Updated 8-4-2016 CHRISTINE POGGI Department of the History of Art University of Pennsylvania 3405 Woodland Walk, Jaffe Building Philadelphia, PA 19104-6208 215 898-1527 / [email protected] EDUCATION: 1988 Ph.D., History of Art, Yale University. Dissertation: "In Defiance of Painting: The Invention and Early Practice of Collage, 1912-1919," awarded the Frances Blanshard Fellowship Fund Prize 1979 M.A., History of Art, University of Chicago. Thesis: "Kandinsky and the Path to Abstraction" 1975 A.B., History of Art, University of California at Santa Cruz POSITIONS HELD: Current: Professor. Department of the History of Art, 2008-present; secondary appointment, Italian Studies, Department of Romance Languages, 2012-; Program in Comparative Literature and Literary Theory, 1993-; Affiliated member, Department of Slavic Languages and Literatures, 2009-; Core Faculty member, Gender, Sexuality and Women’s Studies, 2010-, University of Pennsylvania 1987- Associate Professor, 1993-2007; Assistant Professor, 1987-1993, Department of the History of Art, University of Pennsylvania 2011-14 Faculty Director. Alice Paul Center for Research on Gender, Sexuality, and Women; Gender, Sexuality, and Women’s Studies Program, University of Pennsylvania Fall 1995 / Fall 2001 Director. Art History Program, Reid Hall, Columbia University/ University of Pennsylvania, Paris, France Spr. 1987 Instructor. Department of the History of Art, Yale University 1979-80 NEA Curatorial Fellow. Solomon R. Guggenheim Museum, New York GRANTS AND FELLOWSHIPS: 2016-2017 2015-16 Faculty Fellow, Penn Humanities Forum, topic: “Translation” Sachs Programming Grant: Five speakers on International Pop Art 2012 2009 2009 2008 2007 2007 2004-05 2003-04 2003 2000 1998-99 1998 1998 1992 1988 1985-86 Fall 1984 1983-84 1983 1980-84 1979-80 1977-78 Sachs Programming Grant: “Total Installation, Public Project: Ilya and Emilia Kabakov,” Slought Foundation, Philadelphia Research Foundation Grant, University of Pennsylvania (book subvention) Salvatori Research Award, University of Pennsylvania (summer research) Mellon Cross Cultural Conference Grant (Futurism conference) Millard Meiss Publication Grant, College Art Association, for Inventing Futurism: The Art and Politics of Artificial Optimism Salvatori Research Award, University of Pennsylvania (summer research) Jane and Morgan Whitney Fellowship, The Metropolitan Museum of Art National Endowment for the Humanities Fellowship Dedalus Foundation Senior Fellowship Salvatori Research Award, University of Pennsylvania (summer research) American Association of University Women American Fellowship Research Foundation Grant, University of Pennsylvania (book subvention) Salvatori Research Award, University of Pennsylvania (book subvention) Research Foundation Grant, University of Pennsylvania (book subvention) Research Foundation Grant, University of Pennsylvania (book research) Georges Lurcy Fellowship, Whitney Humanities Center, Yale University Kress Foundation Travel Grant Fulbright-Hays Fellowship, France Walter Read Hovey Memorial Fund Grant, Pittsburgh Foundation Full fellowship, Yale University Solomon R. Guggenheim Museum NEA Curatorial Fellowship Tuition fellowship, University of Chicago AWARDS AND PRIZES: 2010 2009 1988 The Howard R. Marraro Prize, Modern Language Association, for Inventing Futurism: The Art and Politics of Artificial Optimism, Princeton University Press, 2009 Ira H. Abrams Memorial Award for Distinguished Teaching, School of Arts and Sciences, University of Pennsylvania Frances Blanshard Fellowship Fund Prize, Yale University, for the best dissertation of the year in the History of Art PUBLICATIONS: Books: Inventing Futurism: The Art and Politics of Artificial Optimism, Princeton University Press, 2009. Awarded the MLA’s Howard R. Marraro Prize. Futurism: An Anthology, ed. Lawrence Rainey, Christine Poggi, and Laura Wittman, Yale University Press, 2009. 