2013/2014
9
La
Traviata
Giuseppe Verdi
Eight Hundred Twenty-Fourth Program of the 2013-14 Season
_______________________
Indiana University Opera Theater
presents
as its 436th production
La Traviata
Music by
Giuseppe Verdi
Libretto by
Francesco Maria Piave
Joseph Rescigno, Conductor
Jeffrey Buchman, Stage Director
Cameron Anderson, Set Designer
Linda Pisano, Costume Designer
Patrick Mero, Lighting Designer
Rosa Mercedes, Choreographer
Walter Huff, Chorus Master
Daniela Siena, Diction Coach, Supertitle Author
_________________
Musical Arts Center
Friday, April Eleventh
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Cast of Characters
Fri., April 11
Sat., April 19
Sat., April 12
Fri., April 18
Violetta Valery. . . . . . . . . . . . . . . . Shannon Love
Lacy Sauter
Alfredo Germont. . . . . . . . . . . . . . Andrew Maughan
Derrek Stark
Giorgio Germont. . . . . . . . . . . . . . Joshua Conyers
Daniel Narducci
Flora Bervoix. . . . . . . . . . . . . . . . . Margaret Potter
Madolynn Pessin
Baron Douphol . . . . . . . . . . . . . . . Jaeho Lee
Julian Reisenthel
Gaston. . . . . . . . . . . . . . . . . . . . . . Nathanael Hein
Bradford Thompson
Marquis D’Obigny. . . . . . . . . . . . . Curtis Crafton
Eunje Cho
Doctor Grenvil. . . . . . . . . . . . . . . . Juan Carlos Zamudio
Michael Hyatt
Annina. . . . . . . . . . . . . . . . . . . . . . Gabrielle Stuart-Davis
Kaila Lifferth
Giuseppe . . . . . . . . . . . . . . . . . . . . Brandon Wear
Brandon Wear
Flora’s Servant . . . . . . . . . . . . . . . . Brian Pawlak
Brian Pawlak
Messenger . . . . . . . . . . . . . . . . . . . Keith Schwartz
Keith Schwartz
Opera Chorus
Walter Huff, Chorus Master
Soprano
Simran Afsah
Veronica Amandola
Emily Baker
Siena Forest
Abigail Mowery
Anastasia Talley
Joelle Tucker
Joan Snyder
Natalie Weinberg
Tenor
Travis Bloom
Barry Greene
Jacob Kramer
Thomas Morris
Ben Smith
Lyon Stewart
Robert Elliott Stubbs, Jr.
Jake Williams
Brandon Wear
Mezzo-Soprano
Thespina Christulides
Meghan Folkerts
Anna Hashizume
Alana Hodgdon
Caroline Jamsa
Mariah Kaplan
Hailey Lipkey
Claire Lopatka
Perri Elizabeth Smith
Gabrielle Stuart-Davis
Deniz Uzun
Bass
Edward Graves
Christopher Seefeldt
Ryan Kieran
Brian Pawlak
Rafael Porto
Bruno Sandes
Brandon Shapiro
Keith Schwartz
Scott Stauffer
Reuben Walker
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Synopsis
La Traviata
by Matthew Leone
Act I
The courtesan Violetta Valery hosts a massive party at her house in Paris. As the
guests revel in drink, conversation, and games, the Viscount Gastone introduces
Violetta to his friend, Alfredo Germont, who has secretly admired her from afar.
The guests interrupt their conversation, however, and ask Alfredo to offer a toast.
Together with the guests, Alfredo sings in celebration of love and wine, while Violetta sings of pleasure and happiness. As the guests move to another room to dance,
Violetta falters, becoming pale and weak from illness. Alfredo stays behind with
Violetta and confesses his love for her, but Violetta rebukes him, believing herself
incapable of such a feeling. Despite this, she gives Alfredo a flower from her corsage
and asks him to return it to her when it has withered the following day. Overjoyed
at the prospect of seeing Violetta again, Alfredo departs with the other guests as the
party ends. Now alone, Violetta struggles with her conflicted emotions. Although
she reasserts her commitment to pleasure, she also wonders if accepting her budding
love for Alfredo might be the better choice.
Act II
Scene 1
Three months have passed, and Violetta, having given up her life of pleasure
and parties, is now living with Alfredo in a country house outside of Paris. However,
Alfredo soon learns that Violetta has been selling her possessions to pay for this new
life in the country. Distraught, he leaves for Paris to obtain the money himself. Soon
after, Violetta returns with her maid, Annina. Violetta’s friend Flora has invited her
to a party in Paris, but Violetta declines, having given up such pursuits. Her servant
Giuseppe then informs her that she has a visitor: Giorgio Germont, Alfredo’s father.
Germont implores Violetta to end her relationship with Alfredo, which threatens
the marriage prospects of Alfredo’s sister. After much resistance, Violetta concedes to
Germont’s request, and after he departs, Violetta writes a farewell letter to Alfredo.
Her lover returns a short time later, and Violetta, overcome with grief, bids him a
tearful goodbye and heads to Flora’s ball. Alfredo then reads her farewell letter and is
shocked and angered by Violetta’s apparent betrayal. Germont returns and attempts
to console his son, but Alfredo ignores him and sets out for Paris, seeking revenge.
Intermission
Scene 2 (Act II, cont.)
At Flora’s house, the party is underway, and the guests discuss Violetta and Alfredo’s
recent separation. After a series of dances, Violetta arrives with the Baron Douphol, her
new lover. They notice Alfredo at the gambling table, where he has been winning large
sums of money. The Baron challenges him to a card game, and Alfredo wins, much to
the Baron’s chagrin. Afterward, Alfredo confronts Violetta, who still refuses to reveal
the real reason she left him. Attempting to conceal the truth, she tells him that she loves
the Baron, and in a fury, Alfredo condemns her in front of the other guests. Germont
scolds his son for his outburst, and Alfredo feels remorseful. Nevertheless, the Baron
steps forward and challenges Alfredo to a duel to defend Violetta’s honor, while Violetta
reassures herself that she will still love Alfredo, even after death.
Act III
As Paris celebrates Carnival, Violetta lies bedridden, weak, and severely ill. Doctor
Grenvil visits her and reveals to Annina that Violetta will die within a few hours. After
Annina and Grenvil depart, Violetta reads a letter from Germont, which notifies her that
Alfredo won his duel against the Baron and has now gone abroad. Deeply regretful, Germont
says he has also told his son the true reason Violetta left him and that Alfredo is coming back
to ask Violetta’s forgiveness. Violetta fears it may be too late, but Alfredo does come, and
Violetta’s hope for a happy life with Alfredo is restored. However, the joyous moment is but
a fleeting illusion, and Violetta finally succumbs to her illness and dies.
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next generation. Celebrating more than
six decades of opera at its finest, this
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excitement, hard work, talent, and pride
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Director’s Notes
by Jeffrey Buchman
This new production of La Traviata was conceived with a concerted focus on
telling Violetta’s personal story of love, sacrifice, and pursuit of redemption through
a noble act. Her story lives in a hypocritical, male-dominated world that confines
courtesans to the demi-monde; a world between worlds that sees them worshipped
for their beauty, wit, and seductive skills, while denying them a complete existence
and most importantly, true love. Kept by wealthy men, lavished with luxurious gifts,
cash, homes, and anything else they desire, the almost imperceptible walls of the
demi-monde serve like a shadow box to put courtesans on display as exquisite objects,
while at the same time imprisoning them within a world few can escape.
The effects of this confinement are painfully evident in Violetta’s words, which
reveal feelings of living an arid existence (“l’aride follie del viver mio”) and fears of
being abandoned, all alone in the crowded desert called Paris (“Sola, abbandonata
in questo popoloso deserto che appellano Parigi”). Her emotional and psychological
suffering, together with the physical pain and weakness caused by the consumption
that is fast-tracking her towards her grave all drive her to immerse herself in the
only escape she knows—the constant whirl of scintillating pleasure and parties that
surround her, what she calls the vortici di voluttà.
Obtained as kept objects to adorn men’s worlds, young women found themselves
in new and exciting circles of society, lavished with luxuries they could previously
only have dreamed of. It may have appeared from outside of this shadow box of sorts
that they were living as part of high society, or the haute-monde, but they were not.
Theirs was a fragile existence in a world of ever-shifting appearances and realities. If
the courtesan was not struck down by consumption, the most common killer of the
time, then it might be her fading beauty or her falling out of favor that could easily
cut short her reign. The vibrant life of the demi-mondaine was inevitably short-lived
and tragic. This certainly proves true for Violetta, who, barely a young woman, dies
completely abandoned by the society that once revered her.
Verdi’s Violetta is based on the real-life courtesan Marie Duplessis, and if we
take events from Marie’s life as the example, we see a harsh and unforgiving existence
full of dramatic transition and transformation. First came the cruel transition from
innocent child to a young girl sold to a 70-year-old man by her own father. Only a
few years later, came the evolution from impoverished young girl on her own in Paris
into a kept woman discovering the small bit of power she might have over men in a
world where men held all the power. Then came the dramatic transformation from a
simple kept woman into a grande horizontale, the highest level of Parisian courtesan.
But most noteworthy is the final metamorphosis from fallen woman, or Traviata, to
redeemed soul.
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Conductor’s Notes
by Joseph Rescigno
In many ways, Giuseppe Verdi is to opera what Ludwig van Beethoven is to
symphonic literature: their works are mainstays of their repertories; both composers
continued to grow and develop musically throughout their lives; and their numerous
works may be divided into three distinct periods. Also, Verdi’s style is not unlike
Beethoven’s, characterized as it is by rhythmic drive, sophisticated development and
counterpoint, and rock-solid architecture.
La Traviata is the last of three enduring Verdi works premiered in just the three
years 1851 to 1853 (the other two being Rigoletto and Il Trovatore). While some
people may disagree as to whether La Traviata is forward-looking enough to be called
the first verismo opera, it is a break from classic bel canto opera. First, the plot is
modern; indeed, its heroine’s lifestyle was considered too racy for a contemporary
setting, and for about four decades after its premiere, it was set in the eighteenth
century. The other modern aspect of the opera is its extensive through- composition;
there are long stretches of music where the bel canto composers would have presented
separate numbers and left room for applause. Moreover, the vocal ornamentation is
supplied by the composer and more restrained than we hear in bel canto operas; and
singers bring few, if any, personalized variations and embellishments to La Traviata.
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Dabs of orchestral color are added by a banda in both Acts I and III. This is a
group of musicians who play contrasting music that is part of the story, sometimes
outside the pit (backstage, for example). In La Traviata, the banda plays during the
party of the first act and outside Violetta’s window in the last act. Listen, too, for
the beautiful clarinet solo of Act II, Scene 1, where Violetta writes her farewell letter
to Alfredo; it is almost certain that this clarinet solo and the cello quartet of Verdi’s
later opera, Otello, served as inspiration for Giacomo Puccini when he composed the
opening sections of Tosca’s Act III.
While using the same size orchestra as Verdi’s other operas of that time, this opera
has a particularly light orchestration and feeling. Not until his last opera, Falstaff,
would Verdi again serve musical champagne in quite this manner. After the entire
orchestra bubbles with the opening tune (“Allegro brillantissimo e molto vivace,” a
most brilliant allegro and very lively), the composer reduces the orchestra to just a
few strings. In fact, depending on the size and acoustics of the theater, this passage
can sound exquisite with just a string quartet, which reasonably could be playing at
this kind of party.
The challenges in conducting La Traviata, include cultivating this spirit of
beauty and delicacy. Even in the opera’s most dramatic moments, it is imperative to
avoid heaviness. In the Act II, Scene 2 confrontation between Alfredo and Violetta,
for example, I try to sustain the drama but avoid excess by having the strings play
some of their repeated notes using a light, bouncing, bowing technique (such as the
picturesquely named “ricochet” technique).
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Music & Lyrics by Frank Loesser
Book by Jo Swerling and Abe Burrows
Directed by Lee Cromwell
Music Direction by Terry LaBolt
Choreographed by Liza Gennaro
Based on a story and characters by Damon Runyon
April 18 - 26, 2014
This production is sponsored in part by Associate Producers
Frank & Becky Hrisomalos and Carolyn Bailey & Joan Olcott
and Partnered Associate Producers Barry and Kathryn Brown
Those repeated rhythmic figures in the accompaniments, which are part of why
the orchestra can get heavy in this scene, are more common in La Traviata than in
Verdi’s other works of this period. They are not like the repeated arpeggios in the
introduction to “Casta Diva” in Vincenzo Bellini’s Norma, which sound delicate and
even ethereal. The figures used here play a more percussive role, like the chords in the
rock and roll pianos of Chubby Checker or Jerry Lee Lewis, or the bass instruments
in jazz and rock combos. When used by today’s concert and opera composers, these
repeated figures are generally referred to as ostinati (plural of ostinato, the Italian for
“stubborn”). In addition to hearing these in the Violetta-Alfredo confrontation, we
encounter them when Germont sings of his daughter in Act II, Scene 1; as Violetta
writes her farewell letter to Alfredo later in that scene; during her final aria, “Addio
del passato” (“Goodbye to the Past”); and at the conclusion of the opera.
In La Traviata, Verdi supplies indications more liberally than earlier composers
did, a practice that would grow throughout the romantic era and into our own day.
As is true in all music, however, performing it requires thought about dramatic
purpose and imagination in execution. For the conductor, the preludes to Act I and
the final act, comprise a particularly apt example. They look very similar on the page.
There is room to treat them differently, however, without any fundamental change in
the music. In the first prelude, the orchestra can portray a struggle: Violetta’s refusal
to accept any limitations as expressed in the aria “Sempre libera” that closes the act.
In the last act prelude, the same music played a bit slower and softer and even calmer
can preview her acceptance of inevitable death as expressed in that act.
But conductors need to exercise restraint in making adjustments. A temptation
lurks in the Act II finale, which is marked “Largo”—a slow tempo—but contains no
further tempo indications. This begins with the entrance of Germont with “Di sprezzo
degno” (“Worthy of Scorn”) and continues to the end of the act through Alfredo’s
“Ah si! che feci!” (“What Have I Done?), Violetta’s “Alfredo, Alfredo, di questo
core” (“Alfredo, Alfredo, From This Heart”), and all of the onlookers’ comments.
For a few different reasons, it requires a lot of discipline to portray contrasting
emotions through this long sequence, with only the modest tempo flexibility typical
of nineteenth-century music but without any fundamental change in the beating
pattern. If the conductor trusts Verdi, however, this consistency lends a unity to the
whole and produces a tremendous cumulative impact.
Beyond the power of the finale’s relentlessly growing intensity, Verdi’s attention
to emotional detail should be audible in his writing for the three principals in this
scene. They have similar musical lines, differentiated in large measure by articulation.
Violetta’s music is written almost entirely legato, in long lines of connected notes.
Germont has some staccato marks, indicating that the syllables should be clipped and
disconnected. Probably to suggest sobbing and remorse after his outburst, Alfredo
has a great many notes of short duration and more staccato marks over his notes than
Germont has.
In sum, this Act II finale is a model of its type, masterfully portraying a complex
tapestry of emotion.
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In La Traviata, Verdi told a story through music that has captivated audiences
for more than 150 years, and even though it no longer seems likely to provoke any
public debates about morality, it still draws us in. The hardest part for modern
audiences to swallow may be the success Germont has in bullying his son and, even
more, Violetta. However, prior to World War I, conventions were very different from
today. If we imagine Germont as a member of a strict religious community, we can
perhaps come closer to understanding how his argument is possible and see that the
story is rooted in truth.
The opera’s greatest truths—love, loss, and unintended consequences—are
timeless, of course. Great music, by speaking directly to our hearts and even our guts
in addition to our brains, can lift a story’s characters out of their specific place and
time and make them as real as our neighbors.
