University
Press.
Leiter, Samuel L. 1997. New Kabuki Encyclopedia: A Revised Adaptation of Kabuki Jiten. Westport,
Conn.: Greenwood.
Marks, Andreas. 2010. Japanese Woodblock Prints: Artists, Publishers and Masterpieces 1680–1900.
Rutland: Tuttle.
Merritt, Helen and Yamada Nanako. 1992. Guide to Modern Japanese Woodblock Prints 1900–1975.
Honolulu: University of Hawai’i Press.
Newland, Amy Reigle, ed. 2005. The Hotei Encyclopedia of Japanese Woodblock Prints. Amsterdam:
Hotei Publishing.
Papinot, Edmond, ed. 1910. Historical and Geographical Dictionary of Japan. Yokohama: Kelly &
Walsh. Reprint, Tokyo: Tuttle, 1986.
Roberts, Laurance P. 1976. A Dictionary of Japanese Artists. Tokyo, and New York: Weaterhill,
1990. Page references are to the 1990 edition.
237
Schwan, Friedrich B. 2003. Handbuch Japanischer Holzschnitt. Hintergründe, Techniken, Themen und
Motive. München: iudicium.
Self, James, and Nobuko Hirose. 1987. Japanese Art Signatures: A Handbook and Practical Guide.
Bamboo Publishing Ltd., and Floating World Editions, 2003.
9.3
Books and articles on Kunisada
Akama Ry. 2006. “Sandai Utagawa Toyokuni ga ‘Odori keiyo gedai zukushi’ ni tsuite” [About
‘Odori keiyo gedai zukushi’ by Utagawa Toyokuni III].” Ronky Nihon bungaku vol. 85: 23–
36.
⿒㑆੫‫ޟ‬ਃઍ᱌Ꮉ⼾࿖↹‫〭ޛ‬ᒻኈᄖ㗴ዧ‫⺰ޡޠߡ޿ߟߦޜ‬ⓥᣣᧄᢥቇ‫ ╙ޢ‬85 ภ ᶋ਎⛗ห
ᅢળ 2006 ᐕ
Akiyoshi Zentar, ed. 1918. Hiroshige Toyokuni meiga hyakush daimy dch [One-hundred Masterpieces of a Daimyo’s Journey by Hiroshige and Toyokuni]. Tokyo: Tken.
⑺ศༀᄥ㇢✬‫ޡ‬ᑝ㊀⼾࿡ฬ↹⊖⒳ᄢฬ㆏ਛ‫᧲ޢ‬శ࿦ 1918 ᐕ
Asano Shg. 1986. Ukiyoe ni miru Edo bunka: Kasei ki no Eisen, Kunisada o chshin ni [Edo Culture
Seen in Ukiyoe: Focussing on Eisen and Kunisada ]. Chiba: Chiba Shiritsu Kydo Hakubutsukan.
ᵻ㊁⑲೰‫ޡ‬ᶋ਎⛗ߦߺࠆᳯᚭᢥൻ㧦ൻ᡽ᦼߩ⧷ᴰ࡮࿖⽵ࠍਛᔃߦ‫ޢ‬ජ⪲Ꮢ┙ㇹ࿯ඳ‛㙚
1986 ᐕ
Berglund, Lars. 1995. “Recapturing Utagawa Kunisada.” Arts of Asia vol. 25 no. 1: 59–73.
Bergmann, Annegret. 1990. “Theaterholzschnitte des Utagawa Kunisada I. (1786-1864).“ JapanMagazin Juli 1990: 40–42.
Bickford, Lawrence R. 1982. “Will the Real Toyokuni II Please Stand Up?” Andon 6: 10–19.
Bickford, Lawrence R. 1986. “Toyokuni II Revisited.” Andon 22: 37–48.
Bickford, Lawrence R. 1986. “A Reply to Mr Tinios.” Andon 24: 83–85.
Bickford, Lawrence R. 1996. “The Toyokuni Signature Confusion.” Andon 53: 15–22.
Bickford, Lawrence R. 1997. “Reply.” Andon 56: 19f.
Bruijn, Rob de. 1997. “A Remarkable Tkaid Set.” Andon 57: 13–20.
Carpenter, John T. 1993a. “Popular Fiction in the Age of Kunisada.” In Kunisada’s World, edited
by S. Izzard, 9–14.
Carpenter, John T. 1993b. “Kunisada and the Art of Comic Poetry.” In Kunisada’s World, edited
by S. Izzard, 15–18.
Clark, Timothy T. 1992. “Kunisada and Decadence: the Critical Reception of Nineteenth-century
Japanese Figure Prints in the West.” In Nihon kindai bijutsu to Seiy: kokusai shinpojumu
[Modern Japanese Art and the West: International Symposium], edited by Meiji Bijutsu
Gakkai. Tokyo: Meiji Bijutsu Gakkai, 89–100.
᣿ᴦ⟤ⴚቇળ✬‫ޡ‬ᣣᧄㄭઍ⟤ⴚߣ⷏ᵗ㧦࿖㓙ࠪࡦࡐࠫ࠙ࡓ‫ޢ‬᣿ᴦ⟤ⴚቇળ 1992 ᐕ
Daihkaku Shob, ed. 1931b. Ukiyoe taika shsei 17: Kunisada, Kuniyoshi [Ukiyoe expert Compilation 17: Kunisada, Kuniyoshi]. Tokyo: Daihkaku Shob.
ᄢ㡅㑑ᦠᚱ✬‫ޡ‬࿖⽵࡮࿖⧐‫ޢ‬㧔ᶋ਎⛗ᄢኅ㓸ᚑ ╙ 17 Ꮞ㧕ᄢ㡅㑑ᦠᚱ 1931 ᐕ
Doesburg, Jan van. 1990. What about Kunisada? Dodewaard: Huys den Esch.
238
Engeki Hakubutsukan Yakushae Kenkykai, ed. 1998. Zho kokon yakusha nigao daizen. Yakushae
kenky shiry 1 [Expanded Anthology of Actor Likenesses Past and Present (Materials of the
Actor Prints Research Group 1)]. Tokyo: Waseda Daigaku Engeki Hakubutsukan.