2 In Defiance of Painting: Cubism, Futurism, and the Invention of Collage, Yale University Press, 1992. Shortlisted for the Mitchell Prize. Exhibitions: Co-curated with Meredith Malone, Power Fields: Explorations in the Work of Vito Acconci. Slought Foundation, Philadelphia, February 15—March 31, 2008. Collage and Montage in Twentieth-Century Art, Yale University Art Gallery, 1987. Essays: “The Paradox of the Pictorial in Picasso’s Sculpture,” Picasso. Sculptures, Musée Picasso, Paris, online conference papers, 2017, in press. “Cubist Equivalents: Picasso’s Céret Sketchbook of 1913,” in The Cubism Seminars, ed. Harry Cooper (Washington D.C.: National Gallery of Art; Yale University Press, 2017), in press. “Circa 1922: Art, Technology, and the Activated Beholder,” in 1922: Literature, Culture, Politics, ed. Jean-Michel Rabaté (Cambridge: Cambridge University Press, 2015), 104127. “Utopian Violence: El Lissitzky’s Victory Over the Sun,” in Mostly Modern: Essays in Art and Architecture, ed. Joseph Masheck (Stockbridge, MA: Hudson Hills Press, 2015), 18-36, notes 216-217. “All: Maurizio Cattelan’s Infernal Comedy,” CIS (California Italian Studies) 5, no.1, ed. Laura Wittman, Jon Snyder, and Simonetta Falasca-Zamponi (2014), 248-284; http://escholarship.org/uc/item/8mg5v1jt#page-1. “Double Exposures: Picasso, Drawing, and the Masking of Gender, 1906-1908,” in Cubism: The Leonard A. Lauder Collection, ed. Emily Braun and Rebecca Rabinow (New York: The Metropolitan Museum of Art, 2014), 24-35, notes 296-297. “Ivo Pannaggi: Meccano-Futurista, Constructivist, Proletarian,” in Italian Futurism 1909-1944: Reconstructing the Universe, ed. Vivien Greene, ex. cat. (New York: Solomon R. Guggenheim Museum, 2014), 234-239. "Picasso's First Constructed Sculpture: A Tale of Two Guitars," The Art Bulletin 94, no. 2 (2012), 274-298. “Focus: Magazine Piece,” in Ian Wallace: At the Intersection of Painting and Photography, ed. Daina Augaitis, ex. cat. (Vancouver Art Gallery and Black Dog Press, 2012), 135-140. 3 "Inflexions of the Times: Newspaper in the Era of Art," in The Shock of the News, ed. Judith Brodie, ex. cat. (Washington D.C.: National Gallery of Art, 2012), 115-127. “Mirroring the Law: Michelangelo Pistoletto, Tehching Hsieh, Santiago Sierra, and Chantal Akerman,” in Visualizing Law and Authority: Essays on Legal Aesthetics, ed. Leif Dahlberg (Berlin: De Gruyter, 2012), 164-203. “Cubist Faktura,” in Picasso and Braque: The Cubist Experiment, 1910-1912, ed. Eik Kahng, ex. cat. (Santa Barbara Museum of Art and Yale University Press, 2011), 82-103. “Collaborative Teaching/Participant Learning,” The Almanac (University of Pennsylvania) 56, no. 26 (March 23, 2010), 8. "The Futurist Noise Machine," in "Future Imperfect: Italian Futurism Between Tradition and Modernization," The European Legacy, ed. Pierpaolo Antonello and Marja Härmänmaa (December 2009), 821-840; repr. “Der futuristiska bullermaskinen,” trans. Leif Dahlberg, in OEI (Stockholm), no. 47 (2010), 239-251. "A Very Beautiful Day After Tomorrow: Christine Poggi Talks to Luca Buvoli about his 'Meta-Futurist' Project," Modern Painters (February 2009), 56-59. Luca Buvoli: 'A Very Beautiful Day After Tomorrow (Un Bellissimo Dopodomani),' exhibition brochure essay, Institute of Contemporary Art, Philadelphia, 2007. “Mass, Pack, and Mob: Art in the Age of the Crowd,” in Crowds, ed. Jeffrey T. Schnapp and Matthew Tiews (Stanford: Stanford University Press, 2006), 159-202, notes 402-407. Crowds was awarded the Modernist Studies Association’s prize as the best book in the field of studies of modernism and modernity published in 2006. "Braque/Laurens: Les collages et constructions," in Braque/Laurens: Un dialogue, ed. Isabelle Monod-Fontaine and Sylvie Ramond, with Marielle Tabart, ex. cat., Musée des Beaux-Arts de Lyon (Paris: Éditions du Centre Pompidou, 2005), 24-31. "Figure della follia nell'arte futurista," Sapere & narrare: Figure della follia, Conference papers, September - December 2003, ed. Mimma Bresciani Califano (Florence: Centro Fiorentino di Storia e Filosofia della Scienza; Leo S. Olscki, 2005), 97-114. "Picturing Madness in 1905: Giacomo Balla's The Madwoman and the Cycle The Living," RES: Journal of Anthropology and Aesthetics, no. 47 (2005), 38-68. “The Return of the Repressed: Tradition as Myth in Futurist Fascism,” in Donatello Among the Blackshirts: History and Modernity in the Visual Culture of Fascist Italy, ed. Claudia Lazzaro and Roger Crum (Ithaca: Cornell University Press, 2005), 203-221, notes 276-279. “Folla/Follia: Futurism and the Crowd,” Critical Inquiry 28, no. 3 (2002), 709-748. 