Program Notes
“Giuseppe Verdi, La Traviata, and the Censors”
by Matthew Leone
Many factors can contribute to the shaping of an opera—availability of personnel,
production costs, and the aesthetic or dramatic intentions of the composer, librettist,
or stage director. So can censorship, both government sponsored and culturally
enforced. In Giuseppe Verdi’s time, much like our own, sensitive topics and subject
matter had to be handled carefully, or avoided altogether. And out of all of Verdi’s
operas, few drew the wrath of censors as greatly as La Traviata. In the 1850s, this work
challenged conventional notions of sexuality and morality, especially in depicting
Violetta, a courtesan and lover of the noble Alfredo, as a sympathetic protagonist.
In Italy and abroad, La Traviata underwent considerable changes to conform to
censorial and cultural standards of decency, and it demonstrates how an opera can
reflect cultural concerns of a time and place, not just because of the topics it depicts,
but because of what topics were criticized and censored.
By the time Giuseppe Verdi began work on La Traviata in early 1853, he was well
acquainted with the censors in Austrian-controlled Venice, where the opera was to
premiere. Less than two years earlier, he had won a hard-fought victory over the city’s
authorities regarding the “repellent immorality” of Rigoletto. By contrast, La Traviata
passed through the censorial offices relatively unscathed. Aside from changing the
title from Amore e morte (“Love and Death”) to La Traviata (“The Fallen Woman”),
the setting was changed from contemporary Paris to the early 1700s. The specific
reasons for these changes still remain somewhat unclear, but for the most part, Verdi’s
dramatic structure and characterizations were unchanged.
When the opera traveled for productions in Naples and Rome, however, the
censors of both cities proved far stricter. For the Neapolitan production, Violetta
and Alfredo were forbidden to be depicted as living together, unwed, in Act II;
instead, Violetta was simply portrayed as a visitor. Furthermore, the Neapolitan
version downplayed Violetta’s past life as a courtesan, as Alfredo’s father rejects
her not because of her sexual immorality, but because of her lower social status. In
Rome, religious authorities also forced Verdi to alter many verses and remove the
overtly sexual aspects of Violetta’s character. Verdi later lamented that the censors had
“spoiled the sense of the drama” by making Violetta “pure and innocent.”
Similarly, in London and New York, censors and others expressed disdain for
Violetta’s adulterous relationship with Alfredo. In London, the Examiner of Plays
made small but significant changes; for instance, in Act II, Alfredo throws Violetta’s
picture at her instead of a bag of money, which would have implied prostitution.
Critics also weighed in, as one reviewer for The Times claimed that Verdi’s opera
“should never have been exhibited on any stage,” and warned families not to take part
in La Traviata’s portrayal of “the worst types of Parisian vice.” It was also problematic
that Verdi portrayed Violetta, the “wretched girl,” not as a villain, but as “the heroine
for whom our sympathies are aroused.” The most extreme censorship of Verdi’s opera,
however, came from an artistic director at New York’s Brooklyn Academy; he simply
banned the opera altogether, having become “exercised concerning the morality of
[La Traviata’s] performance.”
In many ways, the various censorships of La Traviata potentially signify more
than just concerns over offending audiences. In Verdi’s era, prostitution, unmarried
cohabitation, and sex out of wedlock were major subjects of debate. For censors
and other arbiters of morality, romantic relations outside of marriage were targets
for criticism, as they conflicted with their standards of monogamous marriage and
familial fidelity. Sexual promiscuity also had physical consequences, as prostitution
and adultery were viewed as major contributors to venereal disease and other
maladies. Perhaps, then, officials and critics censored La Traviata’s sexual story
elements mainly because they represented, in their eyes, real-world threats to societal
order. Whatever their motivation, the plot and characters of Verdi’s opera certainly
caused considerable anxiety in the 1850s. Nevertheless, by exploring works like La
Traviata, we can ultimately learn much about a culture’s concerns and values, not
only from what the work portrays, but in how it was condemned.
Artistic Staff
Conductor
Joseph Rescigno has conducted for more than 50 companies on
four continents. Since 1981, he has served as artistic advisor and
principal conductor of the Florentine Opera Company of Milwaukee,
where he has conducted some of the company’s most challenging
repertory. He also has been music director of La Musica Lirica, a
summer program for singers in Northern Italy, since 2005. And he
served as artistic director of Metropolitan Orchestra of Greater Montreal, Quebec,
for four seasons.
In his permanent and guest engagements, Rescigno traverses the repertory from
new works like Minoru Miki’s Jōruri and Don Davis’s Río de Sangre (both world
premieres under his baton) to rarities like Rossini’s 1816 La Gazzetta. He also
champions neglected contemporary works like Barber’s Vanessa while conducting a
broad swath of operas from the standard literature. This includes Mozart’s seminal
pieces; works from Italian composers like Rossini, Donizetti, Bellini, Verdi, and
Puccini; romantic French operas of Bizet, Gounod, and Saint-Saëns; and works
from the German school, particularly by Wagner and Richard Strauss. In addition,
Rescigno has conducted masterworks of the choral literature as well as symphonies
and concertos from the baroque to the contemporary—sometimes from the keyboard
in works from earlier eras.
As a guest artist, Rescigno has conducted the New York City Opera, Lyric Opera
of Chicago, Washington National Opera, Hungarian State Opera, Opera Theatre of
Saint Louis, Seattle Opera, Glimmerglass Opera, Vancouver Opera, Teatro Bellini,
l’Opéra de Marseille, and l’Opéra de Montréal, among others. The symphony
orchestras he has conducted include the Montreal Symphony and the Milwaukee
Symphony, in both regular subscription series and opera productions. He won
Quebec’s Prix Opus for a program of all five Beethoven piano concertos with Anton
Kuerti and the Metropolitan Orchestra of Greater Montreal.
Rescigno’s recordings include the aforementioned world premieres, Río de
Sangre (for Albany Records) and Jōruri (for Toei Video Disk). He recorded two solo
operatic anthologies for Analekta of Canada featuring Lyne Fortin (Mozart) and
Diana Soviero (the highly regarded Verismo). Also for Analekta, he conducted three
symphonic albums with works by Beethoven, Brahms, and Mendelssohn.
This native New Yorker comes from a long line of musicians on both sides of
his family. He trained as a pianist and has been studying and performing music since
childhood. His uncle was the prominent conductor Nicola Rescigno, a founder of
both the Dallas Opera and Lyric Opera of Chicago. He holds a Master of Music
degree from Manhattan School of Music and studied with distinguished teachers
and composers in the United States and Europe. Rescigno further apprenticed with
eminent conductors and has since been privileged to collaborate with prominent
musicians of three generations.
A born teacher, Rescigno derives tremendous gratification from working with
young musicians in student orchestras and singers in master classes. Multi-lingual, he
readily gives lively and informative talks before performances, illustrating examples
on a piano when possible. He is also working on his first book, The View from the Pit:
Where Theater Meets Music. (Photo by Christian Steiner.)
Stage Director
Opera News calls director Jeffrey Marc Buchman “a formidable
talent.” Recent career highlights include directing Carmen for
Atlanta Opera, Rigoletto and The Magic Flute for Florida Grand
Opera, Tragedie de Carmen for Syracuse Opera, Il Barbiere di Siviglia
for Orlando Philharmonic, Cold Sassy Tree for Sugar Creek Opera
and Song, Turandot for Mobile Opera, Roméo et Juliette for
Intermountain Opera, Hansel and Gretel for Sarasota Opera, L’Elisir d’Amore for
Toledo Opera, Faust for Opera Naples, and South Pacific for Anchorage Opera.
Following his success directing the premiere of Madama Butterfly for the National
Theater in Managua, Buchman returned to create a critically acclaimed production
of La Bohème.
He served on the directing staff of Seattle Opera for productions of Porgy
and Bess, Carmen, Tristan Und Isolde, Lucia di Lammermoor, Il Barbiere di Siviglia,
Don Quichotte, and Die Zauberflöte and directed their Young Artists production of
Donizetti’s Viva La Mamma.
Buchman has worked extensively with apprentices and young artists at Sarasota
Opera, Tulsa Opera, Chautauqua Opera, and Florida Grand Opera. His work at
universities has included The New World School of the Arts in Miami, UCLA,
and Indiana University. Upcoming engagements include No Exit for Florida Grand
Opera, La Cenerentola for Green Mountain Opera Festival, La Bohème for IU Opera
Theater, and Il Barbiere di Siviglia for Lyric Opera Baltimore.
Buchman studied German at the Goethe Institut in Prien am Chiemsee,
Germany, and Spanish at the Instituto Cervantes in New York. He holds a Bachelor
of Music degree in opera from the Boston Conservatory of Music and a Master of
Music degree in voice from the Peabody Conservatory of Music in his native city of
Baltimore, Md. He trained in the Young Artist Program of the Florida Grand Opera,
where he later was honored with the company’s Evelyn P. Gilbert Award. He also
trained in the Studio and Apprentice Artist Programs of Central City Opera, where he
was awarded their Studio Artist of the Year award. Winner of the prestigious Luciano
Pavarotti International Voice Competition, Buchman has garnered equal acclaim for
both his singing and his acting. Other prizes include first prize in the National Voice
Competition of the National Society of Arts and Letters and a Richard F. Gold career
grant from the Shoshana Foundation.
Set Designer
Cameron Anderson designs for theater and opera both in the United
States and abroad. Recent international credits include West Side Story
at the Kilden Performing Arts Center in Norway and for the Vancouver
Opera, and Simon Boccanegra for the Teatro Colon in Argentina.
Selected opera credits include La Cenerentola (Glimmerglass Opera), Il
Barbiere di Sivilia (Opera Theatre of Saint Louis), West Side Story, A
Little Night Music, and Three Decembers (Central City Opera), Maria Padilla (Minnesota
Opera), Don Giovanni (Wolf Trap Opera), Das Liebesverbot (USC Thornton School of
Music), Così fan tutte (Seattle Opera), The Village Singer (Manhattan School of Music),
Gypsy Songs (Gotham Chamber Opera/The Morgan Library), The Consul (Opera
Boston), and La Bohème (San Francisco Opera Center).
Selected theater credits include Becoming Cuba (Huntington Theater Company),
The Language of Trees (Roundabout Underground), A Feminine Ending (Playwrights
Horizons), Fault Lines (Naked Angels Theater Company) directed by David
Schwimmer, Massacre (The LAByrinth Theater Co), Underground (David Dorfman
Dance at BAM), A Midsummer Night’s Dream, which was nominated for a Los
Angeles Drama Critics Circle Award, Sight Unseen and Emilie (South Coast Rep),
Heddatron (Les Freres Corbusier), Dixie’s Tupperware Party (Ars Nova), Elvis People
(New World Stages), Dead City, Anna Bella Eema, and Belly (New Georges), and
Much Ado About Nothing and Martha Mitchell Speaks (Shakespeare and Company).
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Costume Designer
Linda Pisano work has covered a broad range of theatre, dance,
musical theater, ballet and opera. Her work has been featured in the
Quadrennial World Design Expo in Prague and the World Stage
Design exhibition. She is a four-time winner of the Peggy Ezekiel
Award for Excellence in Design, a three-time jury winner in the
National Design Expo and a two-time recipient of the Kennedy
Center/ACTF Meritorious Achievement in Costume Design Award. Pisano’s designs
have graced the stages of Utah Shakespeare Festival, Indiana Repertory Theatre,
BalletMet, Cincinnati Ballet, Cincinnati Opera, Utah Festival Opera, Pioneer Theatre
Company, Winnipeg Ballet, Lyric Repertory Theatre, Illinois Shakespeare Company
and many others. Several of her ballet designs continue to tour through Canada,
England, and the United States. Linda heads the Costume Design Program at Indiana
University and directs the Theatre and Drama Department’s Study Abroad Program
in London. She is a member of the United Scenic Artists Local 829.
Lighting Designer
Patrick Mero is the head of lighting for Indiana University Opera and
Ballet Theater. He has designed the lighting for Don Giovanni, Albert
Herring, La Bohème, Tosca, L’Italiana in Algeri, West Side Story, Il
Barbiere di Siviglia, Suor Angelica, and Gianni Schicchi. He has done
extensive design work for the Jacobs School of Music Ballet Department
and the African American Art Institute’s Dance Ensemble. In addition
to his work on the Musical Arts Center stage, Mero’s designs have been seen in several
Cardinal Stage Company productions, including, most recently, All My Sons, Romeo
and Juliet, The Grapes of Wrath, The Diary of Anne Frank, and Inherit the Wind. Mero
originally hails from Charleston, S.C., but calls Bloomington home.
Choreographer
Barcelona native Rosa Mercedes has quickly become one of opera’s
most exciting and versatile choreographers. Hailed by Dance
Magazine as “a virtuoso,” she has enjoyed an extensive and critically
acclaimed career in Spanish dance as a principal dancer with tours
that have taken her to major theaters throughout the United States,
Europe, South America, and Canada. In opera, she has had her
talents as both dancer and choreographer featured by the Metropolitan Opera, Opera
di Roma, Seattle Opera, Dallas Opera, Opera Lyra Ottawa, Cincinnati Opera,
Michigan Opera Theatre, Atlanta Opera, Florentine Opera, Palm Beach Opera,
Baltimore Opera, Florida Grand Opera, Tulsa Opera, Washington Summer Opera,
Austin Lyric Opera, and Opera Naples alongside such greats as Luciano Pavarotti,
Placido Domingo, Jose Carreras, Agnes Baltsa, Renata Scotto, Denyse Graves, Julius
Rudel, Marco Armiliato. and James Levine.
Recent seasons have included choreographing Aida for Cincinnati Opera,
Carmen for Atlanta Opera, The Magic Flute and La Traviata for Florida Grand Opera,
Carmen for Opera Lyra Ottawa, Aida for Michigan Opera Theatre, Don Giovanni for
UCLA, La Traviata for Indiana University, and La Cenerentola for Green Mountain
Opera Festival. In the 2011-12 season, her work included choreographing Lucia
di Lammermoor for Atlanta Opera, Rigoletto for Florida Grand Opera, and Faust
for Opera Naples, as well as being featured as principal dancer and choreographer
for Dallas Opera’s production of La Traviata. She also acted as assistant director on
the Madrid production of Luisa Fernanda with Florida Grand Opera that featured
Placido Domingo conducting.
In 2010-11, Mercedes choreographed Lucia di Lammermoor, Il Barbiere di
Siviglia, and Die Zauberflöte for Seattle Opera, as well as acting as assistant director
and choreographer for its Young Artists production of Don Giovanni. In that same
season, she was principal dancer and choreographer for Carmen with Opera Naples
and was choreographer for Turandot with Florida Grand Opera.
Mercedes is founder and artistic director of Duende Ballet Español. She is a
recipient of several awards, including the Dance Miami Choreographers Fellowship
and the ACCA Critics Choice Award in dance. She gives master classes and workshops
throughout the U.S., as well as teaching movement classes for singers, and is a dance
panelist and master teacher for the National Foundation for Advancement in the Arts.
Chorus Master
Along with his responsibilities as professor of choral conducting and
faculty director of opera choruses at the Jacobs School of Music,
Walter Huff continues his duties as Atlanta Opera chorus master.
He has been chorus master for The Atlanta Opera since 1988,
preparing the chorus in more than 100 productions, receiving
critical acclaim in the United States and abroad. Huff received his
Bachelor of Music degree from the Oberlin Conservatory and his Master of Music
degree from Peabody Conservatory (Johns Hopkins). He studied piano with Sarah
Martin, Peter Takacs, and Lillian Freundlich, and voice with Flore Wend. After
serving as a fellow at Tanglewood Music Center, Huff received Tanglewood’s C. D.
