ม ส ด ุ อ ก ห ล ก ั า น ง ำ ส ©¥y§©vv¦v§Ø§|yÛ|§©¥w¢|µ±y©²¢|±}³ ³ §|§¢¦}~§§ ©§©Ûªº±ß× «¹|w¢|v§«v§§ ¦v®©§© §¦© §w§©§ª© Ö §y©§ª©Ö ¦©©§¦ §©§¦©§v Ïv§«v§2554 ©w©©½w¢|¦©©§¦ §©§¦©§v ©¥y§©vv¦v§Ø§|yÛ|§©¥w¢|µ±y©²¢|±}³ ³ §|§¢¦}~§§ ©§©Ûªº±ß× «¹|w¢|v§«v§§ ¦v®©§© §¦© §w§©§ª© Ö §y©§ª©Ö ¦©©§¦ §©§¦©§v Ïv§«v§2554 ©w©©½w¢|¦©©§¦ §©§¦©§v ม ส ด ุ อ ก ห ล ก ั า น ง ำ ส Classical Tendencies in the Work of Michelangelo ม ส ด ุ อ ก ห ล ก ั า น ง ำ ส By Autchara Nualsawad A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree MASTER OF FINE ARTS Department of Art Theory Graduate School SILPAKORN UNIVERSITY 2011 ¦©©§¦ §©§¦©§v¢¦©´ Ø©§©Û±¬¹¢| “©¥y§©vv¦v§ ا|yÛ|§©¥w¢|µ±y©²¢|±}³”±¢³§|§¢¦}~§§±ß× «|¹ w¢| v§«v§§ ¦v®©§© §¦©§w§©§ª©Ö ……………………..……........................................................... 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THESIS ADVISOR : ASSOC. PROF.KRISANA HONGUTEN, Ph.D. 276 pp. ม ส ด ุ อ ก ห ล ก ั า น ง ำ ส Of all influences shaping the early work of Michelangelo was that of Classic Art. This research is aimed to study and analyze Michelangelo’s artistic development so that would lead to a better understanding and deeper appreciation for the valuable production of this Renaissance master. According to theoretical studies in Art History and Visual Art, considerable reviews of Classical Antiquity, Italian Renaissance, and the nature of Renaissance Art was undertaken, along with an intensive study in Michelangelo’s life and work before an analytical step would be determined. Consequently, the approach to classical tendencies in his artwork could be inferred from such numerous archives. What best describes Michelangelo’s classical tendencies was in his early work. The inspiration from the art of Greek Classic and Hellenistic period was echoed within his ideally well-built figure, whose elegant pose seemed being less in motion enclosing the force of life within the form. Notwithstanding, his later work masterfully suggested the handsome movement through statuesque and solid human body. Not only was the master work of Michelangelo an inspiration to artists in succeeding expressions that were soon to be recognized as Mannerism and Baroque, but it also owed much to Classic art. While Classicism has had profound root in Western art, it is unquestionable that it has been as well a fundament of Michelangelo’s success in the art world. Department of Art Theory Graduate School, Silpakorn University Academic Year 2011 Student's signature .................................................... 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Available from http://www.google.co.th ¢v}§vªº¦v¥´ اw¢|®¥©§v Apoxyomenos ¦|±´ ر ¸v§ ا||§ª¹±Ø¦v¥¢¦±ßÝ}±}vyy(§ª¹ 14) «¹|µØ±©¹±wا§²ª¹v§Ø§||§² ¢y©¦|}¥¦|±vµØ}§v® اª¹ª¦v¥±v¬¢±ßª¹± ª¹²¥y§|Ú±¸vØ¢¦© § v¦×§Lysippus ¢§}}¥±ß®Ø¦v®¥©§v§± ¬¢Û®²vw¢|vªv¦¹y¬¢® }¦v© Alexander §§(§ª¹ 15) ®Ø§§©©©²×§|·µØ±v¬¢y«¹|³v²¥ª¹ ¾§y¦¥¢|yÛ|¾§´ Ø¢§vªv²× §µ¦|©²¢§§©y¢ªvØ §ª¹15®¥©§v¦v ©¢×¢§± ¬¢}¦v©Alexander §§330 Ïv×¢y©v§ ®|2 3 ©º ±(ا|±ª²|§}©|ª¹ עؾ§©) ª¹§ : Donald E.Strong, The Classical World (London: n.p., 1997), 75. 22 y§|§w¢|¦|² ×|v§±y¬¹¢µ ´¦¹©§µØ¦§§±ßy§±y¬¹¢µ ¢¦ |¦|«¹|¦v}¥®v¾§±¢Øק§|v§©±¢ªº¦¢×§|²|¦|}¥§v¢×§|±×¦´ |§¥©§v¦ Hellenistic±×®¥©§vv× Laocoön (§ª¹ 16) ²¥® ¥©§v®®|Athena ²¥Alcyoneus¥¦²×®§Perganum (§ª¹ 17) §ª¹16 Laocoön §ª¹ 2 ¬¢3 v×¢y©v§ ©¢×¢®|1.85 ± ª¹§: H.W. Janson and Anthony F. Janson, History of Art, 5th Edition Revised (New York : Prentice Hall, 1997), 111. 23 §ª¹17 Athena ²¥Alcyoneus¥©§v®®|}§v²×®§Perganum ¥ ק|166 – 156 Ï v×¢y©v§ ©¢×¢®|2.29 ± ª¹§: Gérard Du Ry 9DQ%HHVWWROOH(Editor), Kunstgeschichte (%G,: %DGHQ-%DGHQ, 1981), 189. ®¥©§v´¦ Hellenistic¦v}¥±Ø²¥v§±y¬¢¹ µ w¢|ק|v§ §v}±v©µ¦º|v§¾§©ºØ§ª¹©ºµ §v±v©}©|}v¥¦¹|¦|y§||§§| ³y|ا|w¢|®¥©§vµ¢×§|ק±ª§²¥´§|y¦º|v§}¦§|¢|yÛ¥v¢§ª¹ w§±¢v§v¸×|´ Ø|§©¥Ø¢yyק|µØ±×v¦|§¥©§v¢¦ª¹||§ª¹ ´¦ªºy¬¢9HQXV GH 0LOR (§ª¹ 18) «|¹ ¾§±¢§v§±y¬¢¹ µ ª¹ × ²¥|ק|§ ª¹w¢|vªv²¥ Nike of Samothrace (§ª¹ 19) ¥©§v®±©§² ×|¦¥ª¹ v¾§¦|v¥¬¢Ïv± ©®×± § ©Î´¦ Hellenistic±©¹´ Øy§´}v¦v§Ø§|yÛ|§¥©§vª¹ ²|«|±¢v¦vÛ×yy§v©¹|w«º¦|¦º¥©§v®± ¬¢´¦ªº}«|ª¦v¥ §¥ ק|y§|§²¢y©²¥y§±ßÝ}±}vyy±×¥©§v®± ¬¢ +HDG RI %HUEHU ¬¢ª¥§© (§ª¹ 20) «¹|®v´±§±±}ا Apollo ² ×| Cyrene ×¢§¦§v§´v§Ø§||§¥©§v®± ¬¢µØvا±wا®×v§¾§±¢´² Ý}±}vyy§v©¹|w«º¦|±×¥©§v®± ¬¢ Head of Man }§v±v§¥Delos (§ª¹ 21) 24 §ª¹18 9HQXVGH0LOR §ª¹2 v×¢y©v§ ©¢×¢®|204 ±©± ª¹§: GéUDUG'X5\9DQ%HHVWWROOH, ed., Kunstgeschichte %G,%DGHQ-%DGHQ186. 25 §ª¹19 Nike ² ×|Samotrace ¥ ק|200 – 190 Ïv×¢y©v§ ©¢×¢®|3.28 ± ª¹§: H.W. Janson and Anthony F. Janson, History of Art, 5th Edition Revised (New York : Prentice Hall, 1997), 106. 26 §ª¹20 ¥©§v®± ¬¢+HDGRI%HUEHU ¬¢ª¥§© ¥©§v ×¢¾§© w§30.5 ±©±¦Ø+HOOHQLVWLF%ULWLVK0XVHXP/RQGRQ ª¹§ : Donald E. Strong, The Classical World (London : Paul Hamlyn, 1965), 95. §ª¹21 ¥©§v®± ¬¢Head of a man from Delos ¥©§v ×¢¾§© w§33 ±©±100 Ïv×¢y©v§ National Museum, Athens. ª¹§ : Donald E. 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§¥v§³±~§¥y§±¬¹¢×§v©¹|´³v¦º|Û®vا|w«º ³¥±}ا ¦|¦ºÛØ¢|±¬¹¢²¥¦§´¥±}ا³§}§v±|¬¹¢µw´·¥®Ø±ß±}ا}«| }¥©¢®×v¦v±w§v¸§²×¦º|¢|¦©ªºv¦²×v¥}§²¥²v«µ¦|®Øyv¦ºµ× ק}¥±ß¦º®Øvy¢|×¢yا²¥¦v§Û§¦©µ×±Ø²Ø²× ®×¦v§ | ²¥¦¥§§´y©Û§§ 19 14 ม ส ด ุ อ ก ห ล ก ั า น ง ำ ส 16 17 18 43 §ª¹32 Raphael Santi : The School of Athens, ¥ ק|y.. 1509 – 1510 }©v®±Ïv, w§500 x 770 ., Ø¢||§(Stanza della Segnatura), ³, y§©v¦ ª¹§ : The School of Athens [Online], accessed 16 May 2009. Available from http://www.google.co.th y§©v×¢|´¦v§Û²¥¢|yÛy§®Øw¢|vªv²¥³¦¥Ø¢´ ر ¸µØ ¢×§|±×¦´v§Ø§|yÛ|§©¥²v§w§¦|±×|§}©vw¢|§§±¢ (Raphael Santi y..1483–1520) “©§¦² ×|¢¥±Û ” (§ª¹ 32) «¹|±wª¥¦¦| Ø¢| צw¢|¦¥§§}®©¢ª¹2 ( Julius II) ª¹§v§¦v§Ûvªv²¥³¦y¾§y¦· ±×±³¢©³±©³±ªª§v¢¦±ßاªºµØ¥Ø¢´ ر ¸«|v§v×¢|´ y§®Øy§§§w¢|± ק¦v§Ûvªv«¹|§±wاv¦y§±ß§Ûw¢|©Î´y ¦Ñᮩ©§ 44 §ª¹33 Plato (اا) §¥±¢ª}§vThe School of Athens ª¹§ : The School of Athens [Online], accessed 16 May 2009. Available from http:// www.wikipedia.org ¦|}¥± ¸µØ}§vv§ª¹ Raphael´Ø´ اw¢|±³¢§Û³§©ª( Leonardo da Vinci y.. 1452 – 1519) ®Ø±ß¦v§Ûª¹¢®Ø² ×|y¦º§±ß²´ اw¢|±³ ¦§±ªvªv®Ø©¹|´ ×(§ª¹ 33) ´ اw¢|µ±y©±¢|±}³(§ª¹ 34) ±ß²´ Øv¦ ´ اw¢|£ª§y©¦( Heraclitus) ¦v¦§§vªvyv×¢³v§ª²¥´ اw¢| Bramante (§ª¹ 35) ±ß²´ Øv¦´ اw¢|w¢|¢®y©( Euclid) ¬¢¢§Ûy©ªª (Archimedes) ¦vy©§Û¦v§§§Û¦v¦§¦vΩvÛ²¥©v§vªv ¢v}§vªº§§±¢¦|´Ø´ اw¢|±¢|(§ª¹ 36) ±ß²´ Øv¦´ اw¢|¢±± (Apelles) }©v§vªv®Øª¬¹¢±ª|´¦y©Ûª¹4 «¹|±ß®Ø±wª§}©v§ 20 ¦|´±¬¢|¢±¢ª²¥¢§}±ß®Ø±wª§± ¬¢w¢|¢±¸v§±¢Û §§¢ªvØ ©ªv§¾§±¢±×ªºw¢| Raphaelµ×±ª|²×¥Ø¢´ ر ¸«|y§v×¢|¬¹´¦v§Û vªv®Ø|ݧ±×§¦º²×¦|¥Ø¢´ ر ¸¢×§|±×¦«|y§§y®©´}w¢|§¢©§±ª´ §¥§§§|©©§v§w¢|vªv²¥³¦ 19 45 §ª¹34 Michelangelo §¥±¢ª}§vThe School of Athens ª¹§ : The School of Athens [Online], accessed 16 May 2009. Available from http:// www.wikipedia.org §ª¹35 Bramante (yª¹¢|¦}§vاw§) §¥±¢ª}§vThe School of Athens ª¹§ : The School of Athens [Online], accessed 16 May 2009. Available from http:// www.wikipedia.org 46 §ª¹36 Raphael (yª¹¢|¦}§vاw§) §¥±¢ª}§vThe School of Athens ª¹§ : The School of Athens [Online], accessed 16 May 2009. Available from http:// www.wikipedia.org v¥²² ×|v§Ñᮩ©§v§²v«¢®×´v|v§µ×ק}¥±ß§|v§±¬¢| v§vy¢| ¬¢§§¢ªv¦º|¦|ª¢©©×¢¦º|©ªy©y§±ß¢®×²¥v§¾§±©ª©w¢| ®Øy´¦¦º¦|}¥± ¸µØ¦}§v¥v® Medici«¹|ª×¾§y¦ª¹¾§´ Ø¢±Ûv§±ß ®Ûv§|w¢|v§Ñᮩ©§v§w¢|¢©§ª Medici±ß¥v®×¢yاª¹¹¾§§}§vv§¥v¢¢§ v©±¬º¢Ø§²¥ v©}v§§y§ «¹|×¢§µØ±wا§ª§§|v§±¬¢|¦º|´¥±²¥×§|¥±²¥µ× ±Ø²Ø²×|v§y©Û§§¢v}§v¥v® Medici}¥±ß®Øvy¢|y¢±Û²Ø §´¥v® Medici¦|µØ±ß¥¦¥§§«|3 ¥¢|yÛ¦¹y¬¢¥¦¥§§ª³¢ª¹ 10 (Pope Leo X y.. 1475-1523) ¥¦¥§§yª±Ûª¹7 ( Pope Clement VII y.. 1478-1534) ¥¦¥§§ª³¢ª¹11 ( Pope Leo XI y.. 1535 – 1605) ©¹|µvק¦º©§w¢| ¥v®ªº¦|µØ±ß¥§©ª² ×|¦¹|±«|2 ¥¢|yÛy¬¢¥§©ª²y±¢ª±¢±©ª (Catherine de Medici y.. 1519-1589) ²¥¥§©ª§±ª±¢±©ª( Maria de Medici y.. 1575 – 1642) ¥v® Medici±ß¥v®ª¹vy¢|y¢±Û§§±v¬¢300 Ï¢±§ª¹ ¥v® Medici±ß®Øy¢|y¢±Ûv¸µØ´ Øv§¦v§«v§yØyا©©§vªv²¥ ³¦±ß¢×§|ª§©v´¥v® Mediciק|µØ¦v§«v§ª²¥®v®vÝ|´ ئv²¥ª ©§|©¥}§v×®×עק|µ×w§§¢©©}§v²y©w¢|¦©©±ß²| 47 v¥Ø¾§y¦ª¹¾§´ Ø¥v® Medici²| §¢¾§§}¬¹¢±ª|²¥±vª©´ زv×|Û¥v® ر ªº§©v´¥v® Medici}«|´ Øv§¢¦Ûyº¾§}¦º|¦v§Û}©vª²¥©Î §×¢ §y¢}v§´ ر|©¦±¬¹¢¾§¾§|©v²¥Ø§|©¹|vעا| ק|·¢×§|§v§ 21±¬¹¢²|´ ر ¸«|y§¹¾§¦¹|y¦¹|²¥¢¾§§}ª¹©¹|´ ×w¢|±¢| ±©¹¦º|²×¦w¢|}©³¢§©©©yª±¢±©ª( Giovanni di Bicci de Medici y.. 1360-1429) ®Øا| §¥¢¦¦¹|y¦¹|©®Û´ زv×¥v® Medici³¦×|v©}v§§y§ ±©ª¬×¢}§v|w¢|±w§±¬¹¢Ïy.. 1348 GiovanniµØ´ ر|©®¥³Û§¢±³ (San Lorenzo§ª¹ 37) ³×§}ا|´ ا©vΩ ³®±±ª( Filippo Brunelleschiy.. 1377-1446) ±ß®Ø¾§±©v§®²³y|v§ªº 22 20 21 §ª¹37 Filippo Brunelleschi : §´³Û§¢±³(San Lorenzo) ±©¹ ا|y.. 1421 ª¹§ : John T. Paoletti and Gary M. Radke, Art in Renaissance Italy (London : Laurence King, 2005), 253. ×¢§´¦w¢|³y©³±¢±©ª(Cosimo de Mediciy.. 1389 – 1464) ¬¢³y ©³®¢Ø §³(Cosimo the Elder) §w¢| Giovanniv¸´ Øv§¦§|اv§«v§ yØyا©©§v§vªv²¥³¦³v×¢¦º|©§¦±³w«º( Platonic Academic) ±¬¹¢ 48 ¦v§yØyا|§w¢|±³ 23 ´Ïy.. 1444 ³y©³®Ø¢§³µØק}ا|§©v©± ³³(Michelozzo di Bartolomeo Michelozzi y..1396-1472) ´ Øا|y §Û² ×|¥v® Medici (§ª¹ 38) ²¥©}§y±|©´v§®¥© §§§Û³y( San Marco) ³×§}ا|}© v§¢¦±}©³y(Fra Angelico y.. 1395–1455) ´ رwª§}©v¥¦v²×|§´ © §² ×|ªº(§ª¹ 39 ) ×¥©§v³§±³( Donatello ¬¢ Donato di Niccolò di Betto Bardi y.. 1386–1466) µØ¦ ¢ §´ Øv²×|§´³Û§¢±³Ø§ ¥©§v®(§ª¹ 40) ¢v}§v¦º¥v® Medici¦|¢¦Û}© v±§³¢®±³ (Paolo Uccello 1397–1475) ²¥}©v קΩ³©Ï( Fra Filippo Lippi y..1406– 1469) }ª¬¹¢±ª|±ßª¹®Ø}¦vv¦´§w¢|}©v² ×|¥v® Medici´Ïy.. 1464 ±¬¹¢³y©³ ®Ø¢§³µØ©ºª©|ק|¢¦µØ©§w¢|±w§µØ¦±vª©´ ØÝ|µØ´Ø±§w¢|³Û§³±³ ´ §¥±¬¢|®Ø|y¥³Û¢×§|§v§×¢y¢±Û 24 22 23 §ª¹38 Michelozzo : y §Û² ×|¥v®±©ª¥ ק|y.. 1445 – 1460 ª¹§ : John T. Paoletti and Gary M. Radke, Art in Renaissance Italy (London : Laurence King, 2005), 259. 49 §ª¹39 Fra Angelico : §¥²×§±ª²¥¥Ø¢¢Ø¦v²×®§§´© §§ §Û³y ا|±¸}y.. 1439 ªÒµØw§2.2 x 2.27 ± ª¹§: Fra Angelico [Online], accessed 16 May 2009. Available from http://www.wikipedia.org §ª¹40 Donatello : §´³Û§¢±³(San Lorenzo) ¥ ק|1437 - 1443 ª¹§ : John T. Paoletti and Gary M. Radke, Art in Renaissance Italy (London : Laurence King, 2005), 254. 50 ¦|}§v³y©³®Ø¢§³©ºª©|±Ï³±¢³y©³±¢±©ª§( Piero de Cosimo de Mediciy.. 1416–1469) µØ±wا§© §v©}v§w¢|y¢y¦¬×¢}§v©§ 25 «|²Øק Piero}¥¢§¦º±§¥ ¦|}§v©§±ªª©µµØ5 ϱw§v¸©ºª©§µ²×´ ¥ ק|ª¹±w§ªª©¢®×v¸µØ´ Øv§¦©©§²w|ק|·yy®×µv¦v§¾§v§yا²¥ v§§y§ Medici¬×¢}§v±}§Ûw¢|®Ø±ß©§µØ±ß¢×§|ª ¢v}§v¦º Piero¦|±ß¦v¥± ª±|©²¥± ª§³§¦º| ¦|¬¢ ±vק·±ß}¾§§v¢ªvØ Piero±ß®Ø©±©¹Ø§| Ø¢|w¢|¥v® Medici«¹|µØ¦v§ ¢¢v²v²×|§´¢×§||§|קv¦y§©¹|´ ×w¢|¥v® Medici³¢¦}~©¥©Î µ±y©±¢|±}³( Michelangelo) Ø¢|ªºØ§|²Ø±¸}´y¦w¢|¢±³±¢±©ª §w¢|±w§ (Lorenzo de Mediciy.. 1449–1492) ¢v}§v¦º±Ï³¦|ק}ا|}©v±¢³v¢³ª( Benozzo Gozzoli y.. 1421–1497) ´ رwª§}©v®±Ïvv§±©§|w¢|3 ³ §}§Û (The Journey of the Magi) ¥¦¦|§´© §Ø¢w¢|¥v®±©ª 26(§ª¹ 41) ¢ªvØ´§}©v® ±Ïvªº§v§w¢|y¾§y¦´¥v®±©ª¢§© Lorenzo de Medici, Piero de Cosimo de Medici 27³²×¥y´§ªº×§|²×|v§Ø±y¬¹¢|¥¦²¥¢§Ûª¹ ® §||§«¹| ¥Ø¢y§¹¾§¦¹|y¦¹|w¢|¥v® Medici´ ر ¸¢×§|¦±} 24 25 §ª¹41 Benozzo Gozzoli : v§±©§|w¢|3 ³ §}§Û (The Journey of the Magi) ¥ ק|y.. 1459– 1461 }©v®±Ïv© §Ø¢w¢|¥v® Medici ª¹§ : John T. Paoletti and Gary M. Radke, Art in Renaissance Italy (London : Laurence King, 2005), 262. 51 v§Ñᮩ©§v§´y¢±Û¥y§±}©×|±¬¢|¢×§|®|´¦ w¢|¢±³±¢±©ª ¬¢¢±¸³®Ø|ק|§( Lorenzo the Magnificent) 28 ±§¥ Lorenzoµ×±ª|´ ر|©¦Ø§v§«v§yØyا©©§v§×§|·w¢|vªv²¥³¦ ²v×± ק¦v§Û§¦©±×§¦º²×¦|´ ر|©¦v§wyØ©¦w¢|vªv²¥ ³¦¢ªvØ 29 Lorenzo¥|§¥©§v¦y§©vµØ±ß}¾§§v²¥µØا| ¥©§v² ×|¥v® MediciµØ}¦¦ San Marco´y¢±Û±¬¹¢¦º|²| ¥©§v± ק¦º´ ةεثv§ª¹¾§y¦ªº¦|±Î±ß³|±ª¢©¥§´Øv§ ¢¦Ûw¢|¥v® Medici 30²¥±ß§ª¹¥¦|yÛw¢|± ק¦v§Û§¦©}© vª±¢v§©v¥©§v²¥}©vª¹ª¬¹¢±ª|«¹|±ß®Øª¹¥v® Medici´ Øv§¢¦Û «|²Øקy¢±Û}¥ªv§vy¢|²±¸}v§v¸§²×±¬¹¢|}§v¥v® Medici«¹|±ß®Øvy¢|ª¹ªy§®Øy§§§²¥± ¸y§¾§y¦w¢|v§«v§v§¾§ ¾§|©¦²¥y©Û§§}«|¾§´ Øy¢±Û¦¹|Ø¢©®ÛØy§ ±}©×|±¬¢|¦º|§|ا± v©}v§±¬¢|²¥v§vy¢|v§«v§²¥©¦«¹| ±ª¥}¦|¬©¢¦¢®Ûª¹Ø¢´ ر¸¦Û² ×|v§Ñᮩ©§µØ±}©|¢v |§}v§±ß®Ûv§|w¢|v§Ñᮩ©§´¢©§ª²¥§y¬ºª³´ª¹ 27 28 52 ²§|v§Ø§|yÛ©¥±¢±¢|Û v¥²v§Ñᮩ©§v§×§|·w¢|vªv²¥³¦¾§µ®×¦§v§´v§ ا|yÛ©¥v§w§ª¹¾§y¦²y©}§v¦º|¦©©²¥¦©§©©¦º| §v¦v ¦v¦|w¢|³§§ª¹v¥}¦v¥}§¢®×¦¹¢©§ª²¥©¦«¹|®vwyØ´¦ ¦ºy¬¢²|¦v¦²¥²|¦§´}¦º±©ª¹y¢v±Ø§©Î´ Øا|yÛ|§©¥§² ©¥vªv²¥³¦«¹|×¢§v¸µØ¦§}v§±ß±¢v¦vÛw¢|±¢|´ª¹ §ª¹42 ¥§Ýv³¦5 ¥y¬¢¥Tuscan, Doric, Ionic, Corinthain, Composite Order ª¹§ : Nancy Ramage H. and Andrew Ramage, Roman Art (Cambridge : n.p. 1991), 36. ¢©©w¢|©¥y§©vÝ|§v«v´|§©¥±¢±¢|Ûv§w§µ×}¥±ß §Ýv¥©§v²¥}©v§Ýv±¢±¢|Û¾§±¢§¥ §Ývvªv²¥³¦(§ª¹ 4 2) §´Ø¢¢v²v²×|¦| ا«v( façade) ²×©µØ ¾§§´Ø´v§¦º¾§ ¦v¦¢§y§²±ªv¦§Ývvªv ¬¢³¦²×¾§§¥vÛ ±ß±§ ¢v(pilaster) ª¹´Ø¥¦ ا«vw¢|¢§y§±¬¹¢±Øv§²×|¬ºª¹ ا«v¢¢v±ß¦º· ¬¢±ß×·´ ر ¸¢×§|¦±}±×|§w¢| Filippo Brunelleschi (y..1377–1446) ²¥ 53 Leon Batista Alberti (y.. 1404 – 1427) ®Ø±ß§©vª¹«v§®²§Ývvªv²¥ ³¦±¬¹¢²| §®²´ ×´|§§Ývª¹±ß±¢v¦vÛ¾§ ¦y¦w¢|v±w§ ¦¢×§|±×Palazzo Rucellai (§ª¹ 43) ª¹¢¢v²³Leon Batista Alberti«¹|²×| ا«v ¢¢v±ß3 ¦º³´Øw¢y©º²¥¥§Ýv Doric Order, Ionic Order ²¥ Corinthain Order w¢|vªv§´Øv²×|²¥²×|¬ºª¹ ا«v¢¢v±ß¦º·²¥±ß×·v§ ¢¢v² ا«v´¦v¥ªºyاy«|v§v²×|¦|§¢vw¢| Colosseum (§ª¹ 44 – 45 ) w¢|³¦ª¹¦|y| |± ¬¢¢®×²¥¦º|¥ |ק¢×§||ק|§Ø§§§§w¢|§ §©v±¢±¢|Û²¥¢§}±ß «¹|´§Ývª¹±ß²|¦§´}´ Øv¦§©v Albertiv¸±ßµØ §ª¹43 Leon Batissta Alberti : Palazzo Rucellai¥ ק|Ïy.. 1446 – 1451 ª¹§ : Palazzo Rucellai [Online], accessed 16 June 2009. Available from http://www.google.co.th 54 §ª¹44 Colosseum ² ×|v|³ ª¹§: Vagn Paulsen, Römische Bildwerke (Königstein im Taunus : n.p., 1964), 52. §ª¹45 §¥±¢ª¦|ا¢vw¢|Colosseum ² ×|v|³ ª¹§: Vagn Paulsen, Römische Bildwerke (Königstein im Taunus : n. p., 1964), 52. 