4 “Following Acconci/Targetting Vision,” in Performing the Body/Performing the Text, ed. Amelia Jones and Andrew Stephenson (London: Routledge, 1999), 255-272; repr. "Seguindo Acconci/Visão direcionada," Arte & Ensajos, no. 16, ed. Ana Cavalcanti and Maria Luisa Tavora, trans. Julie Pires and Marcos Bonisson (Rio de Janeiro, Programa de Pós-Graduaçao em Artes Visuais/Escola de Belas Artes, UFRJ, 2008), 158-171. " 'The Pasted-Paper Revolution' Revisited," Encyclopedia of Aesthetics, ed. Michael Kelly, vol. 1, entry under “Collage” (New York and London: Oxford University Press, 1998), 387-392; rev. ed. 2014. “The Paradox of the Futurist Woman,” in La Futurista: Benedetta Cappa Marinetti, ed. Lisa Panzera, ex. cat. (Philadelphia: Levy Gallery, Moore College of Art and Design, 1998), 14-21. "Lacerba: Interventionist Art and Politics in Pre-World War I Italy," in Art and Journals on the Political Front, 1910-40, ed. Virginia Hagelstein Marquardt (University Press of Florida, 1997), 17-62. "Dreams of Metallized Flesh: Futurism and the Masculine Body,” Modernism/Modernity 4, no. 3 (1997), 19-43. "Vito Acconci's Bad Dream of Domesticity," in Not at Home: The Suppression of Domesticity in Modern Art and Architecture, ed. Christopher Reed (London: Thames and Hudson, 1996), 237-252, 290. "Braque's Early Papiers Collés: The Certainties of Faux-Bois," in Picasso and Braque: A Symposium, ed. Lynn Zelevansky (Museum of Modern Art, New York, 1992), 129-149. "La structure allégorique du collage de Picasso," in Actes du Colloque, Langage et modernité, ed. Benjamin H. D. Buchloh, trans. Aline Elliot (Nouveau Musée, Villeurbanne, 1991), 21-48. "Frames of Reference: Table and Tableau in Picasso's Collages and Constructions," Art Journal 47, no. 4 (1988), 311-322. "Mallarmé, Picasso, and the Newspaper as Commodity," The Yale Journal of Criticism 1, no. 1 (1987), 133-151; repr. in Collage: Critical Views, ed. Katherine Hoffman (Ann Arbor, Michigan: U.M.I. Press, 1989), 171-192. "Marinetti's Parole in Libertà and the Futurist Collage Aesthetic," in The Futurist Imagination, ed. Anne Coffin Hanson, ex. cat. (Yale University Art Gallery, April 1983), 3-15. "Eduardo Chillida," six page exhibition brochure with short essay and checklist, Solomon R. Guggenheim Museum, 1980. 5 Exhibition reviews: La Biennale di Venezia: All the World’s Futures, curated by Okwui Enwezor, Venice, Italy, in caa.reviews (May 18, 2016), http://www.caareviews.org/reviews/2937. Henri Matisse: The Cut-Outs, Museum of Modern Art, New York, in caa.reviews (November 12, 2015), http://www.caareviews.org/reviews/2522. Book reviews: Karl Blossfeldt, Working Collages, ed. Ann and Jürgen Wilde, intro. Ulrike Meyer Stump (Cambridge, MA: MIT Press, 2001), in Modernism/Modernity 10, no. 2 (2003), 398-400. Jeffrey Weiss, The Popular Culture of Modern Art: Picasso, Duchamp, and AvantGardism (Yale University Press, 1994), in The American Historical Review (October 1996), 1222-1223. Catalogue Entries: "Adolphe Appian: La Source à Montalieu (Isère)" and "Paul Cézanne: Flowers," in French Drawings—Acquisitions 1970-1984, ex. cat. (Yale University Art Gallery, April 1984), 8-12 and 33-37. In Progress: On the Other Side: The Performance of Exile, Migration, and Labor in Contemporary Art (book) “Giacomo Balla’s Vortex: The Changing Politics of an Abstract Form” (essay) “Futurism Delayed: Luca Buvoli's Instant Before Incident (Marinetti's Drive)" (essay) “Projections: Mona Hatoum’s Cartographic Practice” (essay) “Stage at the Edge of the Sea: Picasso and Classical Mythology” (essay) CONFERENCES/EVENTS ORGANIZED: 9-9/11-16 Co-organizer, Anne d’Harnoncourt Symposium (with Carlos Basualdo, Miriam Giguière, and Charlotte Lowry), The Museum as Score, including performances of Levée de conflits by Boris Charmatz and Musée de la danse and Duo2015 by the William Forsythe Company, University of Pennsylvania, Philadelphia Museum of Art, and Drexel University 6 Spr. 2016 Co-organizer (with Erica Battle), International Pop Art, series of five speakers, held in conjunction with the exhibition International Pop, Philadelphia Museum of Art 4-24/25-14 Co-organizer (with Fabio Finotti and Marina Della Putta Johnson) and presider, International Conference, World War I: Myth and Reality, Center for Italian Studies, University of Pennsylvania 2-27/28-14 Co-organizer and plenary session moderator, Gender, Sexuality and Women’s Studies 40th Anniversary Conference, University of Pennsylvania 11-15/16-13 Co-organizer, Anne d’Harnoncourt Conference (with Anna Vallye), Reconsidering Paris in the 1920s: Fernand Léger in an Expanded Context, University of Pennsylvania and Philadelphia Museum of Art 3-14-13 Co-organizer (with Kevin M. F. Platt), Total Installation, Public