ELIZABETH GASKELL BIBLIOGRAPHIC SUPPLEMENT 2012-2014 BIBLIOGRAPHIES/BIBLIOGRAPHIC ESSAYS Marigliano, Emma. “A Brief Account of Illustrated Editions of Elizabeth Gaskell’s Works.” Gaskell Society Newsletter 54 (Autumn, 2012): 2530. Print. Dzelzainis, Ella. Elizabeth Gaskell. New York: Oxford University Press, 2012. Internet resource. Part of Oxford Bibliographies. Victorian literature database. A subscription is required to access. BIOGRAPHIES/BIOGRAPHICAL FOOTNOTES Alston, Jean. “Marianne and Her Family in Worcestershire.” Gaskell Society Newsletter 59 (Spring, 2015): 19-21. Barnard, Pat. “Ford Madox Brown: Pre-Raphaelite Pioneer.” Gaskell Society Newsletter. 53 (Spring, 2012): 16-20. Print. _____. “The Murillo Trail of ‘Woman Drinking’!” Gaskell Society Newsletter 58 (Autumn, 2014): 11-14. Print. Bonaparte, Felicia. The Gypsy-Bachelor of Manchester: The Life of Mrs. Gaskell’s Demon. Charlottesville: U of Virginia Press, 2015. Paper. (Paperback version of biography published in hardback in 1992.) Brooks, Ann. “Understanding Elizabeth Gaskell’s Garden and its History.” Gaskell Journal 27 (2013): 22-48. Print. NancySWeyant.com Brooks, Ann and Bryan Haworth. “A Very Modern Marriage.” Gaskell Society Newsletter 58 (Autumn, 2014): 14-20. Print. Cheshire, Jim and Michael Crick Smith. “Taste and Morality at Plymouth Grove: Elizabeth Gaskell’s Home and its Decoration.” Gaskell Journal 27 (2013): 1-21. Print. Drife, James. “A Gynaecologist Looks at Mrs. Gaskell.” Gaskell Society Newsletter 53 (Spring, 2012): 4-12. Print. Easson, Angus. “Domestic Medicine: with Some Notes about Mercury Treatment.” Gaskell Society Newsletter 59 (Spring, 2015): 3-6. Print. _____. “‘Trawling Private Accounts Out to the Public Gaze’: Answers and Problems.” The Gaskell Society Newsletter 56 (Autumn, 2013): 35-38. Print. “Elizabeth Gaskell.” Profiles of Women Writers. Anaheim, CA: Golgotha Press, 164-188. Print. Foster, Shirley. “Elizabeth Gaskell and Food.” The Gaskell Society Newsletter 55 (Spring, 2013): 2-8. Print. Greenwood, John. “Gaskell and Sand: Two Unlikely Soulmates.” Gaskell Society Newsletter 60 (Autumn, 2015): 24-29. Print. Griffiths, Pam. “A Distant Connection.” Gaskell Society Newsletter 57 (Spring, 2014):40-42. Print. (Life of Charlotte Brontë) Halkyard, Stella. “‘The Arte of Limning’: Speculations on a Portrait Miniature of Elizabeth Gaskell.´ PN Review 40.6 (July-August 2014). Web. 5 July 2015. Hall, Audrey. “Ellen Nussey and Mrs. Gaskell’s Portrait.” Brontë Studies 39 (2014): 54-57. Print. Keaveney, Jenny. “Who was Louy Jackson?” Gaskell Society Newsletter 57 (Spring, 2014): 27-33. Print. Kiggins, Pauline. Casa Guidi Florence.” Gaskell Society Newsletter 54 (Autumn, 2012): 31-32. Print. NancySWeyant.com _____. “Elizabeth Gaskell and Thomas Glover.” Gaskell Society Newsletter 57 (Spring, 2014): 33-40. Print. Lingard, Christine. “Away from It All.” Gaskell Society Newsletter 54 (Autumn, 2012):33-35. Print. _____. “Death in Leamington Spa?” Gaskell Society Newsletter 53 (Spring, 2012): 20-23. Print. _____. “Marianne.” Gaskell Society Newsletter 60 (Autumn, 2015): 15-17. Print _____. “Primitive, Cheap and Bracing: the Gaskell’s in the Alps.” Gaskell Society Newsletter 58 (Autumn, 2014): 2-6. Print. _____. “To Tuscany with Murray.” Gaskell Society Newsletter 57 (Spring, 2014): 10-13. Print. McKay, Brenda. “Victorian Women Novelists: Gossip and Creativity.” Gaskell Society Newsletter 59 (Spring, 2015): 9-15. Paper. O’Brien, Ann. “Margaret Emily Gaskell.” The Gaskell Society Newsletter 55 (Spring, 2013): 17-21. Print. Ohno, Tatsuhiro. The Life of Elizabeth Gaskell in Photographs. Osaka: Osaka Kyoiku Tosho, 2012. Print. Payne, George Andrew. Mrs. Gaskell and Knutsford. 1900. Sligo: Hardpress, 2013. Print. Regaignon, Dara Rossman. “Motherly Concern.” Victorian Review 39.2 (2013): 32-35. Project Muse. Web. 6 July 2015. DOI: 10.1353/vcr.2013.0034. (My Diary) Salmon, Richard. “Moving Statues: The Iconography of the ‘Printing Woman.’” The Formation of the Literary Profession. NY: Cambridge UP, 2013. 174-209. Print. Shelston, Alan. “The Naming of the Train.” Gaskell Society Newsletter 58 (Autumn, 2014): 7-9. (Biography, Cranford, North and South) _____. “The Two Elizabeths.” Gaskell Society Newsletter 54 (Autumn, 2012): 17-21. Print. NancySWeyant.com Smith, Michael Crick SEE Cheshire, Jim and Michael Crick Smith Sutherland, John. “Mrs. Gaskell 1810-1865.” Lives of the Novelists: a History Of Fiction in 294 Lives. New Haven: Yale UP, 2012. 100-102. Print. Thornber, Craig. “Uncle Peter and Cousin Henry.” Gaskell Society Newsletter 53 (Spring, 2012): 12-16. Print. Walford, Lucy Bethina. “Elizabeth Gaskell.” Twelve English Authoresses. 1892. Ann Arbor, MI: U of Michigan Library, 2014. Print. Webb, Sarah. “‘That Unfrequented Stonehall’: Elizabeth Gaskell and Tabley Old Hall.” Gaskell Society Newsletter 54 (Autumn, 2012): 7-12. Print. Weyant, Nancy S. “Chronology.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. x-xviii. Print. Wiltshire, Irene. “What the Gaskells Did Next: Life after Mother.” Gaskell Journal 27 (2013): 49-67. Print. CORRESPONDENCE Baker, William. “‘What a certainty of instinctive faith I have in heaven and in The Mama’s living on’: Unpublished letters of Mrs. Gaskell and unpublished Gaskell family letters.” Victorian Institute Journal 29 (2001) [VIJ Annex]. Web. [18 October. 2012 http://www.nines.org/exhibits/vij_baker]. Bernard, Pat. “The Connection between Elizabeth Gaskell, Charles Eliot Norton and the Autumn Leaves by John Everett Millais.” The Gaskell Society Newsletter 56 (Autumn, 2013): 22. Print Greengood, John. “Our Happy Days in Rome”: The Gaskell-Norton Correspondence.” Gaskell Journal 28 (2014): 97-104. Print. Kolich, Sr. Rosemary. “‘In the Language of the Bible’: Scripture as Subtext in Elizabeth Gaskell’s Letters.” Gaskell Journal 28 (2014): 90-96. Print. Levityan, Kathrin. “Catching the Past: Elizabeth Gaskell as Traveler and Letter-Writer.” Place and Progress in the Works of Elizabeth Gaskell. Eds. Lesa Scholl, Emily Morris and Sarina Gruver Moore, Farnham, Surry and Burlington, VT: Ashgate, 2015. 123-135. Print. NancySWeyant.com Nestor, Pauline. “‘A Conscientious and Well-Informed Victorian Mother’: Elizabeth Gaskell’s Letters to Her Daughters.” Women’s History Review, 24.4 (2015): 591-602. DOI: 10.1080/09612025.2015.1015331. Web. 17 June 2015. Ota, Miwa. “Evil and the ‘Taste for Beauty and Convenience’ in Gaskell’s Letters.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 505-520. Print. Shelston, Alan. “What a Single Word Can Do.” Gaskell Society Newsletter 54 (Autumn, 2012): 24. Print. (Mary Barton) Wiltshire, Irene, ed. Letters of Mrs. Gaskell’s Daughters, 1856-1914. Penrith: Humanities Ebooks, 2012. Print. LITERARY CRITICISM NOTE: Where the title of the source does not include the title of Gaskell’s work(s) discussed, works are listed alphabetically in a parenthetical notation. Al-Badarneh, Abdullah Fawaz Hamed. “Female Oppression and Aspiration in Selected Nineteenth-Century Novels by Elizabeth Gaskell, Charlotte Brontë, Harriet Beecher Stowe and Elizabeth Stuart Phelps.” Diss. Indiana U of Pennsylvania, 2012. (Mary Barton, North and South) Al-Haj, Ali Albashir Mohammed. “A Study of Women’s Labor in Elizabeth Gaskell’s Mary Barton.” Theory and Practice in Language Studies 4 (2014): 1132-1137. DOI: 10.4304/tpls.4.6.1132-1137. Alavi, Majid. Elizabeth Gaskell: Historical Consciousness and Politics of Gender in Selected Novels. Saarbrücken: LAP LAMBERT Academic Publishing, 2012. (Cranford, Mary Barton, North and South, Ruth, Sylvia’s Lovers) Allen, Christie. “Trauma in the ‘Tea-Cup Drama’: Cranford on the World War II Home Front.” Gaskell Journal 28 (2014): 1-16. Print. NancySWeyant.com Ameera, V. U. “The ‘Condition of England Novels’ and Victorian Woman Novelists.” The Criterion: An International Journal in English. 12.2 (2013): 1-9. Paper. (Mary Barton, North and South). Anderson, Amanda. “Dickens, Charlotte Brontë, Gaskell: Politics and Its Limits.” The Cambridge History of the English Novel. Eds. Robert L. Caserio and Clement Hawes. Cambridge: Cambridge UP, 2012. 341356. Print. (North and South) Anderson, Kathleen and Kelsey Satalina. “‘An honest up and down fight’: Confrontation and Social Change in North and South.” Gaskell Journal 27 (2013): 108-125. Print. Andres, Sophia. “Women’s Voices in the Pre-Raphaelite Space of Elizabeth Gaskell’s Novels.” Place and Progress in the Works of Elizabeth Gaskell. Eds. Lesa Scholl, Emily Morris and Sarina Gruver Moore, Farnham, Surry and Burlington, VT: Ashgate, 2015. 