Ṷ഍ඳ‛㙚ᓎ⠪⛗⎇ⓥળ✬‫ޡ‬Ⴧ⵬ฎ੹େఝૃ㗻ᄢో‫ޢ‬㧔ᓎ⠪⛗⎇ⓥળ⾗ᢱ 1㧕ᣧⒷ↰ᄢቇဝ
ౝඳ჻⸥ᔨṶ഍ඳ‛㙚 1998 ᐕ
Enomoto Ysai. 1967. “Recollections of Toyokuni III.” Ukiyoe geijutsu [Ukiyoe Art] 15: 18–24.
English summary: 13.
᭑ᧄ㓶ᢪ‫ޟ‬ਃઍ⼾࿖ߩㅊᙘ‫ޡޠ‬ᶋ਎⛗⧓ⴚ‫ ╙ޢ‬15 ภ ࿖㓙ᶋ਎⛗ቇળ 1967 ᐕ
“Fug no kararisuto Kunisada de yuku Kiskaid [With the Misfortunate Colorist Kunisada
Along the Kiskaid].” 1997. Geijutsu shinch 48/6: 98–101.
‫ޟ‬ਇㆄߩࠞ࡜࡝ࠬ࠻࿖⽵ߢࠁߊᧁᦥⴝ㆏‫ⴚ⧓ޡޠ‬ᣂầ‫ ╙ޢ‬48(6)ภ ᣂầ␠ 1997 ᐕ
Fujii Yasuo. 1939. “Kunisada ga Toyokuni shmei no nishikie [Nishikie of Kunisada’s Succession to Toyokuni].” Ukiyoe kai vol. 4 no. 9: 1–3.
⮮੗ᐽᄦ‫ޟ‬࿖⽵߇⼾࿖ⷅฬߩ㍪⛗‫ޡޠ‬ᶋ਎⛗⇇‫ ╙ޢ‬4 Ꮞ 9 ภ ᶋ਎⛗หᅢળ 1939 ᐕ
Fujisawa Akane. 2003. “Utagawa Kunisada to kyka: Surimono o chshin ni [Utagawa Kunisada
and Comic Verses: Focussing on Surimono].” Gakushin Daigaku Bungakubu kenky nenp 50:
103–18.
⮮Ỉ⨒‫ޟ‬᱌Ꮉ࿖⽵ߣ⁅᱌㧙᠁‛ࠍਛᔃߦ‫ޡޠ‬ቇ⠌㒮ᄢቇᢥቇㇱ⎇ⓥᐕႎ‫ ╙ޢ‬50 ภ ቇ⠌㒮
ᄢቇᢥቇㇱ 2003 ᐕ
Fukuda Kazuhiko. 1975. Hihan Kunisada [Secretly Published Kunisada]. Sshibon ukiyoe meihinsen. Tokyo: Haga Shoten.
⑔↰๺ᒾ‫ ⒁ޡ‬࿖⽵‫ޢ‬㧔⨲⚕ᧄᶋ਎⛗ฬຠㆬ㧕⧐⾐ᦠᐫ 1975 ᐕ
Fukuda Kazuhiko. 2001. Tkaid gojsan tsugi shgun Iemochi k gojraku zu: E. Kiyosne Ty Bijutsukan z [The Fifty-three Stations Along the Tkaid, Pictures About the Procession of the
Shogun Iemochi in the Museo d’Arte Orientale Edoardo Chiossone]. Tokyo: Kawade Shob
Shinsha.
⑔↰๺ᒾ‫᧲ޡ‬ᶏ㆏੖චਃᰴ዁ァኅ⨃౏ᓮ਄ᵡ࿑㧦E࡮࡛ࠠ࠰࡯ࡀ᧲ᵗ⟤ⴚ㙚⬿‫ޢ‬ᴡ಴ᦠᚱᣂ
␠ 2001 ᐕ
Fzoku emaki shuppan kykai, ed. 1933. Tkaid gojsan tsugi: Hiroshige, Toyokuni, Kuniyoshi
gassaku koji taish [The Fifty-three Stations Along the Tkaid: Comparison of the Origin of
Hiroshige’s, Toyokuni’s, and Kuniyoshi’s Joint Work]. Tokyo: Fzoku Emaki Shuppan
Kykai.
㘑ଶ⛗Ꮞ಴ දળ✬‫᧲ޡ‬ᶏ㆏੖චਃᰴ㧦ᐢ㊀࡮⼾࿖࡮࿖⧐ว૞᡿੐ኻᾖ‫ޢ‬㘑ଶ⛗Ꮞ಴ ද
ળ 1933 ᐕ
Gifu Prefectural Museum, ed. 2001. Shichidaime Danjr to Kunisada, Kuniyoshi: Shibai, nishikie,
nakasend [Danjr VII and Kunisada, Kuniyoshi. Theater, Nishikie, and Nakasend]. Seki:
Gifu Prefectural Museum.
ጘ㒂⋵ඳ‛㙚✬‫৾ޡ‬ઍ⋡࿅ච㇢ߣ࿖⽵㨮࿖⧐⦼ዬ࡮㍪⛗࡮ਛጊ㆏‫ޢ‬ጘ㒂⋵ඳ‛㙚 2001 ᐕ
Hardie, Peter. 1986. Kunisada ga. Bristol: City of Bristol Museum & Art Gallery.
Hashimoto Osamu. 2003. “Hiragana Nihon bijutsushi (sono 94): Fushigi ni gaman o shiteiru
mono—Gototei Kunisada, Keisai Eisen no nishikie [ABC of Japan’s Art History 94: Miraculously Tolerated Things—Gototei Kunisada and Keisai Eisen’s Nishikie].” Geijutsu shinch
54/3: 136–43.
ᯅᧄᴦ‫ߥ߇ࠄ߭ޟ‬ᣣᧄ⟤ⴚผ㧔ߘߩ 94㧕ਇᕁ⼏ߦᚒᘟࠍߒߡ޿ࠆ߽ߩ੖ᷰ੪࿖⽵‫ޔ‬ᷧᢪ
⧷ᴰߩ㍪⛗‫ⴚ⧓ޡޠ‬ᣂầ‫ ╙ޢ‬54 Ꮞ 3 ภ ᣂầ␠ 2003 ᐕ
239
Hayashi Yoshikazu. 1967. “Kunisada and Kuniyoshi.” Ukiyoe geijutsu [Ukiyoe Art] 13: 26–29.