Project: Ilya and Emilia Kabakov in Conversation, introduced and moderated by Matthew Jesse Jackson, Slought Foundation, Philadelphia 11-05-09 Panel co-organizer and discussant, “Barbara London in Conversation: New Media in the Museum,” Slought Foundation, Philadelphia 11-21/22-08 Co-organizer (with Fabio Finotti), Symposium, Futurism: Rupture and Tradition, Center for Italian Studies, University of Pennsylvania 3-1-08 Co-organizer (with Meredith Malone), Symposium, Vito Acconci: Public Nuisance, Slought Foundation, Philadelphia 9-24-05 Panel organizer and moderator, "Word and Image in the Modern Public Monument," Symposium, Elective Affinities, 7th International Conference on Word & Image Studies, University of Pennsylvania 3-18-05 Panel co-organizer (with Ingrid Schaffner) and moderator, The Trouble with Resistance, held in conjunction with the exhibition "Barry Le Va: Accumulated Vision," Institute of Contemporary Art, Philadelphia 4-20-01 Panel organizer and chair, “Artistic Avant-Gardes in Twentieth-Century Italy,” American Association for Italian Studies Annual Conference, University of Pennsylvania 10-15-00 Chair, and co-organizer (with Michael Taylor), panel, “Marcel Duchamp,” Modernism Association Annual Conference, University of Pennsylvania 9-12-98 Co-organizer (with Lisa Panzera) and moderator, Symposium, Rhetoric and Reality: Feminism, Futurism, and the Work of Benedetta, held in 7 conjunction with the exhibition, La Futurista: Benedetta Cappa Marinetti, Moore College of Art and Design, Philadelphia 9-13-97 Co-organizer (with Jean-Michel Rabaté and Nancy Shawcross), Symposium, Manipulated Realities: Imagery in the Digital Age, held in conjunction with the exhibition Photography After Photography, Institute of Contemporary Art, Philadelphia 4-5-97 Co-organizer (with Ann Temkin), Symposium, held in conjunction with the exhibition The Rothschild Collection: Collage, Philadelphia Museum of Art 11-6-93 Co-organizer (with Ann Temkin) and panel chair, Symposium held in conjunction with the exhibition Thinking is Form: The Drawings of Joseph Beuys, Philadelphia Museum of Art 2-5-93 Session Organizer and Chair: "The Political Uses of Collage," College Art Association Annual Meeting, Seattle, WA LECTURES (Selected): 3-2017 Lecture, held in conjunction with the exhibition “Branding an Empire: Designing Fascist Italy,” Cleveland Institute of Art 3-25-16 “The Paradox of the Pictorial in Picasso’s Late Sculpture,” Symposium, Picasso. Sculptures, Musée Picasso, Paris 1-31-16 “Picasso: Cubism, Classicism, and the Politics of Style,” held in conjunction with the exhibition, Picasso: The Great War, Experimentation, and Change,” Barnes Foundation, Philadelphia 1-19-16 “Picasso: Head of a Woman, 1929-1930,” Scholars’ Evening, held in conjunction with the exhibition Picasso Sculpture, Museum of Modern Art, New York 11-10-15 “Projections: Mona Hatoum’s Cartographic Practice,” Daniel H. Silberberg lecture series, Institute of Fine Arts, New York University 10-9-15 “Giacomo Balla’s Vortex: The Changing Politics of an Abstract Form,” Conference, Traces of Modernism Between Art and Politics: From the First World War to Totalitarianism, German Historical Institute, Rome 2-25-15 “Barbara Kasten Considered: Materials and Margins,” Institute of Contemporary Art, University of Pennsylvania 8 1-8-15 Presider, roundtable, "Transnational Futurism: Italy, Russia, and Beyond,” Modern Language Association Annual Convention, Vancouver 11-3-14 Conversation with Michelangelo Pistoletto, Alain Elkann, and Fabio Finotti, on the publication of The Voice of Pistoletto, Center for Italian Studies, University of Pennsylvania 9-11-14 “Malevich, the War, and the Crisis in Faciality,” Conference, ‘Standing upon the Furthest Promontory of the Ages’: World War I and Cultural Change, State Institute of Art Studies, Moscow 5-7-14 “Ivo Pannaggi, Arte Meccanica, and the International Avant-Garde,” Solomon R. Guggenheim Museum, New York 4-8-14 “All: Maurizio Cattelan’s Infernal Comedy,” Council of the Humanities, Program in Italian Studies, Princeton University 4-3/4-14 Participant, The Cubism Seminars, and paper, “Cubist Equivalents: Picasso’s Céret Sketchbook of 1913,” Center for Advanced Study in the Visual Arts, National Gallery, Washington, D.C. 3-21-14 Panel moderator: “Pataphysics and the Arts,” Conference, Pataphysics Then and Now, Slought Foundation and University of Pennsylvania 3-14-14 “Mona