193-207. Print. (Correspondence, Ruth, Sylvia’s Lovers) Antinucci, Raffaella. “(Un)intellectual, Social, Feminist or Canonical Writer? Reading Gaskell in the Twentieth Century and in the New Millennium.” Adapting Gaskell: Screen and Stage Versions of Elizabeth Gaskell’s Fiction. Ed. Loredona Salis. Newcastle upon Tyne: Cambridge Scholars, 2013. 17-32. Print. (Bibliography, Cousin Phillis, Cranford, Life of Charlotte Brontë, Mary Barton, My Lady Ludlow, North and South, Sylvia’s Lovers, Wives and Daughters) Arai, Megumi. “That Lady They Call Clare: The Evil Step-Mother in Wives and Daughters.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 393-408. Print. Arnett, James. “First as Farce, Then as Tragedy: Cranford and the Internal Periphery of Capitalism.” Lit: Literature Interpretation Theory 25 (2014): 1-19. DOI: 10/1080/10436928.2014.868216 Athmanathan, Divya. “Courtship and Spaciality in Nineteenth Century English Novels. Diss, Nanyang Technological U, 2014. http://hdl.handle.net/10356/59544. Web. 29 May 2015. (North and South) NancySWeyant.com _____. “‘You might pioneer a little at home’: Hybrid Spaces, Identities and Homes in Elizabeth Gaskell’s North and South.” Place and Progress in the Works of Elizabeth Gaskell. Eds. Lesa Scholl, Emily Morris and Sarina Gruver Moore. Farnham, Surry and Burlington, VT: Ashgate, 2015. 37-52. Print. Avarvarei, Simona Catrinel. “(Dis)covering/(De)constructing Identity in Elizabeth Gaskell’s North and South.” Proceedings of the Second International Conference on Globalization, Intercultural Dialogue and National Identity, May 29-30. Mures, Romania: Archipelag P, 2015. Web. 6 July 2015. Baker, Fran. “The Double Life of ‘The Ghost in the Garden Room’: Charles Dickens Edits Elizabeth Gaskell.” The Boundaries of the Literary Archive. Eds. Carrie Smith and Lisa Stead. Farnham, Surrey and Burlington, VT: Ashgate, 2013. 75-90. Print. Bazell, Beatrice. “The ‘Atrocious’ Interior: Wallpaper, Machinery and 1850s Aesthetics in North and South.” Gaskell Journal 26 (2012): 36-51. Print. Benton, Michael. “The Aesthetics of Biography – And What It Teaches.” Journal of Aesthetic Education. 49.1 (2015): 1-19. JSTOR. Web. 18 May 2015. (Life of Charlotte Brontë) Bhattacharyya, Tania. “The City as Monster: Reading Monstrosity in the Nineteenth-Century British Urban Landscape.” Diss. Purdue U, 2013. Purdue University e-Pubs. Web. 17 March 2014. (Mary Barton) Billington, Josie. “Gaskell’s ‘Rooted’ Prose Realism.” Place and Progress in the Works of Elizabeth Gaskell. Eds. Lesa Scholl, Emily Morris and Sarina Gruver Moore. Farnham, Surry and Burlington, VT: Ashgate, 2015. 159-171. Print. (Correspondence, Life of Charlotte Brontë, North and South, Sylvia’s Lovers, Wives and Daughters) Boehm, Katharina. “Transatlanticism and the Old Indian: Old Age and CrossRacial Mentorship in Narratives of National Belonging.” Interdisciplinary Perspectives on Aging in Nineteenth-Century Culture. Eds. Katharina Boehm, Anna Farkas and Ann-Julia Zwierlein. NY and London: Routledge, 2014. 95-114. Print. (Lois the Witch) NancySWeyant.com Burroughs, Robert. “Gaskell on the Waterfront: Leisure, Labor, and Maritime Space in the Mid-Century.” Place and Progress in the Works of Elizabeth Gaskell. Eds. Lesa Scholl, Emily Morris and Sarina Gruver Moore. Farnham, Surry and Burlington, VT: Ashgate, 2015. 11-22. Print. (Correspondence, Cranford, “Manchester Marriage”, Mary Barton, “Moorland Cottage”, North and South, Ruth, “The Sexton’s Hero”, Sylvia’s Lovers) Bussing, Ilse M. “The Victorian Haunted House as a Space of Seduction.” The House of Fiction as the House of Life; Representations of the House from Richardson to Woolf. Eds. Francesca Saggini and Anna Enrichetta Soccio. Newcastle upon Tyne: Cambridge Scholars, 2012. 119-127. Print. (The Old Nurse’s Story”) Buzard, James. “Ethnographic and Narrative Frontiers: The Case of Gaskell’s Mary Barton.” Raritan 32 (2012): 118-139. Byrne, Katherine. “Anxious Journeys and Open Endings: Sexuality and the Family in the BBC’s Wives and Daughters (1999).” Adapting Gaskell: Screen and Stage Versions of Elizabeth Gaskell’s Fiction. Ed. Loredona Salis. Newcastle upon Tyne: Cambridge Scholars, 2013. 77-96. Print. _____. “Consuming the Family Economy: Disease and Capitalism in Charles Dicken’s Domby and Son and Elizabeth Gaskell’s North and South. Tuberculosis and the Victorian Literary Imagination. 2011. Cambridge: Cambridge UP. 2013. 45-68. Print. Paperback version of critical work published in hardback in 2011. Cameron, Lauren N. “Renegotiating Science: British Women Novelists and Evolution Controversies, 1826-1876.” Diss. U of North Carolina at Chapel Hill, 2013. (Sylvia’s Lover’s) Caracciolo, Peter L. “The Enemy’s ‘Son of All Destructions’: Picasso-esque Refashioning of George Eliot and Elizabeth Gaskell in Wyndham Lewis’s Self Condemned and Monstre Gai.” Journal of Wyndham Lewis Studies 5 (2014): 60-74. Print. (North and South) Celeste, Mark. “‘You say you want a Revolution’: Dialectical Soundscapes in Gaskell’s North and South.” Gaskell Journal 26 (2012): 18-35. Print. NancySWeyant.com Chase, Karen. “‘Senile’ Sexuality: The Price of Sexuality in Old Age.” Interdisciplinary Perspectives on Victorian Old Age. Eds. Anne-Julia Zwierlein, Katharina Boehm and Anna Farkas. Hoboken: Taylor and Francis, 2013. 270-298. Print. (Cranford) Chavez, Julia M. “Reading ‘An Every-Day Story’ through Bifocals: Seriality and the Limits of Realism in Elizabeth Gaskell’s Wives and Daughters.” Place and Progress in the Works of Elizabeth Gaskell. Eds. Lesa Scholl, Emily Morris and Sarina Gruver Moore. Farnham, Surry and Burlington, VT: Ashgate, 2015, 147-157. Print. Chen, Lizhen. “Narrating Desire: Secrets and Disillusion in Cousin Phillis.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 345-359. Print. Cody, Emily K. “Grave Matters: Gothic Places and Kinetic Spaces in Elizabeth Gaskell’s Mary Barton. Place and Progress in the Works of Elizabeth Gaskell. Eds. Lesa Scholl, Emily Morris and Sarina Gruver Moore. Farnham, Surry and Burlington, VT: Ashgate, 2015. 53-64. Print. Cohen, Michele. “A Mother’s Dilemma: Where Best to Educate a Daughter, at Home or at School.” Gaskell Journal 28 (2014): 35-52. Print. (My Diary, Wives and Daughters) Combs, Shelly. “A Humor of their Own: Feminist Humor in the Works of Jane Austen, Elizabeth Gaskell, Caroline Kirkland and Marietta Holley.” Diss. Saint Louis U, 2012. ProQuest (2012): Item 3514498. Web. http://search.proquest.com/docview/1029493309. Cooney, Brian. “Violence, Terror, and the Transformation of Genre in Mary Barton.” Victorian Transformations. Ed. Biance Tredennick. 2011. Farnham, Surry and Burlington VT: Ashgate, 2013. (Kindle version of 2011 Hardcover.) Cox, Kimberly Nicole. “When Hands Touch: Manual Intercourse in Victorian Literature.” Diss. SUNY at Stony Brook, 2014. DAI-A 76.7 (2016): Item DA3684734. ProQuest. Web. 17 June 2015. (North and South) Craik, Wendy A. Elizabeth Gaskell and the Provincial Novel. 1975. London And New York: Routledge, 2013. Print. NancySWeyant.com Cronin, Meaghan B. “Love, Labor, and Loss: An Interdisciplinary View of Work and Nostalgia in Gaskell’s North and South.” Impact 1 (2012): 19-28. Damjkaer, Maria. “Domestic Time in Mid-nineteenth-century British Print Culture.” Diss. King’s College, London, 2013. Print. (North and South) De Moraes Abrahão, Viviane. “Corpus Stylistics: Analyzing Elizabeth Gaskell.” JACLR: Journal of Artistic Creation and Literary Research 2.1 (2014) 24-37. https://www.ucm.es/data/cont/docs/119-2014-08-262.1.3Moraes.pdf (Cranford, Mary Barton, North and South, Ruth, Wives and Daughters) Dean, Bradley. “Veiled Women in the Marketplace of Culture: Authorships and Domesticities in Gaskell and Eliot.” Making of the Victorian Novelist: Anxieties of Authorship in the Mass Market. 2003. NY and London: Routledge, 2014. 113-138. Print. (Cranford, Life of Charlotte Brontë, Mary Barton) Available in both Kindle and paperback formats. Delafield, Catherine. “The Periodical and the Serialized Novel.” Serialization and the Novel in Mid-Victorian Magazines. Farnham, Surry and Burlington, VT: Ashgate, 2015. 73-91. Print (Cranford, North and South). DeBlassie, Maria. “From the Philosophical Wanton to the Respectable Lady: Rewriting the Female Intellectual’s Moral, Sexual and Political Identities in the Courtship Novel, 1790-1850.” Diss. U of Washington, 2012. Print. (North and South) DeWitt, Anne. “Moral Uses, Narrative Effects: Natural History in the Novels of George Eliot and Elizabeth Gaskell.” Moral Authority, Men of Science, and the Victorian Novel. Cambridge and NY: Cambridge UP, 2013. 