ᨋ⟤৻‫ޟ‬࿖⽵ߣ࿖⧐ߦߟ޿ߡ‫ޡޠ‬ᶋ਎⛗⧓ⴚ‫ ╙ޢ‬13 ภ ࿖㓙ᶋ਎⛗ቇળ 1967 ᐕ
Hayashi Yoshikazu. 1978. “Kunisada no shunga mokuroku nenpu [Chronological Index of Kunisada’s Shunga].” Kikan ukiyoe 75: 84–95.
ᨋ⟤৻‫ޟ‬࿖⽵ߩᤐ↹⋡㍳ᐕ⼆‫ޡޠ‬ቄೀᶋ਎⛗‫ ╙ޢ‬75 ภ ↹ᢥၴ 1978 ᐕ
Hayashi Yoshikazu. 1989. Edo makurae shi shsei: Utagawa Kunisada [Compilation of Makers of
Edo Pillow Pictures: Utagawa Kunisada]. Tokyo: Kawade Shob Shinsha.
ᨋ⟤৻‫ޡ‬ᳯᚭᨉ⛗Ꮷ㓸ᚑ᱌Ꮉ࿖⽵‫ޢ‬ᴡ಴ᦠᚱᣂ␠ 1989 ᐕ
Hayashi Yoshikazu, and Richard Lane. 1996a. Ukiyoe shunga meihin shsei 6: Utagawa Kunisada:
Koi no yatsu Fuji [The Complete Ukiyoe Shunga 6: Utagawa Kunisada’s Koi no yatsu Fuji].
Tokyo: Kawade Shob Shinsha.
ᨋ⟤৻‫ޡࡦࠗ࡟࡮࠼࡯ࡖ࠴࡝ޔ‬᱌Ꮉ࿖⽵ᚆߩ߿ߟ߰ߝ‫ޢ‬㧔ᶋ਎⛗ᤐ↹ฬຠ㓸ᚑ 6㧕ᴡ಴ᦠ
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ᨋ⟤৻‫ޡࡦࠗ࡟࡮࠼࡯ࡖ࠴࡝ޔ‬᱌Ꮉ࿖⽵ᤐ⦡ೋ㖸ਯ౐ᅚ‫ޢ‬㧔ᶋ਎⛗ᤐ↹ฬຠ㓸ᚑ 8㧕ᴡ಴
ᦠᚱᣂ␠ 1996 ᐕ
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ᨋ⟤৻‫ޡࡦࠗ࡟࡮࠼࡯ࡖ࠴࡝ޔ‬᱌Ꮉ࿖⽵㐿⺣ᄛਯᲚ‫ޢ‬㧔ᶋ਎⛗ᤐ↹ฬຠ㓸ᚑ 10㧕ᴡ಴ᦠ
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ᨋ⟤৻‫ޡࡦࠗ࡟࡮࠼࡯ࡖ࠴࡝ޔ‬᱌Ꮉ࿖⽵ᱜኮ⋧↢Ḯ᳁‫ޢ‬㧔ᶋ਎⛗ᤐ↹ฬຠ㓸ᚑ 19㧕ᴡ಴
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᧲ᄢ〝㐇‫ޟ‬᱌Ꮉ࿖⽵⡺╩‫ޡޠ‬ቄೀᶋ਎⛗‫ ╙ޢ‬85 ภ ↹ᢥၴ 1981 ᐕ
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᧲ᄢ〝㐇‫ޟ‬࿖⽵↹‫ޛ‬ᄤ଻౎ᐕ‫ޜ‬ᵄㇺ⾐ኼ⟤‫ޡޠ‬ቄೀᶋ਎⛗‫ ╙ޢ‬98 ภ ↹ᢥၴ 1984 ᐕ
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ᣣ㊁ේஜม‫⎇⃯৻⧷ޟ‬ⓥ㧙᱌Ꮉ࿖⽵ߣ⧷ᵷߩߟߥ߇ࠅࠍតࠆ♻ญߣߒߡ‫⺰ޡޠ‬㓸‫ ╙ޢ‬3 ภ
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240
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ᐔᧁᶋ਎⛗⽷࿅‫ⴚ⟤࡯ࠞ࠶࡝ޔ‬㙚✬‫↹ੱ⟤ޡ‬ዷ㧦ᳯᚭฬᚲ⊖ੱ⟤ᅚ ⟤ੱ↹ 2‫ޢ‬ᐔᧁᶋ਎⛗
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ᐔᧁᶋ਎⛗⽷࿅‫ⴚ⟤࡯ࠞ࠶࡝ޔ‬㙚✬‫੹ޡ‬ᤄ᱌⥰પฬఝዷ‫ޢ‬ᐔᧁᶋ਎⛗⽷࿅ 1977 ᐕ
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ᐔᧁᶋ਎⛗⽷࿅‫ⴚ⟤࡯ࠞ࠶࡝ޔ‬㙚✬‫ޡ‬ਃઍ᱌Ꮉ⼾࿖ߦࠃࠆᓎ⠪⷗┙᧲ᶏ㆏੖චਃ㚞‫ޢ‬ᐔᧁ
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ᐔᧁᶋ਎⛗⽷࿅‫ⴚ⟤࡯ࠞ࠶࡝ޔ‬㙚✬‫ޡ‬੖ᷰ੪࿖⽵ᓎ⠪⛗ዷ‫ޢ‬ᐔᧁᶋ਎⛗⽷࿅ 1989 ᐕ
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ᐔᧁᶋ਎⛗⽷࿅‫ⴚ⟤࡯ࠞ࠶࡝ޔ‬㙚✬‫ޡ‬ฬఝߢߟߠࠆᧁᦦⴝ㆏ਃઍ⼾࿖ߩᓎ⠪⷗┙౐ච਻
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ർᶏ㆏┙Ꮺᐢ⟤ⴚ㙚✬‫․ޡ‬೎ዷަ᱌Ꮉ࿖⽵㧦ᐛߩࠦ࡟࡚ࠢࠪࡦ㧙‫ޟ‬ᵺℲⅇߠߊߒ‫⊖ޟߣޠ‬
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Ꮢේ৻ᦶ‫ޟ‬ਃઍ⼾࿖ߩ↹ߦቍ޿ߡ㧔ੑ㧕‫ޡޠ‬ᶋ਎⛗‫ ╙ޢ‬15 ภ ᶋ਎⛗␠ 1916 ᐕ
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Ꮢේ৻ᦶ‫ޟ‬ਃઍ⼾࿖ߩ↹ߦቍ޿ߡ㧔ਃ㧕‫ޡޠ‬ᶋ਎⛗‫ ╙ޢ‬17 ภ ᶋ਎⛗␠ 1916 ᐕ