Hatoum’s Nomadic Maps,” Conference, Art, Life, and the Rule of Law, Lund University, Sweden 2-28-14 “The Masking of Gender in Picasso’s Nudes, 1906-08,” Panel, “Visualizing Feminism,” Gender, Sexuality & Women’s Studies, 40th Anniversary Conference, University of Pennsylvania 2-26-14 Panelist, “Futurism at the Guggenheim: A Roundtable Discussion,” Italian Academy, Columbia University 2-24-14 Invited presenter, “Ivo Pannaggi, Enrico Prampolini, Benedetta, and Arte Meccanica in the 1920s,” Scholars' Day, held in conjunction with the exhibition, Reconstructing the Universe: Italian Futurism 1909-1944, Solomon R. Guggenheim Museum, New York 1-31-14 “Circa 1922: Art, Technology, and the Activated Beholder,” Department of Architecture, University of Pennsylvania 10-17/18-13 Participant, The Cubism Seminars, Center for Advanced Study in Visual Arts, National Gallery, Washington D.C. 9 10-3/4-13 “All: Maurizio Cattelan’s Infernal Comedy” (lecture) and “Stage at the Edge of the Sea: Picasso and Classical Mythology” (colloquium), University of Maryland 3-22-13 “All: Maurizio Cattelan’s Infernal Comedy,” Symposium, The Monk, the Priest, the Nun, Center for Italian Studies, University of Pennsylvania 3-1-13 “Picasso’s Sculpture and the African Model,” Barnes Foundation, Philadelphia 2-15-13 Panel respondent, “The Photographic Record: Images of and as Objects,” College Art Association Annual Meeting, New York 1-29-13 “Ian Wallace and Christine Poggi in Conversation,” Series, Reading Ian Wallace, held in conjunction with the exhibition, Ian Wallace: At the Intersection of Painting and Photography, Vancouver Art Gallery 1-18-13 Panel moderator, Symposium, Intimate Collaborations, University of Pennsylvania, held in conjunction with the exhibition Dancing Around the Bride: John Cage, Merce Cunningham, Robert Rauschenberg, Jasper Johns, and Marcel Duchamp, Philadelphia Museum of Art 11-26-12 “Stage at the Edge of the Sea: Picasso and Classical Mythology,” Symposium, Picasso: Outros Critérios, Universidade de São Paulo 4-24-12 Conversation with artist Carolee Schneemann and Aaron Levy, Mutter Museum, Philadelphia, held in conjunction with the exhibition, Utterly Precarious, Carolee Schneemann in 5 Parts, Slought Foundation and the Mutter Museum 3-9-12 Invited participant, Léger Scholars’ Day, Philadelphia Museum of Art 2-10-12 “The Square and the Vortex: Modes of Potentiality in Kazimir Malevich and Giacomo Balla,” Symposium, Abstract Painting and Beyond, held in conjunction with the exhibition, Charline von Heyl, Institute of Contemporary Art, University of Pennsylvania 1-21-12 “Utopian Violence: El Lissitzky’s Victory Over the Sun,” Conference in honor of Joseph Masheck, Hofstra University 10-24-11 Invited presenter, Scholars’ Day, Exhibition, Picasso and Braque: The Cubist Experiment, 1910-1912, Santa Barbara Museum of Art 10-23-11 “Vision and Touch in Early Cubism,” Symposium, Picasso and Braque: The Cubist Experiment, 1910-1912, Santa Barbara Museum of Art 10 6-20-11 “Cubist Jeu d’esprit,” Santa Barbara Museum of Art 6-10-11 “Trompe-l’esprit: Cubism and the Play of the Imagination,” Kimbell Art Museum, Dallas 4-5-11 Invited presenter, Scholars’ Day, Exhibition, Picasso: Guitars, 1912-1914, Museum of Modern Art, New York 2-11-10 Conversation with Michelangelo Pistoletto, Center for Italian Studies, University of Pennsylvania 10-31-10 Conversation with Michelangelo Pistoletto, Carlos Basualdo, and Germano Celant, The Sixties and Arte Povera, Philadelphia Museum of Art 9-24-10 “Mirroring the Law in Contemporary Art,” Conference, Law and the Image, Swedish National Library, Stockholm 4-22-10 “Dis/fare Mondi: Italian Artists at the Venice Biennale—Michelangelo Pistoletto, Simone Berti, Grazia Toderi,” Center for Italian Studies, University of Pennsylvania 4-14-10 Panel moderator, “Jewish Culture in Maira Kalman’s Work,” held in conjunction with the exhibition, Maira Kalman: Various Illuminations (of a Crazy World), Institute of Contemporary Art, Philadelphia 4-9-10 Panel chair, “Visual Culture,” Symposium, The Thaw: Visual Culture and Beyond, held in conjunction with the exhibition Laughing Matters: Soviet Propaganda in Khrushchev’s Thaw 1956-1964, University of Pennsylvania 2-26-10 “Picasso’s First Constructed Sculpture: A Tale of Two Guitars,” Rose Susan Hirschhorn Behrend Lecture, Philadelphia Museum of Art 11-14-09 "Victory Over the Sun / Anguish of the Machines: Utopian Violence