55 © §Santa Maria Novella (§ª¹ 46) ² ×|¢±Ûv¸±ß¢ªv¦¢×§| «¹|w¢|v§¾§ §Ývvªv²¥³¦§¥v۴س¾§ Volute«¹|±ß¢|yÛ¥v¢ «¹|w¢|±§ ¥Ionic Order (§ª¹ 47) w¢|vªv§´Ø´v§¢¢v²v²×|¦| ا«vw¢|© §ªº ³¾§§±¬¹¢×w¢|¢§y§ª¹±ß ا}¦¹Ø§v¦×w¢|¢§y§Ø§×§|ª¹ª®|ª¹± ª¹ ´ ا±wاØv¦¢×§||¦²¥||§ §ª¹46 Leon Battista Alberti : Santa Maria Novella ² ×|¢±Ûا|±¸}±¬¹¢Ïy.. 1470 ª¹§: Santa Maria Novella [Online], accessed 16 May 2009. Available from http://www.wikipedia.org §ª¹47 ¦±§¥Ionic Order ª¹§ : Henri Stierlin, *ULHFKHQODQGg Von Mykene zum Parthenon (Köln : n.p., 1997), 52. 56 |§v§¢¢v² ا«v¢ªv² ×| «¹|ª¹µØ¦²|¦§´}}§v§Ýv³¦ y¬¢© §Sant’Andrea (§ª¹ 48) ² ×|±¬¢|¦¦«¹|±v©}§vv§¾§±¢§®²¥®¦w¢| ³¦(§ª¹ 49) §¥vÛ´ צ|}¥± ¸µØ}§v×¢|¥®|³yØ|w§´ ת¹¢®×|v§|«¹| w§wا|Ø¥®§|±wاª¹± ª¹´¦º²v¦ºª¹2 ±ß اק||³yØ| ¢vצºª¹3 ±ß اק||³yØ|± ¬¢×¢||³yØ|±ß ا}¦¹²© §vªvv§¢¢v²´¦v¥ªº±ß v§¾§±¢§®²§|³y|ا|¥®¦w¢|³¦§§±wاv¦®²© §w¢|vªv §ª¹48 Leon Battista Alberti : Sant’ Andrea ² ×|²¦±©¹Ø§|±¬¹¢Ïy.. 1470 ª¹§: Sant’ Andrea [Online], accessed 16 May 2009. Available from http://www.wikipedia.org 57 §ª¹49¥®¦w¢|}¦v©Constantine ´v|³¥ ק|Ïy.. 312 – 315 ª¹§ : Alda Tarella, Wie erkenne ich RöPLVFKH.XQVWg$UFKLWHNWXU6NXOSWXU3ODVWLN (Stuttgart und Zürich : Malerei, 1987), 17. v§vעا|¢§y§ª¹ª ¦|y§³«¹|±ßª¹©¢×§|§v´¦µ±µÛµØv§§ ±ß¢|yÛ¥v¢ª¹¾§y¦w¢|§Ýv±¢±¢|Û³±©¹Øª¹|§v§¢¢v² vעا|³«¹|ª¬¹¢±ª|ª¹² ×|yw¢|Filippo Brunelleschi¦¹y¬¢³w¢| §© § Santa Maria del Fiore (§ª¹ 50) ¢¦±ß¦¦vÛ² ×|y§×|±¬¢|w¢|y¢±Û Brunelleschi«v§®²v§Ø§|³w¢|³¦}§v §© § Pantheon (§ª¹ 51) «¹| ³y|ا|vעخª±Û²×³w¢| §© §Santa Maria del Fiorevעآ© ¢¦±ß §}§vv§y©y¾§²¥¢¢v²³y|ا|ª¹²|«|¢¦}~©§w¢|§©v®Øªº³w§ ´ ×w¢| §© § Santa Maria del Fiore ² ×|±¬¢|¢±Ûª §±ß®²± ª¹®| ¢¦®||קw¢|³®v±ØرØw¢y©ºªw§ª¹²×|¬ºª¹ ¦|y§ª²|¢¢v±ß×·¢³ ¥¦Ø®v³v²¥µØv§|±w¢|y¾§¢¦±ß¦¦vÛ² ×|y©}¦v®|ª¹|ק|§²¥ ®Û²w¢|³² ×| §© § Santa Maria del FioreµØv§±ß²×²´v§Ø§|³ w¢| §© §¦¹¦º|¢©§ª²¥ª³´¦×¢§²Øv¥¦¹|³w¢| §© § St. Peter (§ª¹ 52) ² ×|v|§©v¦ª¹¢¢v²³ Michelangelo (y.. 1475 – 1564) v¸µØ¦²| ¦§´}}§v³w¢| §© §² ×|ªº±×±ªv¦ 58 §ª¹50 Filippo Brunelleschi : ³² ×| §© §§§Santa Maria del Fiore² ×|¢±Û ¥ ק|Ï y.. 1419 – 1436 ª¹§ : Margaret Aston, ed., The Renaissance Complete (London : Thames & Hudson, 2009), 277. §ª¹51 §© §Phanteon ² ×|v|³ ª¹§: Vagn Paulsen, Römische Bildwerke (Königstein im Taunus : n.p., 1964), 61. 59 §ª¹52 Michelangelo : ³² ×| §© §St. Peter² ×|v|§©v¦±©¹Ø§|±¬¹¢Ïy.. 1547 ª¹§ : Margaret Aston, ed., The Renaissance Complete (London : Thames & Hudson, 2009), 277. §©v´¦±¢±¢|Û©¢¢v²vעا|¢§y§ª¹ª ¦|y§®³²¦| ®v§v§vªv´v¢ª¹± ª¹(Greek Cross Plan) ³}¥±Øת¹±ß³|}¦¦Ø ¦|y§ ®³±×© § San Maria della ConsolazioneTodi (§ª¹ 53) ª¹¢¢v²³ Cola da Caprarola (y.. 1494 -1518) © §² ×|ªºª²¦|±ß®v§v§vªvª³w§´ ×¢®×| v§|²vv§|w¢|© §®v§Ø¢Øw® §± ª¹ª¹¥v¢®×¦º|ª¹Ø§w¢|¦|ª¹¬¹ ¢¢v§w± קªº±ß¢|yÛ¥v¢ª¹×±Øy§³±×²¥y§|ק|§w¢|³´ رצ §v©¹|w«º 60 §ª¹53 Cola da Caprarola : San Maria della Consolazione Todi ±©¹Ø§|±¬¹¢Ï y.. 1508 ª¹§ : Margaret Aston, ed., The Renaissance Complete (London : Thames & Hudson, 2009), 275. v§yت§|¦ª©§ ¬¢ Perspective y¬¢¢ªvÝ}}¦ «¹|ª¹¾§y¦×¢ ¦§v§´v§Ø§||§©¥v§w§´¦±¢±¢|۱ߢק|§vª§|¦ª ©§±v©w«º}§vv§y©y¾§§|y©§Û«¹|¾§´ ةΧ§±wª§´ ت¥¥´vØ µvµØ¢×§|®vØ¢|²×¾§²¥± ¬¢}©|§vª¹§©v±ß©Îvײvª¹y©yØ ¦vv§ §|¦ª©§³¾§§´Øv¦v§vעا|¢§y§×§|·«¹|}¥¾§´ Øv±w§§§y©y¾§µØ ×| اק¢§y§ª¹±¸}®Û}¥ª¦v¥±ß¢×§|µ×¢§ª§|¦ª©§w¢|± ק §©vµØ²× §²¥×|¢©©µ¦|©Î§w§¢¬¹µ×ק±ß¥©§v ¬¢}©vª¹ Ø¢|v§Ø§||§´ ت¥¥±ß3 ©©µØ± ¬¢}©|§§©§v©¹|w«º v§¢¢v²§´© § San Lorenzo (§ª¹ 37) w¢| Filippo Brunelleschiק| µ}§vv§¢¢v²§´³Û© §¦yv§|´Ø§§¥±¢ª±§¥§©v¦¦º¦| Ø¢|´Ø§Ýv² Basilica ª¹ª²¦|±ß®µØv§|±w³¦±ß²²´v§ ¢¢v²³Û© §§|y©Û§§±§¥¦§§|y©Û§§µØ ¢±ß¢¦ «¹|¢¦ ±ªv¦®²§|§Ýv¢×§|²vµ×¢¢v±ª²Ø¦|¦º§©v±¢±¢|Û}«| 61 ¢´}ª¹}¥¦±ª¹v§¢¢v²§´³Û© §±×§¦ºFilippo Brunelleschi´Øª¦ª ©§²v§´Ø±Ø¾§§§±wا®×}®Ûv§|§( Linear Perspective ¬¢Central Perspective) §´Ø´v§¢¢v²§´© § San Lorenzo³´Ø²±§²¥×¢||³yØ|w¢| ³|v§|ª¹±ª|§}§v©¥¦vµ¦|©¥¦¢¢v¦º|w¢y©ºª¹§}§v§«¹|©¹| ±ß²§± ¬¢¦|اw¢|³|v§|±ß¦¾§§§w¢|®Øµ®×³|¦|{vª¹¢®×§| ©¥¦¢¢vv§¢¢v²§´© §¢×§|±ª|ק³¥©º|v§¥¦Ø§®Ýá ²¥}©v§¦|´¦v¥ªºw¢| Brunelleschi±´ ر ¸v§¾§ª§|¦ª©§§ ¥vÛ´Ø´v§¢¢v²§´© §µØ¢×§|||§²¥×§¥¦´}±ß¢×§|©¹| ©Î±¢±¢|Û´ Øy§¾§y¦v¦v§Ø§|¥¥§´§§vv±w§µØ±ª §§²| § ¦vv§²¥±y©y©ªv§×§|·±¬¹¢¾§´ ا}©v²¥¥©§v®® ª¥¥´vصvª¹}©|ª¦ª©§ª¹y©yصز¥©´Øv¦§v´¦¦ºy¬¢¦ª©§ ²Linear Perspective²¥² Aerial Perspective ª¦ª©§² Linear Perspective±ßv§´Ø±Ø¾§§§±wا®×}®Ûv§|±¬¹¢¦v¥¥´w¥ª¹ª¦ª©§ ²Aerial Perspective ±ßv§´ØªØ§|¥¥ ¬¢¦v¥¥³v§y§±wØ ¬¢y§ w¢|ª²¥y§¦±}w¢|±Ø§¥¥ª¹µv§¢¢vµ©Îª¹´ Øy§´}±vª¹v¦v§Ø§| ¥¥´vصvت¦ª©§ªº×´ ×}¥±ß©Î ¦vا ا´¦¦º±× Lorenzo Ghiberti (y.. 1378-1455) Donatello (y.. 1386–1466) Leonardo da Vinci (y.. 1452– 1519) ²¥Giorgione (y.. 1476/78–1510) Lorenzo Ghiberti±ß¥©§vy²v·ª¹¾§±¢§ ¦vv§§|¦ª©§ª¹yØ ³§©v§¥vÛ´Ø´v§Ø§||§¥©§v®¦|}¥± ¸µØ}§vv§¾§ª¦ª ©§²v§´Ø±Ø¾§§§±wا®×}®Ûv§|§´Ø´v§¦v¥¥§´§¥©§v ®ª¹¥¦¥®yÛw¢|© §±}©º¾§Û² ×|±¬¢|¢±Û«¹|×´ צv}¥´Ø §Ýv±ß¦×¦¢×§|±× §v§v¦w¢|v¦©Û Solomon v¦§©ª² ×| Sheba (Solomon and the Queen of Sheba) (§ª¹ 54) Ghiberti ¾§±¢§yy¾§y¦¦º| ¢|yªºv¾§¦|}¦¬¢¦v§v¦´¾§² ×|v§|§×§v§|v×y±ß}¾§§v~§v ¦| w¢|§±ß® ا¦w¢|§Ýv±¬¹¢²|§§´w¢|© §«¹|§}§vv§v²×| ا²¥|§}©v´·¦º|©ºª±ª|w¢y©ºª¹²×|צ|w¢|¢§y§±ß±Ø¾§ §§w¢|®Ø´ Ø×|µ®×³|¦|{v²¥¾§´ ا®ª©© ¬¢ª¥¥ª¹«v±wاµ´§«¹|±ß ±y©y±ªv¦v§¢¢v²§´© § San Lorenzow¢|Filippo Brunelleschi¢v}§vªº Ghiberti ¦|´Ø±§³yØ|v§v§ª¹±ª|Ø¢v¦±ß×¢|·µ×}§vw§´ ×±¬¹¢¢®×´¥¥´vØ ²¥y×¢·w§|±¬¹¢¢®×´¥¥µv±¬¹¢×¾§´ ا®ª¥¥´vصv}©|§v©¹|w«º¢ªv Ø 62 §ª¹54 Lorenzo Ghiberti : v§v¦w¢|§©ª Sheba v¦v¦©ÛSolomon¥ ק|Ïy.. 1425-1452 ¾§©¢|80 x 80 .§¥±¢ª}§v¥®yÛw¢|© §±}© º§¾ Û¢±Û ª¹§: Solomon and the Queen of Sheba [Online], accessed 16 May 2009. Available from http://www.wikipedia.org Donatello ¥©§v±¢v² ×|yر¢±¢|۱ߩΪ¹´}±vª¹v¦v§¾§±¢§ ª¦ª©§§´Ø´v§Ø§|¥¥´vصv§´§§vvק¥©§vy¢¬¹·¦|}¥± ¸ µØ}§v|§¥©§vw¢|±w§¦º|²×©º²v}«|©ºØ§¦¢×§|±×§ ¥©§v®|§±ªº|w¢|v¦©ÛHerod (The Feast of Herod) (§ª¹ 55) ª¹¥¦ § ¢×§|±}©º¾§Û´© §±}©º¾§Û² ×|±¬¢| Siena «¹|Donatello ¾§ª§|¦ª©§²¥ ±y©y §¢×§|±wا§×´v§Ø§|¥¥´vصv´~§v ¦|w¢|§´ ر ¬¢}©|§ §©§v©¹|w«º³±©¹}§vv§§|¢|yÛ¥v¢¾§y¦w¢|§y¬¢v¦©Û Herod Herodias §§w¢| Salome ²¥ §ª¹v¾§¦|¾§§´×ª¥w¢|¦v}¢ ۮر}©º¾§Û 63 (St. John the Baptist) §§´ Øv¦©Û Herod¢¥±µØ|اw¢|§±¬¹¢´ Ø ±ª¹|¢¢v}§v}®Ûv§|w¢|§×v×yyª¹§×´|§±ªº|~¢|®v}¦§|µØ´ w§w¢|§¾§´ جºª¹×v§|w¢|§±Î³×|¢¢v}¾§´ رv©¥¥ª¹«v±wاµ´§ ¢v}§v¦º¢|yÛ¥v¢×§|·²v¦§´§¦|¾§ اª¹×¦v¥¥´ Øv¦§¢ªvØ ±×²v¥±¬º¢|®¬ºª¹©¹|±wا®×}®Ûv§|w¢|§³Ù¥ª¹ª²vز¥Ø§§|§¢®×³Ù¥«¹| ױإ¥v§|w¢|§´ ر ¸¢×§|¦±}²¥×w¢|§Ývª¹¢®×´~§v ¦|w¢| §«¹|±ß|³yØ|´ ×±¸vª¹§|Ø¢ ¦¹v¦±wاµ±ß¦º·¢v}§v¦º Donatello ¦|´Ø w§±¸v´ ײ¥y§ §®ª¹×§|v¦w¢|¢|yÛ¥v¢×§|·§´Ø´v§¢v¥¥´vصv ´ Øv¦§¢ªvرק§ §´~§v ا®Øv¾§¦|¾§ª¥¦v}¢ ۮر}©º¾§Û§ §´ Øv¦©Û Herod ¢¥±ªw¢|ק|v§ª¹ §§v±Ø§w¢|±w§²}¥¬¹ ¢¢v§¢v§´w¥ª¹vק§y´×¢||³yØ|«¹|¢®×ا´w¢|§}¥ªw§ª¹±¸v vק²¥ªw¢|ק|v§ª¹§|vק§v}²}¥± ¬¢±ª|²yק±Ø±×§¦º §ª¹55 Donatello : |§±ªº|w¢|v¦©ÛHerod y.. 1427 ¾§©¢|60 x 60 .§¥±¢ª}§v ¥©§v®¥¦ §¢×§|±}©º¾§Û² ×|© §±}©º¾§ÛSiena ª¹§: Bonnie A. Bennett and David G. Wilkins, Donatello (Oxford : Phaidon, 1984), 162. 64 §ª¹56 Masaccio : µ¥¥²×§±ª¦v}¢ ۮرwªy¦ªÛ ²¥®Ø©}§y y.. 1427 }©v®±Ïv667 x 317 . Santa Maria Novella ¢±Û ª¹§ : Rolf Toman, ed., The Art of the Italian Renaissance : architecture, sculpture, painting, drawing (Köln : Konemann, 1995), 247. v§Ø§|©©|§§´§}©v§|§y×¢wا|¦Ø¢§v±×§ }©v®±Ïvµ¥¥²×§±ª¦v}¢ ۮرwªy¦ªÛ²¥®Ø©}§y (The Holy Trinity with the Virgin, St. John and Donors) (§ª¹ 56) Masaccio (y.. 1401 – 1428) ¾§ ¢|yÛ¥v¢§|³y|ا|w¢|§Ýv§±ß¢|yÛ¥v¢ ¦v´v§Ø§|©©§´ §±×±§ ¢v(Pilaster) ²¥×¢||³yØ|ª¹§|¢®×±§v§yy«¹|±ß®Ø©}§y±|© 65 ´v§±wª§ªºª¹yv±wק¢®×ا¢v¦º|§¥²×§±ª²¥¦v}¢ ۮرwªy¦ªÛ ª¹ ¬w§wا|§´×¢||³yØ|¢|yÛ¥v¢¦º| ªº±ß¦v¾§ ¥¥ª¹×§|v¦´ Øv¦§ ¢|yÛ¥v¢ª¹¾§y¦ª¹w¢|§«¹|¥v¢Ø¥©§¥²¥¥}©®v§|µØ´´} v§|w¢|§×¢||³yØ|ª¹¢®×ا´w¢|§«¹|ªw§±¸vvקע||³yØ|ª¹¢®×ا ا ²¥²±Øw¢|×¢|ª¹± ª¹ª¹¥¦±§³yØ|y¬¢¢ªv¢|yÛ¥v¢ «¹|ª¹×ا|y§«v ´ Øv¦§}§v§ªº±§}¥± ¸×§©ÎµØ´Øª¦ª©§² Central Perspective «¹|ª ¬º §§}§vv§y©y¾§§|y©§Û§×´v§v¾§ ±Øv±Ø´ Ø©¹|±wا®×} ®Ûv§|w¢|§¦¹y¬¢±Øv±Øª¹v¾§ µØ´¢|yÛ¥v¢w¢|§±×²±Øª¹±v©}§v ¦±§ ¢v±§}©|²¥±Øw¢|Ó§±§v±Ø}¥§}v¦ª¹ §w¢|µØv§|±w(§ª¹ 57) §ª¹57 §²|±Ø¦ª©§²Central Perspective w¢|§ µ¥¥²×§±ª¦v }¢ ۮرwªy¦ªÛ ²¥®Ø©}§y ª¹§ : Rolf Toman, ed., The Art of the Italian Renaissance : architecture, sculpture, painting, drawing (Köln : Konemann, 1995), 247. 66 §¢§ §±¸¬º¢Ø§ (The Last Supper) (§ª¹ 58) w¢| Leonardo da Vinci v¸´Ø±y©y©ªv§ª¹yاy«|v¦v¦§ “§µ¥¥²×§±ª¦v}¢ ۮرwª y¦ªÛ²¥®Ø©}§y ” ±×v¦ Leonardo¾§±¢§¥±®¦¹|¥¦¢®×|v§|§¢×§| |קv§|¢¦y§v¦|º 12 yªv¹ §¾ ¦|v´}²¥||| ¦|}§vµØ© ¥¥±ª|w¢|¥ ±®ª¹¦×§ «¹|´v±}ا}¥×¢wا Leonardo ا|©©|´ Øv¦§Øv§v¾§ } ®Ûv§|´v§¢|± ¸´ Øv¦§µØª¹©±|§wا|w§w¢|¥±®}§v¦º}«|v¾§ ´ Ø ±Øv±Øª¹±v©}§vv§§|³y|ا|§|§Ýv±×±§y§w¢y©º²¥ ²±Ø w¢|×¢|ª¹± ª¹ª¹¥¦Ó§±§´ Ø©¹|±wا®×}®Ûv§|ª¹v¾§ µØ (§ª¹ 59) ¢v}§vªº Leonardo ¦|±wª³y|ا|§Ýv§´§Ø¢v¦§Ýv§´ ¢~¦} ¢±ß¢¦ «¹|¢¦±ªv¦}¾§´ خخثv§v¦×§}¥§§±©±wاµ´§ªºµØ (§ª¹ 60) ¢§ §±¸¬º¢Ø§ ±ß¦¢×§|w¢|§±wªª¹¾§ª©§² Central Perspective§´Ø´v§Ø§|¥¥§´§´ Ø}©|²¥®Û²µØ¢×§|¢±ª¹ ª¹ ´y¦ªº §ª¹58 Leonardo da Vinci : ¢§ §±¸¬¢º ا ¥ ק|Ïy.. 1495 – 1498 }©v®±Ïv402 x 910 . Santa Maria della Grazie ©§ ª¹§ : The Last Supper [Online], accessed 16 May 2009. Available from http://www.wikipedia.org 67 §ª¹59 §v§²|±Ø¾§§±wا®}× v§|w¢|§¢§ §±¸¬¢º ا ª¹§: v§ |Û¢±, ±y§¦ª¹µ×¦w¢|“ ¦¦§©ª” (v|±¤ : ©¦¢©Û©º©º| ²¢Û¦©©¹|, 2552), 61. §ª¹60 ¢§ §±¸¬¢º ا §´ ¢~¦´Ý}}¦ ª¹§: v§ |Û¢±, ±y§¦ª¹µ×¦w¢|“ ¦¦§©ª” (v|±¤ : ©¦¢©Û©º©º| ²¢Û¦©©¹|, 2552), 62. 68 §ª¹61 Andrea del Verrocchio ²¥Leonardo da Vinci : v§±}©º¾§Ûw¢|¥±® ¥ ק|Ïy.. 1472-1475 ªº¾§¦²¥ªÒµØ177 x 151 . ¢©ÖUffizi ¢±Û ª¹§ : Daniel Arasse, Leonardo da Vinci, The Rhythm of the Word (New York : Konecky & Konecky, 1998), 47. ¢v}§vª¦ª©§² Central Perspective ²Ø©Î±¢±¢|Û¦|¾§ ª¦ª©§² Aerial Perspective «¹|´Øy§±wØw¢|ª²¥±Ø±ß¦¦v¥¥´ Øv¦ §³v§y§±wز¥y§w¢|±Ø²¥ª|¢×§|y×¢±ßy×¢µ§¥¥´vصv w¢|§±¬¹¢Ø§|©©ª¹}©|¢×§|±ß§©´ Øv¦§¢ªvØ ±y©yv§±wª§´ 69 ¦v¥ªº±ªvק Sfumato «¹|y©yسLeonardo²¥Giorgione (y.. 1476/78 – 1510) ¦¢×§||§§±wªØ±y©yªºµØ²v× v§±}©º¾§Ûw¢|¥±® (§ª¹ 61 – 62) «¹| ±ß|§©º²vw¢| Leonardoª¹±wª×v¦ Andrea del Verrocchio (y.. 1435 – 1448) ¢§}§Ûw¢|±w§§Mona Lisa w¢|Leonardo (§ª¹ 63 – 64) ²¥“The Tempest” (§ ª¹65 – 66) w¢|Giorgione ©Îvק|±©±ßØ §ª¹62 §¥±¢ª}§v v§±}©º¾§Ûw¢|¥±® ª¹§ : Daniel Arasse, Leonardo da Vinci, The Rhythm of the Word (New York : Konecky & Konecky, 1998), 47. 70 §ª¹63 Leonardo da Vinci : Mona Lisa ¥ ק|Ïy.. 1503-1505 ªº¾§¦Ø§´77 x 53 . ©©¦Û§Louvre §ª ª¹§ : Daniel Arasse, Leonardo da Vinci, The Rhythm of the Word (New York : Konecky & Konecky, 1998), 387. §ª¹64 §¥±¢ª}§v§Mona Lisa ª¹§ : Daniel Arasse, Leonardo da Vinci, The Rhythm of the Word (New York : Konecky & Konecky, 1998), 413. 71 §ª¹65 Giorgione : The Tempest y.. 1506 ªÒµw×w§²¥º¾§¦¢¦Ø§´82 x 73 . Venice Accademia, Venice ª¹§ : Sylvia Ferino – Pagden and Giovanna Nepi Scirè, ed., Giorgione : myth and enigma (Milano : Skira, 2004), 189. §ª¹66§¥±¢ª}§v The Tempest ª¹§ : Sylvia Ferino – Pagden and Giovanna Nepi Scirè, ed., Giorgione : myth and enigma (Milano : Skira, 2004), 189. 72 §ª¹67 Leonardo da Vinci : §v§«v§v¥³ vª¥Û ªº¾§¦²¥ªÒµØ177 x 151 . ¢©ÖUffizi ¢±Û ª¹§ : Daniel Arasse, Leonardo da Vinci, The Rhythm of the Word (New York : Konecky & Konecky, 1998), 72. ¦©§©©«¹|²× §´¢©§ª¦¦º×|´ ةα¢±¢|Û´}ª¹}¥ ا||§©¥´ ر ¬¢}©|§§©³´Ø§©±ß²×²¦|¦ºv±w§}«| ¦µ «v§v©¹|}§v§©µ×ק}¥±ß×|§Ò§±w§²×º¾§¾§§ØµØ²¥¢vµØ¢} ª¥w¢|Û²¥¦Û©Î±¢±¢|Û«v§ª¥¦º|§´²¥§¢vw¢|ۢק| ¥±¢ªª¹Ø±¬¹¢ª¹}¥§§±wª§Û´ ر ¬¢}©|²¥ªª¥®vØ¢|§ ¦vv§ ©§y¦|§v ¦v §}§v§×§|v§«v§v§©§yw¢| Leonardo±×v§«v§v¥³ v ª¥w¢|Û (§ª¹ 67) v§«v§vا±¬º¢©±µ × (§ª¹ 68) ²¥ v§«v§¢¦¥ §´w¢|ª (§ª¹ 69) ¦|º v§«v§§±¬¢§§y w¢|Raphael (§ª¹ 70) ¢v}§v¦º©Î±¢±¢|Û¦|y©yرy©yChiaroscuro ´v§±wª§Û´ ت©§ vv«|± ¬¢}©|§§©¢ªvرy©yªº±ß©ªv§µ×yקº¾§ ¦vw¢|ª±¬¹¢´ رv©²| ±|§²¥Ø§|©§²¥y§vv«|´ Øv¦ ®|w¢|Û²¥©|¹ ק|· Masaccio ±ß©Îy²v·ª¹¾§±y©yv§µ×yקy§¢×¢²v×w¢|ª§´Ø´v§Ø§|©§´ Øv¦ ®|w¢|Û´ ر ¬¢}©|§§©±×§}©v®±Ïv v§w¦µ×¢¦²¥¢ª 73 ¢¢v}§vyÛ (The Expulsion Adam and Eve from the Garden of Eden) (§ª¹ 72) ¢v}§v¦º©Î±¢±¢|Û¦|´ Øy§´}×¢v§±wª~§v ¦|w¢|§´ ر ¬¢}©|§ §©«¹|}¥×|´ ا©¦Û±©¹±wا§ª§´§}©v§vw«º}²v¦ ¢¢v±ß§w§ «¹|w¢|v§±wª§}©v¢×§|±ß±¢v±´¦Baroque §ª¹68 Leonardo da Vinci : §v§«v§vا±¬¢º ©±µ ×¥ ק|Ï1510-1511§vv§ «v²¥ ק 28.9 x 19.8 . Winsor Castle, Royal Library ª¹§ : Daniel Arasse, Leonardo da Vinci, The Rhythm of the Word (New York : Konecky & Konecky, 1998), 97. §ª¹69 Leonardo da Vinci : §v§«v§¢¦¥§´w¢|ªy.. 1509 §vv§ «vק²¥¢Ûv ª²|46.7 x 33.2 . Winsor Castle, Royal Library ª¹§ : Daniel Arasse, Leonardo da Vinci, The Rhythm of the Word (New York : Konecky & Konecky, 1998), 281. 74 §ª¹ 70 Raphael : §v§«v§§±¬¢§§y¥ ק|Ïy.. 1504-1505 §vv§ «v²¥¢Ûv ¾§24.3 x 14.8 . British Museum ¢¢ ª¹§ : Bette Talvacchia, Raphael (London : Phaidon Press, 2007), 163. §ª¹71 Masaccio: v§w¦µ×¢¦²¥¢ª¢¢v}§vyÛ ¥ ק|Ïy.. 1426-1427 }©v®±Ïv 208 x 88 . © §±¸vBrancacci ´ §© § Santa Maria del Carmine ¢±Û ª¹§ : Stefano Zuffi, Italian Painting Artists and Their Masterpieces throughout the ages (Cologne : Konemann, 1998), 57. 