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੗਄๺㓶‫ޟ‬ᱫ⛗ߦ⃻ߪࠇߚࠆਃઍ⼾࿖ߩ⡿௝‫ޡޠ‬ᶋ਎⛗‫ ╙ޢ‬28 ภ ᶋ਎⛗␠ 1917 ᐕ
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ဝౝㅖ㆝‫ޟ‬ೋઍߣੑઍߣਃઍߣߩ⼾࿖ߦ⡧㑐ߔࠆ⒳‫⇼ߩޘ‬໧ߦዞ޿ߡ㧔৻㧕‫ޡޠ‬㍪⛗‫╙ޢ‬
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ဝౝㅖ㆝‫ޟ‬ೋઍߣੑઍߣਃઍߣߩ⼾࿖ߦ⡧㑐ߔࠆ⒳‫⇼ߩޘ‬໧ߦዞ޿ߡ㧔ੑ㧕‫ޡޠ‬㍪⛗‫╙ޢ‬
12 ภ ⛱⧓ᦠ㒮 1919 ᐕ
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ဝౝㅖ㆝‫ޟ‬ೋઍߣੑઍߣਃઍߣߩ⼾࿖ߦ⡧㑐ߔࠆ⒳‫⇼ߩޘ‬໧ߦዞ޿ߡ㧔ਃ㧕‫ޡޠ‬㍪⛗‫╙ޢ‬
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ဝౝㅖ㆝‫ޟ‬ೋઍߣੑઍߣਃઍߣߩ⼾࿖ߦ⡧㑐ߔࠆ⒳‫⇼ߩޘ‬໧ߦዞ޿ߡ㧔྾㧕‫ޡޠ‬㍪⛗‫╙ޢ‬
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ဝౝㅖ㆝‫ޟ‬ೋઍߣੑઍߣਃઍߣߩ⼾࿖ߦ⡧㑐ߔࠆ⒳‫⇼ߩޘ‬໧ߦዞ޿ߡ㧔੖㧕‫ޡޠ‬㍪⛗‫╙ޢ‬
15 ภ ⛱⧓ᦠ㒮 1919 ᐕ
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ဝౝㅖ㆝‫ޟ‬ೋઍߣੑઍߣਃઍߣߩ⼾࿖ߦ⡧㑐ߔࠆ⒳‫⇼ߩޘ‬໧ߦዞ޿ߡ㧔౐㧕‫ޡޠ‬㍪⛗‫╙ޢ‬
16 ภ ⛱⧓ᦠ㒮 1919 ᐕ
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‐ጊల‫ޡ‬࿖⽵㘑ଶ⊖ㆬ⇠㓸‫⇠ޢ‬ႎ␠ 1928 ᐕ
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‐ጊల‫ޡ‬੖ᷰ੪࿖⽵⊖ㆬ⇠㓸⛯✬‫⇠ޢ‬ႎ␠ 1928 ᐕ
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๺⾐੗ብᄦ‫ޟ‬࿖⽵ߩ૞㘑ᄌൻߣ਎ᖱ㧔਄㧕‫ޡޠ‬ᶋ਎⛗⧓ⴚ‫ ╙ޢ‬84 ภ ࿖㓙ᶋ਎⛗ቇળ
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Wagai Hiroo. 1985b. “Style of Kunisada, Its Change Along with the Times II.” Ukiyoe geijutsu
[Ukiyoe Art] 85: 11–13.
๺⾐੗ብᄦ‫ޟ‬࿖⽵ߩ૞㘑ᄌൻߣ਎ᖱ㧔ਅ㧕‫ޡޠ‬ᶋ਎⛗⧓ⴚ‫ ╙ޢ‬85 ภ ࿖㓙ᶋ਎⛗ቇળ
1985 ᐕ
Watanabe Akira. 2002. “Bunkaki ni okeru Utagawaha yakushae no gaf henka ni tsuite: Toyokuni, Kunisada o chshin toshite [Change of Painting Style in Utagawa Tradition Actor Portraits from the Bunka Period: Focussing on Toyokuni and Kunisada].” In Studies in Japanese
Art History 2: 57–79.
ᷰㆺᤩ‫ޟ‬ᢥൻᦼߦ߅ߌࠆ᱌Ꮉᵷᓎ⠪⛗ߩ↹㘑ᄌൻߦߟ޿ߡ㧙⼾࿖࡮࿖⽵ࠍਛᔃߣߒߡ‫ޡޠ‬
ᣣᧄ⟤ⴚ⎇ⓥ‫ ╙ޢ‬2 ภ ╳ᵄᄢቇ⧓ⴚቇ♽ᣣᧄ⟤ⴚผ⎇ⓥቶ / ╳ᵄᄢቇ⧓ⴚቇ♽ᣣᧄ⟤ⴚผ
⎇ⓥቶ✬ 2002 ᐕ
Watanabe Akira. 2004. “Study on Yakusya-e by Utagawa school in the Bunka period—Focussing
on Toyokuni and Kunisada.” Geijutsugaku kenky [Tsukuba Studies in Art and Design] 8:
181–90.
ᷰㆺᤩ‫ޟ‬ᢥൻᦼ᱌Ꮉᵷᓎ⠪⛗ߦߟ޿ߡ⼾࿖࡮࿖⽵ࠍਛᔃߣߒߡ‫ⴚ⧓ޡޠ‬ቇ⎇ⓥ‫ ╙ޢ‬8 ภ
╳ᵄᄢቇᄢቇ㒮ඳ჻⺖⒟⧓ⴚቇ⎇ⓥ⑼࡮ੱ㑆✚ว⑼ቇ⎇ⓥ⑼ 2004 ᐕ
Watanabe Akira. 2008. “Drawings and sketches by Utagawa Toyokuni III in his later life: Focusing on ‘Kamurogiku’ from the collection of the Ota Memorial Museum of Art.” ta Memorial Museum of Art—The Miscellanea on Ukiyo-e 3: 73–111.
