the programme - Conservatorium van Amsterdam

MONDAY MARCH 13
Sweelinckzaal
09:00-09:30Adam Hanna. WWW.AUDITIONSTATS.COM: A One-Stop
Resource for In-Depth Audition Statistics. Lecture.
10:00-10:30
Rui Qing Leow. MANAGING PERFORMANCE ANXIETY: Balance
in the Mind and Body. Thesis presentation with lecture.
11:00-11:30Fiona Robertson. SYNAESTHESIA AND ITS CREATIVE USES:
Michael Torke’s Use of Synaesthesia for The Yellow Pages. Thesis presentation with lecture.
12:00-12:30Sebastiaan Molenaar. THE AUDITIONING PERCUSSIONIST: A
Research into the Mental and Practical Aspects that are Key to a
Successful Audition. Thesis presentation with lecture.
14:15-15:00Alejeandro García Sánchez. EXTENDED TECHNIQUES FOR
TROMBONE: Analytic Case Study of Basta, by Folke Rabe. Lecturerecital.
15:30-16:15Luis García-Escribano Tajuelo. MENDELSSOHN, ORGAN
SONATA II, OP. 65: Music for Brass Quintet. Lecture-recital.
16:45-17:15Eva Jansen. MUSIC BETWEEN HEAVEN AND HELL: Contrasts in
the Depiction of Music by Hieronymus Bosch and his Contemporaries. Thesis presentation with lecture.
18:00-18:45
Julián Stiven Cárdenas Veloza. … A LA COLOMBIANA: Method
for Harp Based on Colombian Folklore. Lecture-recital.
19:15-20:00Lara Albesano. SANDRO FUGA: First Critical Edition of the String Quartet No. 7. Lecture-recital.
20:30-21:00Ariadna Boiso Reinoso. WHEN THE SOLOIST BECOMES
EDITOR: Bela Bartók’s Concerto for Viola and Orchestra. Thesis
presentation with lecture.
Amsterdam Blue Note
09:15-10:00Laura Nygren. THE GLOVELET: A New Controller for Double
Bassists. Lecture-recital.
10:30-11:15Leo Grimaudo. G. S. V.: Gesture, Sound and Visualization. Lecturerecital
11:45-12:15José Aragón Verdugo. SUITE IBERIA: An Analysis of the
Fundamental Aspects. Thesis presentation with lecture.
13:00-13:45Josse van der Schaft. BRIDGING TRADITIONAL AND MODERN
JAZZ: How Contemporary Players Improvise over Standards While
Keeping the Tradition in Mind. Lecture-recital.
14:15-15:00Augustas Baronas. ACOUSTIC DRUMS AND ELECTRONIC MUSIC:
Improvisation with Live Electronics and Acoustic Drums.
Lecture-recital.
15:30-16:15Alexis Kasinos. APPLICATION OF TWO-LINE IMPROVISATION
FOR JAZZ GUITAR. Lecture-recital.
16:45-17:30Elliot Muusses. CHACARERA, ZAMBA: How to Make Jazz Based
on the Rhythms of Argentine Folklore. Lecture-recital.
18:00-18:30Jannis Wolff. FLEXIBILITY IN MUSIC: Composition in the Field of
Improvised Music. Thesis presentation with lecture.
19:00-19:45Bernhard Hollinger. THE DARK SIDE OF BASS: Tradition and
Technological Development in the Work of Thundercat, Mike Bendy and Mono Neon. Lecture-recital.
Room 7.38
10:00-10:30Vicente Beltrán Plumed. FRENCH BASSOON IN NINETEENTH
CENTURY ARAGÓN. Thesis presentation with lecture.
TUESDAY MARCH 14
Sweelinckzaal
09:15-10:00Nelson Ogliastri Larea. FANTASTIC MUSIC: Danny Elfman’s
Work for The Nightmare Before Christmas. Lecture and video
presentation.
10:30-11:00Sherezade Jurado Navarro. BUILDING A MUSICAL
PERFORMANCE: From Psychological to Physical Aspects. Thesis
presentation with lecture.
11:30-12:00Veerle Schutjens. CELLO STUDENTS WITH INJURIES: A Research
on Causes, Prevention, Treatment and Awareness. Thesis
presentation with lecture.