75 ¢©©w¢|¦©Û©ª¹×§“yקw¢|y¢®×ª¹w¢||§” ¾§´ Øy´¦±¢± ¢|Û§§´Øy§§§w¢|ا||§²¥¬¹¢±ª|´ Øv¦¦±¢|¦|¦º§×¢yا ²¥y ª®Ø¹¾§¦¹|y¦¹|«¹|§y®©´}´y§®Øy§§§y§¾§±¸}´¢§ª²¥ §¥ y§±ß¢®×w¢|±¢|}«|©×§}ا|©Î´ رwª§± ¬¢w¢|±¢|²¥y¢y¦µØ´ ا±¬¹¢¥¦§ª²¥²|«|y§±ß®Øª©®|w¢|§± ¬¢´¦±¢± ¢|Û}¥±Øy§± ¬¢}©|§§©²¥¦v¥¢¦±ßÝ}±}vyy±¬¹¢¥Ø¢ y©v§w¢|®Ø±ß²¢¢v§¢×§|¦±}«¹|}¥×§|}§v§± ¬¢¦y§©vª¹§ y§± ¬¢}©|§§©±wاv¦y§|§¢¦±ß¢y© §ª¹72 Piero della Francesca: Federico da Montefeltro ±y§Û² ×|Urbino y.. 1465 ªº¾§¦²¥ªÒ µØ47 x 33 . ¢©ÖUffizzi ¢±Û ª¹§ : Eleonor Bairati , Piero della Francesca (New York : Crescent Books, 1991), 75. v§±wª§± ¬¢¦±¢±¢|Û´×|²v·©Î}¥©±wª§²| ´ ااwا|«¹|ק}¥±ß±§¥©Î¦|µ×§§²vصwÝ §§|±y©y´v§±wª§ ا|´ ر ¬¢}©|µØ~§v ¦|w¢|§¦v©±wª±ß§©¦Û¢¦vا|´ ×µ§±× §± ¬¢Federico da Montefeltro ±y§Û ² ×|Urbino (Federico da Montefeltro the Counts of Urbino)w¢|Piero della Francesca (y.. 1415 – 1492) (§ª¹ 72) §|y¦º| ©Î¢§}±wª~§v ¦|±ß§ اק|ª¹±Îvا|±¬¹¢²|´ ر ¸©¦Û¢¦vا|µvª¹¢®× 76 §¢v²Øק©Î}¥ª¦v¥Ï¬¢±ß±ª¹}§§×§¢y©v¦v¥w¢|®Ø±ß²µ× ק}¥±ß®×§| ا§²¥¢§Ûy§®Ø«vµØ± ¬¢}©|ª¹²Øv¸§²×v§±wª §± ¬¢´¦v¥ªºv¦®µ×±ß§©§v±×§´±×§¦v±§¥§±wª´ ااwا| ¦v¢|®²w¸|¬¹¢²¥µ×y×¢±ß§©±×§ª¹y²×wØ¢ªw¢|v§±wª§± ¬¢´¦v¥ªº v¸y¬¢¾§´ ا©¦Û±wا§ª§´v§Ø§|§v§´ Øv¦ §²¥¦|¾§´ ةΪ ³¢v§µØÐv¦v¥Ï¬¢´v§±wª§¥±¢ªw¢|±¬º¢Ø§¢§Û²¥¢¦ª§§©ª¹±ß ±y¬¹¢|²×|v§²¥±y¬¹¢|¥¦w¢|®Ø±ß²´ ر ¬¢}©|²¥±ª¹§§v©¹|w«º¢ªvØ §ª¹73 Leonardo da Vinci: ©|§²¥¦|¢ ¥ ק|Ïy.. 1488-1490 ªº¾§¦µØ54.8 x 48.3 . ©©¦Û§Czartoryski Krakow ª¹§ : Daniel Arasse, Leonardo da Vinci, The Rhythm of the Word (New York : Konecky & Konecky, 1998), 396. 77 ¦|}§v¦º¢ªv±ª|µ×vª¹©Ï×¢§©Îv¸§§±ª®Øv§±wª§± ¬¢´ Ø ± ¬¢}©|²¥±ß§©§v©¹|w«º³v¾§ ´ خر߲±¢ª|ª¥µ§|اwا|±ª| ±¸vØ¢ ¬¢²|§´ ا±ª|§´ª¹ × ±×§± ¬¢ ©|§²¥¦|¢ (Lady with an Ermine /Portrait de Cecilia Gallerani) w¢|Leonardo da Vinci (§ª¹ 73) §± ¬¢“Tommaso Inghirami” w¢|Raphael (§ª¹ 74) ²¥§± ¬¢w¢|±}ا±¬¢|± © Leonardo Loredan (Doge Leonardo Loredan) w¢| Giovanni Bellini (y.. 1430 – 1516) (§ª¹ 7 5) §|y¦º|©Î¢§}±wª´ Øyy§´§¢|¢¢v§¢v§±¬¹¢ §§v¦®Ø ¦|±×§± ¬¢§³vاª²| ¬¢§± ¬¢¦±¢|w¢|©Î (Man in a red Turban: Self – Portrait) w¢|Jan Van Eyck (y..1395 – 1441) (§ª¹ 7 6) ±ßØ´ ¥¥ªº©Îµ×y×¢©±wª§©¦ÛµØ´~§v ¦|w¢|§± ¬¢¦²v·²×¦v¥§ª ¾§©´~§v ¦|w¢|§±¬¹¢±Ø´ اw¢|®Øª¹±ß²´ رצ§v©¹|w«º . §ª¹ 74 Raphael: Tommaso Inghirami ¥ ק|Ïy.. 1510-1514 91 x 61 . Palazzo Pitti ¢±Û ª¹§: Bette Talvacchia, Raphael (London : Phaidon Press, 2007), 123. 78 §ª¹75 Giovanni Bellini: Doge Leonardo Loredan ¥ ק|Ïy.. 1501 - 1505ªº¾§¦Ø§´61.5 x 45 . ©©¦Û² ×|§© ¢¢ ª¹§ : Rolf Toman, ed., The Art of the Italian Renaissance : architecture, sculpture, painting, drawing (Köln : Konemann, 1995), 357. §± ¬¢´¦¦º¦v}¥©±wªØªº¾§¦§vvקªÒ±§¥ªº¾§¦ªyקªª¹ Ø¢«¹|´ Øy§×²¥y§vv¬v¦µØªvקªÒª¹ªyקªª¹±¸²¥Ø§²Øקv§ ¾§±¢§¦º|¢|²}¥²vק|v¦v¸§²×©¹|ª¹©Î¦º|¢|vתº´ Øy§¾§y¦¢®×±¢ y¬¢v§¥Ø¢´ ر ¸«|§§|¦|yw¢|®Øª¹±ß²¢¢v§´ ر ¸¢×§|¦±}ª¹ 79 §ª¹76 Jan van Eyck: §³vاª²| ¬¢§± ¬¢¦±¢|w¢|©Îy.. 1 ª¹§ : Timothy Foote, The World of Bruegel (Amsterdam : Time-Life International, 1968), 38. §± ¬¢´¦±¢±¢|Û×´ צv®v´Ø±ß±y¬¹¢|¬¢¥v§¦v§§ w¢|¦ºvy¢|}§|y¦º|¾§´ ا± ¬¢w¢|yy± קªºª¦v¥yاv¦¢§ªÛ §vvק§ª¹±wªµØ±ßª¹¥«v ¬¢¥¦Ø§¦¹µv¦¢×§|±× §± ¬¢w¢| Federico da Montefeltro ±y§Û² ×|Urbino «¹|~§v ¦|±ß§©¦Û¢¦vا|µvª¹ª®±w§ ¦¦Ø¢µ§w¢|±¬¢|Urbino §Ø§±¬¢|ª¹¢®×µv©}v§±ß±ª|}¾§±¸v·× ±Ø´ اw¢|Federico da Montefeltro´ تw§´ קvw«º¦|¦º§©¦Ûw¢|±¬¢| Urbino }«|±ß± ¬¢¦¦vÛª¹²|´ ر ¸¢¾§§}´v§vy¢|ا±¬¢|w¢| Federico da Montefeltro ק±y§Û² ×|Urbino ®Ø©¹|´ עק|²Ø}©|v§¾§±¢´¦v¥ªº¢yØ¢| v¦¢y©w¢|®Øy¦¦º«¹|×|±Øv§²| §±vª©¬¹¢±ª|¢¦±ß¢¥´ Øv¦±¢| 80 §ª¹77 Michelangelo: Giuliano de Medici y² ×|Neumours (§¥±¢ª) ¥ ק|Ïy.. 15261534 ©¢×¢630 x 420. §¥v®±©ª© §San Lorenzo ¢±Û ª¹§ : Charles Sala, Michelangelo Sculpture Painter Architect (Paris : Terrail, 1996), 117. ¢×§|µv¸§v§¾§±¢§± ¬¢´¦±¢±¢|Ûw¢|©Îv¸µ×}¾§±ßØ¢| ±Ø²×y§± ¬¢}©|±¢µ±§¥©Î¢§}Ø¢|±wª§§y§¥|yÛ ¬¢y§«| ¢´}w¢|®Øק}ا|ر×v¦Ø± ªº§± ¬¢yyv¸¢§}}¥®ª ¬¢|§vקy§±ß }©|v¸µØ ¦|¦º¦§v§®|w¢|©¥§± ¬¢´¦±¢±¢|Û }«|±ßv§¾§±¢ y§||§ª¹§¥ ק|y§± ¬¢}©|¢¦±ßÝ}±}vyy²¥y§±ß¢y©±wا Øv¦¦|}¥± ¸µØ¢×§|¦±}}§v¥©§v¦v ©¢×¢® Giuliano de Medici §´ §w¢| ¥v®±©ª´© §San Lorenzo ² ×|¢±Ûw¢|Michelangelo (§ª¹ 77) 81 §ª¹78 Donatello: ¢§ªÛ Gattamelata ¾§©¥ ק|Ïy.. 1444-1453 Piazza del Santo, Padua ª¹§: Bonnie A. Bennett and David G. Wilkins, Donatello (Oxford : Phaidon, 1984), 91. ¦©©²¥¦©§©©ª¹²× §´¢©§ªw¥¦ºµ×±ª|²×¾§µ®× y§©´v§Ø§||§}©v§± ¬¢±×§¦º²×¦|¾§µ®×v§Ø§|¢§ªÛ´ Øv¦®Ø¾§ y¥³Û²v×ا±¬¢|¢ªvØv§Ø§|¢§ªÛ«¹|±y±ßª¹©´¦¢§§}¦v³¦²× µØ ¥|¦vµ§¦¦ÏµØv§§±ß²×²´v§Ø§|¢§ªÛ®ywª¹Ø§´¦±¢± ¢|Û³±~§¥¢×§|©¹|¢§ªÛw¢|}¦v© Marcus Arelius (§ª¹ 28) ¢×§|µv¸§ ¢§ªÛw¢|³¦}¥×|±Øv§±©®±vª©w¢|}¦v©®Ø©¹|´ ×±vª|µv²¥¦v}¥Ø§|w«º ±¬¹¢±ß¥³Û§|v§±¬¢|±ß¾§y¦´w¥ª¹¢§ªÛw¢|±¢±¢|Ûا|w«º±¬¹¢ 82 ±ß¢Û²v׮ؾ§¥³Û²v×ا±¬¢|³µ×y¾§«|קyy®Ø¦º}¥±ßv¦©Û ¬¢w§| ±×¢§ªÛ Gattamelata w¢|Donatello (§ª¹ 78) ²¥¢§ªÛ Bartolomeo Celleoni w¢|Verrocchio (§ª¹ 79) ±ßØ §ª¹79 Andrea del Verrocchio: ¢§ªÛ Bartolomeo Colleoni ¥ ק|Ï y.. 1ª¹§ : Margaret Aston, ed., The Renaissance Complete (London : Thames & Hudson, 2009), 87. ¢×§|µv¸§²§|v§Ø§||§©¥´®²´ ת¹¾§±¢§ ¦vªª¹y©yØ w«º´ ק´Ø´v§Ø§||§´ ر ¬¢}©|§§©v¸µ×´×®²±ª´v§Ø§||§ ©¥´¦±¢±¢|Û±§¥¦|ªvשΪ¹¦|©Ø§||§´²¢y©«¹|¬¢ ®²v§Ø§||§×¢±¬¹¢|§}§v¦³v©y¢§±×±ªv¦¦|¦º®²v§Ø§| |§´¦±¢±¢|Û}«|§§²×|¢¢vµØ±ß2 ²§|y¬¢®²v§Ø§||§² “y¬¹®v±vק”²¥“y¬¹®v´ ×” 83 §ª¹80 Fra Angelico: v§¥v§³¢|v§yÛ|¦ ¥²×§±ª ¥ ק|Ïy.. 1432 – 1433 ªÒµØ 175 x 180 . Museo Diocesano, Cortona ª¹§ : Rolf Toman, ed., The Art of the Italian Renaissance : architecture, sculpture, painting, drawing (Köln : Konemann, 1995), 251. ®²v§Ø§||§©¥¢¦±ß±¢v¦vÛw¢|©Î´v× “y¬¹®v±vק ”y¬¢v§ ±wª§«¹|±Øv§´Øªª¹´²¥±Øª¹¢×¢ §||§×|´ Øyy§´§«¹|¢®×´ ×|קª¹|ק|§ªy§±y¬¹¢µ ײ¥¢×¢Ø¢±×v§¥v§³¢|v§yÛ¦|¥ ²×§±ª (The Annunciation) w¢|Fra Angelico (y.. 1395-1455) (§ª¹ 80) v§Ø§| ¥¥´vصv§´§ªº¦|y|´Ø®²±©y¬¢´Øª¦ª©§²¥v§ÛØv§ w§w¢|®|§´§|§¥¥´vصv±ª|±¸vØ¢ ¬¢v§´Ø±Ø±¢ª|45 ¢|§ ¬¢±Øª¹y³yØ|µ§´§©±¬¹¢¦v¥¥´ Ø«v±wاµ§´§ (§ª¹ 81) ²×}¥µ×ª v§y§y¦w¢|±Ø²¥ª±¬¹¢¢®×´¥¥ª¹ ק|¢¢vµ(§ª¹ 8 2 ²¥ 83) ©Îª¹}¦¢®× ´v×y¬¹®v±vקµØ²v× Fra Angelico (y.. 1395-1455) , Lorenzo Monaco (y..1370-1425) Gentile da Fabriano (y.. 1370-1427) Fra Filippo Lippi (y..1406/8-1469) Alessio 84 Baldovinetti (y..1427-1499) Sandro Botticelli (y.. 1444/45-1510) Pietro Perugino (y.. 1449-1524) ±ßآק|µv¸§©Îy¬¹®v±vק§|yv¸¢§}¦§v§±wª§w¢|±¢| ´ ئ¦Øv§¾§±¢§±y©y©ªv§w¢|©Îy¬¹®v´ ק¥vÛ´|§w¢|v¸µØ¦|}¥ ± ¸µØ¦ ´|§×| ¦|·w¢| Botticelli©Îy¬¹®v±vקyا±×§ y§ ³v±Ø§×¢v§©º¥Ûw¢|¥±®×§v§|± ק§v¢¦µØ²vצv Jerome ¦v Paul ²¥¦vPeter (Lamentation over the Dead Chirst with St. Jerome, St. Paul and St. Peter) (§ª¹ 84) §ª¹81 Fra Filippo Lippi: v§¦vv§¥¥w¢|¥²×§±ª y.. 1459 ªÒµØ127 x 116 . Staatliche Museen, Berlin ª¹§ : John T. Paoletti and Gary M. Radke, Art in Renaissance Italy (London : Laurence King, 2005), 263. 85 §ª¹82 Sandro Botticelli: v§¥v§³¢|v§yÛ|¦ ¥²×§±ª y.. 1489/90ªÒµØ172.5 x 278.5 . ª¹§ : Barbara Deimling , Sandro Botticelli 1444/45-1510 (Koln : Benedikt Taschen, 1994), 64. §ª¹83 §¥±¢ª}§vv§¥v§³¢|v§yÛ|¦ ¥²×§±ª ª¹§ : Barbara Deimling , Sandro Botticelli 1444/45-1510 (Koln : Benedikt Taschen, 1994), 65. 86 §ª¹84 Sandro Botticelli: y§³v±Ø§×¢v§©º ¥Ûw¢|¥±®§× v§|± ק§v¢¦µØ²v× ¦vJerome ¦vPaul ²¥¦vPeter ¥ ק|y.. 1490 -1492 ªÒµØ107 x 71 . Alte Pinakothek, Munich ª¹§ : Barbara Deimling , Sandro Botticelli 1444/45-1510 (Koln : Benedikt Taschen, 1994), 71. ©Îv×y¬¹®v´ ×µØ×v¦²| §²¥y©yرy©y´ ×·§´Ø´v§Ø§||§ w¢|´ Ø®ªy§± ¬¢}©|§§©µ×ק}¥±ßv§¾§±¢§ª¦ª§² Central Perspective ª¹y©yسv§©v§¥vÛ´Ø´v§±wª§´ ت¥¥´vصv¦|§± ¸ (§ª¹ 56-59) ¬¢v§´Ø±y©y Sfumato ª¹y§±wز¥y§w¢|ª²¥y§y¦ w¢|±Ø±¬¹¢¦v¥¥±wاµ§´§(§ª¹ 6 1-66) § ¦vv§w¢|ª¦ª©§² Aerial Perspective¢v}§v¦º¦|y©yرy©yChiaroscuro «¹|´Øv§µ×yקº¾§ ¦vw¢|ª´ رv© ²|±|§±¬¹¢¾§´ Ø®|Ûª©§²¥y§vv«|ª¹± ¬¢}©|§§©¢ªvØ (§ª¹ 85-87) ¦¢×§||§ª¹¦±}w¢|©Îv×y¬¹®v´ ×±× v§«|µØv§|±w¥ ±® ( Crucifixion) (§ª¹ 88) ²¥ y§±Ø§³v×¢v§}§vµw¢|¥±® ( The Lamentation Over the Dead Christ) w¢|Andrea Mantengna (y.. 1430/31-1506) (§ª¹ 89) ²¥v§±{ª¹¥±® (The Flagellation of Chirst) w¢|Piero della Francesca (§ª¹ 90) ©Îª¹}¦¢®×´v×y¬¹®v´ ׵زv× Leonardo da Vinci, Masaccio, Albrecht Dürer (y.. 1471-1528) Rogier van der Weyden (y..1399/1400-1464) ²¥Michelangelo ±ß Ø 87 §ª¹85 Giorgione: ª² ×|Ø¢|×| (Pastoral Concert) ¥ ק|Ï y.. 1509 – 1510 ªº¾§¦Ø§´ 110 x 138 . ©©¦Û§Louvre §ª ª¹§ : John T. Paoletti and Gary M. Radke, Art in Renaissance Italy (London : Laurence King, 2005), 467. §ª¹86 Michelangelo : v¾§±©¢¦¥ ק|Ï y.. 1509–1510 }©v®±Ïv © §Sistine §©v¦ ³ ª¹§ : John T. Paoletti and Gary M. Radke, Art in Renaissance Italy (London : Laurence King, 2005), 467. 88 §ª¹87 Raphael : ¦¥² ×|Galatea y.. 1512 }©v®±Ïv295 x 224 .Villa Farnesina ³ ª¹§ : Bette Talvacchia, Raphael (London : Phaidon Press, 2007), 129. §ª¹88 Andrea Mantegna : v§«|µØv§|±w¥±®¥ ק|Ï y.. 1457 – 1460 ªº¾§¦µØ67 x 93 . ©©¦Û§Louvre §ª ª¹§ : König, Eberhard, ed., The Great Painters of the Italian Renaissance Volume II The Triumph of Color (Konigswinter : H.F. Ullmann, 2008), 78. 89 §ª¹89 Andrea Mantegna : y§±Ø§³v×¢v§}§vµw¢|¥±® y.. 1490 ªÒµØ68 x 81 . Pinacoteca di Brera, Milan ª¹§ : Charlotte Gerlings, 100 Great Atrtists A Visual Journey from Fra Angelico to Andy Warhol, (New York : Gramercy Books, 2006), 127. §ª¹90 Piero della Francesca : v§±{ª¹ ¥±® ¥ ק|Ïy.. 1455 – 1460 ªÒ²¥ªº¾§¦µØ 58.4 x 81.5 . Galleria Nazionale delle Marche, Urbino ª¹§ : Birgit Laskowski, Piero della Francesca 1416/17 – 1492 (Koln : Konnemann, 2000), 78. 90 ±©|¢Ø§ª¹ 2 1 ±}©µ¥, ¥¦©§Û§v¦v§| , ©Ûy¦º|ª¹3 (v|± ¤ : ¢v§ ©Û, 2517), 425. 2 Renaissace, [Online], accessed 20 October 2010. Available from http:// www.wikipedia.org 3 2539), 301. 4 ®²vس¢§, ¥¦©§Û³v, ©Ûy¦º|ª¹2 (v|± ¤ : ¾§¦v©Ûw§´}, ±¬¹¢|±ªv¦, 302. ×¢§|Û²|³±vª, ¥¦©§Û§vyÝ}}¦(y.. 1453 – 1914) (v|±¤: }¡§|v §©§¦, 2520), 23. 6 ®²vس¢§, ¥¦©§Û³v, 302. 7 ±¬¹¢|±ªv¦, 302. 8 ×¢§|Û²|³±vª, ¥¦©§Û§vyÝ}}¦(y.. 1453 – 1914), 22 – 27 . 9 ±}©µ¥, ¥¦©§Û§v¦v§|, 424 – 425. 10 ¢¦Û¦±§ ¥¦²¥y¢¬¹·, ¢§¥¦v ¦|¬¢±ª¥v¢ §©§080 121 (y : y¥¢¦v§Û §©§¦©§v, 2529), 73. 11 ×¢§|Û²|³±vª, ¥¦©§Û§vyÝ}}¦(y.. 1453 – 1914), 4 . 12 ±¬¹¢|±ªv¦. 13 ±}©µ¥, ¥¦©§Û§v , ©Ûy¦º|ª¹3 (¥y : ±wv©}, 2497), 643 – 644. 14 ×¢§|Û²|³±vª, ¥¦©§Û§vyÝ}}¦(y.. 1453 – 1914), 6 – 7. 15 ±¬¹¢|±ªv¦. 16 ²©±ª±¢. ²±ªÛ²¥ª±}ª. µ£¢, ©v¥¦©§Û³v , ² ³y§v§©Û©¡ Û(v|±¤: ±¦¹²}ª³¢v§Îv, 2549), 28 – 29. 17 y¥¢¦v§Û}¡§|vÛ §©§¦, ¢§¦´ × –Ý}}¦ , ©Û y¦º|ª¹6 (v|±¤: ¾§¦v©Û}¡§|vÛ §©§¦, 2538), 29 – 30. 18 v§ |Û¢± , ±y§¦ª¹µ×¦w¢| “ ¦¦§©ª ”, (v|±¤: ©¦ ¢©Û©º©º|²¢Û¦©©¹|}¾§v¦( §), 2552), 18. 19 ±¬¹¢|±ªv¦. 5 91 20 The School of Athens [Online], accessed 16 May 2009. Available from http:// www.wikipedia.org 21 Rolf Toman (ed.), The Art of the Italian Renaissance (Oldenburg : Neue Stalling, 1995), 256. 22 Ibid. 23 ×¢§|Û²|³±vª, ¥¦©§Û§vyÝ}}¦(y.. 1453 – 1914), 12. 24 Rolf Toman, ed., The Art of the Italian Renaissance, (Oldenburg : Neue Stalling, 1995), 257. 25 Ibid. 26 Ibid. 27 Rosa Maria Letts, The Renaissance Cambridge introduction to the history of art, (New York : the Press Syndicate of the University of Cambridge, 1981), 49. 28 Rolf Toman, ed., The Art of the Italian Renaissance, (Oldenburg : Neue Stalling, 1995), 257. 29 ¥®¢§¥ [. §vº¾§ ], ¦µ±wا«|©¥ , ©Ûy¦º|ª¹2 (v|±¤ : 2540), 119. 23 v§ |Û¢± , “Michelangelo Buonarroti ²¥¢Û§w¢|¦¥§§ Julius II”, ´®}©¦©v§³y²vز ×|y§v´ , ©v§©v¢§}§Ûy¥ }©v¥©§v²¥§©Û §©§¦©§vy¦º|ª¹26, 2552 (v|±¤ : ©¦ ¢©Û©º©º|²¢Û¦©©¹|}¾§v¦( §), 2552), 91. ª¹3 ¥¦©ª©²¥|§w¢|Michelangelo §ª¹91 Danielle da Volterra: §± ¬¢Michelangelo ¥ ק|Ïy.. 1550-1555 Leadpoint ²¥ black chalk, traces of white heightening 29.5 x 21.9 . Teylers Museum, Haarlem ª¹§ : Achim Gnann, Michelangelo The Drawing of Genius (Vienna : Albertina, c2010), 385. 92 93 Michelangelo ¬¢Michelagniolo di Ludovico Buonarroti Simoni ±v©±¬¹¢¦ª¹ 6 ª§yy.. 1475 ª¹Caprese (Ý}}¦®Ø}¦vv¦´¬¹¢Caprese Michelangelo) ®×ا±¸v·´ ±¬¢| Casentino ²yØ Tuscany «¹|¢®× ק|}§vy¢±Û¥§60 v©³±) 1 Michelangelo ±ßyª¹¢|´}¾§6 yw¢| Ludovico di Leonardo di Buonarroti Simoni²¥ Francesca di Neri di Miniato del Sera ¥v®w¢|©§ Michelangelo ±ß ¥v®w§|±vקª¹¬±¬º¢§§}§vy² ×| Canossa 2 ©§w¢|Michelangelo¦×|v©}v§ §y§±¸v·×¢}§v²×µ×¥y§¾§±¸}¦v 3×¢§±¬¹¢Lorenzo ®Ø|ק|§² ×| ¥v® Medici w«ºvy¢|y¦ ¢±Û Ludovico }«|µØ¦v§²×|¦º|´ ؾ§|¾§² ×| Podestà (§v±ª²¥§v§) ¥}¾§±¬¢| Caprese±ß±§6 ±¬¢ ¦|}§v¦º Ludovico ²¥y¢y¦µØا§¢®×ª¹ ®×ا±¸v·¬¹¢ Settignano«¹|±ß ®×اv¦ ©²Ø }«|اv¦µ¦|y¢±¸Û²×v×¢ª¹}¥Ø§µLudovico µØק}ا|§w¢|ק|v¦ ©´ ®×ا Settignano´ ر߲ײ¥±ß®Ø±ªº|®Michelangelo ¦|¦º Michelangelo }«|±©³ w«ºª¹ ®×ا² ×|ªº 4 MichelangeloµØ±×§«|ª©´¦±§Ûw¢|´ Ø Giorgio Vasari ®Ø±ß}© v²¥¦v¥¦©§Û©Öª¹¢®××yצ±ªv¦v¦±w§Ý|ק اwاª¢¥µª¢®×ا|v¸ ±§¥±v©´ ±w§ ª¹ª¢§v§©©½² ×| Arezzo w¢|ק²¥µØ®×§v§|©¹²¥yØ¢ w¢|ק|v¦ © 5±¬¢¹ Michelangelo¢§µØ±ª|6 w§§w¢|±w§v¸}§vµ¢×§|µ×ª¦ v¦ ´¦±¸v Michelangelo¢§§§v±w§¦v¢µ© §±¬¹¢y¦¢v|§ }©v²¥¦|¢µ®}©v±wª®¢ªvØ}v¥¦¹|µØ®Ø}¦v²¥±ß §v¦ Francesca Granacci ®Ø±ß©Ûw¢|©Îª¹Ø¢|¥v® Ghirlandaio ª¹ª¬¹¢±ª|´¦¦º Granacci µØ ± ¸y§§§w¢| Michelangelo}«|²¥¾§´ Ø Ludovico §Michelangelo±wاµ§v¦ ±ß©Ûv¦¢§}§Ûw¢|±w§Ø± ªº±¬¹¢¦ª¹1 ±§y.. 1488 w¥ª¹ Michelangeloª ¢§µØ13 Ï Ludovico }«|µØ¾§¦§v¦©Îª¹Ø¢|¥v® Ghirlandaio±¬¹¢´ Ø Michelangelo±ª±wª§¢®×v¦v±w§±ß±§3 Ï 6 0 2 3 4 5 ´¥ ק|ª¹ Michelangelo±ª±wª§v¦ª¹Ø¢|¥v® Ghirlandaio±w§ª ³¢v§µØ«v§|§w¢|©Î¦ºy®¢§©±× Giotto di Bondone (y..