ᷰㆺᤩ‫ޟ‬ਃઍ⼾࿖᥅ᐕߩ↹Ⓜ࡮ ਅߦߟ޿ߡ㧙ᄥ↰⸥ᔨ⟤ⴚ㙚ᚲ⬿‫ޟ‬ཅή〝༑ਭ‫ࠍޠ‬ਛᔃ
ߦ‫⺰ޡޠ‬㓸‫ ╙ޢ‬3 ภ ᄥ↰⸥ᔨ⟤ⴚ㙚 2008 ᐕ
Wilmes, Helmut. 1998. “A Remarkable Tkaid Set (2)—Some further Remarks.” Andon 60: 35–
38.
Yasuda Gz. 1977. “Utagawa yakushae no tapp—Toyokuni kara Kunisada e no henka [Utagawa Actor Prints Style: The Change from Toyokuni to Kunisada].” Kikan ukiyoe 68: 26–29.
቟↰೰⬿‫ޟ‬᱌Ꮉᓎ⠪⛗ߩ㆐㘑࡮⼾࿖߆ࠄ࿖⽵߳ߩᄌൻ‫ޡޠ‬ቄೀᶋ਎⛗‫ ╙ޢ‬68 ภ ↹ᢥၴ
1977 ᐕ
Yoshida Kichi. 2002. Ukiyoe nazorae hyakunin isshu [Ukiyoe Allusions of One Hundred Poets,
One Poem Each]. Tokyo: Kasama Shoin.
ศ↰ᐘ৻‫ޡ‬ᶋ਎⛗ᡆ⊖ੱ৻㚂‫═ޢ‬㑆ᦠ㒮 2002 ᐕ
Yoshida Susugu. 1977a. “Bakumatsu no aruchizan—Kunisada ron to nishikie smokuroku [Bakumatsu Artisan: Essay and List of Nishikie by Kunisada].” Kikan ukiyoe 68: 30–51.
ศ↰ẇ‫ޟ‬᐀ᧃߩᎿඅ㧖࿖⽵⺰ߣ㍪⛗✚⋡㍳‫ޡޠ‬ቄೀᶋ਎⛗‫ ╙ޢ‬68 ภ ↹ᢥၴ 1977 ᐕ
249
Yoshida Susugu. 1977b. “Utagawaha—shish no keifu: Toyokuni rokudaime made [Utagawa
Tradition: Teacher Instructions Lineage Until Toyokuni VI].” Kikan ukiyoe 68: 52–57.
ศ↰ẇ‫ޟ‬᱌Ꮉᵷ㧖Ꮷᛚߩ♽⼆࡮⼾࿖౐ઍ⋡߹ߢ‫ޡޠ‬ቄೀᶋ਎⛗‫ ╙ޢ‬68 ภ ↹ᢥၴ 1977 ᐕ
Yoshida Susugu. 1977c. “Kunisada nishikie smokuroku: mi-teik hosei 1 [List of Kunisada’s
Nishikie: Final Revised Manuscript 1].” Kikan ukiyoe 70: 58–64.
ศ↰ẇ‫ޟ‬࿖⽵㍪⛗✚⋡㍳ ᧃቯⓂ⵬ᱜ 1‫ޡޠ‬ቄೀᶋ਎⛗‫ ╙ޢ‬70 ภ ↹ᢥၴ 1977 ᐕ
Yoshida Teruji. 1954. Hizhan Kunisada Kuniyoshi [Treasured Impressions of Kunisada and Kuniyoshi]. Tokyo: Miwa Shoin.
ศ↰ᥢੑ‫ ⬿⒁ޡ‬࿖⽵࿖⧐‫⟤ޢ‬๺ᦠ㒮 1954 ᐕ
9.4
Books and articles on the Tkaid
Addiss, Stephen, ed. 1980. Tkaid. Adventures on the Road in Old Japan. Lawrence, KS: Helen Foresman Spencer Museum of Art.
Addiss, Stephen, ed. 1982. Tkaid. On the Road: Pilgrimage, Travel and Culture. Lawrence, KS:
Helen Foresman Spencer Museum of Art.
Austin, James B. 1964. “A Little-known Set of Comic Tokaido Prints by Ikku.” Ukiyoe geijutsu
[Ukiyoe Art] 8: 13–16.
‫ޡ‬ᶋ਎⛗⧓ⴚ‫ ╙ޢ‬8 ภ ࿖㓙ᶋ਎⛗ቇળ 1964 ᐕ
Band Mitsugor. 1972. Tkaid kabuki hanashi [Tkaid Kabuki Stories]. Tokyo: Nihon Kts
Ksha.
ဈ᧲ਃᵤ੖㇢‫᧲ޡ‬ᶏ㆏᱌⥰પ⹤‫ޢ‬ᣣᧄ੤ㅢ౏␠ 1972 ᐕ
Boles, Pamela, and Stephan Addiss. 1980. “Hiroshige’s Tkaid Prints in the Context of Yamatoe, the Traditional Painting of Japan.” In Tkaid. Adventures on the Road in Old Japan, edited
by S. Addiss, 74–89.
Carey, Patrick. 2000. Rediscovering the Old Tokaido: In the Footsteps of Hiroshige. Folkestone: Global
Oriental.
Cotton, Patricia. 1980. “The Tkaid Prints and Hiroshige’s Artistic Vision.” In Tkaid. Adventures on the Road in Old Japan, edited by S. Addiss, 90–102.
Ehmcke, Franziska. 2001. „Die Tkaid-Bilder als Beispiel für Intertextualität in der bildenden
Kunst.“ In 11. Deutschsprachiger Japanologentag, edited by H. Gössmann, 321–37. Published in
English under the title “The Tkaid Woodblock Print Series as an Example of Intertextuality in the Fine Arts,” in Susanne Formaneck and Sepp Linhart, ed., Written Texts – Visual
Texts: Woodblock-printed Media in Early Modern Japan, Amsterdam: Hotei Publishing, 2005,
109–39.