12:30-13:15Francisco Espinoza. MANUEL GARCIA AND THE MESSA DI VOCE: An Exercise to Find a Lighter Vocal Production. Lecture-recital.
13:45-14:30María Domínguez Ramos. WHAT ABOUT CLAUDE DEBUSSY,
ALEXANDER GLAZUNOV AND THE SAXOPHONE? Lecture-recital.
15:00-15:30Léo Genet. THE MENTAL DIMENSION OF THE
INSTRUMENTAL WORK: Complement or Necessity? Thesis
presentation with lecture.
16:00-16:45Noortje Vredeveld. THE LIEDER OHNE WORTE AND THE
BARDEN-KLÄNGE. Lecture-recital
.
18:15-19:00Tess van der Velde. INTUITIVE KNOWLEDGE: A Comparison
through the Works of Thomas Newman and Alexandre Desplat.
Thesis presentation with lecture.
Amsterdam Blue Note
09:15-10:00Brodie Jarvie. MASTER OF SIMPLICITY: A Study into the
Improvisations and Accompaniment of Charlie Haden. Lecture-recital.
10:30-11:15Grace Chi. CHINESE WUXIA FILM MUSIC: Analysis of a Composition by Tan Dun. Thesis presentation with lecture.
12:00-12:30
Carlos Andrés Áñez Gómez. A DIFFERENT WAY OF PLAYING
THE FLUTE THROUGH BASIC ACOUSTICS. Thesis presentation
with lecture.
13:00-13:45Daan Demeyer. THE APPLICATION OF OLIVIER MESSIAEN
MODES IN IMPROVISATION: Focusing on Bo van der Werf and Jozef Dumoulin. Lecture-recital.
14:15-15:00Giovanni Cigui. GUIDELINES TO A MELODIC APPROACH IN
JAZZ IMPROVISATION: Analysis, Description and Decodification
of Lee Konitz’s Solos in Relation to His ‘10 Steps Approach’.
Lecture-recital.
15:30-16:15Nicolò Ricci. FOUR TUNES FOR CIRCULAR BREATHING:
New Ways to Perceive the Saxophone. Lecture-recital.
17:00-17:45Maryna Boiko. THE INFLUENCE OF MINIMALISM AND POST
MINIMALISM ON FILM MUSIC. Thesis presentation with lecture.
18:30-19:15Vítor Castro. MULTIMEDIA PERCUSSION: Joining Percussion and Technology with Only One Performer on Stage. Lecture-recital.
19:45-20:30
João Miguel Braga Simões. APPROACHING NEW MUSIC:
Commissioning, Studying and Performing. Lecture-recital.
Ensemblezaal
09:30-10:00Tatjana Zimre. THE BENEFITS OF MEDITATION FOR
MUSICIANS. Thesis presentation with lecture.
10:30-11:15Vincent Arp. TECHNIQUE, TIMBRE, TEXTURE AND
IMPROVISATION: The Application of Non-Conventional Bass
Techniques in Jazz and Improvised Music. Lecture-recital.
Room 5.35
16:00-16:45Adeline Salles. CAPTURING EIGHTEENTH-CENTURY FLUTE
ARTICULATION: As explained in Contemporary French Flute
Methods. Lecture-recital.
17:15-18:00Aysha Wills. AN AGREEABLE HARMONY: Harmony and Rhetoric
in Bach’s Solo pour La Flûte Traversière. Lecture-recital.
Room 8.04
10:00-10:30Olga Minkina. THE WESTPHALIAN SCHOOL OF ORGAN
BUILDING UNTIL J.P. MÖLLER: Based on Some of the Best
Preserved Examples. Thesis presentation with lecture.
11:00-11:45Hyoju Ahn. THE ORIENTAL ORGAN: When Organ Meets Korean
Culture. Lecture-recital.
WEDNESDAY MARCH 15
Sweelinckzaal
09:15-10:00Felix Schönherr. A TEMPO DEL’AFETTO DEL ANIMO: Tempo
Modifications in Seventeenth-Century Vocal Music. Lecture-recital.