˺1267–1337)²¥ Masaccio (y.. 1401 –1428)«¹|ززױߩήØv±©v²§|v§Ø§|yÛ©¥ ² ×|y±¢±¢|Û¦º|©º¦|}¥± ¸µØ}§v ¦v §v§y¦¢v§}©v§¦|«¹|±ß |§w¢|©Î¦º|¢|yªºw¢|Michelangelo±×§¢v§w«º®×|yÛw¢|¦v }¢ ۮز×|¥§ (The Ascension of John the Evangelist into Heaven) (§ª¹ 92 ²¥ 93) ´© §Ø¢ Peruzzi ² ×|© §Santa Croce ¢±Û §¢§ª³Û (The Tribute Money) (§ª¹ 94 ²¥95) ²¥§¢ ¢¦y®Ï±¢Û²}v¦Û ²¥y§§w¢|¢§§ ±ª (Peter Distribute the Goods and Death of Ananias) (§ª¹ 96 ²¥97) ´© §Ø¢ 94 Brancacci ² ×|© §Santa Maria del Carmine ¢±Û Michelangelo±ª±wª§v¦ª¹ Ø¢|¥v®GhirlandaioµØµ×«|ϱw§}«|اµ«v§©¥v¦ Bertoldo di Giovanni (y.. 1420-1491) ®Ø±ß©Ûw¢| Donatello¥©§v±¢v² ×|y±¢±¢|Ûª¹³|±ª©¥´ v§¢¦Ûw¢|Lorenzo de Medici §ª¹92 Giotto : v§w«º®×|yÛw¢|¦v}¢ ۮز×|¥§y.. 1330 }©v®±Ïv© §±¸vPeruzzi ´³ÛSan Croce ¢±Û ª¹§ : Robert Coughlan and The Editor of Time–life Books, The World of Michelangelo 1475-1564 (New York : Time-Life Books, 1966), 28. §ª¹93 Michelangelo : §v§y¦¢v}§v§¥±¢ªw¢||§}©v®±Ïvv§w«º ®× |yÛ w¢|¦v}¢ ۮز×|¥§w¢|Giottoy.. 1490 §vv§²¥ «v31.6 x 20.4 . ©© ¦Û§Louvre §ª ª¹§: Yvonne Paris, Michelangelo 1475-1564 (UK : Parragon Books, 2009), 15. 95 §ª¹94 Masaccio: §ª³Ûy.. 1427 }©v®±Ïv© §±¸vBrancacci ´³Û Santa Maria del Carmine ¢±Û ª¹§ : Robert Coughlan and The Editor of Time–life Books, The World of Michelangelo 1475-1564 (New York : Time-Life Books, 1966), 29. §ª¹95 Michelangelo: §|§y¦¢v§¥±¢ªw¢||§}©v®±Ïv§ª³Û(¦vPeter) w¢|Masaccio¥ ק|y.. 1493 §vv§²¥ «v31 x 18.5 . ©©¦Û§Louvre §ª ª¹§ : Robert Coughlan and The Editor of Time–life Books, The World of Michelangelo 1475-1564 (New York : Time-Life Books, 1966), 29. 96 §ª¹96 Masaccio: ¢¦y®Ï±¢Û²}v¦Û²¥y§§w¢|¢§§±ªy.. 1425-1428 }©v®±Ïv 230 x 162 . © §±¸vBrancacci ´³ÛSanta Maria del Carmine ¢±Û ª¹§: Yvonne Paris, Michelangelo 1475-1564 (UK : Parragon Books, 2009), 15. §ª¹97 Michelangelo: §§±Øvק§y (¦© §×§±ß|§y¦¢v§¥±¢ªw¢||§ }©v®±Ïvw¢|Masaccio´³ÛSanta Maria del Carmine) y.. 1490§vv§²¥ «v 29.4 x 20.1 . 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Casa Buonarroti ¢±Û ª¹§ : Ludwig Goldscheider, 0LFKHODQJHORgSDLQWLQJgVFXOSWXUHgDUFKLWHFWXUH (London : Phaidon, 2004), n. pag. §ª¹100 Donatello : ¥©§v®¹¾§¥²×§±ª²¥¥¥ ק|y.. 1425-1435 ¦v ©¢×¢33.9 x 32.4. w¢|w¦}§vDon de Quincy Adams Show, The Museum of Fine Art ¢¦ ª¹§ : Charles Sala, Michelangelo Sculpture Painter Architect (Paris : Terrail, 1996), 13. 101 §ª¹101 Michelangelo : ¥©§v®®||y§±¸¢Ûy.. 1492 ¦v ©¢×¢80 x 90.5 . Casa Buonarroti ¢±Û ª¹§ : Ludwig Goldscheider, 0LFKHODQJHORgSDLQWLQJgVFXOSWXUHgDUFKLWHFWXUH (London : Phaidon, 2004), n. pag. §ª¹102 Bartoldo di Giovanni : ¥©§v®®||y§y.. 1475 ×¢¾§©43 x 99 . Bargello Museum ¢±Û ª¹§: Yvonne Paris, Michelangelo 1475-1564 (UK : Parragon Books, 2009), 19. 102 §ª¹103 Michelangelo : ¥©§v¥±®®v«|µØv§|±wy.. 1492 - 1493 ²v¥¦vµØ²¥|ª136 x 135 . Santo Spirito ¢±Û ª¹§: Yvonne Paris, Michelangelo 1475-1564 (UK : Parragon Books, 2009), 26. ¥ ק|y.. 1492 – 1493 MichelangeloµØا||§¥©§v²v¥¦vµØ ²¥¥§ª® ¥±®µØv§|±w (Crucifix) (§ª¹ 103) ±¬¹¢¥¦²×®§´© § Santo Spirito ² ×|y¢±Û¢v}§v¦º±w§¦|µØ¦v§×§}ا|´ Øا|¥©§v¦v ©¢×¢±¬¹¢¥¦¢Û§w¢|¦v Dominic (§ª¹ 104) ´© § San Domenico ² ×|±¬¢|³³×§«¹|±ß|§ª¹ Niccolò dell’ Arca (y.. 1435-1494) ¥©§v§ BolognaµØ¦v§×§}ا|´ Øا|yÛw«º²×±w§µØ±ªª©µv×¢ª¹|§ªº}¥¾§±¸} ¥©§vª¹ Michelangeloا|¾§ ¦¢Û§w¢|¦v Dominic ª 3 ©ºµØ²v× ¦v Petronius (§ª¹ 105) ¦v Proculus (§ª¹ 106) ²¥ ±§²¥±©|±ª (Angel Candelabrum) (§ª¹ 107) |§¥©§v± קªº¥Ø¢´ ر ¸«|y§´}v§ ©§yÛ²¥v§«v§¦v¥¢¦×w¢|©ºØ§ª¹²|´ ر ¸ª¥²¥v§±y¬¹¢µ ª¹¢®× §´w¢|®Ø ´×® ¦vProculus ´¦v¥×§§|v§±y¬¢¹ µ §v¦v¾§¦|}¥vا ±Ø§¢¢v§}§v §²¥´ اª¹²|¢§Ûy§®Ø«vª¹±y×|±yª²¥}©|}¦|}¥×§|}§v|§ ¥©§v¢ªv2 ©º¢×§|¦±}²¥}¥ª¦v¥yاy«|v¦¥©§v® David ª¹}¥ ا|¬¹¢±ª|´ Øv¦Michelangelo´±§×¢§(§ª¹ 115) 103 §ª¹104 ¢Û§¦vDomico¥ ק|Ïy.. 1265-1267 Nicola Pisano ±©¹ ا|²¥ Niccolò dell’ Arca y.. 1469-1473 ©¢×¢Basilica of San Domenico, Bologna ª¹§: Yvonne Paris, Michelangelo 1475-1564 (UK : Parragon Books, 2009), 28. §ª¹ 105 Michelangelo : ¦vPetronius¥ ק|Ïy.. 1494-1495 ©¢×¢®| 64 . 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Vatican St. Peter’s, Rome ª¹§: Yvonne Paris, Michelangelo 1475-1564 (UK : Parragon Books, 2009), 35. |§ª¹Ø§|¬¹¢±ª|´ زv× Michelangelo±ß¢×§|§v¥ ק|ª¹¾§¦v¢®×´v| ³y¬¢ ¥©§v¦v ©¢×¢® Bacchuswªº±§ (Drunken Bacchus) (§ª¹ 108) ²¥ Pietà (§ª¹ 109) Bacchuswªº±§ ا|w«º¥ ק|Ïy..1496-1497 «¹|¦© §v¦×§ Michelangelo¦v´ Ø¥y§Û©¦ Raffaele Riario 20±¬¹¢±ßv§µ×³ ²×Giorgio Vasari ²¥Ascanio CondiviµØvק|v¦×§Jacopo Galli §§y§§³¦±¬¹¢Ø§w¢|¥ y§Û©¦Riario±ß®Øק}ا|´ Ø Michelangeloا||§¥©§v® Bacchus ²¥Eros (Ý}}¦® §µ²Ø) ±¬¹¢¥¦´Ø§w¢|±w§ 21 Bacchus ±ß|§¥©§vvת¹ ¥v¢Ø®±±}ا² ×|± ا¢|ײ¥Satyr Ø¢ (±±}اª¹ª®×§|×¢±ßy²¥×¢ 20 108 ק|±ß²¥) «|²Øק¥©§v® Bacchus²|´ ر ¸²|¦§´}}§v©¥y§©v µ×ק}¥±ßv§}¦§|ק§|ª¹||§²¥¦×ª¹®Û|¦²×¦v¥×§§|w¢|±±}اª¹ v¾§¦|¢®×´¢§v§«±§}²}¥|¦µ×µØ±´ ر ¸v§§y§|§¢¦±ß¢y© w¢|©¥y§©v²¥y§±ß}©|w¢|ۮت±¬¢±¬º¢µØ¢×§|¢±ª¹¢ªv¦º|¦|¥Ø¢ y§±¬¹¢w¢|§vªv²¥§³¦ª¹×§±±}اv¸ª¢§Ûy§®Ø«v±×±ªv¦Ûv ¥v§}¥×§|v¦v¸|ª¹±±}اª¢§¾ §}²¥ª¢©©©½´v§¦§©¹|ק|·´ رߵ§ y§Ø¢|v§²¥ªª©¢¦±ß¢¥±×§¦º ¥©§v¦v ©¢×¢® Pietà ±ß|§ª¹Ø§|w«º¥ ק|Ïy.. 1498-1499 |§©ºªºµØا|¬¹¢±ª|´ زv× Michelangelo ±ß¢×§|§v MichelangeloµØ¦v§×§}ا| }§v¦|{§v§¦|¹ ±¬¢¹ Jean de Villiers de la Groslaye ±}ا¢§§² ×|© § St. Denis ´ Øا|¥©§v©ºªºw«º±¬¹¢¾§µ¥¦´© §Ø¢ Petronilla ¬¢© §Ø¢¦¹|± ² ×|© §St. Peter±vק(Ý}}¦¢®×´ Cappella del Crocifisso ² ×| §© §St. Peter v| §©v¦) Pietà ±ß®²v§Ø§||§©¥«¹|¾§±¢§¥²×§±ªv¾§¦|¹¾§µ Ø×¢ ا ¥w¢|¥±®ª¹©º¥Û¢®×¦vw¢|¥§|®²v§Ø§||§©¥´¦v¥ªº ±©¹±v©w«º±ßy¦º|²v´¥±ª¹¢®×§|¢± ¬¢w¢|±¬¢v±w§²¢Ö§§y©Û ª¹13 ¦|¦ºv§¾§±¢§Pietàw¢|Michelangelo }«|¦×§y×¢wا|´ קv¾§ ¦¥± ¢©§ª´w¥¦º Pietàw¢| Michelangelo±ßv§§y§||§ª¹±ß¢y©´² y§©v±wاv¦y§¦§²¥y§±¬¹¢§|y©Û§§µØ¢×§|®Û|¦¦|}¥± ¸µØ }§v¥¦vÛª¹±Ø§³v²¥|©¹|w¢|¥²×§±ª«¹|±ß| اw¢| ©|§¦²vת¹ ©©½×¢| §´×´ اw¢|²×¥ª¹y}¥ª¢§§40 v×§Ïµ× Michelangelo µØ ¢§©§µØק ¥§§w¢|¥y©Û¦º±ß®Ø©©½}©´}¥¢§±¬¢±©§² ×| y§§ª± }ºª |« µ×y|¦±×§¾§µ¥§|}¥µ×¬¹ ²¥×|³µ§¦¥ v§w¢|¥§|}«|®µ×±ª¹²µ§¦|w§±×§¦¦¹µ 22 Pietà ±ß¥©§v ª¹ªy§||§±ß¢×§|©¹| MichelangeloµØا||§©ºªºw«º´w¥±w§ª¹ª¢§µØ±ª|24 ϱק¦º|§ªº±ß|§©º±ªª¹ MichelangeloµØ¦v¬¹¢±¢|±ß§§¥©µØ |§×§“MICHAEL.A(N) GELUS. BOUNARTUS.FLORENT.FACIBAT”vקv¦×§§± ª¹Michelangelo¦v¬¹¢||§ªº±§¥y§³vª¹ªy®×§|§©ºªº±ß|§ª¹ ©Îy¢¬¹¾§µ×´×±w§ 21 109 ¢±Ûy²v(y.. 1501-1505) ´Ïy.. 1501 Michelangelo µØ±©§|v¦µ¦|¢±Û¢ªvy¦º| ¦|}§vª¹ § |Girolamo Savonarola ®v¥§§¢±Ûª¹³v²yØ}¦²wy¢²¥±§±¬¹¢ ¦ª¹23 vv§yy..1498 ³ §±ß®Ø¾§ª¹v×¢´ رv©y§×§§|v§±¬¢|}§v¦º Gonfaloniere Pier Soderiniv¸µØw«ºvy¢|y¦ ²§§¦ ¢±Û¾§|¢®××¢µµØ µ×§v¸©º|±¬¹¢Ïy.. 1512 |§ª¹ Michelangeloا|w«º´×|±§ªºy¬¢¥©§v¥¦²×®§ Piccolomini ´© §² ×|±¬¢| Siena (§ª¹ 110) «¹|¦±ß³y|v§´ ת¹ MichelangeloµØ ¾§¦§×§}ا|v¦¥y§Û©¦ Francesco Piccolomini23 ±¬¹¢¦ª¹ 5 © §y.. 1501 ´ ¦§ªº MichelangeloØ¢|¦v¥©§v ©¢×¢ª¹ªy§®|§1.2 ±±ß}¾§«| 15 ¦×¢§´Ïy.. 1505 ±¬¹¢¦¥§§ Julius II |ª¥¦§´ Ø Michelangelo ±©§|µv|³±¬¹¢Ø§|¢Û§w¢|¥¢|yÛ}«|¾§´ Ø MichelangeloØ¢|¢v±©v ¦§v§×§}ا|ªº¦|¦º}«|ª±ª|¥©§v4 ©º´³y|v§ªº±×§¦ºª¹ Michelangelo ا|±¸}¢¦µØ²v× ¦vPeter (§ª¹ 111) ¦vPaul (§ª¹ 112) ¦v Pius (§ª¹ 113) ²¥¦vGregory (§ª¹ 114) |§¦|º 4 ©ºªºØ§|w«º¥ ק|Ïy.. 1501 – 1504 §ª¹110 ²×®§Piccolomini ´© §² ×|±¬¢|Siena¥ ק|Ïy.. 1483-1504 Andrea Bregno ±©¹ ا|²¥ Michelangelo y.. 1501 – 1504 ©¢×¢ ª¹§ : piccolomini-altar-andrea-bregno [Online], accessed 20 May 2010. Available from http://www.lib-art.com 110 §ª¹111 Michelangelo : ¦vPeter¥ ק|Ïy.. 1501-1504 ©¢×¢®| 124 . © §² ×|±¬¢| Siena ª¹§ : Gabriele Bartz and Eberhard König, Michelangelo Bournarroti, (Cologne : Konemann, 1998), 55. §ª¹112 Michelangelo : ¦vPaul¥ ק|Ïy.. 1501-1504 ©¢×¢®| 127 . © §² ×|±¬¢| Siena ª¹§: Yvonne Paris, Michelangelo 1475-1564 (UK : Parragon Books, 2009), 61. 111 §ª¹113 Michelangelo : ¦vPius¥ ק|Ïy.. 1501-1504 ©¢×¢®| 134 . © §² ×|±¬¢| Siena ª¹§ : Ludwig Goldscheider, 0LFKHODQJHORgSDLQWLQJgVFXOSWXUHgDUFKLWHFWXUH (London : Phaidon, 2004), n. pag. §ª¹114 Michelangelo : ¦vGregory¥ ק|Ïy.. 1501-1504 ©¢×¢®| 136 . © §² ×|±¬¢| Siena ª¹§ : Ludwig Goldscheider, 0LFKHODQJHORgSDLQWLQJgVFXOSWXUHgDUFKLWHFWXUH (London : Phaidon, 2004), n. pag. 112 §ª¹115 Michelangelo : David¥ ק|Ïy.. 1501-1504 ©¢×¢®|516 . Galleria dell’ Accademia, Florence ª¹§: Yvonne Paris, Michelangelo 1475-1564 (UK : Parragon Books, 2009), 43. 113 ×¢§´¦ª¹16 ©| §yw¢|ϱªv¦¾§¦v|§Ò§© §w¢|© §² ×|¢ ±ÛµØק}ا|´ Ø Michelangelo¦v¥©§v ©¢×¢® David (§ª¹ 115) Michelangelo ±©¹¦v¥©§v David ´±Ø§¦}¦Ûª¹13 v¦§w¢|ϱªv¦ |§©ºªºªy§®|§4 ±(5.15 ± §) ا|²Ø±¸}´Ïy.. 1504 |§©º ªº±ß|§©º±ª¹¢ªv©º «¹|ª¹Ø§|¬¹¢±ª|´ زv×±w§´y¢±Û±ß¢×§|§v±¬¹¢ ¥©§vDavidا|±¸}§vv§®Øyyv§Ø§||§µØ±ª¹y§¦º|´} ±©ª¹}¥¾§¥©§v® Davidµ¥¦µØ´Ø¦|ا¢vw¥¦¢¢vw¢| §© § ² ×|y¢±Û¦|¦º¥©§v®ªº}«|®v¾§§¦º|µØª¹ ا Palazzo Vecchio ´±¬¢ © §y.. 1504 ²ª¹¥©§v¾§©® Judith ²¥Holofernesw¢|Donatello 24 ×¢§´±¬¢©| §yy.. 1502 MichelangeloµØ¦×§}ا|´ Ø ×¢¾§©¥©§v® David±¬¹¢×|µ¦|¥±¦¹|±«¹|Ý}}¦µØ® §µ²Ø §ª¹116 Michelangelo : Bruges Madonna¥ ק|Ïy.. 1501 – 1504 ©¢×¢®| 128 . Notre-Dame, Bruges ª¹§: Yvonne Paris, Michelangelo 1475-1564 (UK : Parragon Books, 2009), 59. 114 |§¢ªv©º «¹|ª¹ Michelangeloا|w«º´×|±§ªºy¬¢¥©§v¦v © ¢×¢®¥²×§±ª²¥¥ ¬¢Bruges Madonna (§ª¹ 116) «|¹ ا|±¸}´§Ï y.. 1504 ¦© §v¦×§MichelangeloµØ¦v§×§}ا|}§v Jean – Alexandre Mouscron ×¢yاا®Ø¹¾§§±©´ Øا|®¥²×§±ª²¥¥±¬¹¢¾§µ¥© §µØ´ © §Ø¢¥}¾§¥v®w¢|ª¹¢®×´ §© § Notre – Dame ² ×|±¬¢| Bruges ¥©§v®“¥²×§±ª²¥¥”®v×|w«º±¬¢µ¦|±¬¢|Bruges´±¬¢©| §y y..1505 ²¥¥© §¢®×´© §Ø¢w¢|¥v®Mouscron§}}v¥¦¹|v¦ªº 25 24 §ª¹117 Michelangelo : ¦v²©¥ ק|Ïy.. 1505 – 1506 ©¢×¢®| 218 . Galleria dell’Accademia, Florence ª¹§ : Ludwig Goldscheider, 0LFKHODQJHORgSDLQWLQJgVFXOSWXUHgDUFKLWHFWXUH (London : Phaidon, 2004), n. pag. 115 ±¬¹¢¦ª¹24 ±§y.. 1503 MichelangeloµØ¦v§×§}ا|´ Øا| ¥©§v¦v ©¢×¢®®Ø±}¥12 ¢|yÛ¾§ ¦ §© §² ×|±¬¢|¢±Û³y|v§ªº ±ß³y|v§´ ׫¹|v¾§ ´ Ø©Îا|¥©§vÏ¥¦²×±¬¹¢|}§v´±¬¢ª§yy.. 1505 Michelangelo Ø¢|±©§|µv|³±¬¹¢Ø§||§´ Øv¦¦¥§§ Julius II ¦§ªº}«| ®vv±©vµ±¬¹¢¦ª¹18 ¦§yy.. 1505 |§©º±ªª¹ Michelangeloا|¾§ ¦ ³y|v§ªº²×¦|µ×±¸}y¬¢¥©§v® ¦v²© (§ª¹ 117) ¢×§|µv¸§ ¦© §×§±¬¹¢y¦º|ª¹Michelangelo ª¦§}§v³v¦§¢±Û¥ ק|±¬¢±§ –}©v§y.. 1506 ±w§×§}¥´Ø×|±§ªº¦v¥©§v®¦v²©×¢±¬¹¢±ß v§{ק±§v¸±ßµØ 26 |§Ø§|yÛ´y¢±Û¢v}§v¥©§v¢¦²Ø¦|ª ¥©§v®®¥²×§±ª²¥¥v¦¦v}¢ ÛØ¢®Ø±}©º¾§Û «¹|±ß ©¢×¢ ®|v¢ªv¢|©ºy¬¢ Madonna Teddei (§ª¹ 118) «¹|ا|w«º´¥ ק|Ïy.. 15041505 Ý}}¦¢®×ª¹ Royal Academy v|¢¢²¥ Madonna Pitti (§ª¹ 119) «¹|ا| w«º´Ïy.. 1505 Ý}}¦¢®×ª¹ Museo Nazionale del Bargello±¬¢|¢±Û¢×§|µv¸§ |§¦º|¢|©ºªºv¸¦|±ß|§ª¹¦|¦vµ×±¸}±×±ªv¦ ¢v}§v|§¥©§v²Ø Michelangelo ¦|µØ¦v§×§}ا|´ رwª§ }©v¢ªvرק Doni Tondo ¬¢y¢y¦¦v©½©©½v¦¦v}¢ ۮر}©º¾§Û (The Holy Family with St. John the Baptist) (§ª¹ 120) ª¹Ø§|w«º´¥ ק|Ïy.. 1503 – 1504 Agnolo Doni µØק}ا|´ ةαwª§ªºw«º±¬¹¢±ßª¹¥«v´|§²×||§w¢|±w§v¦ Maddalena Strozzi Doni Tondo¾§±¢§¥²×§±ªv¾§¦|±¢ªºv§µØ§ ¦|±¬¹¢¦ ¥±®Ø¢}§v¦v³}±³ª¦v}¢ ÛØ¢®Ø±}©º¾§Û§vv§¢®×ا ¦|§ vק ×±¬¢ª¹¢®×´~§v ¦|w¢|§²|´ ر ¸«|y§´}ª¥¢¦||§w¢| Û«¹|±ß²|¦§´}}§v©¥y§©v¦¹±¢| 25 116 §ª¹118 Michelangelo : Modanna Teddei¥ ק|Ïy.. 1504-1505 ©¢×¢±Øק®Ûv§| 109 . Royal Academy of Arts, London ª¹§: Yvonne Paris, Michelangelo 1475-1564 (UK : Parragon Books, 2009), 57. §ª¹119 Michelangelo: Madonna Pitti¥ ק|Ïy.. 1505 ©¢×¢85.5 x 82 . Bargello Museum, Florence ª¹§ : Ludwig Goldscheider, 0LFKHODQJHORgSDLQWLQJgVFXOSWXUHgDUFKLWHFWXUH (London : Phaidon, 2004), n. pag. 117 §ª¹120 Michelangelo : y¢y¦¢¦¦v©½©©½²¥¦v}¢ ۮر}©º¾§Û¥ ק|Ïy.. 1503–1504 ªÒ µØ±Øק®Ûv§|120 . ¢©ÖUffizi, Florence ª¹§: Yvonne Paris, Michelangelo 1475-1564 (UK : Parragon Books, 2009), 55. ¢v}§v¦º´×|® §w¢|Ïy.. 1504-1505 Michelangelo¦|µØ¦v§×§}ا| }§vGonfalonier Piero Soderini ´ رwª§}©v®±Ïv¥¦§¦| Gran Consiglio ( Ø¢|¥§² ×|y¦ ) ´ Palazzo della Signoria «¹|Leonardo da Vinci µØ¦v§×§}ا|¢®×v×¢²Ø³±wª§ ®©²¢vª¢§ª (Battle of Anghiari) (§ª¹ 121) × Michelangelo±wª§®©²y©§ (Battle of Cascina) (§ª¹ 122) ¦±ß|§ª¹®Ø ק}ا|¦º|´}´ ةα¢v² ×|yµØ±wª§¥¦v¦¢×§|µv¸§ §®©²¢vª¢§ªw¢| Leonardo da Vinciv¸¾§±ª §v×¢ª¹}¥±¸}®Û±¬¹¢|}§vÝ §§|±y©y´v§ ±wª§}©v²´ ת¹©ÎµØy©yØw«º±¢|²¥¾§§¢|´Ø´v§±wª§ªº× §®²© y©§w¢| Michelangelov¸±¸}²×±ª|² Cartoon ±×§¦º±§¥©ÎµØ v±©v¦§±¬¹¢|}§vØ¢|±©§|µv|³±¬¹¢Ø§||§´ Øv¦¦¥§§ Julius II27 118 §ª¹121 Peter Pual Rubens : ®²© ¢vª¢§ªy¦¢v}§v§}©v§¦|w¢| Leonardo da Vinci §±Ø700 x 170 . ©©¦§Louvre, Paris ª¹§: Arezzo_anghiari_Battle_standard_leonardo_da_vinci_paint .jpg [Online], accessed 30 May 2010 Available from http://www.wikipedia.org §ª¹122 Aristotele (Bastiano) Sangallo: ®©²y©§y¦¢v}§v§Cartoon w¢|Michelangelo y.. 1542 Grisaille on wood 76.5 x 130 . Earl of Leicester Collection, Holkham Hall, Norfolk, England ª¹§ : Achim Gnann, Michelangelo The Drawing of Genius (Vienna : Albertina, 2010), 256. 119 ³yª¹¢|(y.1505 – 1513) y.. 1505 Michelangelo µØ¦v§×§}ا|}§v¦¥§§ Julius II ´ Øا|¢Û §ª¹©¹|´ ×¢¦|v§¾§ ¦}¥w¢|¥¢|yÛ ¦|¦º´±¬¢ª§y±w§}«|±©§|µ ¦|v|³¢ªvy¦º| ¦|}§vª¹}§vµ§«|5 Ïw¥¦º Michelangelo¢§µØ30 Ï¢y §¦¥v§ª¹¾§µ®×v§¦±ª¹²¢Û§²¥v§²vصw¦§v§×§}ا|«|5 y¦º|(§ª¹ 123–127) ¾§´ سy|v§´ ׺ª ¢Ø |´Ø±§´v§Ø§|±ß±§§«|40 Ï}«|}¥ ¾§±¸}±¸}©º} Michelangelo«|v¦vקק±ß³v§vw¢|¢Û§ Julius II ³y|v§ªº±ß³y|v§´ ת¹v¥Ø¦|² ×|v§Ø§|yÛ²¥¦|² ×|}©§v§²v× Michelangelo´¢²v²×µØ¾§y§ww¬¹´}§´ Øv¦±w§´§ ¦|²×§|²²vª¹±w§ ×±©Ý§²¥¦|² ×|v§Ø§|yۢק|±¸ª¹±¬¹¢´ Ø|§©ºªº±ß¢Û§w§ «§«¹|¥v¢µØ¥©§v«|40 ¦¦º}¾§Ø¢|®v¦±ª¹²vصw §×¢ § y¦º|}´ª¹µØv§±ß¢Û§w§±¸v|vק±©§v²¥ª¥©§v¥¦ ±ª|7 ¦±×§¦º(§ª¹ 128) µ×±ª|±×§¦º×¢§§ ¦|³y|v§ªº¦|v¢®×´y§ ¦©¢w¢|©Î®Ø×2 yw¢| Michelangeloy¬¢Pietro Urbano ²¥Raffaello da Montelupo ¢ªvØ 28 Michelangelo µØ¦±|©×§}ا|´ Øا|¢Û§w§´ × «§ªº±ß}¾§«| 10,000 Ducat ²¥}¥Ø¢|×|¢|§§´5 Ϧªª¹¦¥§§ Julius II ¢±|©|²v }¾§1,000 Ducat´ Ø Michelangelov¸µØ±©§|µy¦±¬¢v ©¢×¢Ø±¢|ª¹±¬¢| Carrara «¹|±ß± ¬¢| ©ª¹ªª¹w¢|¢©§ª²¥w¢|³v¥©§v ×Ø¢|¾§¦v¢®×´±¬¢| Carrara ±¬¹¢y¦±¬¢v ©¢×¢±ß±§§«|8 ±¬¢¦º|²×±¬¢±§-¦§yy.. 1505 ¦|}§v¦ºMichelangelo }«|v¦§ª¹v|³±¬¹¢¢ ©¢×¢ª¹×|§§|±¬¢²×±¬¹¢±¬¢§«| ²Øv¸µ×§§±ª×§µØ±§¥§¦²|§v}±¬¢v ©±v¬¢×«|²Ø}¥w © ¢¢v}§v±¬¢µØ¢×§|¢¦²×º¾§´²×º¾§v¦±¢×¢Ø× ©}©±ß± ´ صק§w ©w«º§µØ²¥ª¹y¬¢¢y²vw¢|v§Ø§|¢Û§² ×|ªº 29 27 28 120 §ª¹123 ¦ §³¢§w¢|²×§|¢Û§w¢|¦¥§§Julius II §Ïy.. 1505 ª¹§ : Gabriele Bartz and Eberhard König, Michelangelo Bournarroti, (Cologne : Konemann, 1998), 61. 