Ehmcke, Franziska. 2003. „Faszinierende Ein-Blicke in das frühmoderne Japan – Die TkaidHolzschnittserien.“ OAG-Notizen 6: 10–31.
Ehmcke, Franziska. 2004. „Methodologische Überlegungen zur kulturwissenschaftlichen
Erforschung der Tkaid-Holzschnittserien.“ In Sünden des Worts: Festschrift für Roland
Schneider zum 65. Geburtstag, edited by J. Árokay, and K. Vollmer, 231–49. Hamburg:
Gesellschaft für Natur und Völkerkunde Ostasiens.
Fister, Patricia. 1980. “Pleasures and Dangers of the Tkaid.” In Tkaid. Adventures on the Road
in Old Japan, edited by S. Addiss, 20–41.
250
Fujiedashi Kydo Hakubutsukan, ed. 1995. Tkaid no meisho to meibutsu: Sunsh Kanbara—Ensh
Kakegawa [Famous Sights and Specialties from the Tkaid: Sunsh Kanbara—Ensh Kakegawa]. Fujieda: Fujiedashi Kydo Hakubutsukan.
⮮ᨑᏒㇹ࿯ඳ‛㙚✬‫᧲ޡ‬ᶏ㆏ߩฬᚲߣฬ‛㧦㛁Ꮊ⫱ේ㨪㆙ᎺដᎹ‫⮮ޢ‬ᨑᏒㇹ࿯ඳ‛㙚
1995 ᐕ
Fujii Junsh, ed. 1952. Keich hizasurige [Slippery Thighs in the Bedroom]. Tokyo: Yoshiei Shob.
⮮੗⚐ㅖ✬‫ޡ‬㑖ਛ⤒⏴Ძ‫⧐ޢ‬᭢ᦠᚱ 1952 ᐕ
Fujisawa Natsuo. 1996. “Meisaku butai kakueki teisha: Shnan densha tabi nikki [Stopping at
Every Station with Famous Dramas: Shnan Train Travel Diary].” Engekikai 8: 76–96.
⮮Ỉᄐ↢‫ޟ‬ฬ૞⥰บฦ㚞஗ゞ㧦ḕධ㔚ゞᣏᣣ⸥‫ޡޠ‬Ṷ഍⇇‫ޢ‬8 ภ Ṷ഍಴ ␠ 1996 ᐕ
Fujisawa Natsuo. 1998. “Sunpu (Shizuokashi) kara Kunzan e [From Sunpu (Shizuoka City) to
Mount Kun].” Engekikai 5: 88–92.
⮮Ỉᄐ↢‫ޟ‬㛁ᐭ㧔㕒ጟᏒ㧕߆ࠄਭ⢻ጊ߳‫ޡޠ‬Ṷ഍⇇‫ޢ‬5 ภ Ṷ഍಴ ␠ 1998 ᐕ
Fujita Hiroshi. 1992. “Gojsan tsugi tsurezuregusa—Shibai de aruku Tkaid [Essays in Idleness
About the Fifty-three Stations—Along the Tkaid with Theater Plays].” In Ichikawa Ennosuke kabuki ken: Hitori tabi gojsan tsugi, edited by Kokuritsu Gekij.
⮮↰ᵗ‫ޟ‬੖චਃ㛴ߟࠇߠࠇ⨲࡮⦼ዬߢᱠߊ᧲ᶏ㆏‫ޠ‬࿖┙഍႐✬‫ޡ‬ᏒᎹ₎ਯഥ᱌⥰પ౏Ṷ
₡㆏ਛ੖චਃ㛴‫ޢ‬
Graham, Patricia J. 1980. “The Political and Economic Importance of the Tkaid.” In Tkaid.
Adventures on the Road in Old Japan, edited by S. Addiss, 2–19.
Hayashi Yoshikazu, ed. 1986. Enpon kik Tkaid gojsan tsugi [Erotic Travel Notes of the Fiftythree Stations Along the Tkaid]. Tokyo: Kawade Shob Shinsha, 2001.
ᨋ⟤৻⪺‫᧲ⴕ♿ᧄ⦣ޡ‬ᶏ㆏੖චਃᰴ‫ޢ‬ᴡ಴ᦠᚱᣂ␠ 2001 ᐕ
Higashiji Taku, ed. 1984a. Hizasuri nikki: Tkaid gojsan erochikku kaid [Diary of Slippery
Thighs: Erotic Fifty-three Stations Along the Tkaid]. Tokyo: Gabund.
᧲ᄢ〝㐇✬‫ࠅߔ⤒ޡ‬ᣣ⸥㧦᧲ᶏ㆏੖චਃᰴࠛࡠ࠴࠶ࠢⴝ㆏‫↹ޢ‬ᢥၴ 1984 ᐕ
Hori Teruaki. 1997. Hiroshige no Tkaid gojsan tsugi tabi keshiki [Travel Scenes from Hiroshige’s
Fifty-three Stations Along the Tkaid]. Tokyo: Jinbunsha, 2003. Page references are to the
2nd ed., 2003.
ၳᤩ᣿‫ޡ‬ᐢ㊀ߩ᧲ᶏ㆏੖ᜪਃᰴᣏ᥊⦡‫ੱޢ‬ᢥ␠㧔1997 ᐕ㧕2003 ᐕ
It Megumi. 1994. “About the relation between a surimono, Shunky Gojsanda No Uchi and
kyka-ehon by Hokusai in the first stage.” Hokusai kenky [Hokusai Study and Research] 17:
7–53.
દ⮮߼ߋߺ‫ޟ‛᠁ޟ‬ᤐ⥝੖චਃ㚝ਯౝ‫ߣޠ‬ർᢪ೨ᦼ⁅᱌⛗ᧄߣߩ㑐ㅪߦߟ޿ߡ‫⪾ޠ‬㘼ർᢪ
⟤ⴚ㙚✬‫ޡ‬ർᢪ⎇ⓥ‫ ╙ޢ‬17 ภ ᧲ᵗᦠ㒮 1994 ᐕ
Jippensha Ikku. Shank’s Mare. 1960. Translated by Thomas Satchell. Rutland: Tuttle, 2001. Page
references are to the 2001 edition.