10:30-11:15Miron Andres. NEW MUSIC FOR HISTORICAL INSTRUMENTS:
An Excursion through Mauricio Kagel’s Musik für RenaissanceInstrumente. Lecture-recital.
11:45-12:15Juan Diaz Fernandez. PLACING THE BASSES: The Double Bass in
the Eighteenth-Century Orchestra Pit. Thesis presentation with
lecture.
.
13:15-13:45Valeria Sanchez Santana. THE MUSICAL KALEIDOSCOPE OF
COLONIAL MEXICO: The Musical and Cultural Syncretism between
the Old and New World. Indigenous, African, and European Cultures
in Colonial Mexico. Thesis presentation with lecture.
14:15-15:00Jesse Solway. ACCORDATURA: Tuning and Transcriptions of
Classical Viennese Double Bass Repertoire. Lecture-recital.
15:30-16:15Yotam Haran. UNCOVERING A CELLO SONATA:
Sonata G1 for Cello and Basso by Luigi Boccherini. Lecture-recital.
16:45-17:30Leire Ruiz Garcia. PUTTING THE SPANISH CLOCK ON TIME:
Basque Influences in the Late Works of Carmelo Bernaola and Luis de Pablo. Lecture-recital.
Amsterdam Blue Note
09:30-10:00Elena Torres Montoya. THE MUSIC OF THE BAROQUE SPANISH COMPOSER JOSÉ MARÍA REYNOSO: A Critical Edition of an
Unpublished Recitativo and Aria with Obbligato Clarino. Thesis
presentation with lecture.
10:30-11:00Yi-Ru Huang. THE CREATIVE AND JOYFUL MUSICIAN:
Implementing Kodaly’s Method in Horn Education. Lecturedemonstration.
11:45-12:30
Seon Mi Hong. THE DRUMMER’S MUSICAL APPROACH IN A PIANO TRIO: A Comparison between Paul Motian, Jack Dejohnette,
and Jorge Rossy. Lecture-recital.
14:15-15:00Pedro Da Silva Pereira. THE ORIGINS OF ARNO
BABADJANIAN’S WORKS: An Analysis of the Six Polyphonic
Pictures. Lecture-recital
15:30-16:15Nadav Katan. PHRASING THE SCHENKERIAN LEVELS:
The Contribution of Schenker Analysis to Phrasing in Music
Performance. Lecture-recital.
16:45-17:30Irene Reig i Romero. SAXOPHONE TRIO: Music of Kenny Garrett, Dick Oatts and Branford Marsalis. Lecture-recital.
20:00-20:45Tom Ridderbeekx. USING EWE DRUM PRINCIPLES IN
IMPROVISATION IN A TRADITIONAL SWING CONTEXT: In
Search for Rhythmical Tension in Jazz Improvisation. Lecture-recital.
Room 8.03
13:30-14:00Anneke Romeijn. ADHD IN HET MUZIEKONDERWIJS. Thesis
presentation with lecture.
THURSDAY MARCH 16
Sweelinckzaal
09:30-10:15Jonatan Alvarado. LE PARLER ET LE SILENCE: Self‐Accompanied Singing in Early-Seventeenth-Century France. Lecture-recital.
10:45-11:15Matthea De Muynck. PLAYING AROUND WITH BUILDING
BLOCKS: Learning from Sixteenth- and Seventeenth-Century Sources on Ornamentation. Thesis presentation with lecture.
11:45-12:30Dineke Nauta. IN THE MISTS: An Arrangement of Janácek’s Piano Piece for Saxophone Quartet. Lecture-recital.
13:45-14:15Vitaly Vatulya. MUSIC AS A PEACEMAKER: A Research Based on
the ‘Music for Peace’ Project Experience. Thesis presentation with interview.
14:45-15:30Edoardo Di Cicco. TONE VS INTONATION: Balancing Intonation and
Sound Quality in Playing Clarinet. Workshop.
16:00-16:30Jelrik Beerkens. IMPROVISING ON A PROPER SCALE: A
Classical Musician’s Path to Jazz Improvisation. Thesis presentation with lecture.