Jackson Master Award for Excellence. He served as coach with the Peabody Opera
Theatre and Washington Opera, and has been musical director for The Atlanta Opera
Studio, Georgia State University Opera, and Actor’s Express (Atlanta, Ga.). He also
has worked as chorus master with San Diego Opera. Huff served on the faculty at
Georgia State University for four years as assistant professor, guest lecturer, and
conductor for the Georgia State University Choral Society. Recently, he was one of
four Atlanta artists chosen for the first Loridans Arts Awards, given to Atlanta artists
who have made exceptional contributions to the arts life of Atlanta over a long period
of time. While serving as chorus master for The Atlanta Opera, Huff has been the
music director for The Atlanta Opera High School Opera Institute, a nine-month
training program for talented, classically trained high school singers. He has served as
chorus master for the IU Opera productions of Don Giovanni, The Merry Widow,
Akhnaten, Le Nozze di Figaro, Lady Thị Kính, and H.M.S. Pinafore. In addition, he
maintains a busy vocal coaching studio in Atlanta.
Diction Coach, Supertitle Author
Daniela Siena brings many years of experience in teaching Italian
diction and language to singers. She was introduced to operatic diction
by Boris Goldovsky, who was seeking a native speaker without teaching
experience to work with singers according to his own pedagogical
principles. Siena went on to teach in a number of operatic settings
(among them, Curtis Institute of Music, Metropolitan Opera, New
York City Opera, Seattle Opera). Over the years, she worked with a number of wellknown singers, including Samuel Ramey, Justino Diaz, Carol Vaness, Wolfgang
Brendel, June Anderson, Gianna Rolandi, and Jerry Hadley. The conductors, coaches,
and stage directors with whom she has worked include Otto Guth, Max Rudolf,
Edoardo Mueller, David Effron, Arthur Fagen, Anthony Pappano, Anthony Manoli,
Terry Lusk, Dino Yannopoulos, Tito Capobianco, Andre Serban, John Cox, and John
Copley. At New York City Opera, Siena worked closely with Beverly Sills—as her
executive assistant, as a diction coach, and as the creator of English supertitles for a
dozen operas. More recently, she worked for two years as a coach for the Young Artists
Program of the Los Angeles Opera and, for the past six years, she has taught in Dolora
Zajick‘s summer Institute for Young Dramatic Voices. Born in Florence, Italy, to an
Italian mother and a Russian émigré father, Siena arrived in the United States at age
seven. She received a B.A. from Sarah Lawrence College and, in her twenties, worked
for two years in Italy as secretary to the president of the Olivetti Company. Many years
later, she continued her education, earned a master’s degree, and became licensed as a
psychotherapist by the state of California, where she practiced for 15 years. The mother
of two grown children, she moved to Bloomington with to be near her son, who lives
here with his wife and two young daughters.
Cast Biographies
Violetta Valery
Lacy Sauter hails from Scottsdale, Ariz., and is currently completing her
Master of Music degree under the tutelage Carol Vaness. Past roles at IU
include Rosalinde in Die Fledermaus and Juliette in Roméo et Juliette. In the
fall, she performed the soprano solo in Mendelssohn’s Elijah with the
Winona Oratorio Chorus. In 2013, she completed her tenure as a young
artist at the Florida Grand Opera, where she sang First Lady in Die
Zauberflöte, Flora in La Traviata, and Bianca in La Rondine and covered the roles of Mimi and
Musetta in La Bohème, Violetta in La Traviata, Pamina in Die Zauberflöte, Magda in La
Rondine, Gilda in Rigoletto, and Juliette in Roméo et Juliette. Sauter spent the past two summers
as an apprentice singer with The Santa Fe Opera, singing Albina in La Donna del Lago and
covering Wanda in the Grand Duchess of Gerolstein and Violetta in La Traviata. Other young
artist program credits include Chautauqua Opera, Utah Festival Opera, and The Glimmerglass
Festival. She was also an active performer with Arizona Opera, where she sang the role of First
Bridesmaid in Le Nozze di Figaro and performed for various outreach programs. She was a
winner of the Arizona and the Middle-East Tennessee Districts of the Metropolitan Opera
National Council Auditions and second-place winner in the Orpheus Vocal Competition, and
was nominated for a Sara Tucker Study Grant. This summer, she will make her debut as
Blanche DuBois in A Streetcar Named Desire with Union Avenue Opera.
Soprano Shannon Love is in her second year of doctoral study at the Jacobs
School, where she received her master’s degree as a Barbara and David Jacobs
Fellow, having performed the roles of Queen of the Night (Die Zauberflöte),
Lauretta (Gianni Schicchi), Cunegonde (Candide), and Queen Tye
(Ahknaten) with IU Opera Theater. A native of Ponca City, Okla., she
received her bachelor’s from the University of Central Oklahoma, where she
performed the roles of Fiordiligi (Così fan tutte), Sofia (Il Signor Bruschino), Pericholé (La
Pericholé), Mrs. Gleaton (Susannah), and Mrs. Gobineau (The Medium). In November, Love
was a participant in the American Voices Festival and Master Class Series at the Kennedy
Center in Washington, D.C., hosted by Renée Fleming, master class taught by Eric Owens. In
January, she won first place at the Tulsa district Metropolitan Opera National Council
Auditions, going on to take third place at the regional level. This summer, she will join Des
Moines Metro Opera as a young artist. Love is a student of Costanza Cuccaro.
Alfredo Germont
Andrew Marks Maughan, tenor, is from Salt Lake City, Utah. After studying
Italian in Northern Italy for two years, he attended the University of Utah as a
student of Robert Breault. In 2011 and 2013, he received encouragement awards
from the Metropolitan Opera National Council auditions. In the summers of
2011-13, he joined the Ohio Light Opera (OLO), singing the roles of Sandor
Barinkay in Johann Strauss’s The Gypsy Baron, Fritz in Offenbach’s The Grand
Duchess of Gerolstein, Captain Fitzbattleaxe in Gilbert and Sullivan’s Utopia, Limited, and Camille in
Lehar’s The Merry Widow. While attending The University of Utah, he sang many roles, including
Fenton in Verdi’s Falstaff, Tamino in Mozart’s Die Zauberflöte, Sam Polk in Floyd’s Susannah, Don
Ottavio in Mozart’s Don Giovanni, Nerone in Monteverdi’s L’incoronazione di Poppea, Ferrando in
Mozart’s Così fan tutte, and Le Chevalier in Poulenc’s Dialogues des Carmélites. Maughan is excited to
return to OLO this summer, singing the roles of Freddy in Lerner and Loewe’s My Fair Lady, Fredric
in Gilbert and Sullivan’s Pirates of Penzance, and Alfred in Johann Strass’s Die Fledermaus. He received
his M.M. in voice performance in 2013 from the University of Utah and is currently pursuing his
D.M.A. in voice performance at IU. Maughan is a student of Costanza Cuccaro.
Derrek Stark is a native of Bath, N.Y., where he began studies in voice and
piano, culminating in a Bachelor of Music in Vocal Performance from
Mansfield University, where he studied with Todd Ranney. Stark is currently
pursuing a master’s degree at the Jacobs School of Music, where he studies
with Carol Vaness. Always an active musician and collaborator, he has served
as accompanist for local theater groups, playing piano for Aida, Cabaret,
Pajama Game, Mame, John and Jen, and others. His performance credits include Billy Bigelow
in Carousel, Don Basilio in La Nozze di Figaro, Tamino in Die Zauberflöte, Tommy Innocent
in The Outcasts of Poker Flats, Fenton in Falstaff, and Rinuccio in Gianni Schicchi. Future
engagements include a guest artist appearance in Carol Orff’s Carmina Burana and
performances of Roldofo in La Bohème with Opera Experience of the Southeast.
Giorgio Germont
From New York City’s Lincoln Center to the Great Hall of the People in
Beijing, Daniel Narducci has appeared in performances across the globe on
the opera, concert, and musical theater stages. On the operatic stage, Narducci’s
roles include Sharpless in Madama Butterfly, Escamillo in Carmen, Count
Almaviva in Le Nozze di Figaro, Marcello in La Bohème, Figaro in Il Barbiere
Di Siviglia, Belcore in L’Elisir d’Amor, and Silvio in I Pagliacci. He has been
heard in these roles with the Washington National Opera, New Orleans Opera, Central City
Opera, Palm Beach Opera, Kentucky Opera, Nashville Opera, Indianapolis Opera, and Opera
Santa Barbara. Since his professional debut with the Cincinnati Pops Orchestra under the
direction of Erich Kunzel, Narducci has appeared with many of the world’s most prestigious
orchestras, including the Cleveland Orchestra, Philadelphia Orchestra, Boston Pops, Naples
Philharmonic, Chicago Symphony, Rochester Philharmonic, Baltimore Symphony, Toronto
Symphony, Houston Symphony, Indianapolis Symphony, Milwaukee Symphony, and the
Detroit Symphony. He played the role of Lancelot during two national tours of Camelot, most
notably opposite Robert Goulet’s King Arthur. He co-starred with Frederica von Stade and the
Naples Philharmonic Orchestra in a program broadcast internationally by PBS titled Pops at the
Phil: A Century of Broadway. Narducci created the role of Captain Hook on the world premiere
complete recording of Leonard Bernstein’s Peter Pan, co-starring Linda Eder. He was raised in
Cheshire, Conn. A student of Wolfgang Brendel, he is pursuing a master’s degree in voice.
Joshua Conyers is a student at the Jacobs School of Music pursuing a master’s
degree in vocal performance with Timothy Noble. In 2011, he made his IU
Opera Theater debut as Valentin in Gounod’s Faust. He has performed
Marcello in Puccini’s La Bohème and Aeneas in Purcell’s Dido and Aeneas with
the IU Early Music Institute. In the summer of 2012, he covered the role of
Scarpia in Puccini’s Tosca at the Utah Festival. In 2010, he made his professional
operatic debut as the Mandarin in Puccini’s Turandot at Piedmont Opera in Winston Salem,
N.C. Recently, he sang the role of The Vicar in Britten’s Albert Herring, Lord Guglielmo Cecil in
Donizetti’s Maria Stuarda, Buonafede in Haydn’s Il mondo della luna, Henry Davis in Kurt
Weill’s Street Scene, Bob in Menotti’s The Old Maid and the Thief, and the Devil Gate Keeper in
Dvorak’s The Devil and Kate at the A. J. Fletcher Opera Institute. Last summer, he covered Walt
Whitman in the world premiere of Theodore Morrison’s Oscar and the Marquis d’Obigny in La
Traviata at Santa Fe Opera. Hailing from Chesapeake, Va., he was a student of Robert Brown at
The Governor’s School for the Arts and a student of Marilyn Taylor at the University of North
Carolina School of the Arts. He is a winner of several voice competitions and the recipient of
numerous scholarships, including the A. J. Fletcher Scholarship in Music, the Kenan Excellence
Award in Music, and the Shivers Foundation Scholarship.
Flora Bervoix
Madolynn Pessin is a student of Mary Ann Hart and plans on finishing her
Master of Music degree this May. She has most recently appeared in opera as
Dido in Dido and Aeneas by Purcell and as Dorothee in Massenet’s Cendrillon.
She has also made appearances in various opera choruses throughout her
degree here, including Don Giovanni (Mozart), Xerxes (Handel), Candide
(Bernstein), La Bohème (Puccini), and Falstaff (Verdi), as well as Verdi’s
Requiem. In opera workshops, Pessin worked on roles such as Carmen from Bizet’s Carmen,
Adalgisa from Bellini’s Norma, Meg Page from Verdi’s Falstaff, and Rose Maybud from Gilbert
and Sullivan’s Ruddigore. This summer, Pessin is covering the role of Erika from the opera Vanessa
by Barber and will perform as a chorus member for Oklahoma by Rodgers and Hammerstein II,
and the Student Prince by Romberg for the Logan, Utah Summer Festival.
Margaret Potter, mezzo-soprano, is a second-year master’s student at the
Jacobs School of Music, where she studies with Carol Vaness. Most recently,
she was seen as Meg Page in Verdi’s Falstaff. Other roles include Concepcion
(L’heure Espagnole), Jenny Hildebrand (Street Scene), and La Voix (Les Contes
D’Hoffmann). She has spent multiple summers as a member of the Aspen
Opera Theater Center (AOTC) at the Aspen Music Festival and School.
During her time with AOTC, she covered the roles of the Beggar Woman (Sweeney Todd) and
Meg Page (Falstaff), and was featured as an ensemble soloist in multiple productions. This
summer, she will be an apprentice artist with the Des Moines Metro Opera, where she will
cover the role of Sister Helen Prejean in Heggie’s Dead Man Walking. This past fall, she received
a Young Artists Encouragement Award at the Metropolitan Opera National Council auditions
and has been featured as a soloist at both the Kennedy Center for the Performing Arts and the
Washington National Cathedral. Concert credits include Haydn’s Sancti Nicolai Messe,
Mozart’s Vesperae solennes de confessore, Monteverdi’s Vespers, Haydn’s Harmoniemesse,
Telemann’s Der Tag des Gerichts, Mozart’s Requiem, and Carissimi’s Jonah and Jepthe.
Baron Douphol
A San Francisco native, Julian Reisenthel is a first-year master’s student in
voice at the Jacobs School of Music. Having recently performed in the
chorus of IU Opera Theater’s H.M.S. Pinafore, this is his first principal role
with the company. He acquired his bachelor’s degree in vocal performance
at Pacific Lutheran University in Tacoma, Wash., where he performed the
roles of Don Alfonso in Così fan tutte, Papageno in The Magic Flute, Sam in
Trouble and Tahiti, and Betto in Gianni Schicchi. He also performed in the chorus of Seattle
Opera’s latest production of Götterdämmerung. He performed in Sylvia McNair’s IU Opera
Workshop last semester as Demetrius and Bottom in A Midsummer Night’s Dream by Benjamin
Britten. He currently studies with Robert Harrison.
Jaeho Lee was born in Daejeon, South Korea, and is currently an
undergraduate student in his first year at the Jacobs School of Music. He is
pursuing a Performer Diploma in Voice with Wolfgang Brendel. Lee studied
singing in Altidona, Marche, Italy for two years with Rossella Marcantoni.
Gaston
Tenor Nathanael Hein, a native of Cleveland Heights, Ohio, is a first-year
Performance Diploma student at the Jacobs School of Music. Hein recently
received his master’s degree under the tutelage of Vinson Cole at the
Cleveland Institute of Music (CIM). In his time at CIM, Hein performed
the role of Count Belfiore in Mozart’s La Finta Giardiniera and Prince
Charmant in Massenet’s Cendrillon. During his undergraduate work at
Bowling Green State University, he performed the title roles in Britten’s Albert Herring and
Offenbach’s Orpheus in the Underworld. In addition, he appeared as Azael in Debussy’s L’enfant
Prodigue with the Duke Symphony Orchestra. Hein is a student of Carol Vaness.
Marquis D’Obigny
Baritone Eunje Cho, a native of South Korea, is currently pursuing a Performer
Diploma, Solo Performance at the Jacobs School of Music, where he studies
with Carol Vaness. He earned a Bachelor of Music degree from the Korean
National University of Arts, where he studied with Hans Choi. Roles there
included Japanese Soldier in Heart of a Hero at Philadelphia Constitution
Center. He was a featured soloist in Die Schöpfung, The Seven Last Words of
Christ, Mozart’s C Major Mass, and Mendelssohn’s Elijah. This coming summer, he will be
performing the role of Papageno and Man in Armor in Die Zauberflöte at Chicago Summer Opera.