Jackson Arts Ltd., ed. 2001. Along the Tkaid with Hiroshige and Friends. Toronto: Jackson Arts
Ltd.
Kanagawa Kenritsu Rekishi Hakubutsukan [Kanagawa Prefectural Museum of Cultural History], ed. 2001. Tokubetsu ten: Edo jidai no Tkaid [Special Exhibition: The Tkaid in the Edo
Period]. Kanagawa: Kanagawa Kenritsu Rekishi Hakubutsukan.
␹ᄹᎹ⋵┙ᱧผඳ‛㙚✬‫․ޡ‬೎ዷ࡮ᳯᚭᤨઍߩ᧲ᶏ㆏‫␹ޢ‬ᄹᎹ⋵┙ᱧผඳ‛㙚 2001 ᐕ
251
Kanagawa Tkaid Runessansu Suishinky Gikai, ed. 2000. Kanagawa no Tkaid: haruka na jidai
no michi no nigiwai [The Tkaid in Kanagawa: Activity on the Road in a Far-away Time].
Vol. 2. Yokohama: Kanagawa Tkaid Runessansu Suishinky Gikai.
␹ᄹᎹ᧲ᶏ㆏࡞ࡀ࠶ࠨࡦࠬផㅴද⼏ળ✬‫␹ޡ‬ᄹᎹߩ᧲ᶏ㆏㧦㆝߆ߥᤨઍߩ㆏ߩ⾟ࠊ޿
ਅ‫␹ޢ‬ᄹᎹ᧲ᶏ㆏࡞ࡀ࠶ࠨࡦࠬផㅴද⼏ળ 2000 ᐕ
Kasuya Hiroki, ed. 2001. Shintei Tkaid meisho zue [New Revised Tkaid meisho zue]. 3 vols.
Tokyo: Perikansha.
☺⼱ብ♿✬‫ޡ‬ᣂ⸓᧲ᶏ㆏ฬᚲ࿑ળ‫ޢ‬㧔ᣂ⸓ᣣᧄฬᚲ࿑ળ㓸 1–3㧕3 ౠ ߵࠅ߆ࠎ␠ 2001 ᐕ
Keyes, Roger. 1982a. “Hiroshige’s Tkaid Prints.” In Tkaid. On the Road: Pilgrimage, Travel and
Culture, edited by S. Addiss, 47–68.
Keyes, Roger. 1982b. “Catalogue of Sets of Prints and Illustrated Books Designed by Hiroshige.”
In Tkaid. On the Road: Pilgrimage, Travel and Culture, edited by S. Addiss, 69–83.
Kimura Yaeko. 2004. “Hanmoto Takenouchi Magohachi no jiseki [Achievements of the Publisher Takenouchi Magohachi].” In Hiroshige Tkaid gojsan tsugi: Heid ban [Hiroshige’s Fiftythree Stations Along the Tkaid: The Heid Edition], Suzuki Jz et al., 191–202.
ᧁ᧛౎㊀ሶ‫ ޟ‬ర┻ౝቊ౎ߩ੐❣‫ޡޠ‬ᐢ㊀᧲ᶏ㆏੖ᜪਃᰴ:଻᳗ၴ ‫ޢ‬ጤᵄᦠᐫ 2004 ᐕ
Kitazono Kkichi. 1972. Tkaid shukuba monogatari [Tales of Tkaid Post Stations]. Tokyo:
Yzankaku Shuppan.
ർ࿦ቁศ‫᧲ޡ‬ᶏ㆏ኋ႐‛⺆‫ޢ‬㓶ጊ㑑಴ 1972 ᐕ
Kodama Kta. 1977. Edo jidai zushi 15: Tkaid II [Pictorial Records of the Edo Period]. Tokyo:
Chikuma Shob.
ఽ₹ᐘᄙ‫᧲ޡ‬ᶏ㆏࡮ੑᏎ‫ޢ‬㧔ᳯᚭᤨઍ࿑⹹ 15㧕╳៺ᦠᚱ 1977 ᐕ
Kodama Makoto. 2001. Burari Tokaid gojsan tsugi gein banashi [Theater Stories Along the Fiftythree Stations of the Tkaid]. Tokyo: Art Digest.
ఽ₹ା‫᧲ࠅࠄ߱ޡ‬ᶏ㆏੖චਃᰴ⧓⢻߫ߥߒ‫ޢ‬㧔ᭉቇ⺒ᧄ 4㧕ࠕ࡯࠻࠳ࠗࠫࠚࠬ࠻ 2001 ᐕ
Lane, Richard. 1982. “Hiroshige: Variations on ‘Kambara’.” In Essays on Japanese Art Presented to
Jack Hillier, edited by M. Forrer, 98–117.
Machida Shiritsu Kokusai Hanga Bijutsukan [Machida City Museum of Graphic Arts], ed. 1990.
Tkaid gojsan tsugi: Utagawa Hiroshige Heid ban Tkaid gojsan tsugi, Hiroshige Sandai
Toyokuni Shitsu gojsan tsugi [The Fifty-three Stations Along the Tkaid: Utagawa Hiroshige’s Heid Edition of the Fifty-three Stations Along the Tkaid, Hiroshige and Toyokuni III’s Fifty-three Stations by Two Brushes]. Tokyo: Machida Shiritsu Kokusai Hanga Bijutsukan.
↸↰Ꮢ┙࿖㓙 ↹⟤ⴚ㙚✬‫᧲ޡ‬ᶏ㆏੖චਃᰴ㧦᱌Ꮉᐢ㊀଻᳗ၴ ᧲ᶏ㆏੖චਃᰴ, ᱌Ꮉᐢ
㊀࡮ਃઍ⼾࿖෺╩੖චਃᰴ‫↰↸ޢ‬Ꮢ┙࿖㓙 ↹⟤ⴚ㙚 1990 ᐕ
May, Ekkehard. 1973. Das Tkaid meishoki von Asai Ryi: Ein Beitrag zu einem neuen Literaturgenre
der frühen Edo-Zeit. Wiesbaden: Harrassowitz Verlag.
Nagata Seiji. 1994. Katsushika Hokusai Tkaid gojsan tsugi [Katsushika Hokusai’s Fifty-three
Stations Along the Tkaid]. Tokyo: Iwazaki bijutsusha.