121 §ª¹124 ¦ §³¢§w¢|²×§|¢Û§w¢|¦¥§§Julius II §Ïy.. 1513 ª¹§ : Gabriele Bartz and Eberhard König, Michelangelo Bournarroti, (Cologne : Konemann, 1998), 61. 122 §ª¹125 ¦ §³¢§w¢|²×§|¢Û§w¢|¦¥§§Julius II §Ïy.. 1516 ª¹§:v§ |Û¢±, “Michelangelo Buonarroti ²¥¢Û§w¢|¦¥§§ Julius II”, ´³y ²vز ×|y§v´ , ©v§©v¢§}§Ûy¥}©v¥©§v ²¥§©Û §©§¦ ©§vy¦º|ª¹26, 2552 (v|±¤: ©¦ ¢©Û ©º©º|²¢Û¦©©¹|}¾§v¦( §), 2552), 100. 123 §ª¹126 ¦ §³¢§w¢|²×§|¢Û§w¢|¦¥§§Julius II §Ïy.. 1532 ª¹§:v§ |Û¢±, “Michelangelo Buonarroti ²¥¢Û§w¢|¦¥§§ Julius II”, ´³y ²vز ×|y§v´ , ©v§©v¢§}§Ûy¥}©v¥©§v ²¥§©Û §©§¦ ©§vy¦º|ª¹26, 2552 (v|±¤: ©¦ ¢©Û ©º©º|²¢Û¦©©¹|}¾§v¦( §), 2552), 106. 124 §ª¹127 Michelangelo : ¢Û§Julius II¥ ק|Ïy.. 1505 – 1545 ©¢×¢®| 218 . San Pietro in Vincoli, Rome ª¹§ : Ludwig Goldscheider, 0LFKHODQJHORgSDLQWLQJgVFXOSWXUHgDUFKLWHFWXUH (London : Phaidon, 2004), n. pag. 125 ¢yª¹¢|y¬¢±¬¹¢|}§v´×|±§¦º¦¥§§Julius IIv¾§¦| v ×¢®×v¦ v§§|²±¬¹¢×|©|©²ª¹ªª¹w¢|y©}¦vv¦y¬§¦|¦º¥¢|yÛ}«|Ø¢|v§±|© ±ß}¾§§v¾§ ¦¾§|y§×|´ Ø¥¢|yÛØ¢||}¾§´}¦|¥§´v§Ø§| ¢Û§w¢|¥¢|yÛ|ر ªº¥¢|yÛ}«||ק±ª¹|²¥µ×¢´ Ø Michelangelo ±wا±Ó§ ¢ªv¦º|¦|µ×|¦«|±¬¹¢|v§Ø§|¢Û§v¦ Michelangelo¢ªvØ §v§Û|¦ vק¾§´ Ø Michelangelo®Ø«v± ¬¢®v®®v® ©¹²¥®v± ª¹¾§¦v©½ª ¢×§|²| ±w§}«|¦©´} ªv¦µ¦|¢±Û±¬¹¢¦ª¹17 ±§y.. 1506 y§w×wØ¢| ¢|´}w¢|±w§§v¦´} §}§v¢±Û|¦ª¹ 2 }©v§y.. 1506 «|±¬¹¢ §¢±Û Giuliano da Gallo §©v²¥©vª¹¾§|§¢®×ª¹v|³´±§¦º ±×±ªv¦ ¾§ ¦±¬¹¢|v§}§v§w¢|wا±ßy§¦Ûª¹wاµØ©¢|yÛ¦¥§§¦´¦ ±§Ûw¢|±v§¢ª±¢Ûw¥¥¦¦¹|¢®×v¦×§|¢|²¥±}اv©ªv§×§¥¢|yÛ}¥µ×| }ק±|©¢ªv§|yÛ²|±ª¾§ ¦ ©¢×¢µ×ק}¥vØ¢´ × ¬¢±¸v«¹|¾§´ Øwا¥ §´}§v ¢×§|µv¸ªv×¢ª¹wا}¥¢¢v§wاµØ®w¢´ Ø¥¢|yÛ|¢¦©|¥§× «¹|±¬¹¢wا}¥ §§¾§|§×¢µµØ²×¥¢|yÛv¦¦×§´ Øwا§±wا±Ó§¢ªvy¦º|´¦}¦Û}§v¦ºv¸| ¦±ß¦¢¦|y§¦²Øv¸¦ ¦ª©¹|ªº¥¢|yÛ±¢|×¢®Ø²v×¥¦ªØ§¦±§Û ¢±Ø§wاv¸®vy§¢¢v§®´ Ø®vv¸y¬¢®vµ×¢¢v§¦¹±¢|...¥¢|yÛ|¾§´ Øwاy©×§ 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San Pietro in Vincoli, Rome ª¹§ : Ludwig Goldscheider, 0LFKHODQJHORgSDLQWLQJgVFXOSWXUHgDUFKLWHFWXUH (London : Phaidon, 2004), n. pag. 131 ¥©§vª¹¥¦¢Û§ªºª±ª| Moses (§ª¹ 129) ¦±ª±×§¦ºª¹ ا|±¸}®ÛØϬ¢w¢|Michelangelo«¹|±w§µØ´Ø±§´v§¦v²¥w¦© ©¢×¢±ß ±§§vק30 Ïy§´ ׳³ ¡§w¢|¥©§v® Moses «¹|ªy§®|«|2.52 ±ªº¾§´ ئ© §µØק¥©§v®ªº±©×§}¥®vv¾§ ´ ا|µØ©±Ø§ w¢|¢Û§¦|ª¹ §v´²×§|¢Û§Ïy.. 1505 (§ª¹ 124), 1513 (§ª¹ 125) ²¥1516 (§ª¹ 126) ر ªº±¬¹¢ Moses®v¾§§§|µØ´¥¦§§}«|®ªw§ ´ ׳³ ¡§§vvק¥©§v®¢¬¹·}¾§´ Ø¢Û§w§y§vv¬§|ا ¢|yÛ¥v¢¢v}§v¦º¥©§v Moses¦|w×¥©§v®¢¬¹ª¹¢®×Ø¢¢´ Ø®ª w§±¸v|vקy§±ß}©|¢ªvت¹¾§y¦y§|§|ק¢¦®Û²¢×§|µØª¹©w¢| Moses¦|¾§´ Ø¥©§v®ªº³±×± ¬¢vק¥©§v®¢¬¹· ¾§ ¦¥©§v ¢ªv2 ¦y¬¢“Rachel” (§ª¹ 130) ²¥ “Lea” (§ª¹ 131) «|²Ø Michelangelo}¥¦vØ ±¢|v¸§²×´w¦º¢Ø§±w§v¸µØ¢ §´ ةήØױ߮ؾ§²µ×ק}¥±ßv§ v²×|§¥±¢ª ¬¢v§w¦© ©¢×¢ §ª¹130 Michelangelo : Rachel y.. 1542 ©¢×¢®| 197 . San Pietro in Vincoli, Rome ª¹§ : Ludwig Goldscheider, 0LFKHODQJHORgSDLQWLQJgVFXOSWXUHgDUFKLWHFWXUH (London : Phaidon, 2004), n. pag. 132 §ª¹131 Michelangelo : Lea y.. 1542 ©¢×¢®| 209 . San Pietro in Vincoli, Rome ª¹§ : Ludwig Goldscheider, 0LFKHODQJHORgSDLQWLQJgVFXOSWXUHgDUFKLWHFWXUH (London : Phaidon, 2004), n. pag. ¢v}§v¥©§v Moses, Rachel²¥ Lea²Ø¦|ª¥©§vª¹¢®×´ ³y|v§¢Û§Julius II²×¦|ا|µ×±¸}¢ªv §¦¢¦µØ²v×¥©§v® § ®Ø´vØ©º§ (Schiave morente) (§ª¹ 132) §v (Schiavo ribello) (§ª¹ 133) § × (Giovane Schiavo) (§ª¹ 134) §®Øª±y§ (Schiavo barbuto) (§ª¹ 135) §®Ø v¾§¦|¬¹ (Schiavo ridestantesi) (§ª¹ 136) ²¥§Atlas (Schiave Atlaste) (§ª¹ 137) |§± קªºØ§|w«º´¥ ק|Ïy.. 1514 – 1533 ¢v}§vªº¦|¦© §v¦×§ Victoria (§ª¹ 138) v¸×§}¥±ß¥©§vª¹µØا|w«º±¬¹¢¥¦¢Û§ Julius II ±×v¦ v§ª¹³y|v§Ø§|¢Û§ªº®v±ª¹²|¦º|®²²¥®v¦|¥§| §×¢ §y¦º|¾§´ Ø´ª¹¥©§vªºØ¢|®v¦¢¢v}§v³y|v§µ³©§ «|²Øק¥©§v± קªº©µØ®v¾§µ¥¦µØª¹¢Û§ Julius II ¦|ª¹ Michelangelo¦º|´}µØ¦º|²×²vv¸§²×y§||§ª¹±ß±¢v¦vÛ¢¦³±×w¢| ¥©§v± קªºv¸§§¾§´ Ø®Ø}©§v§µØ«|y§©¹|´ ×¢¦|v§w¢|³y|v§ ¢Û§ Julius II µØ¢×§|²}ײ}Ø|©¹|µvק¦º¦|¥Ø¢´ ر ¸«|¢¦}~©§w¢| Michelangelo®ØµØ¬¹¢×§±ß¢¥©§v±¢v² ×|y±¢±¢|Ûw¢|¢©§ª²¥w¢|³v¢ªv Ø(§ª¹ 139) 133 §ª¹132 Michelangelo : §®Ø´vØ©º§¥ ק|Ïy.. 1514-1516 ©¢×¢®| 229 . © ©¦Û §Louvre Paris ª¹§ : Gabriele Bartz and Eberhard König, Michelangelo Bournarroti, (Cologne : Konemann, 1998), 63. 134 §ª¹133 Michelangelo : §v¥ ק|Ïy.. 1514-1516 ©¢×¢®| 229 . ©©¦Û§ Louvre Paris ª¹§ : Gabriele Bartz and Eberhard König, Michelangelo Bournarroti, (Cologne : Konemann, 1998), 62. 135 §ª¹134 Michelangelo : § ×¥ ק|Ïy.. 1530-1533 ©¢×¢®| 263 . Galleria dell’Accademia, Florence ª¹§ : Joachim Poeschke, Michelangelo and His World (New York : Harry N. Abrams, 1996), n. pag. 136 §ª¹135 Michelangelo : §®Øª±y§¥ ק|Ïy.. 1530-1533 ©¢×¢®| 261 . Galleria dell’Accademia, Florence ª¹§: Yvonne Paris, Michelangelo 1475-1564 (UK : Parragon Books, 2009), 76. 137 §ª¹136 Michelangelo : §®Øv¾§¦|¬¹¥ ק|Ïy.. 1530-1533 ©¢×¢®| 277 . Galleria dell’Accademia, Florence ª¹§: Yvonne Paris, Michelangelo 1475-1564 (UK : Parragon Books, 2009), 75. 138 §ª¹137 Michelangelo : § Atlas¥ ק|Ïy.. 1530 -1533 ©¢×¢®| 277 . Galleria dell’Accademia, Florence ª¹§ : Gabriele Bartz and Eberhard König, Michelangelo Bournarroti, (Cologne : Konemann, 1998), 35. 139 §ª¹138 Michelangelo : Victoria¥ ק|Ïy.. 1525 – 1530 ©¢×¢®| 261 . Palazzo Vecchio, Florence ª¹§ : Frank Zöllner and Chrifstof Thoenes, Michelangelo 1475-1564 Life and Works, (Koln : Taschen, 2010), 220. 140 §ª¹139 Lodovico Pogliaghi : ¦ §³¢§w¢|²×§|¢Û§Julius II §Ïy.. 1505 ª¹§ : Frank Zöllner and Chrifstof Thoenes, Michelangelo 1475-1564 Life and Works, (Koln : Taschen, 2010), 60. ¢±Ûyª¹¢|(y.. 1513-1534) ´Ïy.. 1513 ¦|}§v v§±wª§}©v®±Ïv¥¦±§´© § SistineµØ±¸}©º |²Ø Michelangelo}«|µØ±©§|v¦µ¦|¢±Û¢ªvy¦º|«¹|±ß ×|±§ª¹ ¥v® Medici v¦§ª¢¾§§}¢ªvy¦º|w¥¢±Û¢®×§´Øv§vy¢|w¢| Giovanni de Medici «¹|×¢§y¬¢¦¥§§ Leo X ²¥Giuliano de Medici y² ×| Nemours ²× ¦|}§v¦º´Ïy.. 1527 ¥v®Medici v¸Ø¢|®±ª¢¾§§}§|v§±¬¢|µ¢ªv ¢±Û}«|v¦y¬®×v§vy¢|¥¢§§¦ ¢ªvy¦º|²×´Ïy.. 1529 ¥v® Medici v¸§§v¦§±¬¢|¢¾§§}µØ¢ªv±×±©Øv§¦w¢|}¦v© Charles V ² ×|± 42 41 w¥ª¹ Michelangelo¾§¦v¢®×´Ø§±v©¥ ק|Ï y.. 1513 -1534 ±w§µØ ا|yÛ|§¾§y¦¦º|§Ýv²¥¥©§vw«º±ß}¾§§v¢¦µØ²v×|§ ¢¢v² ا«v Basilica San Lorenzo (y.. 1516-1520) (§ª¹ 140) |§¢¢v² Ø¢|±ª ©ª §|§§´© § San Lorenzo (y.. 1520 – 1524) Ø¢| Laurenziana (y.. 1523) (§ª¹ 141) ²¥¢Û§w¢|¥v® Medici´© §San Lorenzo² ×|¢±Û(y.. 1524-1534) (§ª¹ 142-143) «¹|±ß¢Û§¢¦||§ª¹v²×|Ø¥©§v¦v © ¢×¢w§´ ×±ß}¾§§v±ßØ 43 42 141 §ª¹140 Michelangelo ²¥Pietro Urbano : ز ا«vBasilica San Lorenzo¥ ק|Ï y.. 1516–1520 w§216 x 283 x 50 . Casa Buonarroti, Florence ª¹§ : Frank Zöllner and Chrifstof Thoenes, Michelangelo 1475-1564 Life and Works, (Koln : Taschen, 2010), 203. §ª¹141 Michelangelo : |§¢¢v²§´ Ø¢|Laurenzianay.. 1523 Florence ª¹§ : Ludwig Goldscheider, 0LFKHODQJHORgSDLQWLQJgVFXOSWXUHgDUFKLWHFWXUH (London : Phaidon, 2004), n. pag. 142 §ª¹142 Michelangelo : §¥v®Medici (§Lorenzo de Mediciv¦§²¥¢³¦) ¥ ק|Ïy.. 1524- 1531 ©¢×¢630 x 420. © §San Lorenzo, Florence ª¹§ : Frank Zöllner and Chrifstof Thoenes, Michelangelo 1475-1564 Life and Works, (Koln : Taschen, 2010), 257. 143 §ª¹143 Michelangelo : §¥v®Medici (§Giuliano de Mediciv¦©§²¥§ª) ¥ ק|Ïy.. 1525 – 1534 ©¢×¢630 x 420. © §San Lorenzo, Florence ª¹§ : Frank Zöllner and Chrifstof Thoenes, Michelangelo 1475-1564 Life and Works, (Koln : Taschen, 2010), 256. 144 §ª¹144 Michelangelo : ¥±®®ØÑáy¬ª ¥ ק|Ïy.. 1519–1520 ©¢×¢®| 205 . San Maria sopra Minerva, Rome ª¹§ : Ludwig Goldscheider, 0LFKHODQJHORgSDLQWLQJgVFXOSWXUHgDUFKLWHFWXUH (London : Phaidon, 2004), n. pag. ¥©§vª¹ Michelangeloا|w«º´¢±Ûyª¹¢|ªºµØ²v×¥©§v ¦v ©¢×¢®¥±®®ØÑáy¬ª (The Risen Christ) (§ª¹ 144) «¹| Matello Vari ²¥§ ³¦¢ªv¢|yµØ§× }ا|´ Ø Michelangelo ا|w«º§¦§×§}ا||¦ª¹14 © §y.. 1514 ±¬¹¢¾§µ¥© §´© § Santa Maria sopra Minerva ² ×|v|³Michelangelo Ø¢|¦v¥©§v®ªº«|¢|y¦º|Øv¦§± ±§¥ ¦|}§vª¹±w§¦v¥©§v®ªº 145 ´×|¥ ק|Ïy.. 1514 – 1516 w¥ª¹|§¦vy¬ اµ§v²Øv¸§v ©ª¢¬¹²v¢®× ´±¬º¢ ©¢×¢ªw§©±¥¦vÛw¢|¥±®¾§´ Ø Michelangelo }¾§´}Ø¢|¦v ¥©§v®ªº´ ×¢ªvy¦º|¥©§v®¥±®®ØÑáy¬ª®´ תºØ§|w«º¥ ק|Ï y.. 1519-1520 }§v} §w¢|Sebastiano del Piombo |¦ª¹ 6 v¦§y.. 1520 ¾§´ Ø ±§§×§Michelangelo µØ¢ §´ Ø Pietro Urbano ±ß®Ø¦©¢´v§©¦º|²¥ ¦v¥©§vªº´ ر¸}©º®Û´v|³²× Urbano µØ§¾ |§©§}¾§´ Ø §|×w¢|¥©§v®ªº©®µ Michelangelo}«|µØ¢ §´ Ø Federigo Frizzi ±ß ®Ø²vصw²¥¦v¥©§vªº×¢}±¸} 44 |§¥©§vª¹¾§y¦¢¬¹·´¢±Ûyª¹¢|ªºy¬¢¥©§v¦v © ¢×¢ª¹¥¦´§w¢|¥v® Medici «¹|¥y§Û©¦Giulio de Medici 45 µØק}ا|´ Ø Michelangelo ا|w«º±¬¹¢Ïy.. 1520 ³v¾§ ´ Øا|¢Û§w¢| Lorenzo il Magnifico ¬¢Lorenzo ®Ø |ק|§¢Û§w¢|Giuliano the Elder ª¹§w¢| Lorenzo ®Ø |ק|§¢Û§w¢| Giulianoy² ×|Nemours ®v§w¢| Lorenzo (±ªª©´Ï y.. 1516) ²¥¢Û§ Lorenzoy² ×|Urbino §§w¢|Lorenzo (±ªª©´Ï y.. 1519) µØ§´§² ×|ªº²×´ª¹v¸ª±ª|¢Û§w¢| Lorenzo y² ×| Urbino ²¥ Giulianoy² ×|Nemours 46±×§¦ºª¹Ø§|±¸}®Û ¥©§vª¹¥¦¢Û§w¢| Lorenzo ¥v¢Ø¥©§v® ± ¬¢w¢|Lorenzo (§ª¹ 145) ª¹Ø§|¥ ק|Ïy.. 1524-1534 ¥©§v® § (Crepuscolo) (§ª¹ 146) ²¥¥©§v® ¢³¦ (Aurora) (§ª¹ 14 7) ª¹Ø§|w«º ¥ ק|Ïy.. 1524 – 1531 ×¥©§vª¹¥¦¢Û§w¢| Giuliano ¥v¢Ø¥©§v®± ¬¢w¢|Giuliano (§ª¹ 148) «|¹ ا|¥ ק|Ïy.. 15261534 ¥©§v® ©§ (Giorno) (§ª¹ 149) ª¹Ø§|w«º¥ ק|Ïy.. 1526-1534 ²¥ ¥©§v®§ª (Notte) (§ª¹ 150) ª¹Ø§|w«º¥ ק|Ïy.. 1526-1531 47 ¥©§v¦v ©¢×¢®Madonna ¬¢Medici Madonna (§ª¹ 151-152 ) y¬¢|§¢ªv©º «¹|ª¹Michelangelo ا|w«º´¥ ק|Ïy.. 1521-1534 Madonna ±ß|§ ¥©§vvת¹¥v¢Ø¥²×§±ª²¥¥«¹|¥¦¢Û§w¢| Lorenzo ®Ø |ק|§²¥Giuliano the Elder ¢v}§vªº¦|ª¥©§vª¹Ø§|w«º´×|±§ ±ªv¦¢ªv¢|©ºy¬¢ ¦vCosmas (§ª¹ 153) ²¥ ¦vDamian (§ª¹ 154) ¦v ¥}¾§¥v® Medici «¹|¦º|w§wا| Medici Madonna MichelangeloµØ¢¢v²²¥ ¢ §´ ةήØ×¢|yy¬¢ Giovanni Angelo Montorsoli (y.. 1507-1563) ²¥ Raffaello da Montelupo (y.. 1505-1563/67) ±ß®Ø¦v¥©§v®¦v¦º|¢|ªº×¢ }±¸}Ý}}¦¥©§v¦º|§©ºªº¥© §¢®×©±¦|§|©´Ø ¬¢§|±wا© § San Lorenzo © §² ×|¥v®Medici ´±¬¢|¢±Û 43 46 146 §ª¹145 Michelangelo: Lorenzo ¥ ק|Ïy.. 1524-1531 ©¢×¢®| 178 . San Lorenzo, Medici Chapel, Florence ª¹§ : Ludwig Goldscheider, 0LFKHODQJHORgSDLQWLQJgVFXOSWXUHgDUFKLWHFWXUH (London : Phaidon, 2004), n. pag. 147 §ª¹146 Michelangelo : § (Crepuscolo) ¥ ק|Ïy.. 1524-1531 ©¢×¢®| 195 . San Lorenzo, Medici Chapel, Florence ª¹§ : Ludwig Goldscheider, 0LFKHODQJHORgSDLQWLQJgVFXOSWXUHgDUFKLWHFWXUH (London : Phaidon, 2004), n. pag. 148 §ª¹147 Michelangelo : ¢³¦ (Aurora) ¥ ק|Ïy.. 1524-1531 ©¢×¢®| 206 . San Lorenzo, Medici Chapel, Florence ª¹§ : Ludwig Goldscheider, 0LFKHODQJHORgSDLQWLQJgVFXOSWXUHgDUFKLWHFWXUH (London : Phaidon, 2004), n. pag. 149 §ª¹148 Michelangelo : Giuliano¥ ק|Ïy.. 1525-1534 ©¢×¢®| 178 . San Lorenzo, Medici Chapel, Florence ª¹§ : Ludwig Goldscheider, 0LFKHODQJHORgSDLQWLQJgVFXOSWXUHgDUFKLWHFWXUH (London : Phaidon, 2004), n. pag. 150 §ª¹149 Michelangelo : ©§ (Giorno) ¥ ק|Ïy.. 1524-1531 ©¢×¢®| 185 . San Lorenzo, Medici Chapel, Florence ª¹§ : Joachim Poeschke, Michelangelo and His World (New York : Harry N. Abrams, 1996), n. pag. 151 §ª¹150 Michelangelo : §ª (Notte) ¥ ק|Ïy.. 1526-1531 ©¢×¢®| 194 . San Lorenzo, Medici Chapel, Florence ª¹§ : Ludwig Goldscheider, 0LFKHODQJHORgSDLQWLQJgVFXOSWXUHgDUFKLWHFWXUH (London : Phaidon, 2004), n. pag. 152 §ª¹151 Michelangelo : Medici Madonna¥ ק|Ïy.. 1524-1534 ©¢×¢®| 226 . San Lorenzo, Medici Chapel, Florence ª¹§ : Ludwig Goldscheider, 0LFKHODQJHORgSDLQWLQJgVFXOSWXUHgDUFKLWHFWXUe (London : Phaidon, 2004), n. pag. 153 §ª¹152 Michelangelo : Medici Madonna¥ ק|Ïy.. 1524-1534 ©¢×¢®| 226 . San Lorenzo, Medici Chapel, Florence ª¹§ : Ludwig Goldscheider, 0LFKHODQJHORgSDLQWLQJgVFXOSWXUHgDUFKLWHFWXUH (London : Phaidon, 2004), n. pag. 154 §ª¹153 Giovanni Angelo Montorsoli : ¦vComas ¥ ק|Ïy.. 1521-1534 ©¢×¢San Lorenzo, Medici Chapel, Florence ª¹§ : Gabriele Bartz and Eberhard König, Michelangelo Bournarroti, (Cologne : Konemann, 1998), 71. §ª¹154 Raffaello da Montelupo :¦vDamian ¥ ק|Ïy.. 1521-1534 ©¢×¢San Lorenzo, Medici Chapel, Florence ª¹§ : Gabriele Bartz and Eberhard König, Michelangelo Bournarroti, (Cologne : Konemann, 1998), 71. 