in Post-Revolutionary Futurist Theater," Symposium, FUTURISMO/ FUTURIZM: The Futurist Avant-Garde in Italy and Russia, Yale University 11-06-09 "Futurist Women," Performa '09 and Casa Italiana, New York University, Symposium held in conjunction with the exhibition Le Futuriste, Casa Italiana, New York 10-30-09 Panel discussant, "Sexuality, Film, and Media," Symposium, Women's Studies at Penn: The 35th Anniversary Conference, University of Pennsylvania 11 4-27-09 "The Futurist Noise Machine," keynote address, Conference, Futurism at 100 Years! Royal Institute of Technology, Stockholm 4-18-09 "Conversation with Luca Buvoli," Symposium, The Measurement of a Centenary: Futurism at 100, Harvard University 3-31-09 "Anachro-Futurism: Luca Buvoli's Instant Before Incident," Johns Hopkins University 3-25-09 "Cézanne's Legacy," Marjorie Kopeland Cultural Series, The Kennedy House, Philadelphia 11-21-08 "The Futurist Noise Machine," Symposium, Futurism: Rupture and Tradition, Center for Italian Studies, University of Pennsylvania 9-23 -08 "Glue, Paper, Scissors: Picasso as Bricoleur in 1912," Institute for the Arts and Humanities, Pennsylvania State University 3-1-08 "Vito Acconci's Power Fields," Symposium, Vito Acconci: Public Nuisance, Slought Foundation, Philadelphia 11-13-07 "Noise-Forms: Giacomo Balla and the Politics of Abstraction," Art, Criticism, and Theory Colloquium Series, SUNY Purchase 10-4-07 "Boccioni's Anxious Laugh," University of Delaware 9-28-07 "Joseph Beuys: Fat, Felt and Film," conversation with Lisa Saltzman, Slought Foundation, in conjunction with exhibition German Video From the Collections of the Kunstmuseum Bonn: Joseph Beuys to Today 3-23-07 Respondent, "Usable Pasts: American Art from the Armory Show to Art of this Century," University of Pennsylvania and Philadelphia Museum of Art 1-19-07 Exhibition walkthrough and conversation with artist Luca Buvoli, in conjunction with the exhibition A Very Beautiful Day After Tomorrow, Institute of Contemporary Art, Philadelphia 10-11-06 "Collage as Tradition and Innovation," in conjunction with an exhibition organized by the National Collage Society, Ursinus College 2-24-06 "Picasso's First Constructed Sculpture: A Tale of Two Guitars," Panel, “Cubism Approaching 100: Material Questions,” College Art Association Annual Meeting, Boston 12 4-5-05 "Boccioni's The City Rises: Imagining the Futurist Metropolis," Metropolitan Museum of Art, New York; Italian Studies Colloquium, University of Pennsylvania, 4-7-05 12-01-04 "Picturing Madness in 1905: Giacomo Balla's The Madwoman and the Cycle The Living," Department of the History of Art, Boston University 10-17-03 “Figure della follia nell’arte futurista,” Lecture series, “Sapere & narrare: Figure della follia,” Centro Fiorentino di Storia e Filosofia della Scienza, Società Italiana per lo Studio dei Rapporti tra Scienza e Letteratura, Florence, Italy 1-24-03 “Picasso’s Many Classicisms,” Symposium, The Modern Setting of the Classical Text, University of Pennsylvania 11-16-02 Moderator, Giorgio de Chirico: An International Symposium, in conjunction with the exhibition “Giorgio de Chirico and the Myth of Ariadne,” Philadelphia Museum of Art 5-1-02 “Old Age Styles in Art,” Conference, Time’s Potential: The Past, Present, and Future of Aging, Penn Humanities Forum 4-11-02 “The Synthetic Century—Collage from Cubism to Postmodernism,” Yale University Art Gallery 3-1-02 “Curator’s Perspective/Exhibition Walkthrough,” Conversation with Ingrid Schaffner, on the exhibition, The Photogenic: Photography through Its Metaphors in Contemporary Art, Institute of Contemporary Art, Philadelphia 5-23-01 “The Dialectic of Place: Studio and Gallery in Contemporary Art,” Symposium, Creative Spaces: Artists and their Studios, Wadsworth Atheneum Museum of Art, Hartford 4-17-01 “Picasso and the Question of Style,” University of Pennsylvania Humanities Forum 3-24-01 Panel chair, “High and Low,” Symposium, The Practice of Style: Literature and the Visual Arts from Weimar Classicism to the Present, University of Pennsylvania Humanities Forum 9-4-00 “ ‘Ineluctable Modality of the Visible’: The Experience of Light in Giacomo Balla’s Iridescent Interpenetrations,” 30th International Congress of the History of Art, Comité International d’Histoire de l’Art, London; Department of the History of Art, Rutgers University, 11-07-00 13 2-25-00 “The Return of the Repressed: Tradition as Myth in