Baritone Curtis Crafton is a native of Idaho, where he earned a Bachelor of
Arts degree in applied voice from the College of Idaho. He went on to earn
a Master of Music degree in voice performance from the Jacobs School of
Music. While at Indiana University, Crafton has been involved in numerous
mainstage productions. In 2009, he was seen as The Herald and Master of
Ceremonies in Jules Massenet’s Cendrillon. The following season, he
returned to the stage as Duke of Verona in Charles Gonoud’s Romeo et Juliette. In 2011, he
made his Lyric Opera of Chicago debut as a chorus member and Brabantine Knight in Richard
Wagner’s Lohengrin, under the direction of Sir Andrew Davis. On the concert stage, Crafton
sang the part of Pontius Pilate in J. S. Bach’s St. Matthew’s Passion with the Bloomington
Chamber Singers. While at the College of Idaho, he sang the part of Pontius Pilate/Bass Soloist
in J. S. Bach’s St. John’s Passion and was the baritone soloist in Gabriel Faure’s Requiem. Crafton
is currently pursuing a Doctor of Music degree as a student of Robert Harrison.
Doctor Grenvil
Juan Carlos Zamudio, bass-baritone, is a native of Durango, Mexico. He is
currently pursuing a Doctor of Music in Choral Conducting with a Minor
in Voice Performance at the Jacobs School of Music, where he is also an
associate instructor in the Choral Department. He received his double
major Master of Music in Choral Conducting and Baroque Violin from
Indiana University, and his Bachelor of Arts magna cum laude from the
Universidad de las Americas Puebla in Mexico. In 2005, he joined the Tibor Varga Conservatory
in Sion, Switzerland, where he studied violin with Francesco De Angelis. He was later awarded
a Fulbright Scholarship as well as the Fondo Nacional para la Cultura y las Artes scholarship
from the Mexican government to continue his musical education in the United States. He is
frequently sought out as a guest concertmaster, valued for his extensive knowledge and
experience with Baroque and Classical repertoire. Zamudio has recently become involved in
opera, serving as chorus master and assistant chorus master for several productions with IU
Opera Theater, under the mentorship of Walter Huff. He has studied violin with Manfredo
Kraemer, Stanley Ritchie, and Federico Agostini, and conducting with Robert Porco, William
Jon Gray, and Richard Tang Yuk. He is a voice student of Brian Horne.
Bass Michael Hyatt, a native of Barrington, Ill., is making his IU Opera
Theater debut as Doctor Grenvil. He has previously appeared in the choruses
of The Merry Widow, Akhnaten, and The Tale of Lady Thị Kính. He is
currently pursuing a Bachelor of Music in Voice Performance as a student of
Andreas Poulimenos.
Annina
Gabrielle Stuart-Davis, soprano, has called Tampa, Fla., home for most of
her life. She is a first-year graduate student at the Jacobs School of Music,
where she also completed her undergraduate studies in voice performance.
She previously appeared in Indiana University Opera Theater’s productions
of Xerxes and Cendrillon as a member of the chorus. Stuart-Davis recently
performed as the soprano soloist in Mozart’s Missa Brevis in D Major and
Missa Brevis in B-Flat Major. She has been featured in scenes as Poppea in L’incoronazione di
Poppea and Anita in West Side Story under the direction of Sylvia McNair and Richard Drews.
She is a student of Patricia Havranek.
Kaila Fox Lifferth is originally from Provo, Utah. She received her bachelor’s
degree from Brigham Young University in vocal performance and is currently
pursuing a master’s degree in music education. She is a student of Andreas
Poulimenos. This is her operatic debut.
Concert Orchestra
Violin I
Nora Scheller
Alan Snow
Leo Kowalski
Hyewon Yang
Akari Hatanaka
Jessica Bouma
Ting-Fang Wang
Joy Vucekovich
Emily Acri
Emily Mansfield
Skye Kinlaw
Andrew Nowicki
Violin II
Carlos Valbuena
Seula Lee
Bo Yoon Choi
Jonathan Wang
Katherine Kobylarz
Alexei Tretick
Michael Sanderson
Saki Tanaka
Humberto Ramírez
Miranda Zirnbauer
Viola
Yang Guo
Gabriel Polycarpo
Mark Hatlestad
Colin Wheatley
Caleb Wong
Thomas McShane
Patrick Miller
Sofia Nikas
Cello
Guilherme Monegatto
Minjung Lee
Isaac Bershady
Isaac Bovyer
Nathaniel Pierce
Timothée Berte-Renou
William Rowe
Graciela Burroughs
Bass
Daniel Perry
Kaelan Decman
Nathaniel Olson
Eric Timperman
Flute
Jessica Stewart
Jessica Lipstone,
Piccolo
Oboe
Jessica Warren
Sarah Dohanich
Clarinet
Kenta Akaogi
Luke Ellard
Bassoon
Cornelia Sommer
Spencer Wilson
Horn
I-Ping Chiu
Michael Digatono
Cameron Wray
Ashley Schmidt
Allison Lyttle
Trumpet
Daniel Egan
Daniel Kirgan
Trombone
Aaron Zalkind
Sarah Gage
Austin Pancner
Tuba
David Allen
Timpani
Erich Rieppel
Percussion
James Cromer
Daniel Bretz
Harp
Seika Dong
Off-Stage Banda
Jasmine Scott, Violin
Sun Huh, Violin
Ryan Beauchamp, Viola
Mackenzie Holmberg, Cello
Samantha Dickman, Bass
Mitchell Hamilton, Flute /
Piccolo
Jeong Young Hong, Flute /
Piccolo
Harrison Burks, Clarinet
Emily Spaugh, Clarinet
Kevin Foss, Bassoon
Alex Williams, Horn
Scott Holben, Horn
Paul de Cinque, Trumpet
Aaron Small, Trombone
Christopher Murphree,
Percussion
Orchestra Manager
Paul Hauer
Seula Lee, Asst.
Orchestra Set-Up
Seula Lee
Akari Hatanaka
Joy Vucekovich
Emily Acri
Mark Hatlestad
Librarian
Mariel Stauff
Student Production Staff
Assistant Conductor . . . . . . . . . . . . . . . . . . . . . . . . . . . Brian Eads
Associate Chorus Master . . . . . . . . . . . . . . . . . . . . . . Juan Hernandez
Assistant Chorus Master . . . . . . . . . . . . . . . . . . . .Maria Claire Seuffert
Coach Accompanist . . . . . . . . . . . . . . . . . . . . . . . . . . . . Chan Mi
Opera Assistant . . . . . . . . . . . . . . . . . . . . . . . . . . . Hallie Stebbins
Assistant Technical Director/Draftsman . . . . . . . . . . . . . . . Meghan Potter
Head Fly Person . . . . . . . . . . . . . . . . . . . . . . . . . . . . Eric Schulze
Deck Supervisors . . . . . . . . . . . . Lindsey Hubble, Allen Karel, Nate Bleecker
Deck Crew . . . . . . . . . . . . . . . Josiah Brown, Ashlee Bullers,Elliot Edwards
Rachael Fernandez, Isaac Fink, Taylor Gaby
David Gordon-Johnson, Chris Kosiak, Mercedes Lysaker
Morgan McDowell, Drew Merz, Rose Neukam, Lindsey Rector
Kyle Resener, Marie Richardson, Rosa Schaefer
Sarah Schaefer, Joe Schweitzer, Jonathon Smith
Gytis Starinskas, Casey Stone, Kathyrn Vanderbosch
Electrics Supervisors . . . . . . . . . . . Patrick Clark, Sao Parker, Caitlin Watkins
Electrics Crew . . . . . . . . . . . Clayton Hicks, Alex Von Hoene, Matt Hughes
Alexis Jarson, Greg McCracken, Chris Murphy
Nicole Parker, Topher Rohrer, June Tomastic
Venxia Wagner, Betsy Wray
Props Master . . . . . . . . . . . . . . . . . . . . . . . . . . . . Caroline Benton
Paint Supervisors . . . . . . . . . . . . . . . . . . . Brendon Marsh, Christa Ruiz
Paint Crew . . . . . . . . . . . Hannah Brammer, Alex Benson, Ross Coughanour
Lynne Glick, Asa Hendrix-Petry, Margaret Hensley
Eva Mahan-Taylor, Amber McKoy, Andrew Richardson
Michael Schuler, Kelsea Webb, Christy Wiesenhahn
Costume Design Assistants . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Wig, Hair, and Makeup Assistant . . . . . . . . . . . Eileen Jennings, Eriko Terao
Assistant Wardrobe Supervisor . . . . . . . . . . . . . . . . . . . . . . Jason Eck
Costume Crew . . . . . . . . Jessamyn Anderson, Simone Chanley, Annie Chester
Josh Mollman, Rachel Perkins, Will Perkins
Erica Schoelkop, Jennifer Smith
Camille Westmoland, Olivia Yokers
Supertitle Operator . . . . . . . . . . . . . . . . . . . . . . . . . . Sam Emanuel
Audio/Video Production Crew . . . . . . . . . . . . . . Nathan Lasley, Isaac Fink
Kunwoo Kwon, Nicolas Useche
Jacobs School of Music Honor Roll
Calendar Year 2013
Individual, Corporate, and Foundation Supporters
The Jacobs School of Music wishes to recognize those individuals, corporations, and
foundations who have made contributions to the school between January 1, 2013, and
December 31, 2013 . Those listed here are among the Jacobs School’s most dedicated and
involved benefactors, and it is their outstanding generosity that enables the IU Jacobs
School of Music to continue to be the finest institution of its kind in the nation .
$1,000,000 and Up
The Estate of Barbara M. Jacobs
$100,000 - $999,999
Gary and Kathy Anderson
The Estate of Jean R. Branch
David H. Jacobs
William E. and Cynthia L. Simon
Louise L. Bass
Jean Creek and Doris Shoultz-Creek
Michael C. Donaldson
Luba Dubinsky
Chris Fan
Mary Kratz Gasser
Rusty and Ann Harrison
James R. Hasler
Ruth Johnson
Timothy W. Kittleson
Peter and Monika Kroener
Shalin C. Liu
P.A. Mack
James F. Mellichamp
Lou and Sybil Mervis
Kolya Panhuyzen
Maria Partlow
Shawn S. Pelton
Leonard Phillips and Mary Wennerstrom
Carl D. Repp*
S. Sue Aramian
Theodore and Marilyn Batterman
Hank J. and Susan Cartland-Bode
Thomas and Catharine Buck
J. Peter Burkholder and P. Douglas McKinney
Jack and Pamela Burks
R. Park and Louise F. Carmon
William and Kathleen Decker
The Estate of Eleanor R. Fell
Jay and Karen Goodgold
Frank C. Graves and Christine Dugan
Richard and Alice Johnson
Donald and Charlene Allen
Susan H. Backer
C. Matthew Balensuela
Robert Barker and Patsy Fell-Barker
Brian M. Barnicle
Marian K. Bates
Franklin and Linda Bengtson
David and Gina Boonshoft
Roberta Brokaw
Carol V. Brown
Jeffrey C. Brown
J.P. and Barbara Carver
William and Anita Cast
Scott and Marcella Caulfield
Jerald and Megan Chester
Mark S. Cobb
John and Carol Cornwell
Donald and Patricia* Danielson
David DePeters and Elizabeth Hainen
Jay and Jacqueline Dickinson
Gary and Sandra Dowty
Stephany A. Dunfee
Stephen A. Ehrlich
Thomas and Ellen Ehrlich
Jorja Fleezanis
Ramona R. Fox
Janie M. Fricke
Frank and Suzanne Gault
Paul and Ellen Gignilliat
Monroe A. Gilbert
Jack and Linda Gill
John and Susan Graham
James and Roberta Graham
Theodore C. Grams*
Walter Greenough
Marshall J. Grossack
Souheil and Alejandra Haddad
Rajih and Darlene Haddawi
Dale C. Hedding
Bernhard C. Heiden*
William G. Henry
J. Stanley and Alice Hillis
Leland and Donna Horrall
Lawrence and Celeste Hurst
Jeffrey S. Jepsen
Robert and Lisa Jones
Kenneth and Linda Kaczmarek
Thomas and Gail Kasdorf
John Kincaid and Mary Soper
Carolyn L. Knapton
George and Cathy Korinek
Thomas and Theresa Kulb
$10,000 - $99,999
Stephen Russell and Mag Cole Russell
Virginia Schmucker*
John Schwab and Judith Hansen-Schwab
John and Lorna Seward
Linda Shortridge
Janet S. Smith
Robert D. Sullivan
Mimi Zweig
$5,000 - $9,999
Katherine C. Lazerwitz
Lawrence Myers
Jon A. Olson
Stanley E. Ransom
Susan J. Slaughter
Charles and Lisa Surack
$1,000 - $4,999
Dennis and Judith Leatherman
Robert and Sara LeBien
Jeanette C. Marchant
Richard and Susan Marshall
Patrick and Marianne McCall
Darby A. McCarty
Beverly A. McGahey
Clarence and Nancy Miller
John and Geraldine Miller
James and Jacqueline Morris
Craig C. Morris
James Neff and Susan Jacobs-Neff
Gary and Susan Noonan
Daniel and Misty Novak
Eugene O’Brien
Joan C. Olcott
Ora H. Pescovitz
Lamar E. Peterson
Dyan Peterson and Sarah Bullen
Gary and Christine Potter
George and Wendy Powell
Roy and Marlene Rapp
Edward and Lois Rath
Nancy P. Rayfield
Robert and Joy Renshaw
Joseph Rezits and Norma Beversdorf-Rezits
Gwyn and Barbara Richards
John and Donna Sasse
Scharmal K. Schrock
Richard C. Searles
Harold and Jeannette Segel
Robert and Sandra Sherman
Curtis and Aimee Shirley
Jefferson S. Shreve and Mary T. Kelley
C. William and Christine Shriner
Curtis and Judith Simic
James B. Sinclair
Gerald and Joanne Solomon
Fredric and Roberta Somach
William C. Spence
Beth Stoner
Ellen Strommen
Linda Strommen
Mark A. Sudeith
Mark and Beth Taylor
Susan C. Thrasher
James and Ruth Allen
Robert Althauser and Mary Goetze
Ann C. Anderson
Niel and Donna Armstrong
Charles and Margaret Athey
Linda A. Baker
David Y. Bannard
David Barnes and Jill Taylor-Barnes
Brett and Amy Battjer
Frederick and Beth Behning
Douglass and Ruth Boshkoff
Schuyler and Mary Buck
Carolyn A. Buckley
Sean and Geraldine Christie
Jonathan D. Chu
Miriam S. Clarke
James and Carol Clauser
J. Neal Cox
Ralph E. Daum
Thomas and Marian Drake
Sandra Elkins
Ezra and Linda Friedlander