155 §ª¹155 Michelangelo: ±±}ا² ×|²×º¾§¾§§¥§Ïy.. 1525 ©± ª®| 180 . San Lorenzo, Medici Chapel, Florence ª¹§ : Joachim Poeschke, Michelangelo and His World (New York : Harry N. Abrams, 1996), n. pag. ¢v}§v¥©§v Madonna Medici ¦vCosmas ²¥¦vDamian ²Ø¦|ª¥©§vزÝáØ©± ª®±±}ا² ×|²×§¾º ¾§§ (River-God) (§ ª¹155) ¢ªv «¹|©º|§©ºªºØ§|w«º±¬¹¢¥§Ïy.. 1525 ²¥¦© §×§Ø§|w«º±¬¹¢ ¥¦¢Û§w¢|¥v® Medici ±×v¦Michelangelo¦º|´}ا|±±}ا² ×|²×º¾§¾§ §4 ®±¬¢¹ §|µØ©±¬º © §Ø§×§|³|w¢| Giuliano ²¥ Lorenzo de Medici ¦| §v´} §|¦ª¹ 24 §yy.. 1525 «¹|¥©§v ×±wª«|§ | Giovan Francesco Fattucci ª¹¢®×´v|³¦|ªº ¥©§vª¹w«º®²Ø¢×§| §·4 ©º ¦|µ× ±¸}(Ludwig Goldscheider ¦© §×§ ק}¥ §«|¥©§v® Madonna Medici, 156 Lorenzo, § ²¥¢³¦ –®Ø±wª)ª¢¥µª¹}¥Ø¢|¾§¢ªv§vv¦¦¥©§v¢ªv4 ©ºª¹}¥¾§±ß®±±}ا² ×|²×º¾§¾§§¦|µ×µØ±©¹|¬¢¾§±§¥wا¦|µ×µØ¦vØ¢ ©¢×¢ª¹ 48 ×|§¦|اwا±²Øק¦}¥®v×|§«|±¬¢|¢±Û²Øv¸§ ¢×§|µv¸§ ¥©§vز®±±}ا² ×|²×º¾§¾§§ª¹vק«|ªº®vÝáw«º±ª|2 ¦±×§¦º²¥ µ×µØ®v¾§µ±ß²×²´v§¦v ©¢×¢×¢Ý}}¦¥©§vز®±±}ا² ×|²×º¾§ ¾§§y|± ¬¢±ª|²yשº±ª±×§¦º×¢ªv©º «¹|ק}¥® §µ²ØÝ}}¦¥©§v ز¦|vקªº®v±v¸¦v§µØª¹Accademia ² ×|±¬¢|¢±Û 49 47 48 §ª¹156 Michelangelo : ±¸v§¦¹|yv±wק¥§Ïy.. 1530 ©¢×¢®| 54 . Hermitage, Leningard ª¹§ : Ludwig Goldscheider, 0LFKHODQJHORgSDLQWLQJgVFXOSWXUHgDUFKLWecture (London : Phaidon, 2004), n. pag. ¢v}§vªº¦|ª¥©§v¢ªv©º «¹|ª¹¦© §×§Ø§|w«º±¬¹¢¥¦¢Û §w¢|¥v® Medici ²×¦|ا|µ×±¸}®Û¦¹y¬¢¥©§v ©¢×¢® ±¸v§ ¦¹|yv±wק (The Crouching Boy) (§ª¹ 156) ª¹Ø§|w«º¥ ק|Ïy.. 1530 – 1534 |§©º ªº±y¢®×´y§y¢y¢|w¢|¥v® Medici ±ß±§§}«|Ïy.. 1787 ×¢§§ ¢¦|v¬¹¢L. Brown µØ¬º¢¥©§v©ºªºµ ²¥´Ïy.. 1851 v¸µØw§µ´ Øv¦Academy ´v|St. Petersburg Ý}}¦¥©§v®“±¸v§¦¹|yv±wק ”®v±v¸¦v§µØ´©©¦Û Hermitage v| St. Petersburg 50 157 §ª¹157 Cornelis : §y¦¢v}§v|§}©vLeda ²¥ |Û (Leda and the Swan) w¢|Michelangelo§©Û27.5 x 40.6 . Alberta, Viena ª¹§ : Achim Gnann, Michelangelo The Drawing of Genius (Vienna : Albertina, 2010), 256. ¢v}§v|§¥©§v²Ø´yªº Michelangelo¦|ا||§}©v¢ªv ©º «¹|ئ¹y¬¢§ Leda ²¥ |Û (Leda and the Swan) ª¹Ø§|w«º´¥ ק|Ïy.. 1527-1530 §ªº©Î¦º|´}±wª´ زv×y Alfonso d’Este ² ×|±¬¢|Ferrara ²×§ ¦| ±w§µØ¢§ªº´ زv× Antonio Mini ©Î®Ø×w¢|±w§ 51Ý}}¦§ªº® §µ²Ø± ¬¢ ²×§y¦¢v(§ª¹ 157) w¢| Jacobus Bos «¹|±ß§©Ûª¹Ø§|w«º¥ ק|Ïy.. 15401550 52 ´Ïy.. 1527 ¥v® Medici®vw¦µ×¢¢v}§v±¬¢|¢±Û±ßy¦º|ª¹¢| Gonfaloniere Niccolò di Piero Capponi µØw«ºvy¢|y¢±Û²×¢§µ×§¦v ¦¥§§Clement VII µØ|¾§wØ¢v|v¦}¦v© Charles V ´ Ø¥¢|yÛ×vv¢|¦ µª¢±Ûy¬´ Øv¦¥v®Medici}¦v©Charles V}«|vv¢|¦µØ¢±¬¢|¢±Û µØ²¥§§ª¢±Û²v±¬¹¢¦ª¹12 §yy.. 1530 ¦¥§§ Clement VII | ²×|¦º|´ Ø Baccio Valori±ß®Ø¾§±¸}§v§±¬¢|¢±Û ¦|}§v¦º¦¥§§ Clement VIIµØ¢ §´ Ø Baccio Valori§}¦vv«|¹ «| Michelangeloا± ±§¥¥ ק||y§ MichelangeloµØ¦ ¢ §}§v Gonfaloniere Niccolò di Piero Capponi ´ ؾ§ اª¹¢¢v²vעا|yקӢ|v¦±¬¢|²¥±ß®Ø¦|y¦¦§y×§Ø²× ±¬¹¢|}§v MichelangeloµØ ªµ¢§¦¢®×v¦±¬¹¢v×¢ª¹ §}¥µ«|ا¦v¦|¦º ×¢§±w§}«|µØ±wا¢¦v¦¦¥§§±¬¹¢|}§v¥¢|yÛ|¦§×§}¥µ×|³²¥±¢§© v¦±w§Ø§ §v±w§v¦µØ§||§´§w¢|¥v® Medici²¥ Ø¢| Laurenziana×¢ ´ ر¸} 53¥ ק|Ïy.. 1530 – 1532 ±w§µØ¦v¥©§v ©¢×¢® Apollo (§ª¹ 158) 50 51 52 158 «¹|¦© §v¦×§×§}¥¦º|´}ا|´ زv× Baccio ValoriÝ}}¦¥©§v® Apollo«¹|¦| ¦vµ×±¸}®ªº®v±v¸¦v§´©©¦ÛBargello ±¬¢|¢±Û 54 53 §ª¹158 Michelangelo: Apollo ¥§Ïy.. 1530 ©¢×¢®| 146 . Museo Nazionale del Bargello, Florence ª¹§ : Ludwig Goldscheider, 0LFKHODQJHORgSDLQWLQJgVFXOSWXUHgDUFKLWHFWXUH (London : Phaidon, 2004), n. pag. ´¢±Ûyª¹¢|Michelangelo Ø¢|±©v¦y§±Ø§³v}§vv§®±ªy¦º| ´ ׫|¢|y¦º|¢|y§y¬¢´±¬¢vv§yy.. 1528 Buonarroto Ø¢|§y³w¢| MichelangeloµØ±ªª©µØ³y¢ ©§v³y«¹|²×¥§´w¥¦º²¥×¢§´Ïy.. 1531 Ludivico ©§w¢|±w§v¸µØ}§vµ¢×§|µ×ª¦ v¦Ø³y§ Michelangelo±©§|µ¦|v|³´±¬¢©| §yy.. 1532 §± ±¬¹¢|}§vµØª v§±¸¦§v§±ª¹²|²¢Û§ Julius II y¦º|ª¹4 ±¬¹¢¦ª¹29 ±§y.. 159 1532 MichelangeloµØ¾§¦v¢®×ª¹v|³¢×|® §w¢|Ϧº±¬¹¢Ø§|¢Û§ Julius II´¥ ק|ªº±w§×§}¥¦©´}ª¹}¥Ø§©¹ §§¢®×ª¹v|³±ßv§§²Ø×¢§´ ±¬¢©§y.. 1533 ±w§µØv¦µ¦|±¬¢|¢±Û²¥¢®×ª¹¦¹±ß±§4 ±¬¢±¬¹¢ ©¦º|¥©§v® Lorenzo ²¥Giuliano ´§w¢|¥v® Medici Michelangelo ±©§|v¦µ¦|v|³§±¬¢}©v§¥ ק|ª¹ Michelangelo ¾§¦v¢®×´v|³ ¢v}§v}¥Ø¢|ا|¢Û§ Julius II×¢²Ø±w§¦|µØ¦¢ §}§v¦¥§§ Clement VII´ رwª§}©v®±Ïv v§¦©y¦º|ا (The Last Judgement) (§ª¹ 15 9) ´© § Sistine¢ªvØ´±¬¢©§y.. 1534 MichelangeloµØ±©§| v¦µ¦|±¬¢|¢±Û¢ªvy¦º|²¥¢®×ª¹¦¹¢ªv±ß±§3 ±¬¢±¬¹¢¥§||§ª¹y¦¹|yا|´ ر¸} ±ªØ¢µ×ק}¥±ß|§¢¢v² Ø¢| Laurenziana ²¥© §² ×|¥v® Medici ¦|}§v±w§µØ}¦v§¢ §|§ª¹± ¬¢´ ةήØ×w¢|±w§±ß®Ø¦©¢×¢µ²Ø´ ±¬¢v¦§y.. 1534 Michelangelo}«|±©§|v¦v|³²¥µØا§¾§¦v¢®×ª¹v|³ ¢×§|§²¥µ×±yv¦µ±¬¢|¢±Ûا±v©¢ªv±¢¥¥±§30 Ïا² ×| ª©w¢|±w§ 55 54 ³yا(y.. 1534 – 1564) ¦|}§vª¹ Michelangelo v¦§v|³µØ±ª|¢|¦¦¥§§Clement VIIv¸ µØ©º¥Û±¬¹¢¦ª¹25 v¦§y.. 1534 Alessandro Farnese ¥y§Û©¦² ×|Ostia ²¥yª² ×|©§¦y§Û©¦µØ¦v§§§´ رߦ¥§§¥¢|yÛ´ ×|¥§ ק¦¥§§Paul III w¥ª¹ MichelangeloØ¢|v§Ø§||§¢Û§ Julius II´ Ø²Ø ±¸}²×¦¥§§ Paul IIIv¦|ª¥¦§´ Ø Michelangelo±wª§v§¦©y¦º| اע´ ر¸} w¥¦ºMichelangelo¢§µØ49 ϲاv§¦©y¦º|ا«¹|ا| w«º¥ ק|Ïy.. 1534 – 1541 ®vv¾§ ´ رwª¦|ا©¥¦¢¢vw¢|© § Sistine ±¬¹¢|}§vا اw¢|¦|±ßª¹¦º|w¢|²×®§ Michelangelo}«|§§²vصwÝ §Òy¦ }§v®±ªª¹}¥§±v§¥©¦|³v§¾§¦|ا´ ج¹¢¢v§¥§30 ±©± ²¥y×¢·³v®´ ئ|y×¢·§±¢ª||µ±¬¹¢·}¢®×´¥¦±ªv¦y§®|w¢|²× ®§Michelangelo´Ø±§«|1 Ϧ¦º|²×®´µØ©w¢|Ïy.. 1535 – 1536 ´v§±ª ¦|¾§ ¦±wª§ªº Michelangelo ±wª Cartoon ¾§ ¦§v§¦©y¦º|ا²Ø±¸}´±¬¢ v¦§y.. 1535 §v§|Ïy.. 1536 ±w§}«|µØ±©¹|¬¢±wª§ªº§v§¦©y¦º| اªy§®|13.7 ±²¥y§vا|12.2 ±¬ºª¹§ªw§¥§230 §§| ± Michelangelo±wª§ªº±ª|y±ª³µ×ª®Ø×±wª±¢v}§v®Øת´ Ø ±×§¦ºy´§ªºª}¾§§v«|391 y²¥ªw§´ קv§|yªy§®|«|2 ± y«¹| 160 §ª¹159 Michelangelo : §}©v®±Ïvv§¦©y¦º|ا¥ ק|Ïy.. 1536-1541 }©v®±Ïv13.7 x 12.2 . © §Sistine Vatican, Rome ª¹§ : Gabriele Bartz and Eberhard König, Michelangelo Bournarroti, (Cologne : Konemann, 1998), 101. Michelangelo²×|¬ºª¹§ v§¦©y¦º|ا ¢¢v±ß3 ×y¬¢× ¾§±¢§¢§§}¦v² ×|yÛ©±v§|§¾§±¢§¥±®|¥¦¢®× ¦¦|v۴ק¦©©§v§³ª¥²×§±ª¥¦¢®×±yª|wا|¢¥v§w¢|¥²×§ 161 ±ª²¥¥Ø¢¢Ø± ק§v²¥®Ø±}¥(§ª¹ 15 9) ± ¬¢§ªºw«ºµ©± ¬ºª¹Lunette 56¦º|اا²¥Ø§w§§v§± ק®yÛv¾§¦|± §¥¢®×´¢§v§Ø¢ رy¬¹¢|§¥±®y©Û¢v§|w¢|¬ºª¹§¾§±¢§±§²¥²² ×| §¥ ¦º|7 اا±ß§®Øyª¹v¥¾§y§ª«¹|®vv´ ØÑá}§vy§§v¾§¦|®v¾§w«º®×| yÛw¥ª¹®Øv¥¾§y§¦¹«¹|¢®×§|اw§w¢|§v¾§¦|®v®yÛ¦v|®×v¢±}ª ×ק|w¢|§¾§±¢§©²² ×|y§§²¥©§¦¹Ø§Ø§Ø§w¢|§±ß §w¢|v×yª¹v¾§¦|®vvw«º§´ ØÑáy¬ª}§v Ý|اw§w¢|§§v§w¢| Charon ®Ø×¢±¬¢¦®Ø§´ Øwا²×º¾§ Sty µ¦|Ýà|©²² ×|y§§§¾§§w¢|vªv w§w¢|§§vק|w¢|Minos ª¹ª|®¦¢v§«¹|±ß§ ¬¢±}ا´©²² ×| y§§ªº §ª¹160 §¥±¢ª§v§¦©y¦º|ا (¦vBartholomew) ª¹§ : Gabriele Bartz and Eberhard König, Michelangelo Bournarroti, (Cologne : Konemann, 1998), 108. 162 MichelangeloµØ¢©²¥×±¢×§|v¾§¦|y§§§´v§Ø§|yÛ|§ }©v©º±ª¹¢ªº ²Øק±w§}¥Ø¢|±©v¦y§±}¸¢×§|³±ª¹v¸§¦|±¬¹¢| ±×§×§¦ «¹|w¥ª¹±w§v¾§¦|±wª§ªº±w§µØ¦v|}§v¦¹|ا}w§ ¦v²¥Ø¢|v¥±¬¢v v¥§v¦|w§¦±¢|µ}«|ا¦v±w§Î¥®w¦|±¢|¢®×´ Ø¢|y±ª²¥ ¦|ק}¥ §±ª|¾§¦|³©´ Ø´y®Ø´y± ¸±¬¹¢ªy§±¬¹¢|ק|v¸§§}¥±wاµ×± ¬¢²×v¸µ× §§±wاµwا|´µØ ¢}«|Ø¢|±ª¹|Ï Ø§×§|±wاµ×¦v§±w§} §¾§´ ةήتº §§v¦§±wª§ªº×¢}±¸} 57 v§ª¹ Michelangelo}¾§Ø¢|v¦§Ø§||§ª¹µ×| v¦§w§w¢|±w§¢ªvy¦º|µØا|y§vwÛ´}´ زv×±w§±ß¢¦§vy§ww¬¹´}ªº±´ ر ¸¢×§| ¦±}´§¦vBartholomew (§ª¹ 160) «¹|v¾§ª¢®×´¬¢w¥ª¹¬¢¢ªvwا| «¹|¬¢ ¦| ª¹®vv¢¢v§w¢|±¢|¦© §v¦×§´ اw¢|¦v Bartholomew ¦|ª¹®vv ¦ºy¬¢§± ¬¢w¢|Michelangelo¦¹±¢| ¢×§|µv¸§±¬¹¢§v§¦©y¦º|ا±¸}®Û²¥±Î´ خرwا±ß y¦º|²v±¬¹¢¦ª¹31 §yy.. 1541 ¦ªª¹¦¥§§ Paul III µØ¢¥±§ }©v§¦|¥¢|yÛ«|v¦|yv±wק|×¢ ا§ªºØ¢¦º|¢Ø¢¢×¢¥®Ø±ß ±}اקwا²×¥®Ø±ß±}اw¢µØ³¢¦×¢y§©²¥§ª¹wاµØv¥¾§µØ´¦ª¹¥¢|yÛ ±¸}§¦|¬º©±¬¹¢©§v§y¦º|ار© 58 §v§¦©y¦º|ا²|´ ر ¸y§±y¬¹¢µ ª¹¢©¥²¥|¦|§vvק §±§© §±ªv¦ª¹ Michelangelo±y±wªµØ±¬¹¢20 vקÏv×¢y§±ª¹§´ v§±wªv§©§yÛw¢|©Î±¢v®Øªºµ×±ª|²×¾§´ ا۱v¬¢400 yª¢¦ vv«|± ¬¢}©|¢×§|±ß§©±×§¦º²×v§©±¢ªºv§¢×§|²|w¢|ק|v§¢¦ «v«ª¹±¬¢±×§w¢|Û¦|²|´ ر ¸«|¢¦ § ¦v²¥v§±y¬¹¢µ ¢¦|¦| §v©¹|w«º ¦|}§vª¹§v§¦©y¦º|ا±Î´ ØyµØ¬¹±ª|µ×§v¸ªv×y}¾§ «¹|ª¹©§vÛ©}§Ûv§¾§±¢§±¬¢w¢| Michelangeloקµ×± §¥¾§ ¦¥¦ ´§§³±~§¥¢×§|©¹|±}اv©ªv§ Biagio de Cesena ²¥¦v±wª Pietro Aretino ª¹¦º|עا²¥Ø¢|v§´ اªº©º| ر ªº´Ïy.. 1559 Daniele da Volterra ®v©Ûw¢|Michelangelo}«|µØ¦ ¢ §´ رwª§Ø§Î¦|ת¹±ß¢¦¥±w¢|yy}¾§ «¹|§´§ªº´Ïy.. 1572 «¹||v¦¦w¢|¦¥§§ Pius V µØªv§×§}ا|´ ةαwªØ§v΢¦¥± w¢|yy´§±©¹¢ªv}¾§ «¹|«¹|×¢§´Ïy.. 1625 y.. 1712 ²¥y.. 1762 v¸¦|y| ªv§±wªØ§v΢¦¥±±©¹±©w«º¢ªv×¢§±¬¹¢· 59¦|¦º§v§¦©y¦º|اw¢| Michelangelo}«|®v©±¬¢µ}§v±©§v¥ ק|Ïy.. 1989 –1994 µØªv§×¢²¥¾§ y§¥¢§§ªº±¬¹¢w}¦y¦¾§w¢|®±ª²¥Òª¹±v§¥© ا§§§ §Ø¢Ï ¢¢vµ 60¾§´ اv§¦©y¦º|اªª¦ª¹×§|´¦|±©± ¬¢±¬¹¢y¦º|ª¹ Michelangelo ±©¹|±wª§ªº±¸}´ ×· 56 57 58 59 163 §ª¹161 Michelangelo : v§v¦´}w¢|¦vPaul¥ ק|Ïy.. 1542–1545 }©v®±Ïv 625 x 661 . Vaticano, Palazzi Vaticanti, Cappella Paolina, Rome ª¹§ : Gabriele Bartz and Eberhard König, Michelangelo Bournarroti, (Cologne : Konemann, 1998), 118. §ª¹162 Michelangelo : v§«|µØv§|±w¦vPeter ¥ ק|Ïy.. 1545-1550 }©v®±Ïv 625 x 662 . Vaticano, Palazzi Vaticanti, Cappella Paolina, Rome ª¹§ : Gabriele Bartz and Eberhard König, Michelangelo Bournarroti, (Cologne : Konemann, 1998), 119. 164 ¢v}§v§}©v®±Ïvv§¦©y¦º|ا ²Ø¦¥§§ Paul III¦| µØק}ا|´ ØMichelangelo±wª§}©v®±Ïv±©¹¢ªv¢|§±¬¹¢¥¦´© §Ø¢ Paolina ² ×|§©v¦¦¹y¬¢§ v§v¦´}w¢|¦v Paul (Coversion of St. Paul) (§ª¹ 161) «¹|±wªw«º´¥ ק|Ïy.. 1542-1545 ²¥ v§«|µØv§|±w¦v Peter (Crucifixion of St. Peter) (§ª¹ 162) «¹|±wªw«º¥ ק|Ïy.. 1545-1550 §ª¹163 Michelangelo : Palazzo Farnese ¥ ק|Ïy.. 1517-1589 ª¹§ : Ludwig Goldscheider, 0LFKHODQJHORgSDLQWLQJgVFXOSWXUHgDUFKLWHFWXUH (London : Phaidon, 2004), n. pag. ´yv|³¢¦±ßyاw¢|Michelangelo©Î±¢v² ×|y±¢±¢|ۮتº µØ¢¢v²¢§y§¢ªv±ß}¾§§v±§¥ ¦|}§vª¹ Antonio da Sangallo, the Younger §©v®Ø±ß §w¢|±w§µØ±ªª©|¦¥§§ Paul III v¸µØ¢ §´ Ø Michelangelo ±ß®Ø¦©¢|§w¢| Sangallo×¢¢§© Palazzo Farnese (y.. 1517-1589) (§ª¹ 1 63) ²¥v§yyv§vעا| §© § St. Peter ´ ×(y.. 1506-1626) «¹| MichelangeloµØ ¢¢v²³²¥Ø§|ز³ St. Peter w«º´ ×(§ª¹ 1 64-165) ק±ª§ª¹ Michelangelo µ×ª³¢v§µØ± ¸y§¾§±¸}w¢|±w§±§¥±w§±ªª©|w¥ª¹|§vעا|³ w¢| §© §St. Peterµ«|²yש± §v¢|±×§¦º×¢§§©v Giacomo Della Porta ±ß®Ø¦©¢´v§vעا|³×¢}±¸}®Û´Ïy.. 1593 ¢v}§vªº Michelangelo ¦|µØ¦¢ §´ Ø¢¢v²}¦ Piazza del Campidoglo (The Piazza of the Capitol in Rome) ´v|³(y.. 1537-1940) (§ª¹ 166) ¢ªvØMichelangelo¢¢v²}¦¦ªº±¸} 165 ±¬¹¢Ïy.. 1546 ²×v§¦±ª¹²¥±©¹±©²´ §y §¦¾§´ Øv§vעا| }¦ªº±¸}®Û´Ïy.. 1940 §ª¹164 Michelangelo : ز³ §© § St. Peter ¥ ק|Ïy.. 1558-1561 ªÒµØ 500 x 400 x 200. Museo Petriano, Rome ª¹§ : Ludwig Goldscheider, 0LFKHODQJHORgSDLQWLQJgVFXOSWXUHgDUFKLWHFWXUH (London : Phaidon, 2004), n. pag. §ª¹165 Michelangelo : §© §St. Peter ´ ×¥ ק|Ïy.. 1506-1626 ª¹§: St. Peter [Online], accessed 28 June 2010. Available from http://www.wikipedia.org 166 §ª¹166 Etienne du Pérac: §©Ûy¦¢v|§¢¢v²}¦Piazza del Campidoglo (The Piazza of the Capitol in Rome) w¢|Michelangeloy.. 1569 ª¹§ : Ludwig Goldscheider, 0LFKHODQJHORgSDLQWLQJgVFXOSWXUHgDUFKLWHFWXUH (London : Phaidon, 2004), n. pag. §ª¹167 Michelangelo : Brutus ©¢×¢¥§Ïy.. 1538 ª¹§ : Gabriele Bartz and Eberhard König, Michelangelo Bournarroti, (Cologne : Konemann, 1998), 111. 167 ´yاªº MichelangeloµØا||§¥©§v¢ªv±ß}¾§§v¢§©±× Brutus (§ª¹ 167) ¥©§v¦v ©¢×¢®ªºØ§|w«º¥§Ïy.. 1538 }§v¦«v w¢|Vasari ¾§´ ئ© §v¦×§ Michelangeloק}¥±ß®Ø¦v¥©§v®ªºv×¢²Ø}«| µØ¢ §´ Ø Tiberio Calcagni ±ß®Ø¦v×¢}±¸} 61Ý}}¦ªº Brutus¢®×´©©¦Û Nazionale del Bargello ±¬¢|¢±Û µ§§² ×|v§Ø§|yÛª¹µ×±y¢¦¦|y|v±Ø§´ Ø Michelangelo ا|yÛ|§¥©§v´ خۢ®×¢±§«|²Øק¦|w§w¢|±w§}¥×|³®×¦§ v¸§|§´yاªº ¬¢¦º|²×Ïy.. 1550 ±ßارß|§ª¹¦|ا|µ×±¸} ®Û²¦º|©º|§§|©º®v±w§¾§§©º|±§¥±w§µ×¢´}ª¹¾§µØµ×ª¦¹|´}y©±× ¥©§v ©¢×¢®Pietá Santa Maria del Fiore (§ª¹ 168) «¹|ا|w«º¥ ק|Ïy.. 1548-1555 Michelangelo¦º|´}¦v¥©§v®ªºw«º±¬¹¢¥¦¢Û§w¢|±¢|´ © §Santa Maria Maggiore ² ×|v|³²×§Ïy.. 1555 ±w§v¦´ØyØ¢v¥ ¹¾§ ¾§§|§©ºªº} ©¢×¢²v¢¢v±ß±ª¹|·×¢§ Francesco Bandini µØw¢¥©§v ª¹²v¾§©ºªºµ²¥µØק}ا|´ Ø Tiberio Calcagni ®Ø±ß¦º|®v©Û²¥©Î®Ø×w¢| Michelangelo±ß®Ø×¢¥©§v®ªº²×³yاª¹ Calcagni§§¦v®¦v Mary Madeleine ×¢}±¸}®Û×|´ Ø Pietá Santa Maria del Fiorew¢| Michelangelo©±ªºµ}§v±©¦© §v¦×§´ اw¢|Nikodemus y¬¢§± ¬¢w¢| Michelangelow¥ª¹±w§ª¢§µØ¥§80 Ï 62Ý}}¦|§ªº¢®×´ Museo dell’ Opera del Duomo ±¬¢|¢±Û ¢v}§vªº¦|ª¥©§v¢ªv©º «¹|y¬¢ Pietá Palestrina (§ª¹ 169) «¹|ا| w«º±¬¹¢¥§Ïy.. 1556 Pietá Palestrina ®v¦vØ ©®ª¹ª¦v¥yا ©¢×¢±¬¹¢ ©}§§}§v¦²Ø¾§´ ئ© §v¦×§¥©§v©ºªº¢§}}¥µ×´×±ß|§w¢| Michelangelo±§¥×´ ×±w§¦v}¥±¬¢v´Ø ©¢×¢±ß¦´v§Ø§||§²× Ludwig GoldscheiderµØ¦© §×§Pietá Palestrina ¢§}±ß|§ª¹ MichelangeloµØ¦vµØv¢× ²Ø²××¢§ª©Îy¢¬¹§¦vעת¹±w§¦© §×§±ßϬ¢w¢| Michelangeloy¬¢ ¥±ª¥vw§²¥¥¢®w¢|¥±®²¥¥vw§w¢|¥²×§±ªÝ}}¦ ¥©§vªº¢®×´Galleria dell’ Accademia ±¬¢|¢±Û 63 60 61 62 168 §ª¹168 Michelangelo : Pietá Santa Maria del Fiore ¥ ק|Ïy.. 1548-1555 ©¢×¢®| 226 . Duomo, Florence ª¹§: Antonio Paolucci, Michelangelo The Pietás (Milan : Skira, 1999), 87. 169 §ª¹169 Michelangelo : Pietá Palestrina ¥§Ïy.. 1556 ©¢×¢®| 253 . Accademia, Florence ª¹§ : Ludwig Goldscheider, 0LFKHODQJHORgSDLQWLQJgVFXOSWXUHgDUFKLWHFWXUH (London : Phaidon, 2004), n. pag. ¥©§v©ºØ§ª¹MichelangeloµØ¦vµØy¬¢Pietá Rondanini (§ª¹ 170) «¹|ا|w«º¥ ק|Ïy.. 1555-1564 Ý}}¦¥©§vªº¢®×´ Museo del Castello Sforzesco ² ×|±¬¢|©§Pietá Rondanini ±ß¥©§v ©¢×¢ª¹ Michelangelo«¹|¢®× ´¦80 vקϵا§¦v¢×§|µ×®Ø}¦v± ¸± ¬¹¢}§v±¢v§ ¦v §¾§´ ر§§×§´ ¦ª¹12 v§¦Ûy.. 1564 MichelangeloµØ¬¦v¥©§v®ªº¢®×¢¦º|¦¢| ¦×¢§±w§®Ø«vµ×§²¥±©±Ø¢¢¢vµ§×|§±§¥©µwئע§µwØw«º®|§v}¾§´ Ø ±w§±v©¢§v§ §¦¹²¥Ø¢|¦¹|¢®×´vØ·±§©|¢®×¢±§ Michelangelo¢¢®× ±ª|±§¥©µwصØ2 ¦v¸}§v³vªºµ¢×§|µ×ª¦ v¦´¦ª¹18 v§¦Ûy.. 1564 ¢§µØ89 Ï 64 ¦±ß±§§«|447 ϲت¹ Michelangelo©Î±¢v² ×|y±¢±¢|ÛµØ ±ªª©µ²×´Ý}}¦©Î®Øªº¦|y|ª¬¹¢±ª|w}w}§µ¦¹³v±§¥|§ª¹±ÏàµØ yÛ²¥y§§§¢¦±ª¹¢}§vª¹}¥ §v®Ø´±¢± ¬¢w¢|±w§¦º¦|y|ا| y§§«|´}´ زv׮صآµµ×ק±§}¥×§µ§±×§´v¸§ 63 170 §ª¹170 Michelangelo : Pietá Rondanini ¥ ק|Ïy.. 1556-1564 ©¢×¢®| 195 . Castello Sforzesco, Milan ª¹§ : Ludwig Goldscheider, 0LFKHODQJHORgSDLQWLQJgVFXOSWXUHgDUFKLWHFWXUH (London : Phaidon, 2004), n. pag. 171 ±©|¢Ø§ª¹ 3 1 ®ª¹ Ludwig Goldscheider, Michelangelo paintings · sculpture · architecture (London : Phaidon, 2004), 7. 2 ®ª¹ Yvonne Paris, Michelangelo 1475 – 1564 (UK : Parragon Books, 2009), 28. 3 Ibid, 33. 4 ®ª¹ Linda Murray, Michelangelo (London : Thames and Hudson, 1980), 32. 5 ¢Ø§|}§vv§ |Û¢± , “Michelangelo Buonarroti ²¥¢Û§w¢| ¦¥§§ Julius II”, ´®}©¦©v§³y²vز ×|y§v´ , ©v§©v ¢§}§Ûy¥}©v¥©§v²¥§©Û §©§¦©§vy¦º|ª¹26, 2552 (v|±¤: ©¦¢©Û©º©º|²¢Û¦©©¹|}¾§v¦( §), 2552), 92. 6 ®ª¹ Frank Zöllner and Christof Thoenes, Michelangelo 1475 – 1564 Life and Work (Koln : Taschen, 2010), 25. 