Futurist Fascism,” College Art Association Annual Meeting, New York 1-22-00 Invited audience respondent, Symposium on Austrian performance and media artist VALIE EXPORT, Moore College of Art and Design, Philadelphia 1-12-00 “Folla/Follia: Futurism and the Crowd,” Princeton Art History Colloquium, Institute for Advanced Study, Princeton University; and Department of the History of Art, Temple University, 2-29-00 11-15-98 “Benedetta Futurista!” lecture held in conjunction with the exhibition La Futurista: Benedetta Cappa Marinetti, Walker Art Center, Minneapolis 9-25-98 Panel co-chair (with Susan Sidlauskas): Theorizing the Space of Gender: Beyond the Private/Public Divide, Symposium in Honor of 25 Years of Women’s Studies at the University of Pennsylvania 3-18-98 “Pop/Abstraction,” lecture in conjunction with an exhibition of this title, Museum of American Art of the Pennsylvania Academy of Fine Arts 9-13-97 “Shadow Proofs,” Symposium, Manipulated Realities: Imagery in the Digital Age, held in conjunction with the exhibition Photography After Photography, Institute of Contemporary Art, Philadelphia 4-5-97 "Picasso's 'Green Period': Collage, Pastiche, and the Ends of Cubism," Symposium, The Rothschild Collection: Collage, Philadelphia Museum of Art 2-14-97 "Following Acconci or Beholding as Transgressive Performance," College Art Association Annual Meeting, New York 2-8-97 "Umberto Boccioni's Domestic and Urban Spaces," Symposium, Conversations on Pictorial Space, in honor of Anne Coffin Hanson, Yale University 8-9-96 "Cézanne and Picasso," Philadelphia Museum of Art 11-3-95 "Dreams of Metallized Flesh: Futurism and the Masculine Body," Symposium, Futurism, Yale University 3-29-95 "Vito Acconci's Bad Dream of Domesticity," Lee Frank Lecture, Swarthmore College 1-11-95 Panelist, discussion held in conjunction with the exhibition Andres Serrano, Institute of Contemporary Art, Philadelphia 14 5-14-94 "Appropriation and Citation in Picasso's Cubism," Print Council of America Annual Meeting, Philadelphia 3-10-94 "Lacerba: Interventionist Art and Politics in Pre-World War I Italy," Barnard College/Columbia University Spring Lecture Series 9-26-93 "Picasso's Wit," National Gallery of Art, Washington D.C. 4-28-93 "Reasons to Move: Vito Acconci's Early Work," Bryn Mawr College, Department of the History of Art Colloquium Series 2-24-93 "Cubism and Futurism in the Age of Relativity," Lecture series on relativity, Smithsonian Museum, Washington D.C. 7-26-92 "Picasso's Cubist Still Lifes," Philadelphia Museum of Art 11-18-91 "Collage/Construction," Symposium, Collage and Montage in Art and Architecture, Graduate Department of Architecture, University of Pennsylvania 10-17-91 "Futurist Collage and Free-Word Poetry in the Service of the War," Graduate School of Design, Harvard University 2-8-91 "Rauschenberg's Allegory of the Fall and Postmodernism," Daniel H. Silberberg Lecture Series, New York University 6-22-90 "La structure allégorique du collage de Picasso," Symposium, Langage et Modernité, Nouveau Musée, Villeurbanne, France 11-11-89 "Braque's Early Papiers Collés: The Certainties of Faux-Bois," Symposium held on in conjunction with the exhibition Picasso and Braque: Pioneering Cubism, The Museum of Modern Art, New York 4-22-89 "Rauschenberg's Allegories: The Myth of Icarus and Artistic Making," American Society for Aesthetics, Philadelphia, PA 4-13-88 Respondent, Lecture by Arthur Danto, "Artifact and Art," University of Pennsylvania 2-14-87 "Mallarmé, Picasso, and the Newspaper as Commodity," College Art Association Annual Meeting, Boston, MA 12-6-86 "The Making of Picasso's Guernica," Spain 1936: A Symposium to Commemorate the 50th Anniversary of the Spanish Civil War, Yale University 15 11-22-85 "Frames of Reference: Table and Tableau in Picasso's Collages and Constructions," Whitney Humanities Center, Yale University 4-1-78 "Savages and Spiritual Gifts: Kandinsky Before the War," Midwest Art History Association Convention, The University of Illinois at UrbanaChampaign AUDIO RECORDINGS/FILMS: Audiotaped conversation on Picasso, incorporated into the special program on Picasso, produced by Susan Lewis for WRTI FM radio, on the occasion of the exhibition Picasso and the Avant-Garde in Paris, Philadelphia Museum of Art, February 2010. Filmed interview, incorporated into “Picasso and Paris,” a film produced by NBC and Studio Ten: Creative Group, in conjunction with the