Lawrence D. Glaubinger
Mary A. Gray
Stephen and Jo Ham
Laura B. Hentges
Allan Hershfield and Alexandra Young
Jolaine L. Hill
Elwood and Carol Hillis
Larry and Susan Hodapp
Rona Hokanson
William and Karol Hope
Chester Hublar
Nancy O. Hublar
Robert J. Hublar
Masanori and Seiko Igarashi
Marilyn J. Keiser
Marilyn J. Kloss
John and Nancy Korzec
Scott R. Latzky
Eric and Rebecca Lightcap
Michael Lynch and Emilia Martins
Carmen J. McGrae
Ralph and Shirley Melton
Emanuel and Kathleen Mickel
Matthew and Maryann Mindrum
Susan L. Adams
George Alter and Elyce Rotella
Paula J. Amrod
Vincent and Kaylene Arizzi
Kenneth and Elizabeth Aronoff
James F. Ault
Sandra C. Balmer
Charles and Gladys Bartholomew
John and Paula Bates
Lanelle B. Blanton
Myron and Susan Bloom
Christopher and Ruth Borman
Elizabeth M. Brannon
Montgomery and Mary Brown
Brayton W. Brunkhurst
Aaron M. Burkhart
David Burkhart and Chris Holmes
John N. Burrows
Phyllip B. Campbell
Philip and Elizabeth Capasso
Joseph R. Car
Robert and Gayle Chesebro
Janice O. Childress
Timothy and Sandra Connery
Mark R. Conrad
R. Kent Cook
Ernest and Roxanna Crawford
Michael G. Cunningham
Dominic and Susan Devito
Clarence and Judith Doninger
John and Sharon Downey
Jeremiah and Chelsea Duggan
Danny and Jeanette Duncan
David B. Edgeworth
Frank and Vickie Edmondson
John and Anne-Marie Egan
Charles and Anna Ellis
Terrell and Mary Faulkenberry
Arthur and Therese Fell
Jack Fields and Melissa Kevorkian
Donald and Sandra Freund
Gabriel and Sara Frommer
Charles L. Fugo
Jann M. Fujimoto
Robert and Hollis Gaston
Robert and Elizabeth Glassey
Alan R. Goldhammer
Ross A. Gombiner
Thomas and Heather Gorin
Christian F. Gourley
Bertram and Susan Greenspan
Christine L. Haack
Richard and Carolyn Haile
Sheila Hass
George and Amy Hill
Harvey B. Holly
Mark S. Hood
Harlow and Harriet Hopkins
William T. Hopkins
Donna Hornibrook
Roger and Carol Isaacs
Jathan and Marjorie Janove
Warren W. Jaworski
Russell L. Jones
Kenneth and Elyse Joseph
Chitate Kagawa
Kathleen Katra
Carol R. Kelly
Myrna M. Killey
Laura J. King
Karen L. Klages
Howard and Linda Klug
Virginia A. Krauss
David and Suzanne Larsen
$500 - $999
Alice M. Tischler
Randall and Deborah Tobias
Bruce and Madelyn Trible
Tsuyoshi Tsutsumi
Mark and Gail Welch
Allen and Nancy White
David L. Wicker
Laura S. Youens-Wexler
Stephen L. Zegree
Philip and Jennifer Nubel
Edward and Margaret Olson
Dennis W. Organ
Massimo Ossi and Sarah Gaskill
James and Denise Parker
Herbert E. Parks
P. Q. Phan
David and Monica Purk
Joann Richardson
Randy Schekman and Nancy Walls
David and Barbara Sheldon
Odette F. Shepherd
William R. Shindle
Edwin L. Simpson
Gregory and Rhonda Swanson
Daniel and Kathleen Tankersley
G. K. Tavel
Karen M. Taylor
William Teltser and Carolyn Marlow
Eric and Rina Turpen
Wayne and Rebecca Weaver
Charles H. Webb
Mark Wiedenmayer
$250 - $499
George Lawrence and Judith Auer
Gregory and Veronica Leffler
Amy L. Letson
Andrew Levin and Linda Moot
Elliot R. Lewis
Jerry and Jane Lewis
Jon and Susan Lewis
Joseph J. Lewis
Thomas* and Nancy Liley
John and Barbara Lombardo
Robert W. Magnuson
Richard and Geraldine Markus
Richard and Susan Marvin
Jim and Sallie Matthews
Francis and Winnifred McGinnis
James L. McLay
G. Scott and Rosalind Mitchell
Ray and Wendy Muston
David and Jean Nanney
Vincent J. Ognibene
Andrew and Tracey Ortstadt
Mike Pate
Sujal H. Patel
Patricia A. Powell
Stephen and Darlene Pratt
Thomas and Patricia Price
James and Mary Rickert
Mary A. Rickert
Scott and Katherine Riley
Roger Roe
Bruce Ronkin and Janet Zipes
Linda J. Rosenthal
David and Ann Samuelson
Michael and Susan Sanders
Christopher and Janet Schwabe
Ilana and Uriel Segal
Edward S. Selby
Jeffrey R. Sexton
Wayne and Lois Shipe
Nathaniel P. Short
W. Robert and Jill Siddall
John and Donna Slinkard
Frances L. Smith
John and Laura Snyder
Ronald L. Sparks
John P. Troxel
Linda J. Tucker
Merl and Susan Waschler
Mark and Karen Westerhausen
Craig and Cynthia Weyers
E.G. and Sharon White
Tony J. Wiederhold
Donald H. Wissman
Neal and Elizabeth Abdullah
Lois C. Adams Miller
Robert Akers and Ruth Ruggles Akers
Dean and Bonnie Allison
Joseph and Sharon Amlung
Donna K. Anderson
Richard and Evelyn Anderson
Stella N. Anderson
William and Janet Anderson
William and Jean Appel
Roy and Janice Applegate
Kevin B. Arbogast
Richard D. Arends
William and Elizabeth Arsenault
Helen L. Aylsworth
James and Mary Babb
Robert A. Babbs
Sandra L. Babbs
John N. Baboukis
James* and Beverly Baker
Wesley A. Ballenger
Daniel C. Balog
Samuel and Janet Baltzer
Pamela L. Banks
John and Patricia Barnes
Mark and Allison Barno
Patricia W. Barrett
Robert R. Bartalot
Allan and Bonnie Bartel
Gayna F. Bassin
Cecelia Beam
Martin and Judy Becker
John C. Beckman
Thomas Beddow
William and Sharon Beecroft
Marc C. Bellassai
Fleurette Benckart
Norman and Sandra Berg
Lauren Bernofsky
Donald W. Betts
Olesia O. Bihun
David and Judy Blackwell
Ronald and Regina Blais
Heinz and Gayle Blankenburg
Larry L. Blossom
Julian M. Blumenthal
John and Mary Blutenthal
Aric Boger and Keisha Corso
Lawrence and Mary Bond
Francis and Kay Borkowski
Arthur and Karen Bortolini
Sidney C. Bosley
Carolyn E. Bowen
Edward and Barbara Bredemeier
Clayton and Pauletta Brewer
W. Michael Brittenback and William
Meezan
Carl and Connie Brorson
Dorothea M. Brown
Gordon and Janet Brown
Edward P. Bruenjes
Mark and Jody Bruns
Hal and Freddie Burke
Jean A. Burkholder
Ralph and Ann Burns
Doris J. Burton
V. Barbara Bush
Rebecca C. Butler
Margaret R. Buttermore
Bruce A. Cain
Stephen and Pamela Caine
Michael A. Camp
Ben J. Canary
Donald Capparella and Amy Dorfman
Lisa C. Cardwell Ponten
Stephen and Mary Carter
Judith E. Caswell
Susan T. Caulfield
Robert and Susan Cave
Richard Cavicchi
Howard and Elizabeth Chapman
Harriet R. Chase
John A. Cheek
Mu-Yin M. Chen
Kenneth T. Chia
Aileen Chitwood
Matthew Christ and Sophia Goodman
Nelda M. Christ
Lawrence and Dianne Christensen
Paul and Catherine Christenson
Douglas and Roseann Christian
Marvin C. Christie
Deborah Ciganovich
Cynthia M. Cirome
David Clark and Diane Coutre
Steve and Sonya Clark
Richard and Lynn Cohee
Mary C. Cole
Robert and Marcia Coleman
James D. Collier
Laurel Collins
Joseph and Frances Conrad
Ken and Paula Cook
Richard K. Cook
Peter and Elise Cooper
Nora B. Courier
Gary and Ellen Coval
Katherine R. Covington
Kenneth H. Cox
Cynthia M. Crago
Gretchen E. Craig
K. C. Crandell
Dean A. Cripe
Adam C. Crockett
Janet S. Crossen
Samuel and Mary Crowl
Bradley and Cheryl Cunningham
Beth A. Curtis
John and Rita Czarnecki
Edward and Linda Dahm
Deborah L. Dalfonso
David and Donna Dalton
John T. Dalton
Eugene B. Daniels
Janice E. Daniels
Bette G. Davenport
Walter H. De Armitt
Robert and Josette Degeilh
Linda Degh-Vazsonyi
Ann H. Delaney
Galen Wood
Mark A. Yother
Christopher Young and Brenda Brenner
Giovanni Zanovello
Joyce R. Zastrow
Conrad and Debora Zimmermann
Larry and Joyce Zimmerman
$100 - $249
Michael and Leslie Deleget
Richard and Barbara Dell
Mary L. Denne
Deborah J. Deyo-Howe
Mary A. Diaz-Przybyl
Kim and Dianne Diefenderfer
Richard and Barbara Domek
David M. Donathan
Paul T. Dove
David A. Drinkwater
Margaret J. Duffin
Gregory S. Dugan
Kevin J. Duggins
Gary and Lisa Dum
Tamara S. Dworetz
Silsby S. Eastman
Robert and Robin Eatman
Patricia Eckstein
Marjorie A. Eddy
Terrence and Barbara Edgeworth
Rick and Marci Eisen
Anne C. Eisfeller
Gerald Ellington and Marilyn ParkEllington
Joseph E. Elliott
Michael J. Ellis
David D. Elyea
Herman and Mary Emmert
Stanley and Pamela Engle
Lucille I. Erb
Yale P. Esrock
Richard and Pamela Eyerly
Mark and Jennifer Famous
Carlton and Teresa Fancher
John Fearnsides and Margaret Jenny
Jean E. Felix
Salvatore and Carol Ferrantelli
Moira J. Fetterman
David N. Fienen
William and Harriet Fierman
Martin Fine
Mary E. Fine
Harvey Fineberg and Mary Wilson
Lydia V. Finkelstein
Ruth Fischer
Michael Fish and Belinda Potoma
Donald and Myra Fisher
Julia A. Fleming
David M. Flood
Larry and Phyllis Florman
James R. Floyd
William and Eleanor Folley
Gerald and Nancy Forbes
Linda A. Frauenhoff
Adam L. Frei
David and Ann Frick
Edwin R. Fuhrmann
Sylvia L. Gardner
Douglass Garibaldi
Stephen and Lisa Geber
David and Linda Giedroc
Robert J. Giesting
Susann Gilbert
Joseph and Kim Gits
Lewis P. Glasener
Vincent M. Golik
Sylvia S. Gormley
Arlene Goter
Jack Granger and Suzanne Gray-Granger
Susan E. Grathwohl
Linda J. Greaf
Gretchen M. Green
Jane C. Greenberger
Charles and Theresa Greenwood
James D. Gregory
David E. Greiwe
Pamela C. Griffel Swieter
Marka R. Gustavsson
Franck P. Hagendorf
Laurel K. Hagerman
Chun-Fang B. Hahn
Patricia L. Hales
Robert E. Hallam
Norman L. Hanks
Bernard and Nancy Hansan
Josephine Hansen
Charlene A. Harb
Ellie M. Harlow
David and Kristin Harp
Andrew H. Harper
Stephen and Martha Harris
Lincoln O. Hartford
Steven and Karen Hartjes
William R. Harvey
Frank and Skaidrite Hatfield
John and Debra Hatmaker
John H. Head
Clayton and Ellen Heath
Diane E. Heath
William and Constance Hegarty
Lynn E. Helding
Donald Helgeson and Sue Shepard
Harriette A. Hemmasi
Kimball and Helen Henderson
Florence E. Hiatt
Leslie W. Hicken
Susan Hicken
Joe and Margaret Hickman
J. William and Karen Hicks
John and Carol Highhouse
Jonathan D. Hilber
George A. Hill
James and Suzanne Hillis
Laura J. Hilmert
Lowell and Ruth Hoffman
Richard and Halle Holland
Nicholas and Katherine Holzmer
Bernard and Helen Hoogland
Dennis and Judith Hopkinson
Ray and Phyllis Horton
Emily L. Hostetter
Thomas and Patricia Howenstine
Ivan and Anne Hughes
John and Cindy Hughes
Marcia A. Hughes
Diane S. Humphrey
James S. Humphrey
Llewellyn and Sally Humphreys
Owen and Annette Hungerford
John and Victoria Huntington
Michael Hurtubise and Ann Murray
Marshall L. Hutchinson
Mieko Inoue
Jennifer A. Jafari
Carole L. James
Robert and Kathryn Jessup
Amy L. Jevitt
Alison Johansson
Robert and Michele Johns
Paul R. Johnston
Wayne and Kristin Jones
Alan L. Kagan
David L. Kaplan
Alvin and Mariellen Katzman
Clifford F. Keating
Janet Kelsay
Richard and Aileen Kennon
John and Julianne King
Kyle W. King
Meredith K. Kirkpatrick
Iris J. Knollenberg
Charles C. Knox
Arthur Koch and Stine Levy
Peter Koenig and Mary Jamison
John and Patti Komperda
Kimberly J. Koons
Joseph C. Kraus
Joel S. Krueger
Jung Kwak
Young Kwuon
Larry and Judy Lafferty
Eric Lai and Grace Lok
Carolyn J. Lamberson
Alexander Lamis and Holly Horn
Thomas and Nancy Lancaster
John and Mary Langdon
Lois B. Lantz
Gregory Largent and Anna LeppertLargent
Arthur W. Larson
Peter and Marianne Lauffer
Robert and Christabel Lauinger
Kathleen C. Laws
Randy L. Leazenby
Robert and Debra Lee
Bradley Leftwich and Linda
Higginbotham
James A. Leick
Timothy and Mary Lerzak
C. Ray and Lynn Lewis
Scott and Ann Liberman
Timothy Lindeman and Nancy Walker
Matthew and Lynn Litwiller
Lillian G. Livingston
Warren E. Loomis
John Lopatka and Marie Reilly
John and Rachel Lorber
Marie T. Lutz
Alma E. Lyle
Joan I. Lynch
Frances M. Madachy
David and Barbara Malson
Mayer and Ellen Mandelbaum
Joseph and Leslie Manfredo
Rochelle G. Mann
John H. Manz
Rudy T. Marcozzi
Brian D. Marcus
Georgianna E. Marks
John D. Marsh
John M. Maryn
Joel and Sandra Mathias
Curtis J. Mathison
Joseph V. Matthews
Andrea Matthias
Kelli L. Matula
Matthew and Kelly Mayer
Barbara E. Mayhew
Carey D. McBride
Erin M. McCauley
Philip and Elizabeth McClintock
Gregory and Margaret McClure
Gary W. McCourry
Scott and Kelly McCray
Herm and Carol McCreary
Jeffrey and Cynthia McCreary
Marilyn K. McDonald
Ellen L. McGlothin
Jerry and Lucy McIntosh
Charlotte M. McLain
James and Nelia McLuckie
Mary Jo McMillan
Michael and Marcia McNelley
Sean M. McNelley
Mary K. Mehner
Stephen and Judy Merren
Lynn A. Meyer
Craig R. Miller
Herbert and Lillian Miller
Judith E. Miller
Rodney E. Miller
Ronald and Joyce Miller
Thomas J. Miller
Raymond and Clara Millett
Christine W. Mirabella
Julianne M. Miranda
Patrick and Frances Mitchell
Jan T. Mixter
Michael L. Mlynarski
Richard J. Mlynarski
Aaron M. Mobley
Gordon and Elaine Moebius
Rosalind E. Mohnsen
Jay E. Montgomery
Philip and Patricia Moreau
James and Rowena Mount
Arthur E. Mussett
Dean and Carol Myshrall
George and Diane Nadaf