Amsterdam Blue Note
09:30-10:15Tatiana Nunes Rosa. SPOKEN FLUTE: Analysing the Use of Voice
in Flute Playing. Lecture-recital
10:45-11:15Igor Costa e Silva. SYNCHRONIZATION AS A COMPOSITIONAL AND PERFORMANCE TOOL IN MIXED MUSIC. Thesis
presentation with lecture.
11:45-12:30Matthias Van den Brande. THE STATE OF THE TENOR: An
Analysis of Joe Henderson’s Playing. Lecture-recital.
13:00-13:45Jelle Willems. USING THE MODES OF LIMITE TRANSPOSITION
IN JAZZ GUITAR. Lecture-recital.
15:30-16:15
Juan Manuel González Díaz. THE INTRODUCTION OF THE REED
QUINTET IN SAXOPHONE EDUCATION. Lecture-recital.
16:45-17:15Antonio Sola Corpas. MAKING A MUSICAL PROJECT: La bocca, i piedi, il suono (Utrecht, 27th of November, 2016). Thesis presentation with lecture.
Theaterzaal
11:45-12:30Sari-Anna Ikonen. CONTACT MICROPHONE SYSTEM FOR
SAXOPHONE: Gating and Side-Chaining for Live Electronic
Extensions. Lecture-recital.
16:00-16:45Paolo Gorini. DO YOU FEEL THE COLOR OF THE PERCUSSION
INSTRUMENTS? An Arrangement for Piano and Percussion of
Bartók’s Night Music and Chase. Lecture-recital.
Room 7.38
09:15-10:00Naruhiko Kawaguchi. FANTASIA A CUATRO MANOS SOBRE
MOTIVOS DEL NABUCCO … POR PEDRO ALBÉNIZ: An Edition
from the Manuscript in ‘S.A.R.’ Preserved in the Biblioteca Insular de Gran Canaria. Lecture-recital.
10:30-11:15Yana Borisova. RETHINKING EARLY MUSIC: Historic Recordings
as a Source for Early Music Performance. Lecture-demonstration.
Room 8.03
16:00-16:45Boris Bezemer. BLOCK COMPOSITION. Linking Ungraspable
Blocks of Music to Create New Meaning. Thesis presentation.
17:15-18:00Gísli Magnússon. INSPIRED BY ICELAND: Depiction of Natural
Phenomena in Icelandic Music. Thesis presentation.
FRIDAY MARCH 17
Sweelinckzaal
10:30-11:15Sofia Gelsomini. THE TWO FACES OF THE TRIO OPUS 8 BY
JOHANNES BRAHMS: First and Second Version. Lecture-recital.
11:45-12:15Carla Regio. WHAT IS TANGO …. REALLY? Thesis presentation
with lecture.
15:00-15:30Sofia Livotov. IN THE CENTRE OF ATTENTION: Challenges for Female Singers in the First Half of the Nineteenth Century. Thesis presentation with lecture.
16:30-17:15Alfonso Manzanera Rojo. VIBRATO ON THE CLARINET: How to Control and Use It. Lecture-recital.
17:45-18:30Giorgos Kotsiolis. THE CELLO THROUGH THE LENS OF ITS
CONTEMPORARY REPERTOIRE: A Brief Analysis from a
Performer’s Point of View. Lecture-recital.
Amsterdam Blue Note
13:00-13:45Nuria Canales Rubio. MEI AND NO: Kazuo Fukushima’s Solo Flute Music and Traditional Japanese Theatre. Lecture-recital.
14:15-15:00Odey Al’-Magut. CONTEMPORARY JAZZ TROMBONE PLAYING:
The Musical Language and Improvisational Concept of Elliot Mason. Lecture-recital
15:30-16:15Yaoping Li. THE INFLUENCE OF LANGUAGE ON
ARTICULATION IN BRASS PLAYING. Lecture-recital.
Ensemblezaal
12:00-12:30Lorenzo Russo. PUCCINI’S MADAMA BUTTERFLY: ‘A JAPANESE TRAGEDY’: Simple Exotic Fashion or Real Interest? Thesis
presentation.
15:30-16:00
Francisco José Espinosa Ruiz. THE ALEXANDER TECHNIQUE I
EUROPEAN CONSERVATORIES: A Comparative Education
Approach. Thesis presentation with lecture.

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