exhibition, Picasso and the AvantGarde in Paris, Philadelphia Museum of Art, February 2010. Filmed interview, incorporated into the documentary “Women and Pop Art,” directed by Glen Holsten in conjunction with the exhibition, “Seductive Subversion: Women Pop Artists 1958-1968,” The University of the Arts, January 2010, aired on public television. Audiotaped commentary, incorporated into the audio tour for the exhibition, Picasso and the Avant-Garde in Paris, Philadelphia Museum of Art, December 2009. Filmed interview, incorporated into "Ave Machina (Instant Before Incident)," part of Luca Buvoli's multi-media installation, "Instant Before Incident (Marinetti's Drive)," The Mattress Factory, Pittsburgh, Summer 2008 and Susan Inglett Gallery, February-March 2009 Vito Acconci: In Conversation (filmed conversation between Acconci and students in the Halpern-Rogath seminar, Acconci Studio, December 9, 2007), DVD co-produced with Aaron Levy, Slought Foundation, 2008 Filmed conversation with Lisa Saltzman, "Joseph Beuys: Fat, Felt, and Film," Slought Foundation, September 28, 2007. Filmed interview on Futurism, incorporated into Luca Buvoli's multi-media installation “A Very Beautiful Day After Tomorrow (Un Bellissimo Dopodomani)," Institute of Contemporary Art, Philadelphia, January-March 1907, and The Arsenale, Venice Biennale, June-November 2007. ACADEMIC AFFILIATIONS (Penn): 2016-17 2012- Steering Committee, Gender, Sexuality, and Women’s Studies Program Professor (secondary appointment), Italian Studies, Department of Romance Languages 16 2010201020092000-04 199819931993-96 1989-91 Member, Gender, Sexuality, and Women’s Studies Faculty Board Core Faculty Member, Gender, Sexuality and Women’s Studies Program Affiliated Professor, Program in Slavic Languages and Literatures Member, Film Studies Committee Member, Center for Italian Studies Board Professor, Graduate Group in Comparative Literature and Literary Theory, Executive Committee Member, 1993-2002 Adjunct Faculty Member, Annenberg School of Communications Member, Women’s Studies Advisory Board PROFESSIONAL MEMBERSHIPS: College Art Association, Modernist Studies Association, Modern Language Association OTHER PROFESSIONAL ACTIVITIES (Selected): 20162016 2015-16 2014-15 2014-15 2012 2012 2012 2012 2011 2011-14 2010-14 2009 2006 2006 2005 2001 1999 1998 19962015 2003-07 1996-2000 19961994-95 Advisory Committee, Barnes Foundation Chair, Review Committee, Department of the History of Art and the Institute of Fine Arts, New York University Referee, National Humanities Center Fellowships Juror, Modern Italian Studies, American Academy in Rome Prize Juror, Dedalus Foundation Fellowships Referee, National Humanities Center Fellowships Referee, American Academy in Berlin Fellowships Juror, Modern Italian Studies, American Academy in Rome Prize Juror, National Collage Society, Exhibition at Ursinus College Referee, Agence Nationale de la Recherche, France Advisory Committee, exhibition: Italian Futurism 1909-1944, Solomon R. Guggenheim Museum, 2014 Advisory Board, Foundation for Self-Taught Artists Referee, American Academy in Berlin Fellowships Juror, National Collage Society, Exhibition at Ursinus College Chair, Modern Italian Studies jury, American Academy in Rome Prize Juror, Modern Italian Studies, American Academy in Rome Prize External Review Committee, Duke University program in Venice, Italy Referee, Killam Research Fellowship, Canada Council for the Arts External Review Committee, Department of Art History, University of Pittsburgh Committee on Modern and Contemporary Art (consideration of planning, acquisitions and de-accessions), Philadelphia Museum of Art Referee, J. Paul Getty Postdoctoral Fellowships in the History of Art and the Humanities Referee, American Philosophical Society Grants Referee, Social Science Research Council, Western Europe Dissertation Fellowships 17 1988 Juror, Whitney Museum Annual Symposium on Twentieth Century American Art CONFIDENTIAL REFEREE REPORTS: Yale University Press, University of Chicago Press, Princeton University Press, Cambridge University Press, University of Pennsylvania Press, Penn State University Press, Getty Publications, Canadian Centre for Architecture, Art History, The Art Bulletin, Word and Image, Rutger's Art Review, Modernism/Modernity, CIS (California Italian Studies), Prentice-Hall Press, Ashgate Press 18
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