Emile G. Naoumoff
Yury M. Nedelin
Kent A. Newbury
Kathleen C. Nicely
Kenneth H. Nichols
Christopher and Mary Nielsen
Omar and Julia Nielsen
Carol L. Noe
Gloria G. Noone
Christopher and Christine Norris
Douglas and Roma North
Ned and Elizabeth North
Colette L. O’Connor
Kristin A. Ogdon
Michelle T. Ogdon
David and Diane O’Hagan
Melinda P. O’Neal
Stephen Orel and Karen-Cherie
Cogane
Adrienne Ostrander
Mary A. Owings
Hyung-Sun Paik
Carol L. Pampalone
Sandra B. Parker
Peggy W. Paschall
Marilyn J. Patton
Mary Pearson Pless
Russell and Ruth Peck
Ronald A. Pennington
Kathie I. Perrett
Wayne H. Peterson
Edward Petsonk
Norman and Sue Pfau
Thomas C. Phipps
Ernest and Patricia Pinson
R. David Plank and T. Earline Moulder
Jeffrey L. Plonski
Willy Postma
James H. Potts
Gregory Powell and Miriam McLeod
Powell
Sylvanna T. Prechtl
Richard and Mary Pretat
William and Doris Preucil
Richard Pugh and Elizabeth Baker
R. A. and Brenda Quick
Margaret F. Radke
Julia D. Ragains-Slawin
Robert L. Ralston
John A. Rathgeb
Alan and Diana Rawizza
James L. Reifinger
David Reingold and Lynn Hooker
Ronald and Suzanne Reising
John L. Reitz
Carl Rexroad and Carol Pierce
Carolyn J. Rice
William and Nancy Riggert
Paul and Barbara Ristau
William and Patricia Ritchie
Donald E. Ritter
Deborah Rivas
Alice E. Robbins
Trineice M. Robinson-Martin
Edward and Donna Ronco
James and Maureen Ross
Daniel Rothmuller
Robin S. Rothrock
Anya P. Royce
Gerald J. Rudman
Harold and Sandra Sabbagh
Irving L. Sablosky
Mary-Lynn Sachse
Robert and Ruth Salek
Eric B. Samuelson
Anne E. Sanders
Virginia G. Sarber
David Sasso and Dana Small
Benjamin and Marlene Schaffer
Lynn L. Schenck
Arthur and Carole Schreiber
Kenneth and Cecile Schubert
Matthew R. Schuler
Daniel E. Schulz
Michael and Marilyn Schwartzkopf
Monte Schwarzwalder and Rebecca
Henry
Carol B. Scott
Perry and Lisa Scott
Beverly Scott and Sylvia PattersonScott
Eleanor A. Seaver
John A. Seest
Richard Sengpiehl and Mary Adams
Danny and Sarah Sergesketter
Christine J. Shamborsky
Nancy L. Shane
Nadine E. Shank
Karen Shaw
David L. Shea
Larry and Debra Sherer
Jennifer L. Shuck
James S. Skladzien
Abner Slatt and Pamela Haft
Eliot and Pamela Smith
Estus Smith
John and Juel Smith
Linda K. Smith
Lucille Snell
Robert Smith and Janice Lesniak
Sandra L. Snyder
James and Carolyn Sowinski
Paul V. Spade
Fredrick and Lori Spencer
Viola J. Spencer
Dominic and Patty Spera
Stanley and Cynthia Springer
Darell and Susan Stachelski
Sonja A. Stambaugh-Latimer
Shannon J. Starks
Anthony and Elizabeth Staskunas
Dale Steffey and Dawn Adams
Joseph and Nina Steg
Gary and Anne Steigerwald
Paul Stephenson and Maria Schmidt
Scott A. Stewart
Melanie D. Stidham
James and Laura Stokes
Tom and Melinda Straley
James L. Strause
Eric and Etsuko Strohecker
Michael Stump and Mabel Martinez
Michael D. Sweeney
Yasuoki Tanaka
Lawrence and Sandra Tavel
Charles and Diane Taylor
Dana W. Taylor
Joyce A. Taylor
Kathleen A. Taylor
Thomas and Mary Theobald
Robert Thomas and Mary FahnestockThomas
Shelley M. Thomason
David and Norma Thompson
Jo Throckmorton and Jillian Kinzie
Joseph and Diana Tompa
Aaron and Mary Tosky
Jonathan Towne and Rebecca Noreen
Stephanie G. Tretick
Philip and Alice Trimble
Cheryl A. Tschanz
Mary E. Ulrey
Russell Valention and Yasuko Akiyama
Mazelle V. VanBuskirk*
Robert C. VanNuys
Dianne Vars
Edward L. Veazey
Matthew and Therese Veldman
Robert and Kayla Vodnoy
Barbara J. Waite
Jeffrey D. Walker
Leslie E. Wallis
Louis A. Wallis
Dennis and Julie Walsh
Sarah F. Ward
Paul and Mary Waytenick
Jerry and Bonnie Weakley
Barbara C. Weber
Eugene and Frances Weinberg
Daniel Weiss
Garry and Stacy Wells
Phyllis C. Wertime
Susan E. Westphal
John and Mary Whalin
Jonathan J. Whitall
James T. White
Patricia L. Williams
Dolores Wilson
Lawrence A. Wilson
Norma K. Wilson
James F. Winfield
Peter and Teresa Wolf
Richard and Donna Wolf
George W. Wolfe
John and Margaret Woodcock
Eric A. Woodhams
David C. Woodley
Earl S. Woodworth
Danny and Karen Wright
James and Patricia Wright
G. Eugene Yates
Donna Youngblood
Jeffery P. Zaring
David and Joan Zaun
Timothy and Sara Zwickl
* Deceased
Corporations and Foundations
$100,000 and Up
The DBJ Foundation
The Cynthia L. & William E. Simon, Jr.
Foundation
$25,000 - $99,999
Summer Star Foundation for Nature,
Art, and Humanity
$10,000 - $24,999
Fidelity Charitable Gift Fund
Harry Kraus Survivor Trust
Old National Wealth Management
USA International Harp Competition
Avedis Zildjian Company
Bank of America Foundation
Bloomingfoods Market & Deli
Bloomington Classical Guitar
Society, Inc.
Chicago Tribune Foundation
The Dow Chemical Company
Foundation
Eli Lilly & Company
The Ella Fitzgerald Charitable
Foundation
Ellen Strommen Living Trust
Fountain Warren Musical Arts
Geico Corporation
Greater Kansas City Community
Foundation
Indiana University Alumni Association
IU Jacobs School of Music Alumni
Association
JPMorgan Chase Foundation
Juan Orozco LTD, Inc.
Kalamazoo Community Foundation
M.A. Gilbert Declaration of Trust
Mark S. Feldstein Private Foundation
$1,000 - $9,999
Myers Revocable Trust
National Christian Foundation Greater
Chicago
Opera Illinois League
Paul C. Gignilliat Trust
Paulsen Family Foundation
Stanley E. Ransom Family Trust
Sweetwater Sound, Inc.
United Way of Washtenaw County
Vanguard Charitable Endowment
Program
William Henry, Jr. Endowment Trust
Annual Giving Circles
The Indiana University Jacobs School of Music Annual Giving Circles include
individuals dedicated to making a difference in the cultural life of the university . These
unrestricted gifts of opportunity capital support the areas of greatest need, including
financial aid, faculty research, academic opportunities, and visiting artists .
Dean’s Circle
Visionary Members
$10,000 and Up
Gary and Kathy Anderson
David H. Jacobs
Ruth Johnson
Peter and Monika Kroener
Strategic Members
$5,000 - $9,999
S. Sue Aramian
Jack and Pamela Burks
Jay and Karen Goodgold
Rusty and Ann Harrison
Rick and Alice Johnson
Lawrence Myers
Charles and Lisa Surack
Supporting Members
$2,500 - $4,999
Robert Barker and Patsy Fell-Barker
David and Gina Boonshoft
Thomas and Ellen Ehrlich
Jack and Linda Gill
William G. Henry
Robert and Sara LeBien
Eugene O’Brien
Gwyn and Barbara Richards
Richard C. Searles
Beth Stoner
Mark A. Sudeith
David L. Wicker
Contributing Members
$1,000 - $2,499
Franklin and Linda Bengtson
J.P. and Barbara Carver
William and Anita Cast
Jerald and Megan Chester
Mark S. Cobb
John and Carol Cornwell
Donald and Patricia* Danielson
Stephany A. Dunfee
Jorja Fleezanis
Paul and Ellen Gignilliat
John and Susan Graham
James and Roberta Graham
Marshall J. Grossack
Rajih and Darlene Haddawi
Dale C. Hedding
J. Stanley and Alice Hillis
Jeffrey S. Jepsen
Robert and Lisa Jones
Kenneth and Linda Kaczmarek
Thomas and Gail Kasdorf
George and Cathy Korinek
Thomas and Theresa Kulb
P. A. Mack
Jeanette C. Marchant
Patrick and Marianne McCall
Darby A. McCarty
John and Geraldine Miller
James Neff and Susan Jacobs-Neff
Joan C. Olcott
Ora H. Pescovitz
Gary and Christine Potter
Robert and Joy Renshaw
Scharmal K. Schrock
Harold and Jeannette Segel
Robert and Sandra Sherman
Jefferson S. Shreve and Mary T. Kelley
James B. Sinclair
Fredric and Roberta Somach
William C. Spence
Mark and Beth Taylor
Randall and Deborah Tobias
Bruce and Madelyn Trible
Artist’s Circle
$500 - $999
Ann C. Anderson
Niel and Donna Armstrong
Charles and Margaret Athey
Linda A. Baker
David Y. Bannard
Miriam S. Clarke
James and Carol Clauser
Frank and Suzanne Gault
Lawrence D. Glaubinger
Jolaine L. Hill
William and Karol Hope
Masanori and Seiko Igarashi
Marilyn J. Keiser
Marilyn J. Kloss
John and Nancy Korzec
Scott R. Latzky
Eric and Rebecca Lightcap
Michael Lynch and Emilia Martins
Carmen J. McGrae
Emanuel and Kathleen Mickel
Matthew and Maryann Mindrum
James and Jacqueline Morris
Edward and Margaret Olson
Dennis W. Organ
Susan L. Adams
Paula J. Amrod
Vincent and Kaylene Arizzi
Charles and Gladys Bartholomew
Lanelle B. Blanton
Christopher and Ruth Borman
Elizabeth M. Brannon
Montgomery and Mary Brown
Brayton W. Brunkhurst
John N. Burrows
Joseph R. Car
Robert and Gayle Chesebro
Janice O. Childress
Timothy and Sandra Connery
Mark R. Conrad
R. Kent Cook
Ernest and Roxanna Crawford
Michael G. Cunningham
Clarence and Judith Doninger
John and Sharon Downey
Jeremiah and Chelsea Duggan
Danny and Jeanette Duncan
Frank and Vickie Edmondson
John and Anne-Marie Egan
Terrell and Mary Faulkenberry
Gabriel and Sara Frommer
Charles L. Fugo
Ross A. Gombiner
Bertram and Susan Greenspan
Richard and Carolyn Haile
Harvey B. Holly
William T. Hopkins
Donna Hornibrook
Jathan and Marjorie Janove
Warren W. Jaworski
Russell L. Jones
Myrna M. Killey
Laura J. King
Howard and Linda Klug
Virginia A. Krauss
David and Suzanne Larsen
George Lawrence and Judith Auer
Gregory and Veronica Leffler
Amy L. Letson
Andrew Levin and Linda Moot
Jon and Susan Lewis
Joseph J. Lewis
John and Barbara Lombardo
Richard and Geraldine Markus
Jim and Sallie Matthews
Ralph and Shirley Melton
David and Jean Nanney
Neal and Elizabeth Abdullah
Robert Akers and Ruth Ruggles Akers
Joseph and Sharon Amlung
Donna K. Anderson
Richard and Evelyn Anderson
Stella N. Anderson
Roy and Janice Applegate
Kevin B. Arbogast
Richard D. Arends
William and Elizabeth Arsenault
Helen L. Aylsworth
James and Mary Babb
John N. Baboukis
Sandra C. Balmer
Herbert E. Parks
Randy Schekman and Nancy Walls
David and Barbara Sheldon
Odette F. Shepherd
Edwin L. Simpson
Gregory and Rhonda Swanson
William Teltser and Carolyn Marlow
Susan C. Thrasher
Wayne and Rebecca Weaver
Charles H. Webb
Mark Wiedenmayer
$250 - $499
Sujal H. Patel
Patricia A. Powell
Thomas and Patricia Price
Edward and Lois Rath
James and Mary Rickert
Mary A. Rickert
Scott and Katherine Riley
Roger Roe
Bruce Ronkin and Janet Zipes
Linda J. Rosenthal
David and Ann Samuelson
Christopher and Janet Schwabe
Edward S. Selby
Jeffrey R. Sexton
Wayne and Lois Shipe
Nathaniel P. Short
W. Robert and Jill Siddall
Frances L. Smith
Ronald L. Sparks
John P. Troxel
Linda J. Tucker
Merl and Susan Waschler
Donald H. Wissman
Mark A. Yother
Larry and Joyce Zimmerman
$100 - $249
Samuel and Janet Baltzer
Pamela L. Banks
John and Patricia Barnes
Patricia W. Barrett
Robert R. Bartalot
Gayna F. Bassin
Martin and Judy Becker
Thomas Beddow
William and Sharon Beecroft
Norman and Sandra Berg
Donald W. Betts
Olesia O. Bihun
Ronald and Regina Blais
Heinz and Gayle Blankenburg
Larry L. Blossom
Arthur and Karen Bortolini
Carolyn E. Bowen
Edward and Barbara Bredemeier
Clayton and Pauletta Brewer
W. Michael Brittenback and William
Meezan
Dorothea M. Brown
Gordon and Janet Brown
Hal and Freddie Burke
Ralph and Ann Burns
Doris J. Burton
V. Barbara Bush
Rebecca C. Butler
Margaret R. Buttermore
Bruce A. Cain
Ben J. Canary
Donald Capparella and Amy Dorfman
Stephen and Mary Carter
Robert and Susan Cave
Richard Cavicchi
Howard and Elizabeth Chapman
Harriet R. Chase
John A. Cheek
Mu-Yin M. Chen
Kenneth T. Chia
Aileen Chitwood
Lawrence and Dianne Christensen
Paul and Catherine Christenson
Cynthia M. Cirome
David Clark and Diane Coutre
Richard and Lynn Cohee
Mary C. Cole
Robert and Marcia Coleman
Joseph and Frances Conrad
Peter and Elise Cooper
Nora B. Courier
Katherine R. Covington
Kenneth H. Cox
Cynthia M. Crago
Adam C. Crockett
Janet S. Crossen
Samuel and Mary Crowl
Bradley and Cheryl Cunningham
Beth A. Curtis
John and Rita Czarnecki
Edward and Linda Dahm
Deborah L. Dalfonso
John T. Dalton
Eugene B. Daniels
Robert and Josette Degeilh
Michael and Leslie Deleget
Richard and Barbara Dell
Mary L. Denne
Dominic and Susan Devito
Deborah J. Deyo-Howe
Mary A. Diaz-Przybyl
Kim and Dianne Diefenderfer
Richard and Barbara Domek
Paul T. Dove
David A. Drinkwater
Margaret J. Duffin
Silsby S. Eastman
Robert and Robin Eatman
Patricia Eckstein
Anne C. Eisfeller
Gerald Ellington and Marilyn ParkEllington
Joseph E. Elliott
Charles and Anna Ellis
Michael J. Ellis
Herman and Mary Emmert
Stanley and Pamela Engle
Lucille I. Erb
Yale P. Esrock
Mark and Jennifer Famous
Jean E. Felix
Salvatore and Carol Ferrantelli
Moira J. Fetterman
David N. Fienen
William and Harriet Fierman