53-93. Print. (Wives and Daughters) Diniejoko, Andrzej. Ruth and the Fallen Woman Question in Victorian England.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 121-136. Print. NancySWeyant.com Dominguez-Rué, Emma. “Nightmares of Repetition, Dreams of Affiliation: Female Bonding in the Gothic Tradition.” Journal of Gender Studies (2014) 23:2, 125-136. DOI: 10.1080/09589236.2012.750238 (“The Grey Woman”) Dotson, Emily Ann. “Strong Angles of Comfort: Middle Class Managing Daughters in Victorian Literature.” Diss. U of Kentucky, 2014. Theses and Dissertations—English. Paper 13. (available at http://unknowledge.uky.edu/english_etds/13) Web. 16 June 2015. (North and South) Dredge, Sarah. “Negotiating ‘A Woman’s Work’: Philanthropy to Social Science in Gaskell’s North and South.” Victorian Literature and Culture 40 (2012): 83-97. Print. Dugan, Sally. “Mrs. Gaskell, ‘My Lady Ludlow’ (1858): The Guillotine Viewed from the Sofa; or Fictions of the French Revolution as Therapy.” JVC Online: Selected Papers from Strange New Day (Exeter, 17 September 2011). 29 April 2013. Web. 29 June 2015. Dunst, Maura. “‘Speak on, desolate mother!’: Elizabeth Gaskell’s Isolated (M)others.” Gaskell Journal 26 (2012): 52-69. Print. (Mary Barton, My Diary, North and South, Ruth, Wives and Daughters) Eckert, Sierra. “‘Sticking Together Pieces’: Gender, Genre and the Figure of Peter in Gaskell’s Cranford.” Stanford Undergraduate Research Journal 12 (2013): 63-68. Ellison, David. “The Ghost of Injuries Present in Dickens’s ‘The Signalman’.” Textual Practice 26 (2012): 649-665. (Cranford) Elsley, Susan Jennifer. “Images of the Witch in Nineteenth-Century Culture.” Diss. U of Liverpool, 2012. (available at http://hdl.handle.net/10034 /253452). (Life of Charlotte Brontë, “Lois the Witch”, Mary Barton, “The Poor Clare”, Ruth) Emberson, Ian M. “Asya and Phillis: Comparisons and Contradictions.” Gaskell Society Newsletter 57 (Spring, 2014): 2-6. Print. (Cousin Phillis) NancySWeyant.com Enderwitz, Anne. “Loving ‘without Thought of Self’: Sin and Repentance in ‘Lizzie Leigh; and Other Stories.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 441-455. Print. (“Heart of John Middleton”, “Lizzie Leigh”, “Well of Pen-Morfa”) Enderwitz, Anne and Doris Feldmann. “Nostalgia and Material Culture: Presenting the Past in Cranford.” Neo-Victorian Literature and Culture: Immersions and Revisitations. Eds. Nadine Boehm-Schnitker and Susanne Gruss. Hoboken: Taylor and Francis, 2014. 51-63. Print. Everett, Karina Jimenez. “Domestic Intimacies: Servants and Secrets in the Victorian Novel.” Diss. Fordham U, 2014. Print. (North and South) Engelhardt, Molly. “The Language of Flowers in the Victorian Age.” Victoriographics 3 (2013): 136-160. DOI: 10.3366/vic.2013.0129 (Correspondence, Mary Barton, Wives and Daughters) Everett, Karina Jiminez. “Domestic Intimacies: Servants and Secrets in the Victorian Novel.” Diss. Fordham U, 2013. DAI-A 75.2 (2014): Item DA3600972. ProQuest. Web. 17 June 2015. (North and South) Fedewa, Rebecca Parker. “Truth Telling: Testimony and Evidence in the Novels of Elizabeth Gaskell.” Diss. Marquette U, 2012. ProQuest Abstract. Web. 18 May 2015. (Cranford, Mary Barton, North and South, Ruth, Sylvia’s Lovers, Wives and Daughters) Feldmann, Doris SEE Enderwitz, Anne and Doris Feldmann. Fenton-Hathaway, Anna. “Gaskell’s Detours: How Mary Barton, Ruth, and Cranford Redefined ‘Redundancy’.” Victorian Literature and Culture 42 (2014): 235-250. Print. _____. “Novel Perspectives on Victorian Britain’s ‘Redundant Women’.” Diss. Northwestern U, 2012. Print. (Cranford, Mary Barton, Ruth) NancySWeyant.com Fernandez, Jean Marie. “Oral Pleasures: Repression and Desire in Emily Brontë’s Wuthering Heights (1847) and Elizabeth Gaskell’s ‘The Old Nurse’s Story’.” Victorian Servants, Class and the Politics of Literacy. 2009. NY: Routledge, 2015. 54-86. Print. Paperback version of critical work published in hardback and Kindle in 2009. Fincher, Lindsay Mayo. “‘Uncleaned Corners’: Dirt and the Politics of Place in Elizabeth Gaskell’s North and South.” North and South: Essays on Gender, Race and Region. Eds. Christine Devine and Mary Ann Wilson. Cambridge: Cambridge Scholars, 2012. 21-38. Print. Foster, Louisa Jayne. “The Monstrous Transatlantic Witchcraft Narrative: Elizabeth Gaskell’s “Lois the Witch”.” Transatlantic Traffic and (Mis)Translations. Eds. Robin Peel and Daniel Maudlin. Durham, New Hampshire: U of New Hampshire Press, 2013. 63-83. Print. Foster, Shirley. “Elizabeth Gaskell: The Wife’s View.” Victorian Women’s Fiction: Marriage, Freedom and the Individual. 1985. NY and London: Rutledge, 2012. 136-184. Print. (Cranford, Cousin Phillis, “The Grey Woman,” “Half a Life Time Ago”, “Manchester Marriage,” Mary Barton, “My Lady Ludlow,” North and South, Ruth, Sylvia's Lovers, Wives and Daughters ) Frank, Cathrine O. “Revolution and Reform in Elizabeth Gaskell’s Fiction.” Law, Culture and the Humanities 10 (2014): 421-439. (My Lady Ludlow, North and South, Sylvia’s Lovers) Freedgood, Elaine. “The Novelist and Her Poor.” Novel: A Forum on Fiction 47 (2014): 2010-223. DOI 10.1215/00295132-2647158 (Mary Barton) Frye, Doris A. “‘A Patchy Affair’: Paternalism in the Old Vic Adaptations of Jane Eyre and Mary Barton.” The Victorian [Online], 1.1 (2013): n. pag. Web. 12 Jul. 2014 (Available at: http://journals.sfu.ca/vict/index.php/vict/article/ view/ 20 ) _____. “ ‘Vulgarized’: Victorian Women’s Fiction in Minor Theatres.” Diss. Louisiana State U, 2013. (Mary Barton) NancySWeyant.com Fyfe, Paul. “Industrial Accidents and Novel Insurances.” By Accident or Design: Writing the Victorian Metropolis. Oxford: Oxford UP, 2015. 100-131. Paper. (Mary Barton) Galef, David. “‘What is Done in Youth’: Sibling Rivalry in Elizabeth Gaskell’s ‘The Old Nurse’s Story’.” Gothic Studies 16 (2014): 52-65. Humanities Full Text. Web. 14 June 2015. Garratt, Peter. “Death and Variations: North and South and the Work of Adaptation.” Gaskell Journal 26 (2012): 73-87. Print. Glotova, Elena. “Metaphor and the Political Identity of a Writer (on the Basis of Elizabeth Gaskell’s Mary Barton).” Topics in Linguistics 12 (December, 2013): 56-64. Print. Grant, Shawn Michael. “Wordsworthian Romanticism and New Models of Secularization.” Diss. Florida State U, 2012. Electronic Theses, Treatises and Dissertations. Paper 4875. Web. 1 Apr 2014. (Ruth) Greenwood, John. “Elizabeth Gaskell and Honoré de Balzac.” The Gaskell Society Newsletter 56 (Autumn, 2013): 32-35. Print. (“The Manchester Marriage”) _____. “In Praise of the Independent Singleton.” Gaskell Society Newsletter 58 (Autumn, 2014): 20-29. Paper (Cousin Phillis, Ruth, Sylvia’s Lovers) Guy, Josephine M. “‘The Chimneyed City’: Imagining the North in Victorian Literature.” The Literary North. Ed. Katherine Cockin. Houndsmills, Basingstoke and NY” Palgrave and Macmillan, 2012. 22-3 7. Print. (Mary Barton) Haefele-Thomas, Ardle. “Escaping Heteronormativity: Queer Family Structures in Elizabeth Gaskell’s Lois the Witch and ‘The Grey Woman’.” Queer Others in Victorian Gothic: Transgressing Monstrosity. Cardiff: U of Wales P, 2012. 48-71. Print. NancySWeyant.com Harde, Roxanne. “‘At rest now’: Child Ghosts and Social Justice in NineteenthCentury Women’s Writing.” Transnational Gothic: Literary and Social Exchanges in the Long Nineteenth-Century. Eds. Monika Elbert and Bridget M. Marshall. Farnham, Surry and Burlington VT: Ashgate, 2013. 189-200. Print. (“The Old Nurse’s Story”) Hardy, Barbara. “Elizabeth Gaskell and George Eliot: Siblings, Spoilt Dogs, Cream Jugs, Torn Dresses, Farm Labourers, the Judgment of Solomon, and the Outward Gaze.” The Gaskell Society Newsletter 55 (Spring, 2013): 9-16. Print. (Cranford, “Lizzie Leigh”, “Moorland Cottage”, North and South, Ruth, Wives and Daughters) Harrison, Dana M. “Realism in Pain: Literary and Social Constructions of Victorian Pain in the Age of Anesthesia, 1846-1870.” Diss. Temple U, 2013. Temple U Electronic Theses and Dissertations. Web. 15 September 2015. (Mary Barton) Hatano, Yoko. “The Erosion of Faith at Hope Farm.