7 Linda Murray, Michelangelo, 32. 8 ®ª¹¥®¢§¥[.§vº¾§], ¦µ±wا«|©¥ (v|±¤: ©¦Ø¢Ø¢ ²vª¹}¾§v¦, 2540), 123. 9 ±¬¹¢Ïy.. 1503 ¥y§Û©¦Francesco Piccolomini µØ¦v§²×|¦º|´ رߥ ¦¥§§Puis III 10 ®ª¹Wikipedia, the free encyclopedia, Michelangelo [Online], accessed 10 February 2010. Available from http://en.wikipedia.org/wiki/David_of_Michelangelo 11 Giorgio Vasari ²¥Ascanio CondiviµØvק´ ¦|¬¢ª¹±vª¹v¦¥¦©ª© w¢|Michelangelow¢|v±w§×§|§®¥²×§±ª²¥¥©ºªº±ß¥©§v ×¢¾§© w¥ª¹ Vasari vקק|§©ºªº±ß¥©§v® Condivi v¦®«| ¥©§v¢¦ ¢Ø§|}§vGiorgio Vasari, Lives of the Painters, Sculptors and Architects, vol. 2, 656. ²¥Ascanio Condivi, The Life of Michelangelo (New York: Oxford University Press, 1987), 24. v§´ ØwØ¢®ª¹µ×|v¦w¢|yy¦º|¢|yªº¾§´ Ø §§µØקy¦º|y®×ק}¥µ×±y± ¸|§©ºªº§v×¢±§¥¥©§v®ªº®v×|µ ¦|±¬¢|Bruges¦º|²×±¬¢©| §yy.. 1505 Albrecht Dürer ©Î±¢v§±¢¦² ×|y ±¢±¢|Û«¹|µØª³¢v§µ± ¸|§©ºªº´© §² ×|±¬¢| BrugesµØ±wª´¦«vw¢|±w§ ק±w§µØ¥©§v¦v ©¢×¢®¥²×§±ªw¢| Michelangelo´© § Notre Dame±¬¹¢¦ª¹7 ±§y.. 1521 ®ª¹Martin Weinberger, Michelangelo the Sculptor, vol. 1 (London: William Clowes and Sons, Limited, 1967), 115. 172 12 16. 13 ®ª¹Ludwig Goldscheider, Michelangelo paintings · sculpture · architecture, ®ª¹Linda Murray, Michelangelo, 52. ®ª¹v§ |Û¢±, Michelangelo Buonarroti ²¥¢Û§w¢| ¦¥§§Julius II, 96. 15 ®ª¹ ±¬¹¢|±ªv¦, 98. 16 ¢Ø§|}§v±¬¹¢|±ªv¦, ا±ªv¦. 17 ¢Ø§|}§v±¬¹¢|±ªv¦, ا±ªv¦. 18 ®ª¹±¬¹¢|±ªv¦, 107. 19 ®ª¹±¬¹¢|±ªv¦, 98 -99. 20 ®ª¹±¬¹¢|±ªv¦, 99. 21 ®ª¹ ±¬¹¢|±ªv¦, ا±ªv¦. 22 ®ª¹ ±¬¹¢|±ªv¦, ا±ªv¦. 23 ®ª¹©®Ûªº, ª©²¥|§w¢|}©v²¥¥©§v¥¦v, (v|±¤ : ©¦y¢²yÛ©ºÛ}¾§v¦, 2542), 34 – 39. 24 ®ª¹¥®¢§¥[.§vº¾§], ¢Ø§|²Ø, 126. 25 ®ª¹v§ |Û¢±, Michelangelo Buonarroti ²¥¢Û§w¢| ¦¥§§Julius II, 101. 23 ®ª¹±¬¹¢|±ªv¦, ا±ªv¦. 24 ¢Ø§|}§v±¬¹¢|±ªv¦, ا±ªv¦. 25 ¢Ø§|}§v±¬¹¢|±ªv¦, ا±ªv¦. 26 ¢Ø§|}§v±¬¹¢|±ªv¦, ا±ªv¦. 27 ®ª¹Ludwig Goldscheider, Michelangelo paintings · sculpture · architecture, 24. 28 ¥y§Û©¦Giulio de Medici § ¦|µØ±ß¦¥§§Clement VII ±¬¹¢ ¦ª¹19 }©v§y.. 1523 29 ®ª¹Ludwig Goldscheider, Michelangelo paintings · sculpture · architecture, 25. 30 Ibid. 31 Ibid, 28. 32 Ibid, 28. 33 Ibid, 25 – 29. 14 173 34 684. 35 ®ª¹Giorgio Vasari, Lives of the Painters, Sculptors and Architects, vol. 2, ®ª¹Ronald Ormiston, Michelangelo His Life and Works in 500 Images (London: Lorenz Books, 2010), 232. 36 ®ª¹ Yvonne Paris, Michelangelo 1475 – 1564, 148 – 149. 37 ®ª¹Ludwig Goldscheider, Michelangelo paintings · sculpture · architecture, 28 - 29. 38 ®ª¹Ludwig Goldscheider, Michelangelo paintings · sculpture · architecture, 9. 39 Lunette y¬¢©±¬ºª¹×§|®y«¹||v¢®×± ¬¢ اק| 40 ®ª¹¥®¢§¥[.§vº¾§], ¦µ±wا«|©¥, 127 – 128. 41 ®ª¹©®Ûªº, ª©²¥|§w¢|}©v²¥¥©§v¥¦v, 41. 42 ®ª¹Ludwig Goldscheider, Michelangelo paintings · sculpture · architecture, 32. 43 ®ª¹©®Ûªº, ª©²¥|§w¢|}©v²¥¥©§v¥¦v, 43. 44 ®ª¹Ludwig Goldscheider, Michelangelo paintings · sculpture · architecture, 33. 45 ®ª¹v§ |Û¢±, Michelangelo Buonarroti ²¥¢Û§w¢| ¦¥§§Julius II, 107. 46 ®ª¹Ludwig Goldscheider, Michelangelo paintings · sculpture · architecture, 34. 47 ®ª¹v§ |Û¢±, ±¬¹¢|±ªv¦, 94. ª¹4 ©±y§¥ Û|§w¢|Michelangelo ª¹µØ¦²|¦§´}}§v©¥y§©v ²¥¦§v§´v§Ø§|yÛª¹ª² ³Ø¢yØ¢|µ´©§|±ªv¦©¥y§©v ¦±¢±¢|Û±ßy¦² ×|v§Ñᮩ©§v§×§|·w¢|vªv²¥³¦«¹| ¦|}¥± ¸µØ¢×§|¦±}´|§Ø§|yÛw¢| Michelangelo «¹|±©¹§}§vv§«v§©¥vªv ²¥³¦}§v¦º}«|¦§µ®×²§|v§Ø§||§´² Mannerism «¹|µØ´ ز|¦§´} ²vשδy×¢§¦¹y¬¢©Îy Mannerism ²¥y§¢y(Baroque) ¦§v§´v§ ا||§©¥w¢| Michelangelo}¥ª¦v¥yاv¦v§yª¹y§®²w¢|©¥vªv«¹| ´y²v}¥ª®²yا©¥¦y§©v}§v¦º}«|±©¹yª¹y§²¥¦§®²µ®× Mannerism «¹|±ªµØv¦©¥¦±£±©©v |§v§Ø§|yÛw¢| Michelangeloª¹µØ¦²|¦§´}}§v©¥y§©v µØ²v×|§´×|¥¥²v·w¢|±w§×|±§¦ºy¢±Û±ß®Ûv§|² ×|v¥²v§ Ñᮩ©§v§×§|·w¢|vªv²¥³¦³ªLorenzo de Medici ¬¢Lorenzo ®Ø |ק|§ ±ß®Øvy¢|yLorenzo ®Ø |ק|§ |´ ²¥¬¹ ¢´©©§v§×§|·w¢|vªv²¥ ³¦±ß¢×§|§v±w§µØ´ Øv§¦²¥¢¦Û¦º|¦v§Û§¦©vª²¥©Î §w§×§|· Michelangelo±ß©Î ×®Ø «¹|ª¹ Lorenzo ®Ø|ק|§µØ´ Øv§¦ Michelangelo±y±×§±ª´³|±ª©¥§´Øv§¢¦Ûw¢| Lorenzo de Medici³ª Bertoldo ®v©Ûw¢|Donatello ±ß®Øyy®²v§±ªv§¢¦º| }¥|yÛw¢| §¦©¥² ×|ªºy¬¢×|±Ø´ ئv±ª«v§©¥Øv§y¦¢v|§©¥vªv²¥³¦«¹| ¥v®Medici¥µØ±ß}¾§§v v§«v§©¥Øv§y¦¢v|§©¥y§©v§v´ ر ¸¢×§|±×¦´ ¥©§v®¦Faun w¢|Michelangelo¦|ª¹ Vasari ²¥Condivi µØvק«||§©º ªº´ ¦|¬¢w¢|v±w§×§´¦²v·ª¹ Michelangelo §«|³|±ª©¥§´Øv§¢¦Û w¢|Lorenzo de Medici ±w§µØ²v¥¦v ©¢×¢®¦ Faun §³¦v§² ¥©§vvªv³§«¹|±w§¦vµØ¢×§|¢±ª¹} Lorenzo ±¢×§vÝ}}¦|§ ©ºªºµØ® §µ²Ø¥©§v®®| |y§±¢Û (§ª¹ 101) w¢| Michelangelo ±ß|§¢ªv©ºª¹Ø§|w«º§}§vv§«v§|§©¥y§©v|§©ºªº¢v}§v}¥²| ´ ر ¸«|¢©©w¢|Bertoldo¢§}§Ûw¢|±w§¦º|´Ø§±¬º¢ §²¥v§}¦§|¢|yÛ¥v¢§ (§ª¹ 102) ¦|º ²|¦§´}}§vvªw¢| Ovid }©vª³¦²Ø¦|±´ ر ¸¢©© w¢|v§¾§±¢§v§×¢®Øw¢|¦v´®©ª¹ª²×²§}§v¥©§v®¥¦³| 174 175 w¢|³¦¢ªvØ(§ª¹ 171) ¢×§|µv¸§ |y§±¢Û w¢|Michelangelov¸ªy§ ²vק|}§v|§ |y§ w¢| Bertoldo¢×§|±×¦´w¥ª¹®Øª¦´®©w¢| Bertoldo±v§¥²× |y§±¢Û w¢|Michelangelov¦¾§±¢§Ûª¹ ±¬¢±×§±ß}¾§§vv¾§¦|×¢®Øv¦¢×§|±¬¢Ûvy´§×§|µØ«¹|¢§Û±¬¹¢ ±Øק§|v§±y¬¹¢µ ¢¦|¦|´ رצ§v©¹|w«ºª¹¾§y¦v§¾§±¢§×§|v§¢¦ ±¬¢±×§w¢|۱תº¢v}§v}¥¥Ø¢´ ر ¸«|y§´}´v§«v§§|v§©§y Ûw¢|Michelangelo²Ø¦|²|´ ر ¸«|y§¦º|´}w¢|©Î ת¹Ø¢|v§Ø§||§ §²§|©¥vªv«¹|¦v}¥©¾§±¢§Û´¦v¥±¬¢±×§ §ª¹171 ¥©§v®®|¥¦³||y§¥ ק|vªv²¥Gaul (Battle between Greeks and Gauls) §170 Ïv×¢y©v§Museo Capitol, Rome ª¹§: Diana E. E. Kleiner, Roman Sculpture (New Haven : Yale University Press, 1992), 1992, 258. Michelangelo ³yªª¹ª³¢v§µØ«v§©¥v¦ Bertoldo®v©Ûw¢| Donatello ©Î±¢v² ×|yQuattrocentro 1 ¬¢y±¢±¢|Û¢Ø Donatello±ß©Î®Ø©¹|´ ת¹ ±¸µØyÛ²¥y§§§}§v}¥ §®Ø´±ªµØ±w§±ß©Î®Øªy§±ª¹§ ´v±y©y²¥¢|´Ø¦v©µ×ק}¥±ßv§¦v ©¢×¢ ¬¢ ©§v§ ×¢¾§© v§¦vµØv§¢|²¥³±y«|¹ DonatelloµØק¢y§®Ø± קªº´ Øv¦ Bertoldo ¦|º ¾§´ Ø MichelangeloµØª³¢v§¹¾§±ª±y©yק|·± קªº}§v Bertoldo¢ªv¢ «¹| «|¹ ×|´ Øv§Ø§|yÛ|§w¢| Michelangelo´×|²v·µØ¦ ¢©©}§v|§w¢| DonatelloµØ¢·v¦Ø¦|±×¥©§v®®¥²×§±ª²¥¥¥¦¦¹| ¦µ (Madonna of the Stairs) (§ª¹ 99) «¹|ª®²v§Ø§|yÛyاy«|v¦ 176 ¥©§v®¹¾§¦vØ ©¢×¢® ¥²×§±ª²¥¥ (Virgil and Child) (§ª¹ 100) w¢|Donatello ¦|}¥± ¸µØ}§vv§ª¹ Michelangelo¾§v§}¦§|ק§|w¢|¥²×²¥ ¥w¢|Donatello§´Ø´|§w¢|´²¦wا|±Øy§¾§y¦w¢|¥²×²¥¥ Øw§ª¹´ ×vק²¥Ø§|¥¥´vصv´ ر ¬¢}©|§§©Øw§ª¹´ ×±¸v ק|v¦²¥w¢|ק|v§ª¹ §§|ק|v¦w¢|¢|yÛ¥v¢ª¹¢®×´¥¥ª¹×§|v¦§´§ ²×§yy´~§v ¦|w¢| Michelangelo}¥ªw¢|ק|v§ª ¹ § ¦v§vvקw¢| Donatello«¹| Michelangelo§§²vصwÝ §ªºØv§¾§¦µ§×´v§¦v¥¥ §´§´ صv¢¢vµ§|ا ¦|§vw«º ¢v}§v¦º¦|ª|§¢¬¹·¢ªv«¹|±ß|§y²v·w¢| Michelangelo±× ¥©§v¦vµØ²¥¥§ª® ¥±®µØv§|±w ( Crucifix) (§ª¹ 103) ¥©§v¦v ©¢×¢® ¦vPetronius (§ª¹ 105) ¦vProculus (§ª¹ 106) ²¥±§²¥±©|±ª (Angel Candelabrum) (§ª¹ 107) «|²Ø§× |§± קª}º ¥²|´ Ø ± ¸×§Michelangelo¦|w§y§¾§§§|اϬ¢±§¥±©¹|±©¹±ß©Î´ ×·²×²y© ´v§Ø§||§ª¹¾§y§||§²¢y©w¢|vªv²¥³¦§§v¦y§||§§| ª¥w¢|ק|v§Û²¥y§±ßÝ}±}vyy±¬¹¢¥Ø¢y§±ßۮت±¬¢±¬º¢²¥ª ª©}©´}¢¦±ß±¢v¦vÛw¢|v§Ø§||§©¥´¦±¢±¢|Ûv¸§v´ ر ¸¢×§| ¦±}²Ø ³±~§¥¢×§|©¹|¥©§v® ¥±®µØv§|±w ²|´ ر ¸«|² §|v§Ø§||§´®²w¢|©¥y§©vµ×ק}¥±ß®|Ûª¹ª¦×||§v§ }¦§|ק§|ª¹ |ק|§²¥v§¾§±¢§v§©º ¥ÛµØv§|±w¢×§||©|¹ w¢|¥ ±®v§ª¹Michelangelo¾§±¢§¥±®ª¹®v«|µØv§|±w´¦v¥w¢|Û®Øµ×µØ ¦y§±}¸²¥vwÛ§}§v©§²±¬¹¢Ø¢|v§²|´ ر ¸×§¥±®|±ß®Øª ¦¥± ¬¢y§§¢¦±ß§¦vÛw¢|¥±®µØv§|±w´²~¦w¢|©¥y v§|³±~§¥©¥ Romanesque (§ª¹ 172) ²×¦v¥¥±®w¢| Michelangelo}¥ ק|}§v®¥±®´¦yv§||ª¹±ßv§¥Ø¢§Ûª¹± ¬¢}©|§§© Øv§´Ø±y©y¥§ª¦|§¥©§v¦º|ª©²¥±¬¢ª¹µ ¢¢v§}§v§²ª¹ ¥§±§¥|®v §}§v|v©¹²|¦º|§²ª¹®v ¢v²||¥¦Û©¹| ± קªº¥Ø¢´ ر ¸«|¢©©}§v¦©§©©¢×§|¦±}¢v}§v¦º|§©ºªº¦| ¥Ø¢´ ر ¸²y©w¢|©Î ת¹×§«|²Ø¥±®}¥±ßÛ±~v±×¦¹µ²× ¥¢|yÛv¸|±ß¥² ×|¥®Ø±ß±}ا ر ªº¥¢|yÛ}«||§§±¢§¥y§ ±}¸²¥y§§µØ ¥±®µØv§|±ww¢| Michelangelo¦±ß «¹|´|§y ²v·ª²¹ |´ ر ¸²§|v§Ø§||§ª±¹ ©¹ §²§|v§Ø§||§§²¢×§| ©¥y§©v±wاv¦y§±¬¹¢y§¦§§|y©Û§§µØØv¦¢×§|vv¬«|²Øק}¥ ¦|y|w§y§±ª¹§§|اϬ¢¢®×ا|v¸§ 177 §ª¹172 ¥©§v¦v}§v|§Ø§|®¥±®®v«|µØv§|±ww¢|¥±}اFerdinand ¥§©ª Sanch ² ×|±¥§Ï y.. 1063 ®|54.2 x 34 . National Archaeological Museum of Spain, Madrid ª¹§: Crucifix [Online], accessed 30 July 2011. Available from http://www.lessing- photo.com ²§|v§Ø§|yÛ¦v¥±y©yv§Ø§||§²¥Ï¬¢w¢| MichelangeloµØ ¦§vا ا§vw«º¢×§|± ¸µØ¦´¥©§v¦v ©¢×¢® Bacchuswªº±§ (Drunken Bacchus) (§ª¹ 108) «¹|±ß|§ª¹±w§Ø§|w«º´×|³y²v|§©ºªº²|´ ر ¸«| ²|¦§´}}§v©¥y§©v¢×§|¦±}¦|}¥± ¸µØ}§vª¥w¢|±±}اBacchus ª¹ª× ¦®Û²§|v§©§y«|v§}¦§|ק§|ª¹ |ק|§²¥y§±y¬¢¹ µ ¢×§|¢©¥ Bacchus¢®×´×|קv§×§|vا¢×§||ק|§§²~¦ Contrapposto ²×¦v¥v§ ±y¬¹¢µ w¢|±±}ا² ×|± ا¢|××|¢v«|¢§v§«±§}²}¥|¦µ×µ «|²Øקw§ 178 اw¢|¥¢|yÛ}¥¦º¾§ ¦v¦µØ±v¬¢¦º| µØ²×w§w§v¦µØº¾§ ¦v}µ×¢§}|¦´ Ø¢®× ©¹|µØ¦|¦º§w¢|±±}ا Bacchus}«|¢®×´¦v¥v§±y¬¹¢µ ª¹µ×¦¹y|®§v¦}¥vا µwا| ا «¹|vا²¥¢ ¦|v¦¢ªv «¹|vاµ§¢®×¢±§¥¦vÛª¹±¢ª|µ§|Ø ± ا¢|×¥±ª¹Ø§µ¦|ر ا¢×§|× |±¸ª¹²¥¥³¢ Ûª¹²Ø¥ ±¸vØ¢×|¢v«|y§©¢v©´}´§©²¥Ø¢|v§©º± ا¢|×¢¦vv×¢¢ªv¢×§| µ×®Ø±¬¹¢ª¹×§¦|±vy¬¢ اآ|w¢|¥©§v Bacchus wªº±§ª¦v¥Ò¢|¬¹¢¢v§ ±¸vØ¢yاv¦|§ David w¢|Donatello (§ª¹ 173) «¹|©¹|ªº}¥µ×§v´ ر ¸´ ¥©§vy§©v±±§¥©¥y§©v}¥×|²×¾§±¢y§|§¢¦µØª¹©Ø± ªº ¥©§v®ªº}«|¦±ß|§©º²v·ª¹²|´ ر ¸«|²y©v§Ø§|yÛw¢| Michelangeloª¹§§§y§|§¢¦±ß¢y©w¢|©¥y§©v±wاv¦y§±ß Ûª¹ª±¬¢±¬º¢²¥}©©§¢¦±ß²§|v§Ø§||§ª¹±ß±¢v¦vÛw¢|©¥¦ ±¢±¢|۵آק|||§¢v}§v¦º¦|±´ ر ¸v§ªy§±vª¹v¦±±}اw¢| Michelangelo§y§±¬¹¢w¢|§vªv²¥³¦ª¹×§±±}اv¸ª¢§Ûy§®Ø«v±×±ªv¦ Ûv¥v§}¥×§|v¦v¸|ª¹±±}اª¢¾§§}²¥ª¢©©©½´v§¦§©¹|ק|·´ Ø ±ßµ§y§Ø¢|v§²¥ªª©¢¦±ß¢¥±×§¦º«¹| Michelangelov¸§§×§¢ y§±¬¹¢ªº¢¢v§µØ¢×§|®Û´|§©ºªº ¥©§v¦v ©¢×¢® David¦±ß|§¢ªv©º «¹|ª¹²|´ ر ¸«| ¦§v§´v§Ø§||§w¢| Michelangelo µØ¢×§|±×¦|§©ºªºµ×±ª|²×¥Ø¢´ Ø ± ¸«|²|¦§´}}§v©¥vªv²¥³¦±×§¦º²×¦|²|´ ر ¸«|¢©©w¢|©Îy Quattrocento ¢ªvØ¥©§v±¢±¢|Ûª¹Ø§|¥©§v® David §v×¢ ا Michelangelo y¬¢Donatello ²¥Verrocchio «|²ØקDavid w¢|¥©§v¦º|¢|קªº}¥ ª®²v§¾§±¢ª¹yاy«|v¦±§¥©Îק|¾§±¢ David´®w¢|±¸v ת¹ª ®×§|²¥¦×¢¦||§±×±ªv¦²×²y©´v§Ø§||§v¦²vק|v¦¢×§|©º±©| ²×v¸µØ´ ز|¦§´}²v×Michelangelo Øv¦¦º|y®× ¥©§v ×¢¾§©® Davidw¢| Donatello«¹|ا|w«º±¬¹¢¥§y.. 1446-1460 ¦±ß¥©§v¾§y¦©º «¹|ª¹©¦©¥¦©§Ûv§Ø§||§¥©§v ² ×|y±§¥David±ß¥©§v©º²vª¹Ø§|w«º±¬¹¢¦º|²|¢×§|³·³µ×w«º¢®× v¦§Ýv¢ªv×¢µ¢v}§vªº¦|±ß¥©§v®Û±¬¢w§±×§y}©|©º ²vª¹Ø§|w«º ¦|}§vª¹µ×µØªv§Ø§|®Û±¬¢§§vק1,000 Ϧ¦º|²×yv§| ±ßا±§¥´¦¦ºy©Û§§ª¢©©®|§v²¥y¦ªº®v®vÝ|´ تy§±¬¹¢×§ v§±¬¢v§±ß§«¹|×|´ صתv§Ø§|®¥©§v±¬¢ ¬¢±wª®±¬¢v§ ±×´©¥vªv²¥³¦ 179 §ª¹173 Donatello : David ¥ ק|Ïy.. 1446 – 1460 ¾§©®|158 . 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Rheinisches Landesmuseum, Bonn ª¹§: Roettgen Pietà [Online], accessed 16 May 2011. Available from http:// shirtofflame. blogspot.com §ª¹181 §¥±¢ª}§vRoettgen Pietà ª¹§: Roettgen Pietà [Online], accessed 16 May 2011. Available from http:// www.kornbluthphoto. com/ChristBlessing.html 188 §ª¹182 Pietà from Seeon ¥§y.. 1390 µØ²¥¥§ª®|75 . Bayerisches Nationalmuseum , Munich ª¹§: Pietà from Seeon [Online], accessed 16 May 2011. Available from http://virginmuseum.ru/ vidik/4/4pieta.jpg ¥©§v¦v ©¢×¢® Pietà (§ª¹ 109) w¢| Michelangelo ±ß²§|´ v§Ø§||§©¥ª¹§}§v§|¢± ¬¢w¢|±¬¢v±w§²¢Ö«¹|±©¹§vw«º§Ø y©Ûª¹14 ³¦¹µ¦v¾§±¢®¥²×§±ªv¾§¦|³v±Ø§×¢v§©º¥Ûw¢| ¥ª¹¢v§¢®×¦vw¢|¥§|©Îª¹¢®×§|¢± ¬¢w¢|±¬¢v±w§²¢Ö¦v© ±Øv§²|¢§Ûy§®Ø«v¢¢v§§|ª ا²¥×§§|¢×§|¦±}µ×ק}¥±ß´ اª¹ ³v±Ø§±ª´} ¬¢v§¹¾§µ Øw¢|¥²×§±ª¦º|´ ا²¥×§|v§¢¦µØ©§w¢|¥ ±®ª¹v¦ ±¸µØ³ ©²¥§²¢¦±v©}§vv§®v§(§ª¹ 18 0–182) v§¾§±¢ ±×ªº×|±Ø´ Øy©Û§©v®Ø«v¥±¬¢´}×¢y§vwÛ¥w¢|¥²×§±ªª¹Ø¢|®±ª ¥¢¦±ßª¹¦v«¹|}¥¾§µ®×y§¦§¢¦²|vاעy©Û§§y¾§×§ Pietà´§§¢© §±ª §«|v§±§|§( Compassion) ¬¢v§²×|Ýy§vwÛ§ (Sharing in Suffering) 3 2 189 Michelangelo ¦²y©´v§Ø§|¥©§v® Pietà§}§v©Î§|¢ ± ¬¢v×¢©Îy¢¬¹·´¢©§ª²×²§|´v§Ø§||§w¢| Michelangelo}¥×§|µ}§v w¢|©Î§|¢± ¬¢¢×§|©º±©|³±~§¥¢×§|©¹|v§¾§±¢®¥²×²¥¥´ ²¢y©§²§|v§Ø§||§©¥y§©v´w¥ª¹v§Ø§|®Pietàw¢|©Î§| ¢± ¬¢¦|y|«¬¢²§|v§Ø§||§©¥¦yv§|ª¹©±ª§´v§Ø§| |§©¥§²~¦w¢|©¥vªv²¥³¦ y§|§¢¦±ß¢y©´²©¥y§©v}¥± ¸¢×§|±×¦µØ}§vv§¾§±¢ ®¥w¢|¥±®ª¹¢§|¢×§|||§¢®×¦vw¢|¥²×§±ª«¹|®§v¦±ª¹ v¾§¦| ¦´ §vvק}¥±ß®Ø§Û(§ª¹ 183 ²¥184) ×¢|¢w¢|§²ª¹¥¦Û ¥v²¥¥§ª±ª|±¸vØ¢}²}¥¢|µ×± ¸²¥µ×ª²Ø±¬¢¦v ª¹µ ¢¢v§ }¥×§|µ}§v Pietà w¢|©Î§|¢± ¬¢ª¹¦v¾§±¢®¥±®ª¹ª¥v§±¸µØ ±¬¢²¥§²(§ª¹ 180-182) ±×±ªv¦v§¾§±¢®¥²×§±ªw¢| Michelangeloª¹«|²Ø}¥ªª¥¦vÛª¹²|¢¢v«|y§³v±Ø§±ª´}²×v¦¢®×´¢§v§ª¹ |©|¹ (§ª¹ 185) y§||§¢¦±ß¢y©§²~¦w¢|©¥vªv²¥³¦ª¹ Michelangelo§±wاv¦y§±¬¹¢²¥y§¦§´y©Û§§²|´ ر ¸¢×§|±×¦´ ¥¦vÛw¢|¥§±ª«¹|±ß| اw¢|ª²vת¹©©½×¢| §´×´ اw¢|²× ¥ª¹y}¥ª¢§§40 vקϵצ|ª¹Michelangelo µØ¢§©§µØק ¥§§w¢|¥ y©Û¦º±ß®Ø©©½}©´}¥¢§±¬¢±©§² ×|y§§ª± ªº}«|µ×y|¦±×§ ¾§µ¥§|}¥µ×¬¹ ²¥×|³µ§¦¥v§w¢|¥§|}«|®µ×±ª¹ ²µ§ ¦|w§±×§¦¦¹µ 4 ر ªº Pietà w¢|Michelangelo}«|±ßv§§y§|§ ¢¦±ß¢y©w¢|vªv²¥³¦±wاv¦y§±¬¹¢²¥y§¦§´y©Û§§ª¹®Û² ²¥¢±ª¹¢×§|²Ø}©| Michelangelo}¦§|¢|yÛ¥v¢¥©§v® Pietà ´ Ø¢®´× ³y|ا|® §± ª¹Ø§±×§ ¬¢®ª¥©(§ª¹ 1 86)«¹|¢v}§v}¥¾§´ Ø¥©§vª §ª¹¦¹y| ²Ø¦|²|´ ر ¸«|y§©w¢|©Î¦±¢±¢|Ûv§w§ª¹¦v©}¦§| ¢|yÛ¥v¢§´¦v¥ªº±§¥¬¢×§±ßv§}¦§|¢|yÛ¥v¢ª¹®Û²ª¹±× §¥²×§±ª¥²¥¦v²¢Û (Virgil and Child with St. Anne) w¢| Leonardo (§ª¹ 187) §§¢§²¥vv¥}© (Madonna del Cardellino) w¢| Raffaelo (§ª¹ 188) ²¥§µ¥ (The Adoration of the Trinity) w¢|Albrecht Dürer ©Î±¢¦(§ª¹ 189) ±ßØ 5 ¢|yÛ¥v¢ª¹¾§y¦´¥©§v Pietàw¢|Michelangelo¢ªv¢×§| «¹|v¸y¬¢ ©ºØ§ª¹ § ¦v}§v¢§Ûw¢|¥²×§±ªª¹®§v¦³¢¢Ø¥v§w¢|¥±®µØ¦º| ²¥¾§´ Ø®¥²×²¥¥v¦±ß¢¦ «¹|¢¦±ªµØ¢×§|±ß±¢v§¦v¥v§¾§ 3 4 190 ©ºØ§²¥¢¦×w¢|±¬º¢Ø§¢§Û´|§¥©§v©ºªº±´ ر ¸«|¢©©w¢|©¥ ³v©y¢§«¹|¦v}¥±Øv§}¦§|©ºØ§¢×§||§Ø±Øª¹©ºµ ²¥¢×¢ §«¹| Michelangelo¦¢©©§}§v©Î¢©§ªyQuattrocento ¥©§v®Pietá w¢|Michelangelo ±ßv§¾§±¢§²y©´v§Ø§||§ ©¥w¢|©Î§|¢± ¬¢¦³v©y¢§§±wاv¦®²v§Ø§||§²¢y© w¢|©¥y§©v²¥¦§y§±¬¹¢§|y©Û§§ MichelangeloµØ ¢¦º| ªº ±wاØv¦µØ¢×§|vv¬²¥®Û²ª¹}¾§´ Ø|§©ºªºw¢|±w§§§v¥Ø ®Ø´ رv©y§®Ø«v¦§×¢y©Û§§²¥§«º|´y§||§§}}«|v¦ªº §ª¹183 Michelangelo : Pietॠק|Ïy.. 1498-1499 ©¢×¢®|174 . Vatican St. Peter’s, Rome ª¹§: Antonio Paolucci, Michelangelo The Pietás (Milan : Skira, 1999), n. pag. 191 §ª¹184 §¥±¢ª¥©§v®Pietá ª¹§: Antonio Paolucci, Michelangelo The Pietás (Milan : Skira, 1999), n. pag. §ª¹185 §¥±¢ª¥©§v®Pietá ª¹§: Antonio Paolucci, Michelangelo The Pietás (Milan : Skira, 1999), n. pag. 192 §ª¹186 Michelangelo : Pietॠק|Ïy.. 1498-1499 ©¢×¢®|174 . Vatican St. Peter’s, Rome ª¹§: v§ |Û¢±, ±y§¦ª¹µ×¦w¢|“ ¦¦§©ª” (v|±¤ : ©¦¢©Û©º©º|²¢Û ¦©©¹|, 2552), 90. §ª¹187 Leonardo da Vinci : ¥²×§±ª¥²¥¦v²¢Û y.. 1510 ªº¾§¦µØ 168 x 130 . Musée du Louvre, Paris ª¹§: v§ |Û¢±, ±y§¦ª¹µ×¦w¢|“ ¦¦§©ª” (v|±¤ : ©¦¢©Û©º©º|²¢Û ¦©©¹|, 2552), 90. 