Martin Fine
Mary E. Fine
Julia A. Fleming
James R. Floyd
Gerald and Nancy Forbes
Adam L. Frei
Edwin R. Fuhrmann
Sylvia L. Gardner
Douglass Garibaldi
Robert J. Giesting
Vincent M. Golik
Thomas and Heather Gorin
Sylvia S. Gormley
Arlene Goter
Jack Granger and Suzanne GrayGranger
Linda J. Greaf
Jane C. Greenberger
James D. Gregory
David E. Greiwe
Pamela C. Griffel Swieter
Marka R. Gustavsson
Franck P. Hagendorf
Laurel K. Hagerman
Chun-Fang B. Hahn
Patricia L. Hales
Robert E. Hallam
Norman L. Hanks
Bernard and Nancy Hansan
Charlene A. Harb
David and Kristin Harp
Andrew H. Harper
Stephen and Martha Harris
Lincoln O. Hartford
William R. Harvey
Clayton and Ellen Heath
Diane E. Heath
Lynn E. Helding
Donald Helgeson and Sue Shepard
Harriette A. Hemmasi
Florence E. Hiatt
Susan Hicken
Joe and Margaret Hickman
Jonathan D. Hilber
James and Suzanne Hillis
Lowell and Ruth Hoffman
Richard and Halle Holland
Nicholas and Katherine Holzmer
Bernard and Helen Hoogland
Harlow and Harriet Hopkins
Dennis and Judith Hopkinson
Ray and Phyllis Horton
Emily L. Hostetter
Ivan and Anne Hughes
Diane S. Humphrey
James S. Humphrey
Owen and Annette Hungerford
Michael Hurtubise and Ann Murray
Jennifer A. Jafari
Carole L. James
Robert and Kathryn Jessup
Amy L. Jevitt
Alison Johansson
Kenneth and Elyse Joseph
Alan L. Kagan
David L. Kaplan
Kathleen Katra
Clifford F. Keating
Carol R. Kelly
Janet Kelsay
Richard and Aileen Kennon
John and Julianne King
Iris J. Knollenberg
Charles C. Knox
Arthur Koch and Stine Levy
Peter Koenig and Mary Jamison
John and Patti Komperda
Kimberly J. Koons
Joseph C. Kraus
Young Kwuon
Alexander Lamis and Holly Horn
Thomas and Nancy Lancaster
John and Mary Langdon
Lois B. Lantz
Arthur W. Larson
Robert and Christabel Lauinger
Kathleen C. Laws
Robert and Debra Lee
James A. Leick
Timothy and Mary Lerzak
Timothy Lindeman and Nancy Walker
Lillian G. Livingston
John Lopatka and Marie Reilly
John and Rachel Lorber
Marie T. Lutz
Joan I. Lynch
Frances M. Madachy
Mayer and Ellen Mandelbaum
Rochelle G. Mann
John H. Manz
Rudy T. Marcozzi
Brian D. Marcus
Georgianna E. Marks
John D. Marsh
Richard and Susan Marvin
John M. Maryn
Joel and Sandra Mathias
Curtis J. Mathison
Joseph V. Matthews
Andrea Matthias
Barbara E. Mayhew
Carey D. McBride
Philip and Elizabeth McClintock
Gary W. McCourry
Herm and Carol McCreary
Jeffrey and Cynthia McCreary
Marilyn K. McDonald
Francis and Winnifred McGinnis
Ellen L. McGlothin
Charlotte M. McLain
James L. McLay
James and Nelia McLuckie
Mary Jo McMillan
Michael and Marcia McNelley
Stephen and Judy Merren
Lynn A. Meyer
Craig R. Miller
Judith E. Miller
Rodney E. Miller
Ronald and Joyce Miller
Raymond and Clara Millett
Christine W. Mirabella
Julianne M. Miranda
Patrick and Frances Mitchell
Rosalind E. Mohnsen
Philip and Patricia Moreau
George and Diane Nadaf
Emile G. Naoumoff
Yury M. Nedelin
Kent A. Newbury
Kathleen C. Nicely
Kenneth H. Nichols
Christopher and Mary Nielsen
Omar and Julia Nielsen
Gloria G. Noone
Christopher and Christine Norris
Philip and Jennifer Nubel
David and Diane O’Hagan
Mary A. Owings
Hyung-Sun Paik
Carol L. Pampalone
Peggy W. Paschall
Russell and Ruth Peck
Kathie I. Perrett
Wayne H. Peterson
Edward Petsonk
Jeffrey L. Plonski
Gregory Powell and Miriam McLeod
Powell
Sylvanna T. Prechtl
Richard Pugh and Elizabeth Baker
R.A. and Brenda Quick
Julia D. Ragains-Slawin
Alan and Diana Rawizza
James L. Reifinger
Ronald and Suzanne Reising
John L. Reitz
Carl Rexroad and Carol Pierce
Carolyn J. Rice
William and Nancy Riggert
Paul and Barbara Ristau
Donald E. Ritter
Deborah Rivas
Trineice M. Robinson-Martin
Edward and Donna Ronco
Robin S. Rothrock
Mary-Lynn Sachse
Robert and Ruth Salek
Eric B. Samuelson
Anne E. Sanders
Virginia G. Sarber
David Sasso and Dana Small
Arthur and Carole Schreiber
Matthew R. Schuler
Monte Schwarzwalder and Rebecca Henry
Beverly Scott and Sylvia Patterson-Scott
Carol B. Scott
Perry and Lisa Scott
John A. Seest
Ilana and Uriel Segal
Richard Sengpiehl and Mary Adams
Danny and Sarah Sergesketter
Christine J. Shamborsky
Nancy L. Shane
Nadine E. Shank
David L. Shea
Abner Slatt and Pamela Haft
Eliot and Pamela Smith
Estus Smith
John and Juel Smith
Linda K. Smith
Robert Smith and Janice Lesniak
John and Laura Snyder
Fredrick and Lori Spencer
Viola J. Spencer
Stanley and Cynthia Springer
Darell and Susan Stachelski
Sonja A. Stambaugh-Latimer
Anthony and Elizabeth Staskunas
Joseph and Nina Steg
Paul Stephenson and Maria Schmidt
Tom and Melinda Straley
James L. Strause
Michael D. Sweeney
Yasuoki Tanaka
Dana W. Taylor
Charles and Diane Taylor
Joyce A. Taylor
Kathleen A. Taylor
Robert Thomas and Mary FahnestockThomas
Jo Throckmorton and Jillian Kinzie
Joseph and Diana Tompa
Stephanie G. Tretick
Philip and Alice Trimble
Cheryl A. Tschanz
Mary E. Ulrey
Robert C. VanNuys
Dianne Vars
Robert and Kayla Vodnoy
Barbara J. Waite
Jeffrey D. Walker
Leslie E. Wallis
Louis A. Wallis
Sarah F. Ward
Paul and Mary Waytenick
Jerry and Bonnie Weakley
Barbara C. Weber
Eugene and Frances Weinberg
Daniel Weiss
Susan E. Westphal
John and Mary Whalin
Jonathan J. Whitall
E.G. and Sharon White
Dolores Wilson
Lawrence A. Wilson
Norma K. Wilson
James F. Winfield
Richard and Donna Wolf
George W. Wolfe
John and Margaret Woodcock
Eric A. Woodhams
Danny and Karen Wright
Timothy and Sara Zwickl
Leadership Circle
Members of the Leadership Circle have contributed lifetime gifts of $100,000 or
more to the Indiana University Jacobs School of Music . We gratefully acknowledge the
following donors, whose generosity helps the school reach new heights and build a sound
financial framework for the future .
Over $10,000,000
The Estate of Barbara M. Jacobs
Lilly Endowment, Inc.
Louise Addicott-Joshi and Yatish Joshi
Gary and Kathy Anderson
Cook, Inc.
Dorothy Richard Starling Foundation
The Estate of Juanita M. Evans
Georgina Joshi Foundation, Inc.
Jack and Linda Gill
Jack* and Dora Hamlin
David H. Jacobs
Krannert Charitable Trust
Ann & Gordon Getty Foundation
Arthur R. Metz Foundation
The Estate of Ione B. Auer
Alexander S. Bernstein
Jamie Bernstein
Nina Bernstein Simmons
The Estate of George A. Bilque
Jack and Pamela Burks
Carl A. Cook
Gayle T. Cook
The DBJ Foundation
The Estate of Frederick G. and Mary M.
Freeburne
Wilbert W. Gasser* and Mary Kratz
Gasser
Ann and Gordon Getty
Jamey and Sara Aebersold
The Estate of Wilfred C. Bain
Olimpia F. Barbera
The Estate of Angeline M. Battista
Beatrice P. Delany Charitable Trust
The Estate of Sylvia F. Budd
The Estate of Marvin Carmack
Christel DeHaan Family Foundation
Christelina DeHaan
The Estate of Alvin M. Ehret
Over $1,000,000
The Estate of Juana Mendel
The Estate of Clara L. Nothhacksberger
The Estate of Paul and Anne
Plummer Trust
$500,000 - $999,999
The Estate of Eva M. Heinitz
Sandy Montenegro Littlefield
Robert R. O’Hearn
Richard and Barbara Schilling
The Estate of Eva Sebok
The Estate of Ruth E. Thompson
$250,000 - $499,999
The Estate of Lucille Espinosa
Richard E. Ford
The Estate of Emma B. Horn
IBM Global Services
Irwin-Sweeney-Miller Foundation
The Estate of David H. Jacobs
The Estate of Harold R. Janitz
Peter and Monika Kroener
Shalin C. Liu
The Estate of Nina Neal
Presser Foundation
Rudolph and Joy Rasin
The Estate of Naomi Ritter
Murray and Sue Robinson
The Estate of Lee E. Schroeder
Scott and Kathryn Schurz
The Estate of Maidee H. Seward
Bren Simon
David and Jacqueline Simon
Deborah J. Simon
Herbert Simon
The Estate of Melvin Simon
William E. and Cynthia L. Simon
The Estate of Ursula Apel
Fred C. Arto
Artur Balsam Foundation
The Estate of Robert D. Aungst
Robert Barker and Patsy Fell-Barker
Hank J. Bode and Susan Cartland-Bode
Bennet and Cynthia Brabson
Brabson Library and Education
Foundation
The Estate of Jean R. Branch
The Estate of Frances A. Brockman
Cole & Kate Porter Memorial Graduate
Fellowship in Music
Jean Creek and Doris Shoultz-Creek
Mavis M. Crow
The Estate of William H. Earles
The Estate of Robert A. Edwards
Marianne Y. Felton
Ford Meter Box Foundation Inc
The Estate of Frederick G. Freeburne
The Estate of Thomas L. Gentry
Georgia Wash Holbeck Living Trust
Paul and Ellen Gignilliat
The Estate of Theodore C. Grams
The Estate of Marjorie Gravit
The Estate of David C. Hall
The Estate of Margaret H. Hamlin
Robert and Sandra Harrison
Rusty and Ann Harrison
Harrison Steel Castings Company, Inc.
The Estate of Jascha Heifetz
Joan & Marvin Carmack Foundation
Ruth Johnson
The Estate of Eleanor Knapik
The Estate of Eugene Knapik
P. A. Mack
David and Neill Marriott
The Estate of Margaret E. Miller
The Estate of Samuel and Martha Siurua
Paul and Cynthia S. Skjodt
Summer Star Foundation for Nature, Art,
and Humanity
Marianne W. Tobias
The Estate of Herman B Wells
The Estate of John D. Winters
$100,000 - $249,999
Betsy Myers Bain
The Estate of Jean P. Nay
Penn Asset Equity LLC
Leonard Phillips and Mary Wennerstrom
The Estate of Charlotte Reeves
The Estate of Dorothy Rey
William D. Rhodes Foundation
The Estate of Dagmar K. Riley
Stephen Russell and Mag Cole Russell
The Estate of Virginia Schmucker
Fred Simon
Smithville Telephone Company, Inc.
Theodore W. Batterman Family
Foundation, Inc.
Thomson, Inc.
The Estate of Mary C. Tilton
Kenneth C. Whitener
The Legacy Society
The Legacy Society at the Indiana University Jacobs School of Music honors the
following individuals who have included the Jacobs School as a beneficiary under their wills,
trusts, life insurance policies, retirement plans, and other estate-planning arrangements .
David* and Ruth Albright
Richard and Ann Alden
Janette Amboise-Chaumont*
Gary and Kathy Anderson
John and Adelia Anderson
Peggy K. Bachman
Dennis and Virginia Bamber
Christa-Maria Beardsley
Michael E. Bent
Richard and Mary Bradford
Mildred J. Brannon*
Marjorie Buell
Pamela Buell
Gerald and Elizabeth Calkins
Marvin Carmack*
Sarah Clevenger
Eileen T. Cline
Esther R. Collyer*
Jack and Claire Cruse
John* and Doris* Curran
Susie J. Dewey
D. Michael Donathan
Luba Dubinsky
Thomas and Ellen Ehrlich
Sandra Elkins
H. C. Engles
Eleanor R. Fell*
Michael and Sara Finton
Phillip* and Debra Ford
Frederick* and Mary* Freeburne
Marcella I. Gercken
Monroe A. Gilbert
Harold* and Lucille Goodman
Ruth Grey
Ransom* and Mary Jo Griffin
Jonathan L. Gripe
Kathy Gripe
Jack* and Dora Hamlin
Charles Handelman
James R. Hasler
David and Mildred Hennessy
Clara Hofberg
David M. Holcenberg
William T. and Kathryn* Hopkins
David E. Huggins
Harriet M. Ivey
Douglas and Virginia Jewell
Walter and Bernice* Jones
Ted W. Jones
Myrna M. Killey
Martha R. Klemm
C. Ray and Lynn Lewis
Richard* and Ann Lilly
George and Brenda Little
Harriett Z. Macht
Marian L. Mack
P. A. Mack
Jeanette C. Marchant
Charles J. Marlatt
Susan G. McCray
Douglas McLain
Donald and Sonna Merk
William F. Milligan
Robert A. Mix
Dale and Cynthia Nelson
Del and Letty Newkirk
Robert R. O’Hearn
Lee Opie and Melanie Spewock
Richard* and Eleanor Osborn
Arthur Panousis
Gilbert and Marie Peart
Jean A. and Charles F.* Peters
Leonard M. Phillips and Mary
Wennerstrom
Paul* and Anne S.D.* Plummer
Jack W. Porter
Stanley E. Ransom
Clare G. Rayner
Robert and Carlene Reed
Charlotte Reeves*
Albert and Lynn Reichle
Gwyn and Barbara Richards
Ilona Richey
Murray and Sue Robinson
John* and Patricia Ryan
Barbara R. Sable
Roy and Mary Samuelsen
George P. Sappenfield
Hubert A. Seller
John and Lorna Seward
Odette F. Shepherd
Judith E. Simic
Donald G. Sisler
Catharine A. Smith
George P. Smith, II
Mary L. Snider
William and Elizabeth Strauss
Douglas* and Margaret Strong
Robert D. Sullivan
Maxine M. Talbot
Hans* and Alice Tischler
Jeffrey S. Tunis
Henry and Celicia Upper
Nicoletta Valletti
Robert J. Waller
Patrice M. Ward-Steinman
Charles H. Webb
Michael D. Weiss
Robert* and Patricia Williams
* Deceased
Friends of Music Honor Roll
Calendar Year 2013
The mission of the Society of the Friends of Music is to raise scholarship funds for deserving,
talented students at the Indiana University Jacobs School of Music . The society was established
in 1964 by a small group led by Herman B Wells and Wilfred C . Bain . We are pleased to
acknowledge outright gifts made between January 1, 2013, and December 31, 2013 .