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 361-376. Print. (Cousin Phillis) Hattaway, Meghan Burke. “Fallen Bodies and Discursive Recoveries in British Women’s Writing of the Long Nineteenth Century.” Diss. Ohio State U, 2012. (Life of Charlotte Brontë, “Lizzie Leigh”, Mary Barton, Ruth) _____. “‘Such a Strong Wish for Wings’: The Life of Charlotte Brontë and Elizabeth Gaskell’s Fallen Angels.” Victorian Literature and Culture 42 (2014): 671-690. Print. Healy, Meghan. “Weak-Willed Lovers and Deformed Manliness: Masculinities in the Scarlet Letter and Ruth.” Gaskell Journal. 28 (2014): 17-34. Print. Heiniger, Abigail Ruth. “Jane Eyre and Her Transatlantic Literary Descendants: The Heroic Female Bildungsroman and Constructions of National Identity.” Diss. Wayne State U, 2013. (Life of Charlotte Brontë) NancySWeyant.com Hines, Emily Bartlett Whitney. “Referential Worlds.” Diss. Vanderbilt U, 2012. (Mary Barton) Hoyt, Veronica. “English Tea and Chinese Opium: A Contrast between Good and Evil in Mary Barton.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 9-24. Print. _____. “One of Us: Constructions of Englishness in the Writings of Elizabeth Gaskell.” Diss. U of Canterbury (New Zealand), 2013. (“An Accursed Race”, “Christmas Storms and Sunshine”, “Company Manners”, Cousin Phillis, Cranford, “The Last Generation in England”, Lois the Witch, Mary Barton, The Moorland Cottage, “Morton Hall”, My Lady Ludlow, North and South, Ruth, “The Sexton’s Hero”, “The Shah’s English Gardener”, Sylvia’s Lovers, Wives and Daughters) Huguet, Christine. “North and South: Gaskell’s Version of the Felix Culpa.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 169-184. Print. Huie-Harrison, Kathryn M. “Surrogate Power: The Agency of the Replacement Mother in Mid-Victorian Literature.” Diss. Georgia State U, 2015. Web. 30 August 2015. http://scholarworks.gsu.edu/english_diss/144 (Wives and Daughters) Hunt, Kerrie. “‘Nouns that were signs of things’: Object Lessons in Elizabeth Gaskell’s North and South.” The Gaskell Society Newsletter 55 (Spring, 2013): 3-17. Print. _____. “Reality Effects.” Diss. U of Chicago, 2014. DAI-A 75.11 (2015): Item DA3627838. ProQuest. Wed. 29 June 2015. (North and South) Hunt, Meghan. “Self, Form, Fiction: Life Writing and the Novel in Great Britain,, 1780-1900.” Diss. State University of New York at Binghamton, 2014. DAI-A 75.11 (2015): Item DA3630884. ProQuest. Web 29 June 2015. (Life of Charlotte Brontë) NancySWeyant.com Ingham, Patricia. “North and South. Gendering the Narrator: the Subversive Female.” The Language of Gender and Class. 1996. London and NY: Routledge, 2013. 55-77. Print. Inglis, Katherine. “Unimagined Community and Disease in Ruth. Place and Progress in the Works of Elizabeth Gaskell. Eds. Lesa Scholl, Emily Morris and Sarina Gruver Moore. Farnham, Surry and Burlington, VT: Ashgate, 2015. 67-82. Print. James, Felicity R. “Evil, Past and Present, in ’Lois the Witch’ and Other Stories.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 457-472. Print. (“Lois the Witch”, “The Old Nurse’s Story”, “The Poor Clare”) James, Roxie Jennifer. “Out o’ Sight, Out o’ Mind: The Progression of Dirt in Victoria Literature and Culture.” Diss. U of Louisiana at Lafayette, 2014. Print. (North and South) Jenkins, Melissa Shields. “Elizabeth Gaskell Writes a Father’s Life.” Fatherhood, Authority and British Reading Culture, 1831-1907. Farnham and Burlington: Ashgate, 2014. 17-43. Print. (Cranford, Life of Charlotte Brontë, Mary Barton, Ruth, Wives and Daughters) _____. “‘A Long Private Letter’: Motherhood and Text in the Works of Elizabeth Gaskell.” Motherhood Memoirs: Mothers Creating/Writing Lives. Eds. Justin Dymond and Nicole Willey. Bradford, Ontario: Demeter P, 2013. 644-84. Print. (Cousin Phillis, Cranford, Correspondence, Life of Charlotte Brontë, Mary Barton, My Diary, “On Visiting the Grave of My Still-Born Little Girl”, “The Sexton’s Hero”) Jewusiak, Jacob M. “The Character of Attention: Temporality and Marginality in the Victorian Novel.” Diss. S.U.N.Y. at Buffalo, 2012. Print (Cranford) Joshi, Priti. “An Old Dog Enters the Fray; or Reading Hard Times as an Industrial Novel.” Dickens Studies Annual 44 (2013): 221-241. DOI 10.7756/dsa. O44.011.221-241. (Mary Barton) NancySWeyant.com Jung, Daun. “‘Threshold Names’ in Victorian Novels and Culture.” Diss. U of Wisconsin, Madison, 2014. Print. (Mary Barton) Kanwit, John Paul M. “‘Mere Outward Appearances’? Teaching Household Taste and Social Perception in Elizabeth Gaskell’s North and South and Contemporary Art Commentary.” Victorian Art Criticism and the Woman Writer. Columbus: Ohio State U P, 2013. 31-52. Print. Kawasaki, Akiko. “The Neutralization of Illness in Ruth.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 137-151. Print. Kellogg, David SEE Li, Fang and David Kellogg Kimura, Akiko. “The Lie and Discourses of Evil in Sylvia’s Lovers.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 281-296. Print. King, Jeannette. Spinsters, Widows and Mothers: Fictional Responses.” Discourses of Aging in Fiction and Feminism: the Invisible Woman. Houndsmills, Basingstoke and NY: Palgrave Macmillan, 2012. 19-38. Print. (Cranford, Mary Barton, Ruth) Koivuvaara, Pirjo. “The Evils of Drink in Sylvia’s Lovers.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 297-311. Print. _____. “Hunger, Consumption, and Identity in Elizabeth Gaskell’s Novels.” Diss. U of Tampere (Finland), 2012. Print. (Cranford, Mary Barton, North and South, Sylvia’s Lovers, Wives and Daughters) Kolich, Sr. Rosemary. “Prophetic Imagining: The Gospel According to Elizabeth Gaskell”. Diss. St. Louis U, 2013. Print. (Correspondence, “Libbie Marsh”, Life of Charlotte Brontë, “Lizzie Leigh”, Mary Barton, North and South, Ruth, “Well of Pen Morpha”) NancySWeyant.com Koppen, Randi. “The Economy of Emotions: Sympathy and Sentimentality in Victorian Culture.” Exploring Text and Emotions. Eds. Lars Sætre, Lombardo Patrizia and Julien Zanetta. Aarhus, Denmark: Aarhus Universitetsforlag, 2014. 241-265. Print. (North and South) Koustinoudi, Anna. “The Question of Evil in A Dark Night’s Work: Psychic Investments in Societal/Social and Familial Bonds.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 329-344. Print. _____. “Temporality, Narrative Discordance and the Phantom as Transgenerational Trauma in Elizabeth Gaskell’s ‘The Poor Clare’.” Gothic Studies 14 (2012): 23-29. Print. Koustinoudi, Anna and Charalampos Passalis. “Gaskell the Ethnographer: The Case of ‘Modern Greek Songs’.” Place and Progress in the Works of Elizabeth Gaskell. Eds. Lesa Scholl, Emily Morris and Sarina Gruver Moore. Farnham, Surry and Burlington, VT: Ashgate, 2015. 137-146. Print. Kriegel, Jill. “Mary’s Absolute Value: Gaskell’s Mary Barton as a Magdalene Type.” StAR March/April, 2012. 7-8. Krisuk, Jennifer J. “Museums, Home Collections, and the Genderings of Knowledge in the Nineteenth-Century Novel.” Diss. U of Tulsa, 2012. Print. (Mary Barton) Krueger, Kate. “The Spinster Re-drawing Rooms in Elizabeth Gaskell’s Cranford.” British Women Writers and the Short Story, 1850-1930. NY: Palgrave Macmillan, 2014. 18-57. Print. Kubiesa, Jane M. “The Victorians and their Fallen Women: Representations of Female Transgression in Nineteenth Century Genre Literature.” The Victorian [Online], 2.2 (2014: n. pag. Web. 12 July. 2014. (Ruth) Kucich, John. “Reverse Slumming: Cross-Class Performativity and Organic Order in Dickens and Gaskell. Victorian Studies. 55 (2013): 471-499. Print. (Cranford, North and South) NancySWeyant.com Kuhlman, Mary Haynes. “Deception and Discord in North and South.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 185-200. Print. Lackey, Joanne B. “Things that Matter; Commodities, Clutter, and the Objects of Victorian Literature.” Diss. U of Wisconsin, 2013. Print. (Mary Barton) Lambert, Carolyn Shelagh. “Lingering ‘on the borderland’: The Meanings of Home in Elizabeth Gaskell’s Fiction.” Diss. U of Sussex, 2012. Sussex Research Online. Web. 27 Sept. 2012. (“An Accursed Race,” “The Cage at Cranford,” Cousin Phillis, Cranford, “A Dark Night's Work”, “The Doom of the Griffiths”, “The Grey Woman”, “Hand and Heart”, “The Last Generation in England”, “Libbie Marsh's Three Eras”, “Lizzie Leigh”, Lois the Witch, “The Manchester Marriage”, Mary Barton, “Mr. Harrison's Confessions”, “The Moorland Cottage”, “Morton Hall”, My Diary, My Lady Ludlow, North and South, “The Old Nurse's Story”, “Right at Last”, Ruth, Sylvia's Lovers, Wives and Daughters) _____. The Meanings of Home in Elizabeth Gaskell’s Fiction. Brighton: Victorian Secrets, 2013. Print. (“An Accursed Race,” “The Cage at Cranford,” Cousin Phillis, Cranford, “A Dark Night's Work”, “The Doom of the Griffiths”, “The Grey Woman”, “Hand and Heart”, “The Last Generation in England”, “Libbie Marsh's Three Eras”, “Lizzie Leigh”, Lois the Witch, “The Manchester Marriage”, Mary Barton, “Mr. Harrison's Confessions”, “The Moorland Cottage”, “Morton Hall”, My Diary, My Lady Ludlow, North and South, “The Old Nurse's Story”, “Right at Last”, Ruth, Sylvia's Lovers, Wives and Daughters) Larner, A. J. “Headache in the Writings of Elizabeth Gaskell (1810-1865).” Journal of Medical Biography. OnlineFirst. Web. 12 December 2014. DOI: 10. 