193 §ª¹188 Raffaello Santi : §¢§²¥vv¥}© y.. 1507 ªº¾§¦µØ107 x 77. Galleria degli Uffizi, Florence ª¹§: v§ |Û¢±, ±y§¦ª¹µ×¦w¢|“ ¦¦§©ª” (v|±¤ : ©¦¢©Û©º©º|²¢Û ¦©©¹|, 2552), 90. §ª¹189 Albrecht Dürer : µ¥ y.. 1511 Kunsthistorisches Museum, Vienna ª¹§: v§ |Û¢±, ±y§¦ª¹µ×¦w¢|“ ¦¦§©ª” (v|±¤ : ©¦¢©Û©º©º|²¢Û ¦©©¹|, 2552), 90. 194 Bruges Madonna ¬¢ §¢×§² ×|±¬¢| Bruges (§ª¹ 116) ±ß ¥©§v¦v ©¢×¢ª¹Ø§|w«º±¬¹¢¥§Ïy.. 1504 Michelangelo ¾§±¢®¥²× §±ª´×§¥¦¦¹|¦|¦¦|vÛ ©¥Ø¢¥¦¬¥ ק|¦vw¢|¥§±ª³ |±¢v§²©v¦¥¢®wا|اw¢|¥§§²×¥v§w¢|¥ª¹©±¢ªºv§ µ´©§||wاv¦ª¥ª¹vع¾§|±¸vØ¢¢ªv¦º|¥ ¦ÛØ¢wا|w§ª¹®v¥§§}¦µØ ¢×§|קv¦§µØµ×´ ر×vا|y§ªª©ª§´ Øv¦ ק¥¦¦¹|§v¦¢®×´ ²×| ©w¢|¥²×§±ªv§±y¬¹¢µ ª¹}¾§v¦§v¦¢®×´²×| ©ªº ª¦v¥yاv¦ ¥©§v ×¢¾§©® ¥²×§±ª²¥¥ (Madonna and Child) w¢|Donatello ª¹ ¥© §´ §© § Basilica del Santo ² ×|±¬¢|§¦(§ª¹ 190) w¥ª¹ Donatello ا|©¦¦Û¥ ק|®±y§²¥y©Û§©v³v§¾§±¢®¥²×§±ª´×§§| yاv¦v¾§¦|}¥|vw«º¥¦¬ ¬¢®§v¦v¾§¦|}¥¥¦¦¹|¦¦|vÛ²¥|¢Ø ¥µØ± ¬¢¥§§v¦v¾§¦||¬¹¥´ Øy©Û§©v®Ø§¦vv§¥®§µØ¬¹ ¥§ª(§ª¹ 191) ²× Michelangelo´Ø©ªv§§|¢|yÛ¥v¢®¥²×§±ª²¥¥ ´¦v¥vØ¥¦vÛ¢¥±|§±¬º¢|ק|¦|®Ø§¦vv§¥®§¥¢|yÛ(§ª¹ 192) ¦v¥v§¾§±¢¦|vק§ªº²|´ ر ¸×§¥©§v® Bruges Madonnaw¢|Michelangelo²¥¥²×§±ª²¥¥ w¢|Donatello®vا|w«º§ ±¬¹¢±ß®±y§¢¦±ß²y©´v§Ø§||§ª¹ª§¦º|²×y¦º|yv§|¢×§|µv¸§ Bruges Madonnaw¢| Michelangelov¸ª¦v¥ª¹²vק|µ}§v ¥²×§±ª²¥¥ w¢| Donatello¢×§|¦±}¦|}¥± ¸µØ}§v¦v¥×§§|w¢|¥²×§±ª²¥¥w¢| Donatello}¥±Øy§±ß®±y§§vvקw¢| Michelangelo¦v¥×§§|v§²|¢¢v ¢¦×w¢|¥ª¹³¢v¢¥§w¢|¥²×§±ª²¥¥ ¦Ûاw¢|¥²×§±ªª¹ }¦¥ ¦Ûw§w¢|¥¢×§|×´|§w¢| Michelangelo ¥Ø¢§y§¦v y§®v¦¢×§|²²×¥ ק|§§²¥¢×§|¦±}(§ª¹ 192) «|²Øק²y©v§Ø§|®±y§¥²×§±ª²¥¥Ø¢}¥ª§¦º|²×¦ yv§|v¸§²× §¢×§² ×|±¬¢| Brugesw¢|Michelangelov¸±´ ر ¸´ Ø«|¢©© w¢|©¥y§©v¢×§|±×¦³±~§¥¢×§|©¹|v§¦v®¥´ ت®|²¥vا±¬º¢ ||§²ª¥w¢|§ קvvק}¥±ßª¥w¢|±¸vØ¢©¹|ªº±´ ر ¸v§´ Ø y§¾§y¦v¦y§|§²¢y©w¢|©Î§v±v©µ}µ×´×´}v¦y§±ß}©|w¢| §©(§ª¹ 193) 195 §ª¹190 Donatello : ¥²×§±ª²¥¥ ¥ ק|Ïy.. 1486 – 1466 ¾§© §© §Basilica del Santo, Padua ª¹§: Bonnie A. Bennett and David G. Wilkins, Donatello (Oxford : Phaidon, 1984), 171. §ª¹ 191 §¥±¢ª}§v ¥²×§±ª²¥¥ w¢|Donatello ª¹§: Madonna and Child/ Donatello [Online], accessed 18 July 2011. Available from http://www.shafe.co.uk/art/classical_tradition_slides_fifteenth-century_italy_lecture_2_3-03- 196 §ª¹192 Michelangelo : Bruges Madonna¥ ק|Ïy.. 1501 – 1504 ©¢×¢®| 128 . Notre-Dame, Bruges ª¹§ : Bruges Madonna [Online], accessed 18 July 2011. Available from http://jackmaryetc.com/ Travel/ Europe/Lowlands/images/209BrugeMichealAngelo.jpg §ª¹193 §¥±¢ª}§v Bruges Madonna w¢|Michelangelo ª¹§ : Ludwig Goldscheider, 0LFKHODQJHORgSDLQWLQJgVFXOSWXUHgDUFKLWHFWXUH (London : Phaidon, 2004), n. pag. 197 ¥©§v¦v ©¢×¢®Madonna Teddei (§ª¹ 118) ²¥ Madonna Pitti (§ª¹ 119) «¹|ª¦ §±ß®|v ¦º|§}©v Doni Tondo ¬¢y¢y¦ ¦v©½©©½v¦¦v}¢ ۮر}©º¾§Û (The Holy Family with St. John the Baptist) (§ª¹ 120) «¹|±wª²×µØ®|v±×v¦|§± קªºw¢| Michelangelo¥Ø¢´ ر ¸«| y§©´v§Ø§||§}©v²¥¥©§v´v¢®|vª¹±ªvv¦×§ Tondo ²¥v§¾§±¢§¥²×§±ª²¥¥w¢|©Î´¦±¢±¢|۵رߢק|ª ©Îª¹ª¬¹¢±ª|´v§§§¥²×§±ª²¥¥y¬¢ Raffaelo Santi ®ØµØ¦v§v ×¢|ק§§§§¥²×§±ª²¥¥µØ¢×¢Ø¢²¥||§}¦´}ª¹ }±×w¢||§ Tondo ¦º|§©ºªºw¢|Michelangelo ¢®×ª¹v§±Øy§¦¦Û ¥ ק|§§²¥´¦v¥ª¹±ßy§¦|}¥± ¸µØ¦}§v¥©§v® ®Teddei Tondo«¹|¥Ø¢¾§×§³±wا §¥§§±§¥ §v¦vv¥}©ª¹ ¦v}¢ ÛØ¢®Ø±}©º¾§Û¬¹§´ Ø®(§ª¹ 118) vv¥}©±ß¦¦vÛ² ×|¥§v¢¦ vwÛ§w¢|¥¢|yÛ×ק§|v§±y¬¹¢µ w¢|¥²×§±ªª¹v¾§¦|±¢ªº¥v§µ ¦¥Ø¢}§v¦v³}±´§}©vDoni Tondo¦º|§§w¢|¦v³}± ²¥¥²×§±ªª¹¢|µ¦|¥Ø¢(§ª¹ 120) µ×±ª|²×²|´ ر ¸«|y§¦v²¥ y§¢¢×w¢|y¢y¦¥y©Û¢¦¦v©½©©½±×§¦º²×¦|¾§´ Ø¢|yÛ¥v¢ ¦v¦º|§ªº ¢±ß¢¦ «¹|¢¦±ªv¦¢×§|ª±¢v§²¥ªª©ª§¢ªvØ|§ Tondo ¦º|§©º ªº¢v}§v}¥²|´ ر ¸«|¢§Ûy§®Ø«vw¢|ۮت±¬¢±¬º¢¢¦±ß±¢v¦vÛ´v§ ا||§w¢|©¥±¢±¢|۲ئ|²|´ ر ¸«|¢©©w¢|©¥y§©v¢ªvØ ³±~§¥¢×§|©¹|§vק ת¹¬±¬¢v§¢®×´~§v ¦|w¢|§ ¦§v§´v§Ø§|yÛw¢| Michelangelo ²|´ ر ¸¢×§|±×¦´|§ ×|³yª¹¢|«¹|±ß×|±§ª¹©Î ׮تºµØ¦v§×§}ا|}§v¦¥§§ Julius II ´ Ø Ø§|¢Û§¾§ ¦}¥w¢|¥¢|yÛ³y|v§ªº±ß³y|v§w§´ × «§ª¹ ¥Ø¢´ ر ¸«|y§¥±¢¥§w¢|¢|yÛ¦¥§§²¥©Î®Øا|¦|}¥± ¸µØ}§v² ק|¢Û§w¢|¦¥§§ Julius II²²v(§ª¹ 123, 194 ²¥195) ª¹ª¦v¥ yاv¦§Ý|¥w¢|±}اy¢|y¦ vªv(§ª¹ 196) «¹|¥v¢Ø¥©§v ¢¦±ß}¾§«|40 ¦ Michelangelo¦º|´}²¥×±¦|² ×|v§Ø§|yÛ´ Øv¦v§ ا|¢Û§ªº±ß¢×§|§v³}¥± ¸µØ}§vv§ª¹±w§±©§|µy¦±¬¢v ©²¥yy v§¦ ©Ø±¢|²× Michelangelov¦Ø¢|±©v¦Ý §²¥¢y§¦v§¦º|²× ±©¹Ø§|¢Û§w¢|¦¥§§ Julius IIµ×§× }¥±ßv§¾§|y§v¦±¬¢|³³×§ w¢|¦¥§§Julius II ¬¢±¬¹¢¥¢|yÛ|µØ¦¦¥v¸|ª¥¦§´ Ø Michelangelo ا|¢§ªÛ ×¢®¾§©w¢|¥¢|yÛ±¬¹¢±ß¢Û² ×|¦¥ª¹|§§©|©²ª¹ ªª¹w¢|y©}¦vv¦y¬§µØ¢v}§v¦º¥¢|yÛ¦||¢ §´ رw§±wª§ }©v®±Ïv¥¦±§© §Sistine ¢ªvØ 198 §ª¹194 ¦ §³¢§w¢|²×§|¢Û§Julius II §Ïy.. 1505 ³C. L. Frommel ª¹§:v§ |Û¢±, “Michelangelo Buonarroti ²¥¢Û§w¢|¦¥§§Julius II”, ´ ³y ²vز ×|y§v´, ©v§©v¢§}§Ûy¥}©v¥©§v ²¥§©Û §©§¦ ©§vy¦º|ª¹26, 2552 (v|±¤: ©¦ ¢©Û ©º©º|²¢Û¦©©¹|}¾§v¦( §), 2552), 93. 199 §ª¹195 ¦ §³¢§w¢|²×§|¢Û§Julius II §Ïy.. 1513 ª¹§ : Achim Gnann, Michelangelo The Drawing of Genius (Vienna : Albertina, 2010), 169. 200 §ª¹196 ¦ §³¢§w¢|¢Û§² ×|Halicarnassus ´±¢±ªØ¢1 ´©¹| ¦}Û7 ¢×§| w¢|³v³§ ª¹§:v§ |Û¢±, “Michelangelo Buonarroti ²¥¢Û§w¢|¦¥§§ Julius II”, ´³y ²vز ×|y§v´ , ©v§©v¢§}§Ûy¥}©v¥©§v ²¥§©Û §©§¦ ©§vy¦º|ª¹26, 2552 (v|±¤: ©¦ ¢©Û ©º©º|²¢Û¦©©¹|}¾§v¦( §), 2552), 94. v§ª¹ ¦ ¥§§Julius II |¢ §´ Ø Michelangelo ±wª§}©v® ±Ïv¥¦±§© § Sistine ³|w®×ק §v±w§µ×¾§|§ªº¥¢|yÛ}¥|v±©v¦§ v§Ø§|¢Û§w¢|¥¢|yÛ¢v}§v}¥¾§´ Øv§Ø§|¢Û§ªº®v±¬¹¢¢¢vµ ²Ø¦|ا|y§ww¬¹´}²¥y¦²yØ´}´ Øv¦©Î ׮تº¢×§|²§ ¦±§¥±w§Ø¢|}¾§´} ±wª§}©vª¹±w§µ×¦²¥µ×|v¦§w§v§Ø§||§w¢|±w§²×v§±wª§ }©vªºv¸v¦v§±ß³¢v§¾§y¦ª¹¾§´ Ø Michelangelo§§¦§²§|v§ ا|yÛ|§w¢|±¢|±§¥v¥v§Ø§|yÛ|§}©v«¹|±ß§2 ©©´Ø±§ Ø¢²¥´ ئ©½ª¹±¸vקv§Ø§||§¥©§v«¹|±ß3 ©©Ø± ªº¢ 201 ¥¥±§vק4 Ϫ¹©Î®ØªºµØ×±¦º|²|v§²¥²|´}´ Øv¦v§±wª§}©v¥¦ © § Sistine}«|¾§´ رw§§§¦§²§|v§Ø§|yÛ|§©¥w¢|±¢|}§v ²§|ª¹´vرyª|v¦©¥y§©vµ®×®² Mannerismª¹yاy«|v¦²§|v§Ø§| |§²±£±©©vw¢|vªv ´¢²v¦¥§§ Julius II |ª¥¥|yÛ´ Ø Michelangelo ±wª§ }©v®±Ïv¥¦±§© § Sistine ±ß§¢¦y§v( Apostles) 12 ¢|y۲שΠ×y©×§v§¾§±¢§±¬¹¢|±×§}§v¥y©Û§y¦¦§±vקªy§± §¥§vvק ²¥±w§v¸§§³Øا´ Ø¢|yÛ¦¥§§¢¦²y©ªºw¢|±w§µØ Michelangelo ²×|¬ºª¹ ±§³yØ|w¢|© §¢¢v±ß9 ×¢|³±wª§±ª²³y|ا|±§³yØ|²¢³|yÛª¹ª |³yØ|¦º¾§ ¦vØ¢v¦³y|ا|w¢|§Ýv}©|(§ª¹ 123 ²¥) ´²×¥×¢|¾§±¢ ±¬¹¢|§}§v¥y©Ûy¦ªÛ§y¦¦§±vק¦º|²×¢¥±}اا|³vµ}«|v§ ±§§w¢|³¢§ Û ¢v}§vªº¦|§v§± ק®Ø±}¥( Prophet) ²¥±©§§vÛ (Sibyl)¦¹|¢®×¦¦|vÛ¥ ק|¬ºª¹§± ª¹¢² ³yØ| ¦|y§( Hip cap) ¢ªvØ (§ª¹ 197 ²¥198) ´¬ºª¹®y«¹||v×¢| اק|( Lunette) (§ª¹ 199) ²¥ §± ª¹ ¢² ³yØ| ¦|y§( Hip cap) ²|±¬¹¢|§±vª¹v¦w¢|¥±® y©Û(§ª¹ 200) ׬ºª¹§± ª¹ª¹¢®×|w¢|±§³yØ|¦º|4 w¢|© § (Pendentive) ±ß§±¬¹¢|±×§±vª¹v¦ªvw¢|ª²¥ªª}§v¥y©Ûy¦ªÛ §y¦¦§±vק(§ª¹ 201) §}©v±§© §ª¹¥v¢µØy}¾§ §v§ªºµ×±ª|²×²|´ ر ¸y§©¹|´ ×¢¦|v§w¢|v§}¦§|¢|yÛ¥v¢§±×§¦º ²×¦|²|´ ر ¸¢¦}~©§w¢| Michelangeloª¹§§}¦²×|¬ºª¹w¢|±§³yØ|ª¹ªw§ ´ ׫|±v¬¢500 §§|±µØ¦¦Ø¢¢×§|¢±ª¹¢ªvصױª|±×§¦º Michelangelo¦|±wª§±ª²¥©§v¦v ©¢×¢(§ª¹ 202) ²¥¥©§v ® עؾ§©´®|v¢ªvØ(§ª¹ 203) v§¾§±¢±×ªº¥Ø¢´ ر ¸«|²y© w¢|©¥yv§|«¹|}©v¥©§v²¥§Ýv®v ¢±ß¢¦ «¹|¢¦ ±ªv¦¦|y¾§vקª¹×§§Ýv±ª±¬¢§§w¢|©¥v§w§ 202 §ª¹197 ®±Ø }¥Daniel§¥±¢ª}§v}©v±§ §© §Sistine ª¹§ : Gabriele Bartz and Eberhard König, Michelangelo Bournarroti, (Cologne : Konemann, 1998), 47. §ª¹198 ±©§§vÛPersian §¥±¢ª}§v}©v±§ §© §Sistine ª¹§ : Frank Zöllner and Chrifstof Thoenes, Michelangelo 1475-1564 Life and Works, (Koln : Taschen, 2010), 165. 203 §ª¹199 ¬ºª¹®y«¹||v×¢| اק|(Lunette) ²|±¬¹¢|§±vª¹v¦w¢|¥±®y©Û §¥±¢ª}§v}©v±§ §© §Sistine ª¹§ : Frank Zöllner and Chrifstof Thoenes, Michelangelo 1475-1564 Life and Works, (Koln : Taschen, 2010), 189. §ª¹200 §± ª¹¢² ³yØ| ¦|y§(Hip cap) ²|±¬¹¢|§±vª¹v¦w¢|¥±® y©Û(Josias ²¥©§§§) §¥±¢ª}§v}©v±§ §© §Sistine ª¹§ : Gabriele Bartz and Eberhard König, Michelangelo Bournarroti, (Cologne : Konemann, 1998), 41. 204 §ª¹201 ׬ºª¹§± ª¹ª¹¢®×|w¢|±§³yØ|w¢|© §(Pendentive) §±¬¹¢|±×§±vª¹v¦ §© §©²Û ×|v§¢w¢|©§±¢“The Brazen Serpent” }§v¥y©Ûy¦ªÛ§y¦¦§±vק§¥±¢ª}§v}©v±§ §© §Sistine ª¹§ : Gabriele Bartz and Eberhard König, Michelangelo Bournarroti, (Cologne : Konemann, 1998), 41. §ª¹202 §±ª²¥©§v¦v ©¢×¢®Putti §¥±¢ª}§v}©v±§ §© § Sistine ª¹§ : Frank Zöllner and Chrifstof Thoenes, Michelangelo 1475-1564 Life and Works, (Koln : Taschen, 2010), 157. 205 §ª¹203 §±wª±ª²¥©§v® עؾ§©´®|v§¥±¢ª}§v}©v ±§ §© §Sistine ª¹§ : Frank Zöllner and Chrifstof Thoenes, Michelangelo 1475-1564 Life and Works, (Koln : Taschen, 2010), 101. ´®´µØ©w¢|Ïy.. 1508 Michelangelo±©¹±wª§}§v±§© §}§vا ©¥¦vµ¦|©¥¦¢¢v«¹|±ßv§±wª§±ª|¾§¦± v§ÛØ¢ ¦|y¬¢±©¹}§v §Ø§µ¦|§²v(§ª¹ 204) ¬ºª¹³yØ|±§ª¹¢®×|v§|®v²×|¢¢v±ß9 ×¢| ²×¬ºª¹§´²×¥×¢|}¥ªw§´ ×±¸v¦v¦µ³ª®§ ×±¬¢( Inudi) ¦|¹ ´ ק§|ק|· ¦±§|¦|º 4 w¢|§± ¬¢v¦¾§ اª±¹ ßv¢§(§ª¹ 205) v§ ±wª§}©vw¢| Michelangelo²×|¢¢v±ß3 ¥¥¥¥²v±wª±¬¹¢|§±vª¹v¦³ ¢§ Û«¹|¥v¢Ø§±×§±¬¹¢|3 ¢y¬¢v§±§§µ×µØ©w¢|³¢§ Û (§ª¹ 206) ¦º¾§ ׳v(§ª¹ 207) ²¥v§§±y¬¢¹ |¦|±w¢|³¢§ Û (§ª¹ 208) ¥¥ª¹¢|ª¦º| 3 §y¬¢v§¾§©vyÛ²¥v§®vw¦µ×¢¢v}§v¢ª±(§ª¹ 209)v¾§±©¢ª(§ ª¹210) ²¥ v¾§±©¢¦ (§ª¹ 211) ¥¥ª¹§¥v¢µØ3 §Ø§y¬¢ ¥±}ا |²v²×º¾§¢¢v}§v²×© (§ª¹ 212) ¥±}ا|ا|¥¢§©Û¥}¦Û²¥¬ ¦Û§§©(§ª¹ 213) ²¥¥±}ا|²vy§×§|¢¢v}§vy§¬(§ª¹ 214) 206 . §ª¹204 Michelangelo : }©v±§© §Sistine ¥ ק|Ïy.. 1508-1512 }©v®±Ïv 40.23 x 13.3 . © §Sistine, Rome ª¹§ : Frank Zöllner and Chrifstof Thoenes, Michelangelo 1475-1564 Life and Works, (Koln : Taschen, 2010), 40-41. 207 §ª¹205 § × ±¬¢(Inudi) ¦¹|´×§§|ק|· ¦±§|¦º|4 w¢|§§v¦¾§ اª¹±ß v¢§ ª¹§: Dividing_water_from_Heaven [Online], accessed 28 April 2011. 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§y2537) : 15 – 16. 3 Rolf Toman, (ed.), Gothic · Architecture · Sculpture · Painting (China : Tandem Verlag GmbH, 2007), 352 – 353. 4 ®ª¹¥®¢§¥ [.§vº¾§ ], ¦µ±wا«|©¥ (v|±¤ : ©¦Ø¢Ø¢ ²vª¹}¾§v¦, 2540), 123. 5 v§ |Û¢± , ±y§¦ª¹µ×¦w¢| “ ¦¦§©ª ”, (v|±¤: ©¦ ¢©Û©º©º|²¢Û¦©©¹|}¾§v¦( §), 2552), 86. 6 ±¬¹¢|§w¢|§¢±¢§v´±¬¹¢|“|y§² ×|v|¢ ”§¢±¢±ß ¦v ©|®Øvا §² ×| Cappadocia ´±¢±ªØ¢±×§v¦×§v±¢´Ø®Ø§±¬¹¢v§¾§| ±×§¦Ûw¢|±×§¦º´¦w¢|§©ª Penthesileia ± ק¦v§¢±¢µØק¢ v¦§vªv¢Ø§|}§v. §w¦Û, ´y±ß´y´±©§vªv-³¦ (v|±¤ :³¢. ±¢. ©º©º|±£§Û, 2541), 47. 7 Niobe y¬¢§©ª² ×|v|ªÛ¥§ªy¬¢§§²¢©¢¢Niobeªª©¢®×¢×§| ªy§w§vy§w± ¬¢©¹|¢¬¹´y¬¢¥§|µØ´ Øv¾§±©±}ا§±}¸¢|yÛ²¥±}ا ©|±}¸ ¢|yÛv¥¢|yÛزת¥©©³~||§¦ «¹| Niobe± ¸§§±¬¢|v¾§¦|§v¦¾§ ©ª®§±ªª³v¦§³¢²¥§©§y¬¢±¢¥¢³²¥±ª¢§Û±©¥§|}«|µ×¢´} §v«¹|¥§|µ×±ª|²×קvקv§±¬¢|ª¹§®§±±×§¦º²×¦|vw«º± ¬¢±¢ªv سvקק±¢|ª¦©§vvק±ªv¢|yÛ²¥¦|ªv® §vvק±ª±³ª¹ª±ª| ±¢¥¢³²¥±ª¢§Û±©±×§¦º±¬¹¢±ª±³§±¬¹¢|v¸|³v§v}«|¦§´ Ø®v· µ}¦v§|³Niobe´ ا±¢¥¢³²|{ק¥³¢¦|º ±}¸×±ª¢§Û±©{ק ¥§©§¦º|±}¸w¢| Niobe«¹|ا|y§±Ø§³v±ª´}´ زv× Niobe±ß¢¦§v}}©¹| ¢®×v¦y§±Ø§³v¥§||¹¾§µ رª´}}ק|v§v§±ß ©´ª¹¢Ø§|}§v§ª ±¬¢|§(±ª±ª|). ±©§²¥¾§§vªv³§, ©Ûy¦º|ª¹2 (©¦¾§¦v©Ûwاҧ| }¾§v¦: v|±¤, 2546), 51-55. 8 ¢¥y©¥±µ, ¥y©y¦ªÛ§y¦¦§±©´±¢¸v³ ³ª¹32 v¢ª¹ 19 – 20 (v|±¤: ¢¥y©¥±µ, 2512) 146. 265 9 Laocoön ¦v² ×|v|¢«¹|µØ§§¢v§v|¢´ ؾ§§Ø§µØª¹ §vªv©º|µØ³§§±¬¢§v|¢×§×§}¥±ßv«vw¢|vvªvر ªº±±}ا ³µ¢}«|×||®v¦ Û}§v¥±2 ¦§¦| § Laocoön ²¥§¢|yw¢|±w§}w§´} §¢Ø§|}§v®w±©§Û, ±±}اvªv-³¦ (v|±¤: ³|©Û §}¡§|vÛ§ ©§¦, 2546), 110. 10 ¢§Etruscan ¬¢v¾§±©w«º§y©Ûª¹8 v×¢y©v§©± ©²ª¹¢®×¥ ק|²×º¾§ Arno ²¥²×º¾§Tiber ¬¢¥ ק|¥± Tyrrhenian ²¥±¬¢v±w§ Apennies §Etruscanªy§¦¦Ûv¦¥±vªv©²´²¥±±©±¢Û±±ª ²¥¢§Villanova «¹|±y¦º|¢®×§|©¥¦vw¢|±¬¢|³³×§´Ý}}¦vתº µØا|y§±}©´ Øv¦©²¢·±¬¢|³³×§µ}«|©±§|¢×§|w¢|²×º¾§ Tiber ²¥©±ª¹¦º|w¢|v|³´Ý}}¦¢v}§vªº§ Etruscan¦|ªy§¦¦Ûv¦ ©²´²¥¦¢¢v±×±³³±±ª¢ª©Û²¥±¢±ªØ¢¢ªvØ®ª¹v§ |Û¢ ±, ©¥y§©v (¢©Û©º©º|²¢Û¦©©¹|}¾§v¦( §), 2549), 68. 11 ¢|yÛv§vª±ªºÛ¢©±¢Û±¦²² ×|¥±µ, ¥y©´ ×´¦© ª¹ 9 v¢ª¹ 9 (v|±¤ : ¢|yÛv§vª±ªºÛ¢©±¢Û±¦²² ×|¥±µ, 2523), 33. 12 ±ª±ªª¹ ا15-16. 13 v§ |Û¢± , “Michelangelo Buonarroti ²¥¢Û§w¢|¦¥§§ Julius II”, ´ ®}©¦©v§³y²vز ×|y§v´ , ©v§©v¢§}§Ûy¥ }©v¥©§v²¥§©Û §©§¦©§vy¦º|ª¹26, 2552 (v|±¤ : ©¦ ¢©Û©º©º|²¢Û¦©©¹|}¾§v¦( §), 2552), 102-103. 14 ®ª¹±¬¹¢|±ªv¦, ا±ªv¦. 15 ®ª¹±¬¹¢|±ªv¦, ا97. 16 ®ª¹±¬¹¢|±ªv¦, ا103-104. 17 ®ª¹Laocoön and his son [online], accessed 29 January 2010. 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Michelangelo±ª|y±ª´Ø±§±ª|µ×vª¹ ´¦¹ª©w¢|±w§±×§¦º 273 §v §§µ v§¢. “§©.” }§ ¢©Ö §©§¦©§v, 2,~¦©±(§y 2535 - §y2537) : 15-19. v§ |Û¢± . ±y§¦ª¹µ×¦w¢| ¦¦§©ª. v|±¤: ¢©Û©º©º|²¢Û¦ ©©|¹ , 2552. _______________. ©¥y§©v. v|±¤: ¢©Û©º©º|²¢Û¦ ©©|¹ , 2552. _______________. ©¥y©±ª´ª³. v|±¤ : §±²±}±ØÛ}¾§v¦, 2548. _______________. “Michelangelo Buonarroti ²¥¢Û§w¢|¦¥§§Julius II”, ´ ³y²vز ×|y§v´, ©v§©v¢§}§Ûy¥}©v¥©§v ²¥§©Û §©§¦©§vy¦º|ª¹26, 2552. v|±¤: ©¦ ¢©Û ©º©º|²¢Û¦©©¹|}¾§v¦( §), 2552. y¥¢¦v§Û}¡§|vÛ §©§¦ . ¢§¦´ ×–Ý}}¦. ©Ûy¦º|ª¹6. v|±¤ : ¾§¦v©Û}¡§|vÛ §©§¦, 2538. ±}© µ¥. ¥¦©§Û§v¦v§|. ¥y: y¦|©§, 2508. ___________. ¥¦©§Û§v¦´ ×. ¥y: y¦|©§, 2508-2509 ®©© }§§. ³´¦¦.v|±¤: ¦vÛ©Ö, 2528. §ª±¬¢|§(±ª±ª|). ±©§²¥¾§§vªv³§. ©Ûy¦º|ª¹2.©¦¾§¦v©Ûwا Ò§|}¾§v¦: v|±¤, 2546. ¢Ö¦, ±}.±¢¸. ¥¦©§Û³y.. 1494 - y..1789. ²³¦§³©v¥vv¥¥ ²¥©¢¢©|Û ¢§.¥y: §y¦|y§Û² ×|¥±µ, 2512. ¦v©§ §Û.©§©Î. ¥y: ³¢±ª³Û, 2511. ® ²vس¢§. ¥¦©§Û³v: ³vy³§yv§| y³y¢| y§±ß´ ׳vy Ý}}¦(ª¹20). v|±¤: w§´}, 2539. º¾§±|© ±Ïà. ³±©¹Øy´ ×. v|±¤: §©§¦§y¾§² |, 2519. . §w¦Û. 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