Guarantor Scholarship Circle
Hoagy Carmichael
$10,000
Rusty and Ann Harrison
Cole Porter
$5,000 - $9,999
Robert Barker and Patsy Fell-Barker
Susie J. Dewey
Stephen and Jo Ham
Friends of Music
$5,000 and Above
Robert Barker and Patsy Fell-Barker
Susie J. Dewey
Stephen and Jo Ham
Rusty and Ann Harrison
Richard and Barbara Schilling
Scott and Kathryn Schurz
Herman B Wells Circle
Gold
$2,500 - $4,999
Jim and Laura Byrnes
Eleanor F. Byrnes
Nelda M. Christ
Michael C. Donaldson
Timothy W. Kittleson
Herbert Kuebler and Phil Evans
Dennis and Judith Leatherman
Jeanette C. Marchant
Charles and Julia McClary
Michael and Laurie McRobbie
Murray and Sue Robinson
Silver
$1,000 - $2,499
Robert Agranoff and Susan Klein
Ruth Albright
James and Susan Alling
John and Teresa Ayres
Jennifer A. Cast
William and Anita Cast Jean Creek
and Doris Shoultz-Creek
Frank Eberle and Cathy Cooper
Harvey and Phyllis Feigenbaum
Richard E. Ford
Paul and Ellen Gignilliat
James and Joyce Grandorf
Rajih and Darlene Haddawi
Richard Ham and Allison Stites
Frank and Athena Hrisomalos
Lawrence and Celeste Hurst
Peter P. Jacobi
Jennifer Johnson
Ruth Johnson
Peter and Monika Kroener
Ronald and Linda Maus
Stephen Medlyn and Cynthia Farquhar-Medlyn
Gerald and Anne Moss
Lucina B. Moxley
Dale and Cynthia Nelson
Lenny and Lou Newman
John and Lois Pless
Gwyn and Barbara Richards
David and Virginia Rogers
Phyllis C. Schwitzer
Karen Shaw
Anthony and Jan Shipps
Christopher and Ann Stack
L. Robert and Sylvia Stohler
Gregg and Judith Summerville
Susan E. Trippet
James and Joan Whitaker
Galen Wood
John and Linda Zimmermann
Dean Wilfred C. Bain Circle
Patrons
$500 - $999
James and Ruth Allen
Donald and Debbie Breiter
Jack and Pamela Burks
William and Helen Butler
John and Cathleen Cameron
Edward S. Clark
Vivian L. Counts
Fred and Suzanne Dahling
Gayl and Beverly Doster
James and Jacqueline Faris
Richard S. Forkner*
Robert and Ann Harman
Carter and Kathleen Henrich
Ernest Hite and Joan Pauls
Jeffrey and Lesa Huber
Kenneth and Linda Kaczmarek
Howard and Linda Klug
George and Cathy Korinek
Harlan Lewis and Doris Wittenburg
Perry J. Maull
Vera M. O’Lessker
Dennis W. Organ
Leonard Phillips and Mary Wennerstrom
L. David Sabbagh and Linda Simon
Randy Schekman and Nancy Walls
Curtis and Judith Simic
Richard Small and Elizabeth Hewitt
Blount and Anna Stewart
Henry and Celicia Upper
Martha F. Wailes
Charles H. Webb
Sustainers
$300 - $499
S. Christian and Mary Albright
Rodger and Diana Alexander
Gary and Kathy Anderson
Peggy K. Bachman
Olimpia F. Barbera
Marian K. Bates
Mark and Ann Bear
Daniel J. Bender
Richard E. Bishop
Del and Carolyn Brinkman
Gerald and Elizabeth Calkins
James and Carol Campbell
Sarah Clevenger
Charles and Helen Coghlan
Larry and Joyce Crawley
Lee and Eleanore Dodge
David R. Elliott
Edward and Mary Fox
Anne T. Fraker
Dana and Tammy Good
Robert and Martha Gutmann
R. Victor Harnack
David and Rosemary Harvey
Steven L. Hendricks
Robert and Doris Johnson
Martin and Linda Kaplan
Shirley Krutilla
Michael Larsen and Ayelet Lindenstrauss
Kenneth Mackie and Yvonne Lai
Herbert and Judy Miller
John and Geraldine Miller
Michael Molenda and Janet Stavropoulos
Edward Mongoven and Judith Schroeder
Del and Letty Newkirk
Roger and Ruth Newton
David and Barbara Nordloh
Fred A. Place
Mary J. Reilly*
John and Lislott Richardson
Albert and Kathleen Ruesink
Jerard and Nancy Ruff
Richard C. Schutte
John and Lorna Seward
Odette F. Shepherd
Alexis Spencer
Francis William and Cynthia St. Leger
Lewis H. Strouse
Kenneth and Marcia VanderLinden
Steven and Judith Young
Donors
$100 - $299
David and Melanie Alpers
Ethan and Sandra Alyea
Janette Amboise-Chaumont*
John and Dianna Auld
Richard and Adrienne Baach
Mark J. Baker
David and Judith Barnett
Robert and Patricia Bayer
Bonnie Beach
David and Ingrid Beery
Joshua D. Bell
Shirley Bell
Ernest and Eva Bernhardt-Kabisch
Charles and Nancy* Bonser
Herbert and Juanita Brantley
Bill and Jaclyn Brizzard
Alexander and Virginia Buchwald
Susan L. Burk
Derek and Marilyn Burleson
Barbara J. Byrum
Barbara Carlson
George and Lynda Carlson
Gerald and Beatrice Carlyss
Howard and Elizabeth Chapman
H.E. and Chatherine Charles
John and Phyllis Clapacs
Steven and Karin Coopersmith
Rob and Christine Cowan
John and Carol Dare
Jefrey and Pamela Davidson
Linda Degh-Vazsonyi
Julia DeHon
Deborah Divan
David and Jennie Drasin
John and Beth Drewes
Jon and Sarah Dunn
Raymond and Judith Dusman
Mark and Karin Edwards
Stephen A. Ehrlich
Peter and Pearl Ekstrom
Joe and Gloria Emerson
Mary K. Emison
Michael and Cheryl Engber
Marianne Y. Felton
James and Joan Ferguson
Richard and Susan Ferguson
Robert and Geraldine Ferguson
George and Jo Fielding
Lydia V. Finkelstein
Bruce and Betty Fowler
Dorothy J. Frapwell
Donald and Sandra Freund
Draeleen Gabalac
Bernardino and Caterina Ghetti
Jeffrey and Toby Gill
Michael and Patricia Gleeson
James and Constance Glen
Henry H. Gray
John J. Greenman
Jerry and Linda Gregory
Kenneth R. Gros Louis
Henry C. Gulick
Samuel and Phyllis Guskin
David Hacker
Thomas and Susan Hacker
Hendrik and Jacobina Haitjema
Stanley and Hilary Hamilton
Ralph E. Hamon
Andrew Hanson and Patricia Foster
Kenneth and Janet Harker
Pierrette Harris
Robert and Emily Harrison
James R. Hasler
Lenore S. Hatfield
Edward and Linda Heath
Barbara J. Henn
James and Sandra Hertling
David and Rachel Hertz
John D. Hobson
Patricia H. Hodge
Rona Hokanson
Richard and Lois Holl
Diane S. Humphrey
Margaret J. Intons-Peterson
Roger and Carol Isaacs
Martin D. Joachim
Lora D. Johnson
Donald and Margaret Jones
Burton and Eleanor Jones
Gwen J. Kaag
Kenneth and Amy Kaczmarek
Berkley Kalin
Patricia C. Kellar
Janet Kelsay
Marilyn J. Kelsey
Thomas and Mary Kendrick
John and Julianne King
James Koch and Mary Cox
Ernest and Dawn Koenig
Peter Koenig and Mary Jamison
Ronald and Carolyn Kovener
Rose Krakovitz
William A. Kunkel
Eric Lai and Grace Lok
David and Suzanne Larsen
Joan B. Lauer
John and Julia Lawson
Katherine C. Lazerwitz
Edoardo A. Lebano
Diana R. Lehner
Louis and Myrna Lemberger
Leslie and Kathleen Lenkowsky
Big Red Liquors, Inc.
Culver Family Foundation
Fidelity Charitable Gift Fund
Mitzi A. Lewison
Carolyn R. Lickerman
Pamela K. Liebing
Jeffrey Lim
Peter and Carol Lorenzen
Alvin and Susan Lyons
P. A. Mack
Andrew and Jane Mallor
William and Eleanor Mallory
Mayer and Ellen Mandelbaum
Nancy G. Martin
Susann H. McDonald
James L. McLay
Joseph and Ruth Miller
G. Scott and Rosalind Mitchell
Stephen and Sandra Moberly
Lois Morris
John and Patricia Mulholland
John Myers
Marcia M. Nagao
Frank and Nancy Nagler
Daniel and Heather Narducci
Marilyn F. Norris
Douglas and Roma North
Harold and Denise Ogren
Joan C. Olcott
Richard and Jill Olshavsky
Robert and Mary Orben
Dan F. Osen
Elayne Ostrower
Harlan and Joanna Peithman
Russell Percifield
Dorothy L. Peterson
Ronald and Frona Powell
Stephen and Darlene Pratt
Earl and Dorothy Prout
Kenneth Renkens and Debra Lay-Renkens
Joseph Rezits and Norma BeversdorfRezits
William and Dorothy Richards
Jill A. Robinson
John and Mary Rucker
Ruth L. Rusie
James and Helen Sauer
Lynn L. Schenck
Robert and Alice Schloss
Fredric and Nancy Schroeder
Richard C. Searles
Christian and Mary Seitz
Herbert A. Seltz
Richard Shiffrin and Judith Mahy-Shiffrin
John and Rebecca Shockley
Anson and Janet Shupe
Michael A. Simkowitz
Ruth Skernick
David Smith and Marie Libal-Smith
Eliot and Pamela Smith
Janet S. Smith
John and Laura Snyder
Fredric and Roberta Somach
Stephen T. Sparks
Malcolm and Ellen Stern
Ellen Strommen
Linda Strommen
William and Gayle Stuebe
Saundra B. Taylor
Charlotte H. Templin
Charles Thompson and Gina Reel
Roderick Tidd and Lisa Scrivani-Tidd
Samuel B. Troxal
Hillard and Ruth Trubitt
Jeffrey S. Tunis
William and Jane Volz
Robert and Marcia Voss
Janet K. Wagner
Sharon P. Wagner
Judith Walcoff
George Walker and Carolyn LipsonWalker
Donovan R. Walling
Joseph and Esther Weaver
Ewing and Kay Werlein
G. Cleveland and Frances Wilhoit
Natalie J. Williams
Patricia L. Williams
James and Ruth Witten
Thomas and Sara Wood
Virginia A. Woodward
William L. Yarber
James and Rachel Zimmerman
Corporations and Foundations
Five Star Quality Care, Inc.
Fred A. Place Accounting LLC, PA
Jewish Federation of Greater Indianapolis
Legacy Fund Community Foundation
Meadowood Retirement Community
Waterfield Foundation, Inc.
Companies Providing Matching Gifts
Eli Lilly & Company
Genworth Foundation
Goodrich Foundation
IBM International Foundation
Planned Gifts
We are grateful to those individuals who have expressed their interest in ensuring
scholarship support for tomorrow’s students today by making a planned gift through a
testamentary gift in their estate planning by a will or trust, charitable gift annuity, or retirement
plan . We are pleased to acknowledge those individuals who have provided gift documentation .
David* and Ruth Albright
Peggy K. Bachman
Marvin Carmack*
Anita Hursh Cast
Esther R. Collyer*
Douglas and Virginia Jewell
Jeanette C. Marchant, in memory of
Emerson R. and Velma R. Calkins
James and Helen* Pellerite
Charles F.* and Jean A. Peters
Judith E. Simic
Jeffrey S. Tunis
* Deceased
IU Opera Theater Production Staff
General Manager . . . . . . . . . . . . . . . . . . . . . . . Dean Gwyn Richards
Executive Director of Production . . . . . . . . . . . . . . . . Timothy Stebbins
Director of Coaching and Music Administration . . . . . . . . . . . Kevin Murphy
Faculty Director of Opera Choruses . . . . . . . . . . . . . . . . . . Walter Huff
Executive Administrator of Instrumental Ensembles . . . . . . Thomas Wieligman
Coordinating Opera Coach . . . . . . . . . . . . . . . . . . . Kimberly Carballo
Coach Accompanists . . . . . . . . Piotr Wisniewski, Chan Mi Jean, Mark Phelps
Stage Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Laura Judson
Assistant Stage Managers . . . . . . . . . . . . . . Rickelle Williams, John Hunter
Technical Director . . . . . . . . . . . . . . . . . . . . . . . . .Alissia Garabrant
Director of Paint and Props . . . . . . . . . . . . . . . . . . . . . Mark F. Smith
Costumeshop Supervisor . . . . . . . . . . . . . . . . . . . . . . . Dana Tzvetkov
Costumeshop Projects Manager . . . . . . . . . . . . . . . . . . . Soraya Noorzad
Wardrobe Supervisor . . . . . . . . . . . . . . . . . . . . . . . . Lani Tortoriello
Lead Costume Specialist . . . . . . . . . . . . . . . . . . . . . . Dana Tzvetkova
Costume Specialists . . . . . . . . . . . . Soraya Noorzad, Magdalena Tortoriello
Wigs and Makeup Designer . . . . . . . . . . . . . . . . . . . . . . .Gary Arave
Head of Lighting . . . . . . . . . . . . . . . . . . . . . . . . . . . . Patrick Mero
House Electrician . . . . . . . . . . . . . . . . . . . . . . . . . . . . Fritz Busch
Stage Carpenters . . . . . . . . . . . . . . . . . . Ken D’Eliso, Andrew Hastings
Administrative Production Assistant . . . . . . . . . . . . . . . . . . Brenda Stern
Director of Recording Arts . . . . . . . . . . . . . . . . . . . . . .Konrad Strauss
Sound Designer . . . . . . . . . . . . . . . . . . . . . . . . . Douglas McKinnie
Audio Technician . . . . . . . . . . . . . . . . . . . . . . . . . . Fallon Stillman
Box Office and House Manager . . . . . . . . . . . . . . . . . . . . . . Tridib Pal
Editor and Publicity/Media Relations Specialist . . . . . . . . . . . Linda Cajigas
Director of Design . . . . . . . . . . . . . . . . . . . . . . . . . . Neil Robinson
Director of Digital Design . . . . . . . . . . . . . . . . . . . . . . . Patrick Eddy
Music Programs Editorial Specialist . . . . . . . . . . . . . . . . . Jonathan Shull
Marketing and Publicity Assistant . . . . . . . . . . . . . . . . . . . Sarah Slover
Administrative Assistant . . . . . . . . . . . . . . . . . . . . . . . Martha Eason
Assistant Technical Director . . . . . . . . . . . . . . . . . . . . Nicholaus Miller
Assistant Properties Master . . . . . . . . . . . . . . . . . . . . . . . . Gwen Law
Assistant Scenic Artist . . . . . . . . . . . . . . . . . . . . . . . . . .Don Geyra
Assistant Costume Specialist . . . . . . . . . . . . . . . . . . . . . Swallow Leach
Assistant First Hands . . . . . . . . . . . . . . . .Sarah Akemon, Wendy Langdon
Noriko Zulkowski
W. A. Mozart
Sept. 20, 21, 27, 28
Werther
Jules Massenet
Oct. 25, 26 | Nov. 1, 2
Hansel
and Gretel
Engelbert Humperdinck
Nov. 15, 16, 21, 22
UPDATED PRODUCTION
The Tale of
Lady Thi Kính
P. Q. Phan
Feb. 7, 8, 14, 15
WORLD PREMIERE
H.M.S. Pinafore
Gilbert and Sullivan
Feb. 28 | March 1, 7, 8
La Traviata
Giuseppe Verdi
April 11, 12, 18, 19
NEW PRODUCTION
TICKETS
Musical Arts Center Box Office
Monday - Friday, 11:30-5:30
(812) 855-7433
music.indiana.edu/operaballet
BALLET
OPERA
Le Nozze
di Figaro
Classical
Europe
Celebrating Violette
Oct. 4, 5 Fall Ballet
Divertimento No. 15
Variations for Eight
Left Unsaid
The
Nutcracker
Dec. 5, 6, 7, 8
East by
Northeast
March 28, 29 Spring Ballet
La Bayadère Act II
Airs
Donizetti Variations

Donata Cucinotta, Soprano Biography Noted for her “particularly fine

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コチラ

RIAM Suor Angelica Programme 2015 - TARA

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Study Guide for Turandot

2015 - February 10th Power Breakfast Invitation-Draft