᳗↰↢ᘏ‫⪾ޡ‬㘼ർᢪ᧲ᶏ㆏੖චਃᰴ‫ޢ‬ጤፒ⟤ⴚ␠ 1994 ᐕ
Nagawa Shsuke, ed. 1993. Hitori tabi gojsan tsugi: Shsuke ban [Traveling Alone Along the Fifty-three Stations: Shsuke’s Edition]. Nara: Nakagawa Yoshiz.
ᄹᴡᓆテ⪺‫⁛ޡ‬㆏ਛ੖චਃ㚞㧦ᓆテ ‫ޢ‬ਛᎹ⧐ਃ 1993 ᐕ
252
Narazaki Muneshige. 1969. Masterworks of ukiyo-e: Hiroshige—The 53 Stations of the Tkaid.
Tokyo, New York, San Francisco: Kodansha International Ltd.
Narazaki Muneshige. 1989. “Shunsai Eish hitsu ‘Kaih ichiran hana no miyakoji’ [Kaih ichiran
hana no miyakoji Drawn by Shunsai Eish].” Ukiyoe geijutsu [Ukiyoe Art] 97: 16–22.
ᬰፒቬ㊀‫ޟ‬ᤐᢪ⧷╉╩‫ޟ‬ᙬቲ৻ⷩ⧎ߩ⟤߿ฎ〝‫ޡޠޠ‬ᶋ਎⛗⧓ⴚ‫ ╙ޢ‬97 ภ ࿖㓙ᶋ਎⛗ቇ
ળ 1989 ᐕ
no Kazuhiko. 1998. Ukiyoe—Daitkaid [Ukiyoe: The Great Tkaid]. 2 vols. Kyoto: Kyto
Shoin.
ᄢ㊁๺ᒾ‫ޡ‬ᶋ਎⛗࡮ᄢ᧲ᶏ㆏‫ޢ‬੩ㇺᦠ㒮 1998 ᐕ
to Yoshifuru, and Yamaguchi Osamu. 1976. Edo jidai zushi 14: Tkaid I [Pictorial Records of the
Edo Period 14: Tkaid I]. Tokyo: Chikuma Shob.
ᄢᚭศฎ‫ޔ‬ጊญୃ‫᧲ޡ‬ᶏ㆏࡮৻Ꮞ‫ޢ‬㧔ᳯᚭᤨઍ࿑⹹ 14㧕╳៺ᦠᚱ 1976 ᐕ
Poster, Amy. 1977. Along the Tokaido: Twelve Views by Kuniyoshi. New York: The Brooklyn Museum.
Putzar, Edward. 1961. “Chikusai Monogatari: A Partial Translation.” Monumenta Nipponica 16
1/2 (1960–61): 161–95. Tokyo: Sophia University.
Robinson, Basil William. 1999. “Kuniyoshi’s Tkaid cats’ tryptich.” Andon 61: 19–25.
Sakai, Gankow N., ed. 1997. Hiroshige to Tkaid ’97 [Hiroshige and the Tkaid in 1997]. Matsumoto: Japan Ukiyo-e Academy.
㈬੗㓵㜞✬‫ޡ‬ᐢ㊀ߣ᧲ᶏ㆏‘97‫ޢ‬ᣣᧄᶋ਎⛗ቇળ 1997 ᐕ
Schönbein, Martina. 2005. „Von kulinarischen Reisefreuden, Karikaturen eines Katzenliebhabers
und Heimatkundeerziehung. Zur Funktionalisierung von Ortsnamen der Tkaid in Text
und Bild.“ In Facetten der Populär- und Medienkultur 1, edited by S. Köhn, and M. Schönbein,
73–91. Wiesbaden: Harrassowitz.
Shimada Nobuhiko. 1998a. “Abegawa no watashi kara igawa no watashi e [From the River
Abe Crossing to the River i Crossing].” Engekikai 5: 93–96.
↰ፉትᒾ‫ޟ‬቟ㇱᎹߩᷰߒ߆ࠄᄢ੗Ꮉߩᷰߒ߳‫ޡޠ‬Ṷ഍⇇‫ޢ‬5 ภ Ṷ഍಴ ␠ 1998 ᐕ
Shimada Nobuhiko. 1998b. “Fujishi kara Shimizushi e [From Fuji to Shimizu].” Engekikai 5: 82–
87.
↰ፉትᒾ‫ޟ‬ን჻Ꮢ߆ࠄᷡ᳓Ꮢ߳‫ޡޠ‬Ṷ഍⇇‫ޢ‬5 ภ Ṷ഍಴ ␠ 1998 ᐕ
Shimada Nobuhiko. 1999. “Ttmi kara Mikawa Owari michi e [The Road from Ttmi to Mikawa Owari].” Engekikai 10: 75–88.
↰ፉትᒾ‫ޟ‬㆙ᳯ߆ࠄਃᴡየᒛ〝߳‫ޡޠ‬Ṷ഍⇇‫ޢ‬10 ภ Ṷ഍಴ ␠ 1999 ᐕ
Shimada Nobuhiko. 2000. “Kaid kik [Highway Traveller’s Journey].” Engekikai 12: 62–76.
↰ፉትᒾ‫ⴝޟ‬㆏♿ⴕ‫ޡޠ‬Ṷ഍⇇‫ޢ‬12 ภ Ṷ഍಴ ␠ 2000 ᐕ
Shiraishi Tsutomu, ed. 1988. Hiroshige Tkaid gojsan tsugi: Hassh yonhyakujhakkei [Hiroshige’s
Fifty-three Stations Along the Tkaid: 8 Varieties, 418 Views]. Tokyo: Shogakukan.
⊕⍹స✬‫ޡ‬ᐢ㊀᧲ᶏ㆏੖චਃᰴ㧦౎⒳྾⊖ච౎᥊‫ޢ‬ዊቇ㙚 1988 ᐕ
Spinks, Charles Nelson. 1954. “The Tkaid in Popular Literature and Art.” Transactions of the
Asiatic Society of Japan, 3: 1–26.
253
Suzuki Jz, Kimura Yaeko, and kubo Jun’ichi. 2004a. Hiroshige Tkaid gojsan tsugi: Heid
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