1177/0967772013506817 (Cousin Phillis, Cranford, A Dark Night’s Work, “Grey Woman”, “Half a Life-Time Ago”, Life of Charlotte Brontë, “A Manchester Marriage”, Mary Barton, “Mr. Harrison’s Confessions”, Moorland Cottage, North and South, Ruth, Sylvia’s Lovers, Wives and Daughters) Leahy, Richard. “Fire and Reverie: Domestic Light and the Individual in Cranford and Mary Barton. Gaskell Journal 28 (2014): 73-88. Print. NancySWeyant.com Leighton, Mary Elizabeth and Lisa Surridge. “Evolutionary Discourse and the Credit Economy in Elizabeth Gaskell’s Wives and Daughters.” Victorian Literature and Culture 41 (2013): 487-501. DOI: 10.1017/S/0601503130000 65. Lethbridge, J. P. “Murder in Mrs. Gaskell Country: Hyde, Cheshire 1831.” Gaskell Society Newsletter 60 (Autumn, 2015): 18-21, 24. Print. (Mary Barton) Lewis, Michael D. “Democratic Networks and the Industrial Novel.” Victorian Studies 55 (2013): 243-252. Print. (North and South) Li, Fang. “Divas and Lazarus: Indifference Novelized as Evil in Mary Barton.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 25-40. Print. Li, Fang and David Kellogg. “Revoicings and Devoicings: Requests, Confessions and Acts of Violence in Three Industrial Novels.” Scientific Study of Literature 2 (2012): 108-127. (Mary Barton, North and South) Liggins, Emma. “Reinventing the Old Maid: Cranford and Hopes and Fears.” Odd Women? Spinsters, Lesbians and Widows in British Women’s Fiction, 1850s-1930s. Manchester and NY: Manchester UP, 2014. 4757. Print. Lingard, Christine. “The Seamstress.” The Gaskell Society Newsletter 56 (Autumn, 2013): 13-22. Print. (Correspondence, “Libbie Marsh”, Mary Barton, Ruth, Sylvia’s Lovers) Longmuir, Anne. “Consuming Subjects: Women and the Market in Elizabeth Gaskell’s North and South.” Nineteenth-Century Contexts 34 (2012): 237-252. Louttit, Chris. “The Pleasures of the Return: Cranford, the Sequel.” The Gaskell Society Newsletter 55 (Spring, 2013): 103-117. Print. Lundie, Alison. “Elizabeth Gaskell and Shawls: Creative Artistry and Identity.” The Gaskell Society Newsletter 56 (Autumn, 2013): 6-12. Print. (Cousin Phillis, Cranford, Mary Barton, North and South) NancySWeyant.com Lymberopoulos, Jessica Ray. “A Byronic Heroine in Elizabeth Gaskell’s North and South.” The Explicator 72:2 77-79. DOI: 0.1080/00144940.2014. 902789. Lynch, Eve M. “Public Relations: Toward a Victorian Ideology of Service.” Victorian Review 31 (2013): 65-68. Project Muse DOI:10.1353/vcr.2013.0037. Web. 15 June 2015. (My Lady Ludlow) Madsen, Emily. “The Nun in the Garret: The Marriage Plot and Religious Epistemology in the Victorian Novel.” Diss. U of Wisconsin-Madison. ProQuest. Web. 26 Aug 2015. (North and South) Marcellus, Stephanie A. “Making the Rural Home in Nineteenth-Century British Literature.” Diss. U of South Dakota, 2014. DAI-A 75.11 (2015): Item DA3629794. ProQuest. Web. 17 June 2015. (Mary Barton, North and South) Marchesi, Marcia and Patricia Marchesi. “From Page to Stage: Elizabeth Gaskell’s North and South as Musical Theatre.” Adapting Gaskell: Screen and Stage Versions of Elizabeth Gaskell’s Fiction. Ed. Loredona Salis. Newcastle upon Tyne: Cambridge Scholars, 2013. 97-122. Print. Marchesi, Patricia SEE Marchesi, Marcia and Patricia Marchesi Marroni, Francesco. “Evil and Ontological Loneliness in Mary Barton.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 41-55. Print. Matsuoka, Mitsuharu, ed. Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Osaka: Osaka Kyoiku Tosho, 2015. Print. _____. “‘There’s Good and Bad in Everything’: The Status Quo as a Necessary Evil in North and South.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 201-216. Print. McAleavey, Maia. “The Plot of Bigamous Return.” Representations 123 (2013): 87-116. (Sylvia’s Lovers) NancySWeyant.com McAllister, David. “‘A Use in Measured Language’: Poetic Allusion and the Victorian Culture of Death.” Forum for Modern Language Studies Vol. 49, No 3, doi 10.1093/fmls/cqso35 Advance Access Publication 27 November 2012. (Mary Barton) McGavran, Dorothy H. “Oversleeping Oneself: Elizabeth Gaskell’s Wake-Up Call in Wives and Daughters.” Time of Beauty, Time of Fear: The Romantic Legacy in the Literature of Childhood. Ed. James Holt McGavran, Jr. Iowa City: U of Iowa Press, 2012. 89-104. Print. McKay, Brenda. “The BBC’s Decade of High Culture: Cranford (1972) as ‘History Reconstructed’.” Adapting Gaskell: Screen and Stage Versions of Elizabeth Gaskell’s Fiction. Ed. Loredona Salis. Newcastle upon Tyne: Cambridge Scholars, 2013. 51-76. Print. McNeil, Geoffrey Ian. “Misery Loves Company: Melancholy Aesthetics and Nineteenth-Century British Fiction. Diss. U of California, Santa Barbara. 2013. (“The Poor Clare”) Mearns, Gabriella. “Appropriate Fields of Action: Nineteenth-Century Representations of the Female Philanthropist and the Parochial Sphere.” Diss. U of Warwick, 2012. (Life of Charlotte Brontë, Mary Barton, My Lady Ludlow, North and South, Ruth) Messuri, Kristin. “Deviant Inheritances: Anxieties about Maternal Transmissions in Nineteenth-Century Fiction.” Diss. Pennsylvania State U, 2014. (“Lizzie Leigh”, Mary Barton, Ruth) Mews, Hazel. Frail Vessels: Woman’s Role in Women’s Novels from Fanny Burney to George Eliot. London: Bloomsbury Publishing, 2014. Print. (Cousin Phillis, Cranford, Life of Charlotte Brontë, “Lizzie Leigh”, Mary Barton, My Lady Ludlow, North and South, Ruth, Sylvia’s Lovers, Wives and Daughters.) Milota, Megan. “‘But every man cannot be a surgeon’: Elizabeth Gaskell’s Many-Sided Medical Practitioners.” Orbis Litterarum. 68 (2013): 473505. (Cranford, Mary Barton, “Mr. Harrison’s Confession”, North and South, Ruth, Wives and Daughters) NancySWeyant.com Miner, Heather. “Communities of Place: Making Regions in the Victorian Novel.” Diss. Rice U, 2013. Rice U Electronic Theses and Dissertations (http://hdl.handle.net/1911/72009). Web. 1 Apr. 2014. (Mary Barton, North and South, Ruth) Minogue, Mary Ellen. “The Sororal Relationship in the Nineteenth-Century Novel: Potential and Power.” Diss. St. John’s U (New York), 2014. DAIA 75.7 (2015): Item DA3759934. ProQuest. Web. 29 June 2015. (Wives and Daughters) Miyamaru, Yuji. “‘The World Must Be Very Bad’: The Rules Dominating Cranford.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 73-87. Print. Mollmann, Steven. “Observing Observation: The Ethical Investigator in Elizabeth Gaskell’s Wives and Daughters” Gaskell Journal 27 (2013): 88-107. Print. Montz, Amy L. “‘Look Back at Me’: The Material Re-Performance of the Victorian in North and South.” Place and Progress in the Works of Elizabeth Gaskell. Eds. Lesa Scholl, Emily Morris and Sarina Gruver Moore. Farnham, Surry and Burlington, VT: Ashgate, 2015. 209-217. Print. Moore, Ben. “Gaskell, Engles and the ‘Shock City’: Two Responses to Industrial Manchester in the 1840s.” JVC Online. Selected Papers from Strange New Day (Exeter, 17 September 2011). 29 April 2013. Web. 29 June 2015. (Mary Barton, North and South) _____. “Invisible Architecture: Ideologies of Space in the NineteenthCentury City.” Diss. U of Manchester, 2014. Paper. (Mary Barton, North and South) Moore, Grace. The Victorian Novel in Context. NY and London: Continuum, 2012. Print (Mary Barton, North and South) Morey, Philip. “Fiction Illuminated by Reportage: Mary Barton and Léon Faucher’s Etudes sur l’Angleterre.” Gaskell Journal 28 (2014): 53-72. Print. _____. “Mary Meynieu’s Review of Mary Barton, Paris 1849.” Gaskell Journal 27 (2013): 126-139. Print. NancySWeyant.com Morris, Emily. “‘For her very life’: Duty, Health and the Poisonous Atmosphere of Haworth in Elizabeth Gaskell’s The Life of Charlotte Brontë.” Brontë Studies 38 (2013): 185-194. DOI 10.1179/1474893213Z.00000000067 _____. “‘A Very Pleasant-Looking Dragon’: Ethnography, Humor, Evil, and Otherness in Cranford.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 89-103. Print. Morris, Ruth. Mary Elizabeth Braddon and Yorkshire: Dialect, Place and Setting in Victorian Sensation Literature. Palo Alto, CA: Academica Press, 2013. Print. (“A Dark Night’s Work”, Life of Charlotte Brontë, “The Poor Clare”, Sylvia’s Lovers) Moulds, Alison. “The Female Witness and the Melodramatic Mode in Elizabeth Gaskell’s Mary Barton.” Victorian Network 5 (2013): 67-88. Mouro, Wassila Hamza-Reguig. “Intertextuality in Elizabeth Gaskell’s Wives and Daughters.” International Journal of English and Literature (IJEL) 3 (2013): 37-42. Web. 14 Sept 2015. _____. “Metafiction in the Feminine Novel: Elizabeth Gaskell’s Wives and Daughters and Virginia Woolf’s Orlando. Diss. U of Tlemcen (Algeria), 2014. Web. 14 Sept 2015. Mullen, Mary. “In Search of Shared Time: National Imaginings in Elizabeth Gaskell’s North and South.” Place and Progress in the Works of Elizabeth Gaskell. Eds. Lesa Scholl, Emily Morris and Sarina Gruver Moore. Farnham, Surry and Burlington, VT: Ashgate, 2015. 107-119. Print. “North and South by Elizabeth Cleghorn Gaskell.” Nineteen-Century Literature Criticism. Ed. Lawrence J. Trudeau. Vol. 264. Detroit: Gale, Cengage Learning, 2013. 1-156. Print. O’Gorman, Francis. “Gaskell’s Sylvia’s Lovers and the Scandal in Trollope’s The Warden.” Notes and Queries 59 (2012): 396-399. Print. Ohno, Tatsuhiro. “The Absolute Interpretation of Mary Barton.” Kumamoto Journal of Culture and Humanities 103 (2012): 65-83. NancySWeyant.com _____. “A Topic-Modelling Analysis of the Sacred and the Secular in The Life of Charlotte Brontë.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 217-232. Print. Ortega Ramiro, Silvia. “Different Loves: A Corpus Stylistics Analysis of Pride and Prejudice and North and South.” JACLR: Journal of Artistic Creation and Literary Research 2.2 (2014):26-37. Web. 15 June 2015. Available at https://www.ucm.es/siim/journal-of-artisticcreation-and-literary-research © Universidad Complutense de Madrid, Spain. Passalis, Charalampos SEE Koustinoudi, Anna and Charalampos Passalis Pettitt, Clare. “Time Lag and Elizabeth Gaskell’s Transatlantic Imagination.” Victorian Studies 54 (2012): 599-623. Print. (“The Gray Woman”, Lois the Witch, “Robert Gould Shaw”, Sylvia’s Lovers) Pickens, Kara Lynne. “The Reinterpretation of Biblical Symbols through the Lives and Fictions of Victorian Women: ‘To come within the orbit of possibility’.” Diss. U of Glasgow, 2012. Glasgow Theses Service. Web. 3 Apr 2014. (Correspondence, Ruth) Piep, Karsten. “The Nature of Compassionate Orientalism in Elizabeth Gaskell’s Cranford. CEA Critic 75 (2013): 243-249. Pike, E. Holly. “‘Exposed to Corruption’: Evil as Contagion in Ruth. Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 153-167. Print. _____. “‘Felicitations to the Brontëites’: the 1895 Inaugural Volume of the Brontë Society’s Transactions and Other Publications.” Brontë Studies 39 (2014): 165-177. (Life of Charlotte Brontë) Puri, Tara. “Fabricating Intimacy: Reading the Dressing Room in Victorian Literature.” Victorian Literature and Culture 41 (2013): 503-525. DOI 10.1017/S1060150313000077 (“The Grey Woman”, North and South) NancySWeyant.com Quiller-Couch, Sir Arthur. “Mrs. Gaskell.” Charles Dickens and Other Victorians 1927. Cambridge: The University P, 2008. 182-200. Print. (Biography, Cranford, Cousin Phillis, The Life of Charlotte Brontë, Mary Barton) Rappaport, Jill. “Conservation in Cranford: Sympathy, Secrets and the First Law of Thermodynamics.” Giving Women: Alliance and Exchange in Victorian Culture. Oxford: Oxford UP, 2012. 68-85. Print. Recchio, Thomas. “Adapting Mary Barton: History, Research, Possibilities.” Adapting Gaskell: Screen and Stage Versions of Elizabeth Gaskell’s Fiction. Ed. Loredona Salis. Newcastle upon Tyne: Cambridge Scholars, 2013. 33-49. Print. _____. “Elizabeth Gaskell as ‘A Dramatic Common’: Stanley Houghton’s Appropriation of Mary Barton in Hindle Wakes.” Gaskell Journal 26 (2012): 88-102. Print. _____. “Wordsworthian Pastoral and the Problem of Evil in The Moorland Cottage.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 57-72. Print. Reeder, Jessie. “Broken Bodies, Permeable Subjects: Rethinking Victorian Women’s ‘Agency’ in Gaskell’s North and South.” Nineteenth-Century Gender Studies 9.3 (2013): n.pag. Web 3 January 2014. Reeves, Nancee. “Better Off Dead: Euthanasia and Victorian Literature.” Diss. Perdu U, 2013. ProQuest Web. 13 May 2015. (“Lizzie Leigh”, Mary Barton, Ruth, “Well of Pen-Morfa”) Richard, Melissa Jill. “Genres of Work: Working Identities and the Factory Girl in Victorian Literature.” Diss. U of North Carolina at Greensboro, 2013. (Mary Barton) Rocket, Danika Taylor. “Single Women in the Borders: Religion and Philanthropy as Paths to Social Action in Victorian Britain.” Diss. U of Maryland, Baltimore, 2012. (Mary Barton, North and South) NancySWeyant.com Rosenberg, Anat. “Separate Spheres Revisited: On the Frameworks of Interdisciplinarity and Constructions of the Market.” Law and Literature 24 (2012): 393-429. DOI: 10.1525/lal.2012.24.3.393. (Ruth) Ross, J. H. “Elizabeth Gaskell (1810-1865) and the Medical World.” Journal of Medical Biography. OnlineFirst. Web. 12 December 2014. DOI: 10. 1177/0967772014525102 (Biography, Cranford, “Mr. Harrison’s Confessions”, Wives and Daughter _____. Ross, J. H. “Elizabeth Gaskell (1810-65) and the Medical World.” Gaskell Society Newsletter 60 (Autumn, 2015): 9-14. Print. (Biography, “Mr. Harrison’s Confession”, Ruth, Wives and Daughters) Originally published in the Journal of Medical Biology. Reprinted with the Journal’s permission. Sabiston, Elizabeth Jean. “Anglo-American Connections: Elizabeth Gaskell, Harriet Beecher Stowe and the ‘Iron of slavery’.” The Discourse of Slavery: From Aphra Behn to Toni Morris. Eds. Carl Plasa and Betty J. Ring. 1994. NY: Routledge, 2013. Kindle file. (Mary Barton) _____. “The Iron of Slavery in her Heart”: The Literary Relationship of Elizabeth Gaskell and Harriet Beecher Stowe.” Private Sphere to World Stage from Austen to Eliot. 2008. Farnham, Surrey and Burlington, VT: Ashgate, 2013. Kindle file. (Mary Barton) Salis, Loredona, ed. Adapting Gaskell: Screen and Stage Versions of Elizabeth Gaskell’s Fiction. Newcastle upon Tyne: Cambridge Scholars, 2013. Print. _____. “Remediating Gaskell: North and South and its BBC Adaptation, 2004.” Adapting Gaskell: Screen and Stage Versions of Elizabeth Gaskell’s Fiction. Ed. Loredona Salis. Newcastle upon Tyne: Cambridge Scholars, 2013. 123-147. Print. Satalina, Kelsey SEE Anderson, Kathleen and Kelsey Satalina Schaffer, Talia. “Ephemerality: The Cranford Papers.” Novel Craft: Victorian Domestic Handicraft and Nineteenth-Century Fiction. 2011. Oxford: Oxford UP, 2014. 61-89. Print Paperback version of critical work published in hardback in 2011. NancySWeyant.com Sattaur, Jennifer. “Thinking Objectively: An Overview of ‘Thing Theory’ in Victorian Studies.” Victorian Literature and Culture. 40 (2012): 347357. Schaub, Melissa. “The Serial Reader and the Corporate Text: Hard Times and North and South.” Victorian Review 39 (2013): 182-199. Schmidt, Michael. “The Fiction Industry: Charles Dickens, Harrison Ainsworth, Elizabeth Gaskell, Willkie Collins.” The Novel: A Biography. Cambridge, MA: Belknap, Harvard UP, 2014. 252-283. Print. (Biography, Cranford, Mary Barton, North and South, Ruth, Sylvia’s Lovers, Wives and Daughters) Scholl, Lesa. “Moving Between North and South: Cultural Signs and the Progress of Modernity in Elizabeth Gaskell’s Novel.” Place and Progress in the Works of Elizabeth Gaskell. Eds. Lesa Scholl, Emily Morris and Sarina Gruver Moore. Farnham, Surry and Burlington, VT: Ashgate, 2015. 95-105. Print. Schramm, Jan Melissa. “‘Standing for’ the people: Charles Dickens, Elizabeth Gaskell and Professional Representation in 1848.” Atonement and SelfSacrifice in Nineteenth-Century Narrative. Cambridge: Cambridge UP, 2012. 106-139. Print. (Mary Barton, Ruth) Secord, Anne. “Elizabeth Gaskell’s Social Vision: The Natural Histories of Mary Barton.” Uncommon Contexts Encounters between Science and Literature, 1800–1914. Eds. Ben Marsden, Hazel Hutchison and Ralph O’Connor. London: Pickering and Chatto, 2013. 125-143. Print Séllei, Nóra. “The Humanizing Transformations of the Space of the Home in Gaskell’s Cranford.” Place and Progress in the Works of Elizabeth Gaskell. Eds. Lesa Scholl, Emily Morris and Sarina Gruver Moore. Farnham, Surry and Burlington, VT: Ashgate, 2015. 23-36. Print. Severn, Stephen. “The Afterlife of Elizabeth Gaskell’s ‘Disappearances’: ‘Right at Last’ and ‘The Manchester’ as Experiments in Detective Fiction.” Gaskell Journal 29 (2015): 37-58. Print. _____. “Narrative Cessation and Professional Culture in Elizabeth Gaskell’s A Dark Night’s Work.” Victorian Review 40.1 (2014): 155-175. Print. NancySWeyant.com Shaikh, Fariha. “Temporally Out of Sync: Migration as Fiction and Philanthropy in Gaskell’s Life and Work.” Place and Progress in the Works of Elizabeth Gaskell. Eds. Lesa Scholl, Emily Morris and Sarina Gruver Moore. Farnham, Surry and Burlington, VT: Ashgate, 2015. 8393. Print. (Correspondence, Lois the Witch, Mary Barton, “My French Master”) Sheehan, Lucy. “Trials of Embodiment: Being a Gothic Body in Mary Barton.” Victorian Review 38 (2012): 35-53. Shelston, Alan. “Elizabeth Gaskell and Henry James.” Gaskell Society Newsletter 58 (Autumn, 2014): 31-34. Print. (Cranford, “Old Nurse’s Story”, Wives and Daughters) _____. “Elizabeth Gaskell and her Publishers.” Adapting Gaskell: Screen and Stage Versions of Elizabeth Gaskell’s Fiction. Ed. Loredona Salis. Newcastle upon Tyne: Cambridge Scholars, 2013. 1-16. Print. (Biography, Cranford, Life of Charlotte Brontë, North and South) _____. “The Uncertainty of Endings.” The Gaskell Society Newsletter 56 (Autumn, 2013): 38-41. Print. (Cousin Phillis, A Dark Night’s Work, North and South, Wives and Daughters) Simmons, Emily Catherine. “Contextualizing Value: Market Stories in Mid Victorian Periodicals.” Diss. U of Toronto, 2013. Open Access Theses and Dissertations. Web 1 Apr 2014. (“Cranford Papers”) Simpson, Vicky. “‘I SAW a ghost’: The Phantasmagoric Narration of Gaskell’s ‘The Old Nurse’s Story’.” Victorians Institute Journal 41 (2013): 86102. Print. (“Libbie Marsh’s Three Eras”, “Old Nurse’s Story”, “The Squire’s Story”) Soares, Rebecca D. “Immaterial Print.: Spiritualism and Nineteenth-Century Transatlantic Literature.” Diss. U of Wisconsin, 2014. (Lois the Witch, North and South) Sowa, Matsuto. “Poor Brontë and Preachy Gaskell: Evils in The Life of Charlotte Brontë.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 233-248. Print. NancySWeyant.com Steere, Elizabeth Lee. “‘Kitchen Literature’: The Female Servant in Sensation Fiction.” Diss. U of Georgia, 2012. (“The Grey Woman”) _____. “‘We will still be husband and wife’: The Servant as Spouse in Gaskell’s ‘The Grey Woman’.” The Female Servant and Sensation Fiction: “Kitchen Literature”. NY and Basingstoke: Palgrave Macmillan, 2013. Print. Stein, Faith. “Wallpapering the Novel: Economics, Aesthetics, and the Realist Home.” Diss. U of Illinois, 2013. (North and South) Stoneman, Patsy. “‘Such a Life’: Elizabeth Gaskell and Charlotte Brontë. The Gaskell Society Newsletter 56 (Autumn, 2013): 23-32. Print. (Biography, Correspondence, Life of Charlotte Bronte) Styler, Rebecca. “Elizabeth Gaskell and the Madonna: Metaphors of the Maternal Divine.” Gaskell Journal 27 (2013): 68-87. Print. (Cranford, “The Poor Clare”, Ruth) _____. “Monstrous Parenting in ‘The Crooked Branch’, ‘The Grey Woman’, and ‘Right at Last’.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 153-167. Print. Surridge, Lisa SEE Leighton, Mary Elizabeth and Lisa Surridge Suzuki, Mitsuoko. “Deceit versus Honesty: Women’s Education in Helen and Wives and Daughters.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 409-424. Print. Tamai, Fumie. “Sylvia’s Lovers: Liberty, Violence, and the Problem of Democracy.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 313-327. Print. Tamura, Manami. “The Life of Charlotte Brontë: Life Writing and Ill Will.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 249-264. Print. NancySWeyant.com Tomaiuolo, Saverio. “Becoming Ladies and Gentlemen in W. M. Thackeray’s Denis Duval and Elizabeth Gaskell’s Wives and Daughters. Victorian Unfinished Novels: The Imperfect Page. Houndsmills, Basingstoke and NY: Palgrave Macmillan, 2012. 21-51. Print. Twinn, Frances. “Applied Meteorology: Scientific Accuracy and Imaginative Writing in Elizabeth Gaskell’s ‘Cousin Phillis’ and Wives and Daughters.” Place and Progress in the Works of Elizabeth Gaskell. Eds. Lesa Scholl, Emily Morris and Sarina Gruver Moore. Farnham, Surry and Burlington, VT: Ashgate, 2015. 175-191. Print. Valentino, Anthony Alfred. “Finding Happiness in the Poor, Humble Cottage: ‘Contented Poverty’ in Irish Novels from Famine to Free State.” Diss. Drew U, 2015. Web. 15 Sept 2015. (Mary Barton) VanArendonk, Kathryn. “The Episode: Serial Storytelling in Television and the Nineteenth-Century Novel.” Diss. Stanford U, 2014. (Wives and Daughters) Vanden Bossche, Chris. “Reforming Trade Unionism in Mary Barton and North and South.” Reform Acts: Chartism, Social Agency, and the Victorian Novel, 1832-1867. Baltimore: Johns Hopkins UP, 2014. Print. Vasileva, Elmira. “Sins and Tales in ‘The Old Nurse’s Story,; ‘The Doom of the Griffiths,’ and ‘Crowley Castle’. Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 489-504. Print. Vasiliu, Dana. “Challenging the Patriarchal Ethos: The Role of the Amazons in Elizabeth Gaskell’s Cranford.” The Victorian [Online], 2.1 (2014): n. pag. Web. 12 Jul. 2014. Vazquez, Amber Susan Cobb. “Common Ends: Death and the Poor in the Time of Dickens.” Diss. George Washington U, 2014. DAI-A 75.4 (2014): Item DA3607679. Web. 21 June 2015. (Mary Barton, North and South) Wagner, Tamara. “Tigerish Skin and Burnt Bouquets: Domestic Gothic in Wives and Daughters.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 425-439. Print. NancySWeyant.com Wallace, Mark. “Towards a Wise Despotism: Traces of Thomas Carlyle in the BBC North and South (2004).” Between Vol. II.4 (2012), http:www.Between-journal.it/ Ward, Megan. “Our Posthuman Past: Victorian Realism, Cybernetics, and the Problem of Information.” Configurations 20 (2012): 279-297. (Cranford) Warner, Sylvia Townsend. “Elizabeth Gaskell 1810-1865.” Our Time 4 (February, 1945). The Journal of the Sylvia Townsend Warner Society (2013): 45-52. Print. (Cranford, Life of Charlotte Brontë, Mary Barton) Watson, Kate. “Elizabeth Cleghorn Gaskell (1810-1865).” Women Writing Crime Fiction 1860-1880: Fourteen American, British and Australian Authors. North Carolina and London: McFarland & Company, 2012. 3843. Print. (A Dark Night’s Work, “Grey Woman”, “Disappearances” “Squire’s Story”) Weber, Brenda R. “Reconstructing Charlotte: The Making of Celebrated ‘Female Genius’.” Women and Literary Celebrity in the Nineteenth Century: The Transatlantic Production of Fame and Gender. Farnham and Burlington: Ashgate, 2012. 33-71. Print. (Life of Charlotte Brontë) Webster, Rachel. “‘I Think I Must Be an Improper Woman without Knowing It’: Fallenness and Unitarianism in Elizabeth Gaskell’s Ruth.” Victorian Network 4 (2012): 10-28. _____. “Nineteenth-century Dissenting Women Writers: Literary Communities, Conviction and Genre. Diss. U of Leeds. 2014. White Rose eTheses Online. Web. 16 June 2015. (Ruth) Weeks, Mark. “Cranford’s ‘Organic Community’ and the Dark Spectre of Time.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 489-504. Print. Wheeler, Michael. “An Environment of Circumstances: Elizabeth Gaskell.” English Fiction of the Victorian Period. NY: Routledge, 2014. 75-82. Print. (Mary Barton, North and South, Wives and Daughters) NancySWeyant.com _____. “Mid-Century Fiction.” English Fiction of the Victorian Period: 1830-1890. 2nd ed. 1994. London and NY: Longman, 2014. 35-99. Kindle version of the 2nd edition (Life of Charlotte Brontë, Mary Barton, North and South, Wives and Daughters) Whitmore, Clara Helen. “Mrs. Gaskell.” Women’s Work in English Fiction from the Restoration to the mid-Victorian Period. 1910. Washington, DC: Library of Congress, 2013. 274-292. Print. (Cranford, Mary Barton, Wives and Daughters) Wilhelm, Lindsay. “‘Looking South’: Envisioning the European South in North and South.” Studies in the Novel 46.4 (2014): 406-422. Humanities Full Text. Web. 18 May 2015. Wilkinson, Shaunna Kay. “(re)making the Gentleman: Masculinities and the Country Estate in the Novels of Charlotte Smith, Jane Austen and Elizabeth Gaskell.” Diss. Marquette U, 2014. Web. 27 June 2015. (Wives and Daughters) Williams, Elizabeth. “Ruth and the Governess Question.” Gaskell Society Newsletter 57 (Spring, 2014): 17-22. Print. Wilson, Cheryl A. “Le Contretemps Dangereaux: Enter the Waltz.” Literature and Dance in Nineteenth-Century Britain: Jane Austen to the New Woman. 2009. Cambridge: Cambridge UP, 2012. 132-171. Print. (Wives and Daughters) Wilson, Michelle L. “Legal Spectres, Narrative Ghosts: Mothers and the Law in the Victorian Novel.” Diss. U of Southern California, Los Angeles, 2012. USC Digital Library. Web. 19 June 2015. (Mary Barton) Yan, Shu-Chuan. “Pernicious Literacy and Working-Class Education in My Lady Ludlow.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 265-279. Print. _____. “Teaching Cranford in Taiwan.” Victorian Review 38 (2012): 1520. DOI: 10. 1353/vcr.2012.0011 Yatsugi, Aya. “Sleeping Beauty and the Evil Influences of Fairy Tales in Cousin Phillis.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 489-504. Print. NancySWeyant.com MASTERS AND HONORS THESES Aalgaard, Kristin. “Contesting the Rural Idyll in Elizabeth Gaskell’s Cranford.” MA Thesis. U of Bergen (Norway), 2015. Abtahi, Johanna Heloise. “Ecopsychology in Nineteenth-Century British Literature: Elizabeth Gaskell’s North and South and Percy Bysshe Shelly.” MA Thesis. U of Idaho, 2013. Algotsson, Anna. “Transgression and Tradition: Redefining Gender Roles in Elizabeth Gaskell’s North and South.” MA Thesis. Linköping U (Sweden), 2015. Balkaya, Mehmet Afik. “The Effects of the Industrial Revolution as Reflected in Charlotte Brontë’s Shirley, Charles Dickens’ Hard Times and Elizabeth Gaskell’s North and South.” MA Thesis. Atilm U (Ankara, Turkey), 2014. Barrett, Kara L. “Victorian Women and their Working Roles.” MA Thesis. S.U.N.Y at Buffalo, 2013. (Mary Barton) Bowers, Ryan P. “Master of Your Doman: Descriptions of Interior Space in the Works of Charles Dickens and Elizabeth Gaskell as Social Justice Commentary.” MA Thesis. SUNY at Buffalo, 2012. (Mary Barton, North and South) Bránišová, Veronica. “The Perspective of Social Class in Relation to Gender in the Fiction of Elizabeth Gaskell.” BA Thesis. Masaryk U (Czech Republic), 2014. (Mary Barton, North and South) Broad, Richard. “Water and the Fallen Woman in Victorian Literature and Art.” MA Thesis. Royal Holloway, U of London, 2014. (Ruth) Bulut, Firdeus. “The Theme of Imprisonment in Little Dorrit and North and South.” BA Thesis. Bogaziçi U (Istanbul), 2013. Burton, Sara E. “Jane Eyre and Mary Barton: Elements of Feminism in Victorian Society.” BA honors Thesis. U of Houston, 2012. NancySWeyant.com Cauley, Alexandra M. “Delight in Possibility: Female Community and Elizabeth Gaskell.” Senior thesis. Clarement McKennna College, 2014. [Scripps Senior Thesis. Paper446. http://scholarship.clarement.edu/scripps_theses446] (Cranford, North and South, Wives and Daughters) Conejo Husillos, Raquel. “The Gothic Element in Victorian Female Narrative.” BA Thesis. U de Valladolid (Spain), 2014. Web. 26 Aug 2015. (Lois the Witch, “Old Nurse’s Story) Cox, Laura Elizabeth. “Happily Ever After? Redefining Womanhood and Marriage in Nineteenth-Century Novels.” MA Thesis. U of Arkansas, 2012. (North and South) DiCillo, Francesco R. “The Use of Mythology in Two Victorian Novels: Persephone in Tess of the d’Urbervilles and North and South.” MA Thesis. St. Bonaventure U, 2014. Doski, Natasha. “The Romance of Social Problems in Austen and Gaskell.” MA Thesis. Wake Forest U, 2014. (North and South) Eriksson, Johan. “Evil and Innocence: Children in the Ghost Stories by Elizabeth Gaskell, M. R. James, and Susan Hill. MA Thesis. Linköping U (Sweden). 2014. “(Old Nurse’s Story”) Flanigan, Ashlie. “Scientific Novels and ‘Lady Novelists’: Nature and Nurture in Austen’s Pride and Prejudice and Gaskell’s Wives and Daughters.” MA Thesis. U of South Florida, St. Petersburg, 2014. Frieman, Elaine Rhiannon. “Attacking the Angel: Alternative Forms of Victorian Femininity in Elizabeth Gaskell’s Mary Barton, Cranford, and North and South.” MA Thesis. Valdosta State U, 2012. Haldorsen, Hrafnhildur. “Apprentice and Mentor?: The Influence of Victorian Women Writers Analyzed through the Relationship and Works of Elizabeth Gaskell and Charles Dickens.” MA Thesis. U of Iceland, 2012. (Mary Barton, North and South) Halvorson, Cheri Yvonne. “Behind the Comedy Mask: the Function of Incongruous Humor in the Works of Behn, Austen and Gaskell.” MA Thesis. California State U, Fresno, 2012. (Cranford) NancySWeyant.com Hamrin, Thomas H. “Parallel Perspectives on the Industrial Novel in Victorian Literature.” MA Thesis. U of Idaho, 2014 (North and South) Hofstede, Tove. “Quiet Heroism: The Heroism of Middlemarch and Wives and Daughters. MA Thesis. Leiden U, 2014. Jardins, Kelcie Des. “Haunted Houses, Haunted Texts: Threatening Deviant Women and their Ghosts-Children in the Victorian Domestic Sphere.” BA Honors Thesis. New York U, 2014. (“Old Nurse’s Story”) Kallgren, Elyse L. “Reconfiguring Domesticity: Elizabeth Gaskell’s Cranford and Charles Dickens’s Household Words. MA Thesis. U of St. Thomas Saint Paul, Minn.), 2014. Krénová, Martina. “Women and Wit from Austen to Gaskell. BA Thesis. Masaryk U (Czech Republic), 2013. (North and South) Lisnäs, Stina. “The Byronic Heroine of North and South.” BA Thesis. Karlstad U (Sweden), 2013. Lundquist, Ingrid. “Hierarchy, Gentility and Humanity in Elizabeth Gaskell’s Cranford.” BA Thesis, Linköping U (Sweden), 2013. Lyon, Olivia. “‘There is a great deal to the build and wearing of hats, a great Deal more than at first meets the eye’: The Significance of Headwear in the Novels of Charlotte Brontë and Elizabeth Gaskell.” MA Diss. U of Chester, 2013. (Cranford, Life of Charlotte Brontë, North and South, Wives and Daughters) Manna, Ilaria. “Nineteenth Century Religious Dissent in the Novels by Elizabeth Gaskell and George Eliot.” BA Thesis, Università Ca' Foscari Venezia, 2013. (North and South, Ruth) Martinová, Michaela. “Women Figures in Caribbean and British Setting: Comparison of Two Periods (19th and 20th Centuries).” MA Thesis. Masaryk U (Czech Republic), 2012. (Mary Barton) NancySWeyant.com May, Amanda M. “The Paradox of Unified Female Selfhood: Social Structures and the Creation of Multiple Identities.” MA thesis. Central Michigan U, 2012. (Ruth) McBee, Comanchette Rene. “Revoking Victorian Silences: Redemption of Fallen Women through Speech in Elizabeth Gaskell’s Fiction.” MA thesis. Iowa State U, 2012. Merliza, Maria. “A Study of Molly Gibson’s Maturation as Seen in Elizabeth Gaskell’s Wives and Daughters. BA Thesis. Petra Christian U (Indonesia), 2014. Morrissey, Colleen. “‘Present All in All’: Multiplicity and Self-Construction in Elizabeth Gaskell’s North and South.” MA thesis. U of Kansas, 2012. Münchová, Luci. “The Country and the City of 19th Century England as Illustrated in Selected Novels by Austen, Gaskell and Hardy. MA thesis. Masaryk U (Czech Republic), 2013. (North and South) Petersson, Catrine. “Tradition and Development: The Theme of Revenge in Two Ghost Stories.” MA Thesis. Linköping U (Sweden), 2014. (“Old Nurse’s Story”) Rauschenberger, Marie. “Female Philanthropic Visiting: Margaret Hale as a Sympathetic Mediator in Elizabeth Gaskell’s North and South.” MA Thesis. Arizona State U, 2013. Roffey, Jennifer C. “‘The Story You Well Know’: Language, Narration and the Power of Choice in Elizabeth Gaskell’s Mary Barton.” MA Thesis. John Carroll U, 2012. Rouvalis, Maria J. “Charles Dickens and Elizabeth Gaskell: Authorship, Collaboration and Divergence.” BA honors Thesis. Bates College, 2012. Schadenberg, R. J. E. “The Bildungsroman as a Woman’s Tale in the Framework of Industrialization.” BA Thesis. 2014. (North and South) NancySWeyant.com Searway, Robert. “‘And I too change perpetually – now this, now that’: Negotiating Space, Community, Individuality and Mobility with Elizabeth Gaskell’s Realism and Modernity.” MA Thesis. California State U, Stanislaus, 2014. (Cranford, “Libbie Marsh’s Three Eras”, “Lizzie Leigh”, Mary Barton, “Mr. Harrison’s Confession”, “My Lady Ludlow”, North and South, Ruth, “Sketches among the Poor”, Wives and Daughters.) Urbaciková, Katarina, “Breaking Convention: Gaskell’s Unruly Heroines.” MA Thesis. Masaryk University, 2014. (North and South, Ruth, Wives and Daughters) Vant, Margaret, “Elizabeth Cleghorn Gaskell and Her Times.” MA Thesis. U of Manitoba, 2012. VonKaenel, Joslyn McCraw. “Conspicuous Consumers: The Victorian Department Store and the Women’s Movement.” MA Thesis. Clemson U, 2015. (Cranford) Wang, Jen-Hui. “Elizabeth Gaskell and Education as Seen in her Short Stories.” MA Thesis. National Sun Yat-sen U (Taiwan), 2014. (A Dark Night’s Work, “Half a Life-Time Ago”, “Heart of John Middleton”, “Lizzie Leigh”, “Lois the Witch”, My Lady Ludlow, “Old Nurse’s Story” “The Poor Clare”, “Right at Last”, Ruth, “Well